Annual Summer Fine Art, Asian & Antiques Auction
Totals Over $5.2 Million!

Auction: August 24th, 25th & 26th 2016: 10am

Preview: August 23rd, 2016: 9am-5pm and August 24th, 25th & 26th 2016: 8am-10am

Please Note: All prices include the hammer price plus the buyer’s premium, which is paid by the buyer as part of the purchase price. The prices noted here after the auction are considered unofficial and do not become official until after the 46th day.

If you have questions please email antiques@jamesdjulia.com.


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Image Lot
Price
Description
1000
$0.00

WALDO PEIRCE (American, 1884-1970) “MUSSELS”.

Oil on canvas Unframed Initialed lower left “WP.”, signed, dated, titled and inscribed on verso “WPeirce ’48/Mussels/belongs to Karen Peirce SIZE: 20″ x 24” PROVENANCE: By descent within the family of the artist. CONDITION: Very good. 50645-5 (3,000-5,000) – Lot 1000

1001
$1,066.50

WALDO PEIRCE (American, 1884-1970) SEA URCHINS.

Oil on canvas Unframed Initialed and dated lower right “WP.53″ SIZE: 13″ x 22” PROVENANCE: By descent within the family of the artist. CONDITION: Very good 50645-7 (1,000-1,500) – Lot 1001

1002
$3,258.75

WALDO PEIRCE (American, 1884-1970) “CONVERSATION PIECE, COPENHAGEN”.

Oil on canvas Housed in a slat wood frame Initialed and dated lower right “WP 56”, signed, titled and inscribed on verso “WPeirce /Conversation Piece, Copenhagen 56/for ellen/belongs to Ellen Pierce” SIZE: 25″ x 30″. Overall: 26″ x 31″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good 50645-18 (3,000-5,000) – Lot 1002

1003
$0.00

WALDO PEIRCE (American, 1884-1970) “MOSES”.

Oil on canvas Unframed Initialed lower right “WP.”, signed, dated and titled on verso “WPeirce 53 /Moses/#431″ SIZE: 14″ x 18” PROVENANCE: By descent within the family of the artist. CONDITION: Very good, with minor canvas buckle. 50645-8 (1,500-2,500) – Lot 1003

1004
$0.00

WALDO PEIRCE (American, 1884-1970) “AUTUMN LEAVES WITH KITTENS”.

Oil on canvas Housed in a rustic frame with linen liner Initialed and dated lower right “WP 41″, titled on a Midtown Galleries, New York label affixed to cardboard backing SIZE: 43 x 31-1/4”. Overall: 52-1/2″ x 40″ PROVENANCE: By descent within the family of the artist. CONDITION: Overall very good condition, with minor shrinkage cracks to thick impasto. 50645-23 (8,000-12,000) – Lot 1004

1005
$2,073.75

WALDO PEIRCE (American, 1884-1970) “AUTUMN LEAVES AND ASTERS”.

Oil on canvas Housed in a contemporary frame with linen liner Initialed and dated lower right “WP Sept 68”, signed, titled and dated on verso “WPeirce Sept. ’68/ Autumn leaves + asters”, titled on Midtown Galleries, New York label affixed to stretcher SIZE: 36″ x 29″. Overall: 39-1/2″ x 32″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good. 50645-25 (2,000-4,000) – Lot 1005

1006
$2,370.00

WALDO PEIRCE (American, 1884-1970) THE CONCERT.

Oil on canvas Unframed Unsigned, inscribed on verso “belongs to Karen Peirce Long” SIZE: 31″ x 43″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good, with minor surface dirt. 50645-2 (2,000-4,000) – Lot 1006

1007
$0.00

WALDO PEIRCE (American, 1884-1970) “THE DREAM OF ST. JOHN”.

Oil on canvas Unframed Signed and dated lower left “WPeirce ’45”, inscribed on verso “El sueno de San Juan / WPeirce 45/ (the dream of Saint John)”, bears Midtown Galleries label on stretcher identifying the figures depicted SIZE: 31″ x 43″ PROVENANCE: By descent within the family of the artist. CONDITION: Overall good, with minor surface dirt. 50645-1 (4,000-8,000) – Lot 1007

1008
$1,836.75

WALDO PEIRCE (American, 1884-1970) “CIRCUS TIGER”.

Oil on canvas, 1962 Housed in a white painted slat wood frame Initialed and dated lower left “WP 62”, signed, dated and titled on verso “Circus Tiger/ WPeirce ’62” Exhibited: “Waldo Peirce- a New Assessment” University of Maine at Orono, November 16, 1984-January 25, 1985. SIZE: 20″ x 36″. Overall: 20-1/2″ x 36-1/2″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good 50645-11 (2,000-4,000) – Lot 1008

1009
$1,303.50

WALDO PEIRCE (American, 1884-1970) CIRCUS ELEPHANTS.

Oil on canvas Unframed Initialed and dated lower right “WP 70”, signed, dated and inscribed on verso “10 feb ’70/WPeirce/for Ellen WP.” SIZE: 16″ x 20-1/4″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good. 50645-10 (1,000-2,000) – Lot 1009

1010
$4,740.00

WALDO PEIRCE (American, 1884-1970) “GABRIELLE IN A CAP”.

Oil on canvas Housed in a giltwood frame inscribed on stretcher “Gabrielle with cap, Paris/W. Peirce 1917/ For Wendell Hadlock, with best wishes” Note: Gabrielle Lavoisier was Waldo Peirce’s lover in Paris during World War I. She was the hostess at his apartment at 77 rue de Lille. Peirce planned on marrying Gabrielle, however she died from influenza in 1917. He memorialized his feelings for her by naming his daughter Anna Gabrielle. Peirce gifted the painting to his friend Wendell Hadlock, the director of the Farnsworth Museum. SIZE: 28″ x 22″. Overall: 31-1/2″ x 25″ CONDITION: Lined, with shrinkage cracks upper left and old restoration along edges with creases to canvas. 50437-1 (4,000-6,000) – Lot 1010

1011
$2,133.00

ALZIRA BOEHM PEIRCE (American, 1908-2010) “FAMILY GROUP, DODGES PT.”.

Oil on canvas Unframed Signed lower right “Alzira”, signed, titled and dated on verso “Alzira Peirce, Bangor ME/1933, Family Group, Dodges Pt.” Note: The family group consists of Alzira’s husband, artist Waldo Peirce, and their twin boys, Michael and Bill. The boys are playing with the family pets while enjoying a lunch while their father paints and mother looks on SIZE: 29″ x 39-1/2″ PROVENANCE: By descent within the family of the artist CONDITION: Very good, with only minor abrasions and surface dirt 50294-1 (1,500-2,500) – Lot 1011

1012
$5,332.50

ALZIRA BOEHM PEIRCE (American, 1908-2010) “ARTIST SKETCHING”, KEY WEST.

Oil on canvas Unframed Signed lower right “Alzira”, signed, titled, and dated on the verso “Alzira Peirce/Artist Sketching/ May 1936″ Note: The artist is Waldo Peirce, Alzira’s artist husband. The artist sits sketching a Key West landscape with a local man watching over his shoulder SIZE: 43″ x 31” PROVENANCE: By descent within the family of the artist CONDITION: Very good, with minor surface dirt and abrasions 50294-2 (2,000-4,000) – Lot 1012

1013
$948.00

ALZIRA BOEHM PEIRCE (American, 1908-2010) “RING NECKED LADY”.

Oil on canvas Unframed Signed lower right “A. Peirce”, signed, titled and dated on verso “Alzira Peirce/Ring Necked Lady/Fall of 1935″ SIZE: 31″ x 43” PROVENANCE: By descent within the family of the artist CONDITION: The canvas has water staining visible on the back, with several flake losses and pinholes 50294-5 (1,000-2,000) – Lot 1013

1014
$711.00

ATTRIBUTED TO ALZIRA BOEHM PEIRCE (American, 1908-2010) HEAD OF A MAN, POSSIBLY WALDO PEIRCE’S FATHER.

Bronze with dark green patina Unsigned, stamped “T.F. McGann & Sons Co., Boston, MA” Note: Waldo Peirce was the son of Bangor Maine lumber baron, Mellen Chamberlain Peirce. The studio of Alzira Peirce contained several plaster casts, leading to the attribution of this work to Alzira, however, it is also possible that Waldo was the creator. T.F. McGann & Sons, was an ornamental bronze work foundry in Boston SIZE: 14″ h x 8-1/2″ w x 10-1/2″ d. PROVENANCE: By descent within the family of the artist CONDITION: Good 50294-4 (800-1,200) – Lot 1014

1015
$66,952.50

ANDREW NEWELL WYETH (American, 1917-2009) “RIVER GREYS”.

Watercolor Housed in a fine gilt edge wood frame with double mat with gold edge behind glass Signed lower right “Andrew Wyeth” An M. Knoedler & Co, Inc. New York Artist and title label to verso SIZE: sight 14-1/4″ x 20-1/4″. Overall 23″ x 28-1/2″ PROVENANCE: Private Maine/Texas Collector. CONDITION: There are two nickel size discolorations and adhesive bleed through at upper left, good. 50012-59 (20,000-40,000) – Lot 1015

1016
$79,987.50

ANDREW NEWELL WYETH (American, 1917-2009) “BY THE LOWER DAM, 1967”.

Watercolor Housed in a fine Silvered gilt molded wood modern frame with linen mat and gilt liner with title and artist’s plaque Signed lower right “Andrew Wyeth” SIZE: Sight 14″ x 21″. Overall 29″ x 36″ PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good 50012-58 (20,000-40,000) – Lot 1016

1017
$1,777.50

ANDREW WYETH (American, 1917-2009) THREE CHRISTMAS CARDS & A WATERCOLOR.

The watercolor being a landscape scene in winter with two skiers over painted with “Greetings Betsy & Andy”. Along with three Christmas cards signed “The Wyeth’s” or “Betsy & Andy” SIZE: Watercolor: 3-1/2″ x 6-1/4″ CONDITION: Very good 50720-1 (3,000-5,000) – Lot 1017

1018
$0.00

ANDREW WYETH (American, 1917-2009) LOT OF ITEMS PERTAINING TO ANDREW WYETH.

1) Portfolio “Four Seasons Twelve Reproductions of Andrew Wyeth’s Work” 8 present, 2 black & white and 6 in color, with introductory page & outside portfolio cover 2) Book “Wondrous Strange, the Wyeth Tradition” inscribed on title page and signed “Jamie Wyeth Sept 26th 1998”. 3) Bronze medallion “Andrew Wyeth” dated 1988. 4) Small brochure from Macbeth Gallery, 1945 exhibit of Andrew Wyeth. 5) Letter involving an Andrew Wyeth painting being submitted by the catalog raisonne. 6) Pencil drawing of a boy fishing, possibly signed lower right “AW” with a date. The drawing is on letterhead belonging to Mrs. George C Sparks of Media, PA. Along with an envelope containing 3 sporting prints & a New Orleans print. CONDITION: Generally very good; Portfolio having some damage to cover, prints are very good 50720-2 (3,000-5,000) – Lot 1018

1019
$41,475.00

ABBOTT FULLER GRAVES (American, 1859-1936) “A HOT SHOE”.

oil on canvas Housed in a period carved giltwood frame with gilt liner. Signed and inscribed lower right “Abbott Graves of Kennebunkport, ME”. Attached to back is a conservation report from Yoder Conservation, Cleveland, Ohio dated 2002. SIZE: 32″ x 46″. Overall: 42″ x 56-1/2″ CONDITION: Very good, restored condition. Lined with some minor touch up (mostly in white horse) 50494-2 (20,000-40,000) – Lot 1019

1020
$7,110.00

BERNARD KARFIOL (American, 1886-1952) “CIRCUS SCENE”.

Oil on canvas Housed in a modern gilt wood frame Signed lower right “B Karfiol” Note: The Downtown Gallery, NY label on verso dated 1960 indicating the work is circa 1938. Also has Forum Gallery, NY label to verso SIZE: 36″ x 46″. Overall: 39-1/2″ x 49-1/2″ CONDITION: Very good. 50796-1 (10,000-20,000) – Lot 1020

1021
$888.75

BERNARD KARFIOL (American, 1886-1952) VASE OF FLOWERS ON CHAIR.

Oil on canvas Housed in a modern gilt frame with linen liner Signed lower left “B Karfiol” SIZE: 28″ x 20″. Overall: 35″ x 27″ CONDITION: Some inpainting, very good 50796-5 (1,500-2,500) – Lot 1021

1022
$1,659.00

ANNA ELIZA HARDY (American, 1839-1934) BLUE BOWL WITH APPLE BLOSSOMS.

Oil on board Housed in a giltwood frame Signed lower right “A E Hardy” SIZE: 7-1/2″ x 10-1/2″. Overall: 10″ x 13″ CONDITION: Craquelure lower right with scattered losses lower right and lower left, frame has minor chips. 50277-1 (1,500-3,000) – Lot 1022

1023
$2,073.75

ANNA ELIZA HARDY (American, 1839-1934) TWO WORKS: FLOWERS IN A YELLOW VASE & FLOWERS IN A ROUND VASE.

Oil on canvas and one on board Housed in their original gilt frames Signed with initials “AEH” lower left SIZE: Board is 9″ x 12-1/2″. Overall: 14-1/2″ x 18″. Canvas is 12″ x 16″. Overall: 14-1/2″ x 18-1/2″ PROVENANCE: From a local Maine home CONDITION: Very good 50930-1 (1,500-2,500) – Lot 1023

1024
$1,481.25

ANNA ELIZA HARDY (American, 1839-1934) ROSES WITH GLASS BOWL & VASE.

Oil on board Housed in its original flat mahogany gold edge wood frame Signed lower right “A E Hardy” SIZE: Sight: 10″ x 14-1/2″. Overall: 16″ x 20″ PROVENANCE: From a local Maine home CONDITION: Surface dirt, slight line separation at bottom of painting, otherwise very good 50930-2 (1,000-1,500) – Lot 1024

1025
$10,665.00

VIVIAN MILNER AKERS (American, 1886-1966) “BIRD BROOK WINTER”.

Oil on panel Housed in a custom frame signed and dated by the artist “Akers 1952” Signed and dated lower right “Vivian Milner Akers 1952”, signed, titled, dated and inscribed on verso “Bird Brook Winter/Decoration for over the fireplace in home of Tom Ryan, Norway, Maine/ Vivian Milner Akers.May 1952″ NOTE: This is the largest Akers that we have had the pleasure of selling SIZE: 21″ x 64-3/4”. Overall: 25-1/2″ x 69-1/4″ CONDITION: Very good 50797-1 (8,000-12,000) – Lot 1025

1026
$948.00

VIVIAN MILNER AKERS (American, 1886-1966) “TURKEY RIDGE, NORWAY, MAINE”.

Oil on paper mounted to board Housed in a contemporary frame Signed and dated lower right “Vivan Milner Akers 1930”, titled and inscribed on verso “Turkey Ridge, Norway, Maine/To Robert Easton – With all good wishes /Aunt Amy Marin/Aug. 23rd 1980/57th year anniversary married to .(?)” SIZE: 8″ x 8″. Overall: 10-1/2″ x 10-1/2″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Paper is buckling in places, left edge where paper ends can be seen as part of image (vertical seam). 50749-14 (600-900) – Lot 1026

1027
$0.00

LOUIS ASTON KNIGHT (American, 1873-1948) “MOSS BROOK, BIDDEFORD POOL, MAINE”.

Oil on canvas Housed in a magnificent carved & gilt modern replacement frame with wide gilt liner Signed lower left “Aston Knight Paris” Also inscribed on verso center stretcher “Moss Brook/Biddeford Pool/August-September 1916/Aston Knight” SIZE: 35-1/4″ X 46″. Overall: 44-1/2″ x 55-1/4″ CONDITION: Very good 50805-2 (15,000-25,000) – Lot 1027

1028
$4,147.50

CARROLL SARGENT TYSON JR (American, 1877-1956) WATER AND LANDSCAPE, PROBABLY MT. DESERT, MAINE.

Oil on canvas Housed in a fine, carved gilt wood frame Signed lower left “Carroll S Tyson” SIZE: 25″ x 30″. Overall: 34-1/4″ x 39-1/4″ CONDITION: Lined, craquelure, very good. 50753-3 (5,000-7,000) – Lot 1028

1029
$0.00

ANDREW W WARREN (American, -1873) MT. DESERT ISLAND.

Oil on canvas Housed in a good period deep gesso decorated frame Signed lower right with initials “AW 1866″ SIZE: 10″ x 12”. Overall: 17″ x 21″ CONDITION: Very good 50811-2 (2,000-3,000) – Lot 1029

1030
$2,370.00

ATTRIBUTED TO CHARLES CODMAN (American, 1800-1842) “MT. WASHINGTON FROM SEBAGO”.

Oil on wood panel Housed in a gilt wood frame Unsigned Title written on back of panel, also identified as “C Codman” SIZE: 12″ x 16″. Overall: 17-1/2″ x 21-1/2″ CONDITION: Some minor spot inpainting, very good 50753-12 (4,000-6,000) – Lot 1030

1031
$9,480.00

JUD HARTMANN (American, 1948-) “SUSQUEHANNOCK”.

Monumental bronze Signed “Hartmann C 1986 AP” Edition of 5 Accompanied by a low walnut base From The Voyages of CAPTAIN JOHN SMITH (of Jamestown, Va.) during the Years 1607-9: “. . . 60 of those Susquehannocks came to us . . . such great and well proportioned men are seldome seene, for they seemed like giants to the English . . .these are the strangest people of all those countries both in language and attire; for their language it may well beseeme their proportions, sounding from them as a voice in a vault. Their attire is the skinnes of beares and woolves, some have cassocks made of beares heades and skinnes . . . The halfe sleeves coming to the elbows were the heades of beares and the arms through the open mouth . . . one had the heade of a woolf hanging from a chain for a jewell . . . with a club suitable to his greatness sufficient to beat out ones brains. Five of their chiefe wereowances came aboard us . . . (of) the greatest of them his hayre, the one side was long and the other shorn close with a ridge over his crowne like a cocks combe . . . The calfe of whose leg was ¾ of a yard around and all the rest of his limbes so answerable to that proportion that he seemed the goodliest man we ever beheld!” SIZE: 48″ h x 24″ across PROVENANCE: Private Maine/Texas Collector CONDITION: Very good with some slight discoloration to patina in spots 50012-79 (10,000-20,000) – Lot 1031

1032
$4,147.50

JUD HARTMANN (American 1948- ) “KIOSAETON, CHIEF OF THE IROQUOIS”.

Bronze Mounted to a wood plinth Signed in Bronze “Hartmann 1994 11/20” “Argos” SIZE: 26″ h. Overall 33″ h. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good 50012-123 (1,000-2,000) – Lot 1032

1033
$5,036.25

JUD HARTMANN (American 1948- ) “GARAKONTIE, IROQUOIS DIPLOMAT”.

Bronze Signed in bronze “Hartmann 1999 14/20″ SIZE: 27” h PROVENANCE: Private Maine/Texas Collector. CONDITION: Some Minor rust, otherwise very good 50012-115 (1,500-2,000) – Lot 1033

1034
$3,555.00

JUD HARTMANN (American, 1948- ) “WARHAWK”.

Bronze Mounted on a square wood plinth Signed in bronze “Hartmann 2010 4/20″ SIZE: 25″ h. Overall 32” h with base PROVENANCE: Private Maine/Texas Collector. CONDITION: Wood base has some finish loss 50012-112 (1,500-2,000) – Lot 1034

1035
$4,147.50

JUD HARTMANN (American, 1948- ) “THE MOHEGAN” (CHINGACHGOOK, LE CROS SERPENT”.

Bronze Signed in bronze “Hartmann AP 1/2 1983″ SIZE: 28” h. PROVENANCE: Private Maine/Texas Collector. CONDITION: Some loss and uneveness to finish, otherwise good 50012-116 (1,000-2,000) – Lot 1035

1036
$1,777.50

JUD HARTMANN (American, 1948- ) “ATOTARHO” (FIRST AMONG EQUALS, CHIEF OF THE ONONDAGAS).

Bronze Mounted on marble and wood plinth Signed in bronze “Hartmann 1990 3/9″ SIZE: 16-3/4″ h. Overall 21-1/4” h with stand PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good 50012-114 (1,000-2,000) – Lot 1036

1037
$0.00

CADWALLADER WASHBURN (American, 1866-1965) “FROM THE VERANDA” EAST BOOTHBAY, MAINE.

Oil on canvas Housed in a fine carved giltwood frame Signed lower right “Cadwallader Washburn” SIZE: 24″ x 36″. Overall: 31-3/4″ x 31-1/2″ CONDITION: Very good, canvas has been re-lined. 50761-1 (8,000-12,000) – Lot 1037

1038
$3,555.00

FLORENCE WHITE WILLIAMS (American, 1888-1953) “THE OLD WHARF, BOOTHBAY HARBOR”.

Oil on canvasboard Housed in a fine, possibly original carved & gilt wood frame having artist plaque with title Signed lower right “Florence White Williams” Original exhibition label “Members Exhibition Feb 22-March 3 Massachusetts State Federation of Women’s Clubs” SIZE: 22″ x 26″. Overall: 27-1/2″ x 31-1/2″ CONDITION: Very good 50847-3 (2,000-3,000) – Lot 1038

1039
$2,370.00

BOB BLUE (American, 1924-2008) “NOVEMBER MORNING, MAINE”.

Oil on canvas Housed in a modern giltwood frame Signed lower right “Bob Blue”, titled on stretcher SIZE: 24″ x 30″. Overall: 30-1/2″ x 36-1/4″ CONDITION: Very good to excellent 50516-2 (1,000-2,000) – Lot 1039

1040
$3,555.00

ANDREW WINTER (American, 1893-1958) MONHEGAN ISLAND.

Oil on canvas board Housed in a gilt painted wood frame (loss to some paint) Signed lower right “A Winter”, bears an inscribed note on verso describing the view and a Christmas card inscribed “A much appreciated Christmas gift/December 25, 1952 AKE” SIZE: 18″ x 26″. Overall: 22-1/4″ x 32″ CONDITION: Good, inconsistent varnish layer which makes a blacklight examination inconclusive, Crease to very edge of canvas upper left corner 50753-2 (5,000-7,000) – Lot 1040

1041
$3,555.00

WILLIAM CHADWICK (American, 1879-1962) “THE HARBOR, MONHEGAN”.

Oil on board Housed in a fine gilt carved wood modern frame Signed lower right “W Chadwick” Titled in pencil on verso & retaining a Monhegan Historical & Cultural Museum Exhibition Label from 2004 SIZE: 14″ x 18″. Condition: 20″ x 24″ CONDITION: Very good 50778-13 (3,000-5,000) – Lot 1041

1042
$0.00

ABRAHAM BOGDANOVE (American, 1887-1946) FIGURES ON A BEACH, MONHEGAN HARBOR.

Oil on board Housed in a modern giltwood frame Signed lower right “A.J. Bogdanove”, board stamped “N. Rabinowitz Artist’s Materials” SIZE: 12″ x 16″. Overall: 18″ x 22″ CONDITION: Very good. 50336-11 (3,000-5,000) – Lot 1042

1043
$0.00

JAMES PERRY WILSON (American, 1889-1976) TWO WORKS: CLIFFS & SHORELINE OF MONHEGAN ISLAND, MAINE.

Oil on board Housed in identical silver gilt & carved modern frames with linen liners Signed lower left & lower right “J P Wilson 1928″ SIZE: Sight: 9-1/2″ x 7-1/2″ Overall: 15-3/4″ x 13-3/4″. Sight: 7-1/2″ x 9-1/2”. Overall: 13-3/4″ x 15-3/4″ PROVENANCE: From a private Maine Collection CONDITION: Very good with minor touch up to one 50913-1 (2,000-3,000) – Lot 1043

1044
$3,851.25

DON STONE (American, 1929-2015) “EIDERS OFF MONHEGAN”.

Oil on canvas Housed in a barn board frame Signed lower left “Don Stone ANA” SIZE: 12″ x 24″. Overall: 18-1/2″ x 31″ CONDITION: Very good to excellent 50519-2 (2,000-4,000) – Lot 1044

1045
$2,370.00

REUBEN TAM (American, 1916-1991) MONHEGAN ISLAND, MAINE.

Watercolor Housed in a silver gilt modern frame with white mat Signed lower right “Tam” SIZE: Sight: 12-1/2″ x 15-1/2″. Overall: 20″ x 23″ CONDITION: Very good, not examined out of frame 50613-2 (1,500-2,500) – Lot 1045

1046
$414.75

ROGER DEERING (American, 1904-1980) MAINE DOCKS.

Oil on canvas Housed in a modern paint decorated frame Signed lower left “Roger Deering” Accompanying this painting is a postcard showing this building as one of the many subject painted by the Roger Deering Outdoor Painting Class, Kennebunkport, Maine SIZE: 14″ x 18″. Overall: 21″ x 25″ CONDITION: Very good. 50652-15 (500-800) – Lot 1046

1048
$1,066.50

WALDO PEIRCE (American, 1884-1970) “PEPPERPOT TRIO”.

Oil on canvas Unframed Initaled lower right “WP”, signed, titled and inscribed on verso “WPeirce/”Pepperpot Trio”/for Ellen Peirce” SIZE: 18″ x 24″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good. 50645-14 (1,000-1,500) – Lot 1048

1049
$2,073.75

WALDO PEIRCE (American, 1884-1970) “READING”.

Oil on canvas Housed in a slat wood frame Signed, dated and titled on verso “WPeirce 51/Reading” SIZE: 40″ x 30″. Overall: 40-1/2″ x 30-1/2″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good, with minor surface dirt. 50645-24 (2,000-4,000) – Lot 1049

1050
$2,962.50

WALDO PEIRCE (American, 1884-1970) “THE DUCHESS OF ALBA”, AFTER GOYA.

Oil on canvas Housed in an early 19th century French carved giltwood frame Unsigned, inscribed lower left “Goya” and “Alba” on her ring Note: Francisco Goya painted The Black Duchess in 1797. The painting depicts María Cayetana de Silva, the 13th Duchess of Alba at the age of thirty-five years. Waldo Peirce was known to have copied other famous European paintings during his travels. SIZE: 61″ x 40″. Overall: 68-1/2″ x 47-1/2″ PROVENANCE: By descent within the family of the artist CONDITION: Good, lined, with flake losses, surface dirt and minor restoration, including her face. Frame has gilt losses and worm holes. 50645-29 (2,000-4,000) – Lot 1050

1051
$1,066.50

WALDO PEIRCE (American, 1884-1970) “AN ARAB FRIEND”.

Oil on canvas Housed in slat wood frame Signed, dated, titled and inscribed on verso “An Arab Friend/ for Ellen 1921 / WPeirce / Hammamet, Tunisia” SIZE: 24″ x 29″. Overall: 24-1/2″ x 29-1/2″ PROVENANCE: By descent within the family of the artist. CONDITION: Good, with surface dirt, and abrasions. 50645-4 (300-500) – Lot 1051

1052
$1,659.00

WALDO PEIRCE (American, 1884-1970) STILL LIFE WITH BLACK EYED SUSANS.

Oil on canvas Housed in a white frame Initialed lower right “WP”, inscribed lower left “for Ellen”, dated on verso “1948”, signed on stretcher “WPeirce” SIZE: 13″ x 9″. Overall: 17-1/2″ x 13-1/2″ PROVENANCE: By descent within the family of the artist. CONDITION: Good, with surface dirt. 50645-17 (800-1,200) – Lot 1052

1053
$1,540.50

WALDO PEIRCE (American, 1884-1970) STILL LIFE WITH PIPE.

Oil on Masonite Housed in a wood frame Signed, dated and dedicated lower right “WPeirce ’60 for Ellen”, signed, dated and inscribed on verso “WPeirce 1 May 60 Arizona” SIZE: 14″ x 10″. Overall” 17-1/4″ x 13-1/4″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good, with minor surface dirt. 50645-21 (500-1,000) – Lot 1053

1054
$948.00

WALDO PEIRCE (American, 1884-1970) “JOHNNY AND DODO”.

Oil on canvas Housed in a slat wood frame Dated lower right “Sept ’47”, signed, dated, titled and inscribed on verso “Johnny & Dodo Sept 47/WPeirce/(Ellen Peirce’s)” SIZE: 24″ x 20″. Overall: 24-1/2″ x 20-1/2″ PROVENANCE: By descent within the family of the artist. CONDITION: Good with minor surface dirt, hairline cracking and canvas buckle. 50645-6 (800-1,200) – Lot 1054

1055
$1,303.50

WALDO PEIRCE (American, 1884-1970) “BATHING GIRL”.

Oil on canvas Housed in a gilt wood frame Initialed lower right “WP.”, signed, dated and titled on verso “WPeirce/bathing girl/1943″, titled on Midtown Galleries, New York label affixed to stretcher SIZE: 16″ x 20”. Overall: 28-1/2″ x 24-1/2″ CONDITION: Very good 50488-6 (1,000-1,500) – Lot 1055

1056
$948.00

WALDO PEIRCE (American, 1884-1970) “BLACK DUCK”.

Oil on canvas Housed in distressed wood frame with gilt highlights Initialed lower right “WP”, signed, titled and inscribed on verso “Black Duck/Waldo Peirce Searsport” NOTE: A unique work by Peirce showing both the still life with the ducks together with the Penobscot Bay in the background SIZE: 32″ x 46″. Overall: 39-1/2″ x 54″ PROVENANCE: By descent within the family of the artist. CONDITION: Surface dirt, large craquelure and water staining to verso canvas. 50688-3 (2,000-4,000) – Lot 1056

1057
$1,066.50

WALDO PEIRCE (American, 1888-1970) RUFFED GROUSE.

Oil on canvas Housed in a paint decorated wood frame Initialed and dated lower right “WP 30”, signed and dated “WPeirce Oct 18 28/to Bill from WP” SIZE: 27″ x 22″. Overall: 31-1/2″ X 25-1/2″ PROVENANCE: By Descent within the family of the artist. CONDITION: Good, with surface dirt and minor impressions to canvas (loose). 50688-2 (1,000-2,000) – Lot 1057

1058
$1,422.00

CHARLES WOODBURY (American, 1864-1940) OGUNQUIT LANDSCAPE.

Oil on canvas Housed in a modern giltwood frame Light signature visible lower left and appears to be dated, stretcher stamped “Gallery 17, Carmel, CA” SIZE: 17″ x 21″. Overall: 22″ x 26″ CONDITION: Good 50336-6 (2,000-3,000) – Lot 1058

1059
$0.00

JOHN WHORF (American, 1903-1959) POLING UP RIVER.

Watercolor Housed in a fine modern decorative frame with black mat Signed lower right “John Whorf” SIZE: Sight: 20-1/2″ x 28-1/4″. Overall: 32″ x 39″ CONDITION: Very good, not examined out of frame 50719-10 (7,000-10,000) – Lot 1059

1060
$0.00

JOHN MEADE (American, Late 19th Century) PORTRAIT OF A SALMON AT KEZAR FALLS, MAINE.

Oil on canvas Housed in a period painted & gilt frame Our consignor indicates that there is evidence of a faint signature lower right. We have examined this area closely and can discern a few letters. NOTE: John Mead was an artist that is known for his fish paintings. He worked in the North Bridgton, Maine area and there are three paintings of his represented in the Bridgton Academy SIZE: 15″ x 22″. Overall: 19-1/2″ x 26-1/2″ CONDITION: Relined, some restoration with inpainting, stable craquelure, otherwise very good 50912-2 (4,000-6,000) – Lot 1060

1061
$355.50

WINSLOW HOMER (American 1836-1910) COLLAGE WITH HANDWRITTEN LETTER.

Housed in a modern black gold edged frame with linen mat, having 5 cut-outs The framed collage incorporating the following items: a hand penned letter dated Oct 5th 1901 to a Mr. James B. Townsend signed “Winslow Homer.” The letter refers to items exhibited at the Pan-American. Also, there is an engraving of a sharpshooter in tree along with a colored print of the same and a first day issue Winslow Homer envelope cover with 4 stamps dated Dec. 15 1962. SIZE: Overall: 27-1/4″ x 20-1/2″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good. Letter has adhesive bleeding. 50749-5 (800-1,200) – Lot 1061

1062
$711.00

MARGUERITE ZORACH (American, 1887-1968) FLOWERS.

Color silkscreen, ca. 1940-42 Housed under glass in modern wood frame with white mat Signed in plate lower right “Marguerite Zorach” Note: Illustrated in American Screenprints by Dave and Reba Williams, New York: National Academy of Design, 1987. SIZE: 16-1/4″ x 12-5/8″. Overall: 23-1/2″ x 19-1/2″ CONDITION: Discoloration and fading, with glue residue in upper right and left corners (not examined out of frame) 50554-1 (300-500) – Lot 1062

1063
$3,258.75

ROCKWELL KENT (American, 1882-1971) “BRINGING HOME THE CHRISTMAS TREE”.

Lithograph, 1928 Housed under glass in a black frame with white mat Signed in pencil lower right “Rockwell Kent.” SIZE: Plate: 12″ x 8-1/4″. Overall: 20-3/4″ x 16-3/4″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good (not examined out of frame). 50749-2 (1,500-2,500) – Lot 1063

1064
$948.00

ROCKWELL KENT (American, 1882-1971) FOUR PRINTS AND TWO BOOKS.

1) “Books Make the Home” Lithograph on paper pencil signed lower right “Rockwell Kent” Housed in a modern black frame with white mat 2) Collage of 3 including “Starlight” woodblock on paper, 2 bookplates; one for Harold & Esther Davis, unsigned and a bookplate for George Henry Corey, pencil signed “Rockwell Kent” 3) Book: Rockwell Kent An Anthology of His Work, 1981 4) Book: It’s Me O Lord The Autobiography of Rockwell Kent, 1st Edition 1955 SIZE: 1) Sight size: 14″ x 12″. Overall: 23″ x 20″. 2) Sight size” 5-3/4″ x 7-1/4″; 3″ x 2″; 3-1/4″ x 2-1/4″. Overall: 21″ x 17″. PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: 1) Very good, not examined out of frame. 2) Very good. 3) Very good. 4) Jacket has losses and tears, otherwise very good. 50749-3 (1,000-1,500) – Lot 1064

1065
$1,777.50

CHARLES HERBERT WOODBURY (American, 1864-1940) LANDSCAPE.

Oil on canvas Housed in a Foster Bros. giltwood frame Signed lower right “Chas Herbert Woodbury” SIZE: 9″ x 13″. Overall: 13-1/4″ x 17″ CONDITION: Very good, with minor surface dirt and craquelure 50574-3 (800-1,200) – Lot 1065

1066
$0.00

EDMOND JAMES FITZGERALD (American, 1912-1989) “OGUNQUIT MUSEUM”.

Oil on masonite Housed in a painted molded wood frame with linen liner Signed lower right “E J Fitzgerald” SIZE: 16″ x 20″. Overall: 22-1/2″ x 26-1/2″ CONDITION: Very good 50806-4 (1,000-2,000) – Lot 1066

1067
$1,481.25

FREDERICK ILSLEY (American, 1855-1933) WINTER LANDSCAPE, PORTLAND.

Oil on canvas Housed in a modern giltwood frame Signed and dated lower right “F. J. Ilsley Jan. 1`6. 1916″, inscribed with indiscernable title and artist name on verso SIZE: 17″ x 22”. Overall: 24″ x 29″ CONDITION: Very good. 50336-12 (1,500-2,000) – Lot 1067

1068
$0.00

STAPELTON KEARNS (American, 1952-) “SWANSVILLE, MAINE”.

Oil on canvas Housed in a modern gilt molded wood frame Signed lower left “Stapleton Kearns 1999″ SIZE: 26″ x 29”. Overall: 32″ x 35″ CONDITION: Very good to excellent 50732-4 (2,000-3,000) – Lot 1068

1069
$3,258.75

EMILY MUIR (American, 1904-2003) SEAGULLS.

Oil on Masonite Housed in a simple wood frame Signed lower right “Emily Muir” SIZE: Sight: 23-1/4″ x 45-1/2″. Overall: 25″ x 47″ CONDITION: Very good to excellent 50753-4 (4,000-6,000) – Lot 1069

1070
$829.50

AMERICAN SCHOOL (20th century) “LOW TIDE, MAINE”.

Oil on linen Housed in a simple giltwood frame Unsigned, inscribed, dated and titled on verso “Bernard 2009/Low Tide” SIZE: 30″ x 36″. Overall: 30-1/2″ x 36-1/2″ CONDITION: Very good to excellent 50270-67 (400-600) – Lot 1070

1071
$1,185.00

FRANK KNOX MORTON REHN (American, 1848-1914) SUNSET ON THE COAST OF MAINE.

Watercolor Housed under glass in a modern giltwood frame with linen liner Signed and dated lower left “F.K.M.Rehn 92″ SIZE: Sight: 13-1/2″ x 19”. Overall: 23″ x 28-1/2″ CONDITION: Very good, minor fading, not examined out of frame 50336-13 (1,200-1,500) – Lot 1071

1072
$3,258.75

WILLIAM R. DAVIS (American, 1952-) “MOON RISE OVER BAILEY ISLAND ME”.

Oil on board Housed in a gesso decorated gilt frame Signed lower right “W Davis” Signed & titled on verso SIZE: 7-1/4″ x 9-1/2″. Overall: 11-1/2″ x 13-1/2″ CONDITION: Very good to excellent 50868-4 (1,200-1,800) – Lot 1072

1073
$1,777.50

ATTRIBUTED TO CARL SPRINCHORN (American, 1887-1971) UNTITLED LANDSCAPE.

Oil on canvas Unframed Unsigned SIZE: 21″ x 29″ CONDITION: Significant losses and cracks to paint surface. 50645-22 (800-1,200) – Lot 1073

1074
$1,185.00

CARRIE EASTMAN RICHARDSON (American, 19th/20th century) FRENCH LANDSCAPE and MAINE LANDSCAPE.

Including: 1) “Woman in a Landscape, Moigny, France”, oil on canvas, housed in a period giltwood frame, inscribed on verso “Painted in Moigny France 1894 by Carrie Eastman Richardson” 2) “View of Long Lake, Bridgton, ME”, oil on panel, housed in a simple giltwood frame, unsigned, inscribed in pencil on verso “Painted by Carrie Eastman Richardson/Bridgton, ME 1898″ SIZE: 1) 18″ x 22″. Overall: 24″ x 27-1/2″. 2) 10″ x 17”. Overall: 12″ x 19″ CONDITION: 1) Discolored varnish, canvas buckle and surface scratch in sky. 2) Horizontal band of cellophane tape along top visible, surface scratch in sky. Frame has gilt loss, tape residue, and nail holes. 50339-6 (800-1,200) – Lot 1074

1075
$1,422.00

WALDO PEIRCE (American, 1884-1970) “CEDAR STREET HOME”.

Oil on canvas Housed in a slat wood frame Unsigned, inscribed on verso “belongs to Karen Peirce”, inscribed on stretcher “AHP-Cedar St house by Waldo Peirce 1920’s” Exhibited: “Waldo Peirce – A New Assessment”, University of Maine Art Collection at Orono, November 16, 1984-January 25, 1985 SIZE: 15″ x 20″. Overall: 15-1/2″ x 20-1/2″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good, with minor surface dirt and surface scratch lower left 50645-9 (800-1,200) – Lot 1075

1076
$1,303.50

WALDO PEIRCE (American, 1884-1970) “LE CHATEAU CARVER, SEARSPORT”.

Oil on canvas Unframed Initialed and inscribed lower right “1947 for Phil..and Cliff/WP”, titled, signed and dated on verso “Le Chateau Carver Searsport le Maine/WPeirce 1947″ SIZE: 24″ x 20” CONDITION: Very good 50336-14 (1,000-1,500) – Lot 1076

1077
$1,896.00

WALDO PEIRCE (American, 1884-1970) “THE OLD MANURIAL HALL”.

Oil on canvas Housed in slat wood frame Signed, titled, dated and inscribed on verso “WPeirce/ 214 Cedar St. Bangor Maine/The Old Manurial Hall for Karen/ born too late to live in the original – papa” SIZE: 28″ x 36″. Overall: 28-1/2″ x 36-1/2″ PROVENANCE: By descent within the family of the artist CONDITION: Good, with minor stretcher marks and discolored varnish. 50645-27 (1,500-2,500) – Lot 1077

1078
$1,066.50

WALDO PIERCE (American, 1884-1970) “MCP RIDING”.

Oil on canvas Unframed Inscribed on verso “Waldo Peirce circa 1930 MCP riding” SIZE: 18″ x 24″ CONDITION: Good, with surface dirt and thin paint coverage 50645-3 (300-500) – Lot 1078

1079
$1,185.00

WALDO PIERCE (American, 1884-1970) “SOLLEROD CEMETARY, DENMARK”.

Oil on canvas Unframed Initialed and dated lower right “WP.56”, signed, titled and dated on verso “WPeirce/Sollerod Cemetary, Denmark 56″ SIZE: 18″ x 24” PROVENANCE: By descent within the family of the artist. CONDITION: Very good. 50645-13 (600-900) – Lot 1079

1080
$711.00

WALDO PEIRCE (American, 1884-1970) TWO WORKS: “SAN XAVIER MISSION, TUCSON AZ” & “BAR HARBOR, MAINE”.

Watercolors on paper Both unframed One inscribed “Happy Birthday to you Micky, Waldo, San Xavier, 5 Jan., 1954” and the other “W Peirce” Midtown Galleries, NY title label to verso of Bar Harbor. Also pencil titled & dated 1937 on back of mat board SIZE: San Xavier: 14-1/4″ x 18-3/4″; Bar Harbor: 14-1/2″ x 19-1/2″ CONDITION: Some toning to paper, adhesive marks to edges, otherwise good 50688-1 (1,500-2,500) – Lot 1080

1081
$2,133.00

WILLIAM R. DAVIS (American, b. 1952) “OCEAN POINT, BOOTH BAY, ME”.

Oil on panel Housed in a contemporary black frame with gilt accent Signed lower left “W. Davis”, and signed, titled and dated on verso “William R. Davis/Ocean Point, Boothbay, ME/Plein Aire 2007″ SIZE: 8″ x 10”. Overall 13-1/2″ x 15-1/2″ CONDITION: Very good to excellent 50298-3 (2,000-4,000) – Lot 1081

1082
$948.00

MOUNTFORT COOLIDGE (American, 1888-1954) FOUR UNTITLED LANDSCAPES.

Oils on board Each housed in a contemporary giltwood frame Each with estate stamp on verso “From the Estate of Mountfort Coolidge” SIZE: 8″ x 10″ each. Overall: 10-1/2″ x 12-1/2″ each CONDITION: One with loss to board in lower right corner, minor abrasions, otherwise good. 50336-8 (1,000-1,500) – Lot 1082

1083
$355.50

GLENNIS LLOYD (American, 20th century) “BOWDOIN PINES”.

Oil on copper Housed in a simple black painted wood frame Signed lower right “Glennis Lloyd” Also having the title and artist and dated 1979 on a copper strip on verso Lloyd lived and worked in the Brunswick, Maine area SIZE: 48″ x 30″. Overall 49-1/2″ x 31-1/4″ PROVENANCE: Private Maine/Texas Collector CONDITION: Very good 50012-145 (300-500) – Lot 1083

1084
$0.00

THEOPHILE SCHNEIDER (American, 1876-1960) “GUARDIAN OF THE VALLEY”.

Oil on canvas Housed in a mid 20th century carved and giltwood frame Signed lower left “Theo. Schneider” and titled on gallery and exhibition label fragments affixed to verso frame, one reads “…Pennsylvania …One Hundred and Fif….” SIZE: 40″ x 30″. Overall: 45″ x 34-1/2″ CONDITION: Very good, restored condition. Several pinholes, several small areas of in-paint. 50336-1 (1,500-2,500) – Lot 1084

1085
$414.75

M.H. JACOBS (American, 20th Century) “DICE HEAD LIGHT, CASTINE, ME”.

Watercolor Housed in a fine decorative wood frame with double mats Signed lower right “M H Jacobs” Also, inscribed on verso with title & date November 2002 SIZE: Sight: 10-3/4″ x 14-3/4″. Overall: 19″ x 22-1/2″ CONDITION: Very good to excellent 50896-1 (200-400) – Lot 1085

1086
$118.50

WINIFRED C LONG (American, 1920-2009) MONHEGAN ISLAND.

Watercolor on paper Housed in a decorative wood frame with double mat Unsigned front but having a paper biography of the artist on reverse SIZE: Sight 24″ x 39-1/2″. Overall 34″ x 49″. PROVENANCE: Private Maine/Texas Collector CONDITION: Very good, some light foxing spots, ripple to inside mat. 50012-144 (300-500) – Lot 1086

1087
$592.50

JOHN A NEFF (American, 1926- ) SIX WORKS: “BACK COVE” (2), “PEMAQUID POINT LIGHT”, “LOBSTER FLOAT”, “MORNING CHAT”, “LOW TIDE”.

Watercolors on paper Four in identical silver metal frames, the double in a decorative wood frame All signed lower right “J.A. Neff, WPA” A WPA (Whisky Painters of America) label to reverse of each with title and artist SIZE: Sight 4″ x 5″ each. Overall: four 10-+1/4″ X 12-1/4″, one 14-1/2″ x 20-3/4″. PROVENANCE: Private Maine/Texas Collector CONDITION: Very good. 50012-150 (500-1,000) – Lot 1087

1088
$592.50

KATHARINE STEELE RENNINGER (American, 1925-2004) “YANKEE CLIPPERS” and “COURT INN”.

Two oils on Masonite Housed in matching wood frames Both signed lower left “Katharine Steele Renninger”, titled and inscribed on verso “Renninger Newtown PA” SIZE: 1) Yankee Clippers: 28″ x 28″. Overall: 30″ x 30″. Court Inn: 19-3/4″ x 30″. Overall: 21-1/2″ x 31-3/4″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good to excellent 50749-9 (1,500-2,500) – Lot 1088

1089
$474.00

KATHARINE STEELE RENNINGER (American, 1925-2004) “COFFEE CAN”.

Oil on Masonite Housed in wood frame with white liner Signed lower left “Katharine Steele Renninger”, titled and inscribed on verso “Renninger, Newtown PA/Coffee Can” SIZE: 22″ x 13-1/2″. Overall: 24″ x 15-1/2″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good to excellent 50749-10 (800-1,200) – Lot 1089

1090
$1,066.50

KATHARINE STEELE RENNINGER (American, 1925-2004) “PLEASANT RETREAT” AND “ELDEST SISTER”.

Two oils on Masonite Housed in wood frames Both signed lower left “Katharine Steele Renninger” and titled and inscribed on verso “Renninger, Newtown PA” SIZE: 1) Pleasant Retreat: 29″ x 23″. Overall: 30″ x 24″ 2) Eldest Sister: 20″ x 10-1/2″. Overall: 21-1/2″ x 12″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good to excellent 50749-8 (1,000-1,500) – Lot 1090

1091
$592.50

ELLEN BROWN (American, 20th Century) “SEA WITCH”.

Driftwood carving Sculpture mounted to a white painted wood block with paper artist & title plaque Also attached to base is an artist preliminary sketch of the piece SIZE: Carving: 23-1/2″ h x 24″ w x 19″ d. Overall: 36″ h PROVENANCE: Private Maine/Texas Collector CONDITION: Very good 50012-119 (1,000-2,000) – Lot 1091

1092
$711.00

ATTRIBUTED TO BERNARD LANGLAIS (American, 1923-1977) “BULL”.

Flat wood sculpture Mounted to a linoleum board Unsigned Written on back “Bernard Langlais/Cushing Maine/Wood Drawing/Bull” SIZE: 23″ x 31″ CONDITION: Very good 50511-2 (1,200-1,800) – Lot 1092

1093
$711.00

WALDO PEIRCE (American, 1884-1970) “FARM HORSES AND APPLE TREES”.

Watercolor Housed in a contemporary frame, under glass with linen mat Unsigned, artist identified and titled on a Midtown Galleries, New York label affixed to verso SIZE: Sight: 17-1/2″ x 23-1/2″. Overall: 27″ x 33-1/4″ PROVENANCE: By descent within the family of the artist. CONDITION: Good, with minor fading (not examined out of frame). 50645-28 (500-800) – Lot 1093

1094
$592.50

WALDO PEIRCE (American, 1884-1970) AUTUMN LANDSCAPE.

Oil on canvas Housed in a contemporary wood frame with linen liner Initialed lower right “WP.”, signed and dated on verso “WPeirce 24 Oct 45″ SIZE: 7″ x 10”. Overall: 12″ x 15-1/4″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good 50645-19 (400-600) – Lot 1094

1095
$770.25

WALDO PEIRCE (American, 1884-1970) “LOVERS LANE NEAR THUNDERHOLE, MT DESERT”.

Oil on canvas Unframed Initialed and dated lower right “WP 65”, signed, titled and dated on verso “WPeirce/Lovers Lane near Thunderhole Mt. Desert Dec. ’65” SIZE: 24″ x 30″ CONDITION: Very good, with impression to canvas, upper right (no loss or puncture). 50645-16 (300-500) – Lot 1095

1096
$0.00

WALDO PEIRCE (American, 1884-1970) “BULLS AT PAMPLONA”.

Oil on canvas Unframed Initialed, dated and inscribed lower right “For Johnny 58 WP”, signed, titled, dated and inscribed on verso “WPeirce /Bulls at Pamplona/belongs to Jonathan Peirce from his old man/Dec 57″ SIZE: 30″ x 42” PROVENANCE: By descent within the family of the artist. CONDITION: Good, with canvas buckle and surface dirt. 50645-26 (2,000-4,000) – Lot 1096

1097
$0.00

WALDO PEIRCE (American, 1884-1970) “VILLAGE BULL FIGHT, AFTER GOYA”.

Oil on canvas Housed in a slat wood frame Signed, titled, dated and inscribed on verso “WPeirce Village Bull Fight by Goya-Acad. San Fernando Madrid./NYC ’61 for Ellen” SIZE: 18″ x 30″. Overall: 18-1/2″ x 30-1/2″ CONDITION: Good with minor surface dirt and several impressions to canvas. 50645-12 (1,000-1,500) – Lot 1097

1098
$237.00

WALDO PEIRCE (American, 1884-1970) “RESTING”.

Oil on canvas Unframed Initialed and dated upper left “WP12 feb 44”, signed and dated on verso “WPeirce 12 feb 44″, titled on Midtown Galleries, New York label affixed to stretcher SIZE: 9″ x 12″ PROVENANCE: By descent within the family of the artist. CONDITION: Discolored varnish and surface dirt, canvas has 3” impression (no puncture or loss). 50645-20 (500-800) – Lot 1098

1099
$177.75

WALDO PEIRCE (American, 1884-1970) “TWO OLD MEN EATING”, AFTER GOYA.

Oil on canvas Housed in a slat wood frame Unsigned, inscribed on verso “Two old people eating soup, copy of Goya Prado, Madrid/for Johnny from Papa” SIZE: 14″ x 21″. Overall: 14-1/2″ x 21-1/2″ PROVENANCE: By descent within the family of the artist. CONDITION: Canvas loose, abrasions along edges, and water staining to verso. 50645-15 (300-500) – Lot 1099

1100
$29,032.50

JACK LORIMER GRAY (American/Canadian 1927-1981) “CHOCKLE CAP, LUNENBURG CO, NOVA SCOTIA”.

Oil on canvas Housed in a molded wood gilt frame with title and artist plaque Signed lower left “Jack L. Gray” SIZE: 26″ X 40″. Overall 32″ x 46″ PROVENANCE: Private Maine/Texas Collector CONDITION: Very good 50012-61 (20,000-30,000) – Lot 1100

1101
$17,775.00

JACK LORIMER GRAY (Canadian, 1927-1981) “MAINE LOBSTERMAN”.

Oil on canvasboard Housed in a contemporary giltwood frame Signed lower left “Jack L. Gray” Titled and signed “Jack L. Gray 1960″ on verso SIZE: 22″ x 30”. Overall: 24-1/2″ x 32-1/2″ PROVENANCE: Acquired from the artist; by descent to current owner CONDITION: Very good 50513-1 (15,000-25,000) – Lot 1101

1102
$11,257.50

JACK LORIMER GRAY (Canadian, 1927-1981) “CHOPPY SEAS”.

Oil on canvasboard Housed in a contemporary giltwood frame with linen liner Signed lower right “Jack L. Gray-” and inscribed on verso “J.G. #85 Choppy Seas” SIZE: 22″ x 30″. Overall: 25-1/2″ x 33-1/2″ PROVENANCE: Acquired from the artist; by descent to current owner CONDITION: Very good 50513-2 (10,000-20,000) – Lot 1102

1103
$5,332.50

JOHN WHORF (American, 1903-1959) “THE WINTRY SEA”.

Watercolor Housed in a gold frame, matted under glass Signed lower right “John Whorf”, bears Milch Galleries label on verso SIZE: Sight: 21″ x 29″. Overall: 32″ x 39-1/2″ CONDITION: Very good, minor fading, not examined out of frame 50625-3 (3,000-5,000) – Lot 1103

1104
$0.00

TOM THOMSON (Canadian, 1877-1917) “VIEW OF ALGONQUIN PARK”.

Oil on panel Housed in a modern frame Unsigned Dated and titled on a Dr. James MacCallum label affixed to verso, c. 1915 Note: Bonhams catalog entry for May 20th, 2015 lot 68, included a letter & information regarding this painting as follows: When Dr. James Metcalfe MacCallum (1860-1943), an ophthalmologist at the University of Toronto, met Tom Thomson in October 1912, he offered to pay his expenses for a year if he agreed to paint full time. Thomson, then thirty-five, was wary of the offer, since he doubted his own ability to do what was being asked and of giving up his satisfying job as a commercial artist. At Grip Limited, which he had joined in 1909, he met a feisty and ambitious group of artists – J.E.H. MacDonald, Arthur Lismer, Fred Varley, Frank Carmichael, Frank Johnston, all to become members of the Group of Seven in 1920. He had also met A.Y. Jackson. Lawren Harris, who had probably advised MacCallum, saw great potential in Thomson, as did MacDonald. Thomson accepted MacCallum’s offer, and by the end of the year he was addicted to painting. As a commercial artist he was ‘the best letterman in Canada’ according to his colleagues; as a painter of landscape, however, he was an uncertain amateur with a lot to learn. Between 1913 and July 8, 1917, when he drowned in Canoe Lake, Thomson accelerated into a brilliant, original, and highly productive artist, leagues ahead of his friends. He produced over four hundred small oil sketches and a couple of dozen canvases that included enduring images that have defined Canada in the imagination of generations over the past century. Thomson’s achievement, in a span of four and half years, is, as MacCallum liked to say, ‘An Encyclopedia of the North.’ He tried to register as much of the phenomena of Algonquin Park as he could, and once said he wanted to paint a sort of diary of spring one oil sketch every day.He was acknowledged by all to be a great colourist, his palette offering up colours created in his now hyper-active brain. He painted blood-red sunsets, ominous storms, wild flowers, charging rapids, waterfalls, lightening, rainbows, and clouds of every shape and kind. He found his subjects close at hand, while his friends trekked off looking for dramatic cliffs or grand vistas. What was extraordinary about Thomson was his concentrated way of seeing–Wiliam Blake’s kind of vision, which made the ordinary extraordinary.This painting by Thomson has three distinct features. The support (mahogany veneer) I haven’t seen used before. However, Thomson painted his small oil sketches on many different supports–illustration board, wood panels, composite wood-pulp board, canvas-textured paper mounted on wood, plywood, silk, and occasional cigar box lids. Given this range of materials, mahogany isn’t out of place. The label on the verso is also new to me. MacCallum was Thomson’s companion on many canoe trips, a buyer of several dozen paintings, the guardian of his work after he died, and his staunchest supporter; a work associated through a friend of MacCallum’s is a mark in its favour. The size (10 × 13 1/2in) is not Thomson’s most-often-used 8 1/2 × 10 1/2in, but his sizes vary; he used whatever was handy. MacCallum’s date (c. 1915) is comfortable with other paintings done then.The painting has many of the hallmarks of Thomson’s work over his too brief career. What strikes me is the complexity and density packed into this tiny rectangle and the high volume of information in it. The recession and scale in the painting is faultless; the shadows, raking diagonally across the foreground, are a variation of a motif Thomson used in all seasons and in many different lights–early morning, high noon, evening, and at night. His distinct way of depicting the sky seen through the trees, and his treatment of leafy branches can also be seen in paintings like Evening, Canoe Lake or the earlier Big Elm; his clever handling of tree trunks is like his fingerprint or his signature. The painter David Milne wrote his patron, who wanted works dated and signed: “Dates, useful, signatures not of much importance, pictures are supposed to be signatures.” Thomson’s paintings are all ‘signatures’ of his acute vision of the North.David P. Silcox, C.M.Massey College, Toronto”. A copy of this letter does not accompany this painting SIZE: 10″ x 13-3/4″. Overall: 11-1/2″ x 15-1/4″ PROVENANCE: Dr. James M. MacCallum, Canada. Private collection, Canada and Florida. Estate of the above. CONDITION: Very good 50593-9 (75,000-125,000) – Lot 1104

1105
$0.00
Revised: 8/3/2016

Please Note: Artist’s first name is Dominique, Canadian, 1965-. Also, Galerie NOT Galarie.

DOMINKIQUE GAUCHER (20th/21st Century) “L’ASSAULT DU NEW MUSEUM, 2010” WITH ALTERNATE TITLE “ENTREE AU MUSEE, RIMAYE, 2010”.

Oil on canvas Unframed Unsigned Galarie de Bellefeuille Montreal, Quebec label on verso SIZE: 96″ x 72″ CONDITION: Very good 50750-9 (5,000-10,000) – Lot 1105

1106
$2,370.00

WILLIAM LESTER STEVENS (American, 1888-1969) CAPE ELIZABETH, MAINE.

Oil on board Housed in a modern giltwood frame Signed lower left “W. Lester Stevens NA” SIZE: 18″ x 12″. Overall: 24″ x 18″ CONDITION: Very good 50336-5 (2,000-3,000) – Lot 1106

1107
$5,332.50

WILLIAM LESTER STEVENS (American, 1888-1969) ROAD WITH DAPPLED SUNLIGHT, CONWAY.

Oil on canvas Housed in a silver giltwood frame Signed lower right “W. Lester Stevens N.A.” SIZE: 20″ x 24″. Overall: 27-1/2″ x 31-1/2″ CONDITION: Very good 50652-2 (5,000-7,000) – Lot 1107

1108
$0.00

WILLIAM LESTER STEVENS (American, 1888-1969) FISHING BOATS AT HARBOR.

Oil on canvas Housed in a good gilt molded wood frame Signed lower left “W. Lester Stevens” (hard to see as it is black on green) SIZE: 25″ x 30″. Overall: 29-1/2″ x 34-1/2″ CONDITION: Lined, inpainting, very good 50844-4 (5,000-7,000) – Lot 1108

1109
$0.00

WILLIAM LESTER STEVENS (American, 1888-1969) THE RED BARN.

Oil on Masonite Housed in a modern giltwood frame Signed lower left “W. Lester Stevens” SIZE: 18″ x 15″. Overall: 21-3/4″ x 18-3/4″ CONDITION: Good, with minor surface dirt 50488-8 (2,000-3,000) – Lot 1109

1110
$0.00

EMILE ALBERT GRUPPE (American, 1896-1978) VERMONT FARM.

Oil on canvas Housed in a fine, carved wood and gilt frame Signed lower right “Emile Gruppe”. Title in artist’s hand on verso of stretcher Note: Exhibition label for the Rockport Art Association on verso (10/5/08 to 11/3/08). Also on verso is a Spanierman Gallery label. Similar composition is seen on pg 137, plate 70 of the book Gruppe on Painting. SIZE: 25″ x 30″. Overall: 29-1/2″ x 34-1/2″ CONDITION: Very good. 50748-1 (7,000-9,000) – Lot 1110

1111
$5,451.00

EMILE ALBERT GRUPPE (American, 1896-1978) NEW ENGLAND SUGAR HOUSE.

Oil on canvas Housed in a fine, carved wood gilt frame with wide gilt wood liner Signed lower right “Emile Gruppe” SIZE: 20″ x 24″. Overall: 27-3/4″ x 31-3/4″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good. 50749-16 (3,000-5,000) – Lot 1111

1112
$16,590.00

REFERENCE: Illustrated on page 50 in “Brushwork for the Oil Painter” by Emile Gruppe edited by Charles Movalli and titled “The Mountain Road”.

EMILE ALBERT GRUPPE (American, 1896-1978) “SMUGGLER’S NOTCH”.

Oil on canvas Housed in a contemporary giltwood frame Signed lower left “Emile A. Gruppe”, verso canvas stamped “Reproduction rights reserved by the artist”, titled in pencil on the stretcher NOTE: This painting was acquired directly from the Gruppe family and was one of the paintings selected to be represented on the family Christmas card and was hanging in the family house when acquired by our consignor Accompanying the painting is a framed Christmas card bearing this image. Housed in a modern gilt frame with white mat SIZE: 30″ x 36″. Overall: 37-1/2″ x 44″. CARD: Overall: 10″ x 11″ CONDITION: Very good 50652-10 (15,000-25,000) – Lot 1112

1113
$16,590.00

REFERENCE: Illustrated on page 54-55 in “Brushwork for the Oil Painter” by Emile Gruppe edited by Charles Movalli.

EMILE ALBERT GRUPPE (American, 1896-1978) “MOUNT MANSFIELD”.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Emile A. Gruppe” NOTE: This painting was acquired directly from the Gruppe family and was one of the paintings selected to be represented on the family Christmas card and was hanging in the family house when acquired by our consignor Accompanying the painting is a framed Christmas card bearing this image. Housed in a modern gilt frame with white mat. Also accompanying this painting is an unframed copy of the Christmas card portraying this painting SIZE: 25″ x 30″. Overall: 32-1/2″ x 37-1/2″. CARD: Overall: 10″ x 11″ CONDITION: Very good, with scattered flake losses upper right 50652-12 (15,000-25,000) – Lot 1113

1114
$8,887.50

ALDRO THOMPSON HIBBARD (American, 1886-1972) WINTER LANDSCAPE, VERMONT.

Oil on board Housed in a giltwood frame Signed lower right “A.T. Hibbard” SIZE: 8″ x 10″. 13-12″ x 15-1/2″ CONDITION: Very good to excellent 50652-24 (8,000-12,000) – Lot 1114

1115
$8,887.50

ALDRO THOMPSON HIBBARD (American, 1886-1972) PANORAMIC VIEW OF VERMONT HILLSIDE FARMS IN WINTER.

Oil on canvas Housed in a barnboard frame with linen liner Signed lower right “A.T. Hibbard.” SIZE: 28″ x 36″. Overall: 30-1/2″ x 40-1/2″ CONDITION: Very good, with 6″ restored surface scratch in sky. 50652-22 (7,500-12,500) – Lot 1115

1116
$8,295.00

ALDRO THOMPSON HIBBARD (American, 1886-1972) VERMONT WINTER LANDSCAPE.

Oil on canvas Housed in a partial gilt molded wood frame with linen liner Signed lower right “AT Hibbard” On verso having three Estate stamps SIZE: 28″ x 36″. Overall: 33″ x 40-1/2″ CONDITION: Very good 50719-5 (7,000-10,000) – Lot 1116

1117
$10,072.50

ALDRO THOMPSON HIBBARD (American, 1886-1972) “WEST RIVER, JAMAICA, VERMONT”.

Oil on canvas Housed in a Guido giltwood frame Signed lower right “A.T. Hibbard”, titled on stretcher “West River/Jamaica, Vermont”, verso canvas stamped “Reproduction rights reserved” SIZE: 22″ x 30″. Overall: 30″ x 38″ CONDITION: Very good to excellent 50652-3 (6,000-9,000) – Lot 1117

1118
$1,481.25

KENNETH KNOWLES (American, b. 1958) “WHITE FARM, TUNBRIDGE, VERMONT”.

Oil on board, 2012 Housed in contemporary giltwood frame Signed lower right “Ken Knowles”, titled, signed and dated on verso “Ken Knowles ’12/White Farm, Tunbridge, Vermont”. Bears label from Bryan Memorial Gallery, Jeffersonville, Vermont. SIZE: 24″ x 30″. Overall: 31″ x 37″ CONDITION: Very good to excellent 50621-15 (2,500-3,500) – Lot 1118

1119
$2,607.00

T M NICHOLAS (American, b. 1963) SUGARING AT WINTER’S END.

Oil on canvas Housed in a contemporary giltwood frame Signed lower left “T.M. Nicholas” SIZE: 16″ x 20″. Overall: 23″ x 28″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good to excellent 50749-15 (2,500-4,000) – Lot 1119

1120
$0.00

WILLIAM JAMES GLACKENS (American, 1870-1938) “ROCKPORT, MASS 1936 NO. 3”.

Oil on board Pencil signed and titled on verso Two Adams Davidson Galleries labels affixed to verso, one indicating a title “Bathers at Rockport, 1936” and being exhibited in the “Washington Collects Exhibition February 19-April 7 1981” and illustrated as figure 32 in the catalog. The other label, which appears to be newer indicated title “Beach at Rockport”. Housed in a fine replacement gold gesso decorated frame Accompanying this painting is a signed letter from Ira Glackens dated October 1978 to Anne Denton Blair on his stationary “Dear Annie – This little study of a beach, measuring 12″ x 16″, was painted by father at Rockport, Mass, in 1936. I remember the water as frigid, having visited Pa & Ma for a few days there, & this place was better for painting than bathing! There exists several studies of this place, but feel lucky you do not have to go in that icy water! yours affectionately, Ira Glackens”. Also two receipts from Adams Davidson Gallery dated December 3rd, 1980 and February 12th 1981 REFERENCE: William Glackens and The Eight by Ira Glackens, page 255-256 “W.& E. Sailed for New York on July, 22nd, as planned… they fled to Rockport Massachusetts…and W. produced a few studies of the beach…” SIZE: 11-1/2″ x 15-1/4″ PROVENANCE: Descended in the Blair family; Sold James D. Julia auction 8/24/2005; Private Collection CONDITION: Very good 49288-1 (150,000-200,000) – Lot 1120

1121
$15,405.00

This painting was acquired directly from the family of the artist. REFERENCE: Illustrated on page 41, plate 15 in “Gruppe on Painting” by Charles A. Gruppe, Edited by Charles Movalli & John Lavin and titled “Reflections”

EMILE ALBERT GRUPPE (American, 1896-1978) “INDIAN SUMMER, GLOUCESTER”.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Emile A. Gruppe”, title inscribed on stretcher SIZE: 25″ x 30″. Overall: 32-1/2″ x 38″ CONDITION: Very good, with minor canvas buck. 50652-14 (12,000-15,000) – Lot 1121

1122
$22,515.00

EMILE ALBERT GRUPPE (American, 1896-1978) “GLOUCESTER SUNLIT COVE-ROCKY NECK”.

Oil on canvas Housed in a replacement gilt molded wood frame Signed lower right “Emile A Gruppe” Verso having an Emile A. Gruppe gallery business card along with a John Gale business card SIZE: 25″ x 30″. Overall: 31-1/2″ x 36-1/2″ PROVENANCE: Ex-John Gale Collection of Cambridge, MA CONDITION: Very good 50719-7 (12,000-16,000) – Lot 1122

1123
$20,145.00

EMILE ALBERT GRUPPE (American, 1896-1978) “MENDING THE NETS”.

Oil on canvas Housed in a fine carved & gilt wood frame Signed lower right “Emile A Gruppe” Titled & signed in the artist’s hand on verso of stretcher SIZE: 30″ x 36″. Overall: 39-1/2″ x 45-3/4″ CONDITION: Very good with area in central mast with touch up 50778-8 (12,000-18,000) – Lot 1123

1124
$10,368.75

ANTHONY THIEME (American, 1888-1954) “GLOUCESTER FISHERMAN”.

Oil on canvas Housed in a silver painted wood frame Signed lower left “A Thieme”, titled and numbered on verso “Gloucestesr Fisherman 483″ SIZE: 25″ x 30”. Overall: 28-3/4″ x 33-3/4″ CONDITION: Very good, with discolored varnish and scattered touch up 50652-23 (8,000-12,000) – Lot 1124

1125
$0.00

ANTHONY THIEME (American, 1888-1954) “ROCKPORT”.

Oil on canvas Housed in a modern carved & gilt frame with some finish loss Signed lower right “A Thieme” Frame retaining several labels including Exhibited at the Rockport Art Association Oct. 2-Nov 14, 1999; Christie’s sales label Feb. 27/13 On verso of canvas is a sketch of a similar scene SIZE: 25″ x 30″. Overall: 30-1/2″ x 35-1/2″ CONDITION: Very good, strip line on tack edge, new stretcher, glassine covering of back so sketch is visible 50719-1 (10,000-15,000) – Lot 1125

1126
$9,480.00

ANTONIO CIRINO (American, 1889-1893) “BOATS IN THE HARBOR”.

Oil on canvas Housed in a gold painted frame Unsigned, bears estate stamp on verso canvas signed by Ann Fisk, Ex. Director of Rockport Art Association SIZE: 25″ x 30″. Overall: 29″ x 34″ CONDITION: Very good, with minor spotting to verso canvas 50625-2 (8,000-12,000) – Lot 1126

1127
$2,073.75

BOB BLUE (American, 1924-2008) “MORNING CHORES”.

Oil on canvas Housed in a modern giltwood frame Signed lower right “Bob Blue”, titled on stretcher SIZE: 20″ x 24″. Overall: 24-1/2″ x 28-1/2″ CONDITION: Very good to excellent 50516-3 (1,000-2,000) – Lot 1127

1128
$2,370.00

LESTER A. GILLETTE (American, 1855-1940) GLOUCESTER HARBOR.

Oil on board Housed in a giltwood frame with Guido label Signed lower right “L A Gillette”, inscribed on reverse “No. 655″, titled on Comenos Fine Arts label affixed to verso SIZE: 14″ x 16”. Overall: 19″ x 21″ CONDITION: Very good 50278-2 (2,000-4,000) – Lot 1128

1129
$1,836.75

CHARLES J. MOVALLI (American, 1945-2016) BOATS AT DOCK.

Oil on canvas Housed in a white painted wood frame Signed lower right “C. Movalli” SIZE: 24″ x 30″. Overall: 27-1/2″ x 34″ CONDITION: Very good, with minor craquelure 50520-3 (1,000-1,500) – Lot 1129

1130
$7,110.00

STANLEY WOODWARD (American, 1890-1970) CRASHING WAVES.

Oil on board Housed in a 20th century giltwood frame Signed lower left “Stanley Woodward” SIZE: 24″ x 30″. Overall: 33-3/4″ x 39-3/4″ CONDITION: Very good 50567-30 (4,000-6,000) – Lot 1130

1131
$3,555.00

WAYNE BEAM MORRELL (American, 1923-2013) “SUMMER HARBOR BOATS”.

Oil on masonite Housed in a decorative partial gilt wood frame with linen & gilt liner having title plaque Signed lower left “Wayne Morrell” Newman Galleries label on verso of frame with artist & title SIZE: 24″ x 36″. Overall: 32-1/2″ x 44-1/2″ PROVENANCE: From a Philadelphia, PA area home CONDITION: Very good to excellent 50830-7 (2,000-4,000) – Lot 1131

1132
$711.00

WAYNE BEAM MORRELL (American, 1923-2013) TWO WORKS: “AUTUMN POND” & STROLL IN THE WOODS.

Oil on board Housed in gilt decorative frames with linen liners Signed lower right “Wayne Morrell” Both having Newman Galleries labels affixed to verso SIZE: Autumn Pond: 9-1/2″ x 13-1/4″. Overall: 17″ x 21″. Stroll: 8-1/2″ x 11-1/2″. Overall: 16″ x 19″ PROVENANCE: From a Philadelphia, PA area home CONDITION: Very good 50830-10 (1,000-1,500) – Lot 1132

1133
$948.00

WAYNE BEAM MORRELL (American, 1923-2013) “BACK BEACH, ROCKPORT, MASS”.

Oil on Masonite Housed in contemporary wood frame with linen liner Signed lower right “Wayne Morrell”, inscribed with title and date on verso frame “Back Beach, Rockport, Mass, 1979″ SIZE: 9″ x 12”. Overall: 16-1/2″ x 19-1/2″ CONDITION: Very good 50777-1 (800-1,200) – Lot 1133

1134
$948.00

WAYNE BEAM MORRELL (American, 1923-2013) “AUTUMN MEADOWS”.

Oil on Masonite Housed in a vintage painted frame with linen liner Signed lower left “Wayne Morrell” and signed and titled on verso “Autumn Meadows by Wayne Morrell” Titled on Newman Galleries label on verso, registration no. 9979-C SIZE: 18″ x 24″; Overall: 26″ x 32″ CONDITION: Very good to excellent, with minor surface scratches in foreground 50297-3 (1,000-1,500) – Lot 1134

1135
$10,072.50

EMILE ALBERT GRUPPE (American, 1896-1978) TRAWLERS AT DOCK.

Oil on canvas Housed in a good carved wood & gilt frame with gilt liner Signed lower right “Emile A Gruppe” SIZE: 20″ x 24″. Overall: 27-1/4″ x 31-1/4″ CONDITION: Very good 50440-6 (6,500-8,500) – Lot 1135

1136
$10,072.50

EMILE ALBERT GRUPPE (American, 1896-1978) “MORNING GLOUCESTER”.

Oil on canvas Housed in gilt silver wood frame Signed lower right “Emile A. Gruppe”, inscribed on stretcher “To Mr. & Mrs. Bob Blue Oct 22 1960 by Emile A. Gruppe” SIZE: 25″ x 30″. Overall: 29″ x 34″ PROVENANCE: Ex-collection Bob Blue, Rockport Association Artist; Acquired directly from Emile Gruppe CONDITION: Very good, with minor craquelure 50516-1 (5,000-8,000) – Lot 1136

1137
$0.00

EMILE ALBERT GRUPPE (American, 1898-1978) BUSY GLOUCESTER DOCKS.

Oil on canvas Housed in a decorative gold frame Signed lower right “Emile A Gruppe” SIZE: 18″ x 20″. Overall: 24″ x 26″ CONDITION: At the edge where the frame meets the painting there is some chipping which could be hidden by a different frame, craquelure and one chip off craquelure at center. Otherwise very good 50440-7 (6,000-8,000) – Lot 1137

1138
$20,737.50

EMILE ALBERT GRUPPE (American, 1896-1978) “MORNING GLOUCESTER”.

Oil on canvas Housed in a carved gilt wood modern frame Signed lower right “Emile A Gruppe” Several labels to verso including Exhibited at Rockport Art Association Oct 5 – Nov 23, 2008 Emile Gruppe Retrospective; Cavalier Galleries Inc. Nantucket, MA; Spainerman Gallery label with alternate title “Mending the Nets, Cape Ann” SIZE: 30″ x 36″. Overall: 35-1/2″ x 41-1/2″ CONDITION: Very good 50719-3 (10,000-15,000) – Lot 1138

1139
$8,887.50

EMILE ALBERT GRUPPE (American, 1896-1978) “GLOUCESTER DOCKS”.

Oil on board Housed in an early 20th century giltwood frame Signed and dated lower right “Emile A Gruppe 1935”, signed and titled on verso “Gloucester Days by Emile A. Gruppe” SIZE: 11-3/4″ x 16″. Overall: 16″ x 20-1/2″ CONDITION: Very good. 50652-11 (4,500-6,500) – Lot 1139

1140
$14,220.00

This painting was acquired directly from the family of the artist. REFERENCE: Illustrated on page 92-93 in “Brushwork for the Oil Painter” by Emile Gruppe, Edited by Charles Movalli and titled “On the Ways”. Also illustrated on page 134 in “Brushwork” by Emile Gruppe, Edited by Charles Movalli.

EMILE ALBERT GRUPPE (American, 1896-1978) “ROCKY NECK RAILWAYS, GLOUCESTER”.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Emile A. Gruppe”, titled and signed on protective backing affixed to stretcher SIZE: 25″ x 30″. Overall: 32-1/2″ x 38″ CONDITION: Very good, with minor canvas buckle. 50652-4 (12,000-15,000) – Lot 1140

1141
$15,405.00

FREDERICK JUDD WAUGH (American, 1861-1940) BREAKING WAVES OVER ROCKS.

Oil on board Housed in a fine carved silver gilt wood frame Signed lower right “Waugh” SIZE: Sight: 24-1/2″ x 29-1/2″. Overall: 30″ x 35″ PROVENANCE: From a Philadelphia, PA area home CONDITION: Very good 50830-5 (8,000-12,000) – Lot 1141

1142
$10,665.00

FREDERICK JUDD WAUGH (American, 1861-1940) “ROCKS AND WAVES”.

Oil on Masonite Housed in paint decorated molded frame Signed lower right “Waugh”, titled on Grand Central Galleries, New York Exhibition label affixed to verso “#4268″ SIZE: 25″ x 30”. Overall: 32″ x 37-1/2″ CONDITION: Overall very good, with small area of restoration in rocks. 50573-1 (8,000-12,000) – Lot 1142

1143
$0.00

FREDERICK JUDD WAUGH (American, 1861-1940) EVENING TIDE.

Oil on canvasboard Housed in a carved gilt wood frame Signed lower right “Waugh”, bears Grand Central Art Galleries, New York label on verso SIZE: 30″ x 40″. Overall: 35″ x 45″ CONDITION: Overall good with minor discolored varnish, upper left 50903-1 (7,000-9,000) – Lot 1143

1144
$24,885.00

WILLIAM TROST RICHARDS (American, 1833-1905) CRASHING WAVES.

Oil on board Housed in a modern gilt antique style frame Signed lower right “Wm T. Richards 1887″ SIZE: Sight: 11-1/2″ x 23-1/4”. Overall: 19-1/4″ x 31-1/4″ PROVENANCE: From a fine Acton, Massachusetts home CONDITION: Recently cleaned, very good 50914-1 (10,000-15,000) – Lot 1144

1145
$0.00

MELBOURNE HAVELOCK HARDWICK (American, 1857-1916) DUNES NEAR CRANE BEACH.

Oil on canvas Unframed Signed lower left “Melbourne H Hardwick 1913″ SIZE: 40″ x 50” CONDITION: Lined with minor spot inpainting, otherwise very good 50301-4 (4,000-6,000) – Lot 1145

1146
$1,896.00

HAROLD A STREATOR (American, 1861-1926) TWO VIEWS OF CRANES BEACH, IPSWICH.

Two oils on board Housed in modern giltwood frames One signed lower right “HA. Streator”, the other unsigned SIZE: 13″ x 16″ each. Overall: 20″ x 23″ each CONDITION: Very good 50336-7 (1,500-2,000) – Lot 1146

1147
$1,185.00

GAMALIEL WALDO BEAMAN (American, 1852-1937) SINGING BEACH, MANCHESTER BY THE SEA and VIEW OF MOUNT WASHINGTON.

Two oils on canvas Unframed 1) “Singing Beach” incised in wet paint lower left and lower right “GWBO”; 2) “Mt. Washington”, unsigned, titled in pencil on verso canvas, inscribed on stretcher “Geo Knowlton No. 41 Gilt” SIZE: 1) 13″ x 17-1/4″. 2) 13-1/2″ x 17-1/2″ PROVENANCE: By descent through the artist’s family CONDITION: Both have discolored varnish and surface dirt. Mt. Washington has stretcher marks and an area in the lower right corner that appears to have been scratched off. 50484-1 (800-1,200) – Lot 1147

1148
$948.00

BERNARD COREY (American, 1914-2000) “PIGEON COVE”.

Oil on canvas laid to masonite Housed in gray frame with linen liner Signed lower right “Bernard Corey”, inscribed on verso frame “Bernard Corey/Pigeon Cove” SIZE: 8″ x 12″. Overall: 15-1/2″ x 19-1/2″ CONDITION: Very good 50652-9 (1,200-1,800) – Lot 1148

1149
$1,303.50

JEFFREY GRANT (American, 1883-1960) “OUR LADY OF GOOD VOYAGE, GLOUCESTER, MASS”.

Oil on canvasboard Housed in a fine carved wood & gilt frame Signed lower right “J Jeffrey Grant” Accompanying the painting is a Vose Gallery exhibition catalog for the artist SIZE: 16″ x 14″. Overall: 23″ x 21″ CONDITION: Very good 50718-4 (1,200-2,400) – Lot 1149

1150
$4,443.75

CHARLES P GRUPPE (American, 1860-1940) “THE RED MILL”.

Oil on canvas Housed in a modern giltwood frame made by Hackman Frames, Ohio Signed lower right “Chas P. Gruppe”, titled inscribed in ink on a label affixed to stretcher “The Red Mill/Catskills” Exhibited: Cahoon Museum of American Art, “A Family of Artists: Gruppe Family”, March 13-April 29, 2012 SIZE: 20″ x 24″. Overall: 28-1/4″ x 32″ CONDITION: Overall very good condition, with scattered retouch (minor) and several tiny pinholes. 50336-15 (2,000-3,000) – Lot 1150

1151
$16,590.00

EMILE ALBERT GRUPPE (American, 1896-1978) WINTER IN VERMONT.

Oil on canvas Housed in a fine carved gilt wide frame Signed lower right “Emile A Gruppe” SIZE: 30-1/2″ x 36″. Overall: 39″ x 45″ CONDITION: Very good 50778-10 (12,000-18,000) – Lot 1151

1152
$5,332.50

EMILE ALBERT GRUPPE (American, 1896-1978) AFTERNOON WINTER LANDSCAPE.

Oil on canvas Housed in a modern carved & gilt wood frame with artist plaque (some chips) Signed lower right “Emile A Gruppe” SIZE: 18″ x 20″. Overall: 26-1/4″ x 28-1/4″ CONDITION: Very good 50719-4 (4,000-6,000) – Lot 1152

1153
$9,480.00

EMILE ALBERT GRUPPE (American, 1896-1978) “VERMONT COVERED BRIDGE”.

Oil on canvas Housed in a good carved & gilt replacement frame Signed lower right “Emile A Gruppe” Back retaining several labels including Exhibited Rockport Art Association Oct 5 – Nov 23, 2008 in the Emile Gruppe Retrospective; Spanierman Gallery label; Doyle auction labels On stretcher in artist hand is title and “Serial No. III” on verso of canvas SIZE: 25″ x 30″. Overall: 30-1/2″ x 35-1/2″ CONDITION: Very good 50719-2 (7,000-10,000) – Lot 1153

1154
$5,332.50

EMILE ALBERT GRUPPE (American, 1896-1978) PRELUDE TO WINTER.

Oil on canvas Housed in a fine modern carved & gilt wood frame with wide & gilt carved liner Signed lower right “Emile A Gruppe” SIZE: 16″ x 20″. Overall: 25″ x 29″ CONDITION: Very good with minor touch up in sky 50778-9 (4,000-6,000) – Lot 1154

1155
$7,110.00

EMILE ALBERT GRUPPE (American, 1896-1978) “AUTUMN IN VERMONT”.

Oil on canvas Housed in a carved and painted wood frame Signed lower right “Emile A. Gruppe”, bears Young Fine Arts sticker on verso stretcher Exhibited: North Shore Arts Association, “Emile Grupe – A Retrospective”, August 2-31, 1997. SIZE: 18″ x 20″. Overall: 23-1/2″ x 25-1/2″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good, with minor stretcher mark along top. 50749-17 (3,000-5,000) – Lot 1155

1156
$2,014.50

EMILE ALBERT GRUPPE (American, 1896-1978) “CAPE ANN GLOUCESTER”.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Emile A. Gruppe”, titled on stretcher Accompanying this painting are three original Emile A. Gruppe gallery receipts for paintings (not associated with this painting) SIZE: 25″ x 30″. Overall: 34″ x 39″ CONDITION: Very good, with vertical craquelure 50652-21 (2,000-4,000) – Lot 1156

1157
$2,370.00

EMILE ALBERT GRUPPE (American, 1896-1978) NUDE SEATED ON A ROCK.

