Fairfield, Maine, November 30 & December 1, 2007. - Renowned for bringing fresh-to-the-market, top shelf antiques to auction, the firm of James D. Julia, Inc. has over the last 40 years continued to find exquisite rarities and the buyers to appreciate them. Of equal importance is both the ability to obtain the merchandise and to successfully market it. Their recent two-day glass and lamp auction had both sides of the equation covered. With just over 800 lots, the sale grossed just shy of $1.7 Million against a total low estimate of items sold of $1.19 Million. Dudley Browne, Julia's department head of their glass and lamp division commented, “I am pleased with the sale. There were a lot of strong prices throughout, and as with any auction, you have to expect a small percentage of pieces that won’t find buyers.” Of the stunning array of treasures that were assembled from important collections and estates from across North America, included was a marvelous selection of Tiffany glass, lamps and desk accessories, fine art glass, French Cameo, and Victorian glass.

One of the many highlights in the sale was a gorgeous Tiffany mosaic peacock shade. A fresh discovery, originally designed for use with a kerosene chandelier, the hanger measures a mammoth 38" across and features a wealth of colorful iridized peacock feather panels. A similar example pictured in an authoritative book on Tiffany lamps by Neustadt described it as the only one known to exist. This example is now the second. Recently discovered stored in a warehouse it will now go to a collector who was the victorious bidder in a vigorous bidding battle. The final price of $69,000 was reached leaving its $10,000/15,000 estimate far behind.

This joined numerous Tiffany leaded lamps including some beautiful geometric examples and other various patterns. A wonderful Tiffany Studios turtleback chandelier consisting of an inverted dome comprised of gold iridescent Favrile geometric panels was completed with a top edge of curlicue braided rope trim. It changed hands at $37,950, surpassing its $25,000/35,000 estimate. A Tiffany Studios daffodil table lamp with a swath of flowers with heavily ribbed centers against a cream and green background, resting on a simple yet elegant slender root base was a popular choice. It neared the midrange of its $35,000/45,000 estimate to sell for $39,100. Other highlights included a Tiffany geometric table lamp with hundreds of green and orange mottled panels atop a Bradley & Hubbard copper urn base. It finished up at $16,100, exceeding expectations of $12,000/15,000.

Tiffany lamps in the "unleaded" variety included a gorgeous 10-light lily. Slender stems emerged from the naturalistic lily pad bronze base, terminating in a downward turned bouquet of green pulled feather shades. It sold for $35,650 against an estimate of $30,000/40,000. Other examples included a marvelous Linenfold table lamp with dark and light amber panels atop a flared base decorated with scroll design. Sometimes referred to as Fabrique shades, the formed glass panels conceived by Tiffany created the illusion of stretched rippled fabric. This outstanding lamp, including its original Linenfold cap exceeded its estimate of $20,000/25,000 to bring $36,800. A set of five Tiffany Favrile bullet shades housed in a more contemporary bronze chandelier fixture did not leave the block without a fight. The scarce iridescent shades decorated with a pulled feather pattern beneath a linked chain design showed beautiful form. The chandelier sold for $28,750 versus a presale estimate of $15,000/20,000 while a single Favrile pulled feather bullet shade exceeded expectations of $1,500/2,000 to bring $4,715. And an unusual Tiffany lamp consisting of a three-panel screen shade, with each shade centered with an iridescent purple and green turtleback segment quadrupled its $3,000/5,000 estimate to sell for $12,075.

Not to be outdone, makers such as Steuben gave Tiffany a run for their money. Never before seen at public auction, an exceptional large scale Steuben moss agate inverted bell shaped hanger in rich earth tones chimed in with a final selling price of $28,750 within its $25,000/35,000 estimate. A Steuben millefiori lamp with delicate flowers and gold iridescence on both its shade and matching base combined form and function in a lovely package. It sold for $17,250 against expectations of $10,000/15,000. A highly sought after Daum rain scene lamp showing barren trees bending in the driving rain against a subtle pink and frosted green background brought $32,200 within a forecasted estimate of $30,000/50,000. And a large Quezal art glass dome shade in iridescent yellow pulled feathers sold for $4,600 versus a $2,500/3,500 estimate.

Other lighting included a plethora of Pairpoint puffy examples, particularly a pansy. With realistic reverse painted flowers on its scalloped blown out shade, it sold for $9,200 against a $3,000/5,000 estimate. Other lighting included a pair of Handel palm tree overlay hanging lanterns with Sunset glass panels under tropical silhouettes. It weighed in with a $10,000/15,000 estimate, going out at $11,500. And an outstanding Galle mold blown Chapelle lamp in the form of a self-satisfied rooster whose brilliant red glass body appeared to nearly burst through his reticulated metal frame sold for $8,625 versus an estimate of $8,000/12,000.

In addition was an expansive selection of art glass including Steuben, Tiffany, Lustre Art, and Quezal. An extensive private collection of Quezal art glass that until recently has been in storage, not having seen the marketplace for many years included a never before seen flower form vase with delicate pulled design against a lightly iridescent clear background that sold for $20,125 (est. $18,000/25,000). A rare Quezal hooked feather decanter with lush multicolored iridescence over a gold background brought a spirited $19,550 against an estimate of $18,000/25,000, going to an advanced collector in attendance. A stunning and unusual Quezal decorated vase with applied iridescent gold tendrils over a pulled feather design and cutaway rim was an eye catcher. It finished up at $16,100 surpassing an estimate of $10,000/15,000. And a spectacular Quezal decorated vase with iridescent hooked feather design across the body and shoulder sold for $9,487, more than doubling its $4,000/5,000 estimate.

Works by Steuben were well received. A beautiful green Aurene trumpet vase with iridescent gold heart & vine decoration found a buyer at $11,500. And it was a rare Oriental influenced Steuben yellow jade covered vase offered is own surprise, hitting $5,175 against an estimate of $900/1,200.

Early Lalique included a Pintade mascot in the form of a Guinea hen that sold for $12,650 (est. $12,000/15,000). A stunning Sauterelles vase decorated in high relief with grasshoppers and blades of grass was estimated for $6,000/7,000 and sold for $6,325. And a Perruches vase by R. Lalique impressed all over with pairs of intertwined parakeets brought at the upper end of its $6,000/7,000 estimate for $6,900.

Adding to the breadth of the sale was a marvelous offering of French and English Cameo glass by the most sought after names in the genre. Included were Daum, Galle, Burgun & Schverer, Webb, and more. Daum included a large and impressive cameo and enameled vase with pink marguerite flowers on a mottled pink and yellow background. Its rare color scheme and brilliant hues made for a stunning find, selling for $13,800 against expectations of $12,000/15,000. A marvelous Daum cameo and enamel flared vase decorated with pink and red flowers over a mottled pink background saw active bidding, reaching $11,500 within its $9,000/12,000 estimate. Though not cameo that Daum is renowned for, an impressive and rare Daum Renee II enameled footed vase was worthy of notice. Featuring a disc shaped body showing the Duke of Lorraine atop his horse charging into battle with sword held high, it cut through its $8,000/12,000 pre-auction estimate to ultimately sell for $16,675.