Oil on canvasboard Housed in a copper color molded wood frame. Signed lower right “Emile A. Gruppe” SIZE: 6-3/4″ x 4-3/4″. Overall: 17-1/2″ x 15″ CONDITION: Very good to excellent 50298-4 (1,500-2,500) – Lot 1157

1158
$4,147.50

ANTHONY THIEME (American, 1888-1954) GLOUCESTER DOCKS.

Oil on canvas board Housed in original carved giltwood frame Signed lower right “A Theime”, inscribed in pencil on paper backing “For Johanna Snyder Oct. 1-89” and “This is the first painting Jim & I bought on a trip to New England [Gloucester Mass 1930]. Mr. Theime kept up correspondence until he died. Mom” SIZE: 7-3/4″ x 9-1/2″. Overall: 12″ x 14″ CONDITION: Tiny craquelure in hull of boat, with minor abrasions along edges, otherwise very good. 50406-1 (1,500-2,000) – Lot 1158

1159
$7,702.50

ANTHONY THIEME (American, 1888-1954) NEW ENGLAND HARBOR.

Oil on canvas Housed in a giltwood frame Signed lower left “A Thieme” SIZE: 22″ X 18″. Overall: 29-1/4″ x 25-1/2″ CONDITION: Very good, lined 50187-1 (7,000-9,000) – Lot 1159

1160
$4,147.50

ANTHONY THIEME (American, 1888-1854) “MOTHER AND CHILD”.

Oil on board. Housed in a contemporary carved giltwood frame. Stamped on verso “Anthony Thieme, Boston, MASS” SIZE: 12″ x 16″. Overall 18-3/4″ x 22-3/4″ CONDITION: Very good to excellent 50298-5 (4,000-6,000) – Lot 1160

1161
$1,896.00

PAUL STRISIK (American, 1918-1998) “THE INLET WEST GLOUCESTER OCT 1964”.

Oil on board Housed in a decorative wood frame Signed lower right “P Strisik” Verso having an original artist tag with title & other information SIZE: 16″ x 24″. Overall: 19-1/2″ x 27-1/2″ CONDITION: Frame line above bottom frame edge, otherwise very good 50732-1 (1,500-2,500) – Lot 1161

1162
$1,066.50

PAUL STRISIK (American, 1918-1998) “MARTEL’S BARN”.

Oil on Masonite Housed in contemporary frame with linen liner Signed lower left “P. Strisik”, titled on artist’s label affixed to verso, numbered and dated “Oct. 1970/#0-256″ SIZE: 12″ x 16”. Overall: 19-1/2″ x 23-1/2″ CONDITION: Very good to excellent 50847-7 (1,200-1,800) – Lot 1162

1163
$1,896.00

PAUL STRISIK (American, 1918-1998) “STREET IN GALISTEO, NEW MEXICO”.

Oil on linen canvas laid down on panel Housed in a giltwood frame with linen liner Signed lower left “P. Strisik”, titled on artist gallery label affixed to verso SIZE: 8″ x 10″. Overall: 16″ x 18″ CONDITION: Very good to excellent 50847-6 (800-1,200) – Lot 1163

1164
$474.00

DENNIS POIRIER (American, 20th century) “THE MIMI”.

Oil on canvas Housed in a contemporary giltwood frame Signed lower left “-Dennis Poirier-“, titled on stretcher “The Mimi” SIZE: 20″ x 24″. Overall: 31″ x 27″ CONDITION: Very good – excellent 50443-4 (1,500-2,500) – Lot 1164

1165
$237.00

DENNIS POIRIER (American, 20th century) “LOBSTER BOATS AT DOCK, GLOUCESTER”.

Oil on board Housed in a contemporary giltwood frame Signed lower center “Dennis Poirier”, titled in pencil on verso and on North Shore Arts Association Exhibition label as “Lobster Boats, Town Landing”. Exhibited: North Shore Arts Association SIZE: 12″ x 16″. Overall: 23″ x 19″ CONDITION: Very good to excellent 50443-3 (800-1,200) – Lot 1165

1166
$770.25

DENNIS POIRIER (American, 20th century) FIVE PAINTINGS.

All housed in modern giltwood frames Including: 1) “Annisquam in Winter”, oil on board, signed lower right and titled on verso, 6″ x 8″; 2) “Reflections at Arundel Wharf, Kennebunkport, ME”, oil on panel, signed lower right and titled on verso, 6″ x 8″; 3) “Sunset Rockport Harbor”, oil on board, signed lower left and titled on verso, 6″ x 8″; 4) “Mike Chapman’s Cows”, oil on board, signed lower right and titled on verso, 6″ x 8″; 5) “The Falls at Somerswoth, N.H.”, oil on panel, signed lower right and titled on verso, 8″ x 6″ SIZE: Overall sizes to: 12″ x 10″ CONDITION: All very good 50443-2 (600-800) – Lot 1166

1167
$1,007.25

DENNIS POIRIER (American, 20th century) FIVE PAINTINGS.

All housed in modern giltwood frames Including: 1) “Winter Morning at the Bridge, Kittery Maine”, oil on panel, signed lower left and titled on verso, 6″ x 8″; 2) “Summer Evening in Falmouth”, oil on canvas, signed lower left and titled on verso, 8″ x 10″; 3)”Chinese Vase and Fruit”, oil on panel, signed lower right and titled on verso, 8″ x 6″; 4) “Night Scene, Falmouth, ME”, oil on board, signed lower right and titled on verso, 6″ x 7-3/4″; 5) “Dusk at the Boatyard”, oil on panel, signed lower left and titled on verso, 6″ x 7-3/4″ SIZE: Overall size of largest: 12″ x 13-3/4″ CONDITION: All very good 50443-1 (600-800) – Lot 1167

1168
$1,066.50

JOHN CAGGIANO (American, b 1949) “SEASIDE”, NANTUCKET.

Oil on Masonite Housed in a silver giltwood frame Signed lower right “John Caggiano”, signed, titled and dated on verso “Seaside oil by John Caggiano C 1998″ SIZE: 10″ x 20”. Overall: 15″ x 25″ CONDITION: Very good to excellent 50298-7 (1,000-1,500) – Lot 1168

1169
$1,777.50

STAPELTON KEARNS (American, 1952-) “PIGEON COVE HARBOR”.

Oil on canvas Housed in a gilt frame with linen liner Signed lower left “Stapelton Kearns 1996″ SIZE: 26″ x 29”. Overall: 35″ x 38″ CONDITION: Very good to excellent 50732-3 (2,500-3,000) – Lot 1169

1170
$0.00

FREDERICK J. HOERTZ (American, 20th Century) SAILING INTO GLOUCESTER HARBOR.

Large oil on canvas Housed in a modern carved and gilt arts & crafts style frame Signed lower right SIZE: 30-1/4″ x 36-1/4 Overall: 37-1/2″ x 43-1/2″ CONDITION: Some craquelure, good 38993-6 (1,000-2,000) – Lot 1170

1171
$3,555.00

HARRY CALLAHAN (American, 1912-1999) “PROVINCETOWN BEACH”.

Gelatin Silver Print Unframed Signed in pencil lower right margin “Harry Callahan” SIZE: Image: 9-1/2″ x 9-1/2″. Sheet: 10-7/8″ x 12″ CONDITION: Very good 50547-5 (2,500-3,500) – Lot 1171

1172
$7,110.00

ARTHUR QUARTLEY (American, 1839-1896) “OFF CAPE COD”.

Oil on canvas Housed in a fabulous & probably original deep walnut shadowbox frame with inner gilt frame with liner Signed lower right “A Quartley” SIZE: 12″ x 24″. Overall: 22″ x 34″ CONDITION: Lined, some restoration with inpainting 50573-2 (6,000-8,000) – Lot 1172

1174
$3,555.00

EDWARD A PAGE (American, 1850-1928) SUMMER SEASIDE SCENE.

Oil on canvas Housed in a fine carved and gilt modern frame with gilt liner Signed lower right “EA Page 22″ SIZE: 14-1/4″ x 20-1/4”. Overall 24-1/2″ x 32-1/2″ CONDITION: Very good, some minor inpainting 50858-5 (5,000-8,000) – Lot 1174

1175
$0.00
Revised: 8/3/2016

Please Note: The artist’s dates should read 1897-1980.

CARL W PETERS (American, 1897-1980) “STREAM IN WINTER”.

Oil on canvas Housed in a white washed wood frame with linen liner Signed lower right “Carl W. Peters”, titled on label affixed to stretcher SIZE: 20″ x 24″. Overall: 26″ x 30″ CONDITION: Very good 50652-13 (5,000-7,000) – Lot 1175

1176
$0.00

CARL W PETERS (American, 1897-1980) DRIVING THE OX OVER A BRIDGE.

Oil on canvas Housed in a giltwood frame Signed lower right “Carl W Peters” SIZE: 20″ x 24″ 27-1/2″ x 31-1/2″ CONDITION: Very good to excellent 50652-5 (5,000-8,000) – Lot 1176

1177
$16,590.00

JOHN JOSEPH ENNEKING (American, 1841-1916) “WOODLAND POOL”.

Oil on canvas Housed in a period wide gesso decorated flower & leaf motif gilt frame with gilt liner having an artist plaque attached Signed lower right “Enneking” Title and stenciled “Estate John J Enneking, Florence E. Long, Grace E. Ward, J Elliott Enneking Administrators” on verso SIZE: 20″ x 24″. Overall: 32″ x 36″ CONDITION: Very good with some very minor touchup 50278-3 (12,000-15,000) – Lot 1177

1178
$24,885.00

JOHN F CARLSON (Swedish/American, 1874/75-1945) “MORNING IN THE BARNYARD”.

Oil on canvas Housed in a contemporary giltwood frame with linen liner Signed lower right “John F. Carlson”, titled in ink on stretcher and on a label affixed to stretcher, dated 1924, stamped on stretcher “Property of Peter W. Carlson 8-4-62″, SIZE: 18″ x 24”. Overall: 25-1/4″ x 31-1/4″ CONDITION: Very good, with scattered touch up and minor craquelure. 50652-1 (12,500-17,500) – Lot 1178

1179
$0.00

ERNEST LAWSON (American, 1873-1939) WINTER LANDSCAPE, WESTPORT, CONNECTICUT.

Oil on canvas Housed in a period carved giltwood frame with linen liner Signed and dated lower left “E. Lawson 1913″ Accompanied by copies of the original descent/sales letters SIZE: 25″ x 28”. Overall: 32-1/2″ x 36″ PROVENANCE: Wedding gift from the artist to Laura Gardin Fraser in 1913; By descent to Leila Gardin Sawyer, sister of the original owner; Current owner acquired from Elizabeth Ives Bartholet, New York Art consultant in 1968 CONDITION: Very good restored condition. Lined to arrest craquelure and shrinkage cracks with small amount of loss 50159-1 (30,000-50,000) – Lot 1179

1180
$148,125.00

EDWARD WILLIS REDFIELD (American, 1869-1965) “RIVER DECORATIONS”.

Oil on canvas Housed in a period gilt molded wood frame retaining a Newman Galleries label on verso Signed lower right “E W Redfield Pencil signed & titled on stretcher SIZE: 26″ x 32-1/4”. Overall: 31-3/4″ x 37-3/4″ PROVENANCE: From a private Philadelphia, PA area home CONDITION: Very good, lined 50923-1 (80,000-120,000) – Lot 1180

1181
$23,700.00
Revised: 8/3/2016

Please Note: The painting has been relined.

KENNETH NUNAMAKER (American, 1890-1957) “PLUM BLOSSOMS”.

Oil on canvas Housed in a modern gilt frame with linen & gilt liner Signed lower left “K Nunamaker” Pencil title & signature to verso of stretcher, also an owner tag indicating “A scene of Lou Fillings Farm” Newman Gallery label affixed to frame on verso SIZE: 22″ x 24″. Overall: 30″ x 32″ PROVENANCE: Acquired directly from the artist, through descent of a Philadelphia, PA area home CONDITION: Some touch up to upper edge, very good 50830-4 (20,000-30,000) – Lot 1181

1182
$0.00

ARTHUR MELTZER (American, 1893-1989) PENNSYLVANIA LANDSCAPE IN SPRINGTIME.

Oil on canvas Housed in a decorated partial gilt wood frame Signed lower left “Arthur Meltzer” and dated indistinctly SIZE: 20″ x 24″. Overall: 26″ x 29-3/4″ PROVENANCE: Acquired directly from the artist; From a private Philadelphia, PA area home CONDITION: Very good 50923-9 (8,000-12,000) – Lot 1182

1183
$8,887.50

ARTHUR MELTZER (American, 1893-1989) “ONCE A BARN”.

oil on canvas Housed in a fine decorated wood frame with gilt edge Signed lower left “Arthur Meltzer” Signed artist signed index card with title & descriptive paragraph on verso SIZE: 20″ x 24″. Overall: 27-1/2″ x 32″ PROVENANCE: Acquired directly from the artist, through descent of a Philadelphia, PA area home CONDITION: Very good 50830-1 (8,000-12,000) – Lot 1183

1184
$0.00

ARTHUR MELTZER (American, 1893-1989) “BRIDGE AT TREXLERS”.

Oil on canvas Housed in a paint decorated & gilt frame with some finish losses Signed lower left “Arthur Meltzer” Retains a partial gallery label to verso; Title on backing board NOTE: The three span stone arch bridge is located near Kempton, PA Berks Country SIZE: 16″ x 20″. Overall: 23-1/2″ x 27-1/2″ PROVENANCE: Acquired directly from the artist; From a private Philadelphia, PA area home CONDITION: Very good 50923-3 (6,000-9,000) – Lot 1184

1185
$0.00

ARTHUR MELTZER (American, 1893-1989) “WOOD CHOPPERS HOME”.

Oil on canvas Housed in a decorated & partial gilt wood frame Signed lower right “Arthur Meltzer” Titled on verso NOTE: This scene is near Bohl’s Mill, Trevose, PA on Trevose Rd SIZE: 20″ x 24″. Overall: 26-3/4″ x 30-1/2″ PROVENANCE: Acquired directly from the artist; From a private Philadelphia, PA area home CONDITION: Very good 50923-6 (6,000-9,000) – Lot 1185

1186
$0.00

ARTHUR MELTZER (American, 1893-1989) “INTERRUPTED STREAM”.

Oil on board Housed in a decorated partial gilt wood frame Signed lower left “Arthur Meltzer” On verso is an index card signed by the artist with title and brief description SIZE: 12″ x 14″. Overall: 19″ x 21″ PROVENANCE: Acquired directly from the artist; From a private Philadelphia, PA area home CONDITION: Very good 50923-5 (6,000-9,000) – Lot 1186

1187
$2,962.50

ARTHUR MELTZER (American, 1893-1989) FARM WITH CLOUDY SKY.

Oil on canvas Housed in a paint decorated frame Signed lower left “Arthur Meltzer”, numbered “37” on verso canvas SIZE: 12″ x 14″. Overall: 17-1/2″ x 20″ CONDITION: Very good, with minor craquelure. 50574-4 (2,000-4,000) – Lot 1187

1188
$0.00

ARTHUR MELTZER (American, 1893-1989) “SCRIBES OF OLD”.

Oil on canvas Housed in a fine decorated wood frame Signed lower right “Arthur Meltzer” Label attached to verso with artist & title SIZE: 20″ x 24″. Overall: 26-3/4″ x 30-1/2″ PROVENANCE: Acquired directly from the artist; From a private Philadelphia, PA area home CONDITION: Very good 50923-7 (3,000-5,000) – Lot 1188

1189
$592.50

ARTHUR METZLER (American, 1893-1989) ITALIAN PICTURE.

Oil on board Housed in a gilt wood frame with linen and gilt liner (foxed). On verso of board has title, artist and stamped date “JAN 21 1922” Signed lower right “Arthur Metzler” SIZE: 9″ x 11″. Overall: 12-1/4″ x 14-1/2″ PROVENANCE: Acquired directly from the artist, through descent of a Philadelphia, PA area home CONDITION: Very good. Very slight warp to the board. 50830-2 (2,000-3,000) – Lot 1189

1190
$0.00

ARTHUR MELTZER (American, 1893-1989) “THAT’S MAMERE”.

Oil on board Housed in a decorated & gilt wood frame Signed lower right “Arthur Meltzer” Titled on verso SIZE: 12″ x 22″. Overall: 18-3/4″ x 28-1/2″ PROVENANCE: Acquired directly from the artist; From a private Philadelphia, PA area home CONDITION: Some paint separation, otherwise very good 50923-8 (3,000-5,000) – Lot 1190

1191
$474.00

PAULETTE VAN ROEKENS (American, 1896-1988) “PEARS AND PLUMS”.

Oil on canvas Housed in a fine modern gilt frame Signed lower right “P Van Roekens”, also titled, signed and dated (74) on stretcher SIZE: 12″ x 14″. Overall: 20″ x 22″ PROVENANCE: From a Philadelphia, PA area home CONDITION: Very good 50830-3 (1,500-2,500) – Lot 1191

1192
$1,066.50

PAULETTE VAN ROEKENS (American, 1896-1988) “IN THE GARDEN”.

Oil on canvas Housed in a paint decorated & partial gilt wood frame Signed lower left “P Van Roekens” Titled on verso & with a Newman Galleries label SIZE: 12″ x 14″. Overall: 18-1/2″ x 20-1/2″ PROVENANCE: Acquired directly from the artist; From a private Philadelphia, PA area home CONDITION: Very good 50923-4 (500-1,000) – Lot 1192

1193
$1,185.00

ADOLF DEHN (American, 1895-1968) “PENNSYLVANIA WINTER”.

Watercolor Housed under glass in a carved and painted wood frame with white mat Signed lower right “Adolf Dehn”, titled in pencil on original paper fragment affixed to verso, bears Milch Galleries label with alternate title “Winter in Pennsylvania” SIZE: Sight: 20″ x 26-1/2″. Overall: 31″ x 37-1/2″ CONDITION: Very good, not examined out of frame. 50488-1 (1,000-2,000) – Lot 1193

1194
$5,925.00

ERIC SLOANE (American, 1905-1985) “LINGAUR SLOPES, AUSTRIA”.

Oil on masonite Housed in what appears to be its original frame with white liner and Titled lower left & signed lower right Also signed on verso “Eric Sloane Brookfield, Conn” Verso having a metal plaque inscribed with title, artist and “J.P. HUNT COLLECTION”. Mr. Hunt was a real estate developer from Ft. Lauderdale, Florida SIZE: 24″ x 30″. Overall: 31-1/2″ x 37-1/2″ CONDITION: Very good 50922-5 (6,000-8,000) – Lot 1194

1195
$14,220.00

ERIC SLOANE (American, 1905-1985) AFTERNOON SHADOWS ON RED COVERED BRIDGE.

Oil on masonite Housed in a modern decorative frame with gilt liner Signed lower left “Eric Sloane” SIZE: 23-3/4″ x 41-3/4″. Overall: 31″ x 49″ CONDITION: Very good 50805-1 (12,500-17,500) – Lot 1195

1196
$4,443.75

ROBERT STRONG WOODWARD (American, 1885-1957) “MONADNOCK FROM FROST’S HILL”.

Pastel Housed under glass in a contemporary giltwood frame with double mat Signed lower left “Robert Strong Woodward” and titled lower left “Monadnock from Frost’s Hill” SIZE: Sight: 21-1/4 ” x 28-1/2″. Overall: 30-1/2″ x 37-1/2″ CONDITION: Very good to excellent 50443-5 (4,000-5,000) – Lot 1196

1197
$7,110.00

JONAS LIE (American, 1880-1940) SPRING LANDSCAPE.

Oil on canvas board Housed in a giltwood frame by Lowy, with presentation plaque Unsigned, identified and titled on Spanierman Gallery New York label affixed to verso SIZE: 12″ x 9″. Overall: 19″ x 16″ CONDITION: Very good with some inpainting 50494-1 (4,000-6,000) – Lot 1197

1198
$2,962.50

JONAS LIE (American, 1880-1940) “MELTING SNOW”.

Oil on canvas Housed in a good carved & gilt wood frame with title & artist plaque Signed lower right “Jonas Lie” SIZE: 16″ x 20″. Overall: 22-1/2″ x 26-1/2″ CONDITION: Very minor touch up in sky, very good 50811-11 (2,500-3,500) – Lot 1198

1199
$5,925.00

EDWARD LAMSON HENRY (American, 1841-1919) “THE HUCKSTER”.

Oil on canvas Housed in a fine gesso decorated gilt frame with metal title and artist’s plaque Signed lower left “EL Henry 1912″ Retaining a Milch Galleries, NY label to verso SIZE: 15″ x 23-1/2”. Overall 21″ x 29-1/2″ PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good 50012-57 (15,000-25,000) – Lot 1199

1200
$8,887.50

JASPER FRANCIS CROPSEY (American, 1823-1900) SUNRISE OVER THE ST. LAWRENCE RIVER.

Watercolor on paper Housed in a gold painted wood frame with presentation plaque Signed and dated lower left “J.F. Cropsey 1884″ Note: Possibly a companion to a similar watercolor offered at Bonham’s, lot 28, November 30, 2010. SIZE: 5″ x 13”. Overall: 13-1/2″ x 21-1/2″ PROVENANCE: Acquired by Mr. & Mrs. Carl Stern of New York, from the Cropsey family; by descent to current owner CONDITION: Overall good. The work is slightly faded and paper is mounted to cardboard. 50608-1 (6,000-9,000) – Lot 1200

1201
$7,702.50

BENEDIKT HESS (Swiss/American, 1817-1870) HUDSON RIVER VIEW.

Oil on canvas Housed in a contemporary carved giltwood frame Signed and dated lower center “B. Hess. 1856″ SIZE: 27″ x 31”. Overall: 38-1/4″ x 43″ CONDITION: Good, restored condition. Lined, with minor craquelure, several small areas of restoration and scattered touch up. Chip losses to edge of canvas near frame. 50495-1 (7,000-10,000) – Lot 1201

1202
$3,258.75

VICTOR DE GRAILLY (American, 1804-1889) HIGHLANDS GORGE, WEST POINT.

Mid 19th Century oil on canvas Housed in a wonderful deep antique style gilt frame by Guido Frames, South Boston Unsigned Verso of canvas having Paris canvas stamp Ancienne Maison/Valle/Paris SIZE: 17″ x 23-1/2″. Overall: 24″ x 30″ CONDITION: Craquelure, some minor inpainting, very good 50802-8 (8,000-12,000) – Lot 1202

1203
$5,036.25

EDMUND DARCH LEWIS (American, 1835-1910) KAATERSKILL FALLS, NEW YORK.

Oil on canvas Housed in a period giltwood frame Signed and dated lower right “Edmund Darch Lewis 1879”, verso canvas stenciled “Earles Galleries, Philadelphia” SIZE: 30″ x 20″. Overall: 41-1/2″ x 31″ CONDITION: Good, with craquelure and minor restoration along bottom and edges. 50589-2 (3,000-5,000) – Lot 1203

1204
$0.00

Lower stretcher bar on verso with location/title “Catskill Scene”

AMERICAN SCHOOL (19th century) HUDSON RIVER VALLEY VIEW.

Oil on canvas Housed in a period giltwood frame Unsigned SIZE: 15″ x 21″. Overall: 22-1/2″ x 28-1/2″ CONDITION: Lined, restoration throughout, cracking and lifting to paint surface. 50305-2 (3,000-5,000) – Lot 1204

1205
$2,962.50

CARL SPRINCHORN (American, 1887-1971) “DIVER AT CONEY ISLAND”.

Pastel on paper Signed lower left “Carl Sprinchorn” Housed in a black & gilt wood frame with linen gold edged mat behind glass SIZE: Sight: 20″ x 13-1/4″. Overall: 32″ x 26″ CONDITION: Very good, not examined out of frame 50796-3 (3,000-5,000) – Lot 1205

1206
$888.75

ANNA ELKAN MELTZER (American, 1896-1975) “CENTRAL PARK 1940”.

Oil on canvas Housed in a modern wood frame with linen & gilt liner Signed lower left “Anna E Meltzer 40″ SIZE: 20″ x 30”. Overall: 25-1/2″ x 35-1/2″ CONDITION: Small patches to verso with corresponding inpainting, otherwise very good 50847-4 (1,500-2,500) – Lot 1206

1207
$829.50

MAURICE SIEVAN (American, 1898-1981) “BROOKLYN STREET SCENE”.

Oil on canvas board Housed in a giltwood frame with linen liner Signed lower left “Sievan”, titled and inscribed on verso “Brooklyn Street Scene by Maurice Sievan 1940″ SIZE: 9″ x 12”. Overall: 14-1/4″ x 17-1/4″ CONDITION: Good overall condition, surface dirt 50556-2 (1,000-2,000) – Lot 1207

1208
$829.50

MAURICE SIEVAN (American, 1898-1981) “SHERIDAN SQUARE”.

Watercolor and ink on paper mounted on board Housed under glass in giltwood frame with linen liner Signed and dated lower right “Sievan 1932″, titled on Gerald Peters Gallery label affixed to verso SIZE: 8-3/4″ x 11 -3/4”. Overall: 15-1/2″ x 18-1/2″ CONDITION: Good, paper has slight discoloration and is attached to back mat at corners 50556-3 (1,000-2,000) – Lot 1208

1209
$1,481.25

MAURICE SIEVAN (American, 1898-1981) “LOWER MANHATTAN”.

Oil on canvas board Housed in a Friedman painted wood frame Signed lower right “Sievan”, titled, dated and inscribed on verso ” Lower Manhattan by Maurice Sievan Oil- 20 x 24- 1939 / #224″ SIZE: 20″ x 24″. Overall: 26-1/2″ x 30-1/2″ CONDITION: Good, with minor surface dirt and abrasions 50556-1 (2,000-4,000) – Lot 1209

1210
$5,925.00

GEORGE GROSZ (American, 1893-1959) “BRICKDUST ROW” OR QUEENIE THE FAR LADY, CONY ISLAND.

Pencil & charcoal on paper Housed in a flat gilt wood frame with linen and gilt mat free mounted Signed with a signature stamp lower right Verso with Estate stamp and #6-73-4 Note: Accompanying the lot is a letter from Ralph Jentsch dated 1/29/16 indicating the authentication of the drawing and a note indicating that it will be included in forthcoming raisonne of works on paper by George Grosz SIZE: 23″ x 18″. Overall: 39″ x 32-1/2″ PROVENANCE: Studio of the artist, Bayside Long Island, 1935; George Grosz Estate 1959; Collection of Mr. & Mrs. Jonathan P. Rosen; Sotheby’s, NY June 21, 2005 Lot 402; Illustration: Preliminary Drawing of the Watercolor illustrated in O’Henry “The Voice of the City & Other Stories”, illustrated between page 38-39 NOTE: A copy of the book accompanies the lot. CONDITION: Very good, hinge mounted having some adhesive bleed at the top hinge 50796-4 (8,000-12,000) – Lot 1210

1211
$1,185.00

ARTHUR L. COPPEDGE (American, 1938-2010) “STREET CORNER (NO LEFT TURN)”, NEW YORK.

Oil on board Housed in a giltwood frame with linen liner Signed lower center “Coppedge”, titled on an ACA Galleries, New York label affixed to backing and inscribed in ink “#12 Street Corner (No left Turn)” SIZE: 6-1/2″ x 10-1/4″. Overall 10-1/2″ x 14-1/2 CONDITION: Very good to excellent 50298-1 (1,500-2,500) – Lot 1211

1212
$2,666.25

WALTER STUEMPFIG (American, 1914-1970) CITY PLAYGROUND.

Oil on canvas Housed in a painted carved wood frame with painted liner Signed in pencil on stretcher, possible remnants of a signature lower left SIZE: 11″ x 14″. Overall: 18″ x 21″ CONDITION: Very good 50811-9 (2,000-3,000) – Lot 1212

1213
$0.00

CLEM (CLEMENT) WEISBECKER (American, 1912-1965) THE WHARVES OF NEW YORK.

Watercolor on paper Housed in a modern carved gilt frame with white linen mat having gold edge behind glass Signed lower right and dated “Clement Weisbecker 46″ SIZE: Sight size: 10-3/4″ x 14-1/2. Overall: 22-1/4″ x 26” CONDITION: Very good. 50810-7 (800-1,200) – Lot 1213

1214
$0.00

AFTER FREDERIC-AUGUSTE BARTHOLDI (French, 1834-1904) MODEL OF THE STATUE OF LIBERTY.

Cast bronze with green patina Issued by the Musee Bartholdi, Colmar France in an edition of 4000; bears a plaque on verso which reads “Modele original de la statue/ de la liberte par Bartholdi no. 96/ 4000/ musee Bartholdi, Colmar, France c SLCC” Note: A similar bronze was recently sold at Christie’s, New York (Jan. 23, 2015, lot 57) for $8,750. That example was numbered 132 SIZE: 19-3/8″ h x 5-1/4″ w x 5-1/4″ d. CONDITION: Very good 50214-1 (4,000-6,000) – Lot 1214

1215
$20,145.00

ABASTENIA ST. LEGER EBERLE (American, 1878-1942) “GIRL WITH ROLLER SKATE” ALSO CALLED “ROLLER SKATING” OR “ROLLER SKATER”.

Bronze Signed on top of base “A.L.S. Eberle”, also signed on side “B. Zoppo Foundry.N.Y.” Brown patina REFERENCE: Full page image of this bronze on page 28 of “Rediscoveries in American Sculpture” by Conner & Rosenkranz NOTE: To our knowledge we have not found this example sold or offered in recent auction history SIZE: 13″ h x 11-1/4″ from finger tip to finger tip CONDITION: Very good, figures right forearm and hand has been professionally replaced and nearly undetectable 50613-1 (10,000-15,000) – Lot 1215

1216
$7,110.00

RENEE SINTENIS (American/German, 1888-1965) “AUSSCHLAGENDES FOHLEN”.

Bronze Mounted to a marble rectangular slab Signed “RS” on side of hoof REFERENCE: Illustrated on page 31 of the book “Renee Sintenis” by Hannah Kiel, 1935. A copy of this book accompanies the work SIZE: Bronze: 4-1/4″ h x 6″ l PROVENANCE: Acquired in Germany, by descent to our consignor CONDITION: A wonderful spotted verdigris patina from being on a window sill in St. Martin 50414-2 (6,000-9,000) – Lot 1216

1217
$6,813.75

RENEE SINTENIS (American/German, 1888-1965) “SICH LECKENDES FOHLEN 1928”.

Bronze Signed “RS” on side of hoof REFERENCE: Illustrated on page 25 of the book “Renee Sintenis” by Hannah Kiel, 1935. A photocopy of this page accompanies the work SIZE: Bronze: 4″ h x 5″ l PROVENANCE: Acquired in Germany, by descent to our consignor CONDITION: A wonderful spotted verdigris patina from being on a window sill in St. Martin 50414-1 (6,000-9,000) – Lot 1217

1218
$0.00

LOUIS MCCLELLAN POTTER (American, 1873-1912) PRAYING MONKS BOOKENDS.

Bronze Signed on back “Louis Potter 1911″ SIZE: 10″ h x 6″ d x 5” w CONDITION: Very good 50311-3 (3,000-5,000) – Lot 1218

1219
$4,147.50

MABLE VIOLA HARRIS CONKLING (American, 1871-1966) MAIDEN WITH FLOWER FOUNTAIN.

Bronze fountain Fitted on a brass topped onyx plinth Signed and date “1925” on top of base SIZE: Bronze: 33″ h; Overall: 38″ h x 12″ at widest CONDITION: Very good black patina 50810-9 (4,000-6,000) – Lot 1219

1220
$0.00

ULYSSES ANTHONY RICCI (American, 1888-1960) WOMAN’S BUST.

Bronze Mounted on a stepped square black slate plinth Signed on left side of neck “U.A. Ricci Sc.37” Also on base of bronze “Roman Bronze Works N.Y.” REFERENCE: He is listed in the Dictionary of American Sculptors as born & died in New York, exhibiting at the PA Academy of Fine Arts and the Metropolitan Museum of Art and a member of the National Sculptor Society SIZE: Bronze: 12-1/2″ h. Base: 6-1/4″ sq CONDITION: Very good 50750-14 (2,000-4,000) – Lot 1220

1221
$29,625.00
Revised: 8/22/2016

Please Note: Good News! This painting was illustrated on the back cover of Vose Galleries Exhibition “The Boston School Tradition, Truth, Beauty & Timeless Craft” June 6 – July 18, 2015.

WILLIAM MCGREGOR PAXTON (American, 1869-1941) “THE GOLDEN VEIL” (ALTERNATIVE TITLE: “GIRL WITH GOLD DRAPERY”).

Oil on canvas Housed in a carved and gilt wood frame Unsigned, original labels attached to foam core backing board from Hirschl & Adler; Abby M Taylor Fine Art; and two from Vose Galleries of Boston. SIZE: 32″ x 26″. Overall: 40″ x 33″ CONDITION: Lined, some inpainting, very good 50808-1 (30,000-50,000) – Lot 1221

1222
$5,628.75

LEON KROLL (American, 1884-1974) “ISABEL AND MARIE CLAUDE”.

Oil on paper Housed in a period carved giltwood frame Unsigned, bears label on verso protective backing with artist biography, title, date c. 1930, and provenance. SIZE: 23″ x 14-1/2″. Overall: 29″ x 22″ PROVENANCE: Sid Deutch Gallery, New York; Owings Dewey Fine Art, Sante Fe; Christie’s, New York, lot 255, Dec. 3, 1996; Private Maine Collection CONDITION: Very good, with spotty varnish. 50488-5 (6,000-9,000) – Lot 1222

1223
$0.00

WILLIAM DE LEFTWICH DODGE (American/French, 1867-1935) SPRING.

Oil on canvas Housed in a gilt gesso decorated frame with multiple liners Signed lower right “William L Dodge Paris 95″ SIZE: 36-1/4″ x 25-3/4”. Overall: 46-1/2″ x 35-1/4″ CONDITION: Lined, vertical drip streaks which should clean off, one small area of restoration, otherwise good 50824-8 (6,000-8,000) – Lot 1223

1224
$0.00

AMERICAN SCHOOL (19th century) RECLINING NUDE.

Oil on canvas Housed in a period giltwood frame (with significant losses) Unsigned SIZE: 31″ x 52″. Overall: 60″ x 39″ CONDITION: Painting is in unrestored condition with surface dirt, discolored varnish, flake losses and moisture damage to verso canvas 50750-3 (3,500-5,000) – Lot 1224

1225
$0.00

CHARLES EDWIN COOKMAN (American, 1856-1915) THE PINK ROBE.

Oil on canvas Housed in a period elaborately molded and giltwood frame Signed lower left “C.E. Cookman” SIZE: 18″ x 10″. Overall: 33-3/4″ x 22-3/4″ CONDITION: Very good, with a small 1″ area of restoration in door 50265-4 (3,000-5,000) – Lot 1225

1226
$18,367.50

ALBERT HERTER (American, 1871-1950) WOMAN IN WELL APPOINTED INTERIOR.

Watercolor on paper Housed in a period molded and giltwood frame Signed lower right “Albert Herter” SIZE: 20″ x 28-3/4″. Overall: 28″ x 37″ CONDITION: Very good, with minor fading, and discoloration along upper left edge. 50265-12 (15,000-20,000) – Lot 1226

1227
$2,370.00

WILLIAM WORCESTER CHURCHILL (American, 1858-1926) WOMAN AT PIANO.

Oil on canvas Housed in a wonderful, carved and gilt wide frame, carved/signed “W F Scott” (Will Scott). Also carved “C.1980″ Unsigned SIZE: 25″ x 30”. Overall: 33″ x 38″ CONDITION: Very good. Minor inpainting. 50805-5 (3,000-5,000) – Lot 1227

1228
$1,481.25

EARL MACPHERSON (American, 1910-1993) “I LOVE YOU” PIN UP.

Pastel and collage on paper Housed under glass in a red frame with red mat Signed lower center “MacPherson” and dated lower right “1952” SIZE: Sight: 21″ x 19-1/4″. Overall: 30″ x 27-1/2″ CONDITION: Good, with small tear upper right 50311-5 (1,500-2,500) – Lot 1228

1229
$1,185.00

ROBERT PHILIPP (American, 1895-1981) AFTER THE BATH.

Oil on canvas Housed in a 20th century giltwood frame with linen liner Signed lower right “Philipp” SIZE: 29″ x 35-1/2″. Overall: 37-1/2″ x 43″ CONDITION: Very good, with minor restoration in her arm 50265-7 (1,500-3,000) – Lot 1229

1230
$0.00

NILS MOLLERBERG (Swedish, 1892-1954) POMONA.

Bronze Signed on base “N Mollerberg” “N12″ SIZE: 14-1/4″ h x 5″ w x 3-3/4” d CONDITION: Very good 50867-7 (1,500-2,500) – Lot 1230

1231
$8,887.50
Revised: 8/22/2016

Please Note: Should read: Reverse stamped, marked and numbered “Madoura Plein Feu / Empreinte Orginale De Picasso” and NOT “Madoura Plein Feu / Empreinte Originale De Picasso / I. 115 / Exemplaire Editeur”.

PABLO PICASSO (French, 1881-1973) “VISAGE DANS UN OVALE”.

An oval black ceramic platter with ring and zig-zag borders centering an abstract smiling face Reverse stamped, marked and numbered ‘Madoura Plein Feu / Empreinte Originale De Picasso / l. 115 / Exemplaire Editeur’ Additionally numbered in marker under glaze ‘I 115 83/100’ NOTE: Conceived on April 8th, 1955 and executed in an edition of 100 Literature: Picasso’s Ceramics, by Georges Ramie, see Ref # item 274 for similar example illustrated on pg 141 SIZE: 15-1/2″ l x 12-3/4″ w CONDITION: Very fine untouched condition 50642-1 (7,000-9,000) – Lot 1231

1232
$18,960.00

PABLO PICASSO (French, 1881-1973) VASE WITH GOATS.

White pottery vase decorated with running goat looking back at a tree, opposing side with bust of abstract goat, impressed date 6.6.52. beneath a blue rayed sun, all above an abstract row of grass comprised of brown brush strokes Underside stamped and impressed ‘Madoura Plein Feu / Empreinte Originale De Picasso’ Literature: Picasso’s Ceramics, by Georges Ramie, see Ref # item Ramie 167 illustrated on pg 167 SIZE: 7-3/8″ h x 9-1/4″ dia CONDITION: Light faint crazing visible around exterior of vase and also in glazed area within foot, otherwise good 50642-2 (5,000-7,000) – Lot 1232

1233
$2,073.75

PABLO PICASSO (French, 1881-1973) “OISEAU A LA HUPPE” ENAMEL WHITE BOWL.

Circa 1952, France White shallow, enameled bowl decorated with abstract bird in black paint Impressed mark of Madoura pottery, second impressed mark “EDITION PICASSO”, additionally signed over in the foot ring in black paint “EDITION PICASSO” SIZE: 1-1/2″ h x 6-1/4″ dia CONDITION: Very good 50574-9 (1,500-2,500) – Lot 1233

1234
$7,110.00

SOL LE WITT (American, 1928-2007) VERTICAL LINE ABSTRACT.

Gouache on hand made paper Housed in a modern black easel frame behind glass Signed lower right and dated “96” SIZE: 10″ x 7″. Overall: 13-3/4″ x 10-3/4″ PROVENANCE: Gifted by the artist to the previous owner CONDITION: Very good, not mounted, loose on backing board 50942-1 (6,000-9,000) – Lot 1234

1235
$5,925.00

SCHOOL OF MILTON AVERY (American,1885-1965) RED BARN.

oil on canvas Housed in a contemporary gilt molded wood frame Signed with an indecipherable monogram lower left and dated “57” Back retaining a Kulicke Frames Inc. New York label SIZE: 15″ x 21-1/2″. Overall: 20-1/2″ x 27″ CONDITION: Some light touch up, very good 50806-6 (8,000-12,000) – Lot 1235

1236
$0.00

JOHN ATHERTON (American, 1900-1952) COLORFUL ABSTRACT CAT FACE IN TREES.

Oil on canvas Unframed Signed lower left “Atherton” SIZE: 39″ x 60″ CONDITION: Lined with fine shrinkage lines which show white in the green areas, otherwise very good. 50621-18 (7,000-9,000) – Lot 1236

1237
$0.00

MARTIN SUMERS (American, 1922-2012) “JUDGEMENT”.

Oil on masonite Housed in a simple gilt edge wood frame Signed upper left “Martin Sumers” On verso of frame are three labels including two from the DeCordova Museum Collection, Lincoln, MA and another from Nordness Galleries, NYC Signed also on verso of masonite & dated “1954” SIZE: 48″ x 36″. Overall: 48-3/4″ x 36-3/4″ CONDITION: Several small minor chips at the edges of impasto, with some inpainting. Otherwise very good. 50806-7 (4,000-6,000) – Lot 1237

1238
$0.00

BEN JOHNSON (American, 20th Century) THE FLOWER HAT.

Oil on canvas Housed in a molded gilt wood frame Signed lower right “Ben Johnson 62″ SIZE: 41″ x 32”. Overall: 42″ x 32-3/4″ CONDITION: Possible lining with some inpainting, good 50824-5 (3,000-4,000) – Lot 1238

1239
$0.00

JESUS MARIANNO LEUUS (American/Mexican, 1948-) MOTHER & CHILD WITH WATERMELON.

Oil on masonite Housed in a gilt wood frame Signed lower right “Jesus Leuus Mexico 1966″ SIZE: 36″ x 20-1/2”. Overall: 37-1/2″ x 22″ CONDITION: Very good to excellent 50778-6 (3,000-5,000) – Lot 1239

1240
$0.00

TIM NGUYEN (American, 20th/21st Century) “SHARING THE CATCH”.

Oil on canvas Housed in a bamboo style modern frame Signed lower right “Nguyen 08″ Verso with title on stretcher SIZE: 36″ x 48”. Overall: 38-1/4″ x 50-1/4″ CONDITION: Very good to excellent 50867-16 (7,000-10,000) – Lot 1240

1241
$0.00

TIM NGUYEN (American, 20th/21st Century) WOMAN WITH FRUIT.

Oil on canvas Housed in a carved bamboo style frame Signed lower right “Nguyen 06” Also, inscribed on verso “Mahalo! Tim Nguyen” SIZE: 40″ x 30″. Overall: 42″ x 32″ CONDITION: Very good to excellent 50867-15 (2,000-3,000) – Lot 1241

1242
$711.00

KOLOMAN SOKAL (Slovakian, 1902-2003) SIX WORKS: FIVE PRINTS & ONE WATERCOLOR.

1) Dancer Watercolor on paper Housed in a modern frame Unsigned but having upper left 2.III. with conjoined MT MT and red chop mark lower right Note: Comes with an original photograph of the dancer in the watercolor 2-5) Untitled prints Three housed in lucite frames and two in wood frames All signed within prints SIZE: 1) Sight: 23-1/2″ x 17-1/2″. Overall: 26-1/2″ x 20″. 2-5) Range from: Sight: 8-1/2″ x 14″ to 16″ x 11″. Overall: Largest is 17″ x 21″ PROVENANCE: Gifted from the artist to our consignor’s family CONDITION: Not examined out of frames. 1) As found, foxing, bleed lines & paper folds. 2-5) Laid down on backing boards, generally good 50905-1 (1,000-1,400) – Lot 1242

1243
$0.00

UNSIGNED (20th/21st Century) STAR LANDSCAPE.

Watercolor/ gouache on paper Unsigned Housed in a modern white frame with white mat behind glass (stamped on verso “PSG Framing, Boston”) SIZE: Sight 34-1/2″ x 34-1/2″. Overall 43-3/4″ x 44″ CONDITION: Very good to excellent 50270-52 (800-1,200) – Lot 1243

1243A
$0.00

JOSEPH WOLINS (American, 1915-1999) TWO WORKS: “INDUSTRIAL NIGHT” AND “KING DAVID AND THE CONCUBINES”.

Oil on masonite Housed in painted molded wood frames 1) Signed lower right “Wolins 1951” 2) Signed lower left “Wolins” SIZE: 1) 12″ x 16″. Overall: 19-3/4″ x 23-3/4″. 2) 16″ x 20″. Overall: 24-1/2″ x 28-1/2″. CONDITION: Very good 50303-2 (400-600) – Lot 1243A

1244
$9,480.00

ROBERT R VICKREY (American, 1926-2011) “SETTING FREE THE BIRD STUDY”.

Alkyd oil on Whatman board, mounted on masonite Housed in a fine carved and gilt wood frame with linen gold edged mat behind glass Signed lower right “Robert Vickrey”, also retaining a label on verso from the Harmon Gallery, Naples, Florida NOTE: Work registered at the Robert Vickrey estate Los Angeles, CA (see Vickrey website). SIZE: Sight: 27-1/2″ x 22″. Overall: 39″ x 33-1/2″ CONDITION: Very good 50778-12 (8,000-12,000) – Lot 1244

1245
$0.00

ALLAN LEHTIS (American, 1932-2006) THREE LANDSCAPES.

Three acrylics on canvas Housed in black and gold frames Each signed lower right “ALLAN LEHTIS” Including 1) Cranes Flying Over Water 2) Arctic Landscape 3) Maine Coast SIZE: Each 40″ x 34″. Overall: 36″ x 41-1/2″ CONDITION: Very good 49577-1 (1,000-1,500) – Lot 1245

1246
$948.00

PERCY LEASON (American, 1889-1959) “STAPLETON WHARF FROM WARD AVENUE”.

Oil on board Housed in molded giltwood frame Signed lower right “Leason”, inscribed on verso “Stapleton Wharves from Ward Avenue Before Pearl Harbor / Summer Morning/61″ SIZE: 9″ x 12”. 16-1/4″ x 19-1/4″ CONDITION: Very good 50265-24 (1,000-1,500) – Lot 1246

1247
$18,960.00

GRANDMA MOSES (American, 1860-1961) “HOME TO GRANDPA’S”.

Tempera on masonite Housed in its original decorated molded wood frame with linen liner having a Hammer Galleries label affixed on verso with artist, title, etc Signed lower left “Moses” Also retaining its original Anna Mary Robertson Moses pictured label on verso indicating that the painting was done November 25, 1944 No. 1044 with the title with a copyright stamp and a James Digeveno Galleries, Los Angeles label SIZE: 6-1/2″ x 7-1/2″. Overall: 12-1/4″ x 13-1/4″ CONDITION: Very good 50652-25 (8,000-12,000) – Lot 1247

1248
$94,800.00

HOWARD A. TERPNING (American, 1927-) “SPRING CAME EARLY”.

Oil on canvas Housed in a barn board style frame with plaque Signed and dated lower left “Terpning 75”, title inscribed on verso with dedication “To Norm Flayderman With Best Regards Howard Terpning.” Howard A. Terpning is one of the best known and respected members of the Cowboy Artists of America, and is in fact known as “The Storyteller of the Native American”. Terpning was educated at the Chicago Academy of Fine Arts and the American Academy of Art. Early in his career, as a commercial artist , he produced cover art for publications including “Time”, “Newsweek” and “Field and Stream”. Other clients included TWA and the movie industry, where his posters advertised “The Guns of Navarone” and “Dr. Zhivago” among others. A commission from Winchester Firearms however marked a turning point for the artist. Reigniting an interest in the Old West, in the 1970’s Terpning he left behind his commercial work and moved to Arizona where he began his career as a Western painter. Within three years he was elected to the National Academy of Western Art and the Cowboy Artists of America, (the two major showcases of contemporary western art) since then he has earned many prestigious awards from that organization as well as many others. His book, “The Art of Howard Terpning” won the Wrangler “Outstanding Art Book” award from the National Cowboy Hall of Fame. SIZE: 22″ x 28″. Overall: 30″ x 36″ CONDITION: Very good 49992-1 (75,000-125,000) – Lot 1248

1249
$23,107.50

FREDERIC REMINGTON (American, 1861-1909) “TRAIL RIDERS”.

Pen and ink wash on paper,en grisaille Housed in a black frame, matted under glass Signed lower center “Frederic Remington” Note: “On the Trail” is listed in the Frederic Remington Catalogue Raisonne as number 01875 and dated 1894. The work appeared in the October of 1894 edition of The Cosmopolitan, as an illustration for “A Hot Trail” by Powhatan Clarke. The article was about an American cavalry outfit at Fort Thomas Arizona who were sent out to search for Apaches responsible for killing a man a few miles from their post. The artwork was cropped for the magazine. SIZE: Sight: 16″ x 21″. Overall: 23″ x 27-12″ CONDITION: Very good (not examined out of frame) 50574-1 (15,000-25,000) – Lot 1249

1251
$0.00

EDWARD SHERIFF CURTIS (American, 1868-1952) “CRYING TO THE SPIRITS”.

Sepia tone photogravure Housed under glass in modern frame with white mat Titled lower left and inscribed “From Copyright Photography 1908 by ES Curtis” SIZE: Plate: 8-3/4″ x 6″. Overall: 19-1/2″ x 14-1/2″ CONDITION: Creases and discolored margins. 50554-4 (800-1,200) – Lot 1251

1252
$0.00

GEORGE BENSELL (American, 1837-1879) WATERFALL, COLORADO ROCKIES.

Oil on canvas Housed in a contemporary giltwood frame Signed and dated lower left “Geo F. Bensell/April 8, 1878″ SIZE: 50″ x 40”. Overall: 58″ x 48″ CONDITION: Good, restored condition. Lined, large craquelure along top with restoration and flake losses. Heavy varnish over old and new restoration scattered throughout. 50265-28 (15,000-25,000) – Lot 1252

1253
$0.00

JAY MOORE (American, 1964-) “TROUT LAKE BATHED IN EVENING LIGHT 1996”.

Oil on canvas Housed in a modern gilt molded wood frame with linen liner (some finish loss) Signed lower left “Jay Moore” Also signed on verso of canvas with title, date & artist. Also retaining on stretcher Saks Galleries, Denver, CO label SIZE: 36″ h x 30″ w. Overall: 43-1/2″ x 37-1/2″ CONDITION: Very good to excellent 50732-18 (6,000-9,000) – Lot 1253

1254
$1,185.00

RSH (American, 19th Century) MOUNTAIN OF THE HOLY CROSS.

Oil on canvas Housed in a period giltwood frame Initialed lower right “RSH.” After a painting by Thomas Moran (1837-1926) SIZE: 24″ x 16″. Overall: 33-1/2″ x 25-1/2″ CONDITION: Good, with craquelure and surface dirt 50417-3 (2,000-3,000) – Lot 1254

1255
$1,896.00

ALEXANDER FRANCIS LOEMANS (Dutch/American, act. 1816-1898) MOONLIT ENCAMPMENT WITH FIGURE and MORNING LIGHT AT THE WATERFALL.

Two oils on board Housed in matching black wood frames with incised decoration Signed lower right “A.F. Loemans” SIZE: 24″ x 9-1/2″ (each). Overall: 25-3/4″ x 11-1/4″ CONDITION: Both good with minor surface dirt, abrasions and minor losses 50306-1 (1,250-1,750) – Lot 1255

1256
$5,925.00
Revised: 8/3/2016

Please Note: Great News! We have been contacted by the artist and have been informed the date of birth is 1951. Also, the title of this painting is “Through The Orchard-Black Bear-Mt. Katahdin”. This was the 3rd work in a series of three oils done for the Sportsman’s Alliance of Maine in 1998. It features Mt. Katahdin in Central Maine in the background and not a western mountain.

ADRIANO MANOCCHIA (American, 1950- ) BEARS IN A WESTERN LANDSCAPE.

Oil on canvas Housed in a molded wood frame with linen liner Signed lower right “Adriano Manocchia SAA” also signed and dated 1991 on verso of canvas SIZE: 20″ x 26″. Overall 24-1/2″ x 30-1/2″ PROVENANCE: Private Maine/Texas Collector CONDITION: Very good to excellent 50012-147 (2,000-4,000) – Lot 1256

1257
$2,310.75

ROY GRINNELL (American, 20th Century) INDIAN SCOUT PARTY.

Oil on canvas Housed in a weathered wood partial gilt frame with linen liner (stained) Signed lower left “R Grinnell” SIZE: 14″ x 26″. Overall: 24-1/4″ x 36-1/4″ CONDITION: Very good. 50824-6 (2,500-3,500) – Lot 1257

1258
$0.00

CHARLES WELLINGTON FURLONG (American, 1874-1967) “YAUGAN INDIANS IN A DUGOUT”.

Oil on canvas Housed in regilt wood frame Signed lower left “Charles W Furlong” and dated indistinctly NOTE: Furlong studied the now extinct Yougan’s on a major expedition to Tierra del Fuego, around 1900. The painting is illustrated in an article titled “The Southern Most People of the World” by Charles Wellington Furlong on page 128 of Harper’s Monthly Magazine June 1909 A copy of Harper’s Monthly magazine accompanies the painting SIZE: 24″ x 16″. Overall: 28″ x 20″ CONDITION: One area of inpainting, very good 50824-3 (2,500-3,500) – Lot 1258

1259
$1,777.50

SOLON HANNIBAL BORGLUM (American, 1868-1922) SIOUX INDIAN BUFFALO DANCER.

Bronze Signed on base SIZE: 27″ h x 38″ l x 17″ d PROVENANCE: Private Maine/Texas Collector. CONDITION: Bow in hand has old repair, uneven finish, otherwise good 50012-121 (6,000-9,000) – Lot 1259

1260
$3,555.00

EXTREMELY RARE LIMITED EDITION OF THE RAMPANT COLT.

Bronze 36 of 100 Mounted on a cast bronze oval base having brass plaque “The Rampant Colt 36 of One Hundred” Note: This very famous Colt trademark of a rearing stallion produced by the late Tommy Haas in 1968. Mr. Haas, the ultimate craftsman and reproduction artist faithfully copied the orig lead casting formally in the Colt archives and, at that time owned by famous Colt researcher, author & publisher R.L. Wilson. These new castings faithfully followed the original and exactly 100 castings were made from the original mold under the supervision of Mr. Haas. The base is somewhat domed with cast foliate and rock patterns with a pair of crossed Paterson revolvers towards the front center. The horse is rearing in the posture representing a war horse holding a spear in it’s mouth and another between it’s front legs as though breaking it. There were only of 100 these bronzes cast in 1968 from the original Cold lead mold pattern of the Rampant Colt that was in the colt factory originally in 1855 SIZE: 21″ h x 10″ d x 21″ w CONDITION: Very good with original finish somewhat dulled over time 50846-1 (4,000-8,000) – Lot 1260

1261
$6,517.50

ROBERT MACFIE SCRIVER (American, 1914-1999) “TO RIDE A BRONC”.

Bronze Mounted on a molded edge wood base Signed on bronze base “Bob Scriver 1984 63/100” also signed within an arrowhead “bronze” SIZE: Bronze: 18-3/4″ h x 13″ at widest; Including base: 20-1/2″ h CONDITION: Very good 50512-13 (2,000-4,000) – Lot 1261

1262
$13,035.00

CARL KAUBA (American/Austrian, 1865-1922) “FRIEND IN NEED”.

Bronze Mounted onto a rose marble base Signed on side of rock on bronze “Kauba”, also “Geschutzt” SIZE: Bronze: 19″ h x 16″ at widest. Base: 4-1/2″h x 10-1/4″ sq PROVENANCE: Acquired by artist, through descent of family to our consignor CONDITION: Very good, surface dirt 50389-20 (12,000-15,000) – Lot 1262

1263
$0.00

AFTER CARL KAUBA (American, 1865-1922) “PEACE”.

Patinated bronze Signed on base “C.Kauba” and stamped behind proper right foot on base “23-B” Mounted on a round marble base We are unsure of the casting date of this bronze SIZE: Height: 31″ PROVENANCE: From a Private New York Collector CONDITION: Very good, headdress missing two tassels and most are bent, minor loss to patination 50620-85 (4,000-6,000) – Lot 1263

1264
$2,962.50

ALLAN HOUSER (American, 1914-1994) “WATCHING THE DANCE”.

Bronze Copyright “13/20” NOTE: Allan C. Houser was a member of the Apache Tribe. His name derived from the Indian name “Ha-oz-ous” meaning “Pulling Roots”. His father was one of Geronimo’s warriors. In 1936 he was sent to the Indian School in Santa Fe where he studied under Dorothy Dunn. His bronzes of Indian life have dignity, power, & a sense of timeliness SIZE: 17-1/2″ h x 15″ w x 11″ d CONDITION: Very good to excellent 50494-17 (5,000-10,000) – Lot 1264

1265
$1,777.50

GLENNA MAXEY GOODACRE (American, 1939-) “WAITING TO DANCE”.

Bronze Mounted to a revolving wood base with an additional round wood pedestal Signed “G Goodacre 2005” and “22/35″ Accompanied by a hand written note from Cavalier Galleries Inc thanking our consignor for the purchase SIZE: Bronze: 34-1/2″ h. Including revolving base: 37″ h. Including pedestal: 69-1/2” h PROVENANCE: From a fine New Jersey home CONDITION: Very good to excellent 50494-4 (4,000-8,000) – Lot 1265

1266
$474.00

GLENNA MACEY GOODACRE (American, 1939-) BUST OF A GIRL.

Bronze Mounted on a black hardstone pedestal Signed on shoulder “G Goodacre 1999” and “12/35″ SIZE: Bronze: 13-1/2″ h. Overall: 19-1/2” PROVENANCE: From a fine New Jersey home CONDITION: Very good to excellent 50494-5 (1,000-2,000) – Lot 1266

1267
$414.75

GLENNA GOODACRE (American, b. 1939) WINTER BABE.

Bronze with dark brown patina Mounted on a wood block Signed “G Goodacre” and numbered “7/25″ SIZE: Size of bust: 7-1/2″ x 8″ x 6”. Overall height: 12-1/2″ CONDITION: Very good to excellent 50494-6 (800-1,200) – Lot 1267

1268
$1,303.50

GLENNA GOODACRE (American, b. 1939) NATIVE AMERICAN GIRL WITH SHELL JEWELRY.

Oil on canvas Housed in a contemporary wood frame with linen liner Signed lower left “G. Goodacre” SIZE: 16″ x 22″. Overall: 25-1/4″ x 21″ PROVENANCE: From a fine New Jersey home CONDITION: Very good to excellent 50494-7 (400-800) – Lot 1268

1269
$2,370.00

AFTER FREDERIC REMINGTON (American, 1861-1909) “CAVALRY OFFICER” and “A TRAPPER”.

Two color chromolithographs Housed under glass in matching wood frames with black mats From “A Bunch of Buckskins”, a portfolio of eight chromolithographs published in 1901 by Robert Howard Russell. Signed in plate lower right “Frederic Remington”, inscribed lower left “Copyright 1901 by Robert Howard Russell” SIZE: Sight: 19-1/2″ x 14-3/4″. Overall: 28″ x 22-3/4″ CONDITION: Very good, with minor toning (not examined out of frames) 50517-1 (3,000-5,000) – Lot 1269

1270
$592.50

CHARLES CLARENCE CRISTADORO (American, 1881-1967) BUST OF CHARLES M. RUSSELL.

Bronze with dark brown to golden patina Mounted on a wood molded edge block Identified on front “CM Russell”, signed by artist “Cristadoro 1931” and numbered “1/30 “with copyright symbol SIZE: Height: 19”. Overall: 21-1/2″ x 12-1/2″ x 12″ PROVENANCE: From a Private New York Collector CONDITION: Very good 50620-84 (2,000-4,000) – Lot 1270

1271
$118.50

SPECIAL ST. JUDE CHILDREN’S HOSPITAL LOT.

This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please also note: The entire proceeds of this lot (to include the buyer’s premium), shall be donated to the St. Jude Children’s Hospital. St. Jude’s is one of the finest hospitals in North America today for the research and care of children afflicted with cancer. We hope that you will consider competing on this lot, we consider it to be an extremely worthwhile cause and we have dedicated ourselves to include similar lots in every single one of our auctions, the proceeds of which will be donated to St. Jude’s. Thank you for your participation. CONDITION: Very good to excellent. 45505-12 (300-500) – Lot 1271

1272
$26,662.50

EDOUARD LEON CORTES (French, 1882-1969) PARIS EN HIVER.

Oil on canvas Housed in a good partial gilt carved wood frame Signed lower right “Edouard Cortes” On verso is a Harry F. Marks Galleries New York & Palm Beach label NOTE: An interesting characteristic of Cortes’ painting technique is that he uses the (pinhole) vanishing point perspective. In using this technique all imaginary lines of perspective seem to converge. This creates the perspective of the viewer to be consistent and to be true to the scene. This is evident from the pinhole present just to the right of the front woman’s head and the displayed image of verso. SIZE: 13″ x 18″. Overall: 20″ x 25″ PROVENANCE: Harry F Marks Gallery of New York and Palm Beach; Mrs G.E. Bigelow of CA; By descent through the family; John Moran Gallery, Monrovia CA; Present Owner CONDITION: Very good 50778-11 (20,000-30,000) – Lot 1272

1273
$0.00

EDOUARD LEON CORTES (French, 1882-1969) FLOWER SELLER ON THE CHAMPS ELYSEES WITH L’ARC DE TRIOMPHE.

Oil on canvas Housed in a substantial carved giltwood frame with linen liner Signed lower right “Edouard Cortes” Verso of canvas “II#9146″ and an old Newman Galleries label affixed to bottom stretcher SIZE: 13-1/2″ x 18”. Overall: 33″ x 38″ CONDITION: Very good to excellent 50265-3 (20,000-30,000) – Lot 1273

1274
$0.00

SUZANNE VALADON (French, 1865-1938) BOUQUET OF RED POPPIES.

Oil on canvas Housed in a modern fancy gilt frame Signed lower right “Suzanne Valadon 1926″ SIZE: 18-1/4″ x 15-1/2”. Overall: 22″ x 18-3/4″ CONDITION: Very good. 3 pin holes. 50824-1 (15,000-25,000) – Lot 1274

1275
$948.00

ANDRE GISSON (American/French, 1921-2003) THE BUSY BOULEVARD.

Oil on canvas Housed in a carved wood frame with painted liner (having losses) Signed lower left “A Gisson” SIZE: 24″ x 30″. Overall: 30-1/2″ x 37″ CONDITION: Very good 50810-3 (1,500-2,500) – Lot 1275

1276
$592.50

ANDRE GISSON (American/French, 1921-2003) ARC DE TRIOMPHE.

Oil on canvas Housed in a fancy gilt frame with linen liner Signed lower left “A Gisson” SIZE: 12″ x 24″. Overall: 16-1/2″ x 28-1/2″ CONDITION: Very good. 50810-2 (1,000-2,000) – Lot 1276

1277
$1,185.00

RAOUL MAUCHERAT DE LONGPRE (French, 1859-1911) WHITE LILACS AND ROSES.

Gouache Housed in a painted giltwood frame Signed lower right “Raoul M. de Longpre” SIZE: Sight: 27 x 19-1/2″. Overall: 39-1/2″ x 33-1/2″ CONDITION: Very good 50265-25 (1,000-1,500) – Lot 1277

1278
$2,370.00

FRANCOIS NAMUR (French, 1857-1902) SMELLING THE FLOWERS.

Oil on canvas Housed in a modern giltwood frame Signed lower right “F. Namur” SIZE: 17-1/2″ x 14-3/4″. Overall: 28″ x 25-1/2″ CONDITION: Craquelure, shrinkage cracks, small area of touch up, and a tiny pinhole lower left. 50265-20 (2,000-4,000) – Lot 1278

1279
$5,925.00

ALEXANDRE LOUIS JACOB (French, 1876-1972) “HIVER, LA SEINE”.

Oil on board Housed in a modern gilt frame with linen and gilt liner Signed lower left “A. Jacob” SIZE: 11″ x 8-1/2″. Overall: 18″ x 15-3/4″ PROVENANCE: From a Philadelphia, PA area home CONDITION: Very good. 50830-6 (2,000-4,000) – Lot 1279

1280
$8,295.00

ALEXANDRE LOUIS JACOB (French, 1876-1972) “GIBOULEES DE NEIGE A LA RESERVE”.

Oil on canvas Housed in a partial gilt molded wood frame with linen liner Signed lower right “A. Jacob” Also retaining on verso a Newman Galleries label on the frame & on stretcher with artist & title Also retains an import label with artist & title SIZE: 35″ x 45-1/2″. Overall: 43″ x 53-1/2″ PROVENANCE: From a private Philadelphia, PA area home CONDITION: Very good 50923-2 (5,000-8,000) – Lot 1280

1281
$0.00

PIERRE EUGENE MONTEZIN (French, 1874-1946) “PECHEURS AT CHIOGGIA”.

Oil on paper laid down on canvas Housed in a carved and painted wood frame Signed lower left “P. Montezin”, inscribed on verso “10 pecheurs a chioggia” (Fishermen at Chioggia, Italy) Note: This lot is accompanied by an email from Cyril Klein-Montezin, the great-great-grandson of the artist, dated September 25, 2014, stating that “I can confirm you this an original work from my great-great grandfather. This painting was not in my archives but I already know a very similar one…” SIZE: 21″ x 29″. Overall: 29″ x 36″ CONDITION: Very good, with minor creases in paper lower and upper right corners, minor touch up 50554-2 (10,000-20,000) – Lot 1281

1282
$0.00

AUGUSTE BORGET (French, 1808-1877) “OOSTERS STADSGEZICHT MET FIGUREN” (Oriental Cityscape with Figures).

Oil on canvas Housed in a period carved giltwood frame Signed and dated lower right “Aug. Borget 1856”, titled on a Roelofs Kunsthandels, Amsterdam label affixed to stretcher, with red wax collector’s seal “CR” SIZE: 16″ x 13″. Overall: 25-1/2″ x 22-1/2″ CONDITION: Good, restored condition. Lined, with craquelure and restoration throughout sky. Frame has repairs and overpaint. 50265-15 (4,000-6,000) – Lot 1282

1283
$5,332.50

GEORGES ROBIN (French, 1873-1943) “CHATEAU DE NEMOURS, NEIGE”.

Oil on canvas Housed in a carved and white painted wood frame Signed lower right “Georges Robin”, titled on “F.R.” label on verso, bears Manhattan Galleries, Pasadena, California label on stretcher SIZE: 24″ x 36-1/2″. Overall: 33″ x 45-1/2″ CONDITION: Very good with only a minor stretcher mark 50493-1 (3,000-5,000) – Lot 1283

1284
$13,627.50

TOM WILLIAMS ROBERTS (Australian/English, 1856-1931) A WINDY DAY, DORSET.

Oil on board Housed in a fine carved & silver gilt modern frame with linen liner Signed lower left “Tom Roberts” On verso is an alternate title “Landscape in Dorset, England”. Also in pencil “Property of W.G. Buckle”. Along with a framers label from John Young and an auction label from Deutscher-Menzies, Australia indicating lot#62, March 25, 2009 SIZE: 12″ x 17-1/2″. Overall: 19″ x 24-1/2″ PROVENANCE: From a private Maine Collection CONDITION: Very good 50913-2 (12,000-16,000) – Lot 1284

1285
$0.00

KUNISHIRO MITSUTANI (Japanese, 1874-1936) WOMEN WITH PARASOL ON BRIDGE OVER FLOWERY MARSH.

Watercolor on paper Housed in a carved gilt wood frame, with gilt carved liner behind glass Signed lower right “K Mitsutani” SIZE: Sight size: 19-1/2″ x 26″. Overall: 27″ x 33-1/2″ CONDITION: Some graphite background sketch visible, otherwise very good. 50806-1 (8,000-12,000) – Lot 1285

1286
$6,813.75

MARGARITE ROUSSEAU (Belgium, 1888-1946) BOATING IN THE PARK.

Oil on canvas Housed in a carved wood gilt modern frame by Carrig-Rohnne Shop, Inc for Vose of Boston dated 1927 (carved on verso of frame) Signed lower left “M Rousseau” SIZE: 24″ x 36″. Overall: 28-3/4″ x 40-3/4″ CONDITION: 1-1/4″ square area in sky over white tent has discolored area, otherwise very good. 50750-2 (8,000-10,000) – Lot 1286

1287
$0.00

GEORG WILHELM RICHARD HERING (Netherlands, 1884-1936) “TWO VOLENDAM FISHERMAN”.

Oil on canvas Housed in a gilt wood frame with some edge loss Signed lower right “G Hering 1930″ Retaining a North Shore Art Exhibition label for the Ninth Annual 1931 with title, artist, etc SIZE: 35-1/2″ x 32”. Overall: 43-1/2″ x 39″ CONDITION: Very good 50459-1 (3,000-5,000) – Lot 1287

1288
$8,295.00

ATTRIBUTED TO ONE OF THE LE NAIN BROTHERS (French, 17th Century) FAMILY GROUP AND WHITE HORSE IN BARN ALCOVE.

Oil on canvas Housed in a replacement modern molded wood black frame Unsigned REFERENCE & PROVENANCE: This painting was originally thought to be by Louis Le Nain but current scholarship now believes that the several paintings of this family group and the horse are by Mathieu Le Nain. Referred to and/or illustrated in the following: Burlington Mag., LXV, No. 378 Sept. 1934; Burlington Mag., 1935; Exhibited Paris le Petit Palais, June-Oct 1934 No. 25; London Ontario MacIntosh Memorial Gallery Feb. 14-March 14, 1953; Wichita Art Museum May 9-23, 1954; Pierre Rosenberg, Paris 1993 No. 66C, page 90. SIZE: 28-1/2″ x 36-1/2″. Overall: 32-1/4″ x 40″ CONDITION: Lined, minor restoration & inpaint, very good 50807-4 (8,000-12,000) – Lot 1288

1289
$0.00

ATTRIBUTED TO JAN WYCK (Dutch, 1640-1700) A STAG HUNT.

Oil on canvas Housed in a replacement modern black & gold molded wood frame Unsigned NOTE: This painting depicts a stag hunt at full cry. The figures are painting in similar costumes to three other paintings which are all a part of a set of four paintings depicting aspects of a stag hunt. This work is thought to have been executed once he arrived in England to do work for the Duke of Lauderdale in Ham House. SIZE: 41″ x 57″. Overall: 45″ x 61-1/2″ CONDITION: Lined, restored with inpainting. Good 50807-14 (8,000-12,000) – Lot 1289

1290
$0.00

FLEMISH SCHOOL (16/17th Century) REVELERS AT THE VILLAGE FESTIVAL.

Oil on canvas Housed in a contemporary giltwood frame Unsigned SIZE: 15″ x 24-1/4″. Overall: 20″ x 30″ CONDITION: Overall good restored condition. Paint surface has craqeulure arrested by lining. Scattered in-paint throughout with a large patch of lower right corner replaced 49991-1 (3,500-5,000) – Lot 1290

1291
$4,029.00

UNSIGNED (English, Early 18th Century) PORTRAIT OF A GREYHOUND AND HER CATCH.

Oil on canvas Housed in a modern replacement black & gold molded wood frame Unsigned NOTE: The composition of the portrait with the dog and her catch separated from the forest by a road is likely intentional. Canute laws had been in effect for hundreds of years & were quite strict as to who could own greyhounds and where they could be used for coursing & hunting. The laws before being repealed, stated that greyhounds could be used for coursing & hunting no closer than 10 miles from a forest. If a greyhound belonging to a freeman was to be found in the forest hunting, that dog along with 10 schillings was forfeited to the King. Throughout English history, the ownership of greyhounds was considered to be a symbol of status. This portrait a testament to the regard that the owner held for this greyhound & her hunting ability. SIZE: 34-1/2″ x 43-1/4″. Overall: 39-1/2″ x 48″ CONDITION: Lined, restored, good 50807-13 (5,000-7,000) – Lot 1291

1291A
$0.00

ATTRIBUTED TO FRANS SNYDERS (Netherlands/Belgian, 1579-1657) HUNTING DOGS.

Oil on canvas Housed in a modern gilt wood frame Unsigned SIZE: 24″ x 29-1/4″. Overall: 28-1/2″ x 34″ CONDITION: Old lining, some inpainting, otherwise good 50807-5 (2,000-4,000) – Lot 1291A

1292
$4,147.50

ATTRIBUTED TO GIOVANNI CRIVELLI (Italian, Active 1690-1760) EXOTIC BIRDS AT A FOUNTAIN AMONGST RUINS.

Oil on canvas Housed in an antique gilt frame Unsigned SIZE: 25″ x 29″. Overall: 29″ x 33″ CONDITION: Lined, minor restoration with inpainting, very good 50807-7 (2,000-4,000) – Lot 1292

1293
$0.00

MANNER OF ROSA DE TIVOLI (German, 1655-1706) ITALIAN LANDSCAPE WITH A SHEPHERD PLAYING FLUTE NEAR A WATERFALL.

Oil on canvas Housed in a contemporary giltwood frame Unsigned Note: Rosa di Tivoli (The Rose of Tivoli) was the nickname given to the German Baroque painter Philipp Peter Roos after he became active painting in and around Tivoli and Rome about 1677 SIZE: 23″ x 32-1/2″. Overall: 28″ x 37-1/2″ CONDITION: Good, restored condition. Canvas has been lined, paint surface is dry and brittle, old restoration (in-paint) in several areas. 49991-7 (1,000-1,500) – Lot 1293

1294
$4,147.50

BOLOGNESE SCHOOL (17th Century) MERCURY, ARGUS AND IO.

Oil on canvas/hemp Housed in a contemporary giltwood frame Unsigned Note: The story of Mercury and Argus is found in Ovid’s Metamorphoses and is part of the longer tale of Jupiter and Io, the beautiful young woman whom Jupiter seduced and then transformed into a white heifer in order to hide her from his jealous wife, Juno. When Juno discovered the deception, he sent Argus, her hundred-eyed watchman, to guard Io and prevent her from returning to her family. Jupiter then dispatched Mercury to kill Argus in order to free Io SIZE: 54″ x 46″. Overall: 55″ x 63″ CONDITION: As expected for age. Canvas has been lined, losses along bottom, discolored varnish, craquelure and restoration throughout 49991-3 (2,500-4,000) – Lot 1294

1295
$1,896.00

ITALIAN SCHOOL (17th Century) ST. PAUL IN CONTEMPLATION.

Oil on canvas Housed in a contemporary giltwood frame Unsigned SIZE: 56″ x 43″. Overall: 51″ x 64″ CONDITION: As expected for its age. The Canvas is lined, there is spotty discolored varnish, craquelure, and canvas buckle with restoration throughout 49991-6 (1,500-2,500) – Lot 1295

1296
$1,481.25

AFTER GIOVANNI BATTISTA SALVI, IL SASSOFERRATO (Italian, 1609-1685) “VERGINE ADDOLORATA/VIRGIN IN SORROW”.

Oil on canvas Housed in a 19th century giltwood frame with presentation plaque inscribed “Sassaferrato” Unsigned Note: Also known as “Our Lady of Sorrows”, the original painting by Sassaferrato is in the collection of the Uffizi Gallery, Florence. It has been copied often by various artists since it’s creation in the 17th century. SIZE: 20-3/4″ x 17″. Overall: 27″ x 23-1/2″ CONDITION: Good, restored condition. Canvas has been lined to arrest craquelure, horizontal line of cracking bottom third. In-paint in face and hands, varnish inconsistencies and surface dirt. 49991-5 (1,250-1,750) – Lot 1296

1297
$0.00

CIRCLE OF LEONARDO COCCORANTE (Italian, 1680-1750) FIGURES IN A COASTAL LANDSCAPE WITH ARCH.

Oil on canvas/hemp Housed in a contemporary frame with linen liner Unsigned, bears “Wilhlem Knoch, Dortmund” label affixed to verso canvas with typed inscription “Abbatini, Guido Ubaldo, 1600-1656″ SIZE: 7″ x 14-1/2”. Overall:13″ x 20-1/2″ CONDITION: Overall good, with craquelure and reinforced canvas. Minor touch up. 49991-2 (1,000-2,000) – Lot 1297

1298
$0.00

AFTER ANDREW DEL SARTO (Italian, 1486-1530) MADONNA & CHILD.

Oil on cradled wood panel Housed in a contemporary gilt fancy frame Unsigned, probably 18th C or earlier SIZE: 39″ x 28-1/2″. Overall: 44-1/2″ x 34″ PROVENANCE: De-Accessioned by Regis College having a numbered tag on verso CONDITION: Panel has been cradled, restored with inpainting, warp to panel, some separation in areas which have been inpainted but visible, craquelure, dirt & discolored varnsih 50799-2 (3,000-5,000) – Lot 1298

1299
$5,036.25

ANTOINE-SEBASTIE FALARDEAU (Canadian, 1822-1889) MADONNA OF THE GOLDFINCH, AFTER RAPHAEL.

Oil on canvas, 1861 Housed in a 19th century giltwood frame Inscribed on verso “Le Chevalier Falardeau, Artiste Peinter, 5. Via L Spirito Florence 1861 – Mitchell” Note: Antoine Falardeau was a Canadian born artist whose talents brought him to Italy to study the Italian masters. Florence became his second home, where he enrolled in the Academy of Fine Arts and exhibited at the Uffizi, where Raphael’s Madonna of the Goldfinch resides to this day. He is best known as a copyist who exhibited and sold his works both in Canada and throughout Europe. SIZE: 43″ x 31″. Overall: 55″ x 43″ CONDITION: Discolored varnish, flake losses, craquelure, canvas buckle and minor old restoration 50750-4 (3,000-5,000) – Lot 1299

1300
$0.00

RUDOLF WILHELM AUGUSTE LEHMANN (German, 1819-1905) PILGRIMAGE TO ROME.

Oil on canvas Housed in a period giltwood frame Signed, inscribed and dated lower left “Rud.Lehmann/Rome 1854″ SIZE: 34″ x 45-1/2”. Overall: 46-1/2″ x 58″ PROVENANCE: De-accessioned from Regis College having a numbered tag on verso CONDITION: Good, restored condition, lined 50799-1 (5,000-8,000) – Lot 1300

1301
$4,740.00
Revised: 8/5/2016

Please Note: Artist’s dates should be 1723-1792.

ATTRIBUTED TO SIR JOSHUA REYNOLDS (British, 1723-1792) PORTRAIT OF GEORGE MORLAND.

Oil on canvas Housed in what may be its original frame handling an oval stretcher Unsigned Verso of frame is inscribed “Master Rawl Sir H Lawrence” and in faint script “George Morland by Joshua” At the top of the oval stretcher is an impressed mark; Back stretcher has stencil “9826” NOTE: Reynolds & the Morland family were close and it makes sense he would have done a portrait at this time SIZE: 19″ x 16″. Overall: 26″ x 23″ CONDITION: Early lining with some inpainting, very good 50807-8 (2,000-4,000) – Lot 1301

1302
$0.00

MANNER OF DAVID ROBERTS (English, 1796-1864) INTERIOR OF A CATHEDRAL.

Oil on canvas Housed in a modern giltwood frame Signed lower left “David BRoberts” SIZE: 21-1/4″ x 16″. Overall: 25″ x 19-1/2″ CONDITION: Good, restored condition, with scattered retouch along edges, craquelure arrested with varnish. 50621-14 (3,000-5,000) – Lot 1302

1303
$11,257.50

FRANCIS PATRICK MARTIN (British, 1883-1966) NATURE’S SIRENS.

Oil on canvas Housed in a magnificent gesso decorated gilt frame Signed lower right “Franc A Martin” NOTE: Martin was born in Anstruther, Scotland, trained at and later president of Glasgow School of Art Works of the artist are in the permanent exhibit at the Glasgow Museum SIZE: 50-1/4″ x 40-1/4″. Overall: 61″ x 51″ CONDITION: Very good 50810-1 (6,000-10,000) – Lot 1303

1304
$2,370.00

ATTRIBUTED TO EDWIN HENRY LANDSEER (English, 1802-1873) TWO DOGS IN BARN.

Oil on canvas Housed in a giltwood frame Unsigned SIZE: 21″ x 24-1/4″. Overall: 26″ x 29″ CONDITION: Lined, with old restoration in background, above dogs head. Canvas is rippled along top and spotty varnish throughout. Inscription on new stretcher “Edw.Landseer” in ballpoint 50753-1 (4,000-6,000) – Lot 1304

1305
$2,370.00

ADRIENNE LESTER (British, 19th/Early 20th Century) “WE TWO”.

oil on canvas Housed in a fine gilt wood frame with gilt liner Signed lower left “Adrienne Lester” SIZE: 9″ x 13″. Overall: 16-1/4″ x 20-1/4″ CONDITION: Relined, very good with minor touch up 50857-1 (2,000-3,000) – Lot 1305

1306
$592.50

COLIN GRAEME (English, fl. 1858-1910) SETTER IN A LANDSCAPE.

Oil on canvas Housed in a carved giltwood frame with presentation plaque Signed and dated lower right “C…Graeme 1902″ SIZE: 16″ x 24”. Overall 22-3/4″ x 30-1/2″ PROVENANCE: Christie’s, South Kensington, December 18, 1997, lot 187 (Catalog from this sale accompanies the painting) CONDITION: Good with old restoration scattered in sky and small amount of new touch up in setter’s ear and eye. Signature is faint and hard to discern 50297-5 (1,000-1,500) – Lot 1306

1307
$2,370.00

PERCIVAL L ROSSEAU (American, 1869-1937) TWO WORKS: “SETTERS ON HILLTOP NED & BOB” & “POINTERS JIMMIE DE K & PETERS CARROT ON QUAIL”.

Chromolithographs Housed in identical wood frames with watercolor highlighted mats (as found) Signed in pencil lower right “Percival Rosseau”, Also signed in the print and dated “1923” with a printed remark Published 15th Feb. 1925 by Arthur Ackermann & Son, Inc., NYC Note: Percival Rosseau only allowed these two chromolithographs to be made from his paintings. The original oil paintings from which these chromolithographs were made were sold at the James D. Julia Firearms Auction, October of 2014 bringing over $130,000 SIZE: Sight 17-1/2″ x 24″. Overall 24-3/4″ x 31-1/2″ CONDITION: Age toning, not examined out of frames, otherwise very good 50918-5 (2,000-4,000) – Lot 1307

1308
$592.50

E MORRIS (English, 19th/20th Century) “HIGHLAND SPORTING DOGS”.

Oil on canvas Housed in a wide copper gilt modern frame with gilt liner Signed middle bottom “E Morris” Verso having Newman Galleries label with artist & title SIZE: 20-1/4″ x 30″. Overall: 27-1/2″ x 37-1/2″ PROVENANCE: From a Philadelphia, PA area home CONDITION: Lined, minor inpainting, very good 50830-8 (500-1,000) – Lot 1308

1309
$0.00

SIGNED ILLEGIBLY (English School, 19th century) TWO HOUNDS IN FOREST.

Oil on canvas Housed in giltwood frame Signed illegibly lower right “W…”, inscribed illegibly lower left “..of Loring-fort…” SIZE: 18″ x 24″. Overall: 22″ x 28″ CONDITION: Good, restored condition. Lined, with minor retouch in dogs coats 50750-12 (800-1,200) – Lot 1309

1310
$592.50

ROBERT CLEMINSON (English, 1844-1903) TWO DOG PAINTINGS “SETTERS IN A MOORLAND LANDSCAPE”.