Other cameo pieces included a magnificent monumental Muller vase with red cameo Oriental designs including Japanese women walking beside a pond among flowers, trees, and cranes. This sizeable piece brought $7,475 against expectations of $6,500/7,500. And a stunning Burgun & Schverer vase with internal decoration, wheel carved flowers, and gilt highlights on a mint green background settled in at $11,500 within its estimate of $10,000/15,000.

English cameo glass was highlighted by a Webb windowpane vase. This rare piece featured three framed windows with vines climbing up the sides of a brick pattern exterior. In sublime white and gray glazes over a green base glass, it sold for $23,000 against a $20,000/30,000 estimate. And a Webb lay down scent bottle in the form of a duck’s head exceeded its $3,500/4,500 estimate to sell for $4,600.

The auction continued with a select grouping of rare Wedgwood Fairyland Lustre from various collections around the United States. This magnificent and vibrant variety that wasn’t a huge commercial success in the 1920s when it was produced is now highly sought after because of its superb artistry and brilliant glazes. The line was made even more rare after artist Daisy Makeig-Jones destroyed many of her creations. Precious few still in existence occasionally come to market; this auction contained a splendid Malfrey pot in the Elves and Bell Branch pattern. This diminutive example, measuring only 3-5/8” tall, depicted various elves, fairies, and goblins dancing on spider web laden mushrooms. After a lengthy bidding battle it sold for $31,050, more than ten times its $3,000/5,000 estimate. A somewhat larger Malfrey pot in the "Bubbles II" pattern, decorated with a host of frolicking fairies, bubbles, and a larger than life spider gracing the lid, sold for $34,500 against a presale estimate of $22,000/32,000. Highlights from the grouping also included a gorgeous Fairyland Lustre vase in the Imps on a Bridge pattern against a brilliant flame lustre sky. It finished up at $20,700 exceeding expectations of $12,000/15,000.

A fine offering of rare Victorian glassware included numerous decorated Mt. Washington, Burmese, and Peach Blow pieces. It was two rare Mt. Washington black lava glass items that saw the most activity. A gold highlighted toothpick holder with shards of pink, blue, russet, teal, and brown hit $5,750, more than tripling its $1,500/2,500 presale estimate. And a small lava glass vase with applied reeded handles finished up at $4,025 against a $1,500/2,500 estimate.

Collectors of bronze Tiffany desk accessories were given a rare opportunity with a marvelous selection of hard to find patterns such as Bookmark, Pine Needle, Abalone, and Zodiac. The offering was a complete success; in fact the entire private collection of Tiffany Bookmark accessories sold for a phenomenal $69,175 against a total estimate of $21,800. For the executive who has it all, an outstanding enameled cigar box in the Bookmark pattern on a gold dore’ finish was just the thing. Two phone bidders took the piece well beyond its $1,200/1,500 estimate, going to the one willing to pay $12,765. Other enameled Tiffany also proved to be popular. A Tiffany Bookmark pen holder with Bakelite pen cup brought $6,670, more than 16 times its $400/600 estimate. The largest Tiffany Pine Needle frame ever seen or offered changed hands for $11,500 versus a $7,000/9,000 estimate. And a Tiffany cathedral shaped desk clock, deeply impressed with the Bookmark pattern and a rich gold patina sold for $6,612.

Julia's upcoming auctions include a fantastic antiques & fine art auction on January 31 & February 1, 2008. Their important firearms and military memorabilia auction will take place in March. Julia’s next glass & lamp auction will take place in Spring 2008, followed by a toy & doll auction. Julia’s is currently accepting consignments for these and other upcoming auctions. Call immediately for inclusion in these exciting sales. For more information, contact their offices at 207-453-7125. James D. Julia, Inc., P.O. Box 830, Dept. PR, Fairfield, ME 04937. E-mail: jjulia@juliaauctions.com.

Fairfield, Maine. November 13, 2007 - This has been another stellar year for Julia’s who set a large number of new world auction records and saw one of their strongest years to date. It was also a year of growth for the company, expanding their firearms division with hires Wes Dillon and Bill Taylor (formerly of the renowned Cabela’s sporting goods team), and also added Tony Greist to their antiques and fine art division. In addition, Julia’s has enlisted Dorothy McGonagle, noted doll & toy expert as an agent for consignments and as a representative at various shows, etc. She is now an independent dealer familiar with the auction process, having recently left another well-known auction house. She joins the expert team including Jay Lowe, Mike Caffarella, and Rick Saxman.

Helping to complete another banner year of auctions at James D. Julia’s, the firm will finish their 2007 season with two solid auctions. Their toy, doll, and advertising division will kick things off on November 13 followed by a fine glass and lamp auction on November 30 & December 1. The toy and doll sale promises to be another marvelous and diverse array of quality goods, including many fresh-to-the-market rarities. Fine French dolls, German characters, and unusual china dolls are just the beginning. The offering continues with exquisite doll furniture and dollhouses as well as a wonderful grouping of teddy bears, trains, American and European tin, cast iron, pressed steel, Christmas items, salesman samples, advertising and country store items, and more. At this writing, with collections being finalized and more quality goods coming in daily, the sale is showing signs of being another blockbuster.

Topping the list of dolls will be a stunning and rare large 28” 18th Century wooden doll with great facial features. Pictured in “The Heart of the Tree” book on wooden dolls, it comes to the block with an estimate of $20,000/30,000. Joining the offering is a marvelous Einco googly with her side glancing eyes and impish smile (est. $5,500/6,500) and a rare Carton Moule papier mache lady doll (est. $3,500/4,500). A gorgeous Huret fashion doll from the Eliza Prevost period is a great find and is expected to sell for $8,000/10,000. A marvelous 26” Bru Jne R 12 closed mouth doll with bulbous blue paperweight eyes carries an estimate of $7,000/9,000. Other French dolls consist of a variety of Jumeaus including a delightful all-original 14” Tete Jumeau #5 with deep blue paperweight eyes and a 25” Depose Tete Jumeau 11, each expected to bring $3,500/5,500. A 24” closed mouth Jumeau 11 with brown eyes and a sweet expression carries a presale estimate of $4,000/4,500. Adding to the mix will be a 26” E12D with blue paperweight eyes, full lips, and antique mohair wig is expected to sell for 3,000/3,500 and a desirable 29” RD4 with blue silk and lace dress that carries an estimate of $4,000/5,000. A gorgeous and rare large 25” “Morning Glory” china with delicate molding including an elaborate hairstyle incorporated with bright flowers is expected to sell for $7,000/10,000.

Attractive German character dolls include a charming 20” K*R 101 “Marie”, originally purchased by the owner for his wife of the same name, who now wishes to downsize their collection. The doll’s trademark pout and wonderful detail make for a nice package with a $3,500/4,500 estimate. From another collection, Marie’s mate, a 16” K*R 101 “Peter”, may attempt to stage a reunion. He comes to the block estimated for $2,500/4,500. Also fresh to the market is an enchanting 13” Bruno Schmidt “Wendy” character doll. Because of her charm and rarity, collectors may well ignore a nearly undetectable hairline at the rear of her head, carrying a presale estimate of $3,500/5,500.

And American doll makers get into the act with a rare Ives Blakeslee mechanical crawling baby. Cute as a button, it carries an $800/1,200 estimate. This is joined by a rare experimental Schoenhut hula dancer doll. This mechanical wooden doll with her original hula hoop is likewise expected to sell for $800/1,200.