Two oils on canvas. Both housed in similar molded and giltwood frames Both signed lower left “R. Cleminson” SIZE: 12″ x 16-1/8″. Overall 17-1/2″ x 21-1/2″ PROVENANCE: Christie’s, South Kensington, July 10, 1997, lot 61 (Catalog from this sale accompanies the painting) CONDITION: Both in good condition. One with minor losses lower left and craquelure, the other with spotty varnish and abrasion lower right corner 50297-4 (1,000-1,500) – Lot 1310

1311
$829.50

UNSIGNED (English School, 19th Century) GENTLEMAN ON HIS HORSE WITH DOGS.

Oil on canvas Housed in a replacement black & gold wood frame Unsigned SIZE: 25″ x 34″. Overall: 29″ x 38″ CONDITION: Lined, restored with inpainting, otherwise very good 50807-10 (1,000-2,000) – Lot 1311

1312
$5,332.50

FRANCOIS VANDEVERDONCK (Belgian, 1848-1975) PRIDE OF THE FAMILY.

Oil on wood panel Housed in its fine original carved & gilt frame with gilt liner Signed center bottom “F Vandeverdonck 1874″ Also on a white painted block is an inscription with artist signature SIZE: 18-1/4″ x 26-3/4”. Overall: 26-1/2″ x 34-3/4″ CONDITION: Some minor inpainting, very good 50810-6 (2,000-3,000) – Lot 1312

1313
$2,251.50

PIERRE JULES MENE (French, 1810-1879) WHIPPETS.

Bronze Signed on base “P J Mene” SIZE: 6″ h x 8-1/2″ l x 4-1/2″ w CONDITION: Very good 50389-23 (1,200-1,800) – Lot 1313

1314
$0.00

AFTER ANTOINE LOUIS BARYE (French, 1795-1875) SEATED DOG.

Bronze Signed on rear leg “Bayre” SIZE: 7-1/4″ h x 8-1/2″ l CONDITION: Very good 50389-22 (800-1,200) – Lot 1314

1315
$2,370.00

ATTRIBUTED FRANZ BERGMAN (Austrian, 1861-1936) THE NAUGHTY/EROTIC ALLIGATOR.

Early 20th Century bronze Unsigned but marked “Austria” on underside of tail REFERENCE: Page 284, Fig 1011 in “Bronzes by Berman” Vol II SIZE: 9-1/4″ l CONDITION: Very good 50822-2 (1,500-2,500) – Lot 1315

1316
$3,851.25

FRANZ BERGMAN (Austrian, 1861-1936) EROTIC MOVEABLE BRONZE SHEEP/LOVERS.

Early 20th Century polychrome bronze Signed on end “Namgreb” with bottle mark SIZE: 2-1/2″ h x 6-1/2″ l x 3″ d CONDITION: Very good 50822-1 (3,000-5,000) – Lot 1316

1317
$1,185.00

AFTER GUILLAUME COUSTOU (French, 1677-1746) A PAIR OF FRENCH BRONZE MARLY HORSES.

Bronze 19th/20th century Unsigned SIZE: 19-1/2″ h x 16″ w x 7″ d PROVENANCE: Private Maine/Texas Collector. CONDITION: Dark patina with losses to finish through rubs and scratches, 1 rein missing attachment screw, good 50012-4 (1,000-2,000) – Lot 1317

1318
$0.00

AFTER GUILLAUME COUSTOU THE ELDER (19th or 20th Century) PAIR OF MARLEY HORSES.

Bronze Signed “Coustou” on base of bronze SIZE: 19″ h x 16″ l x 7″ w CONDITION: One is missing reins, uneven surface, structurally good 50898-5 (1,500-2,500) – Lot 1318

1319
$0.00

FRIEDRICH WILHELM KUHNERT (German/Switzerland, 1865-1926) RESTING CIRCUS LION COUPLE.

Oil on canvas Housed in a gilt gesso decorated frame with minor gesso chips Signed lower right “Wilh. Kuhnert” Accompanied by letter of authenticity from Dr. Angelika Grettmann-Werner, the author of the catalogue raisonne of Wilhelm Kuhnert, that includes the statement that the artwork is included in the catalogue raisonne under No. 6460. Also indicating that between 1902 and 1912 Kuhnert was busy depicting “the theme of the animal in the circus” and this example is believed to be in the time period of 1910 SIZE: 20″ x 32″. Overall: 30″ x 42-1/2″ CONDITION: Very good 50924-1 (30,000-50,000) – Lot 1319

1320
$0.00

A. DE SEVERINUS (19th/20th Century) LAYING IN WAIT.

Oil on canvas Housed in a double gilt frame liner Signed lower left “A. De. Severinus” SIZE: 18-1/4″ x 30″. Overall: 23″ x 35″ CONDITION: Craquelure, surface dirt, as found, unrestored 50806-8 (2,000-3,000) – Lot 1320

1321
$1,777.50

ARTHUR RADCLYFFE DUGMORE (American, 1870-1955) “AFRICAN WATER AT DAWN-ELEPHANTS, ORYX, ZEBRA & RHINO”.

Oil on canvas Housed in a fine gilt molded wood wide frame Signed lower left “A.R. Dugmore” On verso of stretcher is an old label with artist, title, etc SIZE: 28″ x 36″. Overall: 35-1/2″ x 43″ CONDITION: Very good 50732-5 (2,000-3,000) – Lot 1321

1322
$3,258.75

WILLIAM SKILLING (American/British, 1940-1964) STANDING LEOPARD.

Oil on canvas Housed in a faux marble painted wood frame Signed lower right “Skilling” Note: Skilling was an English born artist who served in World War I before settling in San Francisco where he died on April 8, 1964. Although a portrait and landscape painter, Skilling is best known for his large canvases of exotic animals. He also created copies of work by artists including Edward Hicks, Parson Fisher and Giuseppe Archimboldo SIZE: 48″ x 60″. Overall: 53-1/2″ x 65″ CONDITION: Overall good condition, canvas is lined, minor craquelure upper left, 2″ area of paint loss under Leopard’s belly, and discolored varnish 50297-2 (2,000-4,000) – Lot 1322

1323
$0.00

GRANT HACKING (American, 1964-) “ON THE VERGE-MOUNTAIN GOATS”.

Oil on canvas Housed in a fine painted distressed frame with gold edge Signed lower left “Grant Hacking” Also titled, inscribed & signed with date “2010” on verso NOTE: Illustrated on page 39 in Grant Hacking – Nature in Oils SIZE: 24″ x 30″. Overall: 31″ x 36-1/2″ CONDITION: Very good to excellent 50732-6 (3,000-5,000) – Lot 1323

1324
$0.00

P. BERJEAN (French, circa 1930) CHASSE AU LION.

Bronze on marble base signed at base on rock plinth SIZE: 14-1/2″ h x 34-1/2″ l. CONDITION: Very good with nice even patina with rubbing, man needs tightening to base. 49363-1 (3,000-5,000) – Lot 1324

1325
$8,887.50

FRANTISEK KUPKA (Czech, 1871-1957) ABSTRACT COMPOSITION.

Watercolor on paper Housed under glass in a narrow gilt frame with linen mat Signed lower center “Kupka” Painting is accompanied by a black & white negative of the work labeled “Franz Kupka 1950″ SIZE: 10″ x 12”. Overall: 16″ x 18″ PROVENANCE: Gribin Collection, with annotated note that this work was acquired from Jules Brassner CONDITION: Two tiny edge tears, one top right edge, the other upper left edge, otherwise very good 50321-1 (15,000-20,000) – Lot 1325

1326
$18,960.00
Revised: 8/22/2016

Please Note: Condition Should Read: Very good with some paint chips & loss.

GULAM RASOON SANTOSH (India, 1929-1997) “BOND”.

Oil on canvas Housed in a simple molded wood frame Signed lower right “Santosh” Partial typed label on verso and also title with artist & date of “62” on verso of canvas SIZE: 36″ x 41-1/4″. Overall: 36-1/2″ x 41-1/2″ CONDITION: Very good 50806-2 (20,000-30,000) – Lot 1326

1327
$0.00

FRANCIS NEWTON SOUZA (American/Indian/English, 1924-2002) COLORFUL ABSTRACT.

Oil on canvas Housed in a decorative partial gilt frame Signed lower right “Souza 56″ SIZE: 20″ x 40”. Overall: 22-1/2″ x 42-1/4″ CONDITION: Some light craquelure, otherwise very good 50806-3 (7,000-9,000) – Lot 1327

1328
$2,073.75

ATTRIBUTED TO JOAN MIRO (French/Spanish, 1893-1983) ABSTRACT.

Watercolor/gouache on light board Housed in a modern carved wood decorated frame with linen and gilt wood liner Signed bottom middle “Miro” SIZE: 15 x 20-1/2″. Overall: 25-3/4 X 31-1/2″ CONDITION: Good. Surface dirt and toning. 50750-1 (3,000-5,000) – Lot 1328

1329
$3,555.00

ATTRIBUTED TO AUGUSTE RODIN (French, 1840-1917) NUDE STUDY.

Mixed media (watercolor & graphite) on paper Housed in a simple wood frame with linen & gold mat Signed lower right “Aug Rodin” SIZE: Sight: 17″ x 11″. Overall: 24″ x 18″ CONDITION: Some wrinkling and small tears, fair to good 50806-10 (2,000-3,000) – Lot 1329

1330
$0.00

ALDEMIR MARTINS (Brazilian, 1922-2006) TWO WORKS: CATS.

Watercolor on paper Housed in identical modern silver gilt wood frames with white mats Signed lower right “Aldemir Martins 2001” and lower left “Aldemir Martins 2003″ SIZE: Sight size: 11-1/2″ x 8″. Overall” 16″ x 12-1/2″ CONDITION: Very good. 50841-2 (6,000-9,000) – Lot 1330

1331
$0.00

CANDIDO PORTINARI (Brazil, 1903-1962) SKETCH OF A WOMAN’S HEAD.

Watercolor on paper Housed in a modern black metal frame with brown mat Signed lower right “Portinari” SIZE: Sight size: 10-3/4″ x 9″. Overall: 13″ x 11-1/4″ CONDITION: Light foxing, otherwise good. 50841-1 (4,000-6,000) – Lot 1331

1332
$0.00

GILMAR GONCLAVES (Brazilian, 20th century) FOUR WORKS.

Four oils on canvas All four in matching white painted wood frames. Each inscribed with title and date on verso, including: 1) “Menino com Pipa”, signed and dated lower right “Gilmar Gonclaves 2..8” 2) “Menino com Boninhasde Sabao”, signed and dated lower right “Gilmar Gonclaves 2..7” 3) “Bandinha”, signed and dated lower center “Gilmar Gonclaves 2..8” 4) “Pequeno Musico”, signed and dated lower left “Gilmar Gonclaves 2..8″ SIZE: 1) 15-1/2″ x 12″. 2) 15-1/4″ x 11-3/4″. 3) 11-3/4″ x 15-3/4″. 4) 15-1/2″ x 11-3/4”. Overall of each: 18″ x 14″ CONDITION: Very good, with minor surface dirt 50841-6 (3,000-5,000) – Lot 1332

1333
$0.00

GONZALO ARIZA (American/Columbian, 1912-) “CRISANTEMOS” (CHRYSANTHEMUMS).

Watercolor Housed in a gilt wood frame with white mat, behind glass (age toned mat) Signed lower right “Gonzalo Ariza” Verso retaining a “Galeria Meindl Bogota” label SIZE: Sight: 17″ x 11″. Overall: 24-1/2″ x 18-1/4″ CONDITION: Very good, not examined out of frame 50795-2 (3,000-5,000) – Lot 1333

1334
$3,555.00

GONZALO ARIZA (Colombian/American, 1912-) “FLORES DE PITAHAYA”.

Oil on canvas Housed in a molded wood frame Signed lower right “Gonzalo Ariza” SIZE: 27-3/4″ x 20″. Overall: 30″ x 22″ CONDITION: Light surface dirt. Right stretcher line, otherwise very good. 50795-1 (3,000-5,000) – Lot 1334

1335
$296.25

SILVIO PINTO (Brazilian, 1819-1997) FIGURES ON A BEACH.

Oil on canvas Housed in linen and gold edge frame liner Signed lower left “S. Pinto” SIZE: 8-3/4″ x 14. Overall: 14″ x 18″ CONDITION: Very good. 50841-4 (400-600) – Lot 1335

1336
$1,777.50

JOAO BATISTA BORDON (Brazilian, 1882-1917) FISHERMAN BY A RIVER.

Oil on canvas, 1911 Housed in a period molded giltwood frame Signed and dated lower right “J.B. Bordon ..911″ Note: John Batista Bordon was born in Rio de Janeiro in 1882. He studied for several years at the National School of Fine Arts in Enba. In 1915, he was awarded a grant by the National Salon of Fine Arts to study abroad in Madrid, Spain, where, tragically, he died two years later. SIZE: 27-1/4″ x 46”. Overall: 35″ x 54″ CONDITION: Good, restored condition. Lined, with minor scattered restoration. 50265-27 (2,000-4,000) – Lot 1336

1337
$0.00

EMILIANO DI CAVALCANTI (Brazilian, 1897-1976).

Serigraph Housed in a modern frame behind glass and mat Signed in pen within arm SIZE: Sight size: 5-1/4″ x 9″. Overall: 9-1/2″ x 12-1/2″ CONDITION: Very good. 50841-3 (6,000-9,000) – Lot 1337

1338
$0.00

CHRISTIAN SELL (German, 1854-1925) PAIR OF MILITARY SCENES.

Two oils on panel Housed in matching period carved giltwood frames Including: 1) “Rainy Day on Patrol”, French soldier on horseback, signed and dated lower right “Chr. Sell 1875” 2) “Fire!”, German soldiers in a snowy landscape, signed and dated lower center “Chr. Sell 1875″ SIZE: Each: 7-5/8″ x 10-3/4”. Overall: 18-1/2″ x 21″ CONDITION: Both in good, restored condition with scattered retouch 50265-22 (5,000-7,000) – Lot 1338

1339
$3,555.00

EUGENE DE BARBERIIS (French, 1851-1937) FRENCH SOLDIER IN BATTLE.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Euguene Barberiis” SIZE: 14″ x 11″. Overall: 21″ x 18″ CONDITION: Good, with small patch on verso corresponding to 3″ restoration. 50265-23 (2,000-4,000) – Lot 1339

1340
$0.00
Revised: 8/15/2016

Please Note: Upon further research and examination we have determined that this work is “Attributed to Lord Frederic Leighton. Accordingly, as an attributed work, we do not guarantee the painting to be by Leighton.

LORD FREDERIC LEIGHTON (British, 1830-1896) MEDITERRANEAN COASTAL SCENE (POSSIBLY CAPRI).

Oil on wood panel Housed in a good fancy gilt frame with gilt liner Signed lower left “Leighton 1890” Also retaining a label on verso from the Continental Galleries of Fine Art, Montreal, Canada Board having an impressed stamp “Giosi/Napoli” in an oval Accompanying this painting is a folded letter signed by Leighton which he may be answering the original owner as to whether it could be included in an upcoming exhibition and is as follows: “I was asked yesterday on behalf of a lady who has very nice pictures and _ _ is our friend whether picture valuable. _ on loan with forthcoming exhibition and he was anxious to lend one of more from her gallery. I said that _ _ certain the idea has been given up for want of space but that i would make final everything in case any _ decision should have been framed – Will you kindly send him a line and answer? _ Your _ Leighton” SIZE: Sight: 5-1/2″ x 8-3/4″. Overall: 11″ x 14-1/4″ CONDITION: Signature & date may have been heightened or added at a later time, some touch up to upper sky area. 50811-12 (8,000-12,000) – Lot 1340

1341
$1,481.25

ATTRIBUTED TO WALTER R. SICKERT (English, 1860-1942) “YE GALLANT OLDE PORT OF LONDON”.

Oil on canvas Housed in a giltwood frame with linen liner Signed and inscribed in boat’s hull “Port of London/Sickert” SIZE: 35-1/2″ x 47″. Overall: 45″ x 56-1/2″ CONDITION: Good restored condition. Lined with minor old restoration visible under black light 50792-1 (5,000-10,000) – Lot 1341

1342
$0.00

THEODORE ALEXANDER WEBER (German, 1838-1907) SEASCAPE.

Oil on canvas Housed in a contemporary giltwood frame Signed lower left “Th Weber” SIZE: 24″ x 39-1/2″. Overall: 31-3/4″ x 47-1/2″ CONDITION: Very good, with craquelure. 50621-11 (10,000-15,000) – Lot 1342

1343
$0.00

LORENZO DELLEANI (Italian, 1840-1908) COASTAL LANDSCAPE.

Oil on board Housed in a gilt frame with gilt liner having artist plaque Signed lower right “Delleani” and dated SIZE: 13-1/2″ x 18″. Overall: 21″ x 25″ CONDITION: Surface dirt, otherwise very good 50811-10 (1,800-2,400) – Lot 1343

1344
$0.00

VITALI DAVYDOV (Russian, 20th century) MOONLIT BAY.

Oil on canvas Housed in an early 20th century molded gold painted wood frame with linen liner Signed lower left in Cyrillic “V. Davidoff 1928.” SIZE: 26″ x 24″. Overall: 32″ x 30″ CONDITION: Canvas buckle and spotty varnish 50265-10 (1,500-3,000) – Lot 1344

1345
$3,851.25

PAUL JEAN CLAYS (Belgian, 1819-1900) BOATS IN HARBOR.

Oil on canvas Housed in modern giltwood frame Signed lower right “P.J. Clays” SIZE: 25″ x 35″. Overall: 31″ x 42″ CONDITION: Lined, with old restoration, otherwise very good 50265-8 (4,000-6,000) – Lot 1345

1346
$0.00

JACOB HENDRICUS MARIS (Dutch, 1837-1899) VILLAGE BY THE SEA.

Oil on canvas mounted to board Housed in a molded wood frame Signed lower right “J Maris” SIZE: 12″ x 17″. Overall: 16-1/2″ x 21-1/2″ CONDITION: Some touch up, some craquelure, fair to good 50844-5 (2,000-3,000) – Lot 1346

1347
$2,014.50

DUNCAN MCGREGOR WHYTE (Scottish, 1866-1953) BEACH AT TIREE, SCOTLAND.

Oil on canvas Housed in a good carved and gilt modern frame Signed lower right “D McG Whyte” SIZE: 16″ x 24″. Overall: 21-1/2″ x 29-1/2″ CONDITION: Very good. Lined. Some minor inpainting. 50842-5 (2,000-3,000) – Lot 1347

1348
$4,443.75

MARIE JOSEPH LEON IWILL (French, 1850-1923) “SOLEIL DE NOVEMBRE”.

Oil on canvas Housed in a fine gesso decorated gilt frame with gilt liner Signed lower right “Iwill” and inscribed lower left & dated indistinctly Verso of canvas is a “Blanchet Paris” canvas stamp, also on verso is the title SIZE: 11-1/2″ x 18″. Overall: 20-1/2″ x 26-1/2″ CONDITION: Some inpainting, stretcher lines evident, otherwise good 50265-30 (1,500-3,000) – Lot 1348

1349
$5,569.50

MARIE JOSEPH LEON IWILL (French, 1850-1923) RIVER VIEW, DORDRECHT, NETHERLANDS.

Oil on canvas Housed in a period giltwood frame Signed indistinctly lower right “Iwill”, inscribed and dated lower left “Dordrecht .uai 1906”, stretcher bears ink inscription “Iwill/Brunck Suite Meuse/Dordrecht 1906”, verso canvas stenciled “Blanchet, Paris” SIZE: 13-1/4″ x 18-1/2″. Overall: 25-1/2″ x 31-1/2″ CONDITION: Very good, faint stretcher marks. 50265-21 (1,500-3,000) – Lot 1349

1350
$5,332.50

FRANCESCO RAFFAELLO SANTORO (Italian, 1844-1927) “PIAZZA DI BAGNAIA, VITERBO, ITALY”.

Oil on canvas Housed in its original gesso decorated frame with wide gilt liner Signed lower right “F Santoro = Tritone B. Roma 1871” Titled on verso of canvas, also having an old penned label “Old marketplace / Viterbo Italy / Santoro = Tritone / 1871″ SIZE: 24-3/4″ x 19-3/4”. Overall: 37″ x 32″ CONDITION: Very good 50877-1 (4,000-6,000) – Lot 1350

1351
$0.00
Revised: 8/3/2016

Please Note: The artist’s first name is spelled Romualdo.

ROMUALDO BATTISTA FEDERICO LOCATELLI (Italian, 1905 – 1943) TWO WORKS: CIN! CIN! & ONE LAST ROUND.

Oil on canvas Housed in flat gilt frames with painted linen liners Signed lower left “Romuldao Locatelli” and “R Locatelli” SIZE: 76″ x 37-1/2″; Overall: 79-1/2″ x 41″ PROVENANCE: Purchased from a restaurant in Rome in the 1950s, then by descent in the family. Private Collection. CONDITION: Lined, restored with inpainting, otherwise very good 50553-1 (15,000-25,000) – Lot 1351

1352
$0.00

THEO MEIER (Swiss/Thai, 1908-1982) TWO RED CHALK PORTRAITS.

including: 1) Self Portrait with Cigarette, signed lower right, housed under glass in gold painted frame with white mat 2) Head of a Woman, signed and dated lower right “Theo Meier 69″, housed in a carved wood frame with Asian motif SIZE: 1) 22″ x 16-1/2″ 2) Sight: 23-3/4″ x 18-1/2”. Overall: 30-1/2″ x 24-1/2″ CONDITION: 1) Some creasing and whitened spots on paper. 2) Creases. (Not examined out of frames) 50554-3 (2,000-3,000) – Lot 1352

1353
$0.00

EMILIO SALA (Italian, 1864-1920) APPLE PICKING.

Oil on panel Housed in a modern giltwood frame Signed lower left “E. Sala” SIZE: 7-1/2″ x 12″. Overall: 14-1/2 x 18-1/2″ CONDITION: Restored horizontal crack to panel otherwise good 50265-5 (3,500-5,500) – Lot 1353

1354
$0.00

THEOPHILE EMMANUEL DUVERGER (French, 1821-1886) CLASSROOM ANTICS.

Oil on mahogany wood panel Housed in a wide deep molded wood pine frame Signed lower left “Duverger” SIZE: 14″ x 10-1/2″. Overall: 23-3/4″ x 20-1/4″ CONDITION: Fine craquelure, very good, abrasion line just below the signature which may have been caused by a previous frame 50887-1 (3,000-5,000) – Lot 1354

1355
$1,777.50

VINCENT G STIEPEVICH (Russian/American, 1841-1910) GYPSY WOMAN.

Oil on Winsor & Newton millboard Housed in a modern giltwood frame Signed lower left “VG Stiepevich” SIZE: 10″ x 7-1/4″. Overall: 17-1/2″ x 15″ CONDITION: Scattered areas of restoration otherwise very good 50265-17 (2,000-4,000) – Lot 1355

1356
$0.00

FRANS CHARLET (Belgian, 1862-1928) TEASING THE CAT.

Oil on canvas Housed in a period giltwood frame Signed lower right “Franz Charlet” SIZE: 20-1/2″ x 16″. Overall: 28-1/2″ x 25″ CONDITION: Very good 50265-19 (3,000-5,000) – Lot 1356

1357
$0.00

ISTVAN (BIAI) FOGLEIN (Hungarian, 1905-1974) OUTSIDE CITY CAFE.

Oil on canvas Housed in a partial gilt wood frame with white liner Signed upper left “Biai” SIZE: 24″ x 36″. Overall: 31″ x 43-1/4″ CONDITION: Very good. 50750-8 (1,500-2,500) – Lot 1357

1358
$474.00

DIETZ EDZARD (German, 1893 – 1963) PORTRAIT OF A WOMAN WITH FAN.

Oil on canvas Housed in a distressed 19th century carved giltwood frame Signed lower right “D. Edzard” SIZE: 25-1/2″ x 21-1/4″. Overall: 37-1/2″ x 31-1/2″ CONDITION: Good, with several small flake losses and small puncture upper right, minor surface grime. Frame has gilt loss, overpainting and losses to carving 50215-1 (1,500-2,500) – Lot 1358

1359
$948.00

ROBERT JULIUS BEYSCHLAG (German, 1838-1903) “AFTER THE CHRISTENING”.

Oil on canvas Housed in a carved giltwood frame with presentation plaque Signed lower left “Robert Begschlag”, verso canvas stenciled “Wimmer & Co. Gallery of Fine Arts Munich” SIZE: 36″ x 26″. Overall: 44-1/2″ x 34″ CONDITION: Good, with canvas buckle, discolored varnish and surface dirt 50524-1 (1,500-3,000) – Lot 1359

1360
$0.00

FRITZ VAN DEN DAELE (Belgium, 1861) TABLETOP STILL LIFE WITH LOBSTER.

Oil on canvas Housed in its original re-gilt frame with losses Signed lower right “F. Van Den Daele” SIZE: 27-1/4″ x 41-3/4″. Overall: 34″ x 41″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Conservators report from Nancy Lee Snow of Falmouth, Maine OCT. 1998 affixed to back. Very good. Minor touch-up. 50749-12 (2,000-4,000) – Lot 1360

1361
$0.00

MICHELANGELO MEUCCI (Italian, 1840-1909) THREE SONG BIRDS.

Oil on board Housed in a modern stained wood frame with gilt liner Signed lower left “M. Meucci/Firenze” SIZE: 18-1/2″ x 9″. Overall: 24-3/4″ x 15″ CONDITION: Craquelure. Some minor spot inpainting, otherwise very good. 50805-7 (1,000-1,500) – Lot 1361

1362
$0.00

ATTRIBUTED TO CHARLES SILLEM LIDDERDALE (English, 1831-1895) YOUNG LADY ADMIRING HERSELF IN THE LOOKING GLASS.

Watercolor Housed under glass in a white painted frame with linen mat Pencil artist monogram lower left “CAL” SIZE: 18″ x 11″. Overall: 31″ x 25″ CONDITION: Very good, some very light foxing spots in dress, not examined out of frame 50265-6 (2,000-4,000) – Lot 1362

1363
$0.00

OTTO HAGBORG (English, 1854-1929) TWO GIRLS AT THE GRINDING WHEEL.

Oil on canvas Housed in an early 20th century giltwood frame Signed lower right “Otto Hagborg” SIZE: 32″ x 25″. Overall: 40″ x 32-1/2″ CONDITION: Very good, with minor surface dirt. 50737-1 (2,500-3,500) – Lot 1363

1364
$1,777.50

LOUIS HECTOR LEROUX (French, 1829-1900) “LESBIA” and “TUCCIA”.

Two oils on beveled mahogany panels Housed in matching 19th century giltwood frames “Lesbia” signed lower right “Hector Leroux”; “Tuccia” signed on boat “Hector Leroux” & bears a poem inscribed on verso signed “Valere Maxime” SIZE: Each: 9″ x 4″. Overall: 12″ x 6-1/2″ CONDITION: Very good, restored condition with scattered touch up on both 50750-6 (2,500-3,500) – Lot 1364

1365
$10,072.50

ZAO WOU-KI (American/Chinese/French, 1920-2013) PORTRAIT DE FILLETTE.

Lithograph Housed in a book-style mat Pencil signed & dated “49” in pencil, No. 5/10 Watermark BFK On verso is a red stamp “Paul Schuster Art Gallery 24 Palmer St. Cambridge, MASS” SIZE: 16-1/2″ x 12-3/4″ CONDITION: Very good, some adhesion remnants on edges 50842-4 (4,000-6,000) – Lot 1365

1366
$948.00

ATTRIBUTED TO JEAN-BAPTISTE-CAMILLE COROT (France, 1796 – 1875) FIGURE IN BOAT, WATER AND SHORE LANDSCAPE.

Oil on canvas Housed in a wood frame Signed lower right “Corot” SIZE: 12-1/4″ x 14-1/4″. Overall: 13-1/4 x 16″ CONDITION: Good, surface dirt 50567-1 (1,000-2,000) – Lot 1366

1367
$948.00

ATTRIBUTED TO GEORGES MICHEL (French, 19th century) “THE OAK LOG”.

Oil on canvas Housed in a giltwood frame Unsigned, bears labels on verso inscribed in ink “Artist: Michel; owner: G. Tapper Francis,” bears Fogg Art Museum Loan Label # 35.1831, Wadsworth Atheneum label and a Museum of Fine Arts label inscribed “Sayles Collection, 56 Comm. Ave;” stretcher incised “Momper A Paris” SIZE: 18″ x 24″. Overall: 25″ x 31″ PROVENANCE: Henry Sayles, Boston; to nephew George Tappan Francis, Boston CONDITION: Lined, restored with inpainting, good 50524-2 (1,500-3,000) – Lot 1367

1368
$2,666.25

PAUL DESIRE TROUILLEBERT (French, 1829-1900) GEESE AT THE EDGE OF WATER & WOODS.

Oil on wood panel Housed in a carved wood & gilt frame with gilt oak liner having artist plaque Signed lower right “Trouillebert” SIZE: 10-1/4″ x 14″. Overall: 20″ x 24″ CONDITION: Good 50886-2 (2,000-4,000) – Lot 1368

1369
$5,036.25

HENRI-JOSEPH HARPIGNIES (French, 1819-1916) FIGURE SEATED NEXT TO WOODLAND POOL.

Oil on wood panel Housed in a fine, molded wood gilt frame with gilt liners under glass Signed lower left with artists name and “Paris” SIZE: 27″ x 18-1/2″. Overall: 35-1/2″ x 27-1/4″ CONDITION: Very good 50842-1 (2,000-4,000) – Lot 1369

1370
$0.00

FERDINAND TROUPEAU (French, 19th century) BOAT ON A RIVER.

Oil on panel Housed in a period carved giltwood frame Signed lower right “F. Troupeau” SIZE: 10-1/2″ x 7-3/4″. Overall: 22-1/2″ x 20″ CONDITION: Very good to excellent 50265-18 (2,000-4,000) – Lot 1370

1371
$0.00

EUGENE MARIOTON (French, 1854-1933) VAINQUEUR.

Bronze with reddish brown patina Signed on side “Eug. Mariotin”, titled on front “Vainqueur”, and numbered 5145 with foundry stamp from “Siot-Decauville Paris” SIZE: 21-1/4″ h CONDITION: Very good to excellent 50275-5 (1,500-2,500) – Lot 1371

1372
$0.00

FERDINANDO DELUCA (Italian, 20th Century) AFTER HIPPOLYTE MOREAU (French, 1832-1927) & LE COURTIER (French, 1851-1924) HUNTER WITH HOUNDS.

Bronze Signed “F Deluca” also “Moreau-Le Courtier” SIZE: 30″ h x 20″ at widest CONDITION: Very good 50898-6 (1,500-2,000) – Lot 1372

1373
$1,185.00

FRANZ IFFLAND (German, 1862-1935) “PERSEUS”.

Patinated bronze Signed “Iffland” on base, with foundry mark on back of base “Bildgiesser, Kraas, Berlin” Note: Iffland was a Germany sculptor best known for his portrait busts of young women and statues of young children. The majority of his work was produced during the art nouveau period from 1880 to 1910, however, late in his career he produced a number of art deco bronzes of nude women and ordinary working people such as blacksmiths and farmers. He presented his work in bronze at the Great Art Exhibition held in Berlin in 1892. He is described as one of the most important German sculptor of the 19th and 20th century. [source: askart.com] SIZE: 33″ h CONDITION: Overall very good, with minor patina loss in a few areas 50275-6 (1,000-1,500) – Lot 1373

1374
$355.50

ANTONIO FRILLI (Italian, 1860-1920) BUST OF A WOMAN.

White marble Mounted to a green marble base Signed on back “A. Frilli Florence” SIZE: Total: 19″ h x 12″ at widest CONDITION: Very good 50406-3 (1,200-1,800) – Lot 1374

1375
$1,777.50

JOAQUIN LUQUE ROSELLO (Spanish, 1866-1932) THE THOUGHTFUL REST.

Oil on panel Housed in a period giltwood frame Signed lower right “Joaquin Luque” SIZE: 7-1/4″ x 11″. Overall: 14″ x 17″ CONDITION: Frame abrasion along bottom and shrinkage cracks 50265-16 (2,000-4,000) – Lot 1375

1376
$0.00

ANTONIO RIVAS (Italian/Spanish, 1845-1911) INTERIOR ORIENTALIST SCENE.

Watercolor Housed in a modern decorative gold frame Signed upper right “A. Rivas Roma 89″ SIZE: 30″ x 21”. Overall: 31-1/2″ x 22-1/4″ CONDITION: Very good, left top corner missing 50301-2 (4,000-6,000) – Lot 1376

1377
$0.00

WILLIAM GRAHAM (American, 1841-1910) STREET SCENE IN CAIRO.

Oil on canvas Housed in a period giltwood frame Signed and inscribed lower left “W. Graham/Cairo”, inscribed on verso canvas “Street leading into Hared Madia, Cairo/Spring of 93/painted by W. Graham” SIZE: 18-3/4″ x 10-3/4″. Overall: 26″ x 18″ CONDITION: Very good, with craquelure in sky. 50265-14 (2,000-4,000) – Lot 1377

1378
$0.00

JOHN SINGER SARGENT (American, 1856-1926) “DONKEYS IN A DESERT, MOROCCO 1880”.

Oil on wood panel Housed in a fine carved & gilt wood frame Unsigned Verso depicting a study of three Venetian gondolas Reference: Sargent Catalog Raisonne, ‘Figures and Landscapes, 1874-1882’, page 298 Please Note: JOHN SINGER SARGENT COMPLETE PAINTINGS; ORMOND/KILMURRAY VOLUME IV:, Page 412 #788 Donkeys In A Moroccan landscape (recto) and Three Boats (verso) Violet Sargent (Mrs. Frances Ormond), 1925; Her son F. Guillaume Ormond, 1955; His heirs, 1971; Coe Kerr Gallery, New York, 1989; Mr. and Mrs. Harry Spiro; Private collection Exhibitions: New York, Coe Kerr Gallery, American Impressionism, 1989 19 May-23 June 1989, No.37, Ill. Cat. N.P. (color) as “Donkeys In The Desert With Squatting Figure” Literature: Mount 1955 p444 (K8034) dated 1880; 1957 Ed., p354 (K8034); 1969 Ed., p461 (K8034); As “Three Donkeys In A Desert With Squatting Figure” SIZE: 10″ x 13-1/4″. Overall: 18″ x 22″ PROVENANCE: Thomaston Auction Galleries, Aug. 2009; Private Maine/Texas Collector CONDITION: Very good 50012-12 (80,000-120,000) – Lot 1378

1379
$3,555.00

ATTRIBUTED TO VICTOR DE GRAILLY (American/French, 1804-1889) PAYSAGE MONTAGNEUX A LA RIVIERE AVEC UNE BERGERE ET SON TROUPEAU.

Oil on canvas Housed in an antique gilt frame Unsigned however this painting was sold by Tajan in Paris, 6/18/07 and was sold as a Victor De Grailley and being signed lower right but we are unable to verify the signature SIZE: 21-1/2″ x 28-1/2″. Overall: 25-3/4″ x 33″ CONDITION: Lined, minor inpainting 50807-1 (3,000-5,000) – Lot 1379

1380
$6,221.25

WILLIAM MARSHALL BROWN (United Kingdom/Scotland, 1863-1936) MARKET DAY.

Oil on canvas Housed in contemporary paint decorated frame with linen liner Signed lower right “Marshall Brown” SIZE: 20″ x 24″. Overall: 27-1/2″ x 31-1/2″ CONDITION: Very good to excellent 50265-9 (2,500-3,500) – Lot 1380

1381
$0.00

JOHN J. INGLIS (American/Irish, 1867-1946) “NOR-EASTER IRISH COAST”.

Oil on canvas Housed in a fine carved wide gilt frame Signed lower right “John J Inglis” Title on verso of canvas SIZE: 33″ x 40-1/4″. Overall: 42″ x 49″ CONDITION: Lined, craquelure, scattered retouch 50805-4 (4,000-6,000) – Lot 1381

1382
$6,221.25

JOHN LESLIE BRECK (American, 1860-1899) PASTORAL LANDSCAPE, GIVERNY, FRANCE.

Oil on canvas Housed in a contemporary gold painted wood frame. Signed lower left “BRECK” SIZE: 18″ x 22″. Overall: 23″ x 27″ PROVENANCE: John S. Carter & Mary Bolyan (secretary to President John F. Kennedy) CONDITION: Overall very good condition with minor touch up in areas around trees. Recently cleaned 50275-1 (5,000-7,000) – Lot 1382

1383
$0.00

CHARLES HENRY EBERT (American, 1873-1959) “CHURCH IN A TYROLEAN VALLEY”.

Oil on canvas Housed in a giltwood frame Estate stamped on verso of canvas “Ebert”, titled and dated on an exhibition label affixed to verso cardboard backing, reads: “44. Church in Tyrolean Valley c. 1913/Lyman Allyn Museum” SIZE: 23-1/2″ x 28-1/2″ 25-3/4″ x 31″ CONDITION: Good, with minor surface dirt. 50442-1 (1,500-3,000) – Lot 1383

1384
$0.00

THOMAS EDWIN MOSTYN (American/United Kingdom, 1864-1930) “A MEDITERRANEAN GARDEN”.

Oil on canvas Housed in an antique carved wood frame with oval window Signed lower right “Schillay & Rehs Inc. New York” label on verso SIZE: Canvas: 28″ x 36″. Oval: 26″ x 32″ (sight); Overall: 35-1/2″ x 41-1/2″ CONDITION: Three chips in sky, craquelure, some inpainting 50289-1 (2,000-4,000) – Lot 1384

1385
$0.00

GEORGE BENJAMIN LUKS (American, 1867-1933) “DR. SLOP”.

Oil on canvas Housed in a modern fancy gesso decorated frame with linen liner Signed lower right “George Luks” Inscribed on verso of canvas “Dr. Slop/Obidiah/Uncle Toby/Mr.Shanady/George Luks 1907″ Retaining a Maxwell Galleries San Francisco label to verso, also an exhibition label from the California Palace of the Legion of Honor, San Francisco, CA SIZE: 26″ x 18”. Overall: 31-1/2″ x 24-1/2″ CONDITION: Very good 50824-2 (10,000-15,000) – Lot 1385

1386
$3,555.00

GEORGE BENJAMIN LUKS (American, 1867-1933) CHINATOWN.

Oil on canvas Housed in a modern carved & gilt frame Signed lower left “George Luks” SIZE: 15″ x 12″. Overall: 21″ x 18″ CONDITION: Very good with very minor spot touch up 50844-3 (4,000-6,000) – Lot 1386

1387
$1,066.50

ROBERT SPEAR DUNNING (American, 1829-1905) “PORTERS BRIDGE”.

Oil on paper laid down on wood panel Housed in a period molded and giltwood frame Signed and titled on verso “Porters Bridge/R.S.Dunning” SIZE: 4-1/2″ x 7-1/2″. Overall: 12-1/2″ x 14-1/2″ CONDITION: Small tears restored along edges, bottom and top right corners chipped and restored; several small flake losses with touch up 50275-2 (1,000-1,500) – Lot 1387

1388
$2,962.50

EDMUND DARCH LEWIS (American, 1835-1910) HILLSIDE MILL.

Oil on canvas Housed in a period gesso decorated frame Signed lower left “Edmund D Lewis 187_” SIZE: 20″ x 30″. Overall: 32″ x 39-1/2″ CONDITION: Craquelure, two patches to verso with corresponding inpainting, good 50824-9 (3,000-5,000) – Lot 1388

1389
$2,073.75

JOHN FRANCIS MURPHY (American, 1853-1921) “ON THE FLATS”.

Oil on canvas Housed in a period molded and giltwood frame Signed lower left “J. Francis Murphy”, titled on label affixed to verso frame, typed note reads “From the Murphy Bale American Art Asso. 11/28/26″ SIZE: 11″ x 16-1/2”. Overall: 17″ x 23″ CONDITION: Canvas buckle, small loss upper left, otherwise good. 50336-10 (2,000-3,000) – Lot 1389

1390
$2,073.75

MARION HUSE (American, 1896-1967) “BACKYARD GARDEN”.

Oil on canvas Housed in a giltwood frame Signed lower left “Marion Huse”, titled on verso SIZE: 30″ x 34″. Overall: 37-1/2″ x 41-1/2″ PROVENANCE: Child’s Gallery, Boston CONDITION: Very good, with minor craquelure 50519-1 (1,000-3,000) – Lot 1390

1391
$6,813.75

WALTER BIGGS (American, 1886-1968) WELCOMING THE GUESTS.

Oil on canvas Housed in a 20th century giltwood frame Signed upper right “W Briggs” SIZE: 29-1/4″ x 42″. Overall: 35: x 48″ CONDITION: Two large tears and a small hole with losses otherwise good 50564-14 (4,000-6,000) – Lot 1391

1392
$0.00

PETER POSKAS (American, 1939-) SCOVILL FARM, WEST CORNWALL, CT.

Oil on canvas Housed in a fine silver gilt wood frame with linen & silvered gilt liner Signed upper right “Poskas” SIZE: 27″ x 23″. Overall: 35″ x 31″ CONDITION: Very good to excellent 50794-1 (4,000-6,000) – Lot 1392

1393
$0.00

FRANCISCO BORES LOPES (American/French/Italian, 1898-1972) “STILL LIFE WITH CUP”.

Oil on canvas Housed in a modern black frame Signed center bottom “Bores 56″ Retains label on verso with title, also Columbus Gallery of Fine Arts sticker label on verso SIZE: 32″ x 39-1/4”. Overall: 34-1/2″ x 42″ PROVENANCE: Matsart Auctioneers & Appraisers, 11/26/14 sale CONDITION: Minor touch up, water stain to back of canvas with corresponding craquelure on bottom section 50811-6 (3,500-4,500) – Lot 1393

1394
$0.00

FRANCISCO BORES LOPEZ (American/French/Spanish, 1898-1972) “STUDIO TABLE”.

Oil on canvas Housed in a gilt wood frame with losses Signed lower right “Bores 1955” Also retaining “Van Diemen-Lilienfeld Galleries” label on verso of stretcher with title & artist name SIZE: 28-3/4″ x 39-1/2″. Overall: 30″ x 41″ CONDITION: Very good 50811-7 (3,500-4,500) – Lot 1394

1395
$0.00

SIR JACOB EPSTEIN (American/English, 1880-1959) ROSES IN BLOOM.

Watercolor and gouache Housed in a carved giltwood frame, matted under glass Signed lower right “Epstein” Note: Epstein was best known for his expressionist figurative sculptures. He was born in New York City, however, became an English citizen in 1907 after moving to London in 1905. Epstein married Kathleen Garman in the 1920s and was knighted in 1954 SIZE: Sight: 17″ x 21-3/4″. Overall: 28″ x 33″ PROVENANCE: Acquired in 1950 by descent from the niece of the artist CONDITION: Good overall condition, not examined out of frame. Old acidic mat and cardboard backing indicate this has not been out of it’s frame for some time. Small 1/4″ blemish upper right corner 50390-1 (3,000-5,000) – Lot 1395

1396
$0.00

JANE PETERSON (American, 1876-1965) “MARIGOLDS”.

Watercolor on Whatman board Housed in a modern gilt frame with line and gilt liner under glass Signed lower left “Jane Peterson” Pencil title on verso SIZE: 30″ x 22″. Overall: 35″ x 27″ CONDITION: Very good 50867-13 (4,000-6,000) – Lot 1396

1397
$0.00

J BOURNE (English, 19th Century) STILL LIFE WITH FLOWERS & FRUIT.

oil on canvas Housed in a French style modern frame with painted liner Signed lower right “J Bourne 1881″ SIZE: 20″ x 24”. Overall: 26″ x 30″ CONDITION: Patch in center top with corresponding inpainting, otherwise very good 50807-11 (1,500-2,500) – Lot 1397

1397A
$474.00

UNSIGNED (19th Century) STILL LIFE FRUIT.

Oil on canvas Unsigned Housed in a gilt oak frame SIZE: 21″ wide x 17-3/4″ x 21″. Overall: 22″ x 26-1/2″ CONDITION: A couple of very old patches on the reverse of the painting and all over craquelure. Very nicely done 49421-94 (600-900) – Lot 1397A

1398
$0.00

SPENCER DOUGLASS CROCKWELL (American, 1904-1968) “MISS COOPER’S LAST CLASS”.

Oil on masonite, 1954 Unframed Signed lower left with monogram “Douglass Crockwell”, bears note affixed to verso reads: “For publication in The Saturday Evening Post/”Mrs. Cooper’s Last Class”/Douglas Crockwell/No. P2587, 11/8/54″ SIZE: 22-1/2″ x 22-1/2”. Overall: 29-3/4″ x 24″ CONDITION: Masonite panel mounted to white painted wood frame. Chips to edges of white painted board, spotty varnish and surface grime. 50621-13 (10,000-15,000) – Lot 1398

1399
$2,133.00

ROBERT ROBINSON (American, 1886-1952) COLLIER’S COVER ILLUSTRATION OF A BOY WITH DAISIES AND HOUND.

Oil on canvas Housed in a molded wood frame Signed lower right “Robt. Robinson”, inscribed on verso “To Christie Scott Robinson 5/16/81”. Note: Robert Robinson was an American illustrator and originator of the Saturday Evening Post’s “Slice of Life” style cover art that was later popularized by Norman Rockwell. He illustrated regularly for the Hearst Corporation’s monthly Motor Magazine publication. The painting is a striking portrait of a young red haired boy wearing a straw hat and bright checkered shirt with denim overalls. He leans against a stump in a daydream, surrounded by daisies with his hound. This lot includes a framed copy of the original Collier’s cover illustration, dated “May 17, 1919 No. 20.” SIZE: 30-1/4″ x 16″. Overall: 35″ x 20-3/4″ CONDITION: Painting is in overall good condition with craquelure, damp staining to the right edge of the framed cover. 50652-17 (1,000-1,500) – Lot 1399

1400
$0.00

UNSIGNED (American, 19th Century) TROMP L’OEIL THE CARD PLAYERS.

Watercolor collage Housed in a modern black & gold antique style frame with white mat Unsigned NOTE: This original piece actually has two hand watercolor simulated pieces of currency that overlapped the original mat & in front of the watercolor of the people playing cards. The original mat was painstakingly separated and replaced to conserve the picture. Close examination of both the card players & the currency show a remarkable sense of detail & accuracy. Certainly of the talent of Victor Debreuil or John Haberle SIZE: Sight including mat: 13-3/4″ x 15-1/2″. Overall: 18-1/4″ x 20-1/4″ CONDITION: Watercolor of card player is very good. The front bill has two short tears on left & right corners (most likely a result of the conservation). There is an evident waterstain outline which may be intentional by the artist 50807-12 (2,000-3,000) – Lot 1400

1401
$15,405.00

CHARLES SCHULZ (American, 1922-2000) SIGNED HAND COLORED COMIC STRIP A COMMISSION FOR THE COUNTY OF SAN DIEGO BUREAU OF ANIMAL CONTROL (CAMPAIGN FOR BANNING DOGS FROM RIDING IN THE BACK OF PICK UP TRUCKS).

Colored marker on black & white contact sheet Unframed, mounted to a foam board Signed with inscription “Best wishes Charles M Schulz” in black marker SIZE: 17″ x 24″. Overall: 22″ x 28″ CONDITION: Some light foxing spots, generally good 50370-1 (8,000-10,000) – Lot 1401

1402
$11.85

JOHN H. STRIEBEL (American, 1892-1962) FOUR DIXIE DUGAN ORIGINAL CARTOONS.

Pen and ink on hard stock Housed: One in red metal frame with white mat; another in white mat; two are unframed All are signed “J. H. Striebel” Special Note: This lot is being sold to benefit the St. Jude Children’s Hospital SIZE: 1) 14″ x 16″. Overall: 18″ x 20″. 2) 10-3/4″ x 9-3/4″. Overall: 16-1/2″ x 15-1/4″. 3 & 4) 6-1/2″ x 19″. PROVENANCE: From a Maine home acquired from a family member of the artist CONDITION: Framed example has yellow toning, otherwise very good. 50267-5 (50-100) – Lot 1402

1403
$0.00

GEORGE HAWLEY HALLOWELL (American, 1871-1926) STUDY FOR THE ALTAR PIECE AT THE ALL SAINTS CHURCH, ASHMONT ST. BOSTON.

Watercolor on paper Housed in a fine gilt wood replacement frame with silk liner behind glass by Guido of Boston Signed in pencil lower left “G.H. Hallowell”, retaining an Exhibit label from the Ogunquit Museum of American Art “New England Visions” 1996, also a label verso indicating Ex Collection of Alfred J. Walker SIZE: Sight size: 10-1/4″ x 7-1/2″ Overall: 14-1/2″ x 11-1/2″ CONDITION: Very good 47941-4 (1,000-2,000) – Lot 1403

1404
$0.00

CHRIS VAN ALLSBURG (American, b. 1949) TWO ILLUSTRATIONS FROM “THE MISADVENTURES OF SWEETIE PIE”.

1) Pencil sketch on vellum Signed and dated lower right “Chris Van Allsburg ’14” Note: Sketch for the cover illustration of the 2014 book “The Misadventures of Sweetie Pie” by the Caldecott winning author of Jumanji and Polar Express 2) Color print of the book cover Signed lower left “Chris Van Allsburg” Published by Houghton Mifflin. Both housed in a contemporary black wood frames SIZE: 1) Sight: 8-1/2″ x 9-1/2″. Overall: 14″ x 15″ 2) Sight: 16-1/2″ x 15-1/2″. Overall: 17-1/8″ x 18-1/8″ CONDITION: Both are in very good to excellent condition 50217-1 (1,000-1,500) – Lot 1404

1405
$533.25

JOHN LAVALLE (American, 1896-1971) TWO ILLUSTRATIONS OF BIPLANES IN FLIGHT.

Two watercolor and gouaches Housed in giltwood frames, matted under glass Both signed and dated, one lower right, other signed lower left “John Lavalle 1930″ SIZE: 13″ x 19-1/2”. Overall: 19-12″ x 26″ CONDITION: Very good, with one slightly discolored along edges (not examined out of frames) 50524-3 (600-900) – Lot 1405

1406
$177.75

ROBERT ALLEN NELSON (American, 1925-) “THE WRONG BARNYARD FOOD”.

Mixed media and collage Housed in a contemporary frame Signed lower right “Nelson, Robt A.”, titled and inscribed along bottom “The Wrong Barnyard Food, Lakeside Oregon, Spring 2004″ SIZE: 30″ x 44”. Overall: 39-1/2″ x 54″ CONDITION: Very good to excellent 50270-66 (300-500) – Lot 1406

1407
$2,962.50
Revised: 8/15/2016

Please Note: We have been informed by the gentleman who is writing the Catalog Raisonne on Onderdonk. He has notified us that this painting will not be included in the forthcoming Catalog Raisonne on the artist. Due to this information we are not guaranteeing this painting to be by Julian Onderdonk and the estimate has been reduced to $4,000-$6,000.

JULIAN ONDERDONK (American, 1882-1922) “EARLY MORNING”.

Oil on board Housed in a fine period gesso decorated gilt frame with gilt liner Signed lower left “Julian Onderdonk” Titled on verso SIZE: 11-3/4″ x 15-3/4″. Overall: 20″ x 24″ CONDITION: Very good 50904-3 (20,000-40,000) – Lot 1407

1408
$11,850.00

ROBERT REID (American, 1862-1929) APPLE BLOSSOMS.

Oil on canvas Unframed Signed lower right “R. Reid” SIZE: 25″ x 30″ CONDITION: Very good, with minor restoration around edges 50548-1 (10,000-15,000) – Lot 1408

1409
$0.00

ROBERT REID (American, 1862 – 1929) SPRING LANDSCAPE WITH BROOK.

Oil on canvas Unframed Faint signature lower left SIZE: 25″ x 30″ CONDITION: Very good, lined with new stretcher 50548-2 (8,000-12,000) – Lot 1409

1410
$6,517.50

GEORGE LOFTUS NOYES (American, 1864-1954) “A SPRING DAY”.

Oil on board Housed in a good carved & gilt frame with carved & gilt liner Signed lower right “G L Noyes” Verso having two labels; one from Vose Galleries Boston,MA, the other from the Godwin Gallery, Pepperell, MA, both with artist & title SIZE: 12″ x 16″. Overall: 18-1/2″ x 22-1/2″ CONDITION: Very good 50718-3 (3,000-5,000) – Lot 1410

1411
$0.00

EASTMAN JOHNSON (American, 1824-1906) TALL TREES.

Oil on board Housed in modern giltwood frame Monogramed lower right “E.J.” SIZE: 9″ x 8″. Overall: 14-3/4″ x 13-1/4″ PROVENANCE: By descent to the current owner CONDITION: Very good 50352-1 (10,000-15,000) – Lot 1411

1412
$0.00
Revised: 8/22/2016

Please Note: Upon further and close examination, we noticed that the painting is lined and has craquelure.

ALEXIS JEAN FOURNIER (American, 1865-1948) FIGURE IN SUMMER LANDSCAPE.

Oil on canvas Housed in a carved and gilt oak frame with wide gilt oak liner Signed lower left very lightly green on green. SIZE: 19″ x 28-1/2″. Overall: 29″ x 38-1/4″ CONDITION: Very good, some minor inpainting. 50811-3 (4,000-6,000) – Lot 1412

1413
$0.00

GEORGE MATTHEW BRUESTLE (American, 1871-1939).

Oil on canvas Housed in what may be it’s original gesso decorated gilt frame Signed lower left “Geo M Bruestle” On verso of canvas is a block with “E/15/1921″ SIZE: 25″ x 30″. Overall: 34-1/2″ x 39-1/2”. CONDITION: Surface dirt, some spot inpainting, very good 50811-1 (3,000-5,000) – Lot 1413

1414
$2,073.75

HUGH BOLTON JONES (American, 1848-1927) AFTERNOON LIGHT.

Oil on academy board Housed in a good gilt wood frame having gilt liner Signed lower left “H Bolton Jones” SIZE: 12-1/4″ x 18-1/2″. Overall: 17-1/2″ x 23-1/2″ CONDITION: Some touch up to top edge, otherwise very good 50886-1 (3,000-5,000) – Lot 1414

1415
$0.00

UNSIGNED (American, Early 19th Century) RURAL VILLAGE LANDSCAPE.

Oil on canvas Housed in a gilt molded wood frame Unsigned SIZE: 24″ x 36″. Overall: 31″ x 42-3/4″ CONDITION: Lined, restored with inpainting 50807-9 (3,000-5,000) – Lot 1415

1416
$1,777.50

JOHN DONAGHY (American, 1838-1931) TWO BOYS ON HILLSIDE CLEARING.

Oil on canvas Housed in a good gesso decorated gilt period frame Signed lower left “Donaghy” SIZE: 20″ x 14″. Overall: 24-1/4″ x 18″ CONDITION: Very good 50589-4 (3,000-5,000) – Lot 1416

1417
$2,962.50

HENRY WARD RANGER (American, 1858-1916) MOTHER AND CHILD IN FOREST.

Oil on canvas Housed in giltwood frame Signed lower left “H.W. Ranger”, canvas stenciled “G. Rowney & Co. London” SIZE: 16″ x 22″. Overall: 21-1/2″ x 27-1/2″ CONDITION: Good, with minor touch up 50593-6 (2,000-4,000) – Lot 1417

1418
$5,925.00

JOHN F. FOLINSBEE (American, 1892-1972) “SHADOWS”.

Oil on board Housed in a modern Miller giltwood frame with presentation plaque Signed lower right “John F. Folinsbee”, titled and inscribed on verso “John F. Follinsbee Woodstock N.Y. Shadows” SIZE: 8″ x 10″. Overall: 13-1/2″ x 15-3/4″ CONDITION: Very good 50519-4 (3,000-5,000) – Lot 1418

1419
$2,666.25

DAVID JOHNSON (American, 1827-1908) BARBAZON STYLE LANDSCAPE.

Oil on wood panel Housed in its original fancy gilt frame Signed with initials and dated “DJ 75” also signed on reverse “David Johnson 1875″ SIZE: 5″ h x 7-1/2″ w. Overall 8″ h x 10-1/2” w. CONDITION: Very good, recently cleaned 49363-6 (2,500-4,500) – Lot 1419

1420
$2,962.50

MARION P. HOWARD (American, 1883-1953) BLUE HILL.

Oil on canvas Housed in a fine gilt carved wood frame stamped “N&M Co” (Newcomb Macklin) Signed lower right “Marion Howard” SIZE: 24″ x 30″. Overall: 27-1/2″ x 33-1/2″. CONDITION: Very good 50824-4 (2,500-3,500) – Lot 1420

1421
$0.00

ORRIN AUGUSTINE WHITE (American, 1883-1969) STREAM THROUGH FARMLAND.

Oil on canvas Housed in a silver gilt frame with gilt liner Signed lower right “Orrin A White” SIZE: 20″ x 24″. Overall: 28-1/2″ x 32-1/2″ CONDITION: Inpainting mostly to sky, very good 50289-2 (3,000-5,000) – Lot 1421

1422
$1,066.50

CARL WUERMER (American, 1900-1981) “VALLEY IN SPRING”.

Oil on canvas Housed in contemporary frame with linen liner Signed lower righ “Carl Wuermer”, titled on label affixed to backing board “No. 604/Valley in Spring by Carl Wuermer (of Woodstock, N.Y.)/Painted on linen canvas with Winsor & Newton Oil Colors” SIZE: 18″ x 30″. Overall: 25″ x 37″ CONDITION: Very good 50442-3 (2,000-4,000) – Lot 1422

1423
$1,777.50

GEORGE ALBERT THOMPSON (American, 1868-1938) SPRING MORNING.

Oil on board Housed under glass in molded giltwood frame Signed lower left “G.A. Thompson” SIZE: 12″ x 16″. Overall: 16-1/2″ x 20-1/2″ CONDITION: Very good. 50442-2 (1,500-2,500) – Lot 1423

1424
$0.00

HAL ROBINSON (American, 1867-1933) SPRINGTIME SUNLIT STREAM.

Oil on canvas Housed in a fine gilt & carved wood frame Signed lower right “Hal Robinson” SIZE: 20″ x 16″. Overall: 26-1/2″ x 22-1/2″ CONDITION: Very good 50811-8 (1,500-2,500) – Lot 1424

1425
$1,422.00

CHARLES HARRIS DAVIS (American, 1856-1933) AUTUMN LANDSCAPE.

Oil on canvas Housed in giltwood frame Signed lower right “C.H. Davis” SIZE: 15″ x 18-1/2″. Overall: 20-3/4″ x 25″ CONDITION: Very good, with minor loss upper left, paper residue on verso canvas 50593-2 (2,000-4,000) – Lot 1425

1426
$1,422.00

STAPELTON KEARNS (American, 1952-) “COVERED BRIDGE IN AUTUMN”.

Oil on canvas Housed in a gilt wood frame with linen liner Signed lower left “Stapelton Kearns 1997″ SIZE: 20″ x 30”. Overall: 29″ x 39″ CONDITION: Very good to excellent 50732-2 (1,500-2,500) – Lot 1426

1427
$4,147.50

EDMUND DARCH LEWIS (American, 1835-1910) AUTUMN LANDSCAPE.

Oil on board? Housed in a gold decorated period frame behind glass with new mat Signed lower right “E D Lewis 1877″ SIZE: Sight size: 19-1/2″ x 8-1/2”. Overall: 28-3/4″ x 18″ CONDITION: Very good. 50805-8 (1,000-2,000) – Lot 1427

1428
$711.00

CAMILLO ADRIANI (American, early 20th century) NEW ENGLAND AUTUMN.

Oil on canvas Housed in a white painted wood frame Signed lower left “C. Adriani”, bears Carl Bredemeier Gallery, Buffalo, New York label on frame SIZE: 25-1/4″ x 30-1/4″. Overall: 30-1/2″ x 35-1/2″ CONDITION: Good, with minor surface dirt and discolored varnish. 50567-29 (800-1,200) – Lot 1428

1429
$2,666.25

WILLIAM MERRITT POST (American, 1856-1935) AUTUMN LANDSCAPE AT DUSK.

Oil on canvas Housed in a period giltwood frame Signed lower left “W.Merritt Post” SIZE: 18″ x 24″. Overall 26″ X 32-1/4″ CONDITION: Very good, with stretcher marks and minor craquelure to paint surface. 50462-1 (800-1,200) – Lot 1429

1430
$711.00

BERNARD COREY (American, 1914-200) “FARM AT HARDWICK”.

Oil on canvas board Housed in a gray frame with linen liner Signed lower right “Bernard Corey”, inscribed on verso frame “Bernard Corey / Farm at Hardwick”, bears Rockport Art Association showroom exhibition label on verso SIZE: 8″ x 12″. Overall: 15-1/2″ x 19-1/2″ CONDITION: Very good to excellent 50652-8 (800-1,200) – Lot 1430

1431
$1,422.00

BERNARD COREY (American, 1914-2000) “SUMMER PASTIME”.

Oil on masonite Housed in a modern carved & gilt frame with some finish loss Signed lower right “Bernard Corey” SIZE: 10″ x 14″. Overall: 17″ x 21″ CONDITION: Very good to excellent 50732-17 (1,200-1,800) – Lot 1431

1432
$0.00

CARL WUERMER (American, 1900-1981) PANORAMIC WINTER LANDSCAPE.

Oil on canvas Housed in a carved wood gilt frame, with gilt liner Signed lower right “Carl Wuermer”. Marked “No. 406″ on verso of stretcher SIZE: 25″ x 30”. Overall: 33″ x 38″ CONDITION: Very good. 50805-3 (3,000-5,000) – Lot 1432

1433
$3,555.00

FRANK SWIFT CHASE (American, 1886-1958) WINTER VALLEY LANDSCAPE.

Oil on canvas Housed in a fine modern carved and gilt frame with gilt liner Signed lower right “Frank S Chase” SIZE: 24″ x 30″. Overall: 31-1/2″ x 37-1/2″ CONDITION: Lined, some touchup, very good 50778-7 (3,000-5,000) – Lot 1433

1434
$1,540.50

ROBERT EMMETT OWEN (American, 1878-1957) “WINTRY WEATHER”.

Oil on canvas Housed in a white painted wood frame Signed lower right “R. Emmett Owen”, titled on verso stretcher “Wintry Weather / R. Emmett Owen, 983 North Ave., New Rochelle, NY” SIZE: 16″ x 20″. Overall: 20″ x 24″ CONDITION: Minor surface dirt, otherwise very good. 50347-1 (1,500-2,500) – Lot 1434

1435
$0.00

CARL WUERMER (American, 1900-1981) “NEW ENGLAND WINTER”.

Oil on linen canvas Housed in a modern frame with linen liner Signed lower right “Carl Wuermer”, titled on label affixed to backing board, another label signed by artist states “Painted on linen canvas with Winsor & Newton oil colors- Carl Wuermer” SIZE: 20″ x 24″. Overall: 27″ x 31″ CONDITION: Very good to excellent 50488-9 (3,000-5,000) – Lot 1435

1436
$6,517.50

CHARLES WYSOCKI (American, 1928-2002) WINTER VILLAGE LANDSCAPE.

Oil on canvas Housed in a wood frame Signed with copyright lower right “Charles Wysocki” SIZE: 16″ x 20″. Overall: 22-1/2″ x 26-1/2″ CONDITION: Very good to excellent 50259-1 (4,000-6,000) – Lot 1436

1437
$0.00

WALLACE WEIR FAHNESTOCK (American, 1877-1962) WINTER LANDSCAPE WITH BROOK.

Oil on canvas Housed in a modern giltwood frame Signed lower right “WW Fahnstock” SIZE: 20″ x 25″. Overall: 23-1/2″ x 28-1/2″ CONDITION: Minor surface dirt and discolored varnish, otherwise, very good. 50443-6 (1,500-1,800) – Lot 1437

1438
$622.13

F.W. PROCTOR (American, 20th century) NAIVE WINTER VILLAGE SCENE.

Oil on board Housed in a contemporary gold painted wood frame Initialed lower right “FWP”, signed and inscribed on verso “F.W. Proctor Dover Plains N.Y.” SIZE: 18″ x 24″. Overall: 20-1/2″ x 27″ CONDITION: Board is slightly warped, surface dirt 50615-1 (1,000-1,500) – Lot 1438

1439
$948.00

C ROY MORSE (American, 1913) WINTER SPARKLES.

Oil on canvasboard Housed in a gilt fancy frame with gilt liner Signed lower right “C Roy Morse” SIZE: 16″ x 20″. Overall: 24-3/4″ x 28-3/4″ CONDITION: Very good 50732-11 (1,000-2,000) – Lot 1439

1440
$948.00

BERNARD COREY (American, 1914-2000) TWO WORKS: BARNS AND WOODED LANDSCAPE AND SNOWY LANDSCAPE WITH BARNS.

1) Oil on Masonite, housed in a fine carved wood and gilt frame, signed lower right “Bernard Corey” 2) Oil on canvas mounted to board, housed in a fine, gilt carved wood frame, signed lower right “Bernard Corey” SIZE: 1) 10″ x 14″. Overall: 14-3/4″ x 18-3/4″; 2) 8″ x 10″. Overall” 13-1/2″ x 15-1/2″ PROVENANCE: Purchased directly from the artist CONDITION: 1) Very good. 2) Very good. 50778-2 (1,200-1,800) – Lot 1440

1441
$948.00

BERNARD COREY (American, 1914-2000) “FIRST SNOW IN THE FIELDS”.

Oil on Masonite Housed in a giltwood frame with presentation plaque Signed lower right “Bernard Corey”, estate label on verso #BC210 SIZE: 7″ x 14″. Overall: 11-3/4″ x 12-3/4″ CONDITION: Very good to excellent 50519-5 (800-1,200) – Lot 1441

1442
$296.25

BERNARD COREY (American, 1914-2000) “BIRDS OVER FIELD”.

Oil on masonite Housed in a gilt wood modern frame Signed lower right “Bernard Corey” Having Estate label on verso with title SIZE: 8″ x 11-1/4″. Overall: 10-3/4″ x 14-3/4″ CONDITION: Very good 50896-2 (400-800) – Lot 1442

1443
$10,665.00

IRVING RAMSEY WILES (American, 1861-1948) “SUNLIT STUDIO”.

Oil on canvas Housed in a wide, carved wood and gilt frame with artist and title plaque. On verso is a Chapellier Galleries label with title and artist. Signed upper right “Irving R Wiles” SIZE: 25″ x 24″. Overall: 32-1/2″ x 31-3/4″ CONDITION: Very good. 50810-5 (3,000-5,000) – Lot 1443

1444
$2,370.00

FRANCIS LUIS MORA (American, 1874-1940) THE COLLECTORS.

Oil on canvas. Housed in its original gilt gesso decorated frame with gilt liner Signed lower right “F. Luis Mora” SIZE: 14″ x 12″. Overall: 21-1/2″ x 19-1/2″ CONDITION: Very good. 50847-1 (3,000-4,000) – Lot 1444

1446
$1,185.00

RUSSELL CHENEY (American, 1881-1945) FRENCH TOWN VIEW.

Oil on wood panel Housed in a gilt wood frame with some losses Signed lower left “Russell Cheney” SIZE: 15″ x 18″. Overall: 18″ x 21-1/4″ CONDITION: Slight warp to panel, surface dirt, otherwise very good. 50567-60 (800-1,200) – Lot 1446

1447
$948.00

JOHN RETTIG (American, 1855-1932) FERNEDING HOMESTEAD IN OLDENBURG, GERMANY.

Oil on canvas Housed in a gold painted carved wood frame Signed and dated lower left “John Rettig ’19”, bears Traxel Galleries, Cinncinnati label on verso. Note: A note affixed to back bears inscription “This is the home of Marianne Ferneding who married Dr. Clement Richard when she came to America. This house is in Thorst district of Oldenburg, Germany.” SIZE: 20″ x 24″. Overall: 27″ x 31″ CONDITION: Very good. 50567-23 (600-800) – Lot 1447

1448
$7,702.50

ADALBERT JOHANN VOLCK (German/American, 1828-1912) PORTRAIT OF GENERAL ROBERT E. LEE RIDING TRAVELER.

Oil on canvas Housed in a contemporary frame Signed and dated lower right “A.J. Volck 1872″ Note: Dr. Adalbert Johann Volck was a confederate sympathizer who published political illustrations in the Baltimore Sun during the Civil War. Much of the work he created during the Civil War was deliberately destroyed by the Union Army. Only a few of his sketches survive in the Pratt and Peabody Libraries’ special collections in Baltimore. He was a personal friend of General Robert E. Lee, thus created many sketches of the general. SIZE: 24″ x 22”. Overall: 27-1/2″ x 25-1/2″ PROVENANCE: George Rothwell Brown, Vienna, Virginia; by descent to Mr. & Mrs. Rothwell Hutton Brown, Virginia; By descent to current owner. CONDITION: Craquelure, spotty and discolored varnish, scattered retouch, pinholes and small patch on verso. 50359-1 (4,000-6,000) – Lot 1448

1449
$2,073.75

JOHN SWAN (American, 1948-) “BOARD MEETING”.

Watercolor Housed in a fine gilt molded wood frame with mat & glass Signed lower left “John Swan 91″ Small biography attached to verso SIZE: 13″ x 19”. Overall: 21″ x 27″ CONDITION: Very good, not examined out of frame 50853-1 (2,000-4,000) – Lot 1449

1450
$8,295.00

THOMAS R CURTIN (American, 1899-1977) HAZY MORNING, AUTUMN.

Oil on masonite Housed in a pine carved frame with linen & gold liner Signed lower left “Thos. R. Curtin” SIZE: 20″ x 30″. Overall: 27″ x 37″ PROVENANCE: Acquired directly from the artist in 1968, copy of typed & written note regarding these paintings accompanies the painting indicating this painting as #1 on the list with a location of the work being Binghamville CONDITION: Very good 50837-1 (6,000-9,000) – Lot 1450

1451
$5,036.25

THOMAS R. CURTIN (American, 1899-1977) “APPLE TREES”.

Oil on canvas Housed in barnboard frame Signed lower left “Thos. R. Curtin” SIZE: 20″ x 30″. Overall: 25-1/2″ x 35″ CONDITION: Very good 50520-2 (2,000-4,000) – Lot 1451

1452
$0.00

THOMAS R. CURTIN (American, 1899-1977) “BIRCHES”.

Oil on canvas Housed in a barnboard frame Signed lower left “Thos. R. Curtin” SIZE: 20″ x 24″. Overall: 27″ x 31″ CONDITION: Very good 50520-1 (2,000-4,000) – Lot 1452

1453
$2,962.50

THOMAS R. CURTIN (American, 1899-1977) BROOK IN WINTER.

Oil on canvasboard Housed in its original Thomas Curtin painted frame Signed lower left “T R Curtin” Copy of original receipt from the artist SIZE: 9″ x 12″. Overall: 12-1/2″ x 15-1/2″ PROVENANCE: Acquired directly from the artist in 1968, copy of typed & written note regarding these paintings accompanies the painting indicating this painting as #5 on the list with a location of the work being Mt. Mansfield CONDITION: Very good. 50838-2 (2,000-4,000) – Lot 1453

1454
$2,962.50

THOMAS R. CURTIN (American, 1899-1977) RED BARN WITH SILO.

Oil on canvasboard Housed in its original Thomas R.Curtin painted frame Signed lower left “Thos. R. Curtin” SIZE: 10″ x 14″. Overall: 13-1/2″ x 17-1/2″ PROVENANCE: Acquired directly from the artist in 1968, copy of typed & written note regarding these paintings accompanies the painting indicating this painting as #4 on the list with a location of the work being Cambridge/Jeffersonville CONDITION: Very good. 50838-1 (2,000-4,000) – Lot 1454

1455
$4,147.50

JOHN JOSEPH ENNEKING (American, 1841-1916) BOATERS, HYDE PARK.

Oil on canvas Housed in a giltwood frame Signed lower right “Enneking” SIZE: 18″ x 24″. Overall: 23-1/2″ x 29-3/4″ CONDITION: Good restored condition. Lined, with several areas of in-paint and scattered retouch. 50750-5 (3,500-5,500) – Lot 1455

1456
$0.00

ARTHUR VIDAL DIEHL (American, 1870-1929) CAPE COD BOAT YARD.

Oil on board Housed in a modern gilt wood frame Signed lower left “Arthur V Diehl” SIZE: 13-1/2″ x 21-3/4″. Overall: 19″ x 27″ CONDITION: Very good with minor touch up 50719-6 (3,000-5,000) – Lot 1456

1457
$2,666.25

JOHN WHORF (American, 1903-1959) STORM DRIVEN WAVES.

Watercolor Housed in a fine gilt modern wood frame with double mat Signed lower left “John Whorf 36″ SIZE: 12-1/4″ x 19-1/4”. Overall: 21-1/2″ x 28-1/2″ CONDITION: Very good, not examined out of frame 50718-5 (1,500-2,500) – Lot 1457

1458
$0.00

ARTHUR CLIFTON GOODWIN (American, 1864-1929) BOSTON HARBOR VIEW.

Oil on canvas Unframed Signed lower right “A.C. Goodwin” SIZE: 30″ x 42″ CONDITION: The painting is lined with restorations and appears to have had the surface scraped 50293-1 (2,000-4,000) – Lot 1458

1459
$2,073.75

WILLIS SEAVER ADAMS (American, 1844-1921) PICKING APPLE BLOSSOMS.

Oil on canvas Housed in a period carved giltwood frame, bearing presentation plaque that reads “Willis Adams” Signed lower left “W Adams” SIZE: 22-1/4″ x 37-1/2″. Overall: 35″ x 50″. CONDITION: Very good. Large craquelure, several paint losses upper center and lower right, area of restoration corresponding to red pigment on verso 50216-1 (1,500-3,000) – Lot 1459

1460
$2,310.75

ERNEST LONGFELLOW (American, 1845-1921) “HAYSTACKS, NEWBURYPORT, MASS”.

Oil on canvas Housed in a carved and molded giltwood frame Signed lower right “Ernest Longfellow” and inscribed on verso frame “Ernest Longfellow/Haystacks, Newburyport, MA”, also inscribed on verso stretcher “Property of H.N.L.” Note: Ernest Longfellow was a Massachusetts landscape painter and the son of poet Henry Wadsworth Longfellow. He and his wife Hattie (Spellman) Longfellow later had homes in Manchester-by-the-Sea and Cambridge, Massachusetts. His family home, now Longfellow National Historic Site, is under the management of the National Park Service (2003) and has extensive Longfellow family papers and the largest repository of Ernest W. Longfellow’s art with hundreds of his drawings and paintings from childhood through adult works of art. Longfellow studied in Paris with Leon Bonnat and Thomas Couture and in the United States had exhibition venues that included the Boston Art Club, Brooklyn Art Association, National Academy of Design, and the Pennsylvania Academy. [source: www.askart.com] SIZE: 9″ x 13″. Overall 15-1/4″ x 19″ CONDITION: Very good to excellent 50298-2 (1,000-1,500) – Lot 1460

1461
$948.00

C MYRON CLARK (American, 1858-1925) BRIDGE IN THE FENS, BOSTON.

Oil on canvas Housed in an ornate period giltwood frame Signed and dated lower right “C Myron Clark 1907”; together with a framed antique photograph of the bridge Note: The painting, depicting a bridge located in the Boston park known as the “Fens”, was commissioned by the grandparents of the current owner in 1907. The child standing on the bridge in the photograph is purportedly the grandfather. The Fens is a park between the Museum of Fine Arts and Fenway Park originally designed by landscape architect, Frederick Law Olmsted to serve as a link to the Emerald Necklace park system. SIZE: 18″ x 24″. Overall: 30″ x 36″ PROVENANCE: By descent within the family of the original owner CONDITION: Flake losses along bottom with 1/4″ hole upper left with loss. 50417-1 (800-1,200) – Lot 1461

1462
$6,517.50

JOHN WHORF (American, 1903-1959) “MORNING WIND, POINT GENOR”.

Watercolor Housed in a fine carved & gilt modern frame with white mat Signed lower right “John Whorf” Verso with two labels, one from Vose Galleries of Boston, the other Meredith Long & Co., Houston SIZE: Sight: 14-1/2″ x 22-1/4″. Overall: 24-1/2″ x 32″ CONDITION: Very good, not examined out of frame 50719-8 (5,000-7,000) – Lot 1462

1463
$4,147.50

JOHN WHORF (American, 1903-1959) SUN BATHERS ON THE ROCKS.

Double sided watercolor on paper Housed under glass in a fine giltwood frame with mat Signed lower right “John Whorf”, inscribed on verso “This side no good” Note: This double sided watercolor features three women enjoying a summer day by the sea on the front, with a graphic World War I scene on the verso. The three women relaxing in a rocky coastal scene is in stark contrast with the view on the verso of a World War I gunner in the heat of battle with glowing fire in the distance on the verso. he artist makes for an interesting commentary “This side no good” SIZE: Sight: 15″ x 21″. Overall: 23″ x 29″ CONDITION: Very good, not examined out of frame 50875-1 (4,000-6,000) – Lot 1463

1464
$0.00

JOHN WHORF (American, 1903-1959) MOTHER & CHILD BATHING AND YELLOW HOUSE (DOUBLE SIDED).

Watercolor Housed in a fine carved & gilt frame with double mats & plexiglass having artist plaque Signed lower right “John Whorf” NOTE: Back side has plexiglass for viewing SIZE: Sight: 21″ x 14″. Overall: 27″ x 21″ CONDITION: Very good 50719-9 (4,000-6,000) – Lot 1464

1465
$0.00

ALEXIS JEAN FOURNIER (American, 1865-1948) MOONLIT LANDSCAPE.

Oil on canvas Housed in a fine, carved and gilt frame, having Newcomb-Macklin Co. frame makers label Unsigned SIZE: 25″ x 30″. Overall: 31″ x 36″ CONDITION: Very good. 50811-4 (2,000-3,000) – Lot 1465

1466
$474.00

PATRICK VINCENT BERRY (American, 1852-1922) FIGURES IN A PASTORAL LANDSCAPE.

Oil on canvas Housed in a giltwood frame Signed lower left “P.V. Berry.” SIZE: 18″ x 30″. Overall: 24-1/2 x 36-3/4″ CONDITION: Lined, with scattered restoration in craquelure and several small areas 50621-12 (1,500-2,500) – Lot 1466

1467
$2,488.50

WILLIAM R. DAVIS (American, 1952-) “SNOW SQUALLS”.

Oil on board Housed in a fine gilt wood frame Signed lower left “W Davis” Signed, titled, & dated “2014” on verso SIZE: 10″ x 8″. Overall: 13-1/2″ x 11-1/2″ CONDITION: Very good to excellent 50868-3 (1,500-2,500) – Lot 1467

1468
$0.00

CHARLES HENRY MILLER (American, 1842-1922) LANDSCAPE WITH FIGURE, COWS AND CHURCH.

Oil on canvasboard Housed in a decorative gold frame Signed lower left “Chas H. Miller N.A.” and dated lower right 1919 SIZE: 12″ x 16″. Overall: 15-1/2″ x 19-1/2 CONDITION: Good. Surface dirt, thin paint layer throughout background. 50806-5 (1,000-2,000) – Lot 1468

1469
$2,370.00

WILLIAM R. DAVIS (American, 1952-) “REFLECTIONS”.

Oil on board Housed in a good gilt wood modern frame Signed lower left “W Davis” Signed, titled & dated “2015” on verso SIZE: 6″ x 8″. Overall: 9-1/2″ x 11-1/2″ CONDITION: Very good to excellent 50868-2 (1,000-1,500) – Lot 1469

1470
$711.00

WILLIAM R DAVIS (American, 1952-) “STILLNESS”.

Oil on board Housed in a decorative gilt & black wood frame Signed lower left “W Davis” Signed & titled on verso SIZE: 5″ x 7″. Overall: 10″ x 12″ CONDITION: Very good to excellent 50732-13 (1,000-2,000) – Lot 1470

1471
$1,185.00

BERNARD COREY (American, 1914-2000) SUMMER PASTIME.

Oil on canvas mounted to panel Housed in a fine, carved wood gilt frame Signed lower right “Bernard Corey” SIZE: 9-1/2″ x 14″. Overall: 14-1/4″ x 18-3/4″ PROVENANCE: Purchased directly from the artist CONDITION: Very good. 50778-4 (1,000-1,500) – Lot 1471

1472
$1,066.50

BERNARD COREY (American, 1914-2000) RED BARNS WITH A BACKDROP OF THE PRESIDENTIAL RANGE.

Oil on Masonite Housed in a good, carved wood gilt frame Signed lower right “Bernard Corey” SIZE: 8″ x 12″. Overall: 12-3/4″ x 16-3/4″ PROVENANCE: Purchased directly from the artist CONDITION: Very good. 50778-3 (1,000-1,500) – Lot 1472

1473
$948.00

BERNARD COREY (American, 1914-2000) NEW ENGLAND DAIRY FARM.

Oil on canvas, mounted to panel Housed in a good carved wood and gilt frame Signed lower right “Bernard Corey” SIZE: 10-1/4″ x 14″. Overall: 15″ x 19″ PROVENANCE: Purchased directly from the artist CONDITION: Very good. 50778-1 (800-1,200) – Lot 1473

1474
$592.50

BERNARD COREY (American, 1914-2000) “THE LITTLE RED BARN”.

Oil on Masonite Housed in grey painted frame with linen liner Signed lower right “Bernard Corey”, titled on Rockport Art Association Showroom exhibition label affixed to verso SIZE: 10″ x 16″. Overall: 17-1/2″ x 23-1/2″ CONDITION: Very good to excellent 50652-6 (800-1,200) – Lot 1474

1475
$2,962.50
Revised: 8/18/2016

Please Note: Due to a typographical error, the estimate should be $1,500-$2,000.

MARTHA CAHOON (American, 1905-1999) SKATING UNDER THE MOON WITHIN THE CITY.

Oil on wood panel Unframed Signed on reverse “Martha Cahoon 1984″ SIZE: 11-1/4″ x 18-3/4” CONDITION: Very good to excellent 50893-10 (1,000-1,500) – Lot 1475

1476
$0.00

MARTHA CAHOON (American, 1905-1999) VASE OF FLOWERS.

Oil on masonite Housed in a linen covered white frame Signed lower right “Martha Cahoon” SIZE: Sight: 15-1/4″ x 10-1/4″. Overall: 17-1/2″ x 12-1/2″ CONDITION: Very good 50893-4 (1,000-1,500) – Lot 1476

1477
$0.00
Revised: 8/18/2016

Please Note: Due to a typographical error, the estimate should be $500-$1,000.

MARTHA CAHOON (American, 1905-1999) DRUMMER BOY.

Crayon Housed in a decorative wood frame with blue mat Signed lower right “Martha Cahoon 1987″ SIZE: Sight: 13-1/2″ x 9-1/2”. Overall: 21″ x 17″ CONDITION: Very good 50893-3 (400-800) – Lot 1477

1478
$2,073.75
Revised: 8/18/2016

Please Note: Due to a typographical error, the estimate should be $1,500-$2,500

MARTHA CAHOON (American, 1905-1999) A CHRISTMAS SCENE.

Oil on masonite Housed in a gold & black wood frame Signed lower right “Martha Cahoon 76″ SIZE: 16″ x 20”. Overall: 20″ x 24″ CONDITION: Very good 50893-2 (1,000-1,500) – Lot 1478

1479
$2,370.00

WALT KUHN (American, 1877-1949) CLOWN.

Charcoal Housed under glass in modern giltwood frame with linen mat Initialed and dated lower right “WK 45″ SIZE: 15-1/4″ x 11”. Overall: 26″ x 21″ CONDITION: Overall good, with minor paper toning and three hole punches along left margin 50336-2 (1,500-2,000) – Lot 1479

1480
$2,962.50

ROBERT BLISS (American, 1925-1981) THE OSTRACIZED BOY.