Accessories for the collection will feature a truly phenomenal collection of exquisite doll furniture formerly of the Beverly Darling collection, many of which were created by the renowned H. Sacks and Sons of Brookline, Massachusetts. So intricately crafted, it is possible these miniatures were intended as salesman samples, but would certainly be a splendid addition to the most luxurious of dollhouses. Highlights include a two-part, inlaid mahogany and tiger maple breakfront. Topped with a shelved section behind a geometric pattern of glass paned doors with a molded crest and turned finials, its craftsmanship is unbelievable. Equally important, an elegant inlaid bow front server with doors and drawers aplenty on graceful spindle legs joins a serpentine front, slant top desk on ball and claw feet. The miniature brass pulls and other facets faithful (literally) to the minutest detail are awe inspiring. Also included will be other wonderful pieces such as a lovely corner cabinet, a long dining room table on curved legs, dressers, as well as a large selection of various adornments. Included will be some outstanding sterling silver such as miniature covered tureens, flatware, candlesticks, and service implements. The furniture and accessories are to be sold individually and in small lots estimated from the low hundreds to the several thousands and are sure to receive much attention.

Other highlights include a large and rather meticulous doll shop diorama. Encased in a wood and gilded glass case, it portrays a doll restorer busy at work surrounded by scores of parts, pieces, works in progress, and completed projects. One is taken by the details of this model and the work it took to create it. It comes to the block with a $3,000/4,500 estimate. Fine craftsmanship is also quite evident in a large, fresh from the attic three-story Gottschalk red roof dollhouse. With a façade featuring fenced balconies on every floor, beautifully carved and turned architectural elements and other details, it makes for stunning realism. The split hinged façade opens to reveal several well appointed rooms ready for a new well-to-do family. The house carries an estimate of $6,000/12,000.

For Steiff collectors, a generous selection of bears is sure to please. A rare 16” Steiff cinnamon bear from a local home retains his button and comes with a $4,500/6,500 estimate. A 12-1/2” beige example with an adorable face is expected to bring $1,000/1,500 and a cute 13” 1907 Steiff apricot colored bear with his button carries a $1,500/2,500 estimate. Also included will be a scarce 1893 Steiff jointed circus monkey with orange ball and wild fuzzy collar that is expected to finish up at $1,500/2,500.

Antique toys of every variety will hit the block with a wide range for the beginning and advanced collector. For the latter, a select grouping of Christmas items from various collections will feature a large platform toy with the jolly old elf and his moss sleigh being pulled by four reindeer. Similar to an example Julia’s sold in November 2006 for over $21,000, this one boasts its original FAO Schwartz label as well as its original box! It comes with a $12,000/16,000 estimate. A wonderful European example with seated Belsnickel at the reigns of his wooden sleigh is expected to bring $7,500/9,500. An impressive 26” Santa nodder candy container with stuffed hat and a great look stands upon a mica flecked snowy base. He carries a pack of toys and a $6,000/6,500 estimate.

Fine European toys will include the famed and rare German tin windup delivery truck advertising Strawbridge & Clothier. It comes to the block with its original box and a $2,500/4,500 estimate. Other German tin windups include a painted tin windup by Gunthermann of a pair of black minstrels that walk side by side playing their instruments. It carries an estimate of $2,500/3,500. Also, a Gunthermann carousel toy in which several gondolas circle round while tipping forward offers a lively ride. It is expected to bring $1,500/2,000. Another German offering with a carnival concept is a scarce Distler windup toy portraying a circus monkey that drives a brightly lithographed car and tips his hat. It rolls to the block with a $900/1,100 estimate.

A phenomenal German 9-pins container in the form of a reclining German Shepherd is in beautiful condition and comes to the block with a $6,000/8,000 estimate. A lot of three charming candy containers depicting historical figures Teddy Roosevelt, Uncle Sam, and John Bull, all astride papier mache rabbits in full gallop. The wonderful set, complete with inset glass eyes is a fresh find and is expected to bring $6,000/8,000.

This joins an ample collection of Lehmann toys, one of the more prolific and sought after names in toy collecting. Included will be the “Man-Da-Rin” depicting two Chinese coolies carrying a noble dignitary in the traditional basket. It is expected to bring $1,500/2,500. The collection continues with the ever-popular “Anxious Bride”, “Naughty Boy”, and Paddy & his pig, three amusing Lehmann toys that play out different comical scenes. Each is expected to bring $800/1,200. From a separate collection, a Lehmann “Kamerun” of an ostrich drawn cart comes with a $600/800 estimate. Additionally, the “Tut Tut”, “Zig Zag”, “AHA”, and “Li La” fashion a parade of fun toys with nonsensical names to add to your collection.

Character toys include a 1920s Powerful Katrinka tin windup from the Toonerville comics that features the generously proportioned matriarch pushing Jimmy in a wheelbarrow. She stops, lifts the cart over her head before continuing on her way. This great toy carries a presale estimate of $1,200/1,500. A pair of Marx Amos & Andy walkers waddle in with a $800/1,200 estimate.

A toy that has crossover appeal to soda advertising collectors is a scarce tin lithograph windup for Moxie depicting a man on horseback alongside an early open air automobile. This piece is expected to bring $1,000/1,500.

Transportation toys will feature a rare 24” Bing gun boat with a highly detailed deck with all the firepower for a battle royale. It comes with a $7,000/8,000 estimate. If the conflict hits land, you’ll need to be prepared with ground forces. Luckily, Julia’s upcoming auction will also include an enormous selection of Britains lead soldiers including several boxed sets and box lots.

But why let boys have all the fun? The management at Lionel may have asked that question when the company created a special edition pastel train set in the 1950s, just for girls. Clearly not their biggest seller, but as such it has become quite rare today. Even more amazing is that the forthcoming example is complete and retains all its original boxes, including set box. According to the consignor (the only girl in a family of boys) it was always put away immediately after its obvious very few uses so her brothers wouldn’t destroy it (as they did their toys). This single-owner, completely fresh offering is as fine condition you’ll ever see and shouldn’t be passed up. It is expected to sell for $4,000/6,000. For the other train collectors, there are several lots of Marklin, Bing, and Bubb trains and cars worthy of consideration.

Of a different level entirely is an extraordinarily rare opportunity to purchase a 7-1/4” gauge Bassett-Lowke live steam engine. Most likely made for a garden railway this amazing toy train is approximately 7 feet in length! It rolls in with a $20,000/30,000 estimate.

If faithful scale model trains are your thing, a single owner collection of contemporary scale models are sure to please. Featuring examples by Aster, Fine Art Models, and Row & Co., they exhibit the precision and exact detail of the originals that is just remarkable. Highlights include a NY Central Dreyfus Hudson #5454 with tender (est. $5,000/10,000), a Norfolk & Western #1240 with double tender (est. $6,000/12,000), two Union Pacific Big Boy #4000 series sets (each with $5,000/10,000 estimates), and many others. All having been in climate controlled storage in their original wood chests for the past decade, the condition remains outstanding.

Other miscellaneous toys and pieces that defy category will include an unusual felt covered camel nodder with a bisque headed rider. This charming piece comes with a $2,500/3,000 estimate. It is joined by a humorous paper litho clockwork diorama of an English gent after a long night of intoxication. He struggles to enter his home, accusing his wife of moving the keyhole as she’s prepared to attack him with a broom. This framed automaton carries an estimate of $2,500/3,500.