Oil on board Housed in a modern gold and green painted wood frame Signed lower left “RBliss” SIZE: 29″ x 22″. Overall: 31-1/2″ x 35″: CONDITION: Shrinkage cracks mostly in left green area, otherwise very good. 50558-2 (800-1,200) – Lot 1480

1481
$414.75

ROBERT BLISS (American, 1925-1981) PORTRAIT OF A BOY’S HEAD.

Oil on Masonite Housed in a contemporary wood frame Signed lower right “RBliss” and dated illegibly, Williams Bookstore, Williamstown, Massachusetts label on verso. SIZE: 22″ x 17″. Overall 25-1/2″ x 20″ CONDITION: Restoration and surface dirt. 50558-3 (700-900) – Lot 1481

1482
$4,147.50

ROBERT BLISS (American, 1925-1981) SEATED BOY.

Oil on Masonite Housed in a gray painted oval frame Signed lower right “RBliss” SIZE: 10″ x 8″. Overall: 12-1/2″ x 10-1/2″ CONDITION: Very good, with minor surface dirt. 50558-1 (700-900) – Lot 1482

1483
$2,962.50

THOMAS HART BENTON (American, 1889-1975) “NIGHT FIRING”.

Lithograph Housed in a hinged mat Signed lower right in pencil “Benton” SIZE: 12-1/2″ x 15-1/2″. Overall: 16″ x 20″ CONDITION: Very good to excellent 50719-11 (2,000-3,000) – Lot 1483

1484
$2,488.50

THOMAS HART BENTON (American, 1889-1975) ISLAND HAY.

Lithograph on paper Housed in a good gilt wood frame with ivory mat Signed lower right in pencil “Benton” SIZE: Sight: 10-1/4″ x 13″. Overall: 18-3/4″ x 20″ CONDITION: Very good, not examined out of frame 50719-12 (1,500-2,500) – Lot 1484

1485
$296.25

JOHN SLOAN (American, 1871-1951) MOTHER AND CHILD IN WINDOW, GREETINGS 1915.

Etching Housed under glass in modern frame with white mat Signed in pencil lower right “John Sloan”, plate inscribed “Greetings….1915/From Dolly and John Sloan-” SIZE: Plate: 3-3/4″ x 2-1/4″. Overall: 10-1/4″ x 8-1/2″ CONDITION: Good, with toning to paper (not examined out of frame) 50477-5 (500-700) – Lot 1485

1486
$592.50

REGINALD MARSH (American, 1898-1954) “HUBER’S MUSEUM”.

Lithograph on Chine appliqué Housed under glass in modern frame with white mat Signed in pencil lower right “Reginald Marsh”, inscribed in pencil lower left “35 proofs”, c. 1928 [Sasowsky 14] SIZE: 8-1/2″ x 13-1/4″. Overall: 16″ x 20-3/4″ CONDITION: Discoloration and spotting (not examined out of frame). 50477-4 (1,000-1,500) – Lot 1486

1487
$829.50

REGINALD MARSH (American, 1898-1954) BURLESQUE RUNWAY.

Etching Housed under glass in modern frame with linen mat Signed in pencil lower right “Reginald Marsh” SIZE: Plate: 4-7/8″ x 6-5/8″. Overall: 12-1/2″ x 14-1/4″ CONDITION: Good, impression is weak (not examined out of frame) 50477-3 (1,000-1,500) – Lot 1487

1488
$1,896.00

REGINALD MARSH (American, 1898-1954) WOMAN READING ON THE EL.

Etching Housed under glass in modern frame with white mat Signed in pencil lower right “Reginald Marsh” and numbered lower left “3/50″ SIZE: Plate: 3-7/8″ x 4-7/8”. Overall: 9-1/2″ x 10″ CONDITION: Very good, paper toned from sun exposure. (not examined out of frame) 50477-2 (1,000-1,500) – Lot 1488

1489
$533.25

REGINALD MARSH (American, 1898-1954) TWO PRINTS.

Including: 1) “Huber’s Museum”, lithograph, Sasowsky edition #14, c. 1928; Housed under glass in wood frame with mat; Signed in pencil lower right “Reginald Marsh” and inscribed lower left “35 proofs” 2) “Coney Island Beach”, etching, Sasowsky edition #159, c. 1935; published by the American Associated Artists group; Housed under glass in black frame with white mat; Unsigned SIZE: 1) 8-1/2″ x 13-1/2″. Overall: 17″ x 22″ 2) 8-3/4″ x 11-3/4″. Overall: 17-1/2″ x 21-1/4″ CONDITION: Both in very good condition (not examined out of frame) 50586-5 (100-200) – Lot 1489

1490
$0.00

BENTON MURDOCH SPRUANCE (American, 1904-1967)”NEWTON TOWERS”.

Lithograph Housed under glass in black frame with white mat Signed in pencil lower right “Spruance” SIZE: Sight: 10-1/4″ x 7-1/2″. Overall: 18-1/2″ x 15-1/2″ CONDITION: Very good, not examined out of frame 50488-7 (500-800) – Lot 1490

1491
$474.00

FRANK W. BENSON (American, 1862-1951) “ESSEX COUNTY ORNITHOLOGICAL CLUB 1916”.

Etching Housed in a black frame, matted under glass Signed and inscribed lower left “Frank W. Benson. To George Proctor”, bears Guild of Boston Artists label on verso SIZE: Plate: 9″ x 6-7/8″. Overall: 17-1/2″ x 14-1/2″ CONDITION: Very good, with minor discoloration (not examined out of frame) 50574-5 (800-1,200) – Lot 1491

1493
$6,517.50

EDMUND DARCH LEWIS (American, 1835-1910) LITTLE RIVER, STOWE, VERMONT.

Oil on canvas Housed in a period giltwood frame Signed lower right “Edmund D. Lewis 18…”, verso canvas stenciled “Earles Galleries, Philadelphia” SIZE: 30″ x 20″. Overall: 42″ x 31-1/2″ CONDITION: Good, with four small and one large patch on verso with corresponding restoration. 50589-1 (4,000-6,000) – Lot 1493

1494
$2,962.50

MARIAN PARKHURST SLOAN (American, 1876-1954) “BROOK IN POWNAL”.

Oil on canvas Housed in a fine, gilt gesso decorated frame with some gilt losses Partial Doll & Richards, Inc. Newbury St., Boston, MA label affixed to verso indicating artist, title & medium (a copy of the full label accompanies the work) Pencil title to stretcher Signed lower right “Marian P Sloan” SIZE: 26″ x 32″. Overall: 33-1/4″ x 39-1/2″ CONDITION: Very good 50824-7 (3,000-5,000) – Lot 1494

1495
$2,014.50

JAMES KING BONNAR (American, 1883-1961) WINTER LANDSCAPE, VERMONT.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “James King Bonnar” SIZE: 18″ x 24″. Overall 24-1/2″ x 30-1/2″ CONDITION: Very good to excellent 50298-6 (2,000-4,000) – Lot 1495

1496
$1,659.00

BENJAMIN CHAMPNEY (American, 1817-1907) “VIEW TOWARDS WHITE MOUNTAINS (VIEW IN MAINE)”.

Oil on Academy Board Housed in a period, possibly original decorated gilt frame Signed likely lower left under rock “B C 67 (?)” SIZE: 6″ x 10″. Overall: 11-1/2″ x 15-1/4″ CONDITION: Very good. 50753-11 (1,000-1,500) – Lot 1496

1497
$1,125.75

HARRISON BIRD BROWN (American, 1831-1915) CLIFFS OF THE COAST OF MAINE.

Oil on canvas Housed in its original carved & gilt frame Signed lower right “H B Brown 77″ SIZE: 13″ x 11”. Overall: 16-3/4″ x 15″ PROVENANCE: Sotheby’s, NY, 3/17/88 CONDITION: One small patch to verso, good 50733-1 (1,500-2,500) – Lot 1497

1498
$2,133.00

DAVID TUTWILER (American, 1952-)TRAIN TRAVELING THROUGH CRAWFORD NOTCH, NH.

Oil on canvas Housed in a fine, decorated wood frame with white linen liner Signed and date lower left “David Tutwiler 96″ SIZE: 24″ x 30”. Overall: 28-3/4″ x 24-3/4″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good. 50749-1 (1,500-3,000) – Lot 1498

1499
$0.00

AMERICAN SCHOOL (American, 19th Century) LANDSCAPE IN MORNING LIGHT.

Oil on canvas Unframed Signed and dated lower right “Geppi 82.” SIZE: 22″ x 36″ CONDITION: Lined, with large restored tear with in-paint 50750-10 (800-1,200) – Lot 1499

1500
$1,481.25

GEORGE E NILES (American, 1837-1898) “MT MONADNOCK, N.H.”.

Oil on board Housed in a modern gilt decorated frame having artist title plaque having alternate title “Scene in New Hampshire” Signed lower left “Niles” SIZE: 6-1/2″ x 8-1/2″. Overall: 10″ x 12″ CONDITION: Very good 50753-13 (600-800) – Lot 1500

1501
$0.00

MOUNTFORT COOLIDGE (American, 1888-1954) LIGHTHOUSE, PALM BEACH.

Oil on canvas Housed in a contemporary giltwood frame Unsigned, estate stamped on stretcher “From the Estate of Mountfort Coolidge” SIZE: 30″ x 34″. Overall: 35″ x 39″ CONDITION: Very good, with minor flake losses along upper right edge. 50336-3 (1,500-2,500) – Lot 1501

1502
$4,266.00

WILLIAM R. DAVIS (American, 1952-) “MOONLIGHT OVER INDIAN RIVER, FL”.

Oil on masonite Housed in a partial gilt fancy frame with wood liner Signed lower left “William R Davis” Signed, titled & dated “2008” on verso SIZE: 16″ x 20″. Overall: 23-1/2″ x 27-1/2″ CONDITION: Very good to excellent 50732-12 (3,000-5,000) – Lot 1502

1503
$1,066.50

SIGNED (C.F. P_?) (American, 19th Century) SHARECROPPERS CABIN.

Oil on canvas Housed in an antique frame Signed lower right indistinctly C.F. Plai?? NOTE: Appears to be last half of the 19th Century very much in the style of William A. Walker SIZE: 10″ x 14″. Overall: 14″ x 18″ CONDITION: All over craquelure, otherwise good 50641-33 (800-1,200) – Lot 1503

1504
$0.00

GIUSEPPE CADENASSO (Italian/American, 1858-1918) LANDSCAPE WITH MARSH.

Oil on canvas Housed in a giltwood frame Signed lower left “G Cadenasso” SIZE: 15″ x 22″. Overall: 22″ x 29-1/2″ CONDITION: Good, restored condition. Lined, with minor touch up. 50750-13 (3,000-5,000) – Lot 1504

1505
$3,555.00

ANNE CONGDON (American, 1873-1958) SCHOONER AT DOCK.

Oil on board Housed in a gold decorated frame Unsigned front, but having a chalk inscription on back “Congdon”, also having a Wadsworth, Howland & Co, Boston label SIZE: 10″ x 14″. Overall: 12-1/2″ x 16-1/2″ CONDITION: Very good. 50796-2 (4,000-6,000) – Lot 1505

1506
$4,740.00

CHARLES BRIDGMAN VICKERY (American, 1913-1998)TALL SHIP.

Oil on canvas Housed in a modern gilt frame with linen and gilt edge liner Signed lower right “Charles Vickery” SIZE: 20″ x 30″. Overall: 24-1/2″ x 34-1/2″ CONDITION: Very good. 50858-1 (2,500-3,500) – Lot 1506

1507
$1,540.50

HENRY BAYLEY SNELL (American, 1858-1943) BEACHED BOAT.

Oil on canvas board Housed in an early 20th century molded frame Signed lower left “H. Snell” SIZE: 9-1/2″ x 11-1/2″. Overall: 13″ x 15″ CONDITION: Very good, with minor touch up in sky. 50847-8 (2,000-3,000) – Lot 1507

1508
$0.00

GEORGE LOFTUS NOYES (American, 1864-1954) SAILING THE INLETS.

Oil on canvas Housed in a stained wood frame with painted liner Signed lower right “G L Noyes” SIZE: 12″ x 15″. Overall: 16-3/4″ x 19-3/4″ CONDITION: Some small touch ups, very good 50301-3 (2,000-3,000) – Lot 1508

1509
$1,066.50

WALTER FARNDON (American, 1876-1964) “THE GREEN SCHOONER”.

Watercolor on paper Housed under glass in a fine giltwood frame with a presentation plaque. Signed lower left “Walter Farndon N.A.” SIZE: 18″ x 25″. Overall: 27-1/4″ x 37-1/4″ CONDITION: Very good, not examined out of frame. 50488-2 (1,500-2,500) – Lot 1509

1510
$3,555.00

WILLIAM R. DAVIS (American, 1952-) “MORNING FISHERMAN”.

Oil on board Housed in a good gilt modern frame Signed lower left “W Davis” Signed & titled on verso SIZE: 6″ x 8″. Overall: 9-1/2″ x 11-1/2″ CONDITION: Very good to excellent 50868-1 (1,000-1,500) – Lot 1510

1511
$1,540.50

JOHN INGERSOLL COGGESHALL (American, 1856-1927) “DRYING SAILS”.

Oil on canvas Housed in a Robey-French giltwood frame Signed and dated lower right “John I. Coggeshall 1897″, titled on a Boston Art Club Exhibition label affixed to verso canvas SIZE: 30″ x 24”. Overall: 42″ x 35-1/2″ CONDITION: Very good, with minor surface dirt. 50417-2 (1,200-1,800) – Lot 1511

1512
$711.00

EDWIN FLETCHER (English, 1857-1945) SHIPS IN HARBOR AT SUNRISE.

Oil on canvas Housed in a period giltwood frame Signed lower left “E. Fletcher” SIZE: 16″ x 24″. Overall: 24-1/2″ x 32″ PROVENANCE: Estate of Siro R. Toffolon of Old Lyme, CT. CONDITION: Good, with craquelure, discolored varnish, stretcher marks and restoration in sky 50335-3 (1,000-1,500) – Lot 1512

1513
$1,777.50

GORDON HOPE GRANT (American, 1875-1926) TRANQUIL HARBOR COVE.

Watercolor on paper Housed in a fine, molded wood frame with wide painted mat Signed lower left “Gordon Grant” SIZE: Sight size: 14-1/2″ x 21-1/2″. Overall: 29″ x 32-3/4″ CONDITION: Very good. 50858-2 (800-1,200) – Lot 1513

1514
$0.00

FREDERICK JUDD WAUGH (American, 1861-1940) WAVES CRASHING INTO TIDAL POOLS.

Oil on canvasboard Housed in a partial gilt fancy frame with painted liner Signed lower right “Waugh” SIZE: 12″ x 16″. Overall: 18-1/2″ x 22-1/2″ CONDITION: Some surface dirt, good 50305-3 (3,000-5,000) – Lot 1514

1515
$0.00

FRANK F ENGLISH (American, 1854-1922) “CUTTING THE WHEAT”.

Watercolor on board Housed in a fine carved wood gilt frame, with gilt liner behind glass having title and artist plaque Signed lower left “F. F. English” SIZE: 18″ x 27-1/2″. Overall: 24-1/2″ x 34-1/2″ CONDITION: Very good, one small foxing spot above mountain. 50805-6 (2,000-3,000) – Lot 1515

1516
$3,555.00

THOMAS HEWES HINCKLEY (American, 1813-1896) PASTORAL LANDSCAPE WITH COWS.

Oil on canvas Housed in a giltwood frame Signed and dated lower center “T.H. Hinckley 1851″ SIZE: 14-1/2″ x 20”. Overall: 22-1/4″ x 28-1/2″ CONDITION: Good, restored, lined, with retouch in clouds 50625-1 (3,000-5,000) – Lot 1516

1517
$2,666.25

ROBERT ATKINSON FOX (American, 1860-1935) PORTRAIT OF A COW.

Oil on canvas Housed in a modern gilt wood frame Signed lower right “R Atkinson Fox” SIZE: 18″ x 28″. Overall: 21″ x 31″ PROVENANCE: From a fine Maine home CONDITION: One patch to verso, some scattered inpainting, very good 50867-12 (2,500-3,500) – Lot 1517

1518
$0.00

J. FOXCROFT COLE (American, 1837-1892) RIVER LANDSCAPE.

Oil on canvas Housed in a 20th century giltwood frame Signed lower left “J. Foxcroft Cole” SIZE: 22″ x 30″. Overall: 30-1/2″ x 38″ CONDITION: Good, restored condition, lined 50624-2 (3,000-5,000) – Lot 1518

1519
$0.00

J. FOXCROFT COLE (American, 1837-1892) PASTORAL LANDSCAPE.

Oil on canvas Housed in a period carved giltwood frame Signed lower right “J. Foxcroft Cole” SIZE: 18-1/2″ x 26″. Overall: 28″ x 36″ CONDITION: Good restored condition, lined with touch up in craquelure 50624-1 (3,000-5,000) – Lot 1519

1520
$4,443.75

JOHN FERY (American, 1859-1934) MOOSE AT SUNSET.

Oil on board Housed in a carved and painted wood frame Signed lower right “J. Fery”, bears round label on verso frame from “J.G. Krumbholz Fine Arts, Milwaukee” SIZE: 8-1/2″ x 14″. Overall: 14-1/2″ x 19-1/2″ CONDITION: Very good 50567-22 (2,000-3,000) – Lot 1520

1520A
$0.00

ATTRIBUTED TO PHILIP RUSSELL GOODWIN (American, 1882-1935) MOOSE IN MAINE LANDSCAPE.

Unsigned Oil on Canvas Housed in a period gold gesso decorated frame Similar to Carl Rungius’s famous painting “Monarch of the Glen” SIZE: 24″ x 38″ CONDITION: A couple of small damages, most notably in the upper left corner in the forest 49421-57 (2,500-3,500) – Lot 1520A

1521
$948.00

MIKE GRAVES (American, 1952-) WINTER FARM.

Oil on canvas Housed in a gilt ribbed wood frame Signed lower right “Mike Graves” SIZE: 20″ x 24″. Overall: 24-1/2″ x 28-1/2″ CONDITION: Very good 50732-8 (1,000-2,000) – Lot 1521

1522
$0.00

CHARLES GORDON HARRIS (American, 1891-1963) LINCOLN, RHODE ISLAND QUARRY.

Oil on canvasboard Housed in a carved & gilt wood frame branded “Goodnow” Signed lower right C Gordon Harris SIZE: 12″ x 14″. Overall: 18″ x 20″ CONDITION: Very good 50732-19 (1,000-1,500) – Lot 1522

1523
$474.00

FRANCIS DIXON (American, 1879-1967) CONNECTICUT WINTER VIEW.

Oil on masonite Housed in a modern carved & gilt wood frame Signed lower left “Francis Dixon” SIZE: 8″ x 10″. Overall: 12-1/2″ x 14-1/2″ CONDITION: Very good to excellent 50732-14 (800-1,200) – Lot 1523

1524
$0.00

THEODORE TIHANSKY (American, 20th century) “RELAXING AT THE TRAILING YEW”.

Oil on canvas Housed in a giltwood frame Signed lower right “Theodore Tihansky” SIZE: 22″ x 48″. Overall: 45″ x 35″ CONDITION: Very good 50547-3 (1,500-2,500) – Lot 1524

1525
$948.00

THEODORE TIHANSKY (American, 20th century) “RITAS HOUSE”.

Oil on canvas Housed in a giltwood frame Signed lower left “Theodore Tihansky” SIZE: 36″ x 36″. Overall: 45″ x 45″ CONDITION: Very good 50547-2 (1,500-2,500) – Lot 1525

1526
$296.25

THEODORE TIHANSKY (American, 20th century) “THE VAUGHN HOUSE”.

Oil on canvas Housed in a modern giltwood frame Signed lower left “Theodore Tihansky” SIZE: 26″ x 36″. Overall: 31″ x 57″ CONDITION: Very good 50547-1 (1,000-2,000) – Lot 1526

1527
$829.50

GUSTAVE WIEGAND (American, 1870-1957) CASCADING WATERFALL.

Oil on canvas Housed in a giltwood frame Signed lower right “Gustave Weigand” and inscribed on verso stretcher “Gustave Weigand” SIZE: 20″ x 16″. Overall: 25-1/2 x 21-1/2″ CONDITION: Very good, with small flake loss upper left edge and minor craquelure in white pigment. 50265-26 (1,000-1,500) – Lot 1527

1528
$1,599.75

GEORGE M BRUESTLE (American, 1871-1939) LANDSCAPE OF FARMHOUSE.

Oil on canvas Housed in a carved giltwood frame Signed lower right “G.M. Bruestle” SIZE: 12″ x 16″. Overall: 17″ x 21″ CONDITION: Craquelure, scattered inpainting across sky, inpainting to upper right cloud area 50621-10 (2,000-3,000) – Lot 1528

1529
$1,481.25

EVERETT WARNER (American, 1877-1963) HILLSIDE FARM.

Oil on board Housed in a fine gilt wood frame with linen liner Signed lower right “Everett Warner” SIZE: 12-1/2″ x 16″. Overall: 18-1/4″ x 21-3/4″ CONDITION: Very good 50886-3 (1,500-2,500) – Lot 1529

1530
$474.00

EVERETT WARNER (American, 1877-1963) WESTERN MOUNTAIN LANDSCAPE.

Oil on board Housed in a modern giltwood frame Signed lower left “Everett Warner” SIZE: 12-1/2″ x 15-3/4″. Overall: 15-1/4″ x 18-3/4″ CONDITION: Very good to excellent 50652-20 (800-1,200) – Lot 1530

1531
$474.00

EVERETT WARNER (American, 1877-1963) “INYO MOUNTAINS, CALIFORNIA”.

Oil on board Housed in modern giltwood frame Signed lower right “Everett Warner”, titled in pencil on verso “Inyo Mountains Cal.” SIZE: 12-1/4″ x 16″. Overall: 15″ x 18-3/4″ CONDITION: Very good to excellent 50652-18 (800-1,200) – Lot 1531

1532
$474.00

EVERETT WARNER (American, 1877-1963) “MT. WHITNEY”.

Oil on board Housed in a modern giltwood frame Signed lower right “Everett Warner” SIZE: 12-1/4″ x 15-3/4″. Overall: 15-1/4″ x 18-3/4″ CONDITION: Very good to excellent 50652-19 (800-1,200) – Lot 1532

1533
$2,073.75

JULIAN WALBRIDGE RIX (American, 1850-1903) WOODLAND STREAM.

Oil on paper laid down on board Housed in period molded gesso and giltwood frame Signed lower right “J Rix” Bears collector’s label on verso inscribed “Property of Marion Connolly Reynolds, July 10-1947″ SIZE: 12″ x 10”. Overall: 21-1/2″ x 20″ PROVENANCE: Marion Connolly Reynolds CONDITION: Very good, with only minor touch up. 50847-2 (1,200-1,800) – Lot 1533

1534
$948.00

ALFRED THOMPSON BRICHER (American, 1837-1908) WOMAN SEATED IN PARK SETTING.

Watercolor on paper Housed in a modern gilt frame with two mats Signed lower left with cojointed first initials “ATBricher” SIZE: 10″ x 7″. Overall: 15-1/2″ x 12-1/4″ CONDITION: Very good. 50753-10 (1,500-2,500) – Lot 1534

1535
$1,185.00

AFTER JOHN JAMES AUDUBON (American, 1785-1851) “PLATE CLXXVI NO. 36; SPOTTED GROUSE”.

Hand colored engraving with aquatint Housed in a burl decorated wood modern frame with white mat (hinge mounted under mat) NOTE: Examined out of frame. Print contains a Whatman Watermark R. Havell 1833 SIZE: 25-1/2″ x 38″. Overall: 33″ x 45-1/4″ CONDITION: Some light wrinkling at edges, light toning on area under mat, very good 50574-2 (3,000-5,000) – Lot 1535

1536
$0.00

AFTER JOHN JAMES AUDUBON (American, 1785-1851) “PLATE 99; NO. 20; COW BUNTING”.

Hand-Colored engraving and aquatint Housed in a modern gilt frame with wide white mat (our consignor has informed us that the margin was kept approx. 27-1/2″ x 39-1/2″) R. Havell, 1830 SIZE: Sight: With in mat: 13-1/2″ x 21″. Overall: 30-1/2″ x 42-1/2″ CONDITION: Very good, not glued down, not examined out of frame 50718-12 (500-1,000) – Lot 1536

1537
$296.25

AFTER JOHN JAMES AUDUBON (American, 1785-1851) “PLATE CCCLXXXVIII; NO. 78, NUTTALL’S STARLING; YELLOW-HEADED TROOPIAL; BULLOCK’S ORIOLE”.

Hand colored engraving with aquatint Housed in a fine modern gilt frame with wide linen mat and inner black mat R. Havell edition, 1837 SIZE: Sight: 19-1/4″ x 12-1/4″. Overall: 32-1/2″ x 24-3/4″ CONDITION: Very good, not examined out of frame 50718-13 (500-1,000) – Lot 1537

1538
$2,962.50

JOHN JAMES AUDUBON (American, 1785-1851) AMERICAN SPARROW HAWK.

Hand colored aquatint copper plate engraving on J. Whatman paper Housed under glass in black frame with gilt liner No. 29, Plate CXLII, titled “American Sparrow Hawk Falco Sparvertus. Linn Male 1. Female 2.” “Drawn from Nature by J.J. Audubon Engraved, printed and colored by R. Havell, London.” Note: From the large folio of Audubon’s Birds of America, London: Robert Havell, 1833. SIZE: Plate: 25-3/4″ x 20-1/2″. Sheet: 37-5/8″ x 25″. Overall: 41-3/4″ x 29″ CONDITION: Minor fading and several small fox marks in margin. J. Whatman watermark barely visible upper left in plate. Framed with full sheet visible, including margins, fixed to backing at corners (not examined out of frame, however, appears to be proper museum quality materials and professional framing) 50567-28 (2,500-3,500) – Lot 1538

1539
$355.50

AFTER JOHN JAMES AUDUBON (American, 1785-1851) QUADRUPED SERIES TWO WORKS: “PLATE CXIV, NO. 23; SPERMOPHILUS LATERALIS (SAY’S MARMOT SQUIRREL)” “PLATE LXXIV, NO 15; SCALLOPS BREWERII (BREWER’S SHREW MOLE)”.

Hand-Colored lithographs Both identically housed in gold & black wood frames with ivory mats Signed in plate “J.T. Bowen 1847” and “1845” SIZE: Sight: 19″ x 25-1/4″. Mat: 20-1/2″ x 27″. Overall; 22-1/2″ x 28-3/4″ CONDITION: Scallops Brewerii with repaired 3″ tear in corner, minor foxing, very good, not examined out of frame 50718-8 (1,000-2,000) – Lot 1539

1540
$592.50

AFTER JOHN JAMES AUDUBON (American, 1785-1851) QUADRUPED SERIES “PLATE CXXXII, NO 27; CANIS FAMILIARIS (HARE-INDIAN DOG)”.

Hand-Colored lithographs Housed in a black & gold wood frame with ivory mat Signed in plate “J.T. Bowen 1848″ SIZE: Sight: 19″ x 25-1/2″. Mat: 20-3/4″ x 27”. Overall: 22-1/2″ x 28-3/4″ CONDITION: Very good, not examined out of frame 50718-10 (1,000-2,000) – Lot 1540

1541
$474.00

AFTER JOHN JAMES AUDUBON (American, 1785-1851) QUADRUPED “PLATE LXXXVII; NO. 18; VULPES FULVUS (AMERICAN RED FOX)”.

Hand-Colored lithographs Housed in a modern wood frame with ivory mat Signed in plate J.T. Bowen 1846 SIZE: Sight: 20-1/4″ x 25-1/2″. Mat: 26-1/2″ x 31-1/2″. Overall: 28-1/2″ x 33-1/2″ CONDITION: Light foxing & age toning, otherwise very good, not examined out of frame 50718-11 (800-1,200) – Lot 1541

1542
$355.50

AFTER JOHN JAMES AUDUBON (American, 1785-1851) QUADRUPED SERIES TWO WORKS: “PLATE CXXXV, NO 27; ARVICOLA RICHARDSONII (RICHARDSON’S MEADOW MOUSE)” AND “PLATE XCIX, NO 20; SPERMOPHILUS LUDOVICIANUS (PRAIRIE DOG-PRAIRIE MARMOT SQUIRREL)”.

Hand-Colored lithographs Both housed in identical gold & black wood frames with ivory mats Signed in plate “J.T. Bowen 1846” and “1848” SIZE: Sight: 19″ x 25-1/2″. Mat: 20-3/4″ x 26-3/4″. Overall: 22-1/2″ x 28-3/4″ CONDITION: Very good, not examined out of frames 50718-9 (800-1,200) – Lot 1542

1543
$118.50

D G ELLIOT (19th Century) BIRD PRINT: “BRACHYRAMPHUS TEMMINCKII”.

Colored lithograph Housed in a period deep walnut molded wood frame with gold liner & double mats Signed in plate “D G Elliott” and “Bowen & Co. Philadelphia” SIZE: Sight: 16″ x 22″. Mat: 20-1/2″ x 26-1/2″. Overall: 25-3/4″ x 31-1/2″ CONDITION: Very good, not examined out of frame 50718-15 (300-500) – Lot 1543

1544
$592.50

ERIC THORSEN (American, 1967-) TWO WORKS: “LITTLE BROOKIE” & BIRD IN FLIGHT.

Polychrome bronze Both mounted to molded edge wood bases Signed “Eric Thorsen 1996 59/150” & “Eric Thorsen 2000 2/475″ SIZE: Total: 12″ h and 14-1/2” h CONDITION: Back top fin on brookie has chipping, otherwise very good 50512-12 (1,500-2,000) – Lot 1544

1545
$711.00

ROLAND CLARK (American, 1874-1957) TWO WORKS: HUNTER IN MARSH & TWO HUNTERS IN MARSH.

Etchings Housed in identical wood stained frames with white mats (age toned) Signed in pencil lower right “Roland Clark” SIZE: Sight: Both 7-3/4″ x 10-1/2″. Overall: Both 14″ x 16-1/2″ CONDITION: Age toning, otherwise good, not examined out of frames 50918-4 (400-600) – Lot 1545

1546
$355.50

CURRIER & IVES (Publisher, 19th Century) TWO WORKS: “WAKING UP THE OLD MARE” & “THE OLD MARE, THE BEST HORSE”.

Color lithographs, Circa 1881, after a painting by Scott Leighton Housed in their original black painted wood frames behind glass SIZE: Sight: 19-1/2″ x 26-1/2″. Overall: 22″ x 28″ CONDITION: Not examined out of frames, all over age toning, acid bleed lines & stains 50916-1 (800-1,200) – Lot 1546

1547
$1,481.25

CURRIER & IVES (Publisher, 19th Century) TWELVE HARNESS RACING SCENES.

Color lithographs Housed in identical black frames with inner liners & white mats Verso is a Museum of Fine Arts label indicating “mated in acid free board 3/80″ All dated in 1880’s & having full legends Lot includes: Johnston, Harry Wilkes, Axtell, Goldsmith Maid, Phallas, Maude S. & Aldine, Maude S., Guy, Sunol, Jay Ieye See, Belle Hamlin, & Nelson SIZE: Sight: 11-1/2″ x 15-1/2”. Overall: 15″ x 19″ CONDITION: Not examined out of frames, age toning, six generally very good, six with foxing & stains 50574-6 (2,000-3,000) – Lot 1547

1548
$2,488.50
Revised: 8/22/2016

Please Note: The artist’s dates are 1903-1983 not 1803-1883.

IVES BENOIST-GIRONIERE (French, 1803-1883) HORSE, SULKY & DRIVER.

Bronze Signed on base “Ives Benoist-Gironiere 5/8″ SIZE: 12″ h x 32″ l x 9” d PROVENANCE: Private Maine/Texas Collector CONDITION: Very good 50012-122 (1,000-2,000) – Lot 1548

1549
$237.00

A BACHMAN (German, 19th century) BOY WITH PIPE.

Oil on beveled mahogany panel Housed in a 19th century carved giltwood frame Signed lower center “A. Bachman” SIZE: 10-1/2″ x 6-1/4″. Overall: 19″ x 14-3/4″ CONDITION: Surface dirt, discolored varnish and shrinkage cracks. 50567-61 (300-500) – Lot 1549

1550
$592.50

GABRIELLA POSSUM NUNGARRAYI (Australian, b. 1967) “BUSH TUCKER DREAMING”.

Acrylic on canvas Housed in a contemporary frame Signed and inscribed on verso “Gabriella Possum Nungarrayi/Clan Mother Country/Bush Tucker Dreaming/ A.G.O.D. #4973 Melbourne, H. Ebes” Note: Gabriella is the eldest daughter of renowned Aboriginal artist Clifford Possum Tjapaltjarri. She studied painting with her father at an early age, and in 1985, at the age of 16, she won the coveted Alice Springs Art Award . Gabriella is recognized as a culturally significant artist beyond the borders of Australia. Despite the influence of her father, she developed her own distinct style. Her paintings depict stories inspired by her culture represented in vivid color and composed using a dot technique. The theme “Bush Tucker” refers to the name used to describe native Australian food used as sustenance for indegenous peoples. Gabriella’s uses themes like exploding seed and black seed from the Mt. Allan area, where she was born. This lot is accompanied by a VHS video tape and two books on Aboriginal Art, including works by Gabriella SIZE: 42″ x 48″. Overall: 45-5/8″ x 51-3/4″ CONDITION: Very good to excellent 50297-6 (1,000-1,500) – Lot 1550

1551
$0.00

IVAN MARIO (Spanish, late 20th C) EL ROCIO.

Oil on canvasboard Housed in a painted linen with gold edge frame liner Signed lower right “Ivan Mario/Espana 1991, titled on verso SIZE: Sight size: 8-1/4″ x 10-1/4”. Overall: 12-3/4″ x 14-1/2 CONDITION: Very good. 50841-5 (300-500) – Lot 1551

1552
$355.50

JEAN APPLETON (Australian, 1911-2003) AT THE RACES.

Oil on canvas Unframed Signed lower right “J Appleton” SIZE: 35-1/2″ x 38″ CONDITION: Very good, with minor spotting to verso canvas 50339-5 (1,000-1,500) – Lot 1552

1553
$592.50

ERNST LUDWIG KIRCHNER (German, 1880-1938) “KRIS AUS KREISEN ZUSAM EINGESETZ 1910 (KRIS IN A CIRCLE TOGETHER).

Pencil on brown paper Housed in a decorative molded wood frame with inner cloth liner and mat Signed lower left & titled lower right SIZE: 11″ x 6″. Overall: 24″ x 21″ CONDITION: Some light foxing spots, otherwise very good 50844-2 (1,500-3,000) – Lot 1553

1554
$0.00

JACK LEONARD SHADBOLT (Canadian, 1909-1998) CIRCUS CLOWN WITH GUITARIST.

Graphite on paper Housed in a modern gilt frame with mat & glass Signed lower left “J L Shadbolt 40″ Also an inscription on original paper attached to verso dated 1949 and signed by the artist SIZE: Sight: 9-1/2″ x 11”. Overall: 18-1/2″ x 19-1/2″ CONDITION: Some light folds & wrinkling, good 50898-9 (1,000-1,500) – Lot 1554

1555
$237.00

PAVEL ALEXANDROVITCH RADIMOV (Russian Federation, 1887-1967) TWO WORKS: VILLAGE ALONG THE CANAL and RED ROOFS.

1) “Village along the Canal”, oil on canvas, housed in an early 20th century frame, unsigned. 2) “Red Roofs”, oil on canvas board, housed in a white molded frame with linen liner, initialed lower right “Art” SIZE: 1) 12″ x 16-1/4″. Overall: 17-1/2″ x 22″. 2) 17″ x 22-1/2″. Overall: 24″ x 29″ CONDITION: 1) Good. 2) Scattered touch up 50494-3 (1,000-2,000) – Lot 1555

1557
$0.00

WILLEM DELSAUX (Belgian, 1862-1945) AUTUMN LANDSCAPE.

Oil on canvas Housed in a carved gilt painted frame Signed lower right “W. Delsaux” SIZE: 31-1/2″ x 41-1/2″. Overall: 36″ x 46″ CONDITION: Paint surface has craquelure and surface dirt, verso has dirt. 50567-27 (800-1,200) – Lot 1557

1558
$0.00

KARL EUGENE FELIX (Austrian, 1837-1906) LANDSCAPE WITH SNOWCAPPED MOUNTAIN, WATERFALL AND DEER.

Oil on canvas Housed in a contemporary carved giltwood frame Signed lower left “K.E. Felix” SIZE: 38-1/4″ x 58-1/4″. Overall 46″ x 66″ PROVENANCE: From a fine Rhode Island home. CONDITION: Good condition with yellowed varnish, craquelure, surface grime, and 1″ loss lower center in foreground. Lined with scattered touch up in sky and in foreground trees and rocks 50297-8 (1,000-1,500) – Lot 1558

1559
$592.50

ATTRIBUTED TO JOHANNA KIRSCH (German, b. 1856) YOUNG WOMAN PLAYING A VIOLA DA GAMBA, AFTER SIR ANTHONY VAN DYCK (Flemish, 1599-1651).

Oil on canvas Housed in a 20th century black and gilt decorated Thulin frame, signed and dated “1935 Thulin #2732, A.” Unsigned. Attribution based on label affixed to verso stretcher with ink inscription that reads “kopier nach Van Dyk/Johanna Kirsch/Munchen”, pencil inscription on stretcher reads “J.M. Kirsch” and “Fran Kirsch/Nymph No. 47″ Note: Little is known about Johanna Kirsch other than she was a female German artist known for portraiture. One of several female German artists represented, Kirsch exhibited four works at the 1893 Chicago Worlds Fair. Her date of death is undocumented, however, believed to be near the turn-of-the-century. The original portrait by Sir Anthony van Dyck, painted c. 1635-1640, is in the collection of the Alte Pinakothek, Munich, Germany. The wife of the artist, Mary Ruthven, is the sitter SIZE: 44-3/4″ x 36-1/2”. Overall: 48-1/2″ x 40-1/2″ CONDITION: Good, restored condition. Abrasions to paint surface along bottom with minor flake losses lower left. Spotty, discolored varnish and skinned area lower right corner. Some restoration in face and background 50392-1 (800-1,200) – Lot 1559

1560
$237.00

UNSIGNED(Italian School, 19th Century) WOMEN AND CHILD AT WELL.

Oil on canvas Housed in a gilt wood frame Unsigned SIZE: 20-1/4″ x 24-1/4″. Overall: 24 x 27-3/4″ CONDITION: Good. 3 canvas patches to verso, craquelure. Restored with inpainting. 50842-6 (800-1,200) – Lot 1560

1561
$0.00

UNSIGNED (Italian School, 18th/19th Century) THREE FIGURAL SCENES.

Reverse painting on glass All housed in antique frames Unsigned SIZE: 1) Sight: 15-1/4″ x 18-1/2″. Overall: 18″ x 21-1/2″. 2) Sight: 14″ x 17-3/4″. Overall: 16-1/2″ x 20-1/2″. 3) Sight: 11-3/4″ x 16″. Overall: 14-1/2″ x 19″ CONDITION: All with losses to paint, two are fair to good, one is good 50621-19 (2,000-3,000) – Lot 1561

1562
$0.00

UNSIGNED (European, 19th Century) ATTACK OF THE WOLF.

Oil on canvas Unframed Unsigned SIZE: 27″ x 35″ CONDITION: Lined, craquelure, restored with inpainting 50867-10 (800-1,200) – Lot 1562

1563
$948.00

EUROPEAN SCHOOL (18th/19th century) PORTRAIT OF CHARLES V, HOLY ROMAN EMPEROR, AFTER CHRISTOPH AMBERGER.

Oil on canvas Housed in a contemporary frame Inscribed “Plus Oultre” and “Aetatis XXXII” (Age 32) Note: This is a later copy of German artist, Christoph Armberger’s famous 16th century portrait of Charles V (aka King Charles I). The motto “Plus Oultre”, meaning further beyond, was adopted by Charles V, Holy roman Emperor in the 16th century and is the official motto of Spain. SIZE: 26-1/2″ x 19-1/2″. Overall: 33″ x 26″ CONDITION: Re-lined, with shrinkage cracks and canvas buckle, restoration throughout face and along edges. 50782-5 (800-1,000) – Lot 1563

1564
$237.00

UNSIGNED (English School, 19th Century) TWO WORKS: BIRDS NEST & FIGURES IN WOODLAND CLEARING.

1) Watercolor and gouache Housed in a gold leaf molded wood frame within oval mat (frame with losses) Unsigned 2) Drypoint with watercolor highlights Housed in a gilt modern frame having an Alice Dodge English Watercolors & Drawings label on verso Possibly signed & dated lower left Verso having in pen “By Bauernbeck?? Kingh” SIZE: 1) Sight: 7/-3/4″ x 9-1/2″. Overall: 12-1/4″ x 14-3/4″. 2) 7-1/2″ x 9″. Overall: 12″ x 13-3/4″ CONDITION: 1) There is an oval cut in the watercolor corresponding to the curve of the oval mat additionally running perpendicular to the crescent cut is now a repaired tear of approximately 2-1/2″ long. 2) Generally good, some foxing in area of sky upper left corner. Later inscription on reverse can be seen from the front in the central sky area 50558-10 (500-700) – Lot 1564

1565
$0.00

CHARLES THOMAS BALE (English, fl. 1866-1875) STILL LIFE OF FRUIT AND GAME.

Oil on canvas Housed in a giltwood frame Signed lower right “CT Bale” SIZE: 14″ x 18″. Overall: 23-1/2″ x 27″ CONDITION: Very good, with minor restorations. Patch on verso corresponding to retouch, touch up in grapes 50593-7 (800-1,200) – Lot 1565

1566
$414.75

FRANCIS E. JAMIESON (English, 1895-1950) “QUEENS KILLIECRANKIE, SCOTLAND”.

Oil on canvas Housed in a giltwood frame Signed lower left “W. Richards” (pseudonym for Jamieson), titled on verso Note: Francis E Jamieson, known for his paintings of the Scottish highlands, became such a popular and prolific artists that he is known to have painted under at least eleven different pseudonyms, including W Richards, J McGregor, Graham Williams, Henry Stewart, Aubrey Ramus, Stanley Penn, and A de Perrin SIZE: 16″ x 24″. Overall: 23-3/4″ x 32″ CONDITION: Good, restored condition. Craquelure with retouch 50593-3 (300-500) – Lot 1566

1567
$2,370.00

CHARLES SILLEM LIDDERDALE (English, 1831-1895) RETURNING FROM SUNDAY SERVICE.

Watercolor Housed in a period giltwood frame Monogrammed “CL” lower right SIZE: Sight: 24″ x 20-1/2″. Overall: 36-1/2″ x 32″ CONDITION: Good condition with fading (not examined out of the frame). 50564-18 (800-1,200) – Lot 1567

1568
$0.00

SAMUEL GILLESPIE PROUT (English, 1822-1911) “CATHEDRAL” and “HOTEL DE PRAGUE”.

Two watercolors highlighted with white gouache Housed in different modern frames, matted under glass Each signed “S. Prout”, one lower left, the other lower right SIZE: Sight: 15″ x 11″. Overall: 23″ x 18″ CONDITION: Very good, with minor discoloration, one has waterstain in upper right (not examined out of frames) 50593-5 (800-1,200) – Lot 1568

1569
$829.50

F. RICHARDS (English, 19th century) ENGLISH COASTAL LANDSCAPE.

Oil on canvas Housed in period giltwood frame Signed lower right “F. Richards” Note: Possibly by American artist Frederick DeBourg Richards (1822-1903), who traveled extensively throughout Europe in 1855 and painted in a similar manner. He usually signed his works F.D.B. Richards SIZE: 18″ x 30-1/2″. Overall: 26″ x 39″ CONDITION: Good, restored condition. Lined with in-paint in sky and along edges 50564-17 (800-1,200) – Lot 1569

1570
$474.00

UNSIGNED (British School, 19th Century) KILLINGTON, ENGLAND COASTAL SCENE.

Oil on canvas Housed in a fine period regilt fancy frame Dated lower left “1857” with possible artist monogram SIZE: 16″ x 24″. Overall: 24″ x 32″ PROVENANCE: From a Philadelphia, PA area home CONDITION: Lined, craquelure, very good 50830-9 (800-1,200) – Lot 1570

1571
$711.00

EVERETT W MELLOR (English, 1878-1965) “ON THE WHARF, BOLTON WOODS”.

Oil on board Housed in an English early 20th century giltwood frame Signed lower left “Everett W Mellon”. Frame bears “Brewer Bros Ltd” label. SIZE: 10″ x 13-3/4″. Overall: 16″x 20″ CONDITION: Very good 50512-19 (1,200-1,800) – Lot 1571

1572
$474.00

JOHN RITCHIE (English, 1828-1905) COTTAGE VIEW WITH WOMAN AND DUCKS.

Oil on canvas Housed in a period giltwood frame Initials barely visible lower right, verso canvas stenciled “Winsor & Newtons, London” SIZE: 10″ x 14″. Overall: 17″ x 20-1/2″ CONDITION: Very good, with spotty varnish. 50777-2 (1,000-2,000) – Lot 1572

1573
$3,555.00

ENGLISH SCHOOL (early 19th century) GENRE SCENE OF FAMILY IN INTERIOR.

Oil on canvas Unframed Unsigned SIZE: 25″ x 30″ CONDITION: Surface dirt, small hole center, abrasion along edge and canvas tearing away from stretcher 50750-7 (1,000-2,000) – Lot 1573

1574
$829.50

C. CARLIER (French, 19th century) PANORAMIC PASTORAL VIEW OF FRENCH COUNTRYSIDE.

Oil on beveled panel Housed in a period giltwood frame Signed and dated lower center “C Carlier 44″ SIZE: 15″ x 21-1/2”. Overall: 23″ x 29-1/2″ CONDITION: Very good, with discolored varnish and minor touch up 50265-11 (1,000-1,500) – Lot 1574

1575
$1,007.25

ARMAND GUILLAUMIN II (French, 1891-1955) RUINS CROZANT, PROVENCE, FRANCE.

Oil on Masonite, c. 1952 Housed in a carved and painted wood frame Signed lower right “Guillaumin fils”, dated 1952 with indiscernable inscription on verso Note: Guillaumin II, was the son of the better-known Impressionist painter, Jean-Baptiste Armand Guillaumin (1841-1927). Jean-Baptiste was a founding member of the independent French painters who organized the first Impressionist exhibit in 1874. First exhibiting in the Salon des Refuses in 1863 with Pissaro and Cezanne, the elder Guillaumin was a friend and colleague of Monet, Renoir, Degas, and Morisot, and the longest living Impressionist. In 1886, Jean-Baptiste married his cousin Marie-Josephine and in 1891, The painter of this picture, Armand, was born when his father was 50 years old. Guillaumin II, was raised amongst his father’s art, however, interestingly, very few of his father’s paintings include his son. One pastel of Mrs. Guillaumin holding her son is listed in the catalogue raisonne. The young artist inherited his father’s talent for painting and took inspiration for this painting from a similar painting his father created from their home village of Crozant, in Provence, France SIZE: 18″ x 21-1/2″. Overall: 22-1/2″ x 26″ CONDITION: Very good, with minor surface dirt 50275-4 (1,000-1,500) – Lot 1575

1576
$948.00

FRANCOIS GABRIEL (French, 1893-1993) FLORAL STILL LIFE ON A LEDGE.

Oil on canvas Housed in a giltwood frame Signed lower right “F. Gabriel.” SIZE: 34″ x 40″. Overall: 39″ x 48-1/2″ CONDITION: Lined, very good 50593-8 (1,000-2,000) – Lot 1576

1577
$1,481.25

MAXIMILLIEN LUCE (French, 1858-1941) MEN ON THE DOCKS.

Oil on board Housed in a 20th century gilt painted wood frame with double mat Signed lower right “Luce” SIZE: 9″ x 12-1/2″. Overall: 15-5/8″ x 19-3/4″ CONDITION: Very good 50275-3 (1,000-1,500) – Lot 1577

1578
$711.00

JEAN-FREDERIC SCHALL (French, 1752-1825) PAIR OF “TROIS JUNES FEMMES”.

Pen, ink & watercolor Housed in identical gilt wood frames (some finish loss) having watercolor decorated backing boards Unsigned but identified in cartouche center bottom Verso of frames having an “Al’art Ancien Paris” label SIZE: 5-1/4″ x 10-1/4″. Overall: 10-1/2″ x 15-3/4″ PROVENANCE: From a private Massachusetts collection CONDITION: Very good, not examined out of frames 50800-3 (1,000-2,000) – Lot 1578

1579
$770.25

A. GROSZ (20th century) SHANGHAI.

Oil on canvas Housed in a giltwood frame Signed lower left “A. Grosz”, inscribed and dated on verso “Shanghai 1945 A. Grosz” Note: Possibly Antal Grosz, a landscape artist that died in 1945, of whom little is known. SIZE: 24″ x 20″. Overall: 28-1/2″ x 25″ CONDITION: Very good. 50750-11 (800-1,200) – Lot 1579

1580
$474.00

ALFRED CHARLES WEBER (French, 1862-1922) DIVINE ENTERTAINMENT.

Watercolor Housed in a gilt frame with beveled mat & inner gilt mat behind glass Signed lower right “A Weber” SIZE: Sight: 19″ x 14″. Overall: 27″ x 22″ CONDITION: Very good 50782-6 (800-1,000) – Lot 1580

1581
$4,740.00

CHARLES BARGUE (French, 1825-1883) ARABIAN GENTLEMAN.

Pencil on paper Housed in an antique gesso decorated frame behind mat with glass Signed lower right “Ch. Bargue 79″ SIZE: Sight: 12″ x 8-1/2”. Overall: 18″ x 15″ CONDITION: Some foxing & soiling to paper, otherwise good 50898-14 (600-900) – Lot 1581

1582
$1,066.50

PAUL PASCAL (French, born 1867) ORIENTALIST SCENE.

Gouache Housed in a white painted frame Signed and dated lower left “P. Pascal 1896″ SIZE: Sight: 17″ x 12”. Overall: 23 x 18-1/2″ CONDITION: Good, not examined out of frame 50265-13 (1,000-1,500) – Lot 1582

1583
$948.00

ROBERT M. SCRIVER (American, 1914-1999) WARRIORS PONY.

Bronze Signed “Bob Scriver 1973 3/30″ SIZE: 9-1/2″ h x 12” l CONDITION: Very good 50512-15 (700-900) – Lot 1583

1584
$1,185.00

JIM DAVIDSON (American, 1962-) BULLDOG.

Bronze with green & black patina Signed on base “Jim Davidson” SIZE: 17-1/2″ h x 28-1/2″ at longest x 14-3/4″ d PROVENANCE: Private Maine/Texas Collector. CONDITION: Uneven patina, otherwise very good 50012-118 (1,000-2,000) – Lot 1584

1585
$355.50

AFTER CHARLES M RUSSELL (American, 1864-1926) THREE WORKS: THE BERRY EATER, STEER HEAD & THE LAST LAUGH.

Bronze Two mounted on molded edge wood bases Marked “CM Russell 8/100”; “CM Russell 7/150”; “CM Russell” Accompanied by a Certificate for the Steer Head also a certificate for the Berry Eater and an original invoice from the purchase in 1994 SIZE: Range: 5″ h to 7″ h CONDITION: Very good 50512-10 (1,200-1,800) – Lot 1585

1586
$829.50

KENNETH BJORGE (American, 1943-) TWO WORKS: LONGHORN STEER & STANDING GRIZZLY.

Bronze Bear mounted to an oval wood base Steer signed “Bjorge 2002 4/100”; Grizzly marked “93 CMR Quick DR” also “Bjorge 33/35″ SIZE: Steer: 10-1/2″ h x 15″ l x 6″ w; Bear: 9-1/2” h CONDITION: Very good 50512-9 (1,200-1,800) – Lot 1586

1587
$0.00

AFTER CHARLES MARION RUSSELL (American, 1864-1926) THREE WORKS “THE LAST LAUGH”, BUFFALO & WOLF.

Bronze “The Last Laugh” is mounted to a polished marble base All signed with either CM Russell or CMR SIZE: The Last Laugh(bronze): 4″ h x 7″ l x 5″w; Buffalo: 4″ h x 5″ l x 2-1/2″ w; Wolf: 3-3/4″ h x 4-1/2″ l x 3″ w CONDITION: Very good 50512-11 (1,200-1,800) – Lot 1587

1588
$1,066.50

ROBERT M. SCRIVER (American, 1914-1999) “TOP OF THE RIDGE”.

Bronze Mounted to a molded edge wood base Signed “Bob Scriver 1995 65/100″ SIZE: Total: 13-1/4″ h x 14” l CONDITION: Very good 50512-14 (800-1,200) – Lot 1588

1589
$1,066.50

ROBERT M. SCRIVER (American, 1914-1999) FOUR WORKS: “REX’S BULL”; “INJUN COLT”; “BATHING CHAPS” & “PAUL’S BULL”.

Bronze Three mounted on molded edge wood bases All titled in bronze and Dated 1995 68/100; 1995 46/50; 1984 80/250; 1983 334/1000 SIZE: Bronze: Smallest: 2-1/2″ h, Largest: 11″ h CONDITION: Very good 50512-18 (1,600-2,000) – Lot 1589

1590
$1,066.50

ROBERT M. SCRIVER (American, 1914-1999) “I’M SHERIFF HERE, NOW GIT”.

Bronze Mounted to a molded wood edge base Signed “Bob Scriver 1985” “64/250″ SIZE: Bronze: 13″; With base: 14-1/2” CONDITION: Very good 50512-16 (800-1,000) – Lot 1590

1591
$414.75

ROBERT M. SCRIVER (American, 1914-1999) FOUR WORKS: “RED FOX”, “DECEMBER MOUNTAIN GOAT”, “RANGE MOTHER”, “REX GOPHER”.

Bronzes All mounted to molded edge wood bases Each titled and “215/250”; “79/150”; “107/200” and “173/250″ SIZE: Range from 3-1/4″ to 5” CONDITION: Very good 50512-17 (1,000-1,500) – Lot 1591

1592
$0.00

WALLACE BASSFORD (American, 1900-1998) “BOUDOIR”.

Oil on canvas board Housed in a rustic wood frame with linen liner Signed upper left “Bassford”, inscribed in ink on verso cardboard backing “Boudoir” SIZE: 10-1/2″ x 7-1/2″. Overall: 20″ x 17″ CONDITION: Good with minor restoration. 50477-1 (800-1,200) – Lot 1592

1593
$0.00

WILL HICKOCK LOW (American/French, 1853-1932) TWO CITY VIEWS; PARIS & VENICE.

Oil on wood panels Unframed Venice scene signed lower right, Pairs scene having partial signature visible lower right Venice view with inscription on verso “Venice August 1900 from our window in the Palazzo Barbarigo the night of the 29th Aug. before the …” SIZE: Paris: 8-3/4″ x 10-1/2″. Venice: 10-3/4″ x 8-1/4″ PROVENANCE: Originally from the artist’s wife’s Estate (Mary Fairchild MacMonnies Low) CONDITION: Slight warp to board, Venice with vertical crack, otherwise good 50806-9 (1,500-2,500) – Lot 1593

1594
$592.50

JOSEPH JOHN PAUL MEERT (American, 1905-1990) “E.E. DAVIS CASH COAL”.

Egg tempera on plaster on masonite panel Housed in a modern ripple decorated black frame with gold edge & mat with black liner Signed lower right “Meert” Verso having an Aaron Galleries, Chicago, IL label with artist & title Accompanying the painting is an Aaron Galleries catalog titled “The Works of our Friends: The Collection of Thomas Hart Benton and Rita Piacenza Benton”, illustrated on page 17, illustrations no. 18 SIZE: 12″ x 16″. Overall: 25″ x 29″ CONDITION: Very good 50842-3 (1,000-3,000) – Lot 1594

1595
$0.00

CARROLL BROWN (American, 1862-1923) SEVEN PAINTINGS.

Including 1) “Wind Storm”, oil on canvas, signed lower left “Carroll Brown”, inscribed with title on stretcher and signed on verso canvas. 2) “Budding Trees, Cragsmore”, oil on board, signed and dated lower right “Carroll Brown ’08”, titled on verso. 3) Landscape, watercolor and gouache on board, signed lower right “Carroll Brown”. 4) Seascape, watercolor on board, signed and dated lower right “Carroll Brown ’08”. 5) Sheep by a Fence, watercolor, signed lower right “Carroll Brown”. 6) Chickens, watercolor on board, signed and dated lower right “Carroll Brown ’06” 7) “Pond Lilies”, Watercolor on paper, housed in a giltwood frame with double mat, signed and dated lower right “Carroll Brown ’97” 1) Exhibited: John Levy Galleries, New York. “Memorial Exhibition of Paintings by Carroll Brown”, February 25-March 8, 1924, no. 13. This lot is accompanied by a photocopy of the pamphlet from the exhibition. 7) Exhibited: John Levy Galleries, New York. “Memorial Exhibition of Paintings by Carroll Brown”, February 25-March 8, 1924. Note: This lot accompanied by a photocopy of the pamphlet from the above mentioned exhibition SIZE: 1) 22″ x 30″. 2) 10-7/8″ x 14-7/8″ 3) 21-1/2″ x 30″ 4) 21-1/2″ x 30″ 5) 19-1/2″ x 13-1/2″ 6) 6-1/2″ x 9-1/2″ 7) Sight size: 11″ x 18-1/2″. Overall: 16-1/4″ x 24″ PROVENANCE: Kathryn M. Brown (sister-in-law of the artist); By descent through the family CONDITION: 1) Surface grime, small losses in foreground, edges chipped. 2) Chips to edges. 3) Board is chipped on all edges, large section detached. 4) Board is chipped on all edges, large section detached. 5) Waterstaining along bottom edge. 6) Faded, waterstains. 7) Good with mat burn along edges, not examined out of frame 50292-1 (1,000-2,000) – Lot 1595

1596
$888.75

EMIL HOLZHAUER (American, 1887-1986) “ONE VILLAGE”.

Watercolor Housed under glass in contemporary frame with white mat Signed and dated lower left “Holzhauer/1951”, titled “One Village” and dated 1951 on Dowling Walsh Gallery label affixed to backing. SIZE: 22″ x 32-1/4″. Overall: 32″ x 40″ CONDITION: Very good to excellent, not examined out of frame. 50488-4 (1,000-2,000) – Lot 1596

1597
$1,185.00

JOHN LAFARGE (American, 1835-1910) “HEAD OF CHRIST”.

Graphite on parchment laid on card Unframed Red round chop mark lower left and “Head of Christ “Walk to Emmaus”” in pencil lower center Three labels on original backing paper: 1. For Becky Denison Fisherman, Gift of Mrs. Marge Seymour. 2. Head of Christ/in pencil on parchment/by John LaFarge/(father of Oliver & Christopher. 3. Granite State Studio Keene, New Hampshire Note: Research indicates that this may be a study for a John LaFarge stain glass window identified as being in Trinity Church, Boston. A copy of the sketch for the window appeared in the 1911 Harvard magazine which, along with some other information is included with the lot SIZE: 13-3/4″ x 10-1/4″ PROVENANCE: Found in basement of All Saints Church Peterborough, NH CONDITION: A large crease across lower center, acid burn through paper, moisture discoloration over 2/3 of the sheet, as it 50898-4 (1,000-1,500) – Lot 1597

1598
$0.00

AMERICAN SCHOOL (Early 20th century) ABE LINCOLN AND THE ITALIAN WORKING CLASS.

Oil on canvas Housed in an early 20th century mahogany frame Unsigned, inscribed upper right “Pane E Lavoro” Note: Pane e Lavoro translates to bread and work, and was the name of the Italian American working class movement that took hold in America around 1919. The painting also references the Giornale del Popolo which was a newspaper established in 1926, which helps date the painting to a period after 1926. Abe Lincoln holds a letter and glances at the gathered workers, a reference to Karl Marx’s 1865 letter written to Lincoln praising him for being a proponent for the working class. This genre work was likely painted as an illustration for the journal of the people or a work of political propaganda in support of the Italian working class in America. SIZE: 19″ x 25-1/2″. Overall: 23″ x 29-1/2″ CONDITION: Lined with new stretchers 50259-2 (800-1,200) – Lot 1598

1599
$829.50

MAX KUEHNE (American, 1880-1968) PORTRAIT OF A GIRL, POSSIBLY THE ARTIST’S DAUGHTER.

Oil on board Housed in a modern gilt frame Signed lower right “Kuehne” SIZE: 18-1/4″ x 15″. Overall: 22-1/4″ x 18-1/4″ CONDITION: Very good. Restored with inpainting. 50844-1 (800-1,200) – Lot 1599

1600
$0.00

GERTRUDE GORDON (American, 20th Century) THREE WORKS: TWO INTERIOR & ONE LANDSCAPE.

Gouache on paper Housed in similar stained wood frames One signed “G Gordon” lower right; another “G Gordon 1965” lower right; other is “G Gordon” and inscribed “Christmas, 1968″ Gordon is the mother of Barbara Merry, noted Maine rug and painting folk artist SIZE: Sight: Two are 6-1/4″ x 5-3/4″, One 4″ x 6”. Overall: Two are 7-1/4″ x 6-3/4″, One is 5-1/2″ x 7-1/2″ CONDITION: Good, not examined out of frames 50912-1 (500-1,000) – Lot 1600

1601
$0.00

W CHARLES NOWELL (American, 20th/21st Century) PEAR & CHERRIES.

Oil on board Housed in a modern carved & gilt wood frame Signed center bottom SIZE: 10″ x 8″. Overall: 16-1/2″ x 14-1/2″ CONDITION: Very good to excellent 50732-9 (1,000-1,500) – Lot 1601

1602
$1,777.50

W CHARLES NOWELL (American, 20th/21st Century) APPLE & CHERRIES.

oil on board Housed is a gilt wood modern frame Signed lower right “W C Nowell” SIZE: 10″ x 8″. Overall: 16″ x 14″ CONDITION: Very good to excellent 50732-10 (1,000-1,500) – Lot 1602

1603
$711.00

AMERICAN SCHOOL (20th century) FOUR LOBSTER STILL LIFE’S.

Including: 1) Mildred Jones (American, 1899-1992) Lobster Still Life, oil on canvas, housed in giltwood frame, signed lower right “Mildred C. Jones” 2) Mark Hagen (American, b. 1972) Lobster, oil on board, housed in green frame, signed and dated lower right “Mark Hagen ’90” 3) Alexander Minewski (American, 1917-1979) Red and Green Lobster, oil on canvas, housed in red painted wood frame, signed lower right “A. Minewski” 4) Ken Pratson (American, 1944-2000) Lobsters in Crates, oil on canvas, housed in gilt frame with linen liner, signed lower right “Pratson” SIZE: 1) 26″ x 31″. Overall: 30″ x 35″ 2) 25″ x 20″. Overall: 27″ x 22″ 3) 10-1/2″ x 24-1/2″. Overall: 13-1/2″ x 27-1/2″ 4) 10″ x 14″. Overall: 15-1/2″ x 20″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: All in overall good condition. 50749-13 (1,000-2,000) – Lot 1603

1604
$414.75

WALTER DOUGLAS (American, 1868-1948) STILL LIFE WITH APPLES.

Oil on canvas Housed in a gitlwood frame Signed and dated lower right “Walter Douglas/93″, bears old label with artist name, date and price SIZE: 8″ x 12”. Overall: 12″ x 16″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Lined, with craquelure and spotty varnish. 50749-11 (800-1,200) – Lot 1604

1605
$0.00

ANN C BRADLEY (American, 1884-1956) STILL LIFE WITH ROSES AND APPLE BLOSSOMS.

Oil on canvas laid down on Masonite Housed in a molded giltwood frame Signed lower right “A.C. Bradley” SIZE: 9-1/2″ x 12″. Overall: 14″ x 16″ CONDITION: Good, with spotty varnish and several areas of restoration. 50339-3 (800-1,200) – Lot 1605

1606
$0.00

MARGARET FITZHUGH BROWNE (Ameican, 1884-1972) STILL LIFE WITH PETUNIAS.

Oil on canvas Housed in a white painted wood frame Signed lower right “Margaret Fitzhugh Browne” SIZE: 16″ x 20″. Overall: 20″ x 24″ CONDITION: Surface dirt, stretcher marks, small pinhole upper right, canvas buckle lower left and verso canvas has water staining. 50339-2 (800-1,200) – Lot 1606

1607
$1,125.75

BENJAMIN CHAMPNEY (American, 1817-1907) STILL LIFE WITH CHRYSANTHEMUMS.

Oil on canvas Housed in a carved oak frame with gesso decorated gilt liner Signed lower right “B. Champney” SIZE: 15″ x 18″. Overall: 23-1/2″ x 27″ CONDITION: Lined, otherwise very good 50593-4 (1,500-2,500) – Lot 1607

1608
$0.00

ATTRIBUTED TO LAURA COOMBS HILLS (American, 1859-1952) STILL LIFE OF FLOWERS.

Oil on canvas Housed in a silver painted wood frame with linen liner Signed lower left “Laura Hills” SIZE: 18-1/2″ x 15″. Overall: 26″ x 22″ CONDITION: Very good, with scattered touch up. 50488-3 (2,000-3,000) – Lot 1608

1609
$0.00

GERALD MERFELD (American, b. 1936) “SPRINGTIME IN THE ROCKIES”.

Oil on board Housed in a contemporary gray and giltwood frame with presentation plaque inscribed with alternate title “Gathering Storm (In the Colorado Rockies)” Signed lower right “Merfeld”, signed, titled, dated and inscribed on verso “Springtime in the Rockies/28-81 Copyright 1981″ SIZE: 18″ x 24”. Overall: 24″ x 30″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good to excellent. 50749-6 (800-1,200) – Lot 1609

1610
$0.00

DARWIN DUNCAN (American, 1905-2002) “HAZY DAY”, CALIFORNIA LANDSCAPE.

Oil on canvas Housed in a white washed wood frame. Signed lower right “Darwin Duncan”, titled on verso cardboard backing “Hazy Day” SIZE: 28″ x 32″. Overall: 34″ x 38″ CONDITION: Good overall condition, discolored varnish and surface dirt upper left corner. 50391-2 (800-1,200) – Lot 1610

1610A
$177.75

UNSIGNED (19th Century) INDIANS IN A WESTERN LANDSCAPE.

Oil on canvas Unsigned Housed in a replacement contemporary oak frame with gold surface San Francisco manufacturer stamp on verso of canvas SIZE: 28-1/2″ x 12″. Overall: 32″ x 16″ CONDITION: Generally very good 49421-96 (600-900) – Lot 1610A

1611
$592.50

ALBERTO RUIZ VELA (American, 1920-2006) NATIVE AMERICANS IN WINTER LANDSCAPE.

Oil on canvas Housed in its original wide wood and linen and gold lined frame Signed lower left NOTE: Vela was a member of the Cowboy Artist Association of America SIZE: 24″ x 36″. Overall: 34-1/2″ x 46-1/2″ CONDITION: Very good 38993-5 (1,000-1,500) – Lot 1611

1612
$0.00

IRENE F CARMICHAEL (American, 20th century) SPRING VALLEY, CALIFORNIA.

Oil on board Housed in a modern giltwood frame Signed lower right “ICarmichael”, inscribed on verso “Painted by Irene Carmichael Spring Valley, Calif 3/31/56″ SIZE: 16″ x 20”. 24″ x 28″ CONDITION: Very good, with a few small areas of discoloration upper right. 50336-4 (1,000-1,200) – Lot 1612

1613
$0.00

NORMAN KENNEDY (American, 1895-1975) FIVE WORKS: MISSISSIPPI RIVER & OTHERS.

Watercolors Housed in identical flat gilt wood frame with white mats Three signed “N Kennedy” and two unsigned SIZE: Sight: 5″ x 6-1/2″. Overall: Four examples are 10″ x 11-1/2″, one is 9″ x 11″ CONDITION: Very good, not examined out of frames 50911-1 (1,000-2,000) – Lot 1613

1614
$533.25

PETER HURD (American, 1904-1984) COWBOY.

Ink and watercolor on paper Housed under glass in contemporary frame with white mat Monogramed and inscribed lower left “Rough Sketch P.H.” dedicated lower center “For John Funk from Peter Hurd” SIZE: Sight: 10-1/4″ x 9-1/4″. Overall: 18″ x 17″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good, with small spot upper left. (not examined out of frame) 50749-7 (600-900) – Lot 1614

1615
$0.00

CONSTANCE RICHARDSON (American, 1905-2002) “HIGH LAND”.

Oil on Masonite Housed in a contemporary wood frame Signed, titled and dated on verso “Constance Richardson 1961/High Land” and stamped “68th DEL Show Nov 62″, bears Kennedy Galleries, New York label on backing board with inventory #83450/1 SIZE: 20″ x 32”. Overall: 25-1/2″ x 37″ CONDITION: Very good, with one small surface scratch with loss upper center. 50564-15 (800-1,200) – Lot 1615

1616
$0.00

REUBEN WARD BINKS (United Kingdom, 1880-1950) “RAP”, AN ENGLISH SETTER.

Gouache Housed in a fine molded wood frame with pressed carving having watercolor highlighted mat behind glass Signed lower left “Ward Binks” SIZE: Sight: 13-3/4″ x 18-3/4″. Overall: 22″ x 26-1/4″ CONDITION: Very good, not examined out of frame 50918-3 (1,500-2,500) – Lot 1616

1617
$0.00

W HAMPTON (American, 19th/20th Century) HANGING WOODCOCK.

Oil on wood panel Housed in a chip carved dark stained wood frame Signed on verso at top of panel SIZE: 20-1/2″ x 13-1/4″. Overall: 26″ x 19″ CONDITION: Warp to panel, some alligatoring to varnish, good 50809-3 (800-1,200) – Lot 1617

1618
$29.63

WILLIAM CHANDLER (American, 1854-1928) STILL LIFE WITH BIRD AND LEAF.

Pastel on paper Housed in a gold painted period frame with losses Signed lower left “Chandler” SIZE: Sight 15-1/2″ x 19-1/2″. Overall 23″ x 27″ PROVENANCE: Private Maine/Texas Collector CONDITION: Generally good, some black specks visible 50012-149 (75-100) – Lot 1618

1619
$0.00

GEORGE LUTHER SCHELLING (American, 1938-) DOLPHINS.

Oil on canvas Housed in a painted & gilt wood frame with linen liner Signed lower right “George Luther Schelling” SIZE: 24″ x 30″. Overall: 30″ x 36″ CONDITION: Very good 50732-7 (1,000-2,000) – Lot 1619

1620
$237.00

ALPHONSE PALUMBO (American, 1890-1947) BACK FROM FISHING.

Oil on canvas Housed in a modern gilt rope decorated frame Unsigned front, Estate stamp on stretcher verso SPECIAL NOTE: This lot is being sold to benefit the St. Jude Children’s Hospital SIZE: 29″ x 35″. Overall: 36-1/2″ x 42-1/2″ PROVENANCE: From a Santa Fe, NM Collection; James D. Julia 5/13/06 CONDITION: Very good 50267-6 (400-600) – Lot 1620

1621
$0.00

LUTHER KELLY HALL (American, 20th Century) DRIFTING FOR SALMON.

Watercolor Housed in a simple oak frame with double mats Signed lower right “L K Hall” SIZE: Sight: 5″ x 7″. Overall: 11″ x 13″ CONDITION: Very good 50732-16 (800-1,200) – Lot 1621

1622
$0.00

CHARLES CHASE EMERSON (American 1874-1922) “TROUT LAKE”.

Oil on artist board Housed in a period gilt oak frame Signed lower left “Chase Emerson” Identified by Vose Galleries of Boston on verso SIZE: 8″ X 10″ Overall: 16″ X 17-1/2″ CONDITION: Very good 50278-1 (1,000-2,000) – Lot 1622

1623
$711.00

TOM HENNESSEY (American, 20th/21st Century) SALMON FISHING.

Watercolor Housed in a silver gilt molded wood frame with multiple mats (some finish loss) Signed lower right “Tom Hennessey” SIZE: Sight: 13-1/2″ x 19-1/2″. Overall: 23″ x 29″ CONDITION: Very good, not examined out of frame 50918-2 (500-800) – Lot 1623

1624
$0.00

JAMES P. FISHER (American, 20th Century) TWO WORKS: DUCKS & DECOYS.

Watercolors Housed in birdseye maple molded wood frames with mats Signed bottom center “James P Fisher” NOTE: “Jim” James P Fisher is known for his entries into the Federal Duck Stamp program SIZE: 1) Sight: 10-1/2″ x 15-1/4″. Overall: 18-1/4″ x 23″. 2) 18″ x 14″. Overall: 26-1/2″ x 22-1/2″ CONDITION: Very good, not examined out of frames 50918-7 (500-1,000) – Lot 1624

1625
$948.00

DAVID HAGERBAUMER (American, 1921-2014) TWO WORKS: DUCKS IN FLIGHT & WOODCOCK.

1) Ducks in Flight Lithograph on paper Housed in a maple molded frame with mat behind glass Pencil signed lower right “David Hagerbaumer” Published in 1963 by Frost & Reed, Ltd 2) Woodcock Watercolor Housed in a hardwood stained frame with double mat & gold edge Signed lower left “David Hagerbaumer 1983″ SIZE: 1) Sight: 19″ x 27-1/2″. Overall: 28″ x 36″ 2) Sight: 18″ x 13”. Overall: 27″ x 22″ CONDITION: 1) All over foxing, otherwise good, not examined out of frame 2) Very good 50918-6 (1,000-1,500) – Lot 1625

1626
$355.50

WILL BULLAS (American, 1949-) “THE DUCK HUNTER”.

Watercolor Housed in a flat carved wood frame with mat Signed lower right “Will Bullas N.W.S. 1984” and titled lower left “The Duck Hunter” Verso with Carmel Art Association label having title, etc SIZE: Sight: 6-1/2″ x 11″. Overall: 18″ x 22″ CONDITION: Very good 50732-15 (800-1,000) – Lot 1626

1627
$1,066.50

MILTON C WEILER (American, 1910-1974) THE DUCK HUNTER.

Watercolor Housed in a fine partial gilt molded wood frame Signed lower right “MC Weiler” SIZE: Sight: 18″ x 27″. Overall: 29″ x 37″ CONDITION: Very good, not examined out of frame 50918-1 (1,000-2,000) – Lot 1627

1628
$237.00

GEORGE BRUESTLE (American, 1871-1939) BARN, NEW HAVEN, CONNECTICUT.

Oil on board Housed in a modern frame Signed lower left “Bruestle”, inscribed, titled and dated on verso “1902 New Haven Connecticut” SIZE: 7″ x 9″. Overall: 9-3/4″ x 11-3/4″ CONDITION: Very good 50519-3 (600-900) – Lot 1628

1629
$2,962.50

WILLIAM KAULA (American, 1871-1953) “LANDSCAPE #7”.

Oil on board Housed in a modern giltwood frame Signed lower right “W.J. Kaula” (Estate stamp), bears exhibition labels on verso from the Baridoff Galleries “William J. Kaula: The Collection of Minnette H. Cummings”, June 24, 1982-August 8, 1982″ with a signed statement from Minnette H. Cummings, the great niece of the artist. SIZE: 10″ x 13″. Overall: 15″ x 18″ PROVENANCE: Estate of the artist, by descent to his great-niece Minnette H. Cummings; Private Collection CONDITION: Very good to excellent 50652-7 (800-1,200) – Lot 1629

1630
$533.25

RUEL PARDEE TOLMAN (American, 1978-1954) IMPRESSIONISTIC LANDSCAPE.

Oil on cigar box cover Housed in a wood frame with linen & gilt liner Unsigned but identified on back on a typed label SIZE: 4-1/2″ x 8″. Overall: 7-1/2″ x 11″ CONDITION: Some nicks to surface, otherwise very good 50512-20 (500-700) – Lot 1630

1631
$829.50

RICHARD F HONYMAR (American, 20th century) “VALLEY NIGHT”.

Oil and wax on panel Housed in a contemporary giltwood frame Signed lower right “Honymar”, inscribed on verso “R.F. Honymar/oil and wax/5ply museum board/Valley Night” Note: New Jersey artist, Richard F. Honymar, studied art at Boston University then spent a year studying in Perugia, Italy at the Academy de Belle Arti. Upon his return he studied at the New York Studio School with several notable artists of the New York Abstract Expressionist movement, before earning his master of fine arts degree from Michigan State University. SIZE: 29″ x 60″. Overall: 32-1/2″ x 64″ CONDITION: Good, with 1/2″ loss upper right. 50384-4 (400-600) – Lot 1631

1632
$1,481.25

SIDNEY WRIGHT CURTIS (American, 1852-1926) PAIR OF SMALL LANDSCAPES.

Oil on Academy Board Housed in modern gilt wood frames One signed lower right “Sidney W. Curtis”, the other signed bottom left “Sidney W. Curtis” SIZE: Both: 6-1/4″ x 9-1/4. Overall: 7-1/2″ x 10-1/2″ CONDITION: Surface dirt, otherwise very good 50567-63 (400-600) – Lot 1632

1633
$948.00

JOHN RETTIG (American, 1855-1932) “EDGE OF THE CONVENT GROUNDS”.

Oil on board Housed under glass in a molded giltwood frame Signed lower right “John Rettig”, signed and titled in ink on verso label “The edge of the convent grounds. (Brown County) John Rettig”, Note: The frame bears a label from Traxel & Maas Art Store, Cincinnati, Ohio, where the artist is from. SIZE: 6″ x 9″. Overall: 12″ x 15″ CONDITION: Very good 50567-24 (400-600) – Lot 1633

1634
$592.50

CHARLES HARSANYI (American, 1905-1973) “THE INLET”.

oil on canvas Housed in a gold & white wood frame (as found) Signed lower right “Harsanyi” Verso of canvas having titled, signed & dated “1946” SIZE: 23″ x 30″. Overall: 27-3/4″ x 35″ CONDITION: Scattered retouch, very good 50847-5 (800-1,200) – Lot 1634

1635
$296.25

THEODORE TIHANSKY (American, 20th century) “SIGNAL STATION”.

Oil on canvas Housed in a giltwood frame Signed lower right “Theodore Tihansky” SIZE: 16″ x 20″. Overall: 21-1/2″ x 25-1/2″ CONDITION: Minor surface dirt and surface spotting upper left 50547-4 (500-1,000) – Lot 1635

1636
$474.00

GEORGE BOWMAN (American, 1935-2006) LOW TIDE.

Oil on masonite Housed in an elaborately molded giltwood frame Signed lower right “Bowman” SIZE: 18″ x 22″. Overall: 29″ x 32-3/4″ CONDITION: Several areas of discoloration in foreground, otherwise very good. 50339-4 (400-600) – Lot 1636

1637
$592.50

ROBERT E. MOORE (American, b. 1927) COASTAL LANDSCAPE.

Watercolor on paper Housed in a silver painted wood frame with double mat Signed lower right “ROBERT E. MOORE AWS” SIZE: Sight size: 21″ x 28″. Overall: 33″ x 41″ CONDITION: Signature is faded lower right, other wise very good condition, not examined out of frame. 49577-2 (500-800) – Lot 1637

1638
$711.00

GEORGE HERBERT BAKER (American, 1878-1943) WOODED LANDSCAPE.

Oil on board Housed in molded giltwood frame Signed lower left “G.H. Baker” SIZE: 14″ x 15-3/4″. Overall: 18-1/2″ x 20″ CONDITION: Very good. 50567-26 (400-600) – Lot 1638

1639
$355.50

ALBERT HENRY KREHBIEL (American, 1873-1945) SNOWY LANDSCAPE WITH BUILDINGS.

Pastel on paper Housed in a fine carved & gilt frame with white mat Unsigned but retaining a Gerald Peters Gallery label on verso indicating artist & date “Feb 9, 1924″ Accompanied by a catalog of works by Krehbiel from Gerald Peters Gallery SIZE: Sight: 8-1/2″ x 10”. Overall: 16″ x 17-1/7″ CONDITION: Visible paper line on left side, otherwise very good, not examined out of frame 50718-6 (600-900) – Lot 1639

1640
$0.00

EDWARD SEAGER (American, 1809-1886) “PEASANT COTTAGE”.

Pencil on paper (watermark J. Whatman 1842) Housed in a fine decorative wood frame with white mat Signed lower left “Seager”, information attached to verso SIZE: Sight: 7-1/2″ x 10″. Overall: 15-1/2″ x 19-1/2″ CONDITION: Very good, not examined out of frame 50718-14 (300-500) – Lot 1640

1641
$0.00

WILLIAM CHARLES PALMER (American, 1906-1987) “FISH STORY”.

Oil on canvas Housed in a gilt decorated frame Frame with an Encyclopedia Brittanica Collection of American Painting label on verso Unsigned SIZE: 30-1/4″ x 36-1/4″. Overall: 39-3/4″ x 45-3/4″. CONDITION: Relined, some inpainting, very good. 50303-1 (1,000-1,500) – Lot 1641

1642
$0.00

BORIS NIKOLAI MANDROVSKY (Russian/ American, 1916-1989) ABSTRACT STILL LIFE.

Oil on canvas Housed in a modern molded wood frame Signed on verso “Mandrovsky Sickman/ A. M.” SIZE: 24″ x 30″. Overall: 25-1/4″ x 31-1/4″ CONDITION: Very good 38993-3 (800-1,200) – Lot 1642

1643
$29.63

ALFREDO VALENTE (American, 1899-1973) TWO FRAMED PHOTOGRAPHS.

Two silver gelatin prints identically housed in modern black frames with white mats. Each shows the same gentleman in a posed photograph, one standing throwing neckties in the air, the other a half portrait of him standing with arm on edge of wood surface with ties in background. Prints have been mounted to light stock and pencil signed by artist below. Special Note: This lot is being sold to benefit the St. Jude Children’s Hospital SIZE: Print: 13-1/2″ x 10-1/2″. Sight: 16″ x 12-1/2″. Overall: 24-1/4″ x 20″ ea. CONDITION: Very good 50267-4 (200-300) – Lot 1643

1644
$29.63

OSCAR DURAND (American, 1936-) STILL LIFE WITH APPLES, ORANGES & BASKET.

Oil on masonite Housed in a gilt frame with painted white & gold lining Signed lower right “Durand” On verso is a letter concerning the artist and a biography SIZE: 12-1/2″ x 14-1/2″. Overall: 17-3/4″ x 19″ CONDITION: Very good 30825-29 (50-100) – Lot 1644

1645
$4,147.50

LOUIS HAGHE (British, 1806-1885) “THE DESTRUCTION OF JERUSALEM BY THE ROMANS UNDER THE COMMAND OF TITUS A.D. 70”.

After a painting by David Robert Lithograph Housed in a fine modern gilt wood frame with watercolor highlighted matt & plexiglass Titled with other information at bottom margin SIZE: Sight: 30-1/4″ x 43″. Overall: 41″ x 53-3/4″ PROVENANCE: Massachusetts National Fire Protection Association CONDITION: Not examined out of frame, some foxing & toning with small water stain to lower left, generally good 50418-1 (1,500-2,500) – Lot 1645

1646
$0.00

EMMANUEL FOUGERAT (French, 1869-1958) VIEUX CHOUAN DE QUIMPERLE.