Fabulous miniatures will include a number of salesman samples, exact recreations of their full size counterparts. The owner of a phenomenal road grader by Stockland Road Machinery contacted Julia’s after their success this past spring with a Sprague salesman sample mower that brought $16,100 against an estimate of $3,500/5,500. The grader features intricate gear mechanisms in which one can smoothly adjust the height, angle, and pitch of the blade on the go. Finely crafted of wood, cast iron, and brass, it could be considered a work of art. Exceeding its presale estimate of $6,000/10,000 would come as no surprise. An outstanding Majestic salesman sample stove rich in detail and highlighted in nickel is expected to sell for $2,500/4,500. Other stoves include an unusual nickel and enamel restaurant style example reminiscent of Marklin that is expected to bring $1,000/2,000.

In addition to the toys and dolls, the sale will also contain a wide variety of advertising items in many different media and genres. This segment of the auction is highlighted by a magnificent reverse on glass sign for the famous Rock Island railroad line. Measuring nearly 8 feet long, it pictures a passenger train inset with mother of pearl in a mountain valley scene. One of the most highly sought after of reverse on glass signs, it comes to the block with a $10,000/20,000 estimate. Another reverse on glass piece, a rare factory scene for Yale Brewing Company with gold leaf highlights and bold graphics weighs in at $2,500/3,500.

Signage also includes a scarce early embossed tin sign for Carter’s mucilage. Estimated for $6,000/8,000, it portrays a comical scene of a black boy trying to extricate a wealthy gent who has sat in Carter’s potent glue. A gorgeous and rare embossed tin sign for Campbell’s Soup, predating Warhol’s Pop Art by half a century is an attention getter. Most of these signs were destroyed when public opinion of the day deemed it to be a desecration of the American Flag. It comes to the Julia block with an estimate of $10,000/15,000. For the sportsman will be a tin sign entitled “Hammer the Hammer” for Iver Johnson showing the strength of their firearms (est. $1,500/2,500) and several paper posters and prints for Remington, Austin, and others.

Other advertising includes a collection of country store staples including Diamond Dye cabinets. Sought after collectibles, their embossed tin panels feature vibrant graphics of varying scenes. Included will be the Governess with children enjoying a trip around the Maypole with their brightly dyed duds, the Jester cabinet, Balloon, and the more infrequent Fairy cabinet. They carry estimates ranging from $1,000 to $2,500. A cabinet for Dr. Daniels’ veterinary medicines is expected to sell for $1,000/2,000.

Recent additions include a scarce Regina 27” disc playing tabletop music box. Known as the “casket model” for its two double hinged doors on top, it carries an estimate of $5,000/7,000. Also just added will be a collection of advertising signs and displays formerly of the collection of a renowned NYC record executive. Known for signing some of the most well-known names in the industry throughout the 1980s, 1990s, and today, the collection consists of works promoting tobacco, brewery, foodstuffs, and much more.

A trip to one of Julia’s auctions is a treat not only because of the quality goods being offered, but also because of the fast paced and lively manner in which they’re sold, the amusing banter from the block, the free spread of hors d’oeuvres, sandwiches, and drinks available throughout the entire preview and auction. This together with the world class attention Julia’s pays their customers makes the trip all the more rewarding.

Previews: Monday, November 12, 9 a.m.-5 p.m., Tuesday, 8 a.m.-10 a.m. at Julia’s auction facility in Fairfield, Maine on Rt. 201, Exit 133 off I-95. Auction commences at 10 a.m. on Tuesday. Experts and cataloguers, Jay Lowe and Mike Caffarella will available the week of the sale for questions or consultation. For more information about this and other exciting sales, contact Andrew Truman at 207-453-7125, by email: atruman@jamesdjulia.com, or visit Julia’s website at www.juliaauctions.com. A deluxe full-color catalog for the auction will be available. Free full-color, detailed, illustrated brochures are available by contacting the Julia offices. The catalog will also be available on Julia’s website.

In October of 2004, James D. Julia Auctioneers conducted a $9 million dollar auction; the highest grossing firearms auction ever held in the world! In the fall of 2005 Julia’s re-set this world record with a $9.2 million gross, but the recent October 2007 auction blew past all previous figures with an astounding $11.23 million gross!

In the last 3-1/2 years, Julia’s has conducted seven auctions (2 a year) and sold approximately $60 million dollars worth of firearms with an auction average of approximately $8.5 million (this is also a world-record in the firearms auction industry). In this most recent record-breaking October auction, the $11.2 million was attained with only 1,349 lots and an average sale value per lot of $8,328 (also an industry record). In recent years, Julia’s auctions have been consistently successful in attracting, marketing and selling some of the more expensive firearms in the industry.

This year’s October auction commenced on Monday, October 8th with the renowned collection of Confederate arms amassed by Mr. Ben Michel. Mr. Michel, and extremely successful lawyer from New Jersey has been a passionate collector of arms, rare Marklin trains, French military arms, etc., since the early 1950s. His passion for Confederate arms continued into the 80’s when he had somewhat completed his collection. Ben’s collection of Confederate conversions is recognized as the most extensive of its type in the world. This special single-owner auction presented a rare opportunity for serious collectors of Confederate arms. The star of the collection was a rare LeMat 1st Model serial number 7 revolver originally on the famous Confederate iron-clad “Atlanta”. The revolver carried a presale estimate of $50,000-$100,000 and after a furious bidding battle, topped out at $166,750. An extensive collection of Confederate long arms included the extremely rare and desirable Tarpley carbine. Only around 100 of these were originally made and only 20 of these exist today. This rare example was estimated at $75,000-$125,000 and sold for $80,500. An exceedingly rare and desirable Confederate rising breech carbine estimated at $40,000-$60,000 finally sold for $46,000 and a scarce Confederate Cook & Bros. cavalry carbine estimated at $20,000-$25,000 went out at a strong $41,400.

Also included in Ben’s collection were some very rare Confederate Bowie knives including a fine Georgia Armory Confederate Bowie w/exceptional scabbard estimated at $6,000-$8,000 that sold for $13,225. As rare as Confederate arms are, their cartridges are even rarer. Ten original Enfield rifle cartridges in their original paper containers sold for $7,475. Lot 1203 was a historic relic from the battlefield of Cedar Mountain, Virginia; a Confederate wooden canteen with its very rare original linen sling together with a period inscription applied on the side indicating it was taken from the body of a captain of a Confederate North Carolina regiment; it sold for $9,200.

Immediately concluding the successful Ben Michel auction, Julia offered a number of consignments of very rare Civil War items from other collections. A Confederate Texas Dance revolver, estimated at $40,000-$60,000 went out at $51,750. The finest pair of consecutively numbered Confederate manufactured pistols known brought $132,250. Some years back, Julia’s sold a rare presentation Civil War sword presented to Col. Jacob Frick. The sword did extremely well at auction and later Julia’s was contacted by another branch of the Frick family who also had a presentation sword, once owned by this well known Medal of Honor winner. This second sword an attractive and embellished dress sword was estimated at $15,000-$20,000 and finally sold at $47,150.

In addition to the extraordinary Civil War items was also an outstanding offering of rare Colt revolvers. The “Holy Grail” for Colt collectors is the Walker pistol, made at the request of Capt. Walker by Sam Colt for use in the Mexican War. A year and a half ago, Julia’s set the world record for the most expensive Walker revolver ever sold at auction at $438,000, this time, a nicer example topped out at $483,000; making it the new world record for a Walker. A rare, martially marked 1st Model Colt Dragoon, estimated at $27,500-$42,500 went for $51,750. A minty cased Colt M60 estimated at $20,000-$30,000 brought $41,400. A spectacular cased Mass Arms Belt revolver in pristine condition was estimated at $15,000-$25,000 but condition carried it to $32,200.

For the last five or six years Julia’s has consistently offered and sold some of the finest American and Confederate flags offered at auction and this sale carried a number of interesting examples. Remnants of the first American flag captured during the Civil War together with a large period fabric banner went out at $33,350. Another interesting American flag was a small primitively made flag constructed by school girls in a private Kentucky school. This flag, complete with a period inscribed letter documenting its history indicating that one of the teachers and a number of the senior girls had constructed the flag to wave out the window while Confederate militia was drilling in the streets below. This small folk art flag with a wonderful history carried a presale estimate of $5,000-$10,000 and finally sold for $26,450.

Although the sale was tremendously successful, not everything hit the mark; one surprise was an extremely rare and historic Civil War lot consisting of a swallow-tail guidon flag of the 15th Reg. of Pa Cavalry presented to the company’s bugler. It included a period photograph of the bugler and his actual bugle together with various photos and letters, etc.; an absolutely superb historic lot which failed to sell for its reasonable presale estimate of $50,000-$75,000. A number of Kentucky rifles offered included a relief-carved Kentucky rifle estimated at $15,000-$20,000 that sold for $31,000. But the pièce de résistance amongst the Kentucky rifles was a wonderful percussion Kentucky rifle with carved relief design including a fabulous federal-style eagle. The gun, estimated at $17,000-$25,000 finally topped out at $44,850.

Day two of the auction began with a single owner private collection of Indian Wars material. This collection definitely had a John Wayne “aura” to it, started off with a rare collection of Colt M60’s. An extremely rare and unique prototype of the M60, estimated at $22,500-$32,500 sold for $26,450. A Sioux skull-crusher war club documented and found on the Little Big Horn Battlefield was estimated at $35,000-$55,000 and went out at $54,650. Sgt. John Ryan, who served under Reno carried a presale estimate of $25,000-$40,000 and sold for $37,375. A period frontier buffalo hide army jacket once worn by an army scout sold for $3,740. Also included in this collection were a number of photos and CDV’s of soldier’s involved in The Battle of The Little Big Horn. Most notably of course were images of George Armstrong Custer. A cabinet card done by Brady during the Civil War carried a presale estimate of $1,500-$2,500 and went out at a little over $6,000. Another Civil War era image of Custer depicted in a group of McClellan’s staff; estimated at $4,000-$8,000 was the subject of a heated bidding battle and finally went out at $17,250. Lot 2157, another small Custer CDV, depicted him with his famous wife Libby together with Miss Cora Bean. A Civil War image done in 1864 by Brady, it carried a presale estimate of $1,250-$2,250 and also, as a result of a tremendous bidding battle finally topped out at $18,975.

A Colt single-action Army revolver carried up San Juan Hill with Teddy Roosevelt’s Rough Rider’s sold for $33,925. the predecessor of the famous Winchester rifle was a Volcanic carbine. An example in this auction by the New Haven Arms Company carried a presale estimate of $12,000-$15,000 but ended up more than double the high estimate at $36,800. a Henry rifle, one of the first Winchesters ever produced in fine condition, carried a presale estimate of $45,000-$65,000 and sold for $51,750.

One of the highlights of the second day was a group of three rifles, once owned and used by the most extraordinary marksman in the world, Annie Oakley. Two Marlins in this group came directly from the Marlin Factory archives and had, for years, been on loan to the Cody Firearms Museum where they were prominently displayed. Both had been donated by Miss Oakley just prior to the First World War Miss Oakley approached the War Department before the outbreak of the First World War and offered to raise a regiment of female soldiers. When declined, she then offered to serve as a marksmanship instructor which the War Department also declined?? (This was the greatest marksman in the world at that time but the War Department didn’t need her to teach marksmanship?) Miss Oakley, a fervently patriotic American, was not to be thwarted, she intended to support the U.S. forces and therefore went back home, took a number of her valued firearms, trophies and other possession and submitted them to be used in a fundraising campaign to buy War Bonds. Later, when the president of Marlin firearms learned that Miss Oakley had donated two of their lavishly engraved and inlaid firearms for the war effort, they purchased the guns back themselves and they have been part of the Marlin archives ever since. The first, a gold and platinum inlaid engraved model 1893 was estimated at $150,000-$250,000 and finally sold for $253,000. Mr. J.R. LaRue, Julia’s chief consultant announced immediately after the successful bidder purchased the gun that a deal had been brokered with the buyer who agreed to loan this magnificent arm once again to the Cody Firearms Museum where it could continue to be displayed so that others might see and enjoy it. the other gold plated and engraved Marlin sold for $184.000 and a third Annie Oakley lot, originally acquired by the consignor from an heir of Miss Oakley consisted of a Remington pump .22 rifle, one of her extremely rare sterling trophies together with a number of personal photos. The presale estimate was $100,000-$150,000 but it went out at $207,000!

A very rare Colt pinch frame (only a handful of these were made) sold for just under $110,000. Lot 2338, a spectacular silver-plated Cuno Helfrecht Colt single-action revolver inscribed to sheriff Farnsworth of Grant County, carried a most interesting history. Lost in a poker game to by the original owner to another law officer it was later taken from the second law officer in a jail break by a notorious bandit and his gang who killed this second law officer. A month or two later, the bandit was once again captured and because of the possession of the gun it was discovered that he was the individual who had killed the former law officer and the possession of the gun resulted in his being hanged. This spectacular work of art with its interesting history went out at $166,750.

Julia’s always has a very strong representation of rare Winchester rifles and this sale included some outstanding examples. A spectacular deluxe Winchester M86, estimated at $35,000-$50,000 finally sold for $103,500. Another very rare M86, estimated at $30,000-$50,000 sold for $46,000 and a third deluxe 86 takedown in outstanding condition and estimated at $25,000-$40,000 brought $43,150.

Session III began with the outstanding single-shot rifle collection of Dr. Glen Marsh. Dr. Marsh had previously consigned his collection of Bullards to Julia’s. the results of which were a tremendous success thus he consequently decided to sell his single-shot collection. An ultra-rare and unique Freund Remington single shot rifle finally sold for $46,000. A rare Sharps Borchardt M1876 was estimated at $15,000-$30,000 and sold for $25,300. A very rare semi-deluxe Winchester high wall single shot rifle, estimated at $7,500-$12,500 was the subject of a very competitive battle and topped out well above twice the high estimate at $25,300. Concluding the collection of single shot rifles, a spectacular selection of side-by-side rifles and shotguns were offered. A magnificent cased Rigby big bore estimated at $100,000-$150,000 brought $132,250. A royal presentation cased Holland & Holland big bore double rifle in cal. 577 was estimated at $95,000-$145,000 and brought just over the high estimate at $149,050. Immediately after, a spectacular cased Grifnee engraved Holland & Holland double rifle, 470NitroExpress estimated at $95,000-$145,000 again sold over high estimate at $149,000.