Etching with aquatint Housed in a modern frame, matted under glass Signed in pencil and inscribed lower right “E. Fougerat/en hommage respetueux a son eleve Natalie Griess/Paris 26 Octobre 1929” and numbered lower left “18/100″, titled upper right in matrix SIZE: Plate: 13-1/4″ x 10”. Overall: 19-1/4 x 14-3/4″ CONDITION: Full sheet visible, mounted to backing board, discoloration from sun exposure 50567-25 (100-200) – Lot 1646

1647
$177.75

THOMAS BENECKE (American, mid-19th century) SLEIGHING IN NEW YORK.

Hand colored lithograph Housed in a contemporary wood frame, under glass with mat Signed in matrix lower left “T. Benecke, NY”, Published in New York by Emil Seitz, 1855 and printed by Nagel and Lewis. SIZE: 22″ x 31-1/2″. Overall: 31-1/2″ x 40″ CONDITION: Discoloration and creases in margins, visible due to slippage in frame(not examined out of frame) 50586-3 (200-300) – Lot 1647

1648
$474.00

FINE 19TH CENTURY GESSO DECORATED GILT FRAME.

The frame decorated with flowers & leaves SIZE: Inside: 47-1/4″ x 63-1/2″. Overall: 55″ x 71″ CONDITION: Very good with only minor gesso loss 50524-20 (200-400) – Lot 1648

1649
$355.50

FOUR GESSO DECORATED 19TH CENTURY FRAMES.

All with naturalistic flower decoration. SIZE: 1) Interior: 22″ x 28-1/4″. Overall: 30″ x 36″; 2) Interior: 15-1/2″ x 24-1/2″. Overall: 23-1/4″ x 32″; 3) Interior: 12-1/4″ x 24″. Overall: 19-1/2″ x 31-1/2″; 4) Interior: 23-1/2″ x 19-1/2″. Overall: 29″ x 25″. CONDITION: Very good, some minor gesso losses. 50524-4 (800-1,200) – Lot 1649

1650
$355.50

LOT OF 7 ANTIQUE FRAMES.

Five gold gilt gesso decorated frames, also a pair of silver gilt gesso decorated frames SIZE: 1&2) Pair: Interior: 14″ x 22-1/4″. Overall: 17-1/2″ x 25-3/4″; 3) Interior: 19-1/2″ x 27″. Overall: 21-3/4″ x 29-1/4″; 4) Interior: 16″ x 22″. Overall: 21-1/2″ x 27-1/2″; 5) Interior: 20″ x 24″. Overall: 31″ x 35″; 6) Interior: 26″ x 36″. Overall: 37″ x 47″; 7) Interior: 14-3/4″ x 19″. Overall: 22-1/4″ x 26-1/2″. CONDITION: Generally intact, some gesso losses. 50524-6 (600-900) – Lot 1650

1651
$829.50

SIX 19TH CENTURY GESSO DECORATED GILT FRAMES.

Two with pierced carving, one having a mirror plate SIZE: Interior: 7-1/2″ x 5-1/2, Outer: 15″ x 13″; Interior: 7-1/2″ x 10-1/2″, Outer: 14″ x 17″; Interior: 9″ x 11-1/2″, Outer: 16-1/2″ x 19″; Interior: 10-1/2″ x 15-1/2″, Outer: 16-1/2″ x 21-1/2″; Interior: 17″ x 13-3/4″, Outer: 19-3/4″ x 23″; Interior: 18-1/2″ x 21-1/2″, Outer: 23-1/2″ X 27″ CONDITION: Generally very good, only minor gesso loss. 50524-5 (600-900) – Lot 1651

1652
$177.75

LOT OF 8 MODERN FRAMES.

1-4) Matching gilt with rope decoration 5 & 6) Silver gilt with rope border 7) Bead edge gilt frame signed “Munn” 8) Gilt frame with rope design SIZE: 1-4) Interior: 18″ x 24″. Overall: 21-1/2″ x 27-1/2″. 5 & 6) Interior: 18″ x 24″. Overall: 21-1/2″ x 27-1/2″. 7) Interior: 18-1/2″ x 24-1/2″. Overall: 22-3/4″ x 29-3/4″. 8) Interior: 18″ x 24″. Overall: 21-1/2″ x 27-1/2″ PROVENANCE: From a private Massachusetts collection. CONDITION: Generally very good to excellent 50800-167 (200-400) – Lot 1652

1653
$118.50

LOT OF FOUR CONTEMPORARY LARGE FRAMES.

1) Gilt frame with gilt & linen liner 2) Antique style burl frame with gold liner 3) Molded wood stained wood frame with liner 4) Gilt & green painted wood frame SIZE: 1) Interior: 27-1/4″ x 40-1/4″. Overall: 36-1/4″ x 49-1/2″. 2) Interior: 27-1/4″ x 40-1/4″. Overall: 35-1/2″ x 48-1/2″ 3) Interior: 22″ x 40″. Overall: 30-1/2″ x 49″. 4) Interior: 35-1/2″ x 43-1/2″. Overall: 41-1/2″ x 50″ PROVENANCE: From a private Massachusetts collection CONDITION: Very good to excellent 50800-166 (200-400) – Lot 1653

1653A
$296.25

ROLPH SCARLETT (American, 1889-1984) ABSTRACT LANDSCAPE WITH TREES.

Oil on paper Housed in a painted wood frame Signed lower left “Scarlett” SIZE: Sight: 14″ x 19-3/4″. Overall 19-3/4″ x 25-1/4″ CONDITION: Some scratches to surface 49966-1 (500-800) – Lot 1653A

1654
$177.75

GROUP OF SEVENTEEN FRAMED ITEMS.

Various prints, oils and mirrors in decorative frames, including a painting of a saint on marble, painting of a woman on hillside, print of Aurora, oil on canvas of roses a mirror and more SIZE: Smallest: 8-1/2″ x 7″ to Largest: 33″ x 23-1/2″. CONDITION: Some losses to frames, generally good. 50524-7 (400-600) – Lot 1654

1655
$148.13

LOT OF SIX DECORATIVE PRINTS & PAINTINGS.

1) Elizabeth Wadleigh Leary “Nautilus & Moon Shell” Acrylic on panel Housed in a fine decorative wood frame by Heydenryk, NY 2-6) Five decorative prints including two framed French children prints; Dragonfly housed in a very nice frame & mat; “Two Royal Elephants” of a piece contained Pierpont Morgan Library; Gordon Grant “Old Ironsides” SIZE: 1) 5-1/4″ x 7″. Overall: 10-3/4″ x 12-1/4″. 2-6) Overall: 9″ x 8″ to 17″ x 21″ PROVENANCE: From a private Massachusetts collection CONDITION: 1) Very good. 2-6) All very good with some frame losses, Grant has waterstains, as is 50800-27 (100-200) – Lot 1655

2000
$1,066.50

HANDLED SILVER MUG BY HESTER BATEMAN.

The 5″ mug of plain baluster form having a leaf capped scroll handle and standing on a splayed foot. Crest on the front with a stag above a banner that reads “OBLIVISCERE ET CONDONA”. Dated on the underside “1776”. Weight: 11 tr. oz. SIZE: See description. CONDITION: Very good. 50557-2 (575-650) – Lot 2000

2001
$1,777.50

COVERED SILVER TEA CADDY BY HESTER BATEMAN.

The 5-1/2″ h caddy made in ovoid form with beautiful scrolling flowers surrounding central cartouches with one containing a crest of a lion holding flowers. Hinged dome cover with urn form finial with attached locking clasp. Hallmarked on the underside and dated 1783. Weight: 10 tr. oz. SIZE: See description. CONDITION: Overall very good. Key not present. 50557-4 (2,500-3,500) – Lot 2001

2002
$0.00

COVERED SILVER URN BY HESTER BATEMAN.

The 8-1/4″ h urn standing on a splayed foot ending at a beaded rim and having original dome cover. Decorated around the body with draperies of vines and flowers holding a central crest containing a figure in banner which reads “Furth Fortune”. Hallmarked on the underside and dated 1784/5. Weight: 10 tr. oz. SIZE: See description. CONDITION: Wear to the chased design. A few shallow dents in the body. 50557-5 (3,000-4,000) – Lot 2002

2003
$711.00

THREE SETS OF SIX AND AN ASSEMBLED SET OF SIX STERLING SILVER ENGLISH SPOONS BY HESTER BATEMAN.

Set 1) London, 1783/84. 6-1/2″ long teaspoons having a beaded edge, no monogram. Set 2) London, 1772/73. 6-3/4″ long teaspoons, monogrammed but having a seated dragon at top of spoon. Set 3) London, 1785/86. 4-3/4″ long demitasse spoons, bright cut edges and monogrammed “PIE”. 4) London, 1774/75. Two 8″ spoons, no monogram. 5) London, 1787/88. Three 8-3/4″ spoons, not monogrammed but having a “standing lion”. 6) London, 1780/81. 8-1/2″ spoon having a lion and crown decoration. SIZE: As noted above. TOTAL WEIGHT: 27 tr. oz. CONDITION: Set 1) Very good. Set 2) Very good. Set 3) Very good. 4) Very good. 5) Very good. 6) Very good. 50557-9 (1,000-1,200) – Lot 2003

2004
$3,851.25

LOT OF NINE STERLING ENGLISH TABLE ARTICLES BY HESTER BATEMAN.

Lot includes: 1) London, 1780/81. 6″ shaker, high domed removable top having an acorn finial. 2) London, 1789/90. 5-3/4″ shaker, high domed removable top with a spire finial. 3 & 4) London, 1782/83. 1-3/4″ h x 3″ l matched pair open salts having four hoof feet in oval form. 5) London, 1783/84. 5-1/2″ l x 3-1/2″ h creamer with C-scroll handle, three hoof feet and decorated rim. 6 & 7) London, 1784/85. Pair of 3-3/4″ salt shovels. 8 & 9) London, 1787-/88. 3-/34″ salt shovels. SIZE: Sizes as noted above. TOTAL WEIGHT: 12 tr. oz. CONDITION: Generally very good, some minor imperfections. 50557-6 (1,500-2,000) – Lot 2004

2005
$2,370.00

NINE ASSORTED PIECES OF GEORGIAN STERLING SILVER BY HESTER BATEMAN.

Lot including: 1) London, 1787/88 and 1788/89. Two 13″ skewers. 2) London, 1789/90. 13″ stuffing spoon. 3) London, 1784/85. 11-1/4″ stuffing spoon. 4) London, 1784/85. Pair of 7″ ladles. 5) London, no date mark. 5-1/2″ sugar tongs. 6) London, no date mark. 5″ pierce decorated sugar tongs with scallop shell ends. 7) London, 1783/84. 12-1/2″ fish server. Handle having different hallmark. SIZE: Sizes as noted above. TOTAL WEIGHT: 23 tr. oz. CONDITION: Generally very good. 50557-8 (1,500-2,000) – Lot 2005

2006
$3,555.00

FOUR PIECE LOT OF GEORGIAN SILVER.

1) A 6-1/4″ ovoid form teapot by Hester Bateman with design of vines and flowers surrounding central monograms. 2) A 6″ h handled teapot by Hester Bateman with armorial crests having a banner that reads “Furth Fortune”. 3) A 6-1/2″ h handled cream jug by Hester Bateman with the same crest reading “Furth Fortune”. 4) A 6-1/4″ dia footed teapot stand by Daniel Smith & Robert Sharp with eagle crest. Total weight: 36.3 tr. oz. SIZE: See description. CONDITION: 1) Wear to design around body, minor denting, wood handle possibly a replacement. 2) Light wear to design around body, solder repair to edge of base. 3) Shallow dents around body. Repair to of handle. 4) Very good. 50557-3 (3,500-4,500) – Lot 2006

2007
$1,185.00

LARGE HANDLED SILVER CAKE BASKET BY WILLIAM PLUMMER.

The 15″ w basket in oval form with hinged handle and delicate openwork border. The foot surrounded by a beaded edge. Hallmarked around the rim and dated 1782/3. Weight: 45 tr. oz. SIZE: See description. CONDITION: Very good. 50557-10 (2,200-3,200) – Lot 2007

2008
$2,962.50

GEORGIAN STERLING TWO-HANDLED TRAY BY WILLIAM BENNETT.

London, 1797/98, hallmarked “WB” (William Bennett). Oval platter having two ribbed handles, engraved inner border with foliate scrolls and flower heads, the center having a beautiful family crest in shield form, having a center triangle with crown marked “KHARTOUM” surrounded by foliate scrolls. SIZE: 22″ w (including handles) x 14″ deep. TOTAL WEIGHT: 68 tr. oz. CONDITION: Very good, only very light surface scratches. 50557-1 (2,000-3,000) – Lot 2008

2009
$2,666.25

LARGE COVERED FOOTED TWO-HANDLED SILVER TUREEN BY JOHN WAKELIN & WILLIAM TAYLOR.

London, 1781-82. The oval deep tureen set on an oval foot with bead edge. The bowl having half-fluted design, high looped handles with ribbed design. Fully hallmarked on base with makers mark “I.W. & W.T”. The cover having a fruit nut knop. The edge having four hallmarks which are cut at mid-point. SIZE: SIZE: 10-3/4″ h x 15-1/2″ across handles. TOTAL WEIGHT: 69 tr. oz. CONDITION: Very good. 50685-2 (2,500-3,500) – Lot 2009

2010
$1,481.25

GEORGIAN SILVER COVERED SERVING DISH BY WILLIAM BURWASH.

The 13-1/2″ l covered dish heavily decorated around the border with a continuous band of flowers done in relief. Comes with original cover having detachable handle with splayed leaf base. Etched crest on front of a cockerel and crown within a cartouche. Hallmarked on both the cover and bowl with the date 1818. Weight: 60 tr. oz. SIZE: See description. CONDITION: Overall very good. Two small dents to cover corners. 50557-7 (1,500-2,000) – Lot 2010

2011
$1,481.25

GEORGIAN STERLING TANKARD BY EDWARD FENNELL.

London, 1795/6 & 1792/3. The tankard having double bands of narrow ribs, flat top with reticulated, thumb-lift and gold wash interior. A family crest having a serpent head with key in mouth and banner above “Faitheul More Faitheul”. SIZE: 7″ h. TOTAL WEIGHT: 28 tr oz. CONDITION: Very good. 50557-14 (1,000-1,500) – Lot 2011

2012
$16,590.00

MONTAGUE DAWSON (British, 1890-1973) “THE LOFTY TRADER -THE SCOTTISH MOORS BUILT 1890”.

Large oil on canvas nautical scene shows a large tall ship in full sale sailing toward viewer at a slight angle. Several men are on deck and seagulls fly off the stern. A few sailboats can be seen on the horizon with a low land mass. Expansive blue and white cloud sky. Housed in a gilt decorated frame with title and artist plaque. Signed lower left, “Montague Dawson”. On verso is a label with artist and title, also a stamp from Peikin-Mueller, Inc Art Dealers, NY. SIZE: 42″ x 28″. Overall 48″ x 34″. PROVENANCE: Private Maine/Texas Collector. CONDITION: Some paint separation in the upper clouds, otherwise very good. 50012-45 (40,000-60,000) – Lot 2012

2013
$0.00

MONTAGUE DAWSON (British, 1890-1973) “THE RACE”.

Oil on canvas yacht racing scene shows 2 boats with wind filled sails, sailing left to right in white waved tipped green ocean. Vessel in foreground manned by 3 men, captain at the rudder, all under a light blue and cloud sky. Signed lower left “Montague Dawson”. Housed in a shadow box type frame with linen, gold and white painted liner, also having a gilt wood title and artist plaque. On verso are Christie’s New York labels and a Cheryle A. Harrison Conservator, Vancouver, Canada label. SIZE: 24″ x 36″. Overall 32-1/4″ x 44-1/4″ PROVENANCE: Private Maine/Texas Collector. CONDITION: Lined, craquelure, otherwise good to very good. 50012-44 (100,000-200,000) – Lot 2013

2014
$5,925.00

MONTAGUE J. DAWSON (British, 1890-1973) “OFF THE STORM BOUND HORN”.

Oil on canvas laid down on board nautical scene shows 3-mast ship sailing left to right away from viewer on high swelled seas. Ship is shown with half sails up under a colorful sky with dark and light clouds, yellow and salmon colored horizon. Unsigned front but having on verso an attached letter from Frost & Reed of London, authenticating the work as by Dawson, also indicating the pen written title on verso is in the hand of Dawson. Pencil inscription on verso stating “Christmas 1956 number 2954″. Housed in a gilt decorated frame with painted liner having title and artist plaque. As indicated in letter, this probably was a study for a larger painting. SIZE: 11-3/4″ x 15-3/4″. Overall 17″ x 21”. PROVENANCE: Northeast Auction 8/20/06, lot# 1178; Private Maine/Texas Collector. CONDITION: Very good, some very minor vertical craquelure. 50012-46 (20,000-40,000) – Lot 2014

2015
$474.00

TWO RARE ONION PORT AND STARBOARD SHIP’S LANTERNS.

Second half 19th century. England. An associated pair painted sheet iron lanterns. One by “Steam Drifters Stores, Co., Ltd, Lowestoft” with original red onion glass shade. Collar with orig maker’s plaque with shaped cone vent, iron cage and base with original kerosene lamp insert. Second marked “WM. Harvie & Co., Ltd, Birmingham” on original marker’s plaque on collar. Original blue onion glass shade. Crimped cone vent top similar to previous lantern. Lantern retains original tin reservoir fitted with kerosene burner. SIZE: 1) 14″ h, excluding handles. 2) 13-1/2″ h, excluding handles. PROVENANCE: From a private Massachusetts collection. CONDITION: Both lanterns orig as stated. Shades intact. Tin reservoir of second lantern needs re-attachment of burner and cap. Metal surfaces with normal expected corrosion. Paint loss within normal parameters. Very good overall. 50800-93 (500-1,000) – Lot 2015

2016
$177.75

RARE SHIP’S ONION LAMP BY ELISHA WEBB & CO.

Late 19th, early 20th century. Philadelphia, PA. This iron onion lantern with orig red glass globe fixed within an iron cage. Crown bearing manufacturer’s stamp of Elisha Webb & son with South Delaware Avenue address. Lantern now electrified and accompanied by link chain and ceiling cap. Original burner and base plate now absent. Current brick red paint surface is later and over earlier white and black surfaces. SIZE: 21″ h lantern only. PROVENANCE: From a private Massachusetts collection. CONDITION: Base and paint surface as previously noted. Cage with normal and expected corrosion. Lens intact and original. Good overall. 50800-70 (300-500) – Lot 2016

2017
$414.75

PAINTED TIN SHIP’S LANTERN WITH RARE BLUE-GREEN ONION GLASS GLOBE.

Hanging lantern with fluted smoke vent, mounted with onion glass globe within four spoke cage,on cylindrical base. Fitted with original kerosene lamp oil canister. SIZE: 15″ h. PROVENANCE: From a private Massachusetts collection. CONDITION: Structurally good with multiple layers of paint. Corrosion to upper collar at globe. Original burner present. Otherwise good. 50800-113 (400-600) – Lot 2017

2018
$4,147.50

LIFE SIZE COPPER FIGURE OF A SAILOR WAVING HIS CAP.

Figure in typical sailor’s outfit and stands on an integral stepped copper base with coiled rope. Last half of the 20th Century. SIZE: 84-1/2″ total h. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good with partial verdigris patina from outdoor exposure. 50012-80 (2,000-4,000) – Lot 2018

2019
$5,214.00

FINE ANTIQUE DOUBLE SHELL SAILOR’S VALENTINE.

Double hinged folding octagon shaped frame holds on each side a different colorful shell arrangement. One with a circle and eight pointed star; the other a heart surrounded by circles. SIZE: Closed: 10″. Open: 10″ h x 20″ l. CONDITION: Very good. Missing clasp. 50641-23 (1,500-2,000) – Lot 2019

2020
$2,370.00

OUTSTANDING SHIP DECORATED ANTIQUE TOLE WARE TRAY.

The painting of the ship is on paper, which has been laid down on the tole ware tray, most likely done at the same time that the nautical decoration was drawn on the upturned border. The nautical decoration includes sea, fish, shells on coral vines. The central ship shows “the Iris” with three masts in full sail, sailing left to right with American flag. The legend below the ship is as follows “Ship Iris of Salem, John Conway Master, leaving Naples, 1806″. SIZE: 22″ x 30”. CONDITION: Some yellowed varnish, surface dirt, generally good. 50440-11 (1,000-1,500) – Lot 2020

2021
$711.00

SWING-HANDLED NANTUCKET LIGHT SHIP BASKET BY AD WILLIAMS, 1922.

Oval basket having a carved wood swing-handle, oval wood base which retains a label “Light Ship Basket made by A.D. Williams 120 Orange Street, Nantucket, Mass 1922”. Without handle, it is 5-1/4″ high, 8″ wide and 6-1/2″ deep. SIZE: As noted above. CONDITION: Nice, light honey brown patina, one small break, otherwise very good. 50552-8 (1,200-1,800) – Lot 2021

2022
$0.00

SWING HANDLE NANTUCKET BASKET.

First quarter 20th century, Nantucket Island, MA. This nice split rattan and ash, unsigned example with original sage green paint. Round basket with carved ash handle affixed with brass rivet mounts and leather washers. Rim brass tacked and rattan wrapped. Ash base in 2-parts. SIZE: 7-1/4″ h x 11-1/2″ dia. CONDITION: Very good, untouched original condition with minor single weave loss in lower quadrant. 50576-17 (1,500-2,500) – Lot 2022

2023
$82,950.00

ROBERT SALMON (American/Scottish, 1775-ca. 1848) OUTWARD BOUND, LONG ISLAND HEAD, BOSTON HARBOR.

Outstanding oil on wood panel shows a 3-mast ship with part sails up, sailing away from viewer flying American flag. Many people are seen on deck with 2 crew members up on rigging. Several other smaller boats are coming and going past a grass topped sandy cliff. All under a pink highlighted white/gray cloud sky with glimpses of blue. Signed bottom right “R.S. 1832”. Housed in a gesso decorated gilt frame with gilt liner, retaining a Vallejo Gallery label to verso. On verso of panel is written “No. 760 Painted by R. Salmon 1832”, also 2 old pen written taped paper inscriptions. NOTE: Previous owner’s research indicates that the ship may be the “Packet Lintin” that carried Captain Robert Bennet Forbes to China on his first voyage in 1829. The ship is seen heading out through Broad Sound Channel between Long Island Head and Deer Island. Lovell’s Island appears low on the ships port bow. Captain Forbes was one of Boston’s premier merchants and the original purchaser of this painting and he also commissioned several others. EXHIBITED: The Seventh Exhibition of Paintings. Athenaeum Gallery, Boston, Massachusetts, 1833: Long Island Head, Number 25. American Section of the Art Exposition of Chile in 1910. Number 23 (Reference incomplete) See label, in Spanish on reverse of the painting, translation of which reads; “#23. R. Salmon, a marine painter. His works are very scarce”. CATALOGED: The artist’s account book; No. 760. 2 ½ day. 15 ½ by 13. Ship going out upright, with Long Island Head. To Mr. Forbes. Sold in the Athenaeum. 35 dol. ILLUSTRATED: Letters From China. The Canton-Boston Correspondence of Robert Bennett Forbes, 1838-1840 by Phyllis Forbes Kerr, Mystic Seaport Museum, 1996. Pages 18-19. SIZE: 15-1/2″ x 13″. Overall 21-3/4″ x 19-1/2″. PROVENANCE: Captain Robert Bennet Forbes, Boston; Admiral Simpson (Chilean Navy); Alvaro Casanova (Chilean Artist); Ambassador Claude G. Bowers (Chile); Private Collection, Florida; Private Collection, New York; Private Collection, California; Private Collection, Ohio; Vallejo Gallery Newport Beach CA.; Private Maine/Texas Collector. CONDITION: Inpainting to horizontal crack, minor touchup elsewhere, very good. 50012-54 (20,000-40,000) – Lot 2023

2024
$41,475.00

JAMES EDWARD BUTTERSWORTH (American/British 1817-1894) YACHTING IN NEW YORK HARBOR.

Oil on board laid to particle board scene shows 2-mast sailing yacht, sailing left to right in upper bay of New York with Castle Garden on tip of Manhattan on left and Castle William on Governors Island on right. Several ships and masts can be seen. Yacht flies the American flag and is an unidentified yacht. Sky has blue and pink white edged clouds and water with various shades of green and blue. Several crew members can be seen on deck. Signed lower right “JE Buttersworth”. Housed in fine antique gilt decorated frame having gilt wood title and artist plaque. SIZE: 8″ x 12″. Overall 13-1/2″ x 17-1/2″. PROVENANCE: Godel & Co. Inc. NY NY; Roger King Fine Art, Newport RI.; Christie’s New York, lot #140, 3/4/2010; Private Maine/Texas Collector. CONDITION: Touch up to craquelure lines, otherwise very good. 50012-53 (20,000-40,000) – Lot 2024

2025
$8,295.00

JOSEPH B. SMITH (American, 1798-1876) PORTRAIT OF THE SCHOONER “GULF STREAM”.

Outstanding oil on canvas portrait shows the 3-mast “Gulf Stream” in full sail, sailing right to left under a colorful blue and pink sky dotted with clouds. American flag and ship’s pennant are shown along with 2 other pennants. Seven men on deck and other boats are seen on the horizon. Housed in a fine deep lemon gold frame having a title and artist plaque. Unsigned front but retaining its original artist label on reverse “J.B. Smith & Son, Marine Artists, No. 10 Front Street, Brooklyn”. On verso of canvas is a history of the family of the Captain of the “Gulf Stream” Joseph B. Cranmer born 7/28/1806 West Creek, NJ. Died at sea 2/8/1865. Verso of canvas having a “S.N. Dodge’s New York” stencil canvas stamp. SIZE: 26″ x 36″. Overall 32-1/2″ x 42-1/2″. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good with light craquelure. 50012-51 (15,000-25,000) – Lot 2025

2026
$23,700.00

RARE AND IMPORTANT BOSTON WILLIAM AND MARY WALNUT GATELEG TABLE.

Massachusetts. First half 18th century. The rectangular top with bowed ends and hinged D-form leaves above a conforming apron fitted with a single long drawer within the frieze raised on baluster, ring-turned, and blocked legs joined by conforming stretchers terminating in elongated ball feet. The two hinged gates joined by baluster, ring-turned and blocked stretchers. NOTE: The table of double-pinned construction, the top with ruled edge, and the drawer having simple dovetail construction at the front and joined by nails at the back. PROVENANCE: Descended in the Butler-Sigourney families of Boston and Oxford, Massachusetts, thence to Peter Butler, Esq. (1820-1894), a successful merchant and investor, and by descent within the family. Sold at Northeast Auctions Lot #1246 August 2011. Now the property of a private Maine/Texas collector. LITERATURE: For a discussion of Boston gateleg drop-leaf tables, see Brock Jobe and Myrna Kaye, “New England Furniture: The Colonial Era,” pp. 268-270, no. 58. SIZE: 29″ h x 48-1/2″ l x 61-1/2″ open and 20-3/4″ closed. PROVENANCE: Private Maine/Texas Collector. CONDITION: Table retains old surface with good color and patina. No major restorations, losses or replacements. A single board replacement to bottom of drawer. Very good overall. 50012-74 (25,000-50,000) – Lot 2026

2027
$948.00

MAHOGANY BRASS BOUND CAMPAIGN CHEST WITH DESK.

Second quarter, 19th century, American. The rectangular case with three aligned short drawers above a central desk with drop hinged lid, the interior fitted with an arrangement of drawers and valanced pigeon holes, flanked by deep drawers over three long drawers, all with recessed inset brass handles. The recessed case side panels fitted with brass carrying handles. The whole raised on ring turned suppressed ball feet. The case brass bound throughout. SIZE: 46″ h x 49″ w x 23″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: Structurally very good with old surface and rich color. Small veneer losses above hinged writing surface. Chest with earlier re-polish. 50800-84 (1,500-2,500) – Lot 2027

2028
$3,555.00

KASHAN ORIENTAL CARPET.

2nd quarter 20th century, Central Persia. Delicate dense scrolling vinery centering an arabesque indigo medallion with overall floral designs on a red terracotta field. All within a blue-black main border of polychrome floral design within floral ivory guard borders. SIZE: 8′ 9″ x 11′ 8″. CONDITION: Very good. 50304-3 (3,000-4,000) – Lot 2028

2029
$3,851.25

IMPORTANT AMERICAN COIN SILVER COVERED SUGAR URN BY JOSEPH RICHARDSON, JR.

Joseph Richardson, Jr. (1752-1831), Philadelphia, PA. This finely executed urn-shaped covered sugar bowl has a square base, tapered body, removable cover that terminates in a fine modeled urn. Four “JR” hallmarks to base. The body having a triple script monogram “JAR”. SIZE: 10-3/4″ h x 5″ d. TOTAL WEIGHT: 17 tr. oz. CONDITION: Very good. 50276-3 (4,000-6,000) – Lot 2029

2030
$2,962.50

SILVER CANN BY BENJAMIN BURT.

The 5-1/4″ h cann with applied leaf cap scrolling handle and standing on a splayed foot incised in the front with “Gardner B. Perry” and the date “1783”. Marked on the underside “Benjamin Burt”. Weight: 11 tr. oz. SIZE: See description. CONDITION: Overall very good with a few shallow dents in the body. 50557-12 (3,000-4,000) – Lot 2030

2031
$1,303.50

COIN SILVER PORRINGER BY ROBERT EVANS AND TABLESPOON BY BENJAMIN HALSTEAD.

1) 6-1/2″ porringer having a pierced handle and round bowl, having a slightly domed center. Script monogram marked on handle “R.EVANS” (Boston, Mass.), 1768-1812. 2) 9-1/4″ tablespoon, marked “HALSTEAD” (Benjamin Halstead, NY & Phila. (partner with Myer Myers, 1763-1764)). Spoon has bright-cut riggle border and oval shield with pendant. Monogrammed lengthwise in script “CVB”. SIZE: Sizes as noted above. TOTAL WEIGHT: 6 tr. oz. PROVENANCE: 2) Gebelein Boston. CONDITION: 1) Handle with some bends and one break at top right of handle. Appears to be small repair on bottom edge. 2) Very good. 50557-13 (1,500-2,000) – Lot 2031

2032
$11,850.00

RARE AND IMPORTANT QUEEN ANNE WALNUT EASY CHAIR.

3rd quarter 18th century. Probably Newport, Rhode Island. Arched crest rail continuing to serpentine form ogival wings joined to out turned arms on raked supports centering a balloon shaped seat, raised on robust cabriole legs with shaped returns terminating in platform pad feet, rear legs chamfered and back swept with block ring, and vase turned box stretcher. Chair is being offered with frame exposed clearly showing walnut, chestnut and pine elements, all believed original. Inner perimeter of wings and top rail and rear of arms have been bevel shaved undoubtedly for upholstering purposes. There appears to be no compromise to original profile dimensions. NOTE: 1/4 round front leg tenon joints are illustrated in New England Furniture the Colonial Era by Brock Jobe and Myrna Kaye, fig 102-102b, pgs 365-368, similar example, attributed to same cabinet maker. SIZE: 45″ h (back) 13″ h (seat rail) 31-1/2″ w (overall). CONDITION: With original elements as previously noted, walnut finished area retains original cleaned surfaces with no restorations, breaks or damage. 50576-22 (10,000-20,000) – Lot 2032

2033
$0.00

UNSIGNED (American School, Early 19th Century) PORTRAIT OF GEORGE WASHINGTON.

Oil on canvas half portrait of George Washington at a later stage in his life well rendered and showing a very proficient and academically trained artist. Housed in a veneered & gilt decorated frame which is period to the painting. SIZE: 32″ x 26″. Overall: 39″ x 33″. CONDITION: Very good. 50807-2 (5,000-10,000) – Lot 2033

2033A
$4,740.00

CROWING ROOSTER MOLDED COPPER WEATHERVANE.

Late 19th century, New York. Attributed to J.W. Fiske & Co. The molded crowing rooster mounted on a mid molded ball attached to an arrow above a smaller conforming ball. The weathervane with good natural verdigris. SIZE: 28″ h x 25-3/4″ l. CONDITION: Verdigris surface with traces of old gilding original and untouched. Small seam separation along breast of rooster, otherwise very good to excellent. 50567-9 (4,000-6,000) – Lot 2033A

2034
$15,405.00

RARE LARGE LEAPING STAG MOLDED COPPER WEATHERVANE.

Early 20th century, attributed to E.G. Washburne & Co., New York. This fine large example with cast antlers and ears with molded tail, a good deep variegated verdigris. Now offered with museum stand. SIZE: 38″ h x 54-3/4″ l. CONDITION: Dents in body and head have been removed with minor and minimal surface touch-up, verdigris otherwise un-touched. Very good overall. 50850-4 (10,000-15,000) – Lot 2034

2035
$0.00

AMERICAN SCHOOL (19th century) AUTUMN FOLK ART LANDSCAPE WITH FIGURES.

An unsigned naive oil on canvas depicting a stone house situated near a lake surrounded by autumn splendor. Two gentleman on horseback are riding along the stone wall lined property where a young girl in red dress awaits with her white lamb by her side. Note: The current owner purportedly learned from a family member that the artist was Theodore Thomas Fields (1846-1921), an editor of the Marksville Newspaper, who lived in Danville, Boyle County, Kentucky. SIZE: 34-1/2″ x 47-1/2″. Overall: 38-1/4″ x 51-1/4″ CONDITION: Lined with scattered touch up and a 10″ restored vertical tear, minor abrasions, and canvas ripples. 50636-1 (10,000-15,000) – Lot 2035

2035A
$0.00

PAINTED PINE FIREBOARD WITH ARCHED TOP.

Second quarter 19th century, York County, Pennsylvania. This rare example depicting a stone house in Pennsylvania taste, beside a road facing a larger tree. Striated sky suggesting a sunrise or sunset. Note: Approximately six fireboards by the same hand with similar designs are known: three from the Babcock Collection used on a Long Island Estate “HARK AWAY”. Another by this hand was published in Architectural Digest Magazine in December 1991, illustrated on page 145. SIZE: 32-1/2″ h x 31-3/4″ w. PROVENANCE: From a southern New Hampshire collection. CONDITION: Pine board in untouched dry original condition and paint. 50552-10 (12,000-18,000) – Lot 2035A

2036
$10,072.50

RARE AND IMPORTANT FEDERAL CARVED BLUE PAINTED CORNER CUPBOARD. BERGEN COUNTY N.J.

First quarter 19th century, Bergen County, New Jersey. The cove molded stepped cornice above the frieze carved with three aligned starbursts above a pair of beaded, paneled doors opening to an interior fitted with two fixed shelves with in-curved front edges. Above a mid-molding over a single beaded two panel door, the interior with single fixed above the panel base. The whole flanked by diamond capped molded pilasters, flanked by finished canted sides. NOTE: Accompanied by a copy of the original G.K.S. Bush, Nantucket, MA receipt, Jan. 21, 2006. SIZE: 84″ h x 48″ w x 20″ d (approximately at side). PROVENANCE: Purchased from G.K.S. Bush Antiques, Inc., at the winter antiques show, New York City, 2006; to a private New Jersey collection and present consignor. CONDITION: The interior in original red wash the exterior with later but early blue paint over original robin’s egg blue paint. Structurally very good, showing areas of normal wear and abrasions and soiling. 50850-1 (10,000-15,000) – Lot 2036

2037
$1,481.25

FINE WILLIAM & MARY OVAL PINE TAVERN TABLE.

Second quarter 18th century, New England. The oval single board scrubbed top projecting above and joined by rosehead nails, the rectangular apron raised on lamb’s tongue chamfered legs joined by a box stretcher base. Surfaces with early dry red paint over original Spanish brown. NOTE: For a similar example see Furniture Treasury by Wallace Nutting, plate 1241. SIZE: 26-1/2″ h x 32″ l x 21-1/4″ w. CONDITION: Top with old tight longitudinal crack rejoined with hand cut nails, otherwise good. Three glue blocks absent. Old caster holes at underside of legs. 50576-47 (2,000-4,000) – Lot 2037

2038
$5,925.00

RARE ABEL HUTCHINS WALNUT TALL CASE CLOCK WITH ROCKING SHIP DIAL.

Early 19th century, Concord, New Hampshire. The figured walnut and birch bonnet with arched molded cornice surmounted by three slender urn finials with delicate spires above the arched door flanked by free standing reeded colonettes, fitted to the case above a cove molding projecting above the throat with molded waist door flanked by engaged reeded quarter columns, joined to the molded box base raised on thin tapering French feet. The base with applied square panel with incurved corners. The eight day brass movement striking on a bell regulated by a brass clad pendulum and two cannister weights. The back plate engraved with the numbers “3729” over a “6”. The enameled iron dial below the rocking ship vignette in the arch, the paint decorated spandrels with American red, white, and blue shield within gilt scrolling ribbons centering Arabic and Roman numeral chapter rings. The center of the dial with sweep seconds subsidiary dial above time and strike apertures above “Abel Hutchins / Concord” written in elaborate script. Offered with two weights, winder, door key, and pendulum. SIZE: 95″ h x 14-1/4″ throat w x 9-1/2″ d. 19-1/2″ case w. CONDITION: Well-maintained varnish surface, case originally in red paint as evidenced by top of bonnet, back and interior of case. Dial with old paint touch ups, otherwise original. Movement has been periodically maintained by family of original owner. 50873-1 (6,000-8,000) – Lot 2038

2039
$8,295.00

RARE SCHOHARIE PAINTED PINE BLANKET CHEST.

Early 19th century, Schoharie, New York. Fine chest with rectangular hinged top with applied molded edge opening to the interior, fitted with till having lid and sliding side concealing a short drawer. The dovetailed case raised on molded base with bracket feet and shaped returns. The chest in original blue paint, beautifully paint-decorated with classical form urn filled with an arrangement of flowers, all within a stylized scrolling floral border in shades of yellow, red, and green. SIZE: 22″ h x 46″ w x 19-1/2″ d. CONDITION: Very fine untouched and original condition. Paint decoration remains vibrant, with normal and expected in-use wear on top and along edges. 50919-3 (8,000-12,000) – Lot 2039

2040
$8,295.00

FINE HACKNEY HORSE MOLDED COPPER WEATHERVANE.

Late 19th century, American. This well proportioned example with sheet copper ears and mane and with molded tail. Good verdigris surface shading to yellow sizing. Now offered with museum stand. SIZE: 24″ h x 31″ l. CONDITION: With old re-solder repair to tail and with restoration to ears. Slight seam separation on head and forelegs, otherwise very good with very good surface. 50848-2 (8,000-12,000) – Lot 2040

2041
$2,962.50

RARE QUEEN ANNE PIPE BOX IN ROBIN’S EGG BLUE PAINT.

Mid 18th century, New England. This fine example with pierced lollipop hanger, continuing to an open well with vigorously scrolled sides and heart pierced front panel, above a dovetailed drawer, retaining original finely turned knob. All above applied base molding. NOTE: The pipe box of good thin stock construction. SIZE: 18-3/4″ h x 4-3/4″ w x 3-3/4″ d. CONDITION: Dry robin’s egg blue paint applied over oyster white base coat with normal and expected wear. Minimal and minor chip loss above hanging hole. Vertical tight shrinkage crack present at time of construction. Fine condition overall. 50576-1 (3,000-6,000) – Lot 2041

2042
$829.50

PAINT DECORATED PINE STORAGE BOX.

Early 19th century, probably Maine. Rectangular box with hinged lid. Brass carrying handle of period. Opening to storage well. Box decorated overall with foliate sprigs within lemon yellow lined borders. Front decorated with stylized and delicately painted fruit in orange paint all on blue-black ground. SIZE: 8-3/4″ h. 15″ l. 7″ d. CONDITION: Structurally very good. Retains original lock and key. Painted surface original. Edges are abraded with paint loss within parameters. Good overall. 50558-24 (400-500) – Lot 2042

2043
$474.00

NICE SHERATON PAINT AND STENCIL DECORATED DRESSING TABLE.

Second quarter 19th century, probably Maine. The rectangular table with large raised step-back deck fitted with a stencil decorated splash guard with rolled ears decorated with a floral spray and additionally fitted with two aligned drawers, all with dark brown borders and simulated panels on a mustard brown. Table with rolled edge fitted with two aligned drawers in the apron raised on tapering cylindrical ring-turned legs with ringed cuffs similarly decorated overall. Drawers fitted with indigo blue sandwich glass pulls believed original to the piece. SIZE: 40″ h overall, 31″ h of table x 36″ w x 17-1/2″ d. CONDITION: Proper right ear of splash guard has been reattached. Structurally very good, wear and abrasion notably along front edge of dressing table. Lesser abrasions throughout with paint loss to deck top. 50558-20 (800-1,200) – Lot 2043

2044
$0.00

DIMINUTIVE QUEEN ANNE CHIMNEY CUPBOARD IN RED PAINT.

Second quarter 18th century, probably Hudson River Valley, New York. This exceptional narrow dovetailed case with applied molded cornice above rare open unpainted pie shelf. Door with vertical aligned raised panels with shiplap and pegged surround mounted on snipe hinges with forged iron bar latch opening to interior with three fixed shelves. Raised on a molded base with elongated bracket feet with scalloped returns. Painted surface original and untouched. SIZE: 54″h. Case width 18-1/2″. Overall depth 16″. CONDITION: Partial replacement to lower snipe hinge. Rosehead nail construction throughout. Some loss of height to base. Fine patina to surface. Very good overall. 50576-44 (6,000-12,000) – Lot 2044

2046
$2,666.25

OUTSTANDING DOUBLE SIDED WATERCOLOR “THE SHIP “FACTOR” AND THE BARK “VERMONT” OF POKEEPSIE SPERM WHALING OFF NEW HOLLAND”.

Rare & important watercolor shows a broadside view of the three-mast whaling ship “Factor”. The name is both on the bow and ship’s pennant. Partial sails are up with a red & white flag off the center mast which has a black sperm whale in the center. The American flag is off the back. The ship’s side is open receiving a length of blubber with two sailors beside. Another sailor is shown mid-ship stoking a firing which is billowing black smoke. Six colorful shirts are drying off some of the rigging at the front of the boat. One long-boat is upside down on its cradle on the deck. In the foreground are two green whaling rowboats, one attached with harpoon line to a diving whale having its tail visible. The other perusing a sperm whale that is breaching with visible blood. Another boat is seen off the bow with a hint of a whale on the surface. On the left side is seen the “Vermont”, another American three-mast whaling ship. The title is written under the scene. No artist is indicated. On the back side is a watercolor of an unidentified three-mast whaling vessel. Housed in a modern double frame with glass & mats. SIZE: Sight: 13″ x 19″. Overall: 17-1/2″ x 24-1/2″. PROVENANCE: This watercolor descended through the family of our consignor, the descendants of Capt. B.E. Howland of the ship “Factor”. CONDITION: Foxing with some toning and some very light scrapes but generally very good. 50494-46 (5,000-10,000) – Lot 2046

2047
$1,185.00

OUTSTANDING WATERCOLOR “THE SHIP ‘FACTOR’ OF POKEEPSIE N.Y. B.E. HOWLAND MASTER OFF GOVENERS ISLAND NY”.

The broadside view of the whaling ship “Factor” sailing right to left with a #7 Pilot boat leading the way past the fort on Governor’s island flying the American flag. The ship is shown with most sails out, center mast with ship pennant “Factor”, a red & white pennant having a sperm whale decoration and the American flag off the back. Several men are climbing the rigging and many are on deck, one with a spy glass. The title in the margin below the watercolor. Housed in a modern frame with white mat. SIZE: Sight: 12-3/4″ x 19″. Overall: 17-1/2″ x 24-1/2″. PROVENANCE: This watercolor descended through the family of our consignor, the descendants of Capt. B.E. Howland of the ship “Factor”. CONDITION: Some light foxing, generally good. 50494-47 (2,500-4,000) – Lot 2047

2048
$1,777.50

FINE ARTICULATED SAILOR MADE WHALEBONE DOLL.

19th Century. The eyes are inset glass with black centers, there is realistic hair, jointed at hips, knees and shoulders. SIZE: 8″. PROVENANCE: From a Long Island family. CONDITION: Very good. 50641-31 (2,500-3,500) – Lot 2048

2049
$1,185.00

EXTRAORDINARY AND FINE SCRIMSHAW TOWNSCAPE WITH HARBOR ON BALEEN.

Mid 19th century or earlier. Scrimmed showing an entire street anchored by a two story an official building such as a meeting hall continuing to row of commercial colonial buildings and three story residences. The businesses with names inscribed above the showroom windows such as “DRY GOODS”, CROCKERY WARE, HAT WAREHOUSE, TOYS”, etc. Scene continues depicting the harbor where several 2 and 3 masted ships are at dock. Hills are seen in the background at the opposite shore on which are additional residences and farms. Small sailboats are in the foreground while in the background a large sailing vessel can be seen heading out to sea. This unusual work of art is unsigned and otherwise unmarked. The baleen strip on which the scene is worked is 6′ in length. SIZE: 6′ l x 5-3/4″ w at wisest point tapering to 2″. CONDITION: Due to the nature of baleen, the scrimshaw is difficult to see in any great detail without lighting assistance. Baleen is rough cut along the upper edge and has an old repaired break 8″ from the tip now with tack repair. This damage is several inches from the end of the scrimshaw. The worked surface has some areas of light abrasion along the high points of the surface. Otherwise good. 50641-6 (1,200-1,800) – Lot 2049

2050
$2,073.75

RARE CARVED WHALE TRADE SIGN.

Late 19th, early 20th century, probably Massachusetts. Whimsical carving of a sperm whale rendered with slightly open jaws and teeth. Tail is slightly raised with remnants of old painted surface. Gray paint over white sizing. Carving with two orig iron hanging rings. Carved from the solid. SIZE: 11-1/2″ h x 34″ l PROVENANCE: From a private Massachusetts collection CONDITION: Structurally sound with multiple old horizontal shrinkage splits. Otherwise good. 50800-77 (800-1,200) – Lot 2050

2051
$622.13

SHIP’S DEADEYE FROM THE WRECK OF THE WHALING SHIP “WANDERER”.

Circa 1924. Massachusetts. Wooden deadeye bound with twisted steel cable around which are wrapped jute rigging cords. Now mounted on a section of ship’s hatch grating. Note: This deadeye was recovered from the wreck of the whaling ship “Wanderer”, the last whaling ship out of New Bedford, Massachusetts. The ship sailed August 25, 1924, and wrecked on the rocks of Cuttyhunk Island, August 26, 1924. SIZE: 35″ overall length. Overall width 10″. PROVENANCE: From a private Massachusetts collection. CONDITION: In as found condition. The grate fragments refinished. Very good overall. 50800-87 (300-500) – Lot 2051

2052
$1,777.50

UNSIGNED (American, Mid-19th Century) PORTRAIT OF A PROSPEROUS SEA CAPTAIN.

Fine oil on canvas colorful half portrait of a gentleman with brown beard & hair seated in a red upholstered armchair. He is wearing a black coat and white shirt. He holds a green covered spyglass in one hand and a lit cigar in the other. Over his right shoulder is his whaling ship with three-mast in full sail. Housed in a reproduction antique style gilt frame with gilt liner. SIZE: 30″ x 25″. Overall: 36″ x 31″. CONDITION: Stable craquelure, several patches to verso, inpainting, very good. 50802-6 (5,000-10,000) – Lot 2052

2053
$6,517.50

PERCY SANBORN (American 1849-1929) PORTRAIT OF THE SHIP “GLORY OF THE SEAS”.

Oil on canvas scene shows the black hulled ship “Glory of the Seas” sailing right to left through choppy green sea with the American flag billowing off its stern. With full sails and 10 men on deck with 1 having telescope to eye. Name is on bow and stern and a lady figure head decorates the bow. 2 other ships are seen all under a blue sky with puffy white clouds. Signed lower right “Percy Sanborn”. Titled and inscribed lower center “Ship Glory of the Seas; J. Knowles, Master. Built by Donald McKay, East Boston, 1869″. Housed in a fine gilt replacement frame. SIZE: 22″ x 34”. Overall 26-1/2″ x 38″ PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good, minor touchup. 50012-50 (5,000-8,000) – Lot 2053

2054
$0.00

PERCY A. SANBORN (American, 1849-1929) SHIP PORTRAIT OF THE BARQUE JOHN E. HOLBROOK.

Outstanding unsigned oil on canvas ship portrait of the John E. Holbrook showing the three-mast ship sailing left to right under full sail. The name is emblazoned on the stern and there are eleven people on deck. Each mast with flags and the American flag off back mast. A pilot boat is seen off to the left and a point of land with lighthouse is seen on right side. A hand written legend on bottom edge states “Barque John E. Holbrook, New York, Henry E. Brown, Master, Entering Havre, 1866.” Housed in its original black stained oak frame with gold liner. SIZE: 14″ x 20″. Overall: 17-1/2″ x 23-1/2″ PROVENANCE: Painted by Sanborn for Judge Carleton Doak of Belfast, Maine in lieu of a debt, Descended through the family of Judge Doak. CONDITION: Very good in original condition with surface dirt, would brighten with cleaning. 50284-1 (10,000-15,000) – Lot 2054

2055
$2,962.50

OUTSTANDING PIECE OF MAINE SCHOONER HISTORY: SCHOONER “HESPER” NAME PLAQUE.

Originally on the side of the four-mast schooner “Hesper” and one of the few remaining artifacts of this iconic schooner. For many years this four-mast schooner could be seen tied to its wharf along Wiscasset’s Rte 1 shoreline. The sign has “HESPER” carved in deep capitol letters colored in a yellow/gold paint with black background. The ends deep carved scroll & foliate design. The Hesper was a four-mast schooner launched on July 4, 1918 in South Somerset Massachusetts. 200′ long and having some 1348 gross tons, built of pine & oak. Owned by Rogers & Webb of Boston. From 1932 until 1998 the Hesper & Luther Little lay on the shore of the Sheepscot River in Wiscasset. Today there is nothing visible of this grand schooner. SIZE: 117″ l x 9″ t. CONDITION: Cracks and some small chips, generally in very good condition having two mounting rings for hanging. 50802-3 (3,000-5,000) – Lot 2055

2056
$0.00
Revised: 8/15/2016

Great News! Please Note: We have been contacted by a figurehead Historian from England who provided additional information on this piece. She originally stood in the gardens of Wiltshire family home at Hayling Manor, Hayling Island near Portsmouth Hampshire United Kingdom, and is believed to have been taken from a German vessel lost off the coast and taken in to the grounds, (we have a b&w photo showing this Figurehead in the grounds and could date from the 1920’s-30’s, when it was possibly removed from the grounds). This Figurehead was at one time part of the Pierre Dassy Maritime Collection, built up over a number of years by the Belgian Industrialist Mr Maximillien Dassy, and may well have been one of the exhibits at the Royal Brussels Yacht Club, in its exhibition entitled “1000 Jaar Scheepvaart” 1000 years of Ship Art from the 19th July to the 15th September 1979. Upon the death of Mr Dassy parts of the collection came over to the United States of American for sale at the San Francisco Auction House of Butterfield and Butterfield, in its English, American and Continental Furniture and works of Art sale, on the 27th February 1985 as lot number 1261 and from then sold to the present owners.

FINE CARVED SHIP’S FIGUREHEAD OF A YOUNG WOMAN.

Mid 19th century, New England. This wonderful example, carved from the solid, dressed in period robe with elaborate head scarf and jeweled tiara. Her left arm out-stretched with open hand and with well defined facial features now decorated in later paint. The figurehead with scrolling leaf-tips entwining a book on the proper right, or starboard side, now mounted on a modern display stand. The whole in later white paint. SIZE: 66″ h overall, 77″ w/stand, 66″ l. PROVENANCE: From a private Massachusetts collection. CONDITION: The figurehead with old shrinkage cracks, most with old stabilization. Foliate carved elements and book on port side, now absent with trace elements remaining. Some normal and expected dry rot at base of figure. Out stretched arm and face probably restored. 50800-1 (10,000-20,000) – Lot 2056

2057
$11,850.00

PATRIOTIC EAGLE CARVED PADDLE BOX LUNETTE.

Mid 19th century, New England, possibly Massachusetts. This fine example in oak of a displayed patriotic eagle clutching an American shield in its right talon, perched on a globe, flanked by scrolling leaf tips. Decorated overall in red, white and blue paint and with gilding. A nearly identical example is illustrated in Stars and Stripes Patriotic Motifs in American Folk Art by Deborah Harding, discovered in Cape Cod, Massachusetts, in the collection of Hyland Granby. SIZE: 28″ h x 72″ l. CONDITION: Structurally very good, painted and gilt surfaces are faded, now dry and crusty, the box cover with slight warp, eagles head has been re-attached to the plaque, otherwise good. 50802-2 (20,000-30,000) – Lot 2057

2058
$29,625.00

JAMES BARD (American, 1815 – 1897) PORTRAIT OF THE STEAMBOAT “DANIEL S. MILLER” ON THE HUDSON RIVER.

Oil on canvas mounted to masonite. Hudson River scene shows the steamboat traveling right to left through calm water under a sunset sky. The steamboat is shown with a central smoking stack, multiple masts and flags. The boat’s name flag and U.S. flag off stern. Eight men are seen on the twin decks, one atop the wheelhouse hoisting a flag near a golden eagle flagpole top. The name of the boat is at mid-ship and there is movement shown by the spray at the bow and stern. Signed lower right, “drawn & painted by J. Bard N.Y. 1882/162 Perry St.”. Housed in a magnificent antique style modern frame with gilt title and name plaque. On verso is a Museum of American Folk Art exhibition label, October 28 – November 2, 1980. Also an exhibition label from the Hudson River Museum 6/4/77- 9/11/77. SIZE: 30″ x 50″. Overall 42″ x 62″. PROVENANCE: Private Maine/Texas Collector. CONDITION: In very good, restored condition. 50012-56 (50,000-80,000) – Lot 2058

2059
$0.00

PORTRAIT OF A RIVER BOAT CAPTAIN.

Unsigned, mid 19th Century. Oil on canvas 3/4 portrait of a gentleman with beard, brown hair & blue eyes. He wears a double breasted captains coat with brass buttons and watch chain. His captain’s hat, having an emblem with burgee & anchor decoration, is set near his elbow which is resting on a red stand. He also wears a gold & green stone ring. Housed in a modern antique style gilt wood frame. SIZE: 31″ x 25-1/2″. Overall: 36-1/4″ x 30-3/4″. CONDITION: Restored with some inpainting, very good. 50440-9 (2,000-3,000) – Lot 2059

2060
$7,110.00

ANTONIO NICOLO GASPARO JACOBSEN (American, 1850-1921) PORTRAIT OF THE AMERICAN BLACK BALL LINE SHIP “COLUMBIA”.

Oil on board scene shows 3-mast American Black Ball line ship “Columbia” sailing left to right under half sail. Black and white hulled ship having its name emblazoned on stern and bow. Flying American flag and company pennant. Six crew members are unfurling sails at mid-point of each mast. Eight crew members on deck. Front middle sail with the mark of the Black Ball Line. Off the bow the ship is being led by what may be the pilot schooner “Thos. D. Harrison”. Choppy greenish/blue ocean with white wave tips all under a pink highlighted white cloud and blue sky. Signed lower right “Antonio Jacobsen 1915/31 Palisade Av. West Hoboken N.Y.” Housed in a fine period gesso decorated frame with title and artist plaque. Christie’s labels to verso. REF: #26, pg. 76/77, Antonio Jacobsen The Checklist. SIZE: 18″ x 30″. Overall 23″ x 35″. PROVENANCE: Christie’s New York, 1/31/7, lot #304; Private Maine/Texas Collector. CONDITION: Very good, very minor touch up, fine craquelure. 50012-48 (8,000-12,000) – Lot 2060

2061
$5,925.00

ANTONIO NICOLO GASPARO JACOBSEN (American, 1850-1921) SHIP PORTRAIT OF THE “ISAAC WEBB”.

Oil on board portrait of the American Black Ball line ship “Isaac Webb”. Ship sails right to left in full sail flying American flag and company pennant. Front middle sail having grayish ball. Several crew members on deck and name emblazoned on bow. Scene under pink highlighted white cloud and blue sky. Ocean in blue and green hues with white wave tips. Signed lower right “Antonio Jacobsen 1918″. Housed in a good period gesso decorated gilt frame. SIZE: 12″ x 20″. Overall 18-1/4″ x 26”. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. 50012-49 (7,000-10,000) – Lot 2061

2062
$5,036.25

ANTONIO NICOLO GASPARO JACOBSEN (American, 1850-1921) PORTRAIT OF THE SCHOONER “ADELAIDE BARBOUR”.

Large oil on board of a black hulled four-mast schooner traveling right to left under full sail. The name on the bow and ship’s pennant. The American flag flies off the back mast. Three men are seen on the deck. Signed lower right ‘Antonio Jacobsen 1907″ with address under frame edge. Nicely rendered water having blue waves with white tips. All under a blue & pink highlighted white cloud sky. Housed in a modern gilt frame. This ship was built in Newburyport, MA by W.S. Currier and owned by William E. Tilton with New York as it’s home port. SIZE: 28″ x 48″. Overall: CONDITION: Surface dirt, inpainting, good. 50922-2 (8,000-12,000) – Lot 2062

2063
$4,740.00

HIGHLY DESIRABLE FIGURED MAHOGANY BLOCKED END REVERSE SERPENTINE CHEST OF DRAWERS.

Circa 1770, Massachusetts. The rectangular top with molded edge, the front reverse serpentine edge above the conforming case fitted with four graduated drawers on a complex molded base raised on well defined claw feet with boldly shaped returns. The chest with complete set of period brasses. SIZE: 31″ h x 33″ w (case), 36″ w (overall) x 21-1/2″ d (overall). CONDITION: Generally good with well polished surface and rich patina, old repairs to proper left rear molding and bracket. Top with old tight shrinkage crack proper right side. 50855-3 (3,000-5,000) – Lot 2063

2064
$5,332.50

LARGE ANTIQUE HERIZ CARPET NORTHWEST PERSIA.

Late 19th century. The rectangular central medallion with geometric flower heads and elongated pole ends flanked by saz leaf designs woven overall with dense geometric floral trellis work in a madder red field within an indigo main border of scrolling flower heads within ivory and madder red floral guard borders. SIZE: 12’4″ x 16’10”. CONDITION: With general overall wear to foundation in most areas, loss to ends (notably fringe), carpet retains strong color throughout and is supple. No dry rot, evidence of early moth damage now inactive. 50279-1 (1,800-2,500) – Lot 2064

2065
$0.00

DERBEND ORIENTAL RUNNER, EAST CAUCASUS.

First third 20th century. Seven aligned polychrome geometric medallions on rose pink ground with dense polychrome latch-hook floral and geometric designs within ivory main border with polychrome hexagonal geometric medallions with crab design flanked by multiple guard borders. Rug is signed and probably dated at end of field. SIZE: 13′ 7″ x 3″. CONDITION: Slight overall wear with good pile, losses to end fringe, selvedge good. 50747-2 (1,000-1,500) – Lot 2065

2066
$414.75

CHIPPENDALE CARVED MAHOGANY BALL AND CLAWFOOT SIDE CHAIR.

Last 3rd 18th century, New England. Shaped crest rail with molded backswept ears above the pierced splat with C-scrolls and carved volutes above the trapazoidal seat frame fitted with original slip padded seat raised on frontal cabriole legs with scrolling shaped returns terminating in well-defined ball and claw feet. Rear legs backswept and chamfered, all joined by a recessed blocked, vase ring-turned box stretcher. SIZE: Back 38″ h. Seat 17-1/2″ h x 23″ w. CONDITION: With normal and expected loss to ears through wear. Small repairs to top of splat. Old repair to split on proper left stretcher. Retains old surface, maintained and cleaned. 50564-5 (250-350) – Lot 2066

2067
$9,480.00

RARE DIMINUTIVE CHIPPENDALE CHERRYWOOD DROP-LEAF TEA TABLE.

Circa 1755-1775, New England. An extremely rare and desirable table of great refinement, featuring a round top with drop-leaves, cupid’s bow carved and molded apron, and delicate creased cabriole legs of highly refined curvilinear design, terminating in very fine attenuated claw-and-ball feet. SIZE: 26″ h x 30″ open w, 11-1/2″ closed w, x 30″ l. CONDITION: Very good condition. Old repair to one rule joint. Some glue blocks replaced. Good old color and surface. 50839-27 (10,000-15,000) – Lot 2067

2068
$29,625.00

FINE FEDERAL INLAID MAHOGANY TALL CASE CLOCK BY AARON WILLARD.

Late 18th/early 19th century, Roxbury Massachusetts. The arched bonnet with three brass ball and spire finials on reeded plinths alternating with pierced fretwork cresting above the cove molded cornice over a tombstone arch glass door flanked by freestanding reeded colonettes with brass capitols and bases. The door opening to the painted iron dial decorated within the arch depicting a winged and bearded figure of Father Time with scythe, holding an hourglass all within a classical landscape above the dial with Roman numeral and Arabic chapter rings centering time and strike apertures beneath a subsidiary seconds dial and calendar aperture. The dial inscribed “Aaron Willard Jr.” in script over “Boston”. The dial with floral spandrels. The eight day brass movement striking on bell. The waist door with molded edges flanked by engaged reeded quarter columns with brass capitals and bases above flame birch veneered panels, joined to the molded flame mahogany box base, the whole raised on outswept French feet with shaped returns and apron. N.B. The inside waist door retains original paper label of Aaron Willard now mounted beneath a clear glass panel. Clock is offered with three finials, two weights, pendulum, winder and door key. SIZE: 104″ h x 22-1/2″ w x 10″ d. 14-1/2″ throat w. PROVENANCE: Private Maine/Texas Collector. CONDITION: Case professionally re-polished and cleaned, small repair on fretwork, otherwise very good. Movement professionally cleaned and appears complete and operable. Dial is original with touch-ups to paint beneath the VIII and beneath the V. Small paint loss above the “W” of Willard. Minor spot losses to paint throughout. 50012-83 (20,000-40,000) – Lot 2068

2069
$14,220.00

AMERICAN SCHOOLGIRL PICTORIAL NEEDLEWORK AND ALPHABET SAMPLER.

Circa 1765, Essex County, Massachusetts. A rare and exceptional needlework wrought by Elizabeth Field, with rows of alphabet above the stitched inscription “Elizabeth Field Wrought This in the 11th Year of her Age, October the 26th, 1765” within a stitched framework bordered by intricate floral vinery in shades of silver, cream, gold, and blue, above a scene of two courting couples centering a flowering tree. Silk and metal thread on linen. “The needlework of eighteenth-century Salem schoolgirls rivaled the work from Boston, and can generally be recognized by the presence of crinkly silk worked in untouched satin stitches of exceptional length, often in diagonal directions. This unusual technique was evidently initiated around 1740 by a Salem schoolmistress with fresh ideas and considerable talent and was continued by her successors until the close of the century. This teacher probably taught music as well, and the engravings from her songbooks may have inspired her embroidery patterns.” (Betty Ring; Girlhood Embroidery: American Samplers & Pictoral Needlework 1650-1850; Alfred A Knopf; New York 1993; Volume I; Embroideries of Essex County, Massachusetts; pp. 100-108.) Elizabeth Field was the Daughter of Samuel Field (a boat builder from Salem, Massachusetts) & Priscilla Ingalls; She was christened on October 13, 1754; She married Samuel McIntire (1757-1811) of Salem, Massachusetts on October 10, 1778; Only one son from this marriage survived, Samuel Field McIntire (1780-1819) who was born to them in November of 1780; She died in Salem, Essex, Massachusetts on October 15, 1815 at the age of 61. Samuel McIntire was Salem’s preeminent furniture maker, architect and carver (Dean T. Lahikainen; Samuel McIntire: Carving an American Style; Peabody Essex Museum; Salem, Massachusetts; 2007; p. 26). His son, Samuel Field McIntire, followed in his father’s tradition into the 19th century. SIZE: sight: 14-1/2″ h x 15-1/2″ w. CONDITION: Good, in untouched condition mounted on original backboard, in original frame. Linen foundation shows age toning, some deterioration of silk thread primarily in gowns of women, lower corners with some minor staining, otherwise good. 50839-10 (12,000-25,000) – Lot 2069

2070
$2,962.50

FEDERAL MAHOGANY AND EGLOMISE PANEL PATENT TIME PIECE, SIMON WILLARD.

First quarter 19th century, Boston Massachusetts. The mahogany banjo form case surmounted by gilt carved displayed eagle finial on ogee pedestal above the circular convex glass door with brass bezel enclosing the 7-3/4″ dial in cream paint with Roman numeral chapter ring. The throat with rope-twist borders centering a foliate and marbleized decorated eglomise panel. Additionally decorated with a red banner with the partially legible name of “Willard” in gilt lettering. The throat with cast brass side arms of typical form joined to the box base fitted with eglomise panel depicting Apollo in horse drawn chariot. The clock is offered with pendulum, weight and winder. SIZE: 35″ h x 10″ w x 3-1/2″ d. PROVENANCE: Private Maine/Texas Collector. CONDITION: The dial appears untouched and original with light soiling. Umbrella hands appear original as do eglomise panels. Panels with paint loss. Movement is clean and appears operational. Case has no noted damages or restoration. Pendulum lock is absent. 50012-120 (6,000-9,000) – Lot 2070

2071
$13,035.00

ATTRIBUTED TO WILLIAM MATTHEW PRIOR (American, 1806-1873) PORTRAIT OF A YOUNG GIRL IN BLUE DRESS.

Unsigned oil on academy board half length portrait of a young girl wearing a blue dress with lace collar, holding a red book with drapery above her, c. 1840-1850. Housed in a period paint decorated frame. SIZE: 14″ x 11″. Overall: 17″ x 14″ CONDITION: Very good 50634-1 (10,000-15,000) – Lot 2071

2072
$0.00

ATTRIBUTED TO SARAH BUSHNELL PERKINS “THE BEARDSLEY LIMNER” (American, 1771-1831) PORTRAIT OF SUSAN ALDEN, RANDOLPH, MA (American, 1793-1798).

Unsigned pastel portrait of a young infant in blue & white dress holding a basket of flowers in one hand and a biscuit in the other. She is seated on a carpet decorated with red, pink, white, yellow, & green stylized flowers. Susan Alden was the daughter of Dr. Ebenezer Alden (1755-1806) and Sarah Bass Alden (1759-1833) and was a descendant of John Alden & Priscilla Mullins Alden who were immortalized by Longfellow in “The Courtship of Miles Standish”. Housed in what may be its original black & gilt frame, behind glass. SIZE: Sight: 21-1/2″ x 17-1/2″. Overall: 24″ x 20″. CONDITION: Generally very good with a couple of insect holes to feet. 50919-4 (10,000-15,000) – Lot 2072

2074
$2,370.00

RARE LARGE POCKET WATCH TWO-SIDED TRADE SIGN.

Late 19th early 20th century, American. This exceptional sheet tin example with black dial and cutout Roman numerals in the chapter ring centering the jewelers name “J.C. LEWIS JEWELER”. Centering stylized clock hands. Dial is backed with a translucent sheet in white paint which can be illuminated from within. NOTE: Accompanying this sign is a letter written in Berlin, N.H. on which is a photograph of Main Street in Berlin, N.H. a trade sign nearly identical to the one offered here today is clearly seen in the photo. SIZE: 56-1/2″ h x 40″dia. x 8-1/2″ w. CONDITION: The watch case in gold paint with apertures to left and right of the central stem for access to electrical wires and lighting. In very fine condition with minimal losses to gold paint. The two sheets forming the dial in generally very good structural condition. The “W” in Lewis has a split, otherwise with minimal losses to black enamel paint on exterior of dial. 50499-10 (5,000-7,000) – Lot 2074

2075
$1,777.50

RARE AND IMPORTANT TAILOR’S TRADE SIGN PAINTED ON A COPPER WINDOW SCREEN.

Mid-19th century, American. The framed screen is painted with a rendition of the “Great Seal of the United States” above the word “Tailors”, within a scrolled border. The screen mounted in a rigid frame. The whole now mounted in a shadow box display frame. SIZE: Size of screen 35″ x 22-3/4″, overall 37″ x 25″. CONDITION: Very fine overall. Retaining original painted surfaces. The screen with some minor wear. 50499-6 (5,000-7,000) – Lot 2075

2076
$0.00

CHIPPENDALE WALNUT LOWBOY.

Circa 1780, Massachusetts. The rectangular top with molded edge and invected front corners projecting above the conforming case fitted with a single drawer over a central fan carved drawer flanked by short drawers all with thumb molded edges above a scalloped and shaped apron, raised on cabriole legs with shaped returns terminating in well carved claw and ball feet. SIZE: 31″ h x 31-1/2″ w (case), 37-1/2″ w (overall) x 17-1/2″ d (case), 20-1/2″ d (overall). CONDITION: Top has been professionally reset with appropriate restoration proper right side. One return replaced and one absent. Minor refinished wear to feet and talons. One lower drawer support replaced, brasses are period replacements. Very good over all. 50855-2 (2,000-3,000) – Lot 2076

2077
$0.00

SMALL QUEEN ANNE LOOKING GLASS.

Mid 18th century. The rectangular mirror plate within a molded slip decorated with C-scrolled elements within the molded surround. The scrolling crest centering a gilt shell carving. SIZE: 19-3/4″ h x 10-3/4″ w. CONDITION: Frame retains old original surface with small losses to scalloped tips. Additional loss to molded slip at top and bottom. NOTE: Some elements have been reattached with hot glue. Mirror plate original with multiple losses of silver backing. Backboard believed to be original. 50558-8 (800-1,000) – Lot 2077

2078
$0.00

PAIR OF QUEEN ANNE SHELL DECORATED PETAL BASE BRASS CANDLESTICKS.

The sticks, having an interesting shell design to the bases petals, a turn shaft with removable top bobeches with similar stylized shell and decoration. 9-1/4″ high. SIZE: As noted above. CONDITION: Each stick having a split in stems widest portion and other small slits. Otherwise, very good. 50893-11 (2,000-2,400) – Lot 2078

2079
$0.00

PAIR OF QUEEN ANNE BRASS PETAL BASE PUSH-UP CANDLESTICKS.

The exceptionally tall candlesticks having six thumbprint-type petals on base supporting a turn-shaft with similar wide collar, ending in a cylinder candle cup with attached wide rim, having a scalloped edge. Push-ups are present. SIZE: 9-1/2″ h. CONDITION: Very good. 50893-12 (2,500-3,500) – Lot 2079

2080
$9,480.00

CHIPPENDALE MAHOGANY BLOCK-FRONT SLANT-LID DESK.

Circa 1770 – 1785, Massachusetts. The hinged slant-lid opening to reveal an appealing complex double step-fitted interior with an upper level of four blocked drawers over a lower step of two ledger drawers, with six cupid’s bow valenced letter slots above. At center is a patera-carved prospect door, concealing a frieze drawer and blocked lower drawer, flanked by split column mounted document drawers. Below the slant-lid, the case consists of four full-width boldly blocked graduated drawers with square blocking with pleasing radius to top and side transitions. The concave and convex blocking are in equal proportion giving the desk a potent rhythm and vertical stance. The case is cock-beaded around the drawers and lid support lopers accentuating the contour of the blocking. The complex conforming base molding (with large single dovetail to bottom board) further echoes the vigorous shaping. The claw-and-ball feet and scalloped returns are attenuated and conform to the blocked shaping. Mahogany primary wood, pine secondary wood. NOTE: The diminutive width and depth of a desk of this form are exceptional and desirable features. SIZE: 42″ h x 38-1/2″ w (case) x 20″ d. Writing surface 32-1/2″ h. CONDITION: Very good. Desk retains old polished surfaces with rich color and patina. Fall board hinges are replacements, minor repair at hinges, slight bowing at center of lid. Brasses are appropriate replacements in original holes. 50839-8 (8,000-12,000) – Lot 2080

2081
$8,887.50
Revised: 8/23/2016

Please Note: There is a tear in the child’s dress approximately 1″.

UNSIGNED (American, Mid 19th Century) PORTRAIT OF A GIRL IN YELLOW DRESS HOLDING FLOWER WREATH.

Fabulous oil on canvas full length portrait of a young girl standing wearing a gold/yellow dress decorated with a vine of leaf & flowers. She wears black shoes & white stockings and holds a wreath of colorful flowers including white, pink & red roses. She has curly brown hair, blue/green eyes, red lips and pink cheeks. Housed in a period lemon gold molded wood frame. On verso of canvas has a canvas stamp as follows “S.N. Dodges/Artist & Painters/Supply Store/189 Chatham Cor/of Oliver St./ N.York”. NOTE: Through our research there has been a few portraits attributed to G. Gustemer which later have been properly attributed to George Gassner. Similar features include the floorboards the child stands on, the positioning of the feet, the holding of an item, the style of dress, the facial features amongst other similarities. SIZE: 36″ x 29″. Overall: 43″ x 36″. CONDITION: There are two small patches & another on reverse with corresponding minor inpainting. Very good. 50919-1 (7,000-10,000) – Lot 2081

2082
$3,555.00

FINE FULL BODIED COPPER COW WEATHERVANE.

Late 19th/early 20th century, New England. This nice example with early gilt surface and verdigris modeled with a zinc head and copper body with fully developed musculature, deep chest and utter. Now offered an a museum stand. SIZE: 19-3/4″ h with stand x 26″ l. CONDITION: Minor seam splits on hocks of rear legs, with good verdigris and weathered surface, no visible restoration, very good overall. 50850-2 (4,000-6,000) – Lot 2082

2083
$2,962.50

FINE BAKHTIARI GARDEN CARPET, CENTRAL PERSIA.

First third 20th century. This nice example designed with thirteen rows of eleven panels each profusely decorated with stylized and geometric polychrome floral panels, six with weeping flowering trees, an arrangement of four conifer and cypress tree panels, two with MIHRAB design set within top and bottom rows. The whole with vibrant and pleasing palette augmented by orderly design and balance of arrangement of panels. Ivory main border with large scrolling lattice work of polychrome flower heads within terracotta floral guard borders. SIZE: 13’7″ x 15’11”. PROVENANCE: From a private Maine collection. CONDITION: Very good overall with nearly full pile. Slight oxidation in panels with iron brown ground. Short fringe at either end. 50910-2 (2,500-3,500) – Lot 2083

2084
$37,920.00

JAMES EDWARD BUTTERSWORTH (American/British 1817-1894) A THREE DECKER OFF DOVER CASTLE WITH SHAKESPEARE CLIFF IN THE DISTANCE.

Oil on wood panel scene shows several ships sailing in front of the Dover Cliffs having the Castle on top flying red flag. On left side is large 3-decker gun boat being towed by 2 transitional steamers each having 2-masts and center stack. On right side a 2-mast schooner flying American flag is shown sailing right to left toward viewer in full sail. Several other smaller vessels are seen on choppy greenish/blue ocean with white tipped waves. Sky with dark and light areas with colorful clouds and peeks of blue. Signed lower right “JE Buttersworth”. Housed in a fine gilt gesso decorated frame with gilt liner. On verso in pencil is title. Godel & Co. Inc. New York label on verso. SIZE: 7″ x 18″. Overall 13″ x 24″. PROVENANCE: Private Maine/Texas Collector. CONDITION: Slight warp to panel, inpainting to line in sky other minor touch up, minor frame abrasion, otherwise very good. 50012-52 (15,000-25,000) – Lot 2084

2085
$47,400.00

JAMES EDWARD BUTTERSWORTH (American, 1817-1894) “DOVER PASSAGE”.

Unsigned oil on canvas nautical scene shows a single mast sailboat sailing left to right with sails up flying the English flag. Several deck hands are seen on board. An oncoming tall ship with full sails comes toward viewer with many sails on horizon. The White Cliffs of Dover can be seen on the left side and seagulls fly over a white tipped green sea. Housed in a gesso decorated period frame having some finish losses. On verso is a Quester Gallery Stonington, CT label. SIZE: 12-3/4″ x 19″. Overall: 21-1/2″ x 27-1/2″. CONDITION: Lined, fine craquelure, some minor inpainting, very good. 50858-4 (40,000-60,000) – Lot 2085

2086
$414.75

RARE CAMPHOR TAMBOUR CAMPAIGN WRITING DESK.

First quarter, 19th century, probably England. This brass-bound example with sloping hinged lid above a long drawer. The top fitted with a tambour roll. The desk fitted with a telescoping mechanism, whereby the drawers open, releasing the tambour roll into the desk, revealing a tray for stationary and inkwells. The tray telescopes upward, revealing additional tambour slides behind which is fitted with an arrangement of pigeon holes and small drawers. The hinged writing slope opens to a baize-lined surface, within which is a well. Additionally fitted with open compartments, ink well, and pen tray. The case sides fitted with brass carrying handles. SIZE: 10″ h x 24″ w x 18″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: Structurally very good with repolished surfaces. Desk is completely functional. 50800-123 (500-800) – Lot 2086

2087
$177.75

FINE CAMPAIGN STYLE TAMBOUR LAP DESK.

First quarter 19th century. China-England. Rectangular case fitted with tambour roll above sloping hinged lid, above a single drawer with inset campaign style brass handle. When opening drawer, tambour roll slides back into case. Sloping lid may be opened and rests on drawer. Lid currently lined with green heavy gauge paper. Beneath tambour is a series of open compartments. This section may be lifted from within interior, at which point it locks in place forming a gallery of open stationary compartments and valanced pigeonholes. Case additionally fitted with pen tray and three compartments for inkwells behind a blotter roller. Hinged lid additionally opening to storage well. Desk may be returned to original closed position by folding slope and closing drawer, which automatically returns tambour roll to its original position. SIZE: 8-1/4″ h x 18″ w x 8-1/2″ d PROVENANCE: From a private Massachusetts collection CONDITION: Structurally very good. Old original surface with pleasing honey brown color and undisturbed patina. Tambour intact. Small repair in area of lid hinge. Right side facing. 50800-122 (400-600) – Lot 2087

2088
$2,962.50

AMERICAN PORTRAIT OF A SEA CAPTAIN.

Early 19th Century oil on canvas half portrait shows a gentleman wearing a black coat, vest, & white shirt with blue neck scarf. He holds in his hand an envelope with a George Washington stamp made out to Mr. Wm. Smith Boston? The background is a red drape with view of ship off sandy bluff with lighthouse. His arm rests on a table with inkwell, pen, & seal wax stick. There was a Capt. Wm. Smith who was a merchant/mariner in the Boston/Medford area. Housed in a modern molded wood frame. SIZE: 30″ x 25″. Overall: 34″ x 29″. CONDITION: Restored with inpainting, light craquelure. Otherwise good. 50440-8 (3,000-4,000) – Lot 2088

2089
$5,925.00

PAINTED WOOD SHIPS FIGUREHEAD BUST OF ADMIRAL PERRY CARVED BY S.W.BURGESS.

19th/20th Century American. The pine figurehead of Oliver Hazard Perry (1785-1819) carved from the solid depicted with wavy brown hair and mutton chop sideburns, dressed in pale blue naval coat over a black vest, white winged collar shirt with black neck piece. NOTE: A similar is figure shown in “The Antique Trader” February 23, 2011 cover story “Horse of a Different Color”. The name of the carver – “Carved by S.W. Burgess” and the name of the subject – “O.H. Perry” are carved into the lower back of the figurehead. SIZE: 35″ h x 20″ w approx. x 14″ d. CONDITION: The well carved figure with age appropriate wear and weathering, also with a few old filled shrinkage cracks. The names of the carver and subject carved in the back of the figurehead remain legible. A deep fissure down the right side of the figurehead’s back remains open but is structurally sound and in very good condition. A great ships figurehead of Historical significance. 50499-2 (10,000-15,000) – Lot 2089

2090
$0.00

FINE DIMINUTIVE SHIP’S FIGUREHEAD OF MARS THE ROMAN GOD OF WAR.

Circa 1780-1840, American or European. The bust figurehead carved with a youthful countenance, exhibiting boyish features and wavy shoulder-length hair, wearing a plume crested helmet and a chain-mail cloak and armor breastplate. The cloak wraps around the carving at the base of figurehead. White pine. SIZE: 31″ h x 14″ w (approximately) x 10″ d (approximately). CONDITION: In as found condition with considerable weathering, with remnants of layered paint. With losses to plume, and to textured elements of helmet and visor. Loss to cloak at proper right shoulder, partially re-attached. Center of chest with original iron pin for securing to ship’s stem. 50839-21 (6,000-8,000) – Lot 2090

2091
$9,480.00

FRANCIS SOLON MONTICELLO BADGER (American, 1873-1919) PORTRAIT OF THE WINDJAMMER “BRYNHILDA”.

Outstanding oil on canvas ship portrait shows the three-mast white hulled windjammer sailing under full sail right to left thru choppy seas under pink & grey clouds in a blue sky. Flags fly off the back mast and 12 crew members are seen on it’s light colored wood deck. The name is emblazoned on both the bow and just back of the steering wheel. Signed lower left “SFM Badger”. Also on verso of canvas “SFM Badger 5 Trenton St. Charlestown, MA USA .09″. The Brynhilda was built by Stevens & Sons, Glasgow, 1885 and owned by J W Greencock. It held the record of 38 days, 6 hours from River Plate, Argentina to Australia in 1906. It was sold to D.I. Dewarand then to Harvard Shipping Co. and scrapped in 1924. This portrait descended in the family of Capt. James Adam Carr Green, 1844-1903. Information about the family and Capt. Green is included with this lot including copies of excerpts from a ship’s journal in the early 1890’s. Also included in this lot are two items from the Green family. One is a octant made of ebony & brass by G W Blunt of New York in a wood case. Also, a very interesting clear bottle half filled with ash purportedly when Capt. Green’s boat was covered in volcanic ash from a nearby volcano. SIZE: 22″ x 36″. Overall: 29-1/2″ x 43-1/2”. CONDITION: Very good. Sextant shows use, bottle intact. 50440-5 (9,000-12,000) – Lot 2091

2092
$5,925.00

SOLON FRANCIS MONTECELLO BADGER (American, 1873-1919) PORTRAIT OF THE SCHOONER “DONNA T BRIGGS”.

Oil on canvas depicting the American schooner in full sail off the coast. Signed and dated lower left “SFM Badger ’98.” Housed in a giltwood frame. This lot is accompanied by a chronometer and Liverpool jug used on the ship by the last captain. Chronometer: Waltham Watch Co. duel cased having original receipt dated 1925 having Captain Bradford of the Schooner Harriet “B”. Liverpool Jug: 7″ h jug with ship transfer, spread wing eagle “E Pluribus Unum” & Sailor’s Embrace SIZE: 20″ x 30″. Overall: 24-1/2″ x 34-1/2″. Chronometer: Bezel 3″ dia. Case is 5″ sq. PROVENANCE: Acquired directly from the family of the last Captain of the “Donna Briggs”. CONDITION: Painting is in good, restored condition (scattered retouch throughout). Chronometer: Unknown working order. Jug: Losses to some transfer & black highlights, otherwise generally good. 50644-1 (10,000-15,000) – Lot 2092

2093
$3,555.00

WILLIAM P. STUBBS (American, 1842-1909) PORTRAIT OF THE SCHOONER “JOHN J. HANSON”.

Oil on canvas scene shows 3-mast black hulled schooner sailing right to left under full sail. American flag and ships pennants are flying off mast. 8 men are seen on deck and in background is a grass top sand cliffs with lighthouse. Signed lower left “WM. Pierce Stubbs”. Housed in a good gilt replacement frame with artist plaque. On verso a restoration data card from Nina Roth-Wells. SIZE: 22″ x 36″. Overall 25-1/4″ x 39-1/2″. PROVENANCE: Private Maine/Texas Collector. CONDITION: Lined, craquelure, scattered re-touch and inpainting. 50012-47 (4,000-6,000) – Lot 2093

2094
$5,925.00

ATTRIBUTED TO WILLIAM GAY YORKE (American/Canadian/English, 1817-1892) PORTRAIT OF THE GAFF RIGGED SLOOP “JULIA G”.