This sale included a plethora of high end double rifles and shotguns, all of which saw tremendous competition. A Rizzini RI-E 20 ga. double barrel shotgun estimated at $80,000-$125,000 sold for $92,000. Immediately after that lot a 28 ga. Rizzini estimated at $75,000-$125,000 went out at $97,750. A third Rizzini, an RI-E 16 ga. estimated at $80,000-$125,000 brought $86,000. A spectacular Fabbri O/U 20 ga. estimated at $80,000-$100,000 brought $80,500 and another Fabbri O/U 20 ga., estimated at $75,000-$100,000 brought $83,375. IVO Fabbri superimposed 12 ga. estimated at $65,000-$95,000 topped out way above the high estimate at $126,500. A very rare Ithaca Sousa grade single barrel trap gun, 12 ga., estimated at $20,000-$25,000 sold for $31,050.

Most of the quality, high grade shotguns and rifles were pleasant, positive surprises. About the only negative surprise was an extraordinarily rare Fox grade CSE double barrel shotgun, two-barrel set, once made for the director of the Fox Shotgun Company, Lewis H. Eisenlohr. The gun, considered by some to be one of the finest Fox’s in existence carried a presale estimate of $75,000-$125,000 and failed to sell. Winchester M21’s seem to always do well at Julia’s and a cased Connecticut presentation grade Win M21 2 bbl set, 12 ga. estimated at $17,500-$27,500 went out above high estimate at $37,950.

The third day finally concluded with a grouping of 20th century military arms. An extremely rare Navy contract Colt 1900 semi auto pistol realized $15,525. A rare Springfield M03 ramrod bayonet rifle realized $18,400 and a M1896 Kraig carbine carried up San Juan Hill by one of Teddy Roosevelt’s Rough Riders carried a presale estimate of $10,000-$15,000 and sold for $20,700.

Initially Jim’s father became an auctioneer in the 1960’s. Jim followed in the 70s. Later in the 80’s Jim’s younger sister Jeannine Poulin and her husband began to carry on the family tradition doing estate auctions. She has most recently become a firearms auctioneers like her brother. Their auctions are always scheduled to take place the same weekend as the James D. Julia’s major firearms auctions preview. During Julia’s preview, the Poulin Auction Company conducted a two-day sale of collectible, antique and shooting firearms and on Thursday, after the conclusion of the three-day James D. Julia auction, the Poulin Auction Company again had another military-related auction consisting of a single-owner Nazi collection. The sum total of all three sessions was nearly $1 million and well attended with a number of exciting lots.

James D. Julia Auctioneers is a multi-divisional catalog auction company with specialty divisions in rare lamps and art glass; important toys, dolls and advertising items; and a fourth division specializing in fine arts and antiques. Their next auction, on November 13th consists of rare antique advertising, toys, dolls, trains and mechanical items. Brochures and catalogs can be had by contacting the office and more details are available at their website at www.juliaauctions.com. On November 30th and December 1st, Julia’s will host a spectacular two-day auction of rare Tiffany lamps, French cameo glass and over $2 million of other fine art glassware. Theirr next fine arts and antiques auction is scheduled for February 1st and 2nd, 2008. For more details about this and other upcoming Julia auctions, check out their website at www.juliaauctions.com or contact them at PO Box 830, Fairfield, Maine 04937. Phone (207) 453-7125.

Rockland, Maine-August 28-30, 2007 - For the last twenty of their forty years in business, the firm of James D. Julia has conducted an annual auction event at the posh Samoset Resort in Rockland, Maine that has become a Coastal Maine highlight. One of the most anticipated auctions of the season, each year’s extravaganza exceeds the last in quality and quantity. Julia’s auction at the Samoset has grown from being Maine’s first million dollar auction (back when $1 Million was a lot of money) to regularly hitting two, three, and even four times that figure. This time the 3-day, 1,700-lot event took in over an unprecedented $4.5 Million versus a presale low estimate of items sold of $3.2 Million, making it their biggest yet! This sale also marks their first with recent hire Tony Greist who has been added to the division along with longtime department head Bill Gage. Tony has been in the antiques and auction business for over 35 years and has recently joined the Julia team from another prominent auction firm.

Helping to hit the multimillion mark was an outstanding selection of over 700 American and Continental paintings that took an entire day to sell. Despite the vast number, there was no shortage of buyers to snatch up the variety of landscapes, portraits, nautical scenes, and abstracts. Topping the list was a semi-abstract work by Philip Evergood entitled “Flowers by the Lake” that was once housed in the famed Robert Lang collection. The painting depicts a blue eyed bikini clad woman clutching a mammoth vase of poppies against a backdrop of freight ships, which appeared to be a study in perspective. The piece drove past its presale estimate of $100,000/150,000 to land at $201,250.

Other works for those who fancy the abstract included two unframed gouache studies by Russian artist Petr Petrovich Konchalovsky that depicted a seminude female model. The first sold within expectations of $10,000/15,000 to sell for $13,800 while the more revealing example brought above, topping out at $20,125.

Because of the success Julia’s had earlier this year with turn of the century Russian artist Ivan Fedorovich Choultse, a private California collector consigned his forest scene that centered on a lovely beech tree fronting a vibrant wooded backdrop. Choultse’s vivid and masterfully realistic scenes caught the eye of many a bidder, but ultimately went to the bidder willing to pay $41,400 versus an estimate of $25,000/40,000.

There were American paintings aplenty and featured were a great many works from the Rankin Estate, a prominent estate from the eastern shore of Maryland. The brilliant grouping of artwork collected over three decades included an outstanding array of marine paintings by some of the most recognized names in the genre. Luminaries from the Cape Ann School such as Anthony Thieme, Gruppe, Morrell, and others saw very active bidding. One such example was an oil on canvas harbor dock scene entitled “Wet Day” by Anthony Thieme that portrayed a number of fishermen unloading a boat in pea soup fog. It more than doubled its low estimate of $15,000/25,000 to hit $33,925. From another collection, Thieme’s “Back Beach, Rockport, MA” of a dirt road winding along Rockport Harbor with two central figures was a good buy at $54,625.

The ever-popular Gruppe family has long been a staple in Julia’s auctions and this sale was no different in that regard. What is truly phenomenal is the fact that there were 14 works by Emile Gruppe in the sale. Better known for his depictions of seaside and harbor scenes, this sale featured a fine large oil on canvas of a nude woman draped with a sheer cloth, standing at the edge of a woodland pool. This extraordinary piece brought several times its 8,000/12,000 estimate to sell for $32,200. His “Gloucester Harbor in Evening Light” depicting the quintessential New England waterfront scene with numerous fishing and sailing boats at port changed hands at $20,987 against an estimate of $12,500/17,500. And a Rockport Harbor scene with two men standing on a dock as a lobsterman moors his boat brought $18,400 above expectations of $12,500/17,500. The selection of Gruppe’s work also included an outstanding winter scene with morning sunlight brightening a snowy forest floor. Beautifully rendered, it brought $25,300 against a $20,000/30,000 estimate.