Unsigned oil on canvas portrait shows the sloop in full sail with single mast, black hull and white deck house. Four men are seen on board sailing left to right through green white tipped ocean. Two other sails are seen on the horizon line, all under a late afternoon blue & cloud sky. Three seagulls are seen among the waves. Housed in a gilt molded wood antique frame. NOTE: The Julia G was built in 1873 in Point Norris, N.J. having a home port of New York. She was 26 tons, 50.3 feet long and was owned by H.S. Robbins. SIZE: 22″ x 27″. Overall: 29″ x 34″. CONDITION: Lined, restored with inpainting, very good 50802-7 (5,000-10,000) – Lot 2094

2095
$1,185.00

GROUP OF THREE ENGLISH BRASS CABIN LANTERNS.

First half 20th century, 1911, 1917, 1941. Each lantern with cylindrical chimney, hinged lid and brass carrying handle with turned wood grip. Each with stamped or impressed maker’s mark and date. Solid brass back mounted with bracket for affixing to cabin wall. Each with three clear glass panel sides with hinged panel door. Two now fitted with modern electric candle lights. Third retains original brass burner and kerosene receptacle. Each with aperture in lower apron in which was applied a turnkey to adjust the flame. All three burnished and lacquered. Two lamps with maker’s mark of “Bullpitt & Sons, Ltd., Birmingham, England”. Third with maker’s mark of “Alderson & Co. Ltd., Birmingham, England”. Note: These and all lanterns of the same design were the standard for the ocean liners of the White Star Line. SIZE: 16″ h x 7-3/4″ w x 5″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: One lantern with solder repairs to base of central glass panel frame and to brass collar frame above panels. All with small dimples and dents commiserate with age and wear. 50800-78 (800-1,200) – Lot 2095

2096
$592.50

BRASS SHIP’S BEACON LIGHT.

Early 20th century. Nice brass example with heavy hoisting handle and domed vent top, fitted with prismatic clear glass lens within a protective cage of four vertical rods. Additionally fitted with a sliding light shield. Lamp has been electrified, side now with switch drilled through side, hole on a round oak pedestal base. SIZE: 13-1/2″ h. PROVENANCE: From a private Massachusetts collection. CONDITION: Lamp has been polished but now with light surface pitting through lacquer. Lens intact and without issue. Light shield inoperable due to location of light switch. Otherwise good. 50800-103 (400-600) – Lot 2096

2097
$770.25

BRASS MASTHEAD LIGHT WITH TRIPLEX LENS AND PORT AND STARBOARD LENSES.

Patented circa 1910. Masthead light with central domed clear lens, flanked by hooded apertures, each with a dome lens: one for port, one for starboard. Hinged rear door mounted with Triplex trademark badge and with fixed mount. Now electrified. Burners absent. SIZE: 11-1/2″ h x 12-1/2″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: Lamp burnished and lacquered. Lenses intact. Base drilled for electrical cord. Interior mounted with socket. Structurally good. 50800-158 (300-500) – Lot 2097

2098
$11,850.00
Revised: 8/5/2016

Please Note: The estimate should be $10,000 – $15,000

FINE BUILDER’S MODEL OF THE STEAMSHIP FREIGHTER S.S. ROYAL SCOT IN A CUSTOM DISPLAY CASE.

Circa 1930. The ship fully fitted with all working gear including hoists and anchors, booms and cranes, lifeboats, funnels, winches, lighting, storage compartments, etc. The pilot house and cabins and aft steerage cabin all realistically rendered. The decks either with simulated steel plates or simulated deck planking. The gangways, walkways and rails also beautifully rendered in simulated chrome. The single stack in black and maroon enamel paint conforming with the colors of the hull. The model accompanied by a plaque set in the base of the cabinet identifying this as No. 333 “Built & engined by/THE CALEDON SHIP BUILDING & ENGINEERING CO. LTD./DUNDEE FOR Mesrs. in THE LONDON & EDINBURGH SHIPPING CO. LTD./LEITH/1930/Length 260 ft. Breadth 38 ft. Depth 18 ft. 6 ins./engines 2200IHP.” SIZE: Case: 48-1/2″ h x 78″ l x 21″ w. Model 67-1/2″ l x 26″ h. CONDITION: Excellent condition. Model has obviously been well-preserved within display case. 50487-1 (10,000-15,000) – Lot 2098

2099
$4,147.50

ANTONIO NICOLO GASPARO JACOBSEN (American, 1850-1921) PORTRAIT OF THE FRENCH LINE STEAMER “LA SAVOIE”.

Large oil on canvas ship portrait of the two-stack, two-mast ship sailing right to left through blue & white tipped sea. Fifty people are seen on deck. The mast, topped by the American flag and a ship’s pennant. Off the stern is the French flag and the name of the ship emblazoned on the bow. All seen under a pleasant light blue and white cloud sky. Housed in a modern gilt frame with rope design. Signed lower right “Antonio Jacobsen 1904/31 Palisade N.Y Av. West Hoboken NJ”. SIZE: 30″ x 50-1/4″. Overall: 37-1/2″ x 57-1/2″. CONDITION: Very minor speck inpainting, very good. 50922-3 (6,000-9,000) – Lot 2099

2100
$4,740.00

ANTONIO JACOBSEN (American, 1850-1921) PORTRAIT OF THE STEAMER “MORRO CASTLE”.

Oil on board. Scene shows the two stack, black hulled vessel going right to left, flying an American flag off stern. Double white deck with four figures, two masts and two black stacks billowing smoke. A white pennant off one of the masts indicates it is a ship of the Ward Line. White tipped blue waves under a gray and pink highlighted white cloud sky. Housed in a period stained oak frame with gold lining. Signed lower right “Antonio Jacobsen 1910/ 31 Palisade Ave. West Hoboken NJ.” Listed as No. 7 on page 208/209 of the book Antonio Jacobsen, The Checklist. SIZE: 22″ x 35-3/4″. Overall 28-3/4″ x 42-1/2″. PROVENANCE: Private Maine/Texas Collector. CONDITION: Unrestored, good. 50012-60 (7,000-10,000) – Lot 2100

2101
$4,443.75

ANTONIO NICOLO GASPARO JACOBSEN (American, 1850-1921) PORTRAIT OF THE SHIP “SAN JACINTO”.

Large oil on board ship portrait showing the single stack, two-mast, black hulled ship sailing right to left through choppy green & blue sea. Fifty people are seen on the deck. The stack is billowing black smoke and decorated with a red star. The front mast & bow having the ship’s name and an American flag flies off the stern. Signed lower right “Antonio Jacobsen 1916″. All under a puffy pink highlighted & white cloud and blue sky. Housed in a modern gilt molded wood frame with some losses. This ship was built by the Delaware River Co. in Chester, PA. Owned by C. H. Mallory & Co. having it’s home port as New York. SIZE: 29-1/2″ x 59-1/2″. Overall: 35″ x 64-1/2”. CONDITION: Spot inpainting throughout, otherwise very good. 50922-1 (9,000-12,000) – Lot 2101

2102
$3,555.00

TWO ENGLISH SAILOR’S WOOL WORK PICTURES.

1) This “woolie” depicts a three-mast ship behind a shield in front of a crowned lion and unicorn which have four flags behind. The shield having a crown atop and written “Honi Soit Qui Maly Pense” below which is a light blue banner written “Dieu et Mon Droit” (“God and My Right). Below the banner are three urns of flowers housed in an antique birds-eye maple frame with gold liner and glass. 2) This “woolie” depicts a central one-mast ship, flanked by three flags with crown atop, curtain swags on border and a banner “Dieu et Mon Droit (God and My Right) housed in an antique birds-eye maple frame with gold liner and glass. SIZE: 1) Site: 15-1/4″ x 20-1/4″. Overall: 20-1/4″ x 25-1/2″. 2) 14-1/2″ x 19-1/2″. Overall: 19-1/4″ x 23-1/2”. CONDITION: Both have fading, wool work is good. 50800-50 (500-1,000) – Lot 2102

2103
$2,429.25

BRASS BOUND MAHOGANY CAMPAIGN CHEST.

First quarter 19th century, England. In two parts, the rectangular upper case fitted with a pair of aligned short drawers above a long drawer, fitted to the conforming lower case of two reverse graduated long drawers raised on ring turned cylindrical feet. The whole brass bound and with recessed campaign style brasses. The chest is accompanied by a secondary platform base fitted with ring-turned cylindrical legs. SIZE: 45-1/2″ h x 39″ w x 18″ d. PROVENANCE: As written by Aubrey H. Gladwith, great-great grandson of Colonel Henry Arthur Gladwith: the campaign chest was originally owned by Henry Arthur Gladwith, born Fort William in Bengal, India. He was educated at Eton College and Cambridge University, England. Once in the military he became a Captain in the 19th Lancers, Fane’s Horse in India and was military aid to Sir John Sherbrooke who he accompanied to Canada. On October 3, 1822 Captain Gladwith married Charlotte Wolley Bourke. In 1828 he relocated to Nova Scotia with his wife and mother. As an army officer Captain Gladwith received a land grant in Glenmore, but first settled on property he bought from “Good Matthew Archibald” which he later gave to his son Bourke. He also purchased “La Prairie Farm” from Captain Rayne where he raised his family. He remained a prominent man all his life and died on February 23, 1881. He fathered six sons and seven daughters with his wife Charlotte. CONDITION: Retains old, cleaned and polished surface. A small splice repair right rear proper upper case side, otherwise with normal and expected minor blemishes from in-use wear, structurally good overall. 50440-15 (1,500-2,200) – Lot 2103

2104
$1,185.00

SCHOOL OF AMMI PHILLIPS (American, 1788-1865) PAIR OF ANCESTRAL PORTRAITS OF GENTLEMAN WITH CLARINET & WOMAN WITH BOOK.

Oil on canvas half portraits show a gentleman with black coat having brass buttons holding a clarinet with music sheet. The woman in black dress with lace collar wearing a gold necklace and ring holding an open book on stand. The paintings are set with opposing backgrounds. Housed in identical antique style frames. SIZE: 30″ x 24″. Overall: 33-1/2″ x 27-1/2″. CONDITION: Lined, restored, very good. 50805-9 (2,000-3,000) – Lot 2104

2105
$15,405.00

MASSACHUSETTS PILGRIM CENTURY CARVED OAK CHEST.

Early 18th century, Hadley, MA. The Hadley chest carved with the initials “RS”. The three panel chest fitted with a single drawer below, carved overall with stylized flowering plants in the panels. The center most with a stylized heart shaped tulip all amongst scrolling foliate vinery above the initials “RS” of the owner. Each case side with three recessed panels within incised molded frame borders. Rear of case constructed with a flat panel within a pinned oak frame. The hinged molded lid, a later replacement in pine, mounted with original iron snipe hinges. The open storage well with one small replaced plank, the rest appear to be original. Traces of old red evident on front panel. SIZE: 32″ h x 45″ w overall x 42-1/2″ w case, 20″ d overall x 18-3/4″ case depth. CONDITION: This fine chest remains in structurally sound condition. The lid replaced as noted. The chest with little or no restoration and with no insect damage or dry rot present on legs. Brass knobs on door are later replacements. Very good overall. 50587-1 (10,000-20,000) – Lot 2105

2106
$0.00

FINE PILGRIM CENTURY PEG LEGGED CANDLESTAND.

Late 17th – early 18th century, New England. Square pine single board top joined to a chamfered pine cleat attached to lambs tongue, chamfered square faceted ash post and oak base raised on splayed octagonal legs. SIZE: 27-1/2″ h. Top 14″ x 14-3/4″. CONDITION: With untouched original surfaces and mellow patina. Table appears to never have been painted. Very good overall. 50576-52 (1,500-2,500) – Lot 2106

2107
$1,481.25

EXCEPTIONAL AND RARE CHILD’S “NECESSARY CHAIR”.

First half 18th century, New England. This fine example with scrolled crest above the panel back joined to canted sides with shaped arms and upturned grips centering the trapezoidal plank seat with oval chamfered cutout hole. The chair with scrolling base all retaining original dry Spanish brown paint. For similar example see Furniture Treasury by Wallace Nutting, plate 2488. SIZE: 27″ h pf back, 8-3/4″ ht of seat x 13-1/4″ w. CONDITION: Two minor patches, one at proper right rear side base and left side lower rear panel, otherwise good untouched condition showing normal wear abrasion to paint with chip losses on edges. 50576-36 (1,500-3,000) – Lot 2107

2108
$1,777.50

FINE RARE AND ICONIC FORGED IRON WHITESMITH FIREPLACE TRAMMEL.

Circa 1657, American or European. This large and profusely decorated forged iron and brass example inscribed on the lobe, beneath the saw tooth blade, “TR 1657.” The blade with incised decoration of meandering oak leafage and acorns. The adjuster arm with acorn finial and incised with a leafy stem. The pierced elliptical pivot arm with brass ferrule, mushroom cap pin, and acorn finial. The saw tooth element with tulip form band and pierced hex symbol crest. SIZE: 10-1/2″ h x 36″ l closed. PROVENANCE: Purchased by the consignor directly from a Virginia collection where it was acquired in the early 1970’s. CONDITION: Untouched, age darkened patina throughout, minor losses to ferrules. 50576-34 (4,000-8,000) – Lot 2108

2109
$0.00

FINE PAINTED AND CARVED ‘FRAGMENT HAND MIRROR’.

18th century, American. The rectangular wavy glass mirror plate, within a single piece rectangular frame with integral hand-grip, and with simple incised line carving on hand-grip and frame. Above the grip within the frame are pierced hanging holes mounted with early twine hanger. SIZE: 9″ t x 5″ w. CONDITION: Original wavy glass mirror plate with age appropriate silvering losses. The frame with a few minor early chip losses. Otherwise in very fine untouched condition. 50576-25 (1,500-2,500) – Lot 2109

2110
$474.00

TWO QUEEN ANNE LOOKING GLASSES.

Mid 18th century, probably England. 1) A diminutive example with scrolling, shaped crest applied with a carved shell. The rectangular mirror plate with arched top within a conforming carved gilt surround and molded frame. 2) A walnut example with two part glass plate within a molded surround with pinched corners beneath the shaped crest with scrolled ears. SIZE: 1) 19″ h x 12″ w. 2) 29″ h x 11-3/4″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: 1) With original glass plate with silver losses. Old professional repair to proper left ear. Original backboard and intact glue blocks. Walnut veneer on pine secondary. Good overall. 2) Professionally re-polished, now with rich brown color. Small loss to veneer beneath proper right ear and to proper left upper corner of frame at molding. Mirror plate replacement. Backboard original. 50800-5 (800-1,200) – Lot 2110

2111
$5,332.50

UNSIGNED (American, 19th Century) PAIR OF ANCESTRAL PORTRAITS.

oil on canvas painted for oval windows but having rectangular canvas. Half portraits of a young man & woman which face each other and housed in identical gilt pebble decorated mats with oval windows. The woman faces viewers right wearing a black dress with high lace collar and yellow bow. She wears a lace bonnet and has curly brown hair, blue eyes and wears a pearl & gold earring. The man, facing viewers left, and wears a formal black coat, gold vest & white ruffled shirt. Dark hair & brown eyes. A very attractive couple. Family history indicates that these portraits descended in the Harkness family and could be Daniel M. Harkness & his wife. Harkness Pavilion in New York’s Lincoln Center is named after this family. SIZE: Sight: 24-1/2″ x 20″. Overall: 27″ x 22″ CONDITION: Generally very good, each having a small push in the canvas 50864-6 (1,500-2,500) – Lot 2111

2112
$21,330.00

FOLK ART PORTRAIT OF A YOUNG BOY ATTRIBUTED TO THE PRIOR/HAMBLIN SCHOOL (American, mid-19th C).

Half portrait of a young boy with curly hair in a blue dress holding a whip. Housed in a mahogany veneered period frame. SIZE: 13-1/2 x 9-1/2. Overall: 17-1/2″ x 13-1/2 CONDITION: Very good. 50757-1 (5,000-7,000) – Lot 2112

2114
$948.00

FINE AMERICAN PUNCH DECORATED FOUR DOOR PIE SAFE.

Mid 19th century, probably Southern. The rectangular cabinet fitted with pair of two panel doors opening to an interior with two shelves above a pair of single panel doors raised on square tapered legs. The doors each fitted with intricately punched tin panels. The case side fitted with three punched tin panels. Each panel with blade cut border within hole punched edges centering a six-pointed star within elliptic punched multi border spandrels. SIZE: 61″ h x 41-1/2″ w x 18″ d. CONDITION: Cabinet retains old crusty surface, all tin panels intact, structurally good. 50734-1 (1,500-2,000) – Lot 2114

2115
$0.00

IMPORTANT AMERICAN SCHOOL GIRL SILK AND WATERCOLOR NEEDLEWORK BY JANE GERRISH, NEWBURYPORT, MASS.

Silk, watercolor with wool chenille needlework depicting the Goddess of Liberty, based on the P. Cinceria Mezzotint “America” published in London: August 14, 1801. Inscription on back “Worked by Jane Gerrish, aged 15 in 1809 A.D. at Newburyport, Mass. Information regarding the lineage accompanies the lot. Housed in a frame with black and gold reverse painted glass, having an oval window. SIZE: Site: 11-1/2″ x 9″, Overall: 17″ x 14”. CONDITION: Some losses in watercolor area, needlework is very good with consistent softness of color. 50893-9 (4,500-5,500) – Lot 2115

2116
$8,591.25

EXCELLENT POLYCHROME DECORATED PARCHEESI GAME BOARD.

Late 19th century, American. Pine game board with eight color palette, design delicately incised-carved. Construction of tight three board form. Inset joined to mortise and tenon, and pegged frame. Verso decorated with unfinished checkers game. SIZE: 22-3/4″ x 24-3/4″. CONDITION: Fine untouched original condition, frame with natural dark patina. 50576-23 (3,000-6,000) – Lot 2116

2117
$2,962.50

FINE LARGE HOLLOW BODY COPPER ROOSTER WEATHERVANE.

Late 19th century, New England. This good example with remnants of gilt surface and now with verdigris with sheet-copper comb, wattle and tail. SIZE: 36″ h x 32″ w. CONDITION: With old restoration to tail at juncture of body, 2 areas of splitting at seam, proper right side at top of tail juncture to body. Additional small split lower portion tail to body. Some minor work to surface, notably at juncture of tail. Vertical support rod has been reinforced, open seam split at rear of proper right foot, otherwise good. 50569-1 (5,500-6,500) – Lot 2117

2118
$6,517.50

LARGE QUILL WEATHERVANE WITH VERDIGRIS SURFACE.

Last quarter 19th century, New England. The sheet copper weathervane mounted with a mid-molded ball and with well delineated feather mounted on a custom iron and maple display stand. SIZE: 24-1/2″ h including stand x 52″ l. CONDITION: Quill with some restoration to solder seams, bullet hole at mid point of lower feather, good verdigris surface with natural patina, very good overall. 50601-2 (4,000-6,000) – Lot 2118

2119
$20,145.00
Revised: 8/15/2016

Please Note: Upon further examination we found that there has been some restoration to the tail and legs.

LARGE AND RARE CAST-IRON ROCHESTER HORSE WEATHERVANE.

Late 19th century, Rochester Iron Works; Rochester or Gilmanton, New Hampshire. This graphic example with sheet iron tail, with weathered black painted surface with some pitting and oxidation to the iron. Museum stand for display.NOTE: This form was sometimes referred to as a ” Formal Horse” by the manufacturer because of its sculptural beauty and imposing size. The Rochester Iron Works Company was known for producing weathervanes in cast iron rather than repousse copper; even though they were considerably heavier, they were well engineered and the weight was counter balanced well enough for them to rotate and change direction with the wind. SIZE: 32-1/4″ h x 38″ l. CONDITION: Structurally very good, with pleasing patination. 50839-20 (18,000-25,000) – Lot 2119

2120
$948.00

UNUSUAL ANTIQUE STORE TRADE SIGN OF A LOWBOY FOR THE “PRIMITIVE ANTIQUE SHOP” IN WILLIMANTIC, CT.

This fabulous sign in the form of a Queen Ann lowboy complete with brasses and simulated fan carving topped by a rectangular sign “PRIMITIVE” and below apron another rectangular sign “SHOP”. Galvanized tin over wood construction, made to push into the ground to support. An early Connecticut trade sign from one of the first antique shops in Willimantic, CT, circa 1915. Owned by C.E. MacFarlane, antique dealer & auctioneer, born Circa 1875-1940’s. This sign was found in a back shed that housed the antique shop and is in as found condition being well worn from many years outside the shop. The sign, together with 1914-1920’s daybook on the sales at the shop. Also a packet of 1930-40’s photographs of the shop & inventory. Along with a large banner type sign on oil cloth of one of the last auctions conducted by MacFarlane, circa 1945 “Auction of/Antiques/Here/Tue. & Wed. Aug. 21-22/C.E. MacFarlane Auction”. A great look at the early days of the Connecticut antique business and inside the daybook is a four-page letter telling of MacFarlane’s first purchase of antiques as he drove a tea wagon around a 25-mile radius of Willimantic in the year 1898. SIZE: 46″ h x 30″ w. CONDITION: Shows use but remarkably intact. 50659-1 (1,000-2,000) – Lot 2120

2121
$0.00

FINE AND RARE TWO GALLON SALT-GLAZE JUG WITH BLUE DECORATION.

Late 19th, early 20th century, probably New York. This fine example with exuberant decoration of a floral filled basket in underglazed blue beneath the incised numeral “2”. SIZE: 13-1/2″ h CONDITION: Shallow chip on interior of opening. Small loss to glaze on base of flower, right side facing. Area has been colored in with blue marker. Otherwise very good. 50584-3 (2,000-2,500) – Lot 2121

2122
$1,777.50

GOOD DIMINUTIVE PINE PAINT-DECORATED STORAGE CHEST.

Second quarter 19th century, New England. The rectangular hinged lid with applied molded edge decorated with a fruit filled urn within a tri-color striped border of black, Windsor green and white, opening to an interior fitted with till and fitted with a vertical sliding cover, lifting to expose an additional storage tray. The case similarly paint-decorated on front and side panels all on a bittersweet ground. On molded plinth raised on suppressed ball feet. SIZE: 16″ h x 31-1/2″ w x 16″ d. CONDITION: Structurally very good, retaining original painted surfaces with normal and acceptable wear and abrasion. Colors remain strong and vibrant. Very good. 50552-5 (2,500-4,000) – Lot 2122

2123
$5,925.00

EXCEPTIONAL CARVED WALNUT ARCHITECTURAL EAGLE ON PEDESTAL.

Third quarter 19th century, American. The classical spreadwing eagle carved in deep relief perched on rockwork mounted to a molded and faceted aesthetic movement pedestal mounted on an X-form base. Used as a patriotic symbol in an upstate New York courthouse from which it was found. SIZE: 61-1/2″ h x 36″ w x 34″ d. CONDITION: Carving retains all original surfaces with rich dark patina and dark tea brown coloration. Very fine overall. 50499-7 (20,000-25,000) – Lot 2123

2124
$0.00

FINE PATRIOTIC DOUBLE ENDED PAINTED BARBER POLE.

Late 19th century. American. Carved pine barber pole retains original red, white and blue paint. Typical, tapered, cylindrical form with modified acorn finials retaining original iron bracket angle mount. SIZE: 35″ l x 4-1/2″ dia. CONDITION: With age appropriate paint wear and minor abrasions. Very good untouched original condition. 50576-21 (1,500-2,500) – Lot 2124

2125
$1,777.50

AMERICAN SCHOOL FOLK ART LANDSCAPE WITH SHEEP.

Fine folk art oil on poplar panel initialed and dated lower right “SPD 88″. Bright, colorful portrait of a large sheep with numerous grazing sheep in the background with fenced pasture, trees and sky dappled with puffy white clouds. Housed in a period carved giltwood frame. SIZE: 14-3/4″ x 21”. Overall: 21″ x 27″ CONDITION: Very good 50576-4 (1,500-3,000) – Lot 2125

2126
$0.00

SEMI-ANTIQUE SAROUK CARPET.

Central Persia, second quarter 20th century. Woven overall with dense floral polychrome vinery centering a floral medallion all on a wine red field within a blue-black floral main border of foliate vinery and lotus blossoms. SIZE: 12′ x 16’2″. CONDITION: With generally good pile however low areas are present within the field, one corner with large stain and dry rot. With areas of professional repair and re-weaving. Carpet presents well within parameters of noted imperfection. 50621-17 (2,500-4,500) – Lot 2126

2127
$2,133.00

FINE ANTIQUE SAROUK ORIENTAL RUG.

Central Persia, second half 19th Century. Central Arabesque medallion flanked by stylized Cyprus and fruit trees framing four peacocks in a midnight blue field within a rose colored main border of lotus blossoms and other flowerheads within scrolling leaf tips and vinery. SIZE: 4’10” x 6’8″. PROVENANCE: Estate of Siro R. Toffolon, of Old Lyme, CT. CONDITION: Fair to good with overall wear. Colors now soft and muted. No major repairs or restoration noted. Repairs at ends and corners. 50335-4 (1,200-1,800) – Lot 2127

2128
$296,250.00

FITZ HENRY LANE (American, 1804-1865) NEW BEDFORD HARBOR.

Unsigned oil on canvas harbor scene shows a busy harbor with a two-mast whaling ship, identified illegibly on the side of the stern, at center foreground with the side wheeler “Massachusetts” sailing right to left in partial view having large black smoke stack, long Massachusetts pennant off front mast and large American flag off stern. In the foreground is a dock scene with three men and pylons and also on the left side a two-mast schooner being loaded/unloaded with logs. On the right side a sailor is seen standing on a small two-mast fishing boat. The background has a low city area with buildings. The scene is set under a blue to pink sky with scattered cloud. Housed in a fabulous period gilt gesso decorated frame with inset metal tag of the firm “Eli Wilner & Co. Period Frames & Mirrors”. On reverse is an Alexander Gallery New York label with artist with painting statistics. On foam core backing is a label from Catherine Dail Fine Art, New York having artist & title. NOTE: This painting will be included in the online Fitz Henry Lane catalog raisonne published by the Cape Ann Museum: www.fitzhenrylaneonline.org SIZE: 20-1/2″ x 29-1/2″. Overall: 33-1/4″ x 42-3/4″. PROVENANCE: Private Maine/Texas Collector. CONDITION: There is severe paint separation, especially in the foreground, restored, lined & recently cleaned. We recommend interested parties view this painting in person or have an agent inspect it on your behalf. 50012-55 (300,000-500,000) – Lot 2128

2129
$0.00

UNIQUE AND HISTORIC ARCHIVE OF NUCLEAR SUBMARINE USS NAUTILUS JOURNEY BENEATH THE NORTH POLE, AUGUST 3, 1958.

Few maritime exploits in history had so startled the world as the silent and secret transpolar voyage of the US Navy’s nuclear submarine Nautilus. This event was the beginning of nuclear arms race that wrote American history for the next few decades. On July 23, 1958, NAUTILUS departed Pearl Harbor, Hawaii under top secret orders to conduct “Operation Sunshine”, the first crossing of the North Pole by a ship. At 11:15pm on August 3, 1958, Nautilus’ Commanding Officer, Commander William R. Anderson, announced to his crew, “For the world, our country, and the Navy – the North Pole.” With 116 men aboard, Nautilus had accomplished the “impossible”, reaching the geographic North Pole – 90 degrees North. Chester William Nimitz (February 24, 1885-February 20, 1966) was a Fleet Admiral of the United States Navy. He played a major role in the naval history of World War II as Commander in Chief, United States Pacific Fleet for U.S. naval forces and commander in Chief, Pacific Ocean Areas for the U.S. and Allied air, land, and sea forces during World War II. Nimitz was the leading U.S. Navy authority on submarines. Qualified in submarines during his early years, he later oversaw the conversion of these vessels’ propulsion from gasoline to diesel, and then later was key in acquiring approval to build the worlds’ first nuclear-powered submarine, USS Nautilus. No wonder he was given these rare objects by Commander Anderson. This archive includes a small US flag inscribed on hoist “THIS WAS PRESENTED TO ME BY THE SKIPPER OF THE USS NAUTILUS SSN 571 AFTER HER NORTH POLE RUN 3 AUG 1958″ signed by C.W. Nimitz. Attached to the hoist forward of presentation was one of Nimitz’ sterling silver Fleet Admiral insignias. This regulation boat flag measures 16-1/2″ on hoist and 32-3/4” on fly. Flag on opposite of hoist is stenciled “US NO 12 M1 44”. Also in the archive are two embroidered insignia, one being a 5″ x 5″ square unit patch for the Nautilus, identical to the one worn by Commander Anderson as pictured on cover of September 1, 1958 LIFE Magazine, and a 6″ round commemorative patch memorializing the journey beneath the North Pole. Also included in archive is an 8″ x 11″ image of the Nautilus showing a small American flag aft of conning tower and a contemporary matchbook cover depicting the Nautilus insignia. A little more research should be able to ascertain who Nimitz gave this grouping to as all we know from the inscription is “Ken”. Ken must be an important person in Nimitz’ career to have been given these valuable and historic souvenirs. PROVENANCE: Chester W. Nimitz (February 24, 1885-Feburary 20, 1966); Ex-collection Dr. John Reckless, Durham, NC. CONDITION: Very good overall. 50314-1 (8,000-12,000) – Lot 2129

2130
$11,257.50
Revised: 8/9/2016

PLEASE NOTE: Comments made via email by foremost American flag expert and historian Steven Hill on Co. H, 92nd NY flag: “Painted by Thomas Savory of Boston. He did several for individual Mass regiments, and judging from painting style, also subcontracted through Charles Eaton on Mass state colors “made” by Eaton. Also did colors for Maine (check out their website) and NH and Vmt. No flags signed so far as I know, but newspaper accounts on several Mass regiments mention handsome colors done by Savory, and those non-standard flags are still in existence in Mass. Very interesting in that eagle’s vary greatly in size, many lap over one or more stars (as in this example). Stars apparently painted on in a rough circle prior to handing over to Savory, who then drew in eagle freehand, sometimes accidentally sizing it such that it ran over some stars. My favorite example is 13th Mass, two stars actually painted out with black paint and new stars of slightly different size and different paint jammed in wherever they would fit”. Few flags North or South can we ever identify to actual hand that painted them!

CIVIL WAR BATTLE FLAG OF THE 92ND NEW YORK INFANTRY.

This all silk hand sewn flag was the first flag of the Co. F, 92nd New York, measuring 50″ on hoist and 73″ on fly. The 92nd was organized January, 1862, in Potsdam, New York and this particular flag was presented at Camp Union, Jan. 10, 1862 to Capt. Orange Newton, then commander of Co. F by ladies of Stockholm, NY. The flag presentation was accompanied by a brass band and a speech of acceptance from Captain Newton thanking the ladies for this extraordinary flag that they had paid $80 to have painted. The 34 stars in canton represent the 34 states at this time. This flag is typical of early war presentation flags all silk with painted canton still retaining its red, white and blue pole ties. Company “F” of the 92nd no doubt carried this flag in the early part of war through the Manassas Campaign and the Peninsula Campaign. It saw its first action in the battle of Williamsburg. Early in 1863 after one year in service they were involved in the battles of Kinston, White Hall and Goldsboro, N.C. In March of ’63 the regiment occupied a fort on the Neuse River near Newbern, N.C. and named it Fort Anderson in recognition of their commanding officer. Here they were in command of several large cannon. The fort was attacked by 7,000 Confederates under Confederate General Pettigrew. The 92nd survived the attack and stayed on for another year, losing many men to disease in the southern swamps. Capt. Benjamin H. Webster who’s name is inked on hoist, “B.H. Webster Pembina, ND” left service and must have brought flag home during Ft. Anderson campaign. In a document of the Assembly of New York a national flag with the name of regiment “Excelsior Rifle Battalion” was returned by the regiment May 11th, 1864. “The flag was used by the regiment until it was so torn by bullets that it could not be unfurled.” This is not the regulation silk flag they speak of, however, that same legend “Excelsior Rifle Battalion” would fit on this ribbon and few letters that remain do fit this name, though, according to the restorer they didn’t know where the letters went and they were reversed. Benjamin H. Webster entered the 92nd as an original lieutenant in company “F”, he was discharged in January, 1863 as Captain, and must have retained possession of this flag. He later moved from Stockholm NY to Dakota Territory where he later died in Pembina, ND. This no doubt was the flag originally presented January 10th, 1862, to Captain Orange Newton and retained by later Captain Benjamin H Webster. This is the only surviving flag of the 92nd, though newspaper accounts speak of this presentation and the regimental presentation flag which others are unaccounted for. SIZE: Frame is 80″ h x 57″ w. PROVENANCE: January 10th, 1862 presented by the Ladies of Stockholm to Captain Orange Newton, Company “F”, 92nd N.Y. at Camp Union; Captain Benjamin H. Webster, Company “F” 92nd New York, 1862-1863; Purchased in Western flea market, circa 1980, then by current owner in 2015; Conservation University of Denver, Conservation Center, 1987. CONDITION: Red and white stripes are fairly intact, though red has faded to pale pink. Blue canton still retains good color as can be seen in photo’s with reductions of about 75% of the painted areas, though they have been backed by the conservator. The red ribbon also is missing its motto. Flag is well conserved and is pressure mounted with backing and plexiglass. Conservation report is available. Conservation was done at the Rocky Mountain Conservation Center at the University of Denver in 1987. Inked inscription on hoist is easily discerned. 50696-1 (8,000-12,000) – Lot 2130

2131
$5,332.50

19TH CENTURY 5-FOOT SQUARE CONFEDERATE BATTLE FLAG MARKED ON HOIST BY THOMAS ALEXANDER BRANDER WHO WAS ARTILLERIST IN THE VIRGINIA ARTILLERY, ARMY OF NORTHERN VIRGINIA.

This is a most unusual and perplexing flag as the materials all appear contemporaneous to the Civil War as does the machine stitch used to assemble this flag. There are only minor differences noted as to construction of Civil War flags and this slightly later example. This cataloger is fairly certain that this flag and another that is no doubt related which was donated to VMI in 1923 as the battle flag of the Letcher Artillery and used at the battle of Newmarket. Thomas A. Brander was an officer in this unit. The flag at the Virginia Military Museum collection is identical in construction as the flag here though a different size 40″ x 44″, it also has the same inked inscription “T.A. Brander” on the hoist but also “$2.00”. Thomas A. Brander (1839 – 1900), not only was a Confederate hero commanding artillery at most of the major battles fought under Robert E. Lee including Gettysburg where a plaque commemorates his position. Brander was also very involved in post war commemorations of Confederate Veterans, by time of his death he was Major General and Commander of Virginia division of the United Confederate Veterans. Most likely this flag is commemorative and not war time, though until this flag surfaced the VMI Military Museum flag was thought to have been war time, but it is now listed in archives as commemorative. This flag has family provenance dating it back to the Brander family according to our consignor which we do not doubt. Overall dimensions are 60-1/4″ on fly 59-1/4″ on hoist, the Saint Andrews cross is 8-3/4″ wide, the cotton stars are 6-1/2″ across. Flag is totally machine sewn with cotton hoist with sleeve retaining mounting cords that appear contemporary to its manufacture. Regardless this is a great opportunity to buy a Confederate battle flag at least 118 years old with a moderate estimate. A detailed research letter is available, written by Confederate flag historian Greg Biggs. CONDITION: Very good to fine overall with scattered areas of mothing to bunting. Flag has excellent color with soiling especially the hoist. 50780-1 (4,000-6,000) – Lot 2131

2132
$6,221.25

MODEL 1872 CAVALRY OFFICER’S SABER INSCRIBED TO “LITTLE BIG HORN” SURVIVOR AND CONGRESSIONAL MEDAL OF HONOR WINNER CAPTAIN EDWARD GODFREY, COMPANY K, 7TH US CAVALRY.

Edward Settle Godfrey (1843-1932) was a life-time military officer and Congressional Medal of Honor winner, West Point graduate, and Brigadier General. He is buried in Arlington National Cemetery, and wrote the most influential personal, unbiased perceptions of the Battle of Little Big Horn where his commander, George Armstrong Custer, was killed. Godfrey was a Lieutenant at the time of Little Big Horn and was promoted to Captain after the battle. Godfrey would become the only officer of the 7th Cavalry to see action in all major engagements with the Plains Indians. This sword is in fine condition with 32″ blade made by “Ames Sword Co. Chicopee, MA”. The blade is engraved with panels of patriotic motifs and a 4″ panel “Capt. Edward S. Godfrey / ‘K’ 7th Cavalry”. There is a photograph of Godfrey apparently holding this exact sword circa 1880. PROVENANCE: Godfrey Family Descent, NJ; Bill Roden Collection, Torrington, CT; Micahel Coppala, NY; Cowan’s Auction Company, Lot 245, October 25, 2011. From a private Massachusetts collection. CONDITION: Sword is very good to fine overall. Shark skin grip is complete including original fancy triple wire wrap. Blade retains most of its original polish and luster. Hard metal plated scabbard has bubbling and freckling but retains most of its original plate. Drag is bent and missing its mounting screws. Protective washer is replaced. Brass has old polish with varnish, typical burnishing seen in earlier 20th Century. 50800-99 (8,000-12,000) – Lot 2132

2133
$1,777.50

RARE CONFEDERATE NEW ORLEANS BROADSIDE.

Among the most infamous orders of the Civil War was the decree by General Ben Butler while military governor of New Orleans stating that women of New Orleans showing contempt for Union authority would be treated as prostitutes. This is a first broadside we are aware telling Southern men to take revenge. General Butler was lampooned and hated in the South for this order, among others, though he was a most competent commander and actually ran New Orleans quite well. He did return from the war a very wealthy man, later to be Governor of the State of Rhode Island. Many feel he made his fortune by selling seized Confederate cotton for his and his family’s benefit, making millions of dollars. There are other rare objects telling of “Beast Butler’s” escapades in New Orleans, including imported bedpans with is face as the target. Similar to Parrish and Willingham 1049, this example appears to have pulp paper and is most likely post-war. Because of Butler’s audacity, this proclamation was slung all over the place as propaganda throughout the war and afterwards. Some pseudo-facsimiles were printed in Union occupied New Orleans presses and some were post-war souvenirs of Yankee honnors. SIZE: 10-1/2″ x 13-1/2″. CONDITION: Paper is soiled, foxed and acid burned. Several small creases and holes, most noticed in upper right and lower left corners where removed from mounting. A circa 1900 newspaper is still partially attached to back of broadside with tape at edges. Text is all dark and discernible. 50572-1 (800-1,200) – Lot 2133

2134
$16,590.00

OUTSTANDING FOLK ART CARVED ABRAHAM LINCOLN INSPIRED INLAID WALNUT WALL MIRROR.

American, third quarter of the 19th Century. This mirror crest having a 28″ wide American eagle with spread wings having head down toward the mirror. The talons grasping naturalistic elements with lightning bolts protruding. The rectangular mirror plate surrounded by a scrolled cornered frame, on the left side depicting a freed African American slave and the right side a series of books with flaming torch above. The bottom lower crest has a finely executed 6″ deep relief bust of Abraham Lincoln with a leaf wreath surrounding. On either side are inlaid flags with stars & stripes. Above the flags, in deep relief carving, are guns, swords, and other implements of the Civil War. SIZE: 46″ h x 27″ at widest. PROVENANCE: Paul Tudor Jones II Collection. CONDITION: Mirror plate with deteriorating back surface. The woodwork and carving having a fabulous medium walnut patina. The carving is very good with an old repair on the left facing wing and small, old losses to left wings feather tips. The upper left end of the banner may have had a scroll end at one time but long ago has been lost and does not detract from the overall appearance. Overall a stunning achievement of carving & thought. 49941-38 (15,000-25,000) – Lot 2134

2135
$0.00

SIGNIFICANT CIVIL WAR – GAR ARTIFACT COLLECTION INCLUDING AN EXTREMELY RARE ARTICULATED ARTIFICIAL LIMB FOR AMPUTEE JOHN S. KOSTER, COMPANY H, 21ST MASS INFANTRY WHO LOST HIS ARM AT THE BATTLE OF COLD HARBOR, VA, 1864.

This lot includes a collection of artifacts belonging to the late Major John S. Koster (1841-1937) of Port Leyden, NY. Major Koster was the inspiration for the poem “The Empty Sleeve” which was extremely popular among Civil War veterans and the public at large back in the day. The lot includes the following: 1) Major Koster’s wooden prosthetic right arm replacing limb lost at the battle of Cold Harbor, June 4, 1864. This is a spectacular relic with articulating elbow, wrist, thumb and fingers painted in flesh tones with a leather harness to connect to shoulder. Makers plaque with Jan. 1865 patent date is attached. This type of articulated prosthetic was exceptionally rare during the Civil War and few examples are noted in any collection. 2) Two cabinet card photos of Major Koster, one showing military medals and prominently displaying “empty sleeve”. 3) And 8-page booklet including the poem “The Empty Sleeve” and two laid-in photographs of Koster with a child gazing into the “empty sleeve”. 4) Letter from the War Dept. rejecting Major Koster’s request for the Medal of Honor signed by War Secretary Elihu Root. 5) Engraved and colored “tongue in cheek” invitation to a complimentary lunch to the Botchford Post, No. 385, G.A.R. 6) 25″ x 25″ framed certificate commissioning Major Koster as Aide to Camp, New York GAR. 7) Two celluloid G.A.R. pin-back buttons picturing Major Koster. 8) Handwritten notebook of proceedings of the Botchford Post, No. 385, G.A.R. 9) Two large 19th century checkbooks belonging to Koster. CONDITION: Very good overall on paper with the normal soiling noted after 100 years. The prosthetic arm is very good overall with good craqulure, chamois hinge is complete, little finger has broken tip and another crack at rear joint, leather harness has several breaks, but appears complete, but may be missing a strap. Regardless, we don’t know of another example. 50899-1 (3,000-5,000) – Lot 2135

2136
$474.00

FRAMED COURT MARTIAL LETTER TO REAR ADMIRAL J. A. DAHLGREN, SIGNED BY GIDEON WELLES AND A PAYMASTERS RECORD.

The letter framed between colored engravings of Dahlgren and Welles, the letter on blue Navy Department stationery dated October 11th 1865. The letter is as follows: “Sir:/A naval general court martial, of which you are/appointed a member, is ordered to convene at the Navy Department/in the city of Washington, DC/on the first day of November 1865 at which time and/place you will appear and report yourself to the presiding officer of/the court./I am, respectfully, yours,/G Welles (signed), Secretary of the Navy/to/Rear Admiral J.A. Dahlgren/no/402. L. Street/Washington D.C.” The letter has been handwritten on later “Acknowledged Oct. 14th 1865”. And then later, also written “The order has been performed. D.G. Farragut (signed) Dec. 2nd 1865, President”. We could not find in research any significance to the court martial and it is an interesting letter in that it is signed both by Gideon Welles and Admiral Farragut on behalf of the President. The paymasters stub made out to “Brigadier General William Birney”, the time period from October 1st to October 31st 1864. For a time period that is stated as “Leave of Absence” by authority of Special Order No. 300 dated October 19 1864, certified by Major General Inman Riche. On the bottom are listed three servants, all black and all three named. Signed on the bottom right and middle right “Wm. Birney”. SIZE: Total size: 15-1/2″ x 25-3/4″. Paymaster stub: 11″ x 17″ CONDITION: Very good, letter is clean with fold marks, with bold signatures. Paymaster Stub: Fold marks, slight tears at folds, very readable, evidence of tape adhesion at folds. 50813-3 (600-700) – Lot 2136

2137
$0.00

TWO ENGINEERING JOURNALS OF E.M BENNETT’S DATES 1876 & 1878.

The 1876 journal only partially filled, approximately 20 pages showing diagrams of engine parts, some colored but most having a written explanation about them. The 1878 journal labeled “Practice Cruise 1878 U.S.S. Mayflower”. The book almost full with detailed drawings, mostly involving engine parts with detailed descriptions and drawings. There are steam valves, gears, some backup information with which ship was involved, includes a plan of Engineer Dept. of the U.S.S. Tennessee including blake pump, boiler, cameron pump, spring safety valve, and more. SIZE: 14″ x 8-1/2″. CONDITION: Some stains & use, generally good. 50027-1 (2,000-3,000) – Lot 2137

2138
$2,370.00

MINIATURE PAINTING OF GENERAL WINFIELD SCOTT ALONG WITH A MATCHING COLOR ENGRAVING.

General Winfield Scott (1786-1866) General in Chief of the U.S. Army from 1841-1861. Outstanding oil on tin miniature half portrait. He is seen in full uniform against a light brown background. Identified on reverse and no artist known. Housed in a period gilt frame. Along with a framed colored engraving of Winfield Scott engraved by Charles Holl. from a daguerreotype by Mathew Brady. Housed in a wood frame with gilt liner behind glass & mat. SIZE: Oil: 5-3/4″ x 4-3/4″. Overall: 8-1/4″ x 7-1/4″. Engraving: Sight: 9″ x 6″. Overall: 16″ x 13″. CONDITION: Oil: Very good. Engraving: Toned & foxed, otherwise very good. 50440-2 (1,000-2,000) – Lot 2138

2139
$0.00

WATERCOLOR AND PRINT CIVIL WAR SERVICE RECORD FOR LIEUT. COLONEL JASPER HUTCHINS.

The service record in gilt lettering on an American eagle topped shield stating “that he was in the 22nd Maine Infantry, Company C, then he was also in the 83rd and 78th US Col. Infantry. Mustard in October 10, 1862 and participated in the Battles of Irish Bend and the Siege of Port Hudson. Mustard out Jan 6, 1866”. The bottom with banner and picture of Lt. Col Jasper Hutchins. The print signed below “Forbes & Co Boston”. The center having a well watercolored United States of America War Office emblem titled “Department of the Gulf”. Housed in a period deep walnut wood frame with gilt liner and glass. SIZE: Site: 21-3/4″ x 16-3/4″. Overall: 25-1/2″ x 20-1/2″. CONDITION: Some darkening to background, generally good. 50508-1 (1,500-2,500) – Lot 2139

2140
$4,740.00

FRAMED RARE 1872 U.S. GRANT AND WILSON 5-COLOR PRESIDENTIAL CAMPAIGN POSTER.

Approximately 35″ h x 26″ area exposed through mat. 7-1/2″ jugate portraits of Gen Ulysses S. Grant and Hon. Henry Wilson. Grant easily won the 1872 election over democrat Horace Greeley. This is a beautiful poster with patriotic vignettes and detailed information concerning candidates, their platform and demographic charts from past elections. Poster is printed by George R. Yates & Co., N.Y.C., Electrotyped by C. Craske, N.Y. and “ENTERED ACCORDING TO ACT OF CONGRESS, IN THE YEAR 1872, BY GAYLORD WATSON…” SIZE: 42-1/2″ h x 32″ w in frame. CONDITION: Poster not examined out of frame, but appears good to very good overall with good colors with light water stains visible and masking tape can be seen at top and bottom edges as poster is loose in frame, some reductions noted at those edges unaffecting text. Poster appears to have a glossy coating applied that shows light yellowing. 50852-1 (1,000-2,000) – Lot 2140

2141
$1,777.50

ARCHIVE OF PVT. EZEKIAL G DAVIS (1844-, COMPANY I 34TH MASSACHUSETTS INFANTRY CIVIL WAR LETTERS.

Included in this archive are 60 war time letters to and from Pvt. Ezekiel Davis spanning September 3, 1862 through May of 1865. Letters cover many of the mundane thoughts of soldiers during the war…Sept. 3, 1862- “Keep a brave heart. Conquer the enemy and come home in safety. If “Our Father” permits but if you must die may you die a hero and a Christian and we will meet again in Heaven.”…Feb. 1, 1863 – “While you have your health I shall not worry about you so much as I otherwise should I was afraid that you were at Fredricksburg at the time of the great battle. Many fell. But I am thankful that our dear ones were saved.” …Feb. 17, 1863 – I don’t have anything else. One thing I don’t like so much bread breakfast & supper coffee & bread dry bread for dinner. Sometimes a few beans and once in a while potatoes but they are so poor we can hardly eat them.”… May 23, 1865 – I was glad to hear that you were all well as you said I was in hopes to be home before this but we have to wait with patience til they get ready to discharge us the prospect now that we will be mustarded out by the first or middle of next month as for the war it is really over you may be sure of that.” A few samples of mid-war letters from Gardner to his father: June 28, 1863…”If the rebs should have any success in Pa. it would put on about a year and if they should finally drive us back from Vicksburg things would look hard indeed, but I hope they will not and I don’t believe they will and Grant seems to think so to and I guess Hooker and the rest of them will see to Lee…” Oct. 8, 1863…”I am still in the hospital but am much better and expect to go on duty in a few days again. We have a very good hospital here it is an old church the pews are taken out of course and beds put in and it makes a very warm comfortable place for the sick. There are none very sick here now one man has just come in since I began to write who looks pretty bad. There is one or two who have lost the use of their limbs from exposure and lieing on the ground…” July 3, 1864…”I presume you will have a list of our killed before this reaches you and heard of Baxters death. He was killed instantly in the fight at Lynchburg. We have had a hard time of it since I wrote you last have done….marching fighting and at last nearly starving to death. I can’t give any much idea on paper what we went through… Oct. 24, 1864…”We had some pretty hard fighting about here but we have been victorious in every great battle as yet and the army has the greatest confidence in our General in the last fight on the 19th they attacked us just before daylight an drove our whole line from their entrenchments and for a while I thought everything was lost but there were soon cheeckeed and as soon as Gen Sheridan who was at Winchester reached the field things took a turn the other way…I send you a rebel envelope picked up on the battlefield…” (envelope still accompanies letter) Also included in this lot is a fine post-war cabinet card of Gardner, Massachusetts Certificate of Civil War Service, xerox copy of the 1879 history of the 34th Mass. (459 pages), transcriptions of all 60 letters, 59 of the original 60 letters, many with covers that have had stamps removed and an 1859 dated bible. PROVENANCE: Direct descent from family. CONDITION: Original letters overall are very good to fine. A few have cracks at folds, but overall very good with easily discernible text. Cabinet card and service record are very good. Bible is cracked at hinges with tape repair. 50622-1 (2,000-3,000) – Lot 2141

2142
$3,851.25

1863 NEW MODEL SHARPS CARBINE IDENTIFIED TO 15TH NEW YORK CAVALRY DURING CIVIL WAR.

SN C22331. This carbine is listed by serial number in Coates & McAulay Civil War Sharps Carbines & Rifles pg 82 as being issued to Private Amos Hodges, Company C 15th New York Cavalry on February 2, 1865. The 15th NYC was part of Sheridan’s raid in the Shenandoah Valley and took part in the battles leading up to Appomattox and the surrender of Lee’s army. This gun still retains discernible military cartouches including a later cartouche when the gun was converted to cartridge for continued use in the Indian Wars. Accompanying carbine is a copy of the Coates & McAulay book and a facsimile copy of the 1891 history of the 15th NYC “THE RED NECKTIES”. CONDITION: Very good overall. Mostly dark patina overall, cleaned and mostly smooth, traces of case colors. Stocks have been refinished but still retain discernible cartouches. Mechanically gun is functional with well defined 6-groove rifling with pitting. 50297-1 (2,500-3,500) – Lot 2142

2143
$13,627.50

EXTREMELY RARE AND HISTORIC NEW ENGLAND LONG FOWLER INSCRIBED AND DATED 1776 USED BY BENJAMIN BALDWIN AT THE BATTLE OF BUNKER HILL, DEACCESSIONED BY ROCHESTER HISTORICAL SOCIETY.

SN NSN. 58 cal. This classic early 18th century, club-butt Fowler has 54″ smooth bore barrel. This gun has “as found” attic appearance with wonderful carving “B * B / 1776” on left side of butt. Benjamin Baldwin SR. (1724 – unknown), reverse side of butt stock is also carved with the initials of Benjamin’s grandson William “W * B / 1822”. Gun has tag transcribed from Rochester Historical book 1-1115 identifying this as “Colonial Flintlock Fowling piece, used by Benjamin Baldwin – Battle of Bunker Hill, gift of Mary B. Corbin 1895”. William Baldwin was born in 1796 and was married to Mary E. Corbin (obviously transcription error on middle initial from Rochester Historical). Mary Corbin born in 1821 was 74 years old when she made this donation. Benjamin Baldwin along with his brother and son are listed as Private’s under General Ebenezer Bridge also of Billerica, Mass., of the 55 “Billerica Men” listed in the 200th Anniversary of the Incorporation of Billerica, Mass, May 29th, 1855, four enlisted men are also listed as killed at Bunker Hill and it is noted that General Ebenezer Bridge and two other officers were wounded at Bunker Hill. SIZE: 70″ overall. CONDITION: Original, authentic, “as found”. This old Fowler obviously saw continued use, lock was updated, but is in condition it was donated in 1895, there is a contemporary repair to butt at lower toe utilizing a well patinaed screw, otherwise stock appears sound and solid. The lock is circa 1800 and was changed when “WB/1822” was using gun. Stock is missing 2 pins retaining barrel, original wooden ramrod has iron worm that threads are broken. Mechanically gun still functions with a clear smooth bore. Brass mountings which were utilized from various European and American guns have mixed olive and mustard colored patinas as does the wear plate forward of trigger guard, stock has hand worn patina. 50580-1 (6,000-8,000) – Lot 2143

2144
$1,481.25
Revised: 8/15/2016

Please Note: Description should read: BRITISH 6-POUNDER SHIP’S GUNADE, EARLY 19TH CENTURY. This is a fine example of a cannon commonly found on early 19th century merchant ships where insurance requirements required a gun for protection from pirates or other threats. Along with 3 unknown patent projectiles that apparently carried lines for life of saving cannon.

ENGLISH CAST IRON NAVAL CANNON WITH CARRIAGE AND WHITWORTH STYLE SHELLS.

Circa 1840, England. Cast iron naval cannon with 3″ bore together with period carriage, Whitworth Style shells together with wooden ammunition rack. Tube or barrel with raised crown stamped between trunnions. SIZE: Tube length 38″, 55″ length overall. Carriage 35″l x 31″w. PROVENANCE: From a private Massachusetts collection. CONDITION: Cannon with considerable oxidation and pitting, structurally good. Carriage with weathered surface, iron wheels corroded and pitted. Fair to good overall. 50800-67 (3,000-5,000) – Lot 2144

2145
$592.50
Revised: 8/18/2016

Please Note: Description should read: EARLY 19th CENTURY IRON SWIVEL GUN MOUNTED ON A NAVAL CARRIAGE. Unmarked. WEIGHT: Approx 120lbs. Upon further examination, we cannot confirm, and will not guarantee that this was present at the Battle of Lake Erie.

RARE IRON SWIVEL GUN WITH CARRIAGE.

Late 18th, early 19th century, American. small cannon mounted on a stepped carriage in yellow paint. Mounted and in action at the Battle of Lake Erie. SIZE: Barrel length 26″. Bore 1-3/4″ dia. Carriage 11″h overall, 26″ l, 10″ w overall. PROVENANCE: From a private Massachusetts collection. CONDITION: Cannon with oxidized surfaces with considerable pitting. Carriage weathered but structurally intact. 50800-96 (1,000-2,000) – Lot 2145

2146
$0.00

EARLY AMERICAN MILITIA ARMS STORAGE CHEST, HEBRON, MAINE.

Late 18th century, Hebron, ME. This historically relevant storage chest with family and town history and provenance is accompanied by personal accounts, description to follow, and with script chalk inscriptions on the interior of the lid together with what we believe is the maker’s mark of the iron fittings on the chest. Chest retains its original red wash. The rectangular single pine board lid opening to a storage compartment with till and with reinforcing iron rod joined at the exterior to original iron strapping fastened by rosehead nails. Lid is mounted with two wrought iron hasps mounted to iron rings on the lid and front face of storage chest. The fastenings are reinforced with pine and hewn blocks secured by hand cut nails. Chest retains its original hand cut iron hinges of exceptional length again fastened with original rosehead nails. Each end of the chest is bound on all four edges by a continuous iron band nailed to the case and joined at the mid point of the front edge. Top of band at the front edge is branded on the iron “B+Co+” presumed to be the mark of the blacksmith and possibly the maker of the storage chest. SIZE: 16″ h x 99″ l x 23-1/2″ d. PROVENANCE: Affixed to the till is a handwritten sheet of paper which reads as follows “….pine boards-Civil War gun chest April 9, 1827…chest was used during civil War to keep ammunition-arms for town-in Hebron, Maine/was kept at Packard home-in shed chamber”. Also accompanying the chest is a handwritten document which reads as follows “Provenance on gun chest/Hebron Center Packard Homestead by the grange hall around 1890. Fred Cushman married Edith Packard her son Dwight Cushman opened the place. In shed chamber it was kept for a gun chest so if any trouble broke out the townsfolks would know where to pick up the guns/next went to Joseph Hartley Cushman Greenwood Mtn. Hebron Center…” The partially legible chalk inscription under lid reads “26 guns-67balls-260 lb balls/421 flints Sept. 26-1818/April 9, 1827…”. CONDITION: Chest in very good original condition with normal and expected aging. Very good overall. 50713-2 (3,000-5,000) – Lot 2146

2147
$237.00

INTERESTING 1713 DEED FOR LAND IN DARTMOUTH SIGNED BY HENRY HOWLAND WHOSE FAMILY ORIGINALLY BOUGHT DARTMOUTH FROM MASSACHUSETTS BAY COMPANY IN 1652.

This document conveys land to David Wood and is signed “This fourth day of December, 1713 and in the 12th year of Her Majesties reign Queen Anne of Great Britain, France and Ireland”. Document is signed by Henry Howland, Elizabeth Tucker and Benjamin Crane, all well known families of early Dartmouth. The Howland Family goes all the way back to John Howland who was a signor of the Mayflower Compact in 1620. CONDITION: 12″ x 12-1/2″ sheet is watermarked laid-paper which is soiled, acid burned, foxed, cracked at folds with reductions which affect some text. Framed between two pieces of glass and quite easily read with dark ink. 50494-15 (400-600) – Lot 2147

2148
$0.00

OUTSTANDING LOT PERTAINING TO RUFUS KING, SIGNER OF THE U.S. CONSTITUTION.

Rufus King, Federalist statesman, delegate to the Continental Congress, anti-slavery advocate, a drafter & signer of the Constitution, U.S. Senator, candidate for Vice President & President, and twice Minister to Great Britain. His portrait was painted by Gilbert Stuart. Rufus King was born March 24, 1755, at Scarborough, which was then part of Massachusetts, but is now in the state of Maine. The Rufus King collection descended in the line of Rufus King’s third son, James Gore King. Then passed to Frederica Gore King, the sixth child of James Gore King & Sarah Gracie King. The collection of King family items then passed to Frederica’s brother, Edward King (b 1833), her next youngest sibling, who became president of the U.S. Trust Co, and who married Isabella Ramsey Cochrane. The line of descent of the King family items then passed to Edward King’s daughter, Elizabeth King, who married James E. Davis. Elizabeth King Davis’s son, Edward King Davis (1902-1966) married Virginia Shepherd, and the King family items were passed by direct descent to the present day. Lot consists of 1) Colorful needlework vest, Circa 1780-1820. Vest having a front with lines of flowers and an intricate flower decorated button edge, pocket flap & bottom edge. Two flapped pockets and a tied back area. 2) Magenta colored vest with button front & two flapped pockets. 3) 26-Pieces of English silver. Each piece having a federal eagle heraldic crest. Hallmarked with English hallmarks from 1795 thru 1804 including: William Eley & William Fearn, one ladle Richard Crossley, Dessert knives marked “Boch”. WEIGHT: 45 tr. oz. 4) Large daguerreotype, possibly of Charles King, son of Rufus King and President of Columbia University, Nov 1849-1864. The man is shown with glasses in a formal suit. Housed in a leather case. SIZE: 1) Vest: 32″ l. 2) Vest: 30″ l. 3) Silver: Ranges from 13″ to 5-1/2″. 4) Dag: 6″ x 4-3/4″. PROVENANCE: As outlined above CONDITION: 1 & 2) Vests: Both are very good, staining at arm holes & slight losses with staining at neck. Buttons are all intact & needlework is colorful & bright. 3) Silver: Very good. 4) Very good. 50440-3 (7,000-9,000) – Lot 2148

2149
$5,036.25

WONDERFUL COLLECTION OF CIRCA 1620 MUNICH TOWN GUARD MORION HELMETS.

This fine group of four distinct different patterns of this early 17th Century Bavarian military group occasionally come to market often polished to show original appearance of black background and polished raised relief designs. This group are as found with rich patina still retaining most of their black backgrounds along with decorative brass rosette-style rivets used to retain internally the leather liners. These are guaranteed to be original 17th Century, many examples can be found in institutional collections, we cannot find another group of such distinctively different decorated examples in one collection. SIZE: Average 11″ h, 13″ l, 9-1/2″ w. CONDITION: Overall very good for steel almost 400 years old with iron patina and rust. One helmet missing two of its decorative rivets, the other three are complete. One helmet has an attached plume holder. Liners are missing though remnants are still found in three. 50647-27 (3,000-5,000) – Lot 2149

2150
$711.00

BEAUTIFUL SET OF SPANISH-AMERICAN WAR COLONEL’S REGALIA IN ORIGINAL BOXES, LIKE NEW.

Three boxes marked “Henry V. Allien & Company”, New York City contain high grade bullion sword belt with gold and silver plated Model 1850 buckle. Other boxes contain beautiful pair of gilted aiguillette and gold braided 3rd Regiment Colonel’s epaulets with Russian knots. Boxes are penciled “Col. Tyler”. Col. Augustus C. Tyler, 3rd Regiment Connecticut Volunteer Infantry, during Spanish-American War is a possible candidate. CONDITION: Regalia is extremely fine overall, being protected by original boxes for over 100 years. Boxes also are very good, though box containing belt has broken hinges missing; one side of the lid, with old taped repairs. 50659-2 (400-600) – Lot 2150

2151
$1,481.25

TWO CEREMONIAL PRESENTATION PARADE DRUMS.

19th century, England. Each with painted cartouche reading “George Potter & Co. Potter’s Corner ALDERSHOT.” First snare drum marked “THE ROYAL HUSSARS, (P.W.O.)” above a plumed crest flanked by listings of military campaigns for this regiment beginning with Warburg at Beaumont and ending with Villiers Bocace. Additionally beneath the crest is a banner reading “Italy, 1943-44-45”. Drum body of copper. Second snare drum decorated with a banner reading “1st BN THE SHERWOOD FORESTERS” above the regiment crest flanked by banners of campaigns in which the Foresters participated beginning with “Louisburg” and ending with “Gothic Line” and an additional banner beneath the crest of “Signapore Island”. Snare drum with copper body. Both drums have been converted to side tables by the addition of 3 short legs attached to bottom of each drum. SIZE: 1) 15″ h x 14-3/4″ dia. 2) 14-1/2″ h x 14-1/2″ dia. CONDITION: Drums structurally good. Bottom skins of each exhibit screw holes from attachment of legs. The Forester’s drum with additional slit in bottom skin. The painted and decorated panel on each drum are believed to be late 20th century while the drums themselves are thought to be late 19th or 20th century. Generally good overall. 50586-8, 50586-8, 50586-9, (700-900) – Lot 2151

2152
$1,066.50

CEREMONIAL PRESENTATION PARADE DRUM.

19th century, England. Decorated drum with a painted banner reading “George Potter & Co. Potter’s Corner ALDERSHOT” and decorated with a painted panel with the title “IST BN WELSH GUARDS” within a banner above a full crest flanked by banners listing the campaigns of the battalion beginning with “LOOS” and ending with “BATTAGLIA” within a banner. Additionally mounted on the upper rim of the drum is a presentation sterling silver plaque which reads “PRESENTED TO CDR. KENNETH R. FORCE FROM THE BAND H.M. WELSH GUARD”. Oak body drum now converted to a coffee table with the addition of 3-ball feet and a plate glass top beneath which remains with the orig skin with large tear. On the skin in red ink are the faint remains of signatures and autographs which are partially legible. Paint decoration is thought to be 2nd half of the 20th century. SIZE: 16-1/2″ h x 28-1/2″ d. CONDITION: Painted decoration generally very good. Top skin of drum as noted. Bottom skin intact. Good overall. 50586-10 (1,200-1,800) – Lot 2152

2153
$11,850.00

PAIR OF TERRESTRIAL AND CELESTIAL TABLETOP GLOBES BY J. WILSON & SONS.

A splendid rare pair of globes manufactured by J. Wilson & Sons, Albany, NY. Each one of this fine pair of Wilson’s 13-inch terrestrial and celestial globes has a brass meridian, horizon band with engraved paper calendar and zodiac, and is raised on a four-legged stained maple stand with cross stretchers. James Wilson (1763-1855), born in New Hampshire, farmed in Bradford, Vermont and was a blacksmith by trade. He is the father of American globe-making. Wilson was the first American to manufacture globes, having been inspired by European globes he saw at Dartmouth College. A self-taught geographer and engraver, he not only made the globe spheres but designed, engraved and printed the cartographic gores for them. Wilson began his business in Vermont in about 1810 and his sons expanded and moved it to Albany, New York, during the following decades. 1) Terrestrial Cartouche: A NEW AMERICAN THIRTEEN INCH/ TERRESTRIAL GLOBE. Exhibiting with the greatest possible Accuracy,/ THE POSITIONS OF THE PRINCIPAL KNOWN PLACES OF THE EARTH. With the Tracks of various Circumnavigators together with New Discoveries and Political Alterations down to The present PERIOD: 1831 BY J. WILSON & SONS ALBANY ST. N.Y. S. Wood & Sons Agent, N. York. 2) Oval Celestial Cartouche: A NEW AMERICAN/ CELESTIAL GLOBE, containing the positions of nearly 5000 Stars, Clusters, Nebulae & c. Carefully compil’d & laid down from the latest & most approv’d astronomical tables reduced to the present time, BY J. WILSON & SONS,1826, ALBANY. ST. N.Y. SIZE: Each are approximately 18″ h x 18″ in diameter overall, with 13″ diameter globes. CONDITION: The globes are in very good condition, with minor imperfections, losses, and expected wear from age and use. 50898-1 (10,000-15,000) – Lot 2153

2154
$2,962.50

OUTSTANDING CARVED & PAINTED TRADE FIGURE OF GEORGE WASHINGTON IN UNIFORM.

American, beginning of the 20th Century. The flat back figure, almost life size, shows Washington wearing his high black boots, red pants, red vest with gold trim, black coat with brass buttons, gold epaulets. He wears a gold hat with ribbon and holds the handle of his sword at his side. Originally displayed at a Philadelphia theater. SIZE: 64″ h x 20″ at widest. CONDITION: There are seam splits which are tight, some cracks, one noticeable at face. Otherwise the paint is vibrant & complete and is in very good condition. Displays extremely well. 50567-68 (4,000-6,000) – Lot 2154

2155
$7,110.00

CAST LEAD COUNTER TOP FIGURE OF GEORGE WASHINGTON.

First quarter 20th century, Lancaster, PA. Signed beneath the base “J.E. BRUBAKER/Lanc. Pa” believed to be the head mold maker for the Hubley Manufacturing Co. during this period. The figure depicts George Washington in full dress uniform, his right arm extended, his left arm draped with red cape, hand on hilt of sword. Reference: refer to Antique Advertising Volume II pg 204 by Ray Klug for a similar figure illustrated. SIZE: 37″ h x 12″ x 12″ base. CONDITION: Structurally good. Normal and expected spot paint loss throughout. A “Y” shape tight fissure in paint on right boot. A great depiction of our founding father, a wonderful display trade figure. 50499-4 (8,000-12,000) – Lot 2155

2156
$9,480.00

FINE SIMON WILLARD (1753-1848) CHIPPENDALE MAHOGANY TALL CASE CLOCK.

Circa 1775-1785, Roxbury or Grafton, Massachusetts. Having a fully-developed Roxbury case. The bonnet with pierced and arched fretwork crest alternating with three plinths mounted with turned brass ball-and-spire finials, above the arched molded cornice over the conforming door flanked by free-standing brass stop-fluted columns with brass capitols and bases. The composite brass dial with painted moon phase in the arch above the silvered Roman numeral chapter ring, within cast brass pierced filigree spandrels centering a sweep seconds subsidiary dial over a calendar aperture flanked by time and strike apertures above a silvered plaque signed Sim’n Willard. Additionally signed in period script on bottom of saddle board. Having a brass 8-day time & strike movement with calendar and seconds ancillary functions. The cove molded case with molded arched waist door flanked by engaged brass stop-fluted quarter columns with brass capitals and plinths. The cove molded box base raised on ogee bracket feet. White pine secondary wood. Offered with weights, pendulum, winder, and door key. SIZE: 96-1/2″ h. CONDITION: With good original surface, cracks in original fretwork. Finials are old replacements, bracket feet are an early restoration. Paint refreshed on moon phase portion of dial. 50839-2 (3,000-6,000) – Lot 2156

2157
$6,813.75

FINE CHIPPENDALE MAHOGANY SECRETARY BOOKCASE.

Circa 1780, Maryland, possibly Annapolis. The case in two parts. The bookcase top with molded swan’s neck crest with pierced fretwork terminating in carved chrysanthemum rosettes centering a plinth with urn and flame carved finial above the figured mahogany frieze over a pair of astragal glazed doors with 3 adjustable shelves within. The desk with hinged slant lid above single long drawer flanked by lopers over a pair of paneled doors opening to three linen drawers. The molded base raised on Chippendale bracket feet. The desk interior with two banks of small drawers flanked by valanced letter slots beneath two long stationary drawers, all centering a prospect door and vertical document drawers. The prospect door conceals a valenced drawer, lower drawer and document area.
NOTE: Similar examples attributed to the cabinet shop of John Shaw (1745-1829) of Annapolis, MD. SIZE: 8′ 9 ½” h x 46″ w x 22″ d. CONDITION: In good condition. Cracks to fretwork, later finial. Possible loss of height to feet. Mellow old finish. 50839-3 (2,500-5,000) – Lot 2157

2158
$0.00

FINE CHIPPENDALE MAHOGANY DROP-LEAF DINING TABLE.

Third quarter 18th century, Salem, Massachusetts. The rectangular top with conforming leaves projecting above the scalloped apron, standing on cabriole legs with knife edged knees raised on refined claw-and-ball feet with dramatically back-swept talons. SIZE: 27-1/2″ h x 17″ w (closed), 46″ w (open) x 48″ d. CONDITION: Structurally very good with old surface and rich dark brown color, small age crack to one leg with period repair. Top with faint old dark stain. 50839-13 (2,000-4,000) – Lot 2158

2159
$2,962.50

CHIPPENDALE FIGURED MAHOGANY TILT-TOP TEA TABLE.

Circa 1770, Salem, Massachusetts. The circular top tilting on an elaborately carved center pedestal with tripartite acanthus carved cabriole legs terminating in elongated claw-and-ball feet. Maple and walnut secondary woods. SIZE: 29″ h x 34″ dia. CONDITION: Table retains good undisturbed color with quality old refinish. Old repair to support block, tight horizontal shrinkage crack lower quadrant of top, otherwise very good. 50839-16 (4,000-6,000) – Lot 2159

2159A
$5,925.00

EXTREMELY FINE MINIATURE PENNSYLVANIA WALNUT DOWER CHEST.

Late 18th-early 19th century, Pennsylvania. Probably made and given as a token of love and used as a sewing chest. This example shows a complete mastery of the wood joiners art, and the ability of the craftsman. The rectangular through-mortised pinned and molded top secured with handmade folded and tinned iron hinges, fitted to the dovetailed case which has a pair of aligned drawers with thumb molded edges alternating with carved diamond panels, above the molded base raised on well proportioned dovetailed bracket feet. The interior of the chest fitted with a lidded till and four joined compartments designed for sewing notions. The whole constructed with rose and “T” head nails and wooden pins. The secondary wood of this piece is poplar. SIZE: 9″ h x 14-3/4″ w x 6-1/4″ d. CONDITION: Very fine original and intact condition with beautiful patina and color. Top has a minor remnant of a water ring, very small repair at base of proper right front corner facing. 50839-9 (6,000-8,000) – Lot 2159A

2160
$18,960.00

DOCTOR JOHN CLARKE FAMILY SILHOUETTE PORTRAIT BY AUGUSTE EDOUART.

Circa 1840, Saratoga Springs, New York. Signed “Aug. Edouart Fecit Saratoga 1840” in center of portrait beneath figure of young lady. The portrait of typical form in a period music room setting illustrating Mrs. Clarke seated in a chair, book in hand, being offered flowers from a basket by the youngest daughter. An older daughter standing central showing a drawing to Dr. Clarke who is seated, book in hand with his eyeglasses, a third daughter with sheet music standing behind him. Housed in a period bird’s-eye maple frame with gilt slip. Note: A portrait of John Clarke also done by Edouart shows Dr. Clarke seated in essentially the same position in profile as is seen in the family portrait offered today. This silhouette is presently in the National Portrait Gallery Collection. The portrait was also executed in 1840. John Clarke emigrated from Yorkshire England and became one of the leading physicians at Saratoga in the early 19th century where he had moved from New York City. Among his acquisitions was the purchase of land which included Congress Spring, a well known mineral spring in Saratoga. It was here that he built his family home and began the marketing and bottling of mineral water from the spring which in a few short years became a worldwide export, vastly increasing his wealth. He died in 1846 at age 73. Accompanying the lot are photocopies of an excerpt on John Clarke, MD from Auguste Edouart’s Silhouettes of Eminent American, 1839-944 with image of original portrait of Doctor Clarke, and an excerpt from “History of Saratoga County, New York” by Nathanial Bartlett Sylvester 1978. SIZE: Sight: 14-3/4″ h x 23-1/4″ w. CONDITION: General light toning throughout, a small area of paper loss upper right corner facing, otherwise good. 50559-1 (5,000-8,000) – Lot 2160

2161
$533.25

FAMILY SILHOUETTE GROUP SIGNED P. LORD.

Circa 1839, Maine. Depicting a husband and wife in music room, the daughter seated in front of a piano while the young son converses with his mother. Signed lower left “by P. Lord 1839.” Attributed to Phillip Lord, 19th century Maine Silhouette artist. Housed in a period frame. SIZE: Sight: 6-3/4″ h x 9-1/2″ w. CONDITION: Light overall soiling, otherwise very good. 50558-5 (700-900) – Lot 2161

2162
$3,258.75

OUTSTANDING SCHOOL GIRL NEEDLEWORK FAMILY RECORD BY ELIZABETH ANN TOPPING, NEW YORK CITY, 1831.

The sampler form needlework having an outside border of flower vine and inner border with a title at the top, the family of David and Emeline Topping. Eight lines of differing members, starting in 1792 and ending in 1828. Needlework pictures include a willow tree, urns of flowers, butterflies and more. Two flower cartouches flank the willow tree, left says “Wrought by Elizabeth Ann Topping Ag’d” and the right side says “10 years Dec. 24, New York City AD 1831”. Below the willow tree branches states “Wrought at Mrs. Seavy’s Academy Eldridge Street When This You See, Remember Me, Now in the Heat of Youthful Blood, Remember Your Creator God. Let Virtue Be a Guide to Thee.” Housed in a gilt molded wood frame behind glass. SIZE: Site: 23-1/4″ x 20-1/2″. Overall: 26-1/4″ x 23-3/4″. CONDITION: Very good. 50641-11 (2,000-3,000) – Lot 2162

2163
$3,258.75

FINE APPLIQUE ALBUM QUILT.

19th century having twenty-five 16″ x 16″ squares depicting floral motifs including pot of flowers, wreath of flowers and a stylized cornucopia of flowers, all different colors of red, green, black and gold, having a thin red border. SIZE: 82″ x 82″. PROVENANCE: From a private New Jersey home. CONDITION: Very good. 50494-22 (6,000-9,000) – Lot 2163

2164
$94,800.00

EXCEPTIONAL, FINE AND IMPORTANT TOBACCONIST FIGURE OF INDIAN MAIDEN ATTRIBUTED TO SAMUEL ROBB.

Circa 1880, Samuel Robb (1851 – 1928), New York. This rare figure of an Indian maiden with a feather headdress, long flowing hair and feather decorated tunic holding a box of cigars in the crook of her left arm and a bundle of cigars and box of plug tobacco held in her right hand. The figure is rare in that she is holding a rose in her left hand. These figures were created by Robb as a portrait of his wife Emma and carved as a tribute after her death in 1878 and is often referred to as “Robb Roses” and only a handful are known to exist. This example also retains mostly all original paint and decoration. SIZE: 56″ h x 15″ w x 16″ d. CONDITION: As previously stated, figure mostly original in very fine condition with only minor and small old repairs, losses and imperfections, including small filled repair, back of right shoulder, also small loss to banded trim on bodice of tunic is filled in an painted over, but not restored. A small loss probably a replacement to section at bottom of cigar bunch including portion of forefinger on hand. Loss to feather of headdress Otherwise good. 50883-2 (45,000-65,000) – Lot 2164

2165
$32,587.50

FINE CARVED TOBACCONIST FIGURE OF AN INDIAN ATTRIBUTED TO THOMAS BROOKS.

Circa 1875, Thomas Brooks (1828 – 1895), New York. The figure in full feather headdress depicted with long flowing hair wearing a tunic trimmed in feathers a bundle of cigars and box of tobacco in left hand, two small unidentified boxes in crook of right arm and holding a sheaf of tobacco leaves in right hand crossed over his chest, in old historic polychrome painted surface. NOTE: Samuel Robb apprenticed under Thomas Brooks, who is considered one of the earliest and most sought after carvers. Brooks often sculpted his figures from life. SIZE: 80″ h (overall) x 20″ w (at base) x 21-1/2″ d (at base). CONDITION: Paint decorated surface believed to be second or third in-use, carved figure appears all original, no restoration, losses or replacements noted. Base is original. Very good overall. 50883-1 (35,000-45,000) – Lot 2165

2166
$15,405.00

QUEEN ANNE FIGURED RED WALNUT BONNET-TOP HIGHBOY.

Circa 1745-1760, Salem area, Massachusetts. In two parts. The upper case with a swan’s neck cyma scrolled pediment of very pleasing pitch and exceptionally bold moldings. The tympanum board possesses a good balance of positive and negative space punctuated with the urn-and-flame finials. The top center drawer fan-carved, flanked by short drawers over four graduated long drawers with thumb-molded edges. With acceptance molding to both cases as typical of Essex County furniture pre-1760. The case drawer organization and graduation is very well resolved with the original brasses designed in a waisted formation. The lower case with single long drawer over central fan-carved drawer, flanked by short drawers. The arcaded apron with drop pendants blocked at center for the finely carved fan drawer. Standing on sweeping cabriole legs with ridged knees, hocked ankles and well resolved pad feet with intact under pads. Brass plates are original with some replaced posts. Brasses moved slightly and re-set at some point in its history. SIZE: 87-1/2″ h x 35″ case w x 21″ d. CONDITION: In very good condition. Bottom backboard of upper case is an early replacement. Maintained finish with fine old patina. 50839-28 (15,000-25,000) – Lot 2166

2167
$0.00

RARE AND FINE CLASSICAL CARVED MAHOGANY DINING TABLE WITH “CUMBERLAND” ACTION.

First quarter, 19th century, Boston, Massachusetts, in the manner of Thomas Seymour. The large rectangular top with D-form hinged leaves, each cut from a single board of figured mahogany. The top with molded edges projecting above the conforming apron, raised on four turned swell and ring-turned pedestals joined to out-swept reeded and molded legs terminating in cast-brass acanthus leaf capped castors. The pedestals and legs all join by box stretchers hinged and folding with the Cumberland movement. SIZE: 28-1/2″ h x 15″ closed width; 64″ x 60″ open width. CONDITION: Very fine condition with professional French polish surface and with superb color and patina. 50783-1 (18,000-20,000) – Lot 2167

2168
$18,960.00

RARE CHIPPENDALE MAHOGANY DWARF CASE CLOCK WALTER CORNELL, NEWPORT.

Early 19th century, Newport Rhode Island. The bonnet with three brass urn-form spire finials on plinths centering pierced scrolling fretwork above the cove molded arched cornice over the glazed tombstone door flanked by fluted Doric columns. The painted iron six-inch dial with gilt scrolling spandrels signed Walter Cornell in script within gilt scrolling borders above “NEWPORT” above the Arabic numeral chapter ring, the winding post beneath the numeral 2. The weight driven brass movement striking on a bell, the backplate stamped “C.R. CROOKSHANK”, mounted on a chestnut saddle board. The waist with rectangular molded door with inlaid diamond escutcheon and oval central patera flanked by engaged stop-fluted quarter columns on a step molded string-inlaid box base, the whole raised on ogee bracket feet. Clock is offered with three finials, weight, pendulum, winder and door key. SIZE: 38-3/4″ h x 8-3/4″ x 5-1/2″ d. 6-1/2″ throat w. PROVENANCE: Private Maine/Texas Collector. CONDITION: The bonnet with small repair in fretwork, proper lower left side. Case with 1/2″ repair to proper left front foot. Movement has been cleaned and appears functional, dial retains original painted surface with some inpainting between 3:30 and 7:45. Additionally two chips in paint between numerals 7 and 8 in area of post. Overall condition is good to very good. 50012-117 (8,000-12,000) – Lot 2168

2169
$5,036.25

RARE AND FINE CHIPPENDALE MAHOGANY HANDKERCHIEF TABLE.

Circa 1775, New York City. The fixed triangular top with conforming drop-leaf and apron. Raised on five trapezoidal faceted legs terminating in Marlborough cuffed feet. The fifth leg with fly rail hinge to swivel and support the drop-leaf. The table showing evidence of the original pleated silk dependency between the legs. Handkerchief tables were intended for use in a hall, parlor or bedchamber. Oak and poplar secondary woods. SIZE: 28″ h x 44″ w (overall) x 20-1/2″ d (closed), 41″ d (open). CONDITION: This extremely rare example in remarkable condition. A small repair at mortise to the top of one stationary leg. 50839-4 (2,000-5,000) – Lot 2169

2170
$3,851.25

MASSACHUSETTS CHIPPENDALE MAHOGANY OXBOW SLANT LID DESK.

Third quarter 18th century, Boston. This diminutive example with hinged sloping lid opening to an interior with an arrangement of step back valance pigeon holes and drawers centering a bank of document drawers the uppermost shell carved. Case with four graduated serpentine long drawers raised on a molded base with pronounced ogee bracket feet with bold scalloped returns. Desk fitted with oval brasses of the period. SIZE: 41-1/2″ h x 37-1/2″ case w x 19-1/2″ d. CONDITION: Desk with old crusty dark surface. Backboards and feet original. Desk is structurally sound with small losses to thumb molded edge of lid. Based molding with roughness along edges within normal and expected parameters. Old surface on top of desk has been partially stripped and removed. Proper right front foot has been broken off and replaced with original foot secured by wood screw. 50564-6 (800-1,200) – Lot 2170

2171
$5,925.00

RARE LARGE “DEXTER” COPPER RUNNING HORSE WEATHERVANE.

Late 19th century, attributed to J.W. Fiske & Co., New York. This nice full body example with cast-iron head and molded mane and tail, with verdigris surface and remnants of gilding. Now offered with museum stand. SIZE: 20-1/2″ h x 49″ l. CONDITION: Minor dents overall and with old bullet hole repairs. Slight seam separation to rear haunch at tail, slight compression dents to proper right neck and mane, otherwise good. 50634-2 (6,000-8,000) – Lot 2171

2172
$4,147.50

“GABRIEL BLOWING HORN” FULL BODY MOLDED AND SEAMED COPPER WEATHERVANE.