Another artist’s view of winter, Hobart Nichols’ “January Thaw”, depicted a train passing a farm at the base of a range of mountains. In soft lines and colors, it sold within estimate for $24,150. And a splendid mountain scene by Carl Lawless showing an isolated farm with imposing snow-covered mountains in the distance sold for $17,825 exceeding expectations of $10,000/15,000.

New Englanders such as Maine artist Abbott Fuller Graves included “Kennebunkport Cottage”, a delightful depiction of a Maine home among summertime trees and blossoms on a rocky hillside. This oil on canvas was a hot ticket, ultimately selling for $45,425 versus an estimate of $25,000/35,000. Another work by Graves, a still life of zinnias, lupines, and wildflowers, saw its first ever trip to the auction block and did not disappoint. It flourished, surpassing its $20,000/30,000 estimate at $31,625.

Arthur Quartley’s masterful depiction of 19th Century Georgetown Island, Maine shows a two-mast schooner docked in a small inlet. It well surpassed expectations of $7,500/8,500 to land at $13,800. And Edward Willis Redfield’s oil on board portrayal of Monhegan Island’s snow covered rocky coastline went to a phone bidder who was standing on the beach of that very island. His bids had to compete with seagull squawks that could clearly be heard by the phone operator; but he won out in the end with a bid of $18,400 against a $12,000/14,000 estimate. A little further south, “In Portsmouth Harbor” by Kenneth How shows the New Hampshire shipyard and harbor with a steel bridge overhead awash in fog. Ignoring its $3,000/5,000 estimate, it sold for $10,350. James Suydam’s beach scene (possibly depicting Martha’s Vineyard) spotted with several groups of people saw much attention, bringing four times its $5,000/6,000 estimate to finish up at $20,700.

Seafaring and marine imagery beyond New England’s shores was the subject of numerous works. Renowned artist Francis Silva whose amber toned oil on canvas scene of an early misty morning sail saw active bidding, selling for $47,150. Another jewel from the Rankin Estate was a fine watercolor scene by John Whorf showing two women at water’s edge looking out over the water, perhaps awaiting the return of their husbands. This touching piece sold for $17,250 against an $8,000/12,000 estimate. From a west coast collection William Edward Norton’s “Great Yarmouth Quay No. 1” of a 19th Century harbor showing various fishing boats with a crowd of people socializing and conducting business. It was a good trade at $13,800 against a $10,000/20,000 estimate. And Alfred Thompson Bricher’s coastal scene below towering cliffs brought $16,100 against a 7,000/10,000 estimate.

Further inland, an outstanding watercolor fishing scene by Ogden Pleissner from the Rankin Estate shows a lone fisherman assisted by his guide, working a salmon in from the cascading river before them. With marvelous detail, this action packed work reeled in a very strong $82,250 over modest expectations of $40,000/60,000. For the sportsman who also appreciates art, Aiden Lassell Ripley’s autumn landscape scene with two grouse hunters was just the thing. A most colorful meadow with turning leaves on the surrounding trees, it came from the Rankin Estate, and sold within its $20,000/30,000 estimate for $24,725.

Harrison Cady’s “In Old Ipswich, 1937” shows a quaint autumnal tree lined village road at the transition from horses to automobiles that hit $21,275 against a $20,000/30,000 estimate. The king of quaint and small town Americana, Norman Rockwell was represented by a watercolor and oil of a Spanish type dancer looking back over her shoulder at a uniformed man behind her, staring intently. Seemingly an atypical subject matter for Rockwell in a nonconforming style, it hit the midpoint of its $15,000/25,000 estimate to bring $18,400.

European artists likewise made a strong showing with a marvelous selection of works. French artist Emile Friant’s oil on wood panel scene of an elderly man entering a cabinet maker’s shop beat out its pre-auction estimate of $6,000/10,000 to sell for $23,000. Friant’s compatriot Paul Signac, whose ink and watercolor “Barfleur” depicted several boats at low tide, also fared well. The piece surpassed expectations of $6,000/10,000 to bring $18,400. One of the several sleepers in the sale was a remarkable inner city harbor scene by Raoul Dufy of several sailboats. It changed hands at $29,900, well above its $4,000/6,000 estimate. And an abstract tabletop still life by Spanish artist Benjamin Palencia sold for $12,650 against expectations of $5,000/7,000.

Female British artists gave the men a run for their money. Vanessa Bell’s depiction of arched stone bridges crossing the Thames sold for $11,500 (est. 3,000/5,000). And Dorothea Sharp’s interior scene entitled “Study for Vivi at Play, 1926” of an adorable little towheaded girl in profile with her beloved doll finished up at $15,525 (est. $3,500/4,500). A work with similar subject matter and style by American artist Joseph Henry Hatfield of a girl and her doll saw much activity, selling at $32,200 versus a $25,000/30,000 estimate.

The second and third sessions were a fabulous array of folk art, Oriental porcelain and rugs, English and early American silver, nautical pieces, early American and Victorian furniture, and much more. The third session specifically centered on some rather elaborate Victorian furniture. The finest of which was a remarkable and important labeled marble top Alexander Roux sideboard or hunt board. Labeled Roux pieces almost never come to market, and this one was a beauty. Deeply carved and highly ornate, it was a symphony of cherubs, wild game, grapes, leaves, and vines, and scrollwork you just wouldn’t believe. Bids mounted, quickly surpassing its presale estimate of $40,000/60,000. Bidders slowly dropped out when it started to hit $100,000; others held on through the 130’s, 140’s. But the final two resolute phone bidders brought it to $172,500 when one had to concede, resulting in a hearty round of applause from the audience.

Day II’s furniture selection was a medley of early American. Included was an important rare pair of Baltimore Federal inlaid and carved mahogany side chairs. Sans upholstery but maintaining a wonderful old finish on the wood, the pair sold for $20,700 within its $20,000/30,000 estimate. A Regency triple pedestal mahogany dining table that spanned a massive 105 inches brought $9,200 versus a $4,000/8,000 estimate. Four wonderful New England highboys included a coastal Connecticut example in cherry wood resting on Queen Ann legs. Towering with a multitude of drawers and topped with a curved apex with three onion spindles, it sold for $17,250 within a presale estimate of $15,000/25,000. A fine Connecticut River Valley Chippendale cherry reverse serpentine chest of drawers was a great find, selling for $14,950 against a $12,000/16,000 estimate. And a Connecticut Valley Chippendale cherry and birch slant lid secretary with beautifully scrolled cornice and bonnet top also sold with estimate when it brought $8,625.

This session also featured a number of marine paintings including a selection of ship portraits from the Sewall family of Bath, Maine. The Sewalls were a prominent shipbuilding family and an important name in and around the state of Maine. Renowned in the genre of ship portraits is Antonio Jacobsen whose portrait of the S.S. Algiers came to the block with a $10,000/15,000 estimate, ultimately selling for $16,100. An outstanding oil on board portrait from the Rankin Estate of the American coastal schooner “Kentucky” by Jacobsen sailed to $26,450 against expectations of $15,000/25,000. From the same collection, Jacobsen’s large portrait of the paddle steamer “Larchmont” sold for $22,425 within its estimate of $20,000/30,000. Hitting the $16,100 mark was an unsigned Chinese School portrait from the Rankin Estate of the American ship “Splendid of Baltimore”. And a portrait attributed to William Yorke of a three-mast American ship sailing across whitecaps brought $25,300 against an $8,000/12,000 estimate.