Mid 20th century, American. The full body weathervane well executed 3 dimensionally, with old, worn gold leaf surface with areas of verdigris. Now offered with museum stand. SIZE: Height including stand 22″, 39″ l. CONDITION: Surface as noted, no damages or restorations noted, horn is solid and properly aligned, very good overall. 50565-1 (4,000-6,000) – Lot 2172

2173
$0.00

GRAPHIC RUNNING HORSE SHEET COPPER WEATHERVANE.

Horse with serrated main and tail, depicted running on landscape base, one side with fine perimeter copper rod bracing, tail with half-round copper tube reinforcement. Weathervane exhibits worn but original gilded surface with verdigris patina. Now offered with museum stand. SIZE: Height including base 19″ x 32-1/2″ l. CONDITION: Minor tear top of rump area before tail, otherwise good with all seams intact. 50576-27 (2,000-3,000) – Lot 2173

2174
$1,481.25

SEMI-ANTIQUE KASGI ORIENTAL RUG.

Late 19th early 20th century, West Central Persia. Woven with diagonal rows of polychrome Shah Abbas palmettes within dense array of floral rosettes in a midnight blue field within a stylized ivory main border of guls in a tarantula pattern. SIZE: 5′ 3″ x 7′ 5″. CONDITION: Good with even overall wear. A nice example in very good condition and color palette 50304-1 (3,000-4,000) – Lot 2174

2175
$948.00

ABADEH ORIENTAL RUG.

Early 20th century, South West Persia. Rows of floral filled urns, each flanked by “Zuli Sultan” stylized birds and floral sprays on an ivory ground. Framed within multiple borders of polychrome floral lattice work. SIZE: 4′ 11″ x 6′ 5″. CONDITION: Very good overall. 50304-2 (1,000-1,500) – Lot 2175

2176
$0.00

HENRY SCOTT (English, 1911-2005) “BURYING THE RAIL”.

Oil on canvas scene shows a yacht sailing toward viewer with a strong wind. Two other boats are seen in pursuit. Choppy seas, under a blue & white cloud sky. Housed in a good modern gilt frame with linen liner and gilt artist & title plaque. Signed lower right “Henry Scott”. SIZE: 20″ x 30″. Overall: 26″ x 36″. CONDITION: Very good. 50573-3 (3,500-5,500) – Lot 2176

2177
$0.00

ROY CROSS, RSMA (British, b. 1924) SHIPPING ALONG THE SWEDISH COAST.

The watercolor/gouache nautical scene shows a side view of the large 3-mast ship flying Swedish flags depicting many sailors on deck. Around the boat are 5 other boats of different sizes and sails are seen against far away land. The scene is shown under a blue and pink highlighted white cloud sky. Signed lower right “Roy Cross”. Housed in a fine modern gilt wood frame with linen gold edge liner behind glass. SIZE: Sight size: 20-1/4″ x 29-1/4″. Overall: 31″ x 39-3/4″ CONDITION: Very good to excellent. 50857-2 (7,000-9,000) – Lot 2177

2178
$3,258.75

W DUNNAGE (British, 19th Century) BRITISH FRIGATE IN TWO POSITIONS.

Large oil on canvas nautical scene shows a broadside image of a three-mast British frigate sailing left to right with an image of itself going away from the viewer. A two-mast vessel is seen off the stern and other sails are seen on the horizon along with land and a lighthouse. Bottom left is some wreckage with artist signature “W Dunnage 1843″. Various people are seen on the deck including women, men, & children. The ship is seen in full sail flying the British flag all under a pink hued cloud & blue sky. Several seagulls fly over the white tipped green ocean. Housed in a gilt modern molded wood frame. SIZE: 35″ x 51″. Overall: 39″ x 55”. PROVENANCE: From a private Massachusetts collection. CONDITION: Lined, restretched on new stretcher to lengthen the left & right sides which must have been wrapped around the initial stretcher which is evident from the front. Left & right side inpainting to tack holes & stretcher line, minor inpainting elsewhere. 50800-2 (2,000-4,000) – Lot 2178

2179
$6,517.50

CHARLES ROBERT PATTERSON (American, 1878-1958) BUSY CALCUTTA HARBOR.

Large oil on canvas harbor scene shows a large grouping of tall ships lined in three rows with other smaller Chinese vessels and a shoreline dotted with people & businesses. Signed lower right Charles Robert Patterson. Housed in a good modern gilt frame having some finish loss. SIZE: 28-1/2″ x 42-1/2″. Overall: 35-1/2″ x 49-1/2″. CONDITION: Lined with minor inpainting, otherwise very good. 50921-1 (5,500-7,000) – Lot 2179

2180
$414.75

SIGNED (American/British, First Half 20th Century) SHIP IN ROUGH SEAS.

Oil on wood panel showing a three mast, black hulled ship sailing right to left with half sails furled. Off the bow is a land formation of white cliffs with 3 smaller sailboats. Green ocean with white cresting waves all under blue, gray white cloud sky. Signed lower right indistinctly “F. H. _outh”. Housed in a gold 19th century molded wood frame. SIZE: 7″ x 12″. Overall 11″ x 16-1/2″. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good, some gold rub at frame edges. 50012-151 (500-1,000) – Lot 2180

2181
$5,036.25

PORTRAIT OF THE SHIP “JAMES LITTLEFIELD” IN STORMY SEA.

Unsigned oil on canvas nautical scene shows the 3-mast black hulled ship under partial sail, sailing right to left in stormy seas. A few figures are seen on deck and the ship’s name is seen on the stern area. The sky has dark clouds with an opening showing blue sky and the sun casting light on the ship in water. Housed in what may be its original gilt frame liner. Note: The “James Littlefield” was built and launched in Bangor, Maine in 1854 (it promptly capsized upon launching and they righted her). In the Civil War, she was sunk by the Confederate steamer “Tallahassee” in August 1864. The “Tallahassee” was captained by James Taylor Wood, nephew of Jefferson Davis and grandson of Zachary Taylor. SIZE: 24″ x 36″. Overall: 26″ x 38″ PROVENANCE: The painting descended in the Tuck family of Bangor, Maine. CONDITION: Conserved in 1997 by Nancy Lee Snow of Falmouth, Maine. Lined, stable craquelure, scattered inpainting, otherwise very good. 50813-1 (2,000-3,000) – Lot 2181

2182
$711.00

TWO MAHOGANY SHIP’S WHEELS.

Late 19th/early-20th century. Each circular wheel with 8 baluster and ring-turned spokes joined to the turned central brass hub. The outer ring of the smaller wheel, nicely bound with conforming brass plates. Both ship’s wheels are of high quality. SIZE: Largest 42″ dia, smallest 36″ dia. PROVENANCE: From a private Massachusetts collection. CONDITION: Structurally very good. Retaining old surface. The extremities of the handles with wear and abrasion within expected parameters. 50800-143, 50080-159, (500-800) – Lot 2182

2183
$711.00

CASED SHIP MODEL OF A BRIG OF 20 GUNS.

Late 20th century. Nicely carved and painted. Mounted with 20 cannon. A dory secured mid-ship. A second dory mounted to stern. Hull is copper clad below waterline. Mounted in custom mahogany display case. SIZE: 22″ h x 25-3/4″ l x 22-1/2″ w PROVENANCE: From a private Massachusetts collection. CONDITION: Very good overall. Nicely detailed model in very fine condition. 50800-131 (1,000-2,000) – Lot 2183

2184
$414.75

CASED SHIP MODEL OF THE CANADIAN GUNSHIP “SPITFIRE”.

Ship model 20th century. Carved and painted wood model constructed with port side bottom exposed to illustrate construction of ship. Two masted 18th century gunship with galleon stern, mounted with three cannon on port and starboard sides, two swivel guns at bow, and a larger siege mortar mounted midship. Racks of cannonballs and barrels of powder are stored on deck. Ship with mahogany display stand within a modern glass sided case. SIZE: Case size 25-1/2″ h x 33″ l x 13-1/2″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: Ship is very good. Case has broken glass on right side bottom. 50800-150 (200-400) – Lot 2184

2185
$148.13

NICE PAINTED PINE SEA CHEST.

Late 18th early 19th century, New England. The rectangular hinged lid with molded edges, paint-decorated with central plaque with inset corners decorated with a monogram of “G N B” in script. The hinged top opening to an interior fitted with a lidded till above two short drawers and mounted with original iron hinges. The dovetailed chest with sloping sides on a molded plinth a becket bracket attached at each end. The whole in original blue paint. SIZE: 17-1/2″ h x 44″ l x 16″ d. CONDITION: Structurally good, retaining original lock, now reset. Painted surfaces with considerable in-use wear and abrasions. Interior is clean. Both becket brackets intact, one rope becket absent. 50809-1 (500-800) – Lot 2185

2186
$1,185.00

FINE MAHOGANY BRASS BOUND CAMPAIGN DESK.

Mid 19th century, London, England. James Schoolbred & Co. was established in London in the 1820’s and flourished through the 19th century, manufacturing quality mahogany furniture of the day. This labeled example marked “Jas Schoolbred & Co.” stamped on upper drawer of case. The rectangular brass bound case with three-quarter brass gallery, above 2 banks of 2 short drawers, each with hinged locksides centering a hinged leather lined writing slope, opening to an interior fitted with a storage well and pigeon holes, and flanked by tooled leather writing surfaces. The lower case fitted with banks of four short drawers centering a sham drawer above a knee hole, raised on a brass bound plinth. The desk fitted with recessed brass campaign “style” hardware and with carrying handles. SIZE: 39″ h overall, 53″ w, 27-1/2″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: Lower case was tight, vertical shrinkage cracks. Surfaces retain original finish with rich mahogany coloration. Original tooled leather surfaces intact. Very good overall. 50800-75 (2,000-3,000) – Lot 2186

2187
$474.00

LARGE SHIP’S ANCHOR LIGHT WITH LATER PAINT DECORATION.

Late 19th century light. Paint decoration second half 20th century. Sheet tin lantern with iron cage and hinged handles with clear glass Fresnel lens, now electrified. Paint decoration depicting the “HMS OAK” within a cartouche with rope border. Additional painted wreaths and ropes throughout on a black ground. SIZE: Height excluding handles 26″ PROVENANCE: From a private Massachusetts collection. CONDITION: Original burners have been removed, replaced by electric fixture. Lens very good with soiling. Body intact. 50800-125 (500-1,000) – Lot 2187

2188
$59.25

PERKO SHIP’S LANTERN WITH INDIGO FRESNEL LENS.

WWII era. New York. Lantern of triangular form with hinged brass lid and smoke vent. Mounted with maker’s badge on shoulder bearing trademark for Perko and for Perkins Marine Lamp & HWR Corp. of Brooklyn, New York. This vintage lantern additionally fitted with steel “blackout” shroud to conceal lens from the air in wartime. Lantern mounted with indigo Fresnel lens. SIZE: 26″ h. PROVENANCE: From a private Massachusetts collection. CONDITION: Multiple coats of black paint with areas of corrosion beneath. Shroud or shield with multiple shallow dents. Approximately 2″ long diagonal crack, center right of lens. Otherwise good. 50800-86 (100-200) – Lot 2188

2189
$237.00

NEAR PAIR OF PORT AND STARBOARD SHIP’S LIGHTS.

First quarter 20th century. England. Each copper lantern with hinged venting lid. The first marked “Starboard” on a plaque above the company name of Meteorite above the registration number 40492. The second marked “PORT” above the plaque marked Meteorite number 36135. Body incised “PATENT 546575″. Each lantern retains orig Fresnel glass lens and interior of each fitted with colored lenses denoting Port and Starboard. Each has been electrified, each with mounting bracket and carrying handle. SIZE: 25 ” h x 14 ” w PROVENANCE: From a private Massachusetts collection. CONDITION: Starboard light with 1″ chip on lens. Both lanterns with slight dents and dimples, otherwise good. 50800-72 (400-600) – Lot 2189

2190
$296.25

SHIP DECORATED LIVERPOOL JUG.

This black decorated jug features an American sailing ship flying two flags and a commissioning pennant on one side. This transfer is not recorded in the Arman book on historical Liverpool jugs. The opposite transfer features a shore scene of a large figure of Hope leaning on an anchor with a ship passing by. There is an anchor on the ship’s top flag and the word “HOPE” tops the transfer. There is black lineal decoration around the base and top. SIZE: 8″ h x 9″ at widest. CONDITION: Jug unrestored. Generally solid but has a large crack across the base and 1/3 of the way up the side. There is some minor staining to the body. Another crack runs from the edge of the spout to the base of the spout. The rim has a noticeable chip and roughness around the top. 50803-9 (1,000-2,000) – Lot 2190

2191
$829.50

HERCULANEUM POTTERY LIVERPOOL PITCHER WITH SHIP AND SHIPBUILDERS POEM TRANSFER.

The cream ware pitcher has a large black transfer of a three-mast ship in full sail sailing right to left with an American flag. Other side with a round black transfer of the shipbuilding poem with two scenes. Under the spout, is the seal of the United States below which is “HERCULANEUM POTTERY LIVERPOOL”. There is a gold band at top and bottom areas. SIZE: 8-1/4″ h. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good with minor & small professional repair to underside of spout. 50012-101 (1,500-2,500) – Lot 2191

2192
$592.50

MASONIC LIVERPOOL JUG.

Jug features a Masonic transfer on one side showing various Masonic symbols along with statue topped pillars. The opposite transfer is a polychromatic decorated ship with the US flag flying. Jug features several smaller transfers around the top, including a square and compass, a protractor and crossed pens with knotted ribbon. Under the spout is an oval wreath with the name “Benjn. and Sally Tripp.” Below that wreath is another with the script initials “JE”. Under the ship is a large Masonic square and compass with the triangle and “G” in the center. Under the handle is a spread wing American eagle. SIZE: 12-1/4″ h x 10″ at widest. CONDITION: Jug is unrestored but has several significant body cracks, some nearly surround the jug. No chips noted, but minor roughness around the rim. 50803-3 (1,200-1,800) – Lot 2192

2193
$1,540.50

GROUP OF TWO AMERICAN HISTORICAL LIVERPOOL JUGS.

1) Jug features a transfer entitled “Washington in Glory, America in Tears”. Transfer shows a portrait of Washington on his tomb with Liberty and American eagle staring at the ground. Other side features a map of the United States with Washington, Liberty, a herald, an early American flag and more. Under the spout is a large oval wreath with initial “JBP” inside. Under the wreath is a small transfer of a spread wing American eagle. 2) Jug features a very desirable transfer of an American ship flying Old Glory with the title beneath “Packet of Boston”. The transfer is polychromatically decorated. Opposite transfer is of the ring of states type featuring a spread wing American eagle surrounded by linked rings with the name of each state written on them. Under the spout is an oval wreath with the name “J.D. Nichoson”. SIZE: 1) 9-1/2″ h x 8-1/2″ at widest. 2) 9-1/3″ h x 8-3/4″ at widest. CONDITION: 1) Has no apparent damage, however, some restoration has taken place. None is apparent on the base, but the foot, spout, rim and lower body of the jug all appear to have had restoration work. The entire jug has been oversprayed, slightly muting the transfers. 2) No visible damage, however extensive repairs are apparent. It is difficult to determine exact extent of restoration however, jug likely suffered from rim chips, foot chips and various cracks to the body, all of which are not visible now. Body of jug has heavy artificial glaze coating that has started to yellow. This is an exceptional jug worthy of being re-restored with modern techniques. 50803-14 (1,600-2,200) – Lot 2193

2194
$2,962.50

AFTER JAMES EDWARD BUTTERSWORTH (American, 1817-1894) SCHOONER YACHT “AMERICA”.

Oil on canvas shows what appears to be the yacht “America” in competition with another just beyond. The two-mast schooner/yacht travels right to left with three men on deck. Flying the American flag and another similar ship just behind and beside. Two tall ships are coming in from the left. Seen in white tipped green ocean, all under a cloud & blue sky. Signed lower right “J E Buttersworth”. Housed in a fine antique style frame by Guido Frames of South Boston, MA. SIZE: 18″ x 22″. Overall: 23-1/4″ x 26-1/4″. PROVENANCE: Originally from the collection of Alice & Murray Braunfeld, acquired in 2004. Included is a copy of a magazine article regarding the collection. CONDITION: Inpainting, very good 50802-1 (5,000-10,000) – Lot 2194

2195
$888.75

PORTRAIT OF THE SCHOONER “J. S. INGRAHAM”.

Unsigned oil on canvas, nautical scene shows a black hulled schooner with 3-masts under full sail, sailing right to left under an early evening sky. The ship’s name emblazoned on the front bow and stern areas, also on a large pennant. Multiple flags are seen including a large American flag. Several figures are seen on deck with the captain behind the wheel. Color reflections in a choppy ocean with sails on the horizon. Housed in its original deep Victorian black walnut frame with gilt liner. SIZE: 24″ x 32″. Overall: 30-3/4″ x 38-1/2″ CONDITION: Unrestored having losses and flaking to bottom 2″, 2 tears with losses at bow and above American flag. Vertical water streaks, surface dirt, otherwise good. 50341-5 (1,500-2,500) – Lot 2195

2196
$2,073.75

UNSIGNED (American, 19th/20th Century) BREAKWATER LIGHTHOUSE AT THE CONFLUENCE OF THE DELAWARE RIVER.

Fabulous oil on wood panel scene shows a breakwater which has two buildings, one with a lighthouse top and a central lookout tower with flagpole. It appears there are several soldiers with long rifles and a person manning the flag tower. There are three flags flying off the right house and both have smoke billowing from the chimneys. Several rowboats are seen in the foreground with ships rounding the point. All under a blue & white cloud sky. Housed in a modern gilt frame. NOTE: This most likely depicts the Delaware Breakwater West End Light House but could also depict the East End which had similar buildings. SIZE: 10″ x 16″. Overall: 14″ x 20″. CONDITION: Minor touch up, very good. 50807-15 (1,500-2,500) – Lot 2196

2197
$0.00

PORTRAIT OF AN AMERICAN SEA CAPTAIN.

Oil on canvas half portrait of a gentleman in black coat, flower decorated vest and white shirt. He holds a telescope in his left hand and sits on a red Federal sofa. Housed in its original gilt molded wood frame. Unsigned but found in the Dennis area of Cape Cod, MA. SIZE: 31″ x 26″. Overall: 36″ x 31″. CONDITION: Stretcher lines visible, some minor touch up, otherwise very good. 50440-10 (2,000-3,000) – Lot 2197

2198
$414.75

SPECIAL ST. JUDE CHILDREN’S HOSPITAL LOT.

This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please also note: The entire proceeds of this lot (to include the buyer’s premium), shall be donated to the St. Jude Children’s Hospital. St. Jude’s is one of the finest hospitals in North America today for the research and care of children afflicted with cancer. We hope that you will consider competing on this lot, we consider it to be an extremely worthwhile cause and we have dedicated ourselves to include similar lots in every single one of our auctions, the proceeds of which will be donated to St. Jude’s. Thank you for your participation. CONDITION: Very good to excellent. 45505-13 (300-500) – Lot 2198

2199
$355.50

HERIZ CARPET.

Northwest Persia. The central arabesque medallion in a terracotta field within ivory spandrels all with latch hook borders and dense floral geometric trelliswork within the midnight blue main border filled with scrolling floral devices. SIZE: 8′ 9″ x 11′ 5″ CONDITION: With wear throughout to foundation in some areas, evidence of now inactive insect damage in perimeter of rug. Loss to fringes at each end and with loss to selvedge 50567-6 (400-600) – Lot 2199

2200
$592.50

SEMI-ANTIQUE TABRIZ ORIENTAL RUG.

Northwest Persia, first-third 20th century. Nicely woven with central tree of life flanked by floral filled urns on a pale celadon field within a terracotta main border of scrolling floral polychrome vinery. SIZE: 4′ 5″ x 5′ 8″. CONDITION: General wear throughout with wear to foundation and upper portion of Mihrab. Loss of fringe to ends otherwise fair to good. 50567-7 (400-600) – Lot 2200

2201
$4,147.50

VERY FINE GEORGE III MAHOGANY SECRETARY BOOKCASE.

Third quarter 18th century, England. In two parts, the upper case with exuberant carved foliate crest with central cartouche carved with a floral filled urn framed within scrolling leaf tips in high relief. The swan’s neck cove molded pediment terminating in floral rosettes with pendant leaf tips carved in deep relief above a pair of figural mahogany fielded panel doors opening to an interior fitted with two adjustable shelves over an arrangement of valanced pigeon holes over three aligned drawers fitted to the mid-molded lower case with hinged sloping lid over a pair of aligned short drawers flanked by lopers over three long graduated drawers all with cockbeaded edges on a molded plinth raised on well executed ogee bracket feet with shaped returns. Secretary retains a complete set of period brasses. SIZE: 96-1/2″ h x 42″ w overall x 39″ case w x 23″ d. CONDITION: In very fine original condition with undisturbed patina and well polished. Feet and all glue blocks original. 50598-1 (3,000-5,000) – Lot 2201

2202
$4,443.75

FINE CHIPPENDALE MAHOGANY CARD TABLE.

Second half 18th century, Ireland. Three-fold hinged top with pronounced turret corners, second top opening to baize-lined gaming surface above the conforming frieze fitted with a single long drawer with central carved shell decoration raised on pronounced cabriole legs shell carved at the knees flanked by molded elements continuing to water leaf carved ankles terminating in deeply carved trifid feet. A single rear leg hinged for top support. Note: Drawer with paper label for “ROBERT STRAHAN & CO. DUBLIN”. SIZE: 31-1/4″ h x 34-1/2″ w x 17″ d. CONDITION: Table retains original surface with good undisturbed patina. Frieze with burr walnut veneers exhibiting shrinkage cracks on sides with 1″ loss to veneer on lower edge, proper left side frieze. A vertical repair proper right front corner of frieze cosmetic in nature, otherwise good. Hinges and tops original with no warping. 50621-16 (4,500-6,500) – Lot 2202

2203
$0.00

GEORGE III MAHOGANY SERPENTINE CHEST WITH BRUSHING SLIDE.

Last third 18th century, England. The dense figural Santo Domingan mahogany, top with applied molded edge above the conforming case with serpentine front fitted with a conforming baise-lined slide over four conforming graduated drawers with cock beaded edges and with original brass hardware joined to a molded plinth, raised on bracket feet with shaped returns. The drawer dividers cross-banded. Backboards, bracket feet and hardware original. SIZE: 35″ h x 39-1/2″ w overall x 24″ d. CONDITION: Chest retains original polish surfaces with mellow patina. Proper left and right side of case at front with small brushstrokes of white paint, minor in nature. Some small cosmetic repairs to cross-banding. Structurally very good. 50598-2 (2,000-3,000) – Lot 2203

2204
$1,777.50

UNSIGNED (American or English School, Late 18th Century) PORTRAIT OF A YOUNG BOY WITH SHEEP.

Large oil on canvas full length portrait of a young boy in fancy outfit with cream/white suit, blue sash tied at waist, & ostrich plume decorated hat. Next to him is a ram and a ewe. The background is a landscape seen under blue & white cloud sky. Housed in what appears to be it’s original gilt wood antique frame. SIZE: 50-1/2″ x 41-1/2″. Overall: 54-1/4″ x 45-1/2″. CONDITION: Lined, some restoration with inpainting, craquelure, good. 50807-6 (3,000-5,000) – Lot 2204

2205
$355.50

FINE SILHOUETTE PORTRAIT OF A BRITISH OFFICER IN FULL DRESS UNIFORM IN THE MANNER CHARLES BUNCOMBE.

First quarter 19th century, probably England. This unsigned silhouette in black watercolor with detailed gold highlights. Officer with plumed cap and saber. Housed in an ebonized frame with gilt slip. SIZE: 10-1/2″ h x 8″ w. CONDITION: With general light even toning, otherwise very good. 50558-30 (400-500) – Lot 2205

2206
$414.75

QUEEN ANNE WALNUT LOOKING GLASS.

3rd quarter 18th century. The rectangular beveled mirror plate within a molded gilt surround. The arched crest of burres walnut flanked by scrolled ears above the molded frame. SIZE: 31-1/2″ h x 16″ w CONDITION: Original mirror plate with overall foxing to silver. Backboard is original. No restoration or repairs noted. Very good overall. 50558-9 (600-700) – Lot 2206

2207
$325.88

QUEEN ANNE CARVED WALNUT LOOKING GLASS.

Mid 18th century. Tall arched crest, applied with foliate garlands with a central foliate cartouche. Pendant apron with foliate wreath and spray. Rectangular plate within a gilt slip etched with squiggle design within the burr walnut molded surround. SIZE: 31-1/2″ h x 13″ w. CONDITION: Beveled mirror plate with general loss to silvering. Mirror surface is original with undisturbed patina. Backboard is original as is crest with replaced glue blocks. Crest with two small holes within cartouche. Otherwise good. 50641-5 (400-600) – Lot 2207

2208
$0.00

THREE PIECES OF GEORGIAN SILVER.

1) 10-3/4″ x 10″ footed salver. London, 1791/92. Hallmark of “WL” which is unlisted. The plain salver having a deep engraved coat-of-arms “NUNQUAM NON PARATUS” (Never Not Ready). 2) 4-1/2″ high unmarked George III creamer having a decorative band above shoulder and a worn decoration of wreath with basket of flowers. 3) 4-3/4″ high x 6-1/4″ wide handled footed cobalt glass lined sugar bowl. Henry Chawner, London, 1789/90. The boat-shaped swing-handled sugar bowl mounted to an oval high foot, reticulated side decoration and having three-letter script monogram. Fitted with a cobalt glass removable liner. SIZE: Sizes as noted above. TOTAL WEIGHT: 25 tr. oz. CONDITION: 1) Very good. 2) Good, shows wear and use. 3) Where base meets bowl there is extra solder, which may indicate a earlier repair, small dings to body, otherwise very good. 50557-11 (1,000-1,500) – Lot 2208

2209
$1,185.00

LOT OF THREE ENGLISH STERLING SILVER ITEMS.

Lot includes: 1) London, 1786/87, makers mark “TW”. 13″ h coffeepot. Pear formed tall pot having carved wood handle, hinged lid topped by an urn. 2) London, 1763/64, makers mark “TH” (Thomas Heming). 9″ x 12-1/2″ platter having a dragooned border. 3) London, 1889/90, makers mark eligible. 4″ h x 3-1/2″ sq hinged lid tea box. SIZE: Sizes noted above. TOTAL WEIGHT: 54 tr. oz (with wood handle). CONDITION: 1) Handle with loss of finish, crease and dents to body, otherwise good. 2) Very good. 3) Small dents, otherwise very good. 50463-1 (700-900) – Lot 2209

2210
$474.00

FOUR PIECES OF ENGLISH SILVER.

Lot includes: 1) Sheffield, possibly 1805/06, there are three date marks: “B I B”. 14-1/2″ ladle. 2) Sheffield, 1906/07, makers mark “HA” (probably Atkin Brothers). 7″ diameter salver having four ball and claw feet and dragooned shaped border. 3) Dublin, probably 1772 (date marked “Z”). 6-1/2″ h footed creamer having high loop handle, shaped rim, flute decorated tapered body and oval base. 4)Dublin, 1802, makers mark “RS” (possibly Richard Sawyer). 5″ h (without handle) footed swing-handle sugar basket having engraved design, shaped top and oval base. SIZE: Sizes as noted above. TOTAL WEIGHT: 31 tr. oz. CONDITION: Minor small dents, generally very good. 50463-2 (800-900) – Lot 2210

2211
$711.00

GEORGIAN SILVER SUGAR BASKET AND FOUR TABLESPOONS.

1) London, 1769/70, makers mark “ER” (probably E. Romer). Reticulated swing-handle frame decorated with flowers and basket of flowers, having a removable cobalt blue glass liner. 2 & 3) London, date mark and makers mark eligible. Pair of 11″ tablespoons. The 18th century spoons, having a cut-feather edge with fancy handle. 4) London, 1764/65. 8-3/4″ tablespoon by T. & W. Chawner. This spoon with cut edge and engraved stag head. 5) American, bright cut 9″ spoon by W. G. Forbes (1752-1840, New York, New York). SIZE: 1) 3″ h x 3″ w without handle and as noted above. TOTAL WEIGHT: 13 tr. oz. CONDITION: Generally very good. 50558-29 (600-800) – Lot 2211

2212
$1,185.00

FOUR QUEEN ANNE AND WILLIAM III ENGLISH STERLING SILVER SPOONS.

Lot includes: 1) London, 1706/07, makers mark of Lawrence Jones. Three 8″ spoons, family crest engraved on back. 2) London, 1701, makers mark of William Scarlett. 8″ William III spoon, back of spoon handle marked “P.S/W.B.1701” SIZE: Sizes noted above. TOTAL WEIGHT: 6 tr. oz. CONDITION: 1) Very good. 2) Very good. 50557-15 (700-900) – Lot 2212

2213
$592.50

PAIR OF ENGLISH MINIATURE ROCOCO STYLE CANDLESTICKS AND GEORGIAN SALVER.

London, 1888/89, makers mark “JB”. The 5″ high candlesticks having shaped square bases, removable bobeches which match the bases in design. London, 1763/64, makers mark “EC” (Ebeneezer Coker). 7-1/2″ diameter salver having three hoof feet, shell decorated border, decorated with flower vine and an engraved rearing stag atop crown in center. SIZE: Size as noted above. TOTAL WEIGHT: 15 tr. oz. CONDITION: Very good. 50564-8, 50564-9., (500-700) – Lot 2213

2214
$711.00

FIVE SILVER BOXES.

Lot includes: 1) English Sterling snuffbox with a 4/5 hinged lid in oval form, having bright work and shield with monogram. London, 1796/97, makers mark “GB” (probably George Baskerville). 2) English Sterling snuffbox, Birmingham (1885/86), makers mark “WN”. The rectangular box having an engraved border shaped lid. The bottom all over engraved. 3) French Sterling hallmarked, rectangular hinged box having a single divider, horizontally through box. Top decorated with a raised urn of trailing flowers. 4) Unmarked rectangular, curved edge snuffbox. Decorative engraving on hinged lid. 5) Unmarked silver, hinged top card holder. The whole in fine silver filigree work. One side having “MEMORIA” attached in silver letters. SIZE: Range from 2-1/2″ l to 3-1/2″ l. CONDITION: 1) Very good. 2) Very good. 3) The interior of the lid having inset glass with mirror back which has deteriorated, otherwise very good. 4) Interior with some stains and rust (may not be silver), otherwise good. 5) There are small parts of the filigree missing, mostly intact. 50464-4 (1,200-1,800) – Lot 2214

2214A
$296.25

SET OF TWELVE STERLING APOSTLE SPOONS.

The Victorian set having different figure apostles at the top of each spoon, tapered shallow bowl marked with a hallmark which appears to be a scepter, probably German or Austrian. WEIGHT: 5 tr. oz. SIZE: 4-1/4″ l. PROVENANCE: Family history indicates that the spoons were given to Aunt Anna (Blake) on their visit to Vienna when her first husband, Theodor von Wangermann, gave a piano concert there in 1890. CONDITION: Very good. 50557-18 (500-700) – Lot 2214A

2215
$3,792.00

THOMAS MOORE & CO TRIPLE FUSE BRACKET CLOCK.

London, late 18th century. Musical clock striking on the quarters, chiming on nine bells with engraved backplate. With calendar on dial on face. With pendulum. Handle on top with four finials. Satin wood feather veneer on front, quarter columns with brass on top and bottom. Brass talon feet. Has brass covering the windowed sides with cloth, cloth probably replaced. With key and winder. SIZE: 19″ h x 15″ at widest x 9-1/2″ d. PROVENANCE: Descended through the Rufus King family lineage. CONDITION: Clock appears to be original finish, missing small pieces of wood. Craquelure to veneer, in need of some restoration. Dial face with losses. Pendulum with restoration but is of the period. 50440-1 (4,000-6,000) – Lot 2215

2216
$948.00

GEORGE III COMPANION MAHOGANY BOOKCASE.

Last quarter, 18th century, England. This diminutive example with four graduated shelves above a single drawer. The case sides scalloped and shaped. The whole raised on ring-turned tapering cylindrical legs terminating in brass capped castors. SIZE: 40-1/2″ h x 19″ w x 10-1/2″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: Bookcase retains old original surface. Lower two shelves with darkened water stains. Otherwise re-polished. Structurally good with old cosmetic repair to rear of proper left side panel. 50800-95 (200-400) – Lot 2216

2217
$711.00

FINE WILLIAM IV CARVED MAHOGANY AND ROSEWOOD CANTERBURY.

Mid 19th century, England. The four S- and C-scroll molded and shaped dividers each surmounted by a carved shell crest joined by baluster turnings, all above the rectangular case, above the conforming frieze fitted with single drawer, raised on short bulbous, ring and baluster-turned legs, terminating in brass capped casters. SIZE: 19-1/2″ h x 20″ w x 15-1/2″ d. CONDITION: Structurally very good, professionally cleaned and re-polished. Drawer with replaced brasses, casters original. 50781-2 (800-1,200) – Lot 2217

2218
$0.00
Revised: 8/25/16

Please Note: Proper right leg broken off and re-attached.

WILLIAM IV BEECH CHEST OF DRAWERS WITH BIRDS EYE VENEER PANELS.

Third quarter, 19th century, England. The rectangular top with molded edge above the conforming case, fitted with a bank of two short drawers flanked by single deep drawer over three long drawers. All with thumb molded edges and birds eye maple panels, above the scalloped and shaped apron. SIZE: 46-1/2″ h x 42″ w x 19″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: Chest retains well polished surface with honey-brown patina with original hardware. Very good overall. 50800-151 (500-800) – Lot 2218

2219
$10,665.00

ANTONIO DE SIMONE (Italian, 1851-1907) THREE PORTRAITS OF THE AMERICAN YACHT S.Y. “NARADA”.

Three framed gouaches depicting the white hulled steam and sailing yacht Narada. The first depicts the yacht steaming past Vesuvius, the second depicts the yacht with billowing main sails cutting through choppy seas, and the third shows the yacht with only the jib sails at work in rough seas. The New York Yacht Club burgee is on the foremast and the officer’s flag of the Vice Commodore is on the mainmast in each example. All three inscribed lower left “Y. Narada” and signed lower right “DeSimone”. NOTE: The steam yacht “Narada”, originally named “Semiramis”, was 491 tons gross (272 net), and was designed for Mr. John Lysaght by A.H. “Skipper” Brown and built for him by Ramage & Ferguson of Leith in 1889. Having a steel-hull, with a Scotch boiler & triple expansion engine produced 635 hp. (14 knots when in steam). Rigged as a screw brigantine, at 225 feet in length with a 27 foot beam and a 13 foot draught. Lysaght sold her in 1893 and in 1894 she was bought by A.J. Drexel, the immensely wealthy Philadelphia banker, who promptly renamed her “Margarita”. He in turn sold her to Henry Walters of Baltimore in 1899 whereupon her name changed again, this time to “Narada”. As “Narada”, she became one of the best-known yachts on the North Atlantic and Walters made many trips to Europe in her to buy the art treasures which now form the basis of the Walters Gallery Collection in Baltimore. Apart from the latter years of the Great War when she was leased to the U.S. Navy, Walters used “Narada” continuously until he sold her in 1933, after which she disappears from record. Henry Walters was the Vice Commodore of the New York Yacht Club thus the burgee of the Club & the Vice Commodore officer’s flag seen in each of these works. SIZE: Sight of each: 17-1/2″ x 23-1/2″. All three housed in matching giltwood frames, under glass: 21-3/4″ x 27-1/2″. CONDITION: All three appear to be in very good condition. One has small horizontal tear along top edge. Not examined out of frame. 50878-1 (3,000-5,000) – Lot 2219

2220
$2,073.75

CHINA TRADE (19th century) PORTRAIT OF A DANISH CLIPPER SHIP.

Oil on canvas portrait of a three masted clipper ship flying the Danish East India Company flag as it approaches Hong Kong. SIZE: 17-3/4 x 23-1/2″. Overall: 21-1/2″ x 27″ CONDITION: Lined, shrinkage cracks, minor canvas buckle. 50621-9 (3,000-5,000) – Lot 2220

2221
$0.00

MICHAEL ZENO DIEMER (German, 1867-1939) CLIPPER SHIP CUTTING THROUGH ROUGH SEAS.

An oil on canvas depicting a three masted clipper ship caught between large waves, travelling towards the right. Housed in a giltwood frame and signed lower left “M. Zeno Diemer”. SIZE: 39″ x 57″. Overall: 51″ x 68″. CONDITION: Very good. Canvas is lined and varnish has yellowed. Gilding on frame is chipping, with losses. 49556-1 (8,000-12,000) – Lot 2221

2222
$0.00

WILLIAM FOWLER II (English, fl.1825-1867) THE SAIL AND STEAM SHIP “S.S. CITY OF LONDON”.

Oil on canvas ship portrait depicting the S.S. City of London sailing left under sail, steam and paddlewheel power off the white cliffs of Dover. The passenger steamship was built in Glasgow, Scotland, in 1863 by Tod & McGregor to carry immigrants from Liverpool to New York. She was lost at sea in 1881 along with 41 of her passengers. Signed lower left “W. Fowler”, and numbered on verso canvas “2019”. Housed in a mahogany frame with gilt liner. SIZE: 18″ x 25-1/2″. Overall: 22-1/2″ x 30″ CONDITION: Extensive inpainting in sky 50641-12 (800-1,200) – Lot 2222

2223
$1,066.50

P H SIEMS (South African, fl. 1883-1906) AN AMERICAN CORVETTE ANCHORED IN TABLE BAY, SOUTH AFRICA.

Fine watercolor showing a three-mast black hulled ship flying the American flag anchored with several other boats having town & table mountain beyond. Signed lower right “P H Siems 1884″. Housed in a gilt frame that (damaged). Watercolor is mounted to light board. SIZE: 8″ x 11-1/2″. Overall: 17-1/2″ x 20-1/2”. PROVENANCE: From a private Massachusetts collection. CONDITION: Watercolor is very good, backing board toned, frame as is. 50800-105 (1,000-1,500) – Lot 2223

2224
$592.50

P H SIEMS (South African, fl. 1883-1906) CORVETTE IN A STORM.

Watercolor scene shows a three-mast single stack ship cutting through heavy ocean. Crew members can be seen on deck under heavy spray. Signed lower left “P H Siems 1884″. Housed in a its original gesso decorated gilt frame. SIZE: 9″ x 13″. Overall: 17-3/4″ x 20-1/2”. PROVENANCE: From a private Massachusetts Collection. CONDITION: Watercolor is good, backing board foxed & toned. 50800-104 (1,000-1,500) – Lot 2224

2225
$3,555.00

ANTONIO NICOLO GASPARO JACOBSEN (American, 1850-1921) PORTRAIT OF AN AMERICAN SLOOP OF WAR, POSSIBLY THE BROOKLYN.

Oil on board depicting a mid-19th century black hulled sailing vessel traveling under steam power under a cloudy grey sky. Signed lower right “Antonio Jacobsen”, and inscribed in pencil on verso “Brooklyn”. The ship resembles the 1858 sloop of war USS Brooklyn, however, it also resembles the sloop of war Kearsage (Jacobsen was known in his Checklist to have two oil paintings of the Kearsage of this size). “Brooklyn” was the first of five screw sloops of war authorized by the U.S. Congress on March 3, 1857. She was laid down later that year by the firm of Jacob A. Westervelt and Son, launched in 1858, and commissioned on January 26, 1859 under the command of Capt. David G. Farragut. Housed in a carved giltwood frame. SIZE: 13-3/4″ x 24″. Overall: 30-1/2″ x 21″. CONDITION: Restoration includes retouch in sky, a 1 1/2″ area of damage to first mast & other imperfections, signature possibly added at a later date. 50589-3 (4,000-6,000) – Lot 2225

2226
$1,777.50

ATTRIBUTED TO ANTONIO JACOBSEN (American, 1850-1921) PORTRAIT OF THE SHIP “WESTERLAND”.

Unsigned oil on canvas portrait of the two-stack, four-mast, black hulled ship traveling right to left with smoke billowing from the stacks. Each stack is adorned by a five-pointed red star indicating “The Red Star Line”. The name eblazoned on the bow. The ship sails through rough water with white tipped green waves. Two men are seen on deck, all under a dark cloudy sky. Housed in a gold decorated molded wood frame. REFERENCE: According to the Antonio Jacobsen Checklist there were at least two oil painting of this size created of this ship. SIZE: 22″ x 36″. Overall: 26-3/4″ x 40-3/4″. CONDITION: Restored with inpainting, lined, good. 50922-4 (3,000-5,000) – Lot 2226

2227
$2,962.50

SUPERBLY DETAILED LARGE SCALE MODEL OF A FULLY RIGGED ARMED BRIG.

19th century, American or British. The fine and accurately detailed model with full rigging, including fighting tops and sails furled on the yards, above a laid deck with removal hatch covers. The hull of plank on frame construction with functional gun ports for upper-deck canon. The model with carved and gilded figurehead of a helmeted soldier. Model is accompanied by a display stand. SIZE: 69″ h x 92″ l x 38″ w overall. CONDITION: Very good overall with undisturbed surfaces and natural patina. Some quality old restoration to lines and with minor insignificant imperfections. 50839-15 (2,500-5,000) – Lot 2227

2229
$829.50

SETH THOMAS BRASS YACHT CLOCK WITH BELL.

First half 20th century. Circular brass case mounted with conical bell. Nickel-plated 5-1/2″ dial with roman numeral chapter ring, subsidiary seconds dial, time and strike apertures centering “SETH THOMAS”. Clock with 48 hour spring driven movement striking on a bell. SIZE: Overall height 10″ x 7″ w PROVENANCE: From a private Massachusetts collection. CONDITION: Case burnished, shallow dents and dimples overall. Movement has not been examined. 50800-64 (500-1,000) – Lot 2229

2230
$711.00

MATCHED PAIR OF SHIP’S WHEELS.

Mid 20th century, American. Each wheel, probably teak with eight baluster-turned spokes joined to the brass hub, continuing through the molded feloe or outer ring terminating in turned handles with no designated king spoke. SIZE: 36″ dia overall. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good overall. 50800-165 (300-500) – Lot 2230

2231
$3,258.75
Revised: 8/15/2016

Good News: This is a five draw, not a 4 draw. The size is 43″ fully extended, not 20″. 11-1/2″ closed. Also, the telescope is inscribed in script: Bate, London/Optician to the Queen.

FINE VICTORIAN ROSEWOOD TELESCOPE WITH TRIPOD IN ORIG FITTED CASE.

3rd quarter, 19th century. England. Customized four drawer 20″ rosewood telescope is offered with three lenses with 30, 50, and 90x magnification, and with customized solid brass tabletop tripod, all fitted within original rosewood box with deep blue velvet interior. SIZE: Telescope 20″ extended. Case 4″ h x 15″ w PROVENANCE: From a private Massachusetts collection. CONDITION: Optics in good order, as is telescope and case. Very good overall. 50800-54 (400-600) – Lot 2231

2232
$948.00

CASED SEXTANT BY HEATH & CO OF LONDON.

The black metal brass fitted sextant having a brass scale signed “Heath & Co. London, SE” and “Kelvin & Wilfrid O. White Co., Boston-New York”. The box labeled “”The Hezzanith” Instruments Works, London Certificate of Examination”. Two lenses in fitted pocket. Instruction booklet enclosed. SIZE: 9″ x 9″. CONDITION: Appears to be in very good condition. Box has had previous owners emblem on cover, otherwise good. 50276-4 (800-900) – Lot 2232

2233
$0.00

BRASS DOLPHIN LAMP FROM STEAMSHIP “MAURETANIA” OF THE WHITE STAR LINE.

Circa 1938, England. This bronze wall lamp in form of stylized dolphin. Dolphin’s tail curves back and up, splitting left and right serving as a support to curved frosted glass shade with stepped arch top all within brass frame. Wall lamp is currently mounted on a later mahogany board with molded edge. Accompanying the lamp is a booklet titled “Mauretania” which describes the history of the ship replete with many illustrations. SIZE: Lamp 19″ h x 4-1/2″ d x 8-1/4″ w. Plaque 21″ h x 12-1/2″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: Bronze lamp base well patinated with undisturbed surface. Shade very good overall. Booklet cover shows wear & losses, interior good. 50800-74 (500-1,000) – Lot 2233

2234
$355.50

TWO BRASS SHIP’S LANTERNS.

First quarter, 20th century. American. The first, a Perko ship’s lantern with ruby glass Fresnel lens, fitted with protective brass cage and screw top. The second, a large Triplex anchor lantern, fitted with a good “pie cutter” waffle edge Fresnel lens. The body with hinged chimney top and protective brass cage bars over lens. Maker’s plaque impressed in the body. This lantern has been electrified. SIZE: Height of first 12-1/2″. Height of second 1″. PROVENANCE: From a private Massachusetts collection. CONDITION: The Perko lantern with orig lens. Complete burner section now absent, otherwise good. Triplex anchor light with orig lens, electrified as noted. A tear in sheet brass face to right of electrical wire and with dimples to left of wire, otherwise good. 50800-89 (500-1,000) – Lot 2234

2235
$2,844.00

WASHINGTON/PROSCRIBED PATRIOTS OF AMERICA LIVERPOOL JUG.

Polychromatically decorated with a US ship flying the American flag on one side. The other side features the very popular transfer “The Memory of Washington and the Proscribed Patriots of America”. Transfer includes portraits of Samuel Adams and John Hancock. Their initials appear below each portrait. The jug further reads “Liberty, Virtue, Peace, Justice and Equity to All Mankind” along with “Columbias Sons Inspir’d by Freedoms Flame Live in the Annals of Immortal Fame”. There is a transfer under the spout of a shore scene entitled “Smugglers”. Under the handle is another small shore scene featuring three men conversing. There are red/brown lines and highlights on the base, handle and rim of the jug. SIZE: 11″ h x 11″ at widest. CONDITION: Jug shows no restoration but has a large chip measuring 3/4″ x 1″ on the foot below the patriots transfer. There are also two lines on either side of the spout, one line being 1-1/2″, the other 1″. 50803-8 (2,000-3,000) – Lot 2235

2236
$1,599.75

TWO PATRIOTIC LIVERPOOL JUGS.

1) Jug features a transfer of Washington’s tomb on one side. Transfer entitled “Washington’s in Glory, America in Tears”. The monument features a portrait of Washington with his birth and death dates along with Lady Liberty and the American eagle both staring at the ground. The opposite transfer features an early American flag, map of America, Washington, Liberty, a herald and more. Under the spout is a large round wreath with the initials “MJH” in the center. Below that is a transfer of an American eagle. A floral garland transfer surrounds the rim. 2) Jug features a polychromatic decorated ship flying a Betsy Ross style flag and a pennant off the central mast. On the other side is a large Patriotic transfer featuring an early American flag, Liberty cap and more. Central oval reads “As he tills your rich glebe, the old peasant shall tell while his bosom with liberty glows. How your warren expired how Montgomery fell and how Washington humbled your foes.” Under the spout is a large wreath transfer and the letters “EK”. The base, handle, rim and spout are highlighted with lineal black decoration. SIZE: 1) 10″ h x 9-1/2″ at widest. 2) 8-1/4″ h x 8-1/2″ at widest. CONDITION: 1) Jug has had significant but professional restoration. There are restored areas on the spout, handle and base of this jug. Jug appears to be oversprayed with simulated glaze. 2) Jug has a wonderful appearance and magnificent luster. The only visible damage is a tight crack that extends from one side of the spout to the other and a small chip on the base. 50803-11 (1,800-2,400) – Lot 2236

2237
$592.50

GROUP OF TWO HISTORICAL LIVERPOOL JUGS.

1) Jug features the well known Peace, Plenty and Independence transfer on one side with the equally popular Apotheosis of Washington on the other. The Peace and Plenty transfer is especially large and sharp with well articulated figures. The Apotheosis transfer features Washington being escorted to heaven by angels as a central theme. Below the spout is a large transfer of a spread wing eagle. 2) Small jug features the Farmers Arms on one side and a wonderful transfer of Washington surrounded by a ribbon featuring the names of all the current States. The latest included on the ribbon is Kentucky. Under the spout is a wreath with the names “James & Mary Ham.” inside. There are lineal black highlights around the base, spout, rim and handle. SIZE: 1) 11″ h x 11″ at widest. 2) 8″ h x 8-1/2″ at widest. CONDITION: 1) Jug has a magnificent visual appearance but does have indications of some type of restoration in and around the base. 2) Unrestored but has a large crack that extends from left side of Washington transfer down to below the handle and most of the way across the Farmer’s Arms. Some staining to body of the jug. 50803-12 (1,800-2,400) – Lot 2237

2238
$1,303.50

GROUP OF TWO HISTORICAL JUGS.

1) Liverpool style jug. A scarce transfer of Commodore Preble adorns one side. Transfer features a well known portrait of Preble in the center surrounded by an American flag, arms an Indian and a herald. The other transfer is entitled “Commodore Preble’s Squadron Attacking the City of Tripoli Aug 3 1804” and features a large transfer of Preble’s ships bombarding the fort at Tripoli. There is a lengthy 5-line transfer describing Preble’s squadron and its actions in Tripoli. Under the spout is the well-known transfer of an American eagle with the words “Herculaneum, Pottery Liverpool”. There appears to be remnants of gold highlights around spout. 2) Later jug with pearlware body. Jug features a black overglaze decoration of a spread wing American eagle on one side and ship flying the British flag on the other. Under the spout is a shoreline scene of a woman embracing a sailor. SIZE: 1) 8-1/3″ h x 8-1/2″ at widest. 2) 7-/2″ h x 9-3/4″ at widest. CONDITION: 1) Unrestored but generally stained to a tan color. There are numerous small chips around foot. Spout has small chip on side. 2) Jug has been restored. Restoration includes extensive work on the lip and handle of the jug. There is also restoration to the rim that includes a significant chip. There is further damage that has not been restored including numerous tight cracks in the base and one extending 5″ into the body of the jug. 50803-10 (1,500-2,000) – Lot 2238

2239
$829.50

GROUP OF TWO LIVERPOOL HISTORIC JUGS.

1) Jug features a large transfer of the Apotheosis of Washington displaying a large transfer of Washington being escorted to heaven by angels. Transfer surrounded by clouds and winged cherub faces. The other side has an American ship at full sail flying the United States flag. Under the spout is a transfer of a large spread wing eagle. 2) Jug features the Independence transfer showing an early American flag, pennant and liberty cap surrounding an oval with words relating to Washington humbling his followers. The opposite transfer is generally known as the Ring of States transfer. It features a large American spread wing eagle surrounded by rings with the names of states upon them. The last state featured is Tennessee. SIZE: 1) 11″ h x 11″ at widest. 2) 7″ h x 7-1/2″ at widest. CONDITION: 1) Jug shows no visible damage, however, some restoration has taken place. Restoration appears to include the spout, top area surrounding the handle, and the base between the Apotheosis and spout transfers. The base and foot rim also appear to have had work done to them. There is a partial crack at the top of the handle, possibly a degraded restoration. 2) Unrestored and has slight roughness around the base, a very small chip on the rim and a small chip on the spout. 50803-13 (1,800-2,400) – Lot 2239

2240
$237.00

LARGE LIVERPOOL MASONIC JUG.

Jug having on one side a black transfer titled “Masonry Dedicated to the Learned Brethren”. The other side black transfer titled “Poor Jack” showing a sailor bidding farewell to his lady underneath is the words to the song. Under spout is a black transfer titled” The Orphan Boy in Service” showing a boy leading a pair of workhorses in a field. SIZE: 10-3/4″ h x 11″ at widest. CONDITION: There are three hairline cracks around handle, otherwise good with some minor defects. 50586-7 (700-900) – Lot 2240

2241
$1,066.50

PAIR OF EARLY MASONIC GRAND MASTER CHAIRS.

The high back dark stained chairs have a back panel with Masonic emblems and geometric carving. Both chairs identical with the exception of some of the Masonic icons. One has the “all seeing eye” with square & compass over a balance. The other with the “all seeing eye” over a banner written “GOD WITH VJ” over a balance scale. The architectural type crest with peeked roof line flanked by diamond carved finials. Inset plank seat and block & turned double stretchers. SIZE: 48-3/4″ h x 20-1/2″ at widest (seat front) x 18-1/2″ seat h. CONDITION: Wonderful patina, some light stains in seat, structurally sound. 50788-3 (1,500-2,500) – Lot 2241

2242
$1,185.00

CARVED & PAINTED TRADE FIGURE DEPICTING BUST OF A MAN.

From neck up, slightly larger than life size, shows a well featured face with open mouth and tongue out. The man wears a turban and remnants of original light blue, pink & brown paint are present. SIZE: 19″ h x 10″ d. CONDITION: Crack from under chin down and along right side of head behind ear; outside weathering, loss of 85% of paint. 50567-72 (800-1,200) – Lot 2242

2243
$0.00

RARE TIN CUTLERY TRADE SIGN.

Last quarter of the 19th century, American. This unusual and fine example of a shaped tin trade sign advertising many household products such as Cutlery, Lighting, Paint and Farming Implements of all Kinds. The sign mounted on a simple rectangular wood frame. The words are executed in silver paint with red and black outlined borders all on a blue-gray background. All original with no restoration. SIZE: 44-1/2″ l x 18-1/2″ w. CONDITION: With overall abrasion resulting in some areas of paint loss, the lower apron with creasing, otherwise this sign is in excellent condition for its style and large size. 50499-3 (4,000-6,000) – Lot 2243

2244
$8,887.50

RARE ARCHITECTURAL CARVED AND PAINTED PIGEON HEAD TRADE SIGN.

Early 19th century. Previously three of these were mounted around the perimeter of the Pigeon Cove Inn, Knob, Maine. One of two examples offered in this auction, the hollow carving comprised of laminated pine boards with original polychrome paint-decorated surfaces depicting the head of a pigeon with closed beak. REFERENCE: Page 218 of “American Primitive” by Ricco/Maresca showing the one of the three in the Collection of Helen & Scudder Smith. SIZE: 21″ dia x 25″ h. CONDITION: Original and old painted surfaces with extensive weathering and areas of abrasion. Surface is now dry and crusty. Structurally very good. 50567-77 (2,500-3,500) – Lot 2244

2245
$9,480.00

RARE ARCHITECTURAL CARVED AND PAINTED PIGEON HEAD TRADE SIGN.

Early 19th century. Previously three of these were mounted around the perimeter of the Pigeon Cove Inn, Knob, Maine. One of two examples offered in this auction, the hollow carving comprised of laminated pine boards with original polychrome paint-decorated surfaces depicting the head of a pigeon with closed beak. REFERENCE: Page 218 of “American Primitive” by Ricco/Maresca showing the one of the three in the Collection of Helen & Scudder Smith. SIZE: 21″ dia x 25″ h. CONDITION: Original and old painted surfaces with extensive weathering and areas of abrasion. Surface is now dry and crusty. Structurally very good. 50567-71 (2,500-3,500) – Lot 2245

2246
$1,066.50

FINE AND UNUSUAL SPONGE DECORATED DEMILUNE PINE SIDE TABLE.

Early 19th century, New England. This is a nice example with original red wash and sponge decorated surface. Thin single board top projecting above the rectangular frieze raised on slender square tapered legs. Base of pinned construction with nice decoration. SIZE: 32″ h x 36″ w x 17-3/4″ d. CONDITION: Original surfaces as noted. Untouched condition with fine color and patina. Small and insignificant stress crack noted right rear leg facing. 50601-11 (2,200-2,800) – Lot 2246

2247
$1,540.50

RARE WRITING ARM WINDSOR CHAIR IN BLACK PAINT.

Last quarter 18th century, Connecticut. Ebenezer Tracy School, Lisbon, CT. The chair displays early dry black paint over original red. The serpentine comb with upswept ears joined to five swelled spindles connected to the stepped arm rail continuing to outswept hand grip and broad paddle shaped writing arm all above the D-shape chestnut saddle seat mounted with a dovetailed drawer beneath raised feet on splayed vase ring and reel turned legs joined by H-form stretcher with blunt arrow turnings. Reference: For a similar example, see The Windsor Style in America by Santore, page 170, plate 182. SIZE: 44-1/2″ h of back, 16-1/2″ h of seat, 33-1/2″ w overall. CONDITION: Painted surfaces as noted, dried with abrasion wear on edges. Upper drawer guides replaced, otherwise in very good original condition. 50576-45 (2,000-4,000) – Lot 2247

2248
$1,540.50

RARE PILGRIM CENTURY TABLE TOP LIGHTING STAND.

Mid 17th to early 18th century, New England. This good early example in oak and maple with central rectangular post mounted to a thick block base with chamfered edge, the uppermost post with ascending serrated edge surmounted by a crude diamond finial. The wedged adjustable wishbone shaped horizontal burner arm with carved circular cup now with candle. NOTE: This lighting device may originally have been intended for an early grease lamp. SIZE: 25-1/2″ h. CONDITION: Outstanding untouched crusty old surface fully operable and without restoration. 50576-39 (1,500-3,000) – Lot 2248

2249
$237.00

EARLY AMERICAN GRAINED TWO DRAWER BLANKET CHEST.

First third 19th century, New England, possibly Maine. Rectangular hinged top with applied molded edge opening to storage well. Case fitted with two long drawers. The whole raised on tapering French feet. Chest retains original wood knobs and is decorated overall with simulated mahogany graining. SIZE: 43-1/2″ h x 43″ w 18-1/2″ d. CONDITION: Top with some molding loss proper right side and with chip losses to proper right corner otherwise top with normal and expected in-use wear, surface and backboards original, good overall. 50803-6 (500-1,000) – Lot 2249

2250
$1,066.50

UNUSUAL EARLY AMERICAN FIGURAL MAPLE TWO-DRAWER TABLE IN THE MANNER OF DUNLAP.

First half 19th century, probably New Hampshire. Figural maple square tray top projecting above the conforming case fitted with a pair of tiger maple drawers, raised on unusually carved legs crosshatched throughout tapering to similarly carved ankles terminating in ribbed, round platform feet. SIZE: 27″ h x 22″ w x 22″ d. CONDITION: Table retains early surface with normal and expected shrinkage cracks in top, pegged construction appears undisturbed. Generally good. 50558-25 (800-1,200) – Lot 2250

2251
$0.00

SCHOOL GIRL ALPHABET SAMPLER BY LAURA ANN KIDDER OF MEDFORD, MASSACHUSETTS.

The sampler having seven lines of alpha characters, below which is the name and location of girl, below which are three roses. Multiple decorative borders. Housed in a flat gilt frame behind glass. SIZE: Site: 5-3/4″ x 16-1/4″. Overall: 17″ x 17-1/2″. CONDITION: Very good. 50440-13 (1,800-2,400) – Lot 2251

2252
$0.00

SCHOOL GIRL SAMPLER BY MARY HIBBERT, AGE 10, 1819.

Depicting a house with lambs in a pasture, Shepard’s, rabbits, deer, dog and urns of flowers. Silk ground with wool needlework, the flowers tufted with wool. A four-line verse “See Israel’s gentle Shepard stands/with all engaging charms/mark how he calls the tender lambs/and folds them in his arms.” To the left of the verse, “Mary Hibbert her” and on the right side “work aged 10 1819″. Housed in a modern wood frame and appears to be stitched to backboard. SIZE: Actual: 11″ x 10 1/2″. Overall: 15-1/2″ x 15 1/2”. PROVENANCE: The maker, who emigrated from England and settled in Northumberland, Pennsylvania, to her great-granddaughter, Mrs. Douglas A. Findlay of Weston, Connecticut. CONDITION: Some losses to silk ground, edges mis-shapen, toned; still quite discernible. 50440-14 (800-1,000) – Lot 2252

2253
$237.00

FOLK ART CARVED EAGLE ON PLINTH.

This fanciful rendition of an eagle standing upright with wings outstretched. The head with an exaggerated curved beak and oval carved eyes with minimalist carved talons. Mounted on a circular plinth framed by three gold turned finials. SIZE: 51-1/2″ h x 18-3/4″ wing spread x 13″ d. CONDITION: With original surface having remnants of white wash. Proper right wing has been repaired and reattached to the body from the shoulder to top of tail. Sculpture has been attached to plinth with finishing nails. Chips to base. Otherwise good. 50753-14 (600-800) – Lot 2253

2254
$3,555.00

LARGE AND FINE SHEET METAL PILOT HOUSE DISPLAYED EAGLE.

Late 19th century, American. The hollow body spread wing eagle perched on a large ball finial mounted on sheet tin plinth. Now offered on a painted black pedestal. Eagle with later gold surface over earlier gilding. SIZE: 31-1/2″ h. Wing span 41″. 73-1/2″ h overall including pedestal. CONDITION: Each wing with drilled hole at mid-section, probably for mounting of stabilizing wires. Both wings have some old damage but are in overall good sound condition. Eagle’s beak has some slight bends, with areas of paint loss. Excellent form of a pilot house eagle. 50499-9 (3,000-5,000) – Lot 2254

2255
$1,422.00

FINE SET OF FOUR FAN-BACK WINDSOR SIDE CHAIRS.

Last quarter 18th century, Lisbon, CT. Each chestnut, maple and hickory example of Ebenezer Tracy School. The fan-back combed crest joined to maple posts of vase-ring and reel turned form centering 7 swelled spindles all joined to a chestnut shovel form solid seat raised on splayed incised swelled legs joined by H-form stretcher. SIZE: 36-1/2″ h of back. 18″ h of seat. 21″ w overall. CONDITION: With mellow dark refinished surfaces. One medial stretched with small old wood plug repair. Otherwise very good. 50576-46 (2,000-4,000) – Lot 2255

2256
$0.00

EARLY AMERICAN CHILD’S LADDER BACK YOUTHS ARMCHAIR.

Early 19th century, New England. This pine ladder back with two arched slats, nicely stencil decorated joined by turned cylindrical styles surmounted by turned knopped finials. The styles joined to cylindrical horizontal arms terminating in acorn form hand grips, raised on frontal legs, centering the trapezoidal woven rush seat. The frontal legs with rectangular plank footrest with stenciled border. The whole joined by double box stretchers. SIZE: 34-3/4″ h (at back), 19-1/2″ h (at seat) x 13-3/4″ w (at arms). CONDITION: Structurally very good with normal and expected wear to base of legs and to footrest, surface old if not original, stenciling clear and intact. Ends of legs have been colored to lesson normal abrasion, scuffs and scratches. Very good overall. 50641-19 (350-450) – Lot 2256

2257
$1,422.00

WILLIAM & MARY BANNISTER BACK ARMCHAIR.

First third 18th century, Portsmouth, N.H. Shaped crown crestrail above 5 split banisters joined to the posts with suppressed ball knopped finials, the posts of elongated vase and ring turnings joined to downswept arms with “elephant trunk” grips. Above the trapezoidal woven splint seat raised on frontal vase and reel-turned legs and cylindrical back legs joined by swelled double box stretchers, the front stretcher vase and reel-turned. SIZE: Back 43″ h. Seat 15-1/2″ h. Overall 23-1/2″ w. CONDITION: Splint seat is an old later replacement. Chair retains original untouched surface, no restoration or alterations noted. 50576-51 (1,500-3,000) – Lot 2257

2258
$2,844.00

RARE BLUE PAINT DECORATED LEATHER FIRE BUCKET.

Early 19th Century American. Bucket in original robin’s egg blue paint, with red painted rim and base with original black leather handle. Bucket marked “E.A. SMITH” in fine calligraphy within a white and yellow band with scrolling leaf tips. SIZE: Overall 17-1/2″ h. CONDITION: Strong, dry painted surfaces. Name is somewhat age obscured but legible. All stitching is original. Very fine, untouched condition. 50576-19 (2,000-4,000) – Lot 2258

2259
$1,481.25

COLLECTION OF FOUR AMERICAN LEATHER FIRE BUCKETS.

First quarter 19th century, New England. All with leather handles. Three in green paint. 1) With family name “T. EASTMAN” above “NO 1” all within black line oval border. 2) With family name “R. BALDWIN” in gold gilt letters. 3) With name “J.P. BREWSTER” in black lettering. 4) In black enamel paint with evidence of original family name within a cartouche, now painted over. Inlaid now in later paint “A.D. 1800”. SIZE: Shortest 10-1/2″ h. Tallest 10-3/4″ h. PROVENANCE: From a private Massachusetts collection. CONDITION: Buckets structurally intact, 1) and 2) with later handles, 3) with painted surfaces heavily abraded, 4) repainted as noted with additional old restoration to upper lip. Fair to good overall. 50574-8 (800-1,200) – Lot 2259

2260
$0.00

EARLY AMERICAN PINE SAWBUCK TABLE IN RED PAINT.

Mid 19th century, Maine. The associated 2-board top now with hand rubbed varnish surface projecting above the pine base with sawbuck cross ends joined by single boards forming a trough shaped stretcher all in old red paint. SIZE: 28-3/4″ h x 81″ l x 30″ w. CONDITION: Top well matched to base. Surfaces in moderately good condition showing normal and expected wear. Good overall. 50384-2 (2,000-3,000) – Lot 2260

2261
$0.00

RARE PAINT DECORATED TABLE CUPBOARD.

Mid 19th century, American. The rectangular case with hinged single plank door with breadboard ends opening to an interior fitted with two fixed shelves above a single drawer. The small cupboard in original paint, green with black splotch decorations throughout. SIZE: 25″ h x 21″ w x 10-3/4″ d. CONDITION: Minor even paint wear throughout, otherwise in very good untouched condition retaining original lock and hinges. 50576-43 (1,500-2,500) – Lot 2261

2262
$592.50

COUNTRY QUEEN ANNE FEATHER DECORATED CHEST ON FRAME.

Second half 18th century, Maine or northern New England. The chest in two parts, the upper case with applied molded edge above four long drawers fitted to the mid-molded lower case with deeply scalloped and shaped apron. The pilasters continuing as swelled ring turned tapering cylindrical legs on button feet. The whole in black feather decorations on terra cotta ground. SIZE: 61-1/2″ h x 38″ w x 18″ d. CONDITION: Structurally very good. Retains original diamond abalone escutcheons and turned wood handles. The paint-decorated surfaces appear to be later and professionally applied. 50803-5 (1,000-1,500) – Lot 2262

2263
$1,422.00

RARE PAIR OF ADJUSTABLE FORGED IRON CANDLESTANDS.

18th century, American. Each forged iron post joined to high arched X-form base with penny feet. Each shaft with pointed conical terminus. Each post fitted with lollipop pierced adjustable rectangular spring-loaded candle arm, continuing to teardrop drip pan with slotted candle cup. SIZE: 41-1/2″ h. CONDITION: The dry black painted surfaces with light oxidation. Drip pans with heavier oxidation but very much intact. Very fine untouched condition. 50576-15 (1,500-3,000) – Lot 2263

2264
$0.00

EARLY CHALKWARE DECORATED WATCH HUTCH, PENNSYLVANIA, MID-19TH CENTURY.

The round window-like receptacle to hold the watch is framed in a domed arch supported by columns in the front. At one time was decorated all over with sponged multi-colored decoration, now much worn. SIZE: 1-1/2″ h x 6-3/4″ w. CONDITION: Paint much worn. A loss to the chalk on the back panel. 49421-74 (150-200) – Lot 2264

2265
$0.00

FINE HEARTH IRON TRAMMEL.

18th century. In 2 sections, adjustable flattened rod with swiveling ring and lozenge formed catch joined to, and sliding on, a wide saw toothed blade with forged hook beneath pierced flattened disc with starburst decoration opposing a forged hook for suspending a pot. NOTE: An illegible makers mark at base of saw toothed section. SIZE: Closed 41″ l x 11″ w. CONDITION: Structurally very good, surface with normal and expected corrosion and pitting from rust now with polished surfaces. Very good overall. 50584-4 (1,800-2,200) – Lot 2265

2266
$0.00

RARE LARGE DOUBLE SOCKET CANDLE SCONCE.

Early 19th century, Pennsylvania. This sconce of rolled sheet iron with tall back plate, decorated with double dot and triple line punched perimeter. Embellished with dot punched triple pierced demi-lune applied scroll work on each side. The crimp edge crest of pineapple leaf-tips centering a dot-punched heart above the back-plate with pierced hanging hole, above a dot-punched heart decoration over canted and crimped demi-lune lower reflectors. The whole with original crusty Windsor Green paint. SIZE: 17-3/4″ h. CONDITION: Original surface as noted. Solder seems original. Age appropriate paint wear, all in original untouched condition. 50576-2 (2,000-3,000) – Lot 2266

2267
$2,370.00

EXCEPTIONAL PAINT-DECORATED TRIPLE CHAIR BACK SETTEE.

1820-30, Connecticut. Attributed to the workshop of Lambert Hitchcock (1795-1852). Maple settee with triple chair back. The ring-turned crest rail decorated with anthemion sprays above pierced rectangular slats of geometric design flanked by and joined to splayed downswept arms with rolled handgrips on turned posts centering the elongated D-shape banded rush seat raised on eight-splayed turned and tapered legs tapering to ball feet joined by turned end stretchers and convex frontal stretches. Settee finely decorated with profuse yellow pinstripe banding throughout. SIZE: 36″ h of back, 19″ h of seat x 64-1/2″ l x 22″ d. CONDITION: Very fine untouched original condition, decorated surfaces remain vibrant, slight sun fading and oxidation upper backside of settee. Original rush seat with strand losses proper right side. 50576-56 (2,000-4,000) – Lot 2267

2268
$1,422.00

RARE WINDSOR TAVERN TABLE IN RED PAINT.

Last quarter 18th century, probably Connecticut. The maple, ash and pine table with single board circular top pegged and joined to the vase ring and wheel turned maple legs terminating in button feet joined by simple turned spindle double box stretcher. . All surfaces scrubbed but retaining original red paint. Reference: For a similar example see Antique Country Furnishings by Newmann, page 134, plate 577. SIZE: 23″ h x 23-1/2″ to 24-1/4″ dia. CONDITION: Structurally very good. Top with tight crack through center. 50576-48 (2,000-4,000) – Lot 2268

2269
$0.00

QUEEN ANNE CANDLESTAND.

Second half 18th century, New England. Circular beech chamfered top joined to an oak saddle board with rosehead nails joined to cylindrical ring-turned pedestal raised on outswept legs with flattened feet. Pedestal with inverted bell finial. SIZE: 25″ h. Top 14-1/2″ x 13-1/2″. CONDITION: Top and pedestal original. Top with untouched old surface, now with dark patina. Three legs have been reinforced and strengthened with nails, one leg probable total replacement. 50558-31 (700-900) – Lot 2269

2270
$0.00

PAIR OF CONICAL MIRRORED CANDLE SCONCES.

First/third 19th century, American. Each sconce of rolled sheet iron, the deeply dished circular sconce with sunburst radiating inset reflector mirrors. The candle arm with folded edge, crimp drip pans and folded edge, slotted candle cups. The backside with circular folded edge standoffs mounted to a hanging arm. SIZE: 9-1/2″ h x 9-1/4″ dia. CONDITION: Solder seems original and intact, sheet iron with fine patina. Mirror plates with age appropriate silvering losses and staining. One sconce with small mirror-plate crack. The other with tiny mirror-plate corner chip. Overall in fine untouched condition. 50576-16 (1,500-2,500) – Lot 2270

2271
$5,925.00

LARGE MOLDED COPPER PIG WEATHERVANE IN GILT SURFACE.

First half 20th century, New England. This fine large flattened form example in applied with background copper ears and molded curled tail in 2-parts with in-use gilt surface, with top quarter with verdigris. Now offered with a museum stand. SIZE: 21-3/4″ h x 36-1/2″ l. CONDITION: Generally very good, slight depression proper right rear quarter, slight and minimal line separation to seam in back. 50850-3 (3,000-4,000) – Lot 2271

2272
$1,777.50

PRIMITIVE SHEET COPPER ROOSTER WEATHERVANE.

First half 19th century. This folksy example of a stylized rooster of sheet copper and rivet construction with applied comb and waddle, the head with cylindrical neck tacked to the hollow body. The stylized arched tail tacked, folded and riveted along the edge and joined to the upper and lower body parts, now mounted on an iron rod joined to a weathered block of wood. Surfaces now well patenated with verdigris. SIZE: 27-1/2″ h including base x 18-1/2″ l. CONDITION: Well worn and weathered surfaces with in use patina and light corrosion now age darkened. The rivets and tacks and overall construction appear original and untouched, very good overall. 50621-2 (2,500-3,500) – Lot 2272

2273
$0.00

RARE AND UNUSUAL LARGE COPPER QUILL WEATHERVANE WITH BLOWN GLASS TORCH.

Second half 19th century, American. This large example of a quill pen incorporated into the form of a banner, the vertical post modeled as a torch fitted with a large ruby red blown glass ‘flame’. The whole in undisturbed verdigris now offered on a museum stand. SIZE: 45″ h x 66-1/2″ l. CONDITION: The glass flame has lost several of the points that protrude from the sides but it is in otherwise good condition with no cracks or fractures. The bottom tip of the fleche with old crimp, otherwise very good. 50567-8 (6,000-8,000) – Lot 2273

2274
$1,481.25

HERIZ ORIENTAL CARPET. NORTHWEST PERSIA.

First quarter 20th century. Woven overall with polychrome floral sprays and trelliswork on a madder red field within a blue-black floral main border. This rug is characterized by the presence of lime green foliate accents characteristic of its popularity in the early 1920’s in western markets. SIZE: 6’1″ X 8’6-1/2″ CONDITION: With even wear overall with some small areas of wear to foundation in center section of rug. Fringes absent, color remains vibrant, otherwise generally good. 50567-5 (2,000-4,000) – Lot 2274

2275
$533.25

HAMADAN ORIENTAL RUNNER NORTHWEST PERSIA.

Second quarter 20th century. Small poled medallion within garlands of flower heads all on rose pink field with crenelated borders of latch hooks at each end, further flanked by a row of floral sprays within multiple floral guard borders of indigo and rose pink. The ends with rope woven tassels. SIZE: 2’9″ x 10’4″ inclusive of fringe. CONDITION: Even overall wear, retaining low pile. The reds have bled evenly throughout. 50270-69 (400-600) – Lot 2275

2276
$41,475.00

THOMAS M. HOYNE (American, 1924-1989) “PARTING THE CREST HELEN G. WELLS AT GLOUCESTER”.

Large oil on canvas nautical scene shows three fishing schooners in full sail, sailing away from viewer. The view is from the side rail at mid-ships looking forward. Signed lower right “Tom Hoyne 1985”. Housed in a silver gilt molded wood frame with linen and gilt liner. On verso is an American Society of Marine Artists exhibition label, signed by the artist, also on verso on paper “Property of Mrs. Adrian S. Hooper, Devon, PA”. SIZE: 30″ x 38″. Overall 41-1/2″ x 49″. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very fine craquelure, otherwise very good. 50012-35 (15,000-25,000) – Lot 2276

2277
$41,475.00

THOMAS M. HOYNE (American, 1924-1989) “TAKING A BATH ON GEORGES”.

Oil on canvas scene shows the “Stiletto” with men shortening the sail and taking in the jib. The tramp steamer “Lake Buckeye” in the background steams away from the viewer. Large swells on a dark sea under a colorful sky. The schooner “Stiletto” of Gloucester, MA, was launched in 1910 and was stranded on a sand bar off New Jersey in April, 1930 and was a total loss. Signed lower right “Tom Hoyne 1988″. Housed in a silver gilt molded wood frame with linen and gilt liner with gilt title and artist plaque. SIZE: 30″ x 40″. Overall 39″ x 49”. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. 50012-36 (15,000-25,000) – Lot 2277

2278
$53,325.00

THOMAS M. HOYNE (American, 1924-1989) “FIVE TO PORT-1983”.

This lot consists of the oil painting and three pencil sketches of “Five to Port”. 1) Oil on Masonite nautical scene shows the fishing schooner “Vesta” manned by 2 men with full sails up, approaching a fisherman in row boat. Other boats can be seen behind. Signed lower left “Tom Hoyne 1983″. Housed in a gilt molded wood frame with linen and gilt liner. Gilt artist and title plaque. 2) This large drawing depicting the schooner Vesta being approached by a man in a rowboat hauling up a net. Several other boats are beside. The paper has a series of grid lines as a basis for the drawing. Mounted to a white backing board, housed in a modern silver gilt frame behind glass. Unsigned but having an artist’s plaque with title. 3 & 4) Both pencil sketches housed in 1 silver gilt frame behind glass. Both affixed to white backing board. Rough sketches show a row boat approaching large sailing yacht. Frame has artist and title plaque. SIZE: 1) 23″ x 40″. Overall 31-1/2″ x 48-1/2″. 2) Actual drawing 24″ x 41″. Overall frame 28″ x 45″. 3 & 4) Actual 8″ x 13-3/4″ and 15″ x 22-1/2″. Overall frame 27″ x 28”. PROVENANCE: Private Maine/Texas Collector. CONDITION: 1) Very good. 2) Generally very good, minor losses in blue marks. 3 & 4) Some losses to edges of sketches and other minor losses, toning, otherwise good. 50012-40 (15,000-25,000) – Lot 2278

2279
$0.00

ENGLISH SCHOOL 19TH CENTURY PORTRAIT OF THE SCHOONER “ALCESTER”.

Unsigned oil on canvas depicting a British three masted schooner with the name “Alcester” inscribed on the side of her bow. The ship is flying the Union Jack off it’s stern as it cuts through calm seas towards the right with two vessels on the horizon. Housed in a curly maple frame with gilt liner. SIZE: 18″ x 23-1/2″. Overall: 22-1/2″ x 28″ CONDITION: Canvas is brittle with a large horizontal crack through the center of the painting that has been taped from the back. There is also a small patch on verso. 50641-13 (3,000-5,000) – Lot 2279

2280
$2,962.50

AMERICAN SCHOOL (19th Century) AMERICAN CLIPPER SHIP IN HONG KONG HARBOR.

Oil on canvas signed indistinctly lower left and dated “’88”. The center of the painting depicts a three masted American clipper in full sail being led out of the harbor by a tug boat. An English fishing boat and a barrel floats in the foreground with several vessels dotting the horizon. Housed in a Victorian period walnut frame with gilt liner. SIZE: 20″ x 30″. Overall: 25″ x 34-1/2″ CONDITION: Good, restored condition. Lined, new stretchers, and in-paint in sky. 50589-5 (3,000-5,000) – Lot 2280

2281
$1,777.50

CASED SHIP MODEL OF THE STEAMER ‘MINNIE’.

The last of the Knowlton “Tourist Line” steamers built in Portland, Maine 1879, originally named “Minnehaha” and later re-named “Minnie” when the steamer was converted to a tender for the Rodgers Granite Corporation at Deer Isle, Maine where she worked as a freight boat until 1923/24 at which time she was no longer registered. The model rendered with pilot house above the complete passenger compartment beneath a single stack. The hull in yellow paint and the name plate written beneath the pilot house and on the stern. This model is offered with copies of original photographs of the steamer as it was originally built and of its later conversion. The model appears to be of late 19th century manufacture. SIZE: Overall including case: 13″ h x 25-1/2″ l x 10-1/2″ w. CONDITION: Very good, original untouched surfaces, now mounted in a original glass case. 50802-5 (2,000-4,000) – Lot 2281

2282
$533.25

LARGE DIORAMA OF SHIP “GARIBALDI”.

Second half 19th century. Large fully rigged clipper ship mounted in choppy seas, the background painted with an arid or desert scene depicting a fortress and lighthouse beneath a clouded sky. Possibly a model of the clipper ship Garibaldi built in Mystic, CT. SIZE: 29-1/2″ h x 38-1/2″ l x 9″ d. PROVENANCE: From a fine Kennebunkport, Maine home. CONDITION: Very good original condition with some bleed through in sky. Mounted in original frame. Very good overall. 35045-3 (300-500) – Lot 2282

2283
$1,066.50

TRAMP ART DIORAMA OF THE TUGBOAT “WILLIE” IN FRAME.

Circa 1910, American. Original backboard carved with “WAVB”. Primitive model carved in contrasting mahogany and maple with single stack, pilot house, and inverted lifeboat. Chip blue cabin windows. Glued to backboard and displayed on “choppy sea” composed of pebbles mixed with a sea-foam green glue. Whole mounted within eight tiered chip carved tramp art frame of typical form. A similar tugboat diorama is illustrated in “Tramp Art an Itinerant’s Folk Art” page 104 and of a piece of the Ex-collection of pioneer folk art collector and original founder of the American Folk Art Museum, Herbert ‘Bert’ Hemphill. SIZE: 9-1/4″ h. 14-3/4″ l. CONDITION: Outer edge of frame with small losses. Otherwise all original with undisturbed surface. Very good overall. 50802-4 (1,000-1,500) – Lot 2283

2284
$3,851.25

CUSTOM BENCHMADE SHIP’S WHEEL TABLE.

Circa 1896, “American Engineering Company, Philadelphia, Pennsylvania” signed in the circular hub plate. The mahogany, holly and teak laminated ship’s wheel; the quadrants marked with abalone inlays all known features of this company’s trademark. The eight baluster turned spokes joined to the central brass hub, continuing through the laminated outer ring to turned handles, the king spoke with three incised rings. The wheel now mounted on a modern benchmade mahogany pedestal in the form of a windlass, on a turned inlaid mahogany and holly molded base, which conforms to the construction and design of the ship’s wheel. The whole fitted with a three-quarter-inch round glass top. SIZE: 60″ dia of wheel, 61″ dia of top, 28″ h overall. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good. 50800-14 (800-1,200) – Lot 2284

2285
$355.50

TWO SHIP’S MASTHEAD LANTERNS.

Early 20th century, American. 1) Perko lantern with company emblem of Perkins Marine, Brooklyn, New York on the shoulder. Lantern fitted with swing handle. Hinged and vented smoke lid. Clear Fresnel lens and side mounting brackets. Lamp has been electrified. 2) Tin unmarked example with painted surfaces. Lantern fitted with swing handle and funnel smoke vent in lid. Hasp mounted to shoulder and with side mounting brackets. Glass Fresnel lens within a protective cage of two rods. SIZE: 1) 19″ h. 2) 22″ h. PROVENANCE: From a private Massachusetts collection. CONDITION: 1) With burnished surfaces, producing very fine surface scratches. Lens with small shell fractures on edges, otherwise intact. 2) Lantern with multiple coats of paint over corroded surfaces. Lens with shell fracture at top center section, with additional shell fractures at rear of lens. Fair overall. 50800-111 (400-800) – Lot 2285

2286
$296.25

TWO BOXED SEXTANTS.

19th and 20th century. First, an English brass sextant with label of “Heath & Co, London” impressed with serial number 9494. Six colored lenses and a custom fitted mahogany case. Second, 20th century German sextant marked “FREIBERGER PRAZISIONSMECHANIK” impressed with serial number 793071. Additionally marked with initials “DSRK” in a circle. Name of retailer on decal attached to instrument “E.VION Paris”. Sextant comprised of anodized metal with orig fitted box. Probably 3rd quarter 20th century. Appears to be in very fine orig condition. SIZE: 1) 8-1/2″ w x 9″ l 2) 11-1/2″ l x 9″ w PROVENANCE: From a private Massachusetts collection CONDITION: 1) Instrument well polished and appears in good order. Mahogany box with well worn and abraded surface. 50800-22 (500-800) – Lot 2286

2287
$1,007.25

FINE CAMPHOR CAMPAIGN CHEST.