Other fine artwork included a number of portraits such as an important portrait of George Washington from 1793 by John Trumbull that sold for $23,000, a bargain given its $20,000/40,000 presale estimate. Following this lot, however, were two signed military documents by our country’s father that exceeded expectations of $1,500/2,500 apiece to sell for $6,800 and $6,325 respectively.

Other portraiture included an unsigned canvas of a small child in a peach colored dress. With the most captivating of stares and her adorable face, she caught the eye of many bidders, finishing up at $8,050 against an estimate of $3,000/4,000. Arguably a little less adorable was a 19th Century portrait of Amelia Weber attributed to Joseph Whiting Stock. Regardless, she too, exceeded a presale estimate of $3,000/4,000 and gathered bids to the tune of $8,050.

The wide variety of folk art in the sale spanned from functional to decorative. Embracing both ends was a fabulous full bodied copper flying horse weathervane in old paint. Wonderfully crafted and in all-original condition, it was a showstopper at $17,250. Of many other fine weathervanes offered that day, a J. Howard & Co. full body rooster weathervane was fresh to the market piece having been in the same family since 1922. Featuring a zinc body, molded copper tail, and a marvelous verdigris patina it exceeded expectations of $8,000/12,000 to sell for $14,375.

Other functional folk art included a unique heavily carved highly detailed presentation walking stick. It featured a crouching eagle forming the handle with various animals and military figures spanning the entire length. This exquisite item brought a solid $16,100 against expectations of 8,000/12,000. A large and impressive carved and painted American eagle with flag and banner reading “E. Pluribus Unum” soared past its $1,500/2,500 estimate to land at $12,362. It is unusual that an unknown maker such as the one just mentioned beats out a noted carver as John Haley Bellamy. An example of Bellamy’s work, a deeply carved, trademark spread eagle grasping a banner reading “Don’t Give Up the Ship” failed to find a buyer. Folk carvings also included a select grouping of decoys. A carved and painted Canada goose decoy by L.T. Ward flew past its $1,000/2,000 estimate to sell for $12,075. A Greater Snow Goose by Ward surpassed the same estimate, selling for $8,912.

Other folk art included Frakturs (folk art form of illustrated script practiced by Pennsylvania Germans during the 18th and 19th centuries) from the Shumaker family. One such example, intricately decorated with hearts. Flowers, birds, and verses sold within its estimate for $21,850.

This session also featured a large quantity of Oriental porcelain, blue and white Canton, Rose Medallion, Famille Rose, and more. Highlighting the grouping was a terrific pair of Mandarin decorated covered urns. Exquisitely crafted, these tall vases with enameled floral and butterfly motifs with royal court scenes were made for the domestic Chinese market. Despite some restoration, they still saw a heated bidding battle, finally stopping at $7,475 over its $3,000/5,000 estimate. Other examples included an unusual large polychrome Oriental bottle vase in canary yellow with allover decoration that sold for $10,925, surpassing expectations of $1,500/2,500. And a Chinese Export porcelain blue garden barrel with flowers and vines sold for $6,325. From the third session, an outstanding pair of bronze sculptures depicting imposing Chinese Foo Dogs brought $14,375 versus a $3,000/5,000 estimate.

The auction continued with accessories including a spread of Oriental rugs, which are enjoying a resurgence in popularity. A 19th Century Karachopt Kazak rug with a brilliant pattern and vibrant colors busied the large bank of phone bidders. It sold to the one who brought the final bid beyond its $1,200/2,000 estimate to $7,475. An equally wild Shirvan rug with octagonal medallions, “Lesghi” stars, and a zigzag border brought $6,037 against an $800/1,200 estimate.

Also available was a stellar offering of early American and English silver including a coin silver covered tureen by William L. Adams of New York. This superb piece resting on claw feet, was decorated with acanthus leaves around the exterior, and topped with a heart shaped handle formed of these same leaves. Simply stunning, it hit mid-estimate, selling for 9,775. Somewhat later, a rare pair of Tiffany sterling 3-branch candelabras decorated with repousse flowers was a hit, selling for $17,250 and nearing the top of its $15,000/18,000 estimate.

Other fine accessories included a number of clocks such as a Renaissance Revival gothic burl walnut bracket clock. With exquisite carvings from top to bottom of gothic finials, stepped cornice, and leaf tips, this stunning timepiece changed hands at $9,200. For the more traditional, a Massachusetts Federal carved and inlaid tall-case clock fresh from a Blue Hill, Maine estate kept time with its $4,000/6,000 estimate to bring $8,050.

A large and impressive, highly ornate “Belle Époque” gilt cast bronze chandelier was the epitome of sophistication, and sold for $10,637 against a $2,000/3,000 estimate.

A number of early photographs was highlighted by an Edward Curtis platinum print entitled “Three Chiefs Piegan” that pictured three Native Americans on horseback with rolling plains behind them. This outstanding image by one of America’s premier photographers more than doubled its $8,000/10,000 estimate to sell for $18,400. A rare early albumen print of the Nevada Falls in Yosemite by Carleton Watkins likewise saw heavy action, selling for $7,187 against a $3,000/5,000 estimate. An exceptionally rare reverse on glass photo from 1872 showed a fireman’s muster parading down the main street of Middletown, Connecticut. What made this particularly interesting was the fact that the photo also prominently featured the Middletown Mansfield baseball team in full uniform posing for the camera. The only known photograph of Connecticut’s first professional baseball team, it was a good trade at $6,612 versus a pre-auction estimate of $6,000/8,000.

Helping to complete the vast array of goods was an assortment of fine jewelry. A colossal yet stylish 4.3 carat solitaire diamond gentleman’s ring from a local home sold for $28,750 against an estimate of $16,000/20,000. Stones the size of Rhode Island are apparently the rage. A platinum ladies ring with octagonal cut stones (1.26 carats of diamonds and a massive 6.03 carat natural sapphire) sold for $15,525 within an estimate of $15,000/20,000 while a diamond and platinum ladies ring centered with a 4.05 carat alexandrite found a buyer at $14,950. And a fancy 18K gold, diamond, and sapphire bracelet comprised of 78 different colored sapphires weighing a total of over 42 carats was a stunner, hitting $6,900 against expectations of $6,000/8,000.

Julia's upcoming auctions include their fabulous firearms and military memorabilia auction will take place October 8, 9 & 10 that will offer approximately $12 Million in rare antique firearms including the renowned Ben Michel Confederate arms collection. Mr. Michel’s collection of Confederate arms is believed to be the finest and most comprehensive ever offered at auction and geared to the intermediate and most advanced Civil War and Confederate collectors. Julia’s toy & doll auction as well as a rare lamp & glass auction will follow in November, and their next antiques & fine art auction is scheduled for January 2008. Julia’s is currently accepting consignments for these and other upcoming auctions. Call immediately for inclusion in these exciting sales. For more information, contact their offices at 207-453-7125. James D. Julia, Inc., P.O. Box 830, Dept. PR, Fairfield, ME 04937. E-mail: info@jamesdjulia.com.