Second quarter, 19th century, England. This two-part example with three-quarter gallery, shell carved and with scrolling foliate vinery, joined to the rectangular top with molded edge and round corners. above the conforming case in two parts; the upper most with long drawer over deep central drawer, flanked by banks of two drawers, above a long drawer. The lower case fitted with two long drawers. The whole with reeded ebony drawer dividers and ebony string inlaid borders. The whole on a molded ebonized plinth raised on suppressed ball feet. The case sides with brass carrying handles. The drawers with inset brass campaign style hardware. SIZE: 48″ h x 44″ w x 20″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: The chest has been stripped of old surface and color. Now in need of professional re-polishing. Otherwise structurally very good. 50800-66 (1,500-2,500) – Lot 2287

2288
$1,185.00

GROUP OF SEVEN HISTORICAL AND POLITICAL JUGS.

1) Jug features large sailing ship on one side flying the British Union Jack. Reverse is the well known transfer entitled “Susan’s Farewell.” Transfer shows a woman standing on the shore waving to her departed sailor husband. Under the title reads “Adieu she cry’d & wav’d her lily hand”. 2) Jug has red/orange transfer decoration throughout. One side features a dismounted rider that appears to be whipping dogs. Reverse has transfer entitled “The Tythe Pig”. Below the title is a short 16-line poem relating to the transfer. There is lineal decoration around rim and down handle. 3) Jug has pearlware glaze and has the same transfer on each side titled “Union Oddfellows”. Transfer shows various symbols important to the Oddfellows along with female figures of Justice and Fame. Black lineal decoration around base, top and handle. 4) Jug polychromatically decorated and features transfer of a sheepherder on one side. Reverse with satirical political transfer of a Scotsman holding “John Bull”. Cartoon reads “God save great George our King long live our noble King God save the King. Along with an old performer playing on a new instrument or one of the 42nd toutching the invincible”. 5) Decorated in red/orange. Transfer on one side is a generic farm scene. Reverse with a well known transfer entitled “Come Box the Compass”. Transfer features a large compass with a sailor and ship below and the words “Invented by Murphy, a Dutchman _ AD 1229. _ First Exhibited at Venice, 1260 improved by Giora of Naples 1302. Its declination discov’d by Hartman 1538”. 6) Features intricate and extensive Masonic transfers on both sides. One transfer has a plaque at the bottom that reads “The light shineth in darkness, and the darkness comprehendeth it not”. The reverse has four different written Masonic excerpts inside circles. 7) Interesting political jug with various soldiers on both sides. One side reads “Ah you tam John Bull you have spoil my dance you have ruined all my projects”. A figure responds to this “Sax pardon master Boney but as me says pans of Pompey we keep this little spot to ourselves. You must not dance here master Boney.” The other side has three soldiers, one says “We’ll take the side of the conquerer brother Bruin”. To which the other responds “Yes yes that is the most prudent way”. SIZE: 1) 9-3/4″ h x 8-1/2″ at widest. 2) 7″ h x 7-1/2″ at widest. 3) 6″ h x 7-3/4″ at widest. 4) 7″ h x 7″ at widest. 5) 5-1/2″ h x 6-1/4″ at widest. 6) 7-3/4″ h x 9″ at widest. 7) 6″ h x 6-1/4″ at widest. CONDITION: 1) Appears undamaged but has had significant restoration to spout area only. 2) Appears undamaged but has had significant restoration to body of jug. 3) Unrestored. There are two minor chips on base and 1″ tight line descending from the rim. 4) Unrestored. There are noticeable chips to spout and base. Tight crack 1-1/2″ down from the rim and along a body crack extending 2/3 of way around jug. 5) Unrestored and shows no damage other than minor wear. 6) No visible damage but show signs of extensive restoration. Entire jug except base has heavy overspray indicating body, rim, lip or handle damage. 7) Jug has had a coating added to base to keep several internal cracks from spreading. One of the cracks extends approximately 4″ up the body of the jug. 50803-15 (2,000-2,800) – Lot 2288

2289
$1,303.50

GROUP OF THREE NAUTICAL MOTIF LIVERPOOL JUGS.

1) Features a transfer of an American war ship on one side flying the American flag. With a transfer featuring Washington on the other. Washington transfer has a central portrait with Liberty and Justice on either side and a ribbon surrounding the portrait bearing the names of all the states. The last state included is Kentucky. Transfer under the spout of a wreath with the letters “ML” inside. There are also two transfers of flowers around the base. 2) One transfer is entitled “The Sailor’s Return” and features a long absent sailor returning to his wife. A poem on the other side reads ” He hastes unto his native shore where dwells sweet joy and rest his lovely Susan’s smiles implore to crown & make is blessed Now all his toils & dangers past and Susan’s love remains. The honest tar is blessed at last her smile’s reward is pains.” Under the spout is a small grapevine transfer. 3) This interesting jug has several desirable transfers. The first being a round transfer with the bottom half featuring a town scene and ship building below. Above an eight line poem is a logging scene. The lengthy poem relates to the virtues of America. The reverse features a Naval battle featuring an American ship firing on a French ship. This relates to the quasi-war with France. The legend below the transfer speaks of the French ship along with the frigate Constellation and her captain Commodore Truxton. Under the spout is a scarce transfer of a wreath with the words “Success to the infant Navy of America” inside. SIZE: 1) 9-3/4″ h x 9″ at widest. 2) 8-1/4″ h x 8″ at widest. 3) 7-1/2″ h x 8-1/2″ at widest. CONDITION: 1) Jug is unrestored and shows only a very minute flake on the spout and a very tight spider crack on the base. 2) Jug has no visible damage but has had restoration to the spout area. 3) Unfortunately this jug has had extensive restoration. Spout appears completely rebuilt and not well done. There has been work done to the handle and the base is likely completely replaced. There is also a 1″ loss to the body of the jug affecting the poem. 50803-17 (1,800-2,200) – Lot 2289

2290
$829.50

GROUP OF FOUR LIVERPOOL JUGS.

1) Features the Taylors Arms on both sides. Both crests have a ribbon below that reads “Concordia parae res crescunt”. There is a wreath below the spout with the name “Samuel Beil” inside. Grapevines encircle the rim. 2) Jug features transfers of charioteers on both sides. 3) This tiny gem features a transfer of “Charity” on one side and “Hope” on the reverse. 4) Jug features transfers of lovers saying goodbye on both sides, one departing by land and one departing by sea. SIZE: 1) 10-3/4″ h x 9-1/2″ at widest. 2) 9-1/2″ h x 9″ at widest. 3) 3-3/4″ h x 4-1/4″ at widest. 4) 8″ h x 8-1/2″ at widest. CONDITION: 1) Jug appears undamaged but has had restoration to the handle and body around the handle and the spout. 2) Jug is undamaged. 3) Jug appears to be undamaged but has had restoration to the body and handle. 4) Jug has no visible damage, however there has been restoration to the spout and base. 50803-16 (1,400-1,800) – Lot 2290

2291
$118.50

GROUP OF SEVEN REPRODUCTION JUGS.

1) Well known reproduction of the Ship Caroline jug with a polychromatic decorated American ship on one side and the Ship Wrights Arms on the other. Under the spout is a wreath with the name “James Leech” inside. Spread wing American eagle underneath that. 2) Jug has a transfer of Washington on one side, Lafayette on the reverse with an eagle under the spout “Republicans are not always ungrateful”. 3) Features a transfer of Lafeyette on one side and Benjamin Franklin on the other. Under the spout is an American eagle and words “Republicans are not always ungrateful”. 4) Jug has American sailing ship on one side with words “Success to the Saucy Polly”. Other side has another ship flying American flag with the title “Ulysses Boston”. Base is marked “Wedgwood Etruria.England”. 5) One side has transfer of the Cutty Sark. Other side shows a transfer of Captain John Willis of the the Cutty Sark. 6) One side reads “Success to the Crooked but interesting town of Boston”. The other has a lengthy poem. Jug was retailed by Shreve, Crump & Low of Boston. 7) Features a portrait of Washington with his signature on both sides. SIZE: 1) 10-1/2″ h x 9-1/2″ at widest. 2) 5″ h x 6″ at widest. 3) 5-1/2″ h x 6″ at widest. 4) 10-1/2″ h x 10″ at widest. 5) 6-1/2″ h x 7-1/2″ at widest. 6) 6-1/4″ h x 6-3/4″ at widest. 7) 6″ h x 7″ at widest. CONDITION: All reproduction jugs show little to no wear. The Ship Caroline jug has some interior cracks indicative of this jug’s manufacture. 50803-18 (400-600) – Lot 2291

2293
$829.50

EARLY AMERICAN PINE THREE DRAWER BLANKET CHEST.

Mid 18th century, probably Deerfield, Massachusetts, American. The rectangular hinged top with applied molded edge opening to a storage department. With evidence of snipe hinges now replaced. Faced with two simulated drawers over three graduated long drawers, all separated by half round dividers. The case back with raised single board panels. The pilasters continuing to turned cylindrical legs. The case back with two wide pine backboards on a molded base. SIZE: 52″ h x 41″ w x 18″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: Surfaces excessively cleaned. Upper drawer with a 1-1/2″ patch, proper right side. Lid hinges modern replacements. Structurally good. Backboards original. 50800-154 (800-1,200) – Lot 2293

2294
$829.50

SOUTHERN EMPIRE STEPBACK TIGER MAPLE CUPBOARD.

Second quarter 19th century, Ash County, South Carolina. The cupboard in two parts, the upper case with molded cornice above a pair of six panel astragal glazed doors opening to an interior of two fixed shelves set back upon the lower case of two aligned drawers above a pair of paneled doors, flanked by engaged half-column pilasters, continuing to blocked ball feet. The whole in tiger maple with pronounced graining. SIZE: 79″ h x 47″ w x 20-1/2″ d. CONDITION: Old surface, normal and expected wear throughout, mellow patina, old chips and abrasion to lower case top, slight water staining on top. Door molding on upper case with later replacements, plate holders also later replacements. Otherwise very good overall. 50803-4 (1,000-1,500) – Lot 2294

2295
$0.00

FINE JEWELL RUNNING HORSE FULL BODY COPPER WEATHERVANE.

Third quarter 19th century, Waltham, MA. Attributed A.L. Jewell & Co. Full body copper example with sheet ears and tail, with good verdigris surface and with old repaired bullet holes. SIZE: Height with stand 22-1/2″ x 34″ l. PROVENANCE: David Wheatcroft antiques to present owner. CONDITION: Very good with undisturbed surface, no restoration noted, small depression behind proper left shoulder on seam resulting in slight separation. Ears with some crimping and with minimal loss to proper right ear tip. Offered with museum stand. 50460-1 (6,000-9,000) – Lot 2295

2296
$1,422.00

NATIVE AMERICAN HIGHLY FIGURED BURL BOWL.

Late 18th/Early 19th century. New England. This large ash example, highly figured with hundreds, if not thousands of burl ‘eyes’. An exceptional and dense example. SIZE: 5-1/4″ h x 16-3/4″ dia. CONDITION: Good, dry natural patina. A number of small knot fills, some possibly original. Single, tight rim fissure. Otherwise very fine, untouched condition. 50576-20 (2,000-4,000) – Lot 2296

2297
$2,370.00

EXCEPTIONAL FRUIT AND FLORAL THEOREM DATED 1812.

New England. This finely detailed composition depicting a fruit filled basket and flower filled pitcher within a drapery background. An Angel, lower left facing, flying amidst leafy sprigs above the date “1812” within a scroll. An old label attached to the back states “FRUIT AND FLOWERS, FROM THE COLLECTION OF JEAN AND HOWARD LIPMAN” housed in a period molded and gilt pine frame. SIZE: sight: 20″ h x 15-1/4″ w. CONDITION: Very good untouched condition, the striated background with even, slight toning, and minimal foxing. 50576-3 (2,000-4,000) – Lot 2297

2298
$0.00

ATTRIBUTED TO JAMES CAFFERTY (American, 1819-1869) PORTRAIT OF A BOY IN PLAID JACKET WITH HIS DOG.

Unsigned oil on canvas depicting a red haired, blue eyed boy resting below a tree with a contemplative expression on his face. Accompanied by his dog, the boy is wearing a plaid jacket with his Scottish cap lying at his feet next to his slingshot. The painting is housed in a period carved giltwood frame. Verso of frame retaining a Newman Galleries artist & title label attributing the work to James H. Cafferty. Accompanying the painting is the original Newman Galleries display card with information about the artist. Note: This lot is accompanied by a conservation report from the Pennsylvania Academy of Fine Arts, dated 1969. The report states the work was signed lower right on the reverse “A.C. Smith/Pinx/1842″ SIZE: 46″ x 36”. Overall: 60″ x 46″ CONDITION: Good restored condition. Lined, with craquelure and minor touch up (some in child’s face) 50804-1 (3,000-5,000) – Lot 2298

2299
$1,066.50

FEDERAL INLAID CHERRY BOW FRONT CHEST OF DRAWERS.

First quarter 19th century, possibly Pennsylvania. Rectangular top with bow front above conforming cast fitted with 4 graduated long drawers with cock-beaded edges raised on splayed frontal French feet with shaped returns. Chest constructed with figural cherry case and drawer fronts, secondary wood in drawer sides in walnut. Now fitted with pierced Chippendale bat wing brasses. SIZE: 35″ h x 42-1/2″ w x 23″ d. CONDITION: Surface sun bleached with pale honey brown color. Brasses are early replacements. Right front foot facing and left rear foot facing have been damaged and reattached, front foot missing 1″ x 2″ strip of wood on side of foot. Some of cock-beading replaced, back boards original. 50647-9 (800-1,200) – Lot 2299

2300
$711.00

FEDERAL CHERRY THREE DRAWER CHEST OF DRAWERS ON BRACKET BASE.

First quarter 19th century, New York or New Jersey. The rectangular top above the conforming case with canted reeded pilasters fitted with three graduated long drawers with cock beaded edges on a molded base with shaped bracket feet and scalloped returns. SIZE: 41″ h x 41″ w 21-1/2″ d. CONDITION: Professionally re-polished with golden honey patina, later hardware in original holes. Feet and glue blocks original. Proper right front foot with split in bracket, otherwise good. 50494-42 (500-700) – Lot 2300

2301
$1,481.25

UNUSUAL TWO-SIDED STORAGE BOX WITH TWO DRAWER INTERIOR AND DIVIDED TOP SECTION.

The box having at each end a slide opens to reveal the interior compartment. One end fitted with two drawers, the other open. The top fitted with a brass bail handle, all paint decorated with a red ground, gold foliate vines, surrounding small oval scenes of deer in woods and large predatory cat pursuing stag. SIZE: 6″ h x 13″ l x 8-3/4″ deep. CONDITION: Paint original with some minor loss and discoloration, minor imperfections to the wood, one end having an old repair. 50588-2 (600-700) – Lot 2301

2302
$1,481.25

FINE & RARE PAINTED DECORATED CANDLE BOX.

Circa 1793. Northumberland County, PA. Made by John Keller as inscribed in pencil on bottom of box. Box fitted with a sliding top with chamfered edge and half moon thumb pull. Top and front panel decorated with polychrome and gilt floral arrangement in classical urn vase with crosshatch decoration. The ends polychrome decorated with stylized tulips. Back of the box and bottom are undecorated. SIZE: 6″ h x 11-1/4″ l x 6-3/4″ d. CONDITION: Dry, crusty paint surfaces remain intact. Front and side panels with vibrant palette. Sliding top is age darkened and muted. Top with old seam crack repair. Otherwise good overall. 50588-3 (800-1,200) – Lot 2302

2303
$2,666.25

JOHN HALEY BELLAMY EAGLE WALL PLAQUE.

Late 19th century, John Haley Bellamy, Kittery Point, Maine (1836-1914). This two-piece relief carving depicting an eagle with shield in the typical Bellamy form. The carving with dry original gilt paint and with red primer undercoat. Ref: For identical example see Folk Art in America, Ericson, page 131, figure 6. SIZE: 5-1/2″ h x 26″ l. CONDITION: No breaks, restoration or losses. In very fine untouched original condition with dark patina. 50576-18 (2,500-5,500) – Lot 2303

2304
$2,370.00

SHEET ZINC HOLLOW BODY SPREADWING EAGLE.

Third quarter 19th century, American. Probably a pilothouse eagle from a steam tug or riverboat. Eagle perched on a half dome. Oxidized grey and verdigris surface. SIZE: 15″h. Wingspread 43-1/2″. CONDITION: Minor seam separations underside of proper left wing. Some resoldering to seams on wings at connection to body. Very good intact condition with appealing weathered surface. 50839-11 (3,000-5,000) – Lot 2304

2305
$592.50

SET OF 6 PENNSYLVANIA PAINT-DECORATED URN BACK CHAIRS.

Mid 19th century. Each in green paint, the crest decorated with a floral sprays within drapery at the ears above an urn-form splat joined to solid shaped plank seat raised on ring turn swelled legs joined by simple block stretcher. SIZE: 33″ h. 17-1/2″ h of seat. 18-1/2″ w overall. CONDITION: With normal expected wear and abrasions to painted surface. Good overall. 50494-41 (600-900) – Lot 2305

2306
$3,258.75

QUEEN ANNE PAINT-DECORATED TAVERN TABLE.

Third quarter 18th century, Pennsylvania. Beautiful poplar and maple example with rectangular top projecting above conforming molded apron fitted with single decorated drawer raised on double-splayed tapering QA legs terminating in out swept pad feet on generous pad platforms. The whole sponge-decorated and grain-painted, decorated with a delicate floral spray on top and on drawer front. SIZE: 28-1/2″ h x 33″ l x 22″ d. CONDITION: Intact original condition. Paint-decorated surface probably mid-19th century over original vermilion surface. Top reinforced with dovetailed battens. 50839-25 (4,000-6,000) – Lot 2306

2307
$0.00

SHERATON CHERRY ARCHITECTURAL CORNER CUPBOARD.

Second quarter 19th century, Mid-Atlantic region. In two parts, the upper case with molded swan’s neck pediment applied with molded brass rosettes of “The Great Seal” centering a turned finial above a pair of tombstone arch astragal glazed 8-panel doors opening to an interior with three fixed shelves fitted with waisted lower case with mid-molding fitted with a central drawer with cockbeaded edges flanked by simulated drawers over a pair of paneled cupboard doors, molded plinth raised on swelled turned and reeded legs terminating in ball feet. SIZE: 93-1/2″ h x 53″ w x 36″ d to corner. CONDITION: Top finial a later replacement, outside finials absent. All upper case wavy glass panels believed to be original, escutcheons absent. H-form hinges and drawer knobs original, door knobs on lower case later replacements. Cupboard stripped of original finish. Generally good overall. 50394-1 (1,500-2,500) – Lot 2307

2308
$355.50

PAIR OF KENTUCKY LADDERBACK SIDE CHAIRS.

First half 19th century. Each chair with three shaped and curved slats joined to the backswept flattened styles continuing to cylindrical legs with tapering feet joined by simple double box stretchers. The trapezoidal woven seat of overlapping weave. The uppermost shaped slat with pinned construction to the styles. SIZE: 29-1/2″ h, 14″ h (seat) x 16-1/2″ w (overall). PROVENANCE: Chairs originally acquired by folklorist Margot Mayo on her frequent trips to Kentucky to document Mountain Folk Music for the Library of Congress in 1936. CONDITION: Structurally very good with old undisturbed surface. One pin missing proper right upper slat. 50813-4 (600-700) – Lot 2308

2309
$0.00

TWO KENTUCKY TEXTILES; BABY BLANKET AND JACQUARD COVERLET.

Mid 19th century, American. 1) Blanket woven with rows of interconnected rondels, alternating with rectangular devices with turret corners, filled with snowflake designs within latticework border. Originally woven with ivory designs on a coral pink ground, now faded. This is variant of “Whig Rose” with broken center design. 2) A blue and white Jacquard coverlet woven with variant of “Eight Crosses” with “Pine Tree” border pattern. One side white on blue and verso blue on white. SIZE: 1) 36″ x 45″. 2) 6’8″ x 8’8″. PROVENANCE: Folklorist, Margo Mayo, collected the coverlet and blanket on a trip to Kentucky while documenting Kentucky folk music for the Library of Congress in 1936, by descent through family to current owner. CONDITION: 1) Overall fading. Circular dark stain, 1″ dia. at mid-point of side. Otherwise intact and in good condition. 2)Generally good, no wear or staining noted. 50813-6 (500-600) – Lot 2309

2310
$711.00

UNUSUAL ROUND HOOKED RUG WITH FIVE-POINTED STAR.

Early 20th century, New England. Central design of mottled brown stylized stems anchoring a crimson five-pointed star within two circular crimson borders on an indigo ground further within a band of pale indigo and green flowers on a blue-gray ground within a black border joined to olive stylized petals. The whole now mounted on a modern conforming frame designed for display. SIZE: 51″ dia. PROVENANCE: From a southern New Hampshire collection. CONDITION: Overall very good, retaining vibrant palette. 50552-2 (1,200-1,800) – Lot 2310

2311
$355.50

FINELY HOOKED RUG OF A COUNTRY FARMHOUSE.

First quarter 19th century. Circular rug with striated border in grays, black,and browns, spaced with pairs of floral sprigs centering a stylized Colonial farmhouse with attached shed in brown, grey, red, and white in a pale winter landscape beneath a full moon and five-pointed star. Now mounted on a modern frame for display. SIZE: 38″ dia. PROVENANCE: From a southern New Hampshire collection. CONDITION: Very good. 50552-1 (1,200-1,800) – Lot 2311

2312
$2,073.75

RUNNING HORSE FULL BODY COPPER WEATHERVANE.

Late 19th century, Boston, MA. Attributed to Harris & Co. The horse of flattened full body form with cast zinc head and sheet copper main with hollow tail. Now with worn gilt and verdigris surface showing white sizing. Offered with museum stand. SIZE: Height including stand 18-1/4″ x 29″ l. CONDITION: All seams intact, believed to be untouched. 50576-30 (2,000-3,000) – Lot 2312

2313
$7,110.00

GOTHIC COPPER ROOF FINIAL OF A DRAGON.

Late 19th/early 20th century, W.H. Mullins, Salem, Ohio. This unique and fanciful roof sculpture depicting a dragon perched on the peak of a roof in a threatening manner. The copper sculpture dramatically molded in fine detail, now mounted to a display stand with overall verdigris surface. SIZE: 35-1/2″ h overall, 28-1/2″ l x 18-1/2″ w. CONDITION: Structurally very good with normal and expected weathering and seam splits, in need of simple solder restoration. With natural verdigris and normal weathering. Very good overall. 50848-5 (4,000-6,000) – Lot 2313

2314
$3,555.00

LARGE COPPER ARCHITECTURAL FINIAL OF AN EAGLE WITH OBELISK.

American, Late 19th/early 20th Century, Tall copper obelisk with an eagle seated on a banner. Verdigris patina. Imperfections. . SIZE: 75″ h x 27″ w. PROVENANCE: Garth Auctions, November 26th, 2010 Lot 460; Private Massachusetts Collection. CONDITION: Some seam splits in obelisk, some old repairs, generally good with uneven verdigris patina. 50800-80 (3,000-5,000) – Lot 2314

2315
$948.00

SHERATON CARVED MAHOGANY SETTEE.

Late 18th-early 19th century, Baltimore, Maryland. The curved, reeded crest rail joined to conforming in-curved, downswept arms, the grips raised on free standing, swelled and reeded supports centering the over-upholstered seat with bowed seat rail raised on four frontal tapering, reeded cylindrical legs with ring-turned cuffs and four backswept rear legs. SIZE: 37″ h (at back) x 81″ l (overall). Seat 16″ h. CONDITION: Good, with expected repairs to this form. Sofa retains original surface, old repairs to both arms at crest rail. Multiple additional repairs along proper right arm and to arm support. Sofa now covered in yellow silk brocade patterned fabric with soiling and in need of re-upholstery. Settee currently fitted with brass ferules probably at one time with casters. 50839-19 (800-1,200) – Lot 2315

2316
$0.00

LARGE FEDERAL CHERRY TALL CHEST OF DRAWERS.

First quarter 19th century, probably New York or New Jersey. The rectangular stepped molded cornice above the conforming case fitted with two tiers of aligned short drawers over five graduated long drawers all with incised edges and shield form inlaid escutcheons fitted with a matched set of oval period brasses. The whole raised on flared French feet with shaped returns. SIZE: 70-1/2″ h x 45-1/2″ w overall x 22-1/2″ d. CONDITION: Professionally restored and re-polished, very good overall. 50621-6 (2,500-3,500) – Lot 2316

2317
$0.00

IMPORTANT JAMES POLK AMERICAN SPONGE DECORATED PINE BLANKET CHEST.

Mid-19th century, Pennsylvania. The rectangular hinged top with applied molded edge opening to a storage interior fitted with a large lidded till on a molded dovetailed base with bracket feet. Front panel applied with a stenciled portrait of James Polk, President 1845-1849. Chest nicely sponged decorated in mustard yellow with persimmon highlights. NOTE: According to family lore the chest was inherited from a family member by Hilton Heddrick of Indiana in the 1970’s. The chest traveled within the family to Keswick, Virginia and then to Phoenix, Arizona in the hands of Aramintha Heddrick who willed it to her daughter Constance Latini in November 1999.” SIZE: 19″ h x 39-1/2″ w x 17-1/2″ d. CONDITION: Top with horizontal seam split and separation and with overall abrasion from use. Decoration remains otherwise good overall. Bracket feet original. 50499-8 (4,000-6,000) – Lot 2317

2318
$0.00

EXCEPTIONAL PENNSYLVANIA PAINT DECORATED BLANKET CHEST.

First quarter 19th century. Rectangular dovetailed chest with hinged molded lid with breadboard ends opening to storage compartment with molded base raised on tapering turned legs with compressed ball feet. Fancifully painted overall with original paint decoration. Panels with yellow and umber sponge decorated fields of polka-dot decorations within feathered sunburst spandrels, also known as “turkey tail”, design all within umber mustard diagonal striped white borders. SIZE: 21-1/2″ h x 43″ w x 18″ d. CONDITION: Painted surfaces original with age appropriate darkness and with minor abrasions along edges of lid and base molding. Interior till, lock keeper, and bottom edge lid molding now absent. Otherwise very good. 50576-38 (2,000-4,000) – Lot 2318

2319
$2,073.75

UNSIGNED (American School, First half of the 19th Century) PORTRAIT OF SALLY ABORN RHODES (1815-1854, Providence, RI).

Sally Rhodes was daughter of General Christopher Rhodes, wife of U.S. Senator Henry B. Anthony. Oil on canvas half portrait shows a young woman in black formal dress with lace edge having a red needlework shawl draped over her shoulders. A classical background with column, red curtain and mountain landscape as background. Housed in a modern molded wood gilt antique style frame. On verso is an original penned label indicating the sitter and lineage. SIZE: 37″ x 29″. Overall: 42-1/2″ x 34-1/2″. CONDITION: Lined with minor touch up. 50807-3 (3,000-5,000) – Lot 2319

2320
$5,925.00

ATTRIBUTED TO RALPH EARL (American, 1751-1801) PORTRAIT OF A GIRL WITH DOG.

Unsigned oil on canvas full length portrait of a young girl seated in a landscape. Wearing a white dress with pink bustle and red slippers, the girl is holding a dog in her lap. The frame bears a modern ink inscription of unknown origin attributing the work to Connecticut artist “Ralph Earl”. Housed in a modern giltwood frame. SIZE: 39-3/4″ x 29-1/2″. Overall: 44″ x 33″ CONDITION: Lined, restoration along edges and in background with scattered retouch in girls face. 50567-32 (8,000-12,000) – Lot 2320

2321
$0.00

MAHOGANY PLANTATION DESK.

Mid-19th century, American. Rectangular case with raised cabinets centering a sloping hinged lid with inset leather writing surface raised on banks of four short drawers all on molded plinth. SIZE: 50″ h x 54″ w x 25-1/2″ d. CONDITION: Desk professionally refinished and polished, now with clear medium brown patina. Finished on all sides. Very good overall. 50596-1 (1,200-1,800) – Lot 2321

2322
$0.00

RARE FRISIAN CARVED BOX WITH GENTLEMAN IN TAILS.

Second half 18th century, possibly Pennsylvania. Small rectangular fruitwood carved box, the lid scratch carved with full figure of a gentleman in tails, flanked by carved rondels within floral carved border. Dovetailed box carved overall with flowering plants and flying butterflies and insects. End panels similarly carved. SIZE: 3-3/4″ h. 8″ l. 3-3/4″ d. CONDITION: Areas of hasp, hinges and nail heads are age-blackened. Surfaces with appropriate wear and with good mellow patina. Good overall. 50641-28 (2,000-3,000) – Lot 2322

2323
$414.75

FINE PUNCH DECORATED COPPER VALUABLES BOX.

Early 19th century, probably Pennsylvania. The sheet copper box with hinged lid and hasp fitted with ring handles, decorated with a hex sign within a punch decorated squiggle border, and with fanciful mask spandrels. The box sides of two panels punch decorated with hex symbols within rondels within ‘worm’ borders. The front panel decorated with a split tree, the rear panel punch decorated with the monogram “RHW” within a scrolled, etched cartouche. SIZE: 3-1/2″ h x 9″ l x 6-1/2″ w. CONDITION: Box with in use wear, primarily in denting, the hasp receiver has been re-soldered and is missing the lock ring. Old solder repairs to lid hinges, remnants of earlier polish residue, otherwise structurally good. 50601-6 (1,200-1,800) – Lot 2323

2324
$0.00

PAINT DECORATED OVAL BOX WITH FAMILY SCENE AND GERMAN WRITING.

The box either German or Pennsylvania German is made of pine and the lap joints are fastened with wood splints. The body decorated with various flowers and leaves, the large oval top having the scene of husband and wife with their three children and dog. A large building is seen at the top of the hill with a large tree. The scene surrounded by German writing. SIZE: 8″ h x 18″ w x 12″ d. CONDITION: Box is very good with only one separation in board visible, the top with some missing paint decoration. 50571-1 (1,200-1,800) – Lot 2324

2325
$41,475.00

THOMAS M. HOYNE (American, 1924-1989) “THE LONER-THE GOVERNOR RUSSELL, 1983”.

Large oil on Masonite nautical scene shows the two-mast Governor Russell in calm seas being loaded with recent catch by two men in a small row boat. Six others are seen rowing on calm water. Signed lower right “Tom Hoyne 1983″. Housed in a molded wood gilt frame with linen and gilt liner. SIZE: 26″ x 36″. Overall 34-1/2″ x 44-1/2”. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. 50012-34 (15,000-25,000) – Lot 2325

2326
$53,325.00

THOMAS M. HOYNE (American, 1924-1989) “DROPPING THE TOW-1979”.

Large oil on Masonite scene shows the tug boat “Joe Call” dropping her tow as the breeze freshens and the schooner “Indiana” is no longer needing assistance leaving Gloucester Harbor. The “Indiana” (1893-1916) worked the North Atlantic as a fishing schooner and eventually went into the Cape Verde trade. The “Joe Call” built in 1882 was sold to a Portland, ME, interest in 1911. Signed lower left “Tom Hoyne 1979″. Newman Galleries labels on verso. Housed in a fine decorated carved wood frame with linen liner and title and artist plaque. SIZE: 24″ x 36″. Overall 34-3/4″ x 46-3/4”. PROVENANCE: Newman Galleries, Philadelphia, PA; Private Maine/Texas Collector. CONDITION: Very good. 50012-37 (15,000-25,000) – Lot 2326

2327
$16,590.00

THOMAS M. HOYNE (American, 1924-1989) BOSTON PILOT BOAT, “FRIEND”.

Oil on board nautical scene shows a two-mast pilot boat in full sail with one man behind the wheel. It sails left to right through white tipped dark blue waves under cloudy skies with a glimpse of blue. Signed lower right “Tom Hoyne”, also having label to verso with alternate title and artist from the Mystic Maritime Gallery, Mystic CT., also an exhibit label June 16 to September 30 2004, Independent Seaport Museum, Philadelphia PA., also a frame label from Perakis Frames, Philadelphia PA. Housed in a fine antique style gilt frame with white liner and glass. SIZE: 18″ x 23-1/4″. Overall 25-1/4″ x 31-1/2″. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. 50012-38 (7,000-10,000) – Lot 2327

2328
$4,147.50

THOMAS M. HOYNE (American 1924-1989) “CAROLER’S OUTSIDE A WOODSTOCK, VERMONT FARM”.

Gouache on paper or board twilight scene shows a bird’s eye view of a connected New England farm house with barns and silo. It’s winter time and a group of caroler’s have disembarked from a horse drawn sleigh and have gathered in a semi-circle in front of an open door way with figure. The sun has set leaving a gold/yellow sky in the distance. Signed lower right “Tom Hoyne”. Housed in a fine carved and painted wood frame with watercolor highlighted mat having a gilt liner edge. Title and artist plaque is attached to frame, behind glass. SIZE: Sight 9-1/2″ x 12-1/4″. Overall 19″ x 23″. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good to excellent, not examined out of frame. 50012-39 (1,500-2,500) – Lot 2328

2329
$0.00

BOUND SHIP’S LOG FOR THE BRIG “CHINA”, 1841-1844, JOSEPH SMALL MASTER.

First page: “Monday July 26, 1841: Leaving Boston to Eastport… to Alexandria… laying up at Georgtown Columbia… Returning to Salem… another from Boston to Mobile… back to Baltimore… to Washington… to New York… to St. John’s… to Pictou… to Philadelphia… to Boston… and the last page January 31, 1844.” Most entries are day to day weather and ship duties: “this day begins…”. SIZE: 13″ x 8″. CONDITION: Well used, with stains, but very readable. 50641-21 (500-600) – Lot 2329

2330
$1,125.75

FOLK ART CARVED PLAQUE OF SPERM WHALE.

Late 20th century. Nicely carved example with ridged back. Open mouth with forward slanting conical teeth. Black bead eye. Carved on reverse with artist’s monogram in script, “B”. SIZE: 13″ h. 44-1/2″ l. CONDITION: Very good untouched condition with original and undisturbed surface. 50809-2 (500-800) – Lot 2330

2331
$0.00

LARGE SHIP’S WHEEL.

Late 19th century. This good example, possibly teak, with 12 baluster-turned spokes, joined to a large brass hub. All continuing through the feloe or outer ring to conforming handles including the brass capped king spoke. SIZE: 71″ dia overall. PROVENANCE: From a private Massachusetts collection. CONDITION: The wheel weathered throughout with losses to three outer handles. The hub now mounted with circular oak plates covering the spindle hole. 50800-144 (300-500) – Lot 2331

2332
$355.50

UNUSUAL LEATHER YACHT CHAIR.

Second quarter, 20th century, American. The inclined back with arched crest-rail, capped with spherical brass finials and fitted with an unusual tufted green leather panel, suspended on brass hooks and joined to the frontal seat rail with brass rod. The elliptical padded armrests joined to simulated half ship’s wheel supports, all raised on recessed box stretcher on suppressed ball feet. SIZE: 36″ h of back; 15″ h of seat; 23″ w overall. PROVENANCE: From a private Massachusetts collection. CONDITION: The mahogany frame with dark old surface, brass finials original, green leather upholstery original retaining lustrous surface. Arm rests worn, otherwise good. 50800-68 (400-600) – Lot 2332

2333
$414.75

CAST IRON JACK TAR FIGURAL CANE & UMBRELLA STAND.

The casting having a new gray/silver paint, the back having a sailor holding a rope style ring holder with a removable drip pan. He stands atop a platform under which is a nautical motif including anchor, spade, chain, oars, and more. Unmarked. SIZE: 25-1/2″ h x 17-1/2″ at widest. CONDITION: Very good, reconditioned. 50885-1 (1,200-1,800) – Lot 2333

2334
$237.00

TWO SHIP’S LANTERNS.

First quarter, 20th century, England and New York. 1) A copper ship’s trawling lantern, impressed with maker’s badge for the Kingston Steam Trawling Co., St. Andrew’s Dock, Hull, England. Cap mounted with two hasps, opening to a lantern chamber, which retains its kerosene lamp insert and mirrored reflector. Additionally fitted with a large clear Fresnel lens. 2) Brass masthead lantern fitted with clear Fresnel lens with hinged cap and side mounting brackets and with impressed maker’s badge marked “PERKO TRADEMARK” and with company name of “PERKINS MARINE LAMPS & HOWE CORP” of Brooklyn, New York. Lantern electrified. SIZE: 1) 22″ h. 2) 17-1/2″ h. PROVENANCE: From a private Massachusetts collection. CONDITION: 1) Fitting to cap and base out of round, bent, and with tear to collar of lid. Small shallow dents and dings throughout. Lens with several small chips, otherwise intact. 2) With old solder repairs above lens, electrified as noted. Now with applied lacquer finish. Lens with multiple small and shallow chips, otherwise intact. Good overall. 50800-90 (200-300) – Lot 2334

2335
$177.75

BRASS SHIP’S RUNNING LIGHT TOGETHER WITH TIN SHIP’S SIGNAL LANTERN.

Early 20th century, American. Brass starboard side running light with blue-green Fresnel lens and conical smoke vent. Second lantern with maker’s “Seahorse” plaque: a British company. Round tin lantern with hinged top and maker’s plaque above rectangular narrow Fresnel lens. Lantern side fitted with a spring and thumb latch operating the signal lever. Second lantern retains original kerosene lantern fixture, glass chimney, and mirrored reflector. SIZE: 1) 15-1/2″ h. 2) 15 ” h. PROVENANCE: From a private Massachusetts collection. CONDITION: First lighting unit and reservoir have been removed. Second tin lantern with multiple coats of silver paint and corrosion overall. The spring loaded signal mechanism intact but currently inoperable due to rust. Fresnel lens intact with some paint splash overs on lens edges. Fair to good overall. 50800-12 (100-200) – Lot 2335

2336
$2,310.75

JOHN D WISINSKI (American, 1900-1986) S S AMERICA.

Oil on canvas. Nautical scene shows the 2-stack ocean liner, traveling left to right under a colorful sky. The name “America” emblazoned on her bow. A US military naval cutter traveling right to left. Signed lower right “John D. Wisinski”. Housed in its original gilt carved wood frame. Note: SS America was an ocean liner built in 1940 for the United States Lines and designed by the noted American naval architect William Francis Gibbs. She carried many names in the 54 years between her construction and her 1994 wrecking, as she served as the SS America (carrying this name three different times during her career). SIZE: 27″ x 32″. Overall: 30-3/4″ x 36″ CONDITION: Some light scrapes and stretcher marks, otherwise very good. 50811-5 (2,000-3,000) – Lot 2336

2337
$237.00

OUTSTANDING ADVERTISING TIN SIGN FOR THE “S.S. IMPERATOR.”.

Illustration of the Hamburg-American Line passenger steamship after the original painting dated 1911 by Albert Bishop (born 1855). Housed in its original dark stained wood frame with gold edge wood with brass nameplate describing its measurements and capacities. The scene shows the five deck ship having three stacks and two masts steaming at a slight angle toward viewer with smaller sailing vessels on the left side. SIZE: 29-1/2″ x 39-1/2″. Overall 36″ x 46″. PROVENANCE: Private Maine/Texas Collector. CONDITION: Generally very good with some small chips in sky. 50012-146 (500-1,000) – Lot 2337

2338
$829.50

JEROME HOWES (American, b. 1955) PORTRAIT OF THE SIDEWHEELER NANTUCKET.

The oil on Masonite depicts the colorful 19th century steam ferry “Nantucket”, a 629-ton vessel, built in 1886 for the New Bedford, Martha’s Vineyard, and Nantucket Steamboat Co. fleet. The vessel is under steam power as it travels towards the left with passengers aboard and the American flag billowing from it’s stern. Housed in a contemporary giltwood frame, the painting is signed lower right “Jerome Howes”. SIZE: 16″ x 24″. Overall: 19-1/2″ x 28″ CONDITION: Very good to excellent. 50298-8 (1,000-1,500) – Lot 2338

2339
$0.00
Revised: 8/23/2016

Please Note: 1) Upon further examination we do not believe that this painting is a work by Harvey Dunn, but most likely a student when Dunn took over the Pyle School. Therefore, the work is School of Harvey Dunn and as such we do not guarantee the work to be by Harvey Dunn. 2) NEW ESTIMATE: $800-$1,200.

HARVEY DUNN (American, 1884-1952) SPANISH GALLEON.

Large oil on canvas scene depicts a colorful galleon sailing away from the viewer flying several banners & flags. Housed in a carved wood frame. Signed lower right “Harvey Dunn”. SIZE: 46″ x 38″. Overall: 53″ x 45″ CONDITION: Good with abrasions along edges, discolored varnish, minor paint flaking sky 50593-1 (3,000-5,000) – Lot 2339

2340
$1,066.50

E. THOMPSON (American, 19/20th century) TWO SCHOONERS RACING PAST LIGHTHOUSE.

Oil on panel scene shows two schooners sailing right to left towards a lighthouse on land. Housed in a faux marble painted and gilt decorated frame. Signed lower right “E.Thompson”, inscribed on verso “Deer Isle Maine”. SIZE: 14″ x 22″. Overall: 19″ x 27″ CONDITION: Good, with minor surface dirt. 50641-10 (1,200-1,800) – Lot 2340

2341
$711.00

MAP OF NANTUCKET BY F.C. EWER, DD.

Circa 1874, Nantucket Island, Massachusetts. This hand colored map detailing the Island of Nantucket with geographical highlights drawn from a survey from 1866-1868. Reduced from a larger original example. Published by John Medde, 193 Pearl Street, New York and housed in an original ebonized frame. SIZE: 11″ h x 17 1/2″ sight. PROVENANCE: From the Mayhew-Pinkham-Coleman Family Estate of Nantucket, Massachusetts. These families and their descendants were a part of the original families on Nantucket Island, with roots in the 17th century. CONDITION: Slight toning, water stains at bottom of lower border. Minor insect damage, right side facing, limited to areas outside of map. 50779-15 (600-800) – Lot 2341

2342
$0.00

THE PINKHAM AND BROWN FAMILY ARCHIVES OF NANTUCKET ISLAND.

19th-early 20th century, Nantucket, Massachusetts. The collection includes a brass single draw telescope marked Hemsley, London, “Day or Night” in its original box marked “H.C. Pinkham” and dated 1872. Henry C. Pinkham of Nantucket, Massachusetts, was born in 1814 as illustrated in the accompanying family record for Henry C. Pinkham and his wife Betsy Mayo, and their five offspring. The original marriage certificate between Henry and Betsy is also included, as is an original photograph of Henry C. Pinkham. A small and delicately made Nantucket basket made by Henry C. Pinkham given to Priscilla Coleman, and then to Mary Brown, his grand-daughter, in 1877. Also included is a small album of Pinkham family ancestors. The Henry G. Brown and Lydia H. Brown family register 1801-1873. A Commonwealth of Massachusetts Probate Office document titled the “Pedigree of Benjamin F. Brown”, which reads “Benjamin F. Brown, son of Henry who was a son of Benjamin who married Betsey Allen, daughter of Joseph Allen and Hepsibeth Coffin. Hepsibeth Coffin was daughter of Robert Coffin and Susanna Coffin”. Also included is the personal flask of Benjamin Brown, and so monogrammed. A handwritten document illustrating the history of occupants of the Benjamin H. Brown House at 30 Hussey Street on Nantucket Island. This document traces the family ownership of 1772 through 1931, when it was owned by Benjamin and Mary A. Brown. SIZE: Basket is 3″ h x 6-1/4 dia. PROVENANCE: From the Mayhew-Pinkham-Coleman Family Estate of Nantucket, Massachusetts. These families and their descendants were a part of the original families on Nantucket Island, with roots in the 17th century. CONDITION: All items within this group are in generally good condition. Paper documents show a slight discoloration and toning. Marriage certificate missing lower left corner. Brown pedigree with some smudging to ink along with toning. Telescope operational with intact lenses. Small basket with natural patina and good surface. Silver flatware with normal and expected wear and usage marks. Generally good overall. 50779-1 (3,000-5,000) – Lot 2342

2343
$2,370.00

PAIR OF REUBEN DOW FIRE BUCKETS.

Circa 1806. Nantucket, Massachusetts. Pair of polychrome paint decorated leather fire buckets marked “Reuben Dow July 1806”. Painted on banners within scrolling polychrome borders, centering a cartouche decorated with a displayed eagle; all on an indigo ground, the top and bottom rims in brick-red paint. Each originally fitted with leather handles. NOTE: Reuben Dow is the son of Henry (1741-1802) and Abigail Dow (born 1737. Reuben Dow born February 6, 1774 in Nantucket. SIZE: 13″ h x 9″ dia. PROVENANCE: From the Mayhew-Pinkham-Coleman Family Estate of Nantucket, Massachusetts. These families and their descendants were a part of the original families on Nantucket Island, with roots in the 17th century. CONDITION: Painted surfaces show effect of wear and aging. The figure of the eagle within the cartouche appears to be intact, although greatly darkened. One handle present but detached. Second handle absent. 50779-3 (5,000-7,000) – Lot 2343

2344
$592.50

GROUP OF NANTUCKET COIN AND STERLING SILVER FLATWARE FROM THE COLEMAN-BROWN-CHASE FAMILIES.

Early 19th thru early 20th century, Nantucket Island. A) Chase also “Chace” family: Comprised of a group of eight 6″ coin silver teaspoons. Each engraved in script “Adaline Chase” (1833-1918). With the hallmark of James Easton II (1807-1903), Nantucket, Massachusetts. A coin silver folding knife decorated overall with bright work of scrolling leaf-tips. The blade engraved “Sarah B. Chace” in script. Blade also engraved “pure coin” with three hallmarks (unidentified) 3-1/2″ l (closed), 5-1/2″ l (open). Sarah B. Chace (1840-1915), born Fall River, Massachusetts. B) The “Brown” family: Silver comprised of six coin silver teaspoons marked “L.H. Brown” in script. Five 6″ spoons with hallmark of James Easton II, one 5-1/2″ spoon with mark of Eaton & Sanford (active 1830-1838) Nantucket, Massachusetts. C) The Coleman family: Silver comprised of a set of sixteen 5-1/2″ and 7″ assorted sterling spoons engraved “PHC” for Priscilla H. Coleman born 1914. With marks of Frank W. Smith Silver Company, Gardner, Massachusetts. One 7″ coin silver spoon engraved “Henry Francis Coleman born July 27, 1849” in script. Hallmark of “E&J Kelley” for Edward G. and James S. Kelley Silversmiths, Nantucket, Massachusetts (active 1840-1849). A 6″ coin silver spoon with the monogram “REC” with the hallmark of Easton & Sanford (active 1830-1838), Nantucket, Massachusetts. Three 9″ coin serving spoons with stylized bright work and the monogram of “PC” for Priscilla Coleman, one 9″ additionally monogrammed in script “PC to MHR”, all with the hallmark of “JP” denoting either the hallmark of Jacob Perkins, Newburyport, Massachusetts, or John Potwine of Boston, Massachusetts. Two 9-1/2″ coin silver serving spoons with the monogram of “GRC”, with the hallmark of Theophilus Bradbury, Newburyport, Massachusetts, circa 1815. One 8-1/2″ coin silver serving spoon with the monogram of “GRC”, with the hallmark of “N.Harding”, the mark of Newell Harding, Boston, Massachusetts, active (1826-1851). One 8 1/2″ coin silver serving spoon with the bright work monogram of “LLC”, with the hallmark of “S Barrett”. The mark of Samuel Barrett, Nantucket Island, Massachusetts, active (1765-1800). Together with a 7″ Victorian silverplate candle snuffer and tray. SIZE: As indicated above. Total weight without silverplate: 34 tr. oz. PROVENANCE: From the Mayhew-Pinkham-Coleman Family Estate of Nantucket, Massachusetts. These families and their descendants were a part of the original families on Nantucket Island, with roots in the 17th century. CONDITION: A) Spoons with wear dimples and creases to handles. Knife structurally good with clear direction and monogram. B) Coins, spoons with wear dimples and some creasing to handles. Hallmarks worn but legible. C) Sterling flatware generally good with light surface scratching with wear. Monograms and dates are clear and legible. The HF Coleman spoon with dimples in bowl, hallmark and engraving legible. Eaton and Sanford spoon with small nicks and wear overall and with tarnishing. Hallmark clear, monogram faint, good overall. Three serving spoons with JP hallmark, all with dimples and creases in bowls, bright work is crisp, hallmark is legible, as are monograms. Two Bradbury serving spoons in generally good condition with normal and expected wear and imperfections. Harding serving spoon generally good with minor wear and imperfections. Barrett serving spoon with wear and dimples to bowl, bright work clear, hallmark legible, generally good. Tray and candle snuffer structurally good with wear to silver plate. 50779-22 (400-600) – Lot 2344

2345
$0.00

HAND DRAWN FAMILY TREE OF THE COFFIN-GARDNER-STARBUCK-COLEMAN FAMILIES.

Late 19th century, Nantucket Island, Massachusetts. Hand drawn in the shape of a fan delineating the genealogical history of multiple families on Nantucket from the late 17th century to the end of the 19th century. The entries in black ink are extremely faded but much remains clear. Inserted within the frame is a later paper with additional information of the family of Reuben Coffin in the period of 1609-1786. Housed in a period oak frame. SIZE: 13-1/2″ x 18-1/4″ sight. PROVENANCE: From the Mayhew-Pinkham-Coleman Family Estate of Nantucket, Massachusetts. These families and their descendants were a part of the original families on Nantucket Island, with roots in the 17th century. CONDITION: Faded as noted above. Paper with toning and light foxing throughout. Structurally intact with no damage. Good overall. 50779-18 (1,200-1,800) – Lot 2345

2346
$3,258.75

PAIR OF FINE AND RARE PAINTED LEATHER FIRE BUCKETS FROM THE COLEMAN FAMILY OF NANTUCKET MASSACHUSETTS TOGETHER WITH DOCUMENTS OF CAPTAIN HENRY COLEMAN.

19th century, Nantucket, Massachusetts. The matched pair of leather fire buckets marked “J-COLEMAN 1821 NO. 1. AND NO. 2”. Each in an original green-gray paint with brick-red trim and black leathering. We believe these fire buckets belonged to John Franklin Coleman 1788-1863 of Nantucket. Additionally, a treasury department document from the Office of General Superintendent U.S. Life-Saving Service to Captain Henry Coleman of Nantucket dated Sept 27, 1889. The letter acknowledges the donation of a parcel of land to be used as a site for a life-saving station at Great Neck, Nantucket Island. A second document, a ships manifest agreement for the schooner Sacremento. This document declares the names of six members of the crew aboard the schooner on a voyage from San Francisco to the Sandwich Islands and return. Signed and dated November 6, 1850 and addressed to Captain Henry Coleman. SIZE: Fire buckets: 14″ h x 8-1/2″ dia. PROVENANCE: From the Mayhew-Pinkham-Coleman Family Estate of Nantucket, Massachusetts. These families and their descendants were a part of the original families on Nantucket Island, with roots in the 17th century. CONDITION: The fire buckets retain original paint, handles are present but detached, wear and abrasion throughout. Each of the 2 documents are legible and in fair to good condition. The ships manifest with areas of insect damage to paper, not in areas of text. 50779-2 (4,000-6,000) – Lot 2346

2347
$4,147.50

FINE GROUP OF NANTUCKET LIGHTSHIP BASKETS.

19th-early 20th century, Nantucket, Massachusetts. This fine group of early swing handled baskets: two with dates of 1870 and 1880, of typical form with bentwood hinged handles joined to wooden central staves. The basket with stencil date of 1880 appears to also have the stencil name possibly beginning with the letters “E and M”. Our consignor has informed us that this probably was “EMP” which were the initials of Elizabeth M Pinkham, the owner of the basket. SIZE: Ranging from the tallest at 9-1/2″ to the shortest at 7″. Diameter ranging from the largest at 13″ to the smallest at 9″. PROVENANCE: From the Mayhew-Pinkham-Coleman Family Estate of Nantucket, Massachusetts. These families and their descendants were a part of the original families on Nantucket Island, with roots in the 17th century. CONDITION: Five with minimal and minor losses to the weave, the sixth with more substantial losses to weave and with breaks to top rim and somewhat misshapen. All with natural undisturbed surface and with mellow patina. All handles are intact without breaks or damage or repair. 50779-7 (3,000-5,000) – Lot 2347

2348
$2,962.50

FINE GROUP OF SEVEN EARLY NANTUCKET LIGHTSHIP BASKETS.

Late 19th/early 20th century, Nantucket, Massachusetts. The group includes six swing-handled baskets of varying size, and a single shallow round two handled basket with loop handles. All examples are unsigned and are by descent through the same Nantucket family. SIZE: 5″ tallest, 3″ shortest of swing handle baskets. Single basket 2-3/4″ h x 9″ dia. CONDITION: All baskets with original surface and with undisturbed fine patina. All with original handles. No restoration noted. Minor sagging on three examples, minor in nature. 50779-6 (2,000-3,000) – Lot 2348

2349
$1,777.50

WILLIAM PIERCE STUBBS (American, 1842-1909) CLIPPER SHIP OFF MINOT’S LIGHT.

Oil on canvas nautical scene shows a 3-mast black hulled clipper ship rounding Minot’s Light with land beyond. A pilot boat “4” is off the bow. The ship could possibly be the “Adelaide”. It is shown in full sail, sailing right to left, flying the American flag and another off central mast. Signed lower left “W. P.Stubbs”. Housed in its original decorated walnut frame with gilt decorated liner. SIZE: 22″ x 36″. Overall: 25-1/2″ x 39-1/2″ CONDITION: Long vertical tear in left sky, craquelure, surface dirt, in need of restoration 50779-9 (2,000-4,000) – Lot 2349

2350
$0.00

COUNTRY SHERATON MAHOGANY SECRETARY BOOKCASE.

Second quarter 19th century, Nantucket, Massachusetts. In three parts, the upper case with molded cornice above pair of astragal glazed six panels doors, the interior fitted with three adjustable shelves stepped back on the mid molded central section. Section fitted with a fold-out desk with hinged baize lined writing surface beneath three stationary drawers, flanked by a bank of two short drawers set within the lower section, fitted with a pair of aligned drawers raised on cylindrical ring-turned legs with turned cuffs continuing to onion shaped feet. Raised on casters. SIZE: 84″ h x 48″ w (overall) x 22″ d. PROVENANCE: From the Mayhew-Pinkham-Coleman Family Estate of Nantucket, Massachusetts. These families and their descendants were a part of the original families on Nantucket Island, with roots in the 17th century. CONDITION: With all original surfaces, now crusty and dry, mahogany veneers intact. Structurally very good, one cracked glass panel proper left door. 50779-14 (800-1,200) – Lot 2350

2351
$118.50

GOOD SACK BACK WINDSOR ARMCHAIR.

First quarter 19th century, probably Nantucket. The bowed cylindrical crest rail joined to seven spindles. The medial rail continuing to shaped hand grips on baluster turned raked supports joined to the oval shaped pine seat with incised decoration, raised on swelled and raked cylindrical legs, joined by a conforming H-form stretcher. SIZE: 34-1/2″ h (at back), 16-3/4″ h (at seat) 24″ w (overall). PROVENANCE: From the Mayhew-Pinkham-Coleman Family Estate of Nantucket, Massachusetts. These families and their descendants were a part of the original families on Nantucket Island, with roots in the 17th century. CONDITION: Chair now with reddish brown wash, the underside shows traces of old red paint. Crest rail with stress cracks at juncture to spindles. Old butterfly clips at underside of seat adjoining each arm support. 50779-16 (200-300) – Lot 2351

2352
$770.25

LOT OF 3 WATERCOLORS OF NANTUCKET, MA VIEWS.

1) Watercolor of the Coleman Family Home, circa 1772 by Jane Brewster Reid (American, 1862-1966). Housed in a period frame. Signed lower left “J B Reid 1924”. 2) Watercolor of a cottage, known as “Auld Lang Szyne”, by Lillian Gertrude Smith (American, 19th/20th century. Housed in a simple gilt wood frame. Signed lower right “Lillian Gertrude Smith” and inscribed “SCONSET”. 3) Miniature watercolor of Sankaty Light, Nantucket, MA attached to a small paper easel. Unsigned. SIZE: 1) 7-1/2″ x 12-1/2″. Overall: 13-1/4″ x 19-1/4″ 2) 5-1/4″ X 7-1/2″. Overall: 11″ x 13″ 3) 2″ x 3″. Overall: 5″ x 4-1/2″. CONDITION: 1) Very good. 2) Good. 3) Good, surface dirt. 50779-17, 50779-20, (800-1,200) – Lot 2352

2353
$1,540.50

GROUP OF SHOREBIRD DECOYS.

Late 19th-Early 20th century, Nantucket, Mass. Three shorebirds carved from the solid, the fourth a hinged two-part molded “Tinnie”. All decoys mounted on an oval mahogany stands. SIZE: Decoys: 7″ x 9″ and two are 5″ x 11″. Tinnie is 6″ x 9″. PROVENANCE: From the Mayhew-Pinkham-Coleman Family Estate of Nantucket, Massachusetts. These families and their descendants were a part of the original families on Nantucket Island, with roots in the 17th century. CONDITION: The wood decoys retain original painted surfaces, now with soiling. All have tack eyes that are intact. One decoy with nail stabilization and horizontal and longitudinal. The “Tinnie” with original painted tin surface abraded on midpoint on each side. Otherwise generally fair to good. 50779-12 (800-1,200) – Lot 2353

2354
$0.00

GROUP OF PINKHAM-COLEMAN-BROWN-MAYHEW NANTUCKET FAMILY RELATED ITEMS.

Mid 19th-early 20th century, Nantucket, Massachusetts. A turned brass whale oil lamp with double wick, a molded glass whale oil chamber lamp with double wick and applied finger-grip, a whalebone fid, a whalebone fishing lure with single hook, a turned whale bone wick cleaner, and a brass net mender with maker’s mark and dated 1897 impressed with the name “George F. Worth” flanked by star-punched decorations. SIZE: Brass lamp 10″ h., Glass lamp 5″, Fid 10″, Lure 6-3/4″, Net mending tool 8″. PROVENANCE: From the Mayhew-Pinkham-Coleman Family Estate of Nantucket, Massachusetts. These families and their descendants were a part of the original families on Nantucket Island, with roots in the 17th century. CONDITION: Glass whale oil lamp with damage to threads on collar. Wick cleaner with old tight vertical hair lines, otherwise all good. 50779-11 (700-900) – Lot 2354

2355
$0.00

GROUP OF 8 FRAMED & UNFRAMED PRINTS AND ENGRAVINGS OF NAUTICAL INTEREST.

Late 19th/early 20th century. The collection includes 1) “The Steamship President” published by N. Currier of New York in a period frame; 2-5) Four prints including two views of windmills, a ship undertow from dry-dock, and a shipyard with ships under construction; 6) Print titled “A view of Brandt Point”, entrance to Harbor at Nantucket, Massachusetts, from a painting by James Walter Folger and a print of a clipper ship under full sail at sea behind glass (having broken glass); 7) A satirical print by Guy Arnoux, titled “Matelot en Tenue de Port” and dated 1811. 8) Framed print of an American tall ship SIZE: 1) 10-1/2″ x 14-1/2″ sight. 2-5) 7-1/4″ x 9-1/4″ sight. 6) 9″ x 19″ sight, 7-1/2″ x 9-1/2″ sight. 7) 6″ x 4-1/4″ sight. 8) 11-1/2″ x 13-1/2″ PROVENANCE: From the Mayhew-Pinkham-Coleman Family Estate of Nantucket, Massachusetts. These families and their descendants were a part of the original families on Nantucket Island, with roots in the 17th century. CONDITION: In good condition overall with minor toning, as noted above. 50779-10 (250-350) – Lot 2355

2356
$948.00

*A.H. FOX DOUBLE BARREL 12 GAUGE SHOTGUN.

SN 17182. 12 ga. 30″ barrels “KRUPP FLUID STEEL MADE BY / A.H. FOX GUN CO. PHILA. PA”. Frame is engraved in grade “B” with lozenge shaped vignettes of shore bird, quail on either side, each engraved “ANSLEY H. FOX”. Fresh from a local estate. Barrel retains ivory front bead sight. SIZE: 47″ overall. Special Note: This item contains plant or animal properties that may be covered by the Endangered Species Act (ESA). We have taken care to ensure that this item meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA. It is the bidder’s responsibility to ensure that it is lawful to purchase or transport this item into their state, and to obtain the necessary import and export approvals. Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item and consummating the purchase. CONDITION: Bores are fairly bright and clean though externally gun exhibits rust and pitting due to poor storage. Bright original blue is found in protected areas. Hard rubber buttplate is dry and cracks. Gun appears to function, however safety is frozen due by rust and no attempt was made to free it. Frame retains traces of finish under an overall gray/brown balance with rust and pitting. Stock is sound and well fit with wear to cross-hatching almost completely worn away on forestock, with hand worn patina and light scuffing and scratching. 50779-13 IVORY (800-1,200) – Lot 2356

2357
$14,220.00

FINE FEDERAL INLAID MAHOGANY CYLINDER ROLLTOP SECRETARY IN THE MANNER OF THOMAS SEYMOUR.

Early 19th century, Boston. In two parts, the upper bookcase with three pediments joined by a curved frieze surrounded by cast bronze finials in the form of classical urns with spires above a pair Gothic arched astragal glazed panel doors, opening to an interior fitted with two adjustable baize-lined shelves fitted to the waist molded case above a pair of aligned drawers with birdseye maple panels within mahogany crossbanded borders above the mahogany barrel roll opening to an interior of valanced pigeon holes flanked by banks of three stationary drawers above a baize-lined pullout writing surface over a pair of aligned short drawers above a bank of two drawers flanked on the left with a bottle drawer all with cockbeaded edges, mahogany crossbanding and Birdseye maple panels raised on square tapering legs with string inlaid contrasting borders and with unusual scrolled returns. SIZE: 89-1/2″ h x 42-1/4″ w x 22-1/2″ d. CONDITION: Desk retains original surface with undisturbed patina, two capitals on colonnettes left panel door facing are missing. The left tall glass panel in same door with crescent crack. Right hand door facing with crescent crack in upper section in top glass inner pane. Bottom long drawer in lower case missing 15″ strip of cockbeading along upper edge of drawer. One return on each of front leg is off. Each existing return needs cosmetic restoration. Baize liner on writing surface, original but deteriorated. Wood knob on barrel roll needs reattachment. Lock mechanism for barrel roll is absent. No major structural damages noted beyond those which are listed. Generally good overall. 50276-2 (3,000-5,000) – Lot 2357

2358
$3,851.25

RARE FEDERAL INLAID MAHOGANY TILT-TOP CANDLESTAND WITH PATRIOTIC EAGLE DESIGN.

Circa 1810, New England. Rectangular top with canted corners. Inlaid with oval patera featuring patriotic displayed eagle beneath rows of stars holding a shield of red and white stripes beneath blue crest. A clutch of arrows and olive branch is held in its talons. All within a border of contrasting string inlay. Hinged and tilting on a swelled, ring-turned standard. raised on tripod base comprised of three outswept and downturned legs terminating in tapering spade feet. Each leg with string inlaid border. SIZE: 30-1/2″ h. 22″ l. 14-1/2″ w. CONDITION: Two legs with old professional repair. Otherwise with old cleaned surface, with mellow patina topped with light crazing and craquelure. 50919-2 (2,000-3,000) – Lot 2358

2359
$4,443.75

PAIR OF FEDERAL CARVED MAHOGANY SHIELD BACK CHAIRS; PROBABLY BY WILLIAM FISKE.

Circa 1790, Salem, Massachusetts. Each side chair with arched molded crestrail carved with trailing vinery centering a woven compote of fruit. With five foliate carved and shaped splats, the center-most with descending husk joined to an inlaid semi-circle at the base of the back. The seat with serpentine front rail and bowed side rails covered in federal striped silk fabric and with double row of tacks in the traditional style. Raised on molded square tapering legs and back-swept rear legs joined by H-stretchers. NOTE: A chair of the same form, with John Hancock provenance, is attributed to Salem chair maker William Fiske, and is discussed in Samuel McIntire: Carving an American Style by Dean T. Lahikainen; Peabody-Essex Museum; Salem, Mass; 2007; pp 55-56. NOTE: Chairs were upholstered by Walter Mullen, Valley Forge, PA. SIZE: 37-1/2″ h of back, 17″ h of seat x 21″ w. PROVENANCE: C. L. Prickett, Yardley, PA. CONDITION: Very Good with maintained old surface. Some minor repairs where elements are joined. 50839-24 (6,000-8,000) – Lot 2359

2360
$18,960.00

RARE AND FINE PAIR OF FEDERAL MAHOGANY AND SATIN BIRCH CARD TABLES.

Circa 1790, probably Maine. Each table with half serpentine ends and elliptic front, with double line of contrasting string inlay on both leaf edges above the conforming apron adorned with panels of birch plume veneers crossbanded in variegated mahogany. Each raised on delicately tapering square mahogany legs with string inlay and crossbanded cuffs. Mahogany primary wood; figured satin birch, maple and variegated mahogany inlays; pine secondary wood. NOTE: The tables constructed with unusually thick stock in the aprons for added stability, which suggests a rural artisan rather than a Salem or Portsmouth area cabinetmaker. We feel the origin to more likely be Saco or Portland, Maine. SIZE: 29-3/4″ h x 36″ w x 17-3/4″ d. PROVENANCE: Mabel Brady Garvin, descent through family heirs to private collection. CONDITION: Very good original condition with maintained old surface. 50839-23 (8,000-12,000) – Lot 2360

2361
$1,777.50

LARGE CARVED AND PAINTED EAGLE PLAQUE.

Early 20th century, American. The large gilt and painted sculpture of a spreadwing eagle clutching a banner in it’s beak, an American flag in its talons. The plaque carved in low relief. SIZE: 25″ h x 72″ l. PROVENANCE: From a private Massachusetts collection. CONDITION: With secondary painted surfaces and with old repairs, reattaching head to body, weathering and paint abrasions to top of wings. Otherwise good. NOTE: The plaque was found on Cape Cod, Massachusetts. 50800-79 (2,000-4,000) – Lot 2361

2362
$1,481.25

CARVED DISPLAYED EAGLE PLAQUE.

Late 19th/early 20th century. This well carved painted and gilt example of a eagle perched on a pole in the form of an arrow. The outstretched wings with detailed feathers carved in high relief. The head posed at an angle looking down at the viewer, with original gold gilding. The arrow with gilt tip and fleche. SIZE: Eagle 21″ h x 46″ w; Pole 7′ l overall. PROVENANCE: From a private Massachusetts collection. CONDITION: The carved pine plaque retains old, if not original, Windsor green paint and gilding. Laminations at top of proper left wing have been reattached, otherwise very good. Gilt and painted surfaces show normal and expected wear. With abrasions and small areas of gilding loss along upper top of carving. 50800-108 (3,000-5,000) – Lot 2362

2363
$0.00

VERY SCARCE FOLK ART CAST-IRON UNCLE SAM MAILBOX HOLDER.

First third 20th century, American. Superb cast-iron three dimensional figural mailbox holder mounted to a circular base. The figure dressed in top hat and tails with striped pants and black boots in typical patriotic design for Uncle Sam. The extended arm of Uncle Sam terminates in a fitting for the mounting of a mailbox. SIZE: 57″ h x 18-1/2″ w. CONDITION: Structurally intact with no damage or restoration with normal and expected oxidation, most noticeable in area of top hat. Original painted surfaces well intact, a true piece of Americana. 50499-1 (10,000-15,000) – Lot 2363

2364
$1,481.25

RARE TURKS HEAD TOBACCONIST TRADE FIGURE BUST.

Late 19th century, American. The pine bust with vibrant polychrome decorated painted surface with fine patina. Mustachioed gent dressed in a yellow, red and gold turban, gold earrings and green tunic posed with open mouth robustly carved and of laminated construction. SIZE: 20″ h x 13-1/2″ w x 13″ d. CONDITION: Minor small old chip losses around base, areas of minor abrasion to painted surface, structurally very good. Painted surface mostly intact. 50576-24 (2,000-5,000) – Lot 2364

2365
$3,555.00

CARVED CAROUSEL HORSE BY CHARLES DARE.

Charles W. Dare ‘Track’ Horse, last quarter 19th century, New York. With typical saddle & assymetrical mane & real horsehair tail. On custom mount. Dare’s New York carousel company produced its first portable carousels in America sometime between 1867 and 1875. Around 1890 Dare renamed his operation the Charles W. Dare Company and moved it to Brooklyn, New York. County fair carousels flowered with the nurturing of Hershell and Parker, but Dare was the one who planted the seeds for the style. Although his factory was located near the companies famous for ornate decorations, Dare retained his simple designs. SIZE: 51″ h approx. x 51″ l x 11″ w. CONDITION: Horse with substantial weathering and wear including multiple shrinkage cracks and splits, loss to upper area of mane, section of saddle near pommel. Old breaks to front legs at knees, now with iron braces and strapping. Eyes replaced. Surface retains remnants of old paint. 50326-1 (6,000-8,000) – Lot 2365

2366
$0.00

FABULOUS TRAMP ART WALL MIRROR WITH DRAWER ATTRIBUTED TO JOHN ZADZORA, NORHTHAMPTON, PA.

Zadzora’s use of five mirrors, four being heart-shaped and the eight wings on the crest are typical of his work. The piece has a central, rectangular mirror and a crest opening that presently holds a photograph of the unidentified owner. A single drawer with small wall pocket above. Unsigned. Constructed of cigar box parts and having a wonderful old patina. SIZE: 26″ h x 14-1/2″ at widest. CONDITION: Two heart mirrors missing, otherwise very good. 50584-7 (2,200-2,400) – Lot 2366

2367
$0.00

FOLK ART CARVED AND PAINTED WHIRLY-GIG.

The whirly-gig comprised of a two-seat roadster with two comic character occupants. The roadster has two rotating pinwheel-type painted tin wheels, which turn in the wind. The car is outfitted with door handles and radiator cap. The driver and passenger are silhouette figures, one a man smoking a pipe with a Beetle Bailey type hat. The other passenger is a girl with long black hair, clutching on his arm for dear life as they speed down the road. On the other end of the whirly-gig is a painted sheet metal tree to direct it toward the wind.. All mounted on a stepped wood base. All original paint, first half of the 20th Century. SIZE: Total height: 17″, Total Length: 15″. CONDITION: Base may be a replacement, paint shows some outdoor use with loss, but generally good. 50311-4 (1,000-2,000) – Lot 2367

2369
$5,925.00

“HAMBURG ROOSTER” COPPER FULL BODY COPPER WEATHERVANE.

Late 19th century, Waltham, MA, Cushing & Sons. This fine large molded full body weathervane with variegated verdigris surface and cast metal legs. Now offered with museum stand. SIZE: Overall 27-1/2″ h x 30″ l. CONDITION: With solder repair at tip of tail and other minor solder repairs to seams, 1 tight open split at tip of proper left wing, repaired bullet hole at mid-section, otherwise very good. 50566-1 (6,000-8,000) – Lot 2369

2370
$17,775.00

FINE PORTSMOUTH FEDERAL INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS.

Early 19th century, Portsmouth, N.H. The rectangular mahogany top with bowfront, the edge with contrasting string inlay above a conforming case fitted with four bowed drawers all with cockbeaded edges and mahogany crossbanding with figural birch rectangular panels centering round birch veneer panel. All veneers matching. The chest raised on French feet with shaped returns. Chest fitted with replaced oval brass handles decorated with beehive and floral garland. SIZE: 38-1/2″ h x 41-1/2″ w 23-1/2″ d. CONDITION: Structurally very good. Professionally re-polished and with minor restoration. 50621-1 (5,000-10,000) – Lot 2370

2371
$0.00

FINE FEDERAL MAHOGANY LINEN PRESS.

Early 19th century, possibly New York. In two parts, the cover-molded crest fitted to the upper section of two cupboard doors opening to an interior fitted with three linen drawers and a shelf and fitted within the lower case having a pair of aligned short drawers over three long drawers all with cockbeaded edges raised on flaring tapered French feet centering a shaped and scalloped apron. The mahogany press with white pine and poplar secondary woods. SIZE: 93″ h x 50″ w x 23″ d. PROVENANCE: From a central Maine estate. CONDITION: Retains original surface. Proper right front cupboard door has been apart and now assembled with right angle braces at joint. In need of professional reassembly and repair. Some losses to cockbeaded edges, base molding on proper right side with old damage, some veneer losses to feet and apron, some losses to veneers proper left side lower case at drawers. Press retains original brasses. 50647-5 (3,000-4,000) – Lot 2371

2372
$4,740.00

FEDERAL INLAID MAHOGANY PEMBROKE TABLE.

First quarter 19th century, probably Rhode Island. Rectangular top with bowed ends and hinged demilune leaves above the conforming frieze fitted with a single drawer opposing a simulated drawer with cast brass circular pull raised on square tapered legs with bookend and bellflower inlays within string borders and crossbanded cuffs. SIZE: 29-1/2″ h x closed 20″ w x open 39″ w x 31″ d. CONDITION: Table with refurbished professional French polish surface. Drawer with old structural repairs, minor in nature, to stabilize drawer frame. Top with some small nicks and light abrasions, otherwise good. 50621-20 (2,000-3,000) – Lot 2372

2373
$0.00

RARE HEPPLEWHITE PAINT DECORATED POLE SCREEN.

Last quarter 18th century, New England or New York State. The thin rectangular screen with cyma shaped corners and curved edges extremely well decorated with a central cluster of horn and string instruments bow-tied and suspended within a drapery border within a gilt border of scrolling floral vinery and leaf tips beneath a fruit filled urn. Screen mounted on a single shaft surmounted by a later urn-turned finial continuing to a baluster-turned base decorated with gilt water leaves, raised on outswept tripod base. The whole in burgundy red paint. SIZE: 53″ h. overall. 16-1/4″ h x 14″ w screen. CONDITION: Structurally very good, original untouched painted and gilt surfaces with light and normal crazing. The screen with three tight vertical seam lines, otherwise very good. With normal and expected areas of abrasion to edges. 50576-49 (2,000-3,000) – Lot 2373

2374
$533.25

FEDERAL MIRROR HAVING PORTLAND, MAINE LABEL OF JAMES TODD.

The small gilt mirror having a reverse painted glass panel showing a woman seated on a rock with animals beside in a water & land scene topped by a red curtain. The overhanging cornice decorated with 14 balls. The label fully legible and intact. SIZE: 24-1/4″ h x 14-1/4″ at widest. CONDITION: Very good. 50893-5 (400-500) – Lot 2374

2375
$711.00

FEDERAL GILTWOOD LOOKING GLASS WITH LABEL OF EDWARD LOTHROP.

First quarter 19th century, Boston, Massachusetts. Edward Lothrop, 28 Court St., Boston. Original paper label affixed to backboard. Rectangular mirror plate beneath eglomise panel decorated with young girl seated in a country landscape on grassy knoll holding a dove perched on left hand. Scene within border of fruit all within molded surround beneath stepped molded cornice mounted with thirteen gilt spherules. SIZE: 29-1/2″ h. 18-1/2 w. overall. CONDITION: Eglomise panel and mirror plate original. Some paint loss due to separation from glass. Mirror plate with spot loss to silvering. Backboard original. Gilding original. General light wear from cleaning over time. Generally good to very good. 50893-6 (700-800) – Lot 2375

2376
$592.50

WHIMSICAL FOLK ART SEWING SPOOL HOLDER.

Last quarter 19th century. American. The four tier lazy-susan turntable designed for mounting spools of thread attached to a central post joined to the square case. Fitted with a single storage drawer with double heart mirrored cut-outs centering a porcelain knob. Case sides with conforming double heart cut-outs mounted with autumnal maple leaf prints. Raised on tapering turned and faceted legs. SIZE: Overall 20-1/2″ h x 9″ w x 8-1/2″ d. CONDITION: Very good overall with dry, crusty surfaces. 50601-9 (1,500-2,500) – Lot 2376

2377
$1,718.25

OUTSTANDING AND ORIGINAL STRAWBERRY VINE DECORATED EARLY 19TH CENTURY FRAME.

The rectangular frame with slightly beveled front having a wonderful, all over painted design of strawberry vine having red berries, gilt leaves, & green stems. The construction of the frame included mortise & tenon, lap joint and wood pegged. Original hanging ring at top. SIZE: Interior: 11″ x 8″. Overall: 13-1/4″ x 10-1/2″. CONDITION: Remarkable, very good condition. 50919-5 (1,500-2,000) – Lot 2377

2378
$4,443.75

SHEET COPPER ARCHITECTURAL CLASSICAL URN.

Second half-19th century, American.Manner of construction & decoration suggest urn was made by an American manufacturer of weathervanes. The faceted octagonal urn with undisturbed verdigris surface with traces of gilding ornamented with drapery swags joined to the guilloche border at the shoulder joined to a tapering octagonal pedestal. SIZE: 22-1/2″ h x 18-1/2″ dia. CONDITION: With old solder reinforcement at shoulder, surfaces with weathering resulting in a pleasing mixture of color and patina. Good overall. 50552-4 (1,500-2,500) – Lot 2378

2379
$3,555.00

FULL BODY COPPER COW WEATHERVANE.

Late 19th early 20th century. Standing cow with cast zinc horns and tail. Surface with yellow sizing and verdigris and with multiple bullet holes in “as found”, undisturbed condition. SIZE: 12-1/2″ h x 25″ l. CONDITION: Untouched as noted, with some seam separations along back and top of head. Yellow sizing overall with small areas of old gilding now with natural verdigris. 50584-2 (3,500-4,000) – Lot 2379

2380
$4,147.50

COPPER QUILL WEATHERVANE.

Circa 1870-1910, New England. The molded and sheet copper quill mounted on a rod with ball finial and spire, of nice proportion. Museum stand for display. NOTE: The quill pen was the principle instrument used for writing for many centuries, and often times represented a teacher, lawyer or minister. The form was most often found on schools and meeting houses. Quills were made from a good strong flight feather from a robust bird like a turkey or a goose, the form lent itself beautifully to a weathervane, having a perfect pointing shape and a fletched tail. The quill weathervane became an actual “feather in the wind.”Reference: Myrna Kaye; Yankee Weathervanes; E P Dutton & Co; 1975. SIZE: 26-1/2″ overall h x 48” l. CONDITION: Very good, painted surface with weathered silver roof paint over original gilt and yellow sizing. 50839-22 (4,000-6,000) – Lot 2380

2381
$0.00

WILLIAM TODD SHERATON LOOKING GLASS WITH EGLOMISE PANEL.

Circa 1820, Portland, Maine. This fine labeled example with rectangular mirror plate beneath an eglomise panel, painted in Empire style depicting a theatrical scene with a woman and child on a recamier framed by classical drapery within a gilt frame applied with baluster-turned engaged half columns. Gilded split column frame with original blocked corners never having been mounted with rosettes. SIZE: 32-1/4″ h x 16″ w. CONDITION: Water gilded gessoed pine mirror frame in intact original condition with exceptional gilding. Tablet and mirror glass and labeled backboard all original and untouched. Minor losses to tablet decoration, otherwise very good overall. 50839-17 (1,500-2,500) – Lot 2381

2382
$385.13

RARE EARLY MINIATURE SHERATON LOOKING GLASS.

This 19th century miniature of a split column Federal looking glass features a small rectangular reversed painting at top depicting a house or a barn and a landscape below fitted within an old looking glass. The frame ornamented with carved split columns. SIZE: 10″ h x 6″ w. CONDITION: Generally good with some small loss to both lower corners. A very neat & rare size. 49421-59 (350-650) – Lot 2382

2383
$0.00
Revised: 8/18/2016

Please Note: The description should indicate that this is Chinese School, Early 19th Century. Related examples can be found in Crossman’s book, The China Trade.

DECORATIVE REVERSE PAINTING ON GLASS DEPICTING A MOURNING SCENE.

Figure of a girl in fancy dress with black cape holding book, standing beside a white marble urn on pedestal, all within a wooded park-like setting. The border in blue and gold, with gold stars. Housed in a gilt carved wood round frame. SIZE: Site: 13-1/4″. Overall: 16″. PROVENANCE: The Richard Wright Collection, Skinner’s Auctions, Sale # 2481, Lot 628. CONDITION: Very good. 50893-7 (2,000-3,000) – Lot 2383

2384
$414.75

KILIM RUG.

Caucasus, early 20th century, Russia. This large two-panel example with four aligned rectangular medallions through the center in indigo, iron brown, and celadon all with diamond medallions within multiple polychrome tarantula borders, highly stylized. The ends with stylized tarantula devices. SIZE: 5′ 2″ w x 10′ 9″ l. CONDITION: Small repairs near last central indigo medallion, wear along edge of celadon medallion to foundation, some losses to fringe continuing into outer guard border, rug is lightly soiled however palette remains strong. 50647-12 (800-1,200) – Lot 2384

2385
$1,185.00

KARABAGH KILIM.

Caucasus, circa 1900, Russia. This fine and unusual example of floral design woven with rose or camelia blossoms amongst stylized foliage on a blue-black ground within a mustard floral trellis-work main border within pale indigo guard borders with crenelated edges and rose red floral lattice work. SIZE: 4′ 11″ w x 7′ 2″ l. CONDITION: Colors remain vibrant, rug with even light wear, otherwise good. 50647-11 (800-1,200) – Lot 2385

2386
$10,665.00

FINE QUEEN ANNE MAHOGANY TURRET TOP GAMES TABLE.

Circa 1740-1760, American, probably southern states. The games table of fine design with shaped corners and hinged conforming fold-over top, opening to a baize lined playing surface with gilt tooled leather borders, as originally done. The top pocketed for placement of candlesticks and markers. All above the conforming apron fitted with central drawer. The whole raised on five bold cabriole legs with shaped returns terminating in out-flaring pad feet with platforms. The central rear leg hinged for top support. Materials: Mahogany throughout. NOTE: The table is probably of Charleston, South Carolina origin. REF: The Furniture of Charleston 1680-1820 by Bradford L. Rauschenberg and John Bivins Jr; Frank L. Horton Series; Museum of Early Southern Decorative Arts; Winston-Salem, NC; 2003; Volume I: Colonial Furniture; pp. 213-216; pp. 231-237. The table exhibits several design characteristics of other furniture forms, primarily side tables and dressing tables having related leg profiles and notably apron shaping.
The invected cut in the apron center is related to a group of dressing tables (pp. 231-237; fig. CT-1 – fig. CT-6) and the cabriole legs and pad feet are very much like those on several tables (pp. 213-216; figs. CTS – 1, 2, 5, 6, and 7) exhibiting a similar Charleston aesthetic. Copies of these papers available on request. We are not, however, aware of any games tables with this exact configuration of form; having a turret top, invected apron, five legs, and construction wholly of mahogany. The extremely thick stock used in construction, and the use of mahogany in all components of this table, is at odds with typical British Isles products as well as most Charleston area practices. The proximity of Charleston to the shipping lanes of the West Indies trade could account for the choice and use of available wood, and predicts a likelihood of the table being an American product. Additionally, the ‘wasteful’ use of mahogany to construct the rear frame and fly rail, and the absence of veneer is definitely at odds with British Isle construction practices SIZE: 28″ h x 34″ w (overall) x 16″ d (closed), 32-1/2″ d (open). PROVENANCE: Mr. A. G. C. Sage, New York City; Smith & Watson; Reifsnyder Collection, Wilmington, DE; H. F. Dupont; Edward & Virginia Reichert Collection, Wilmington, DE. CONDITION: Structurally intact with rich old maintained surface with fine color. Table retains original brass hardware with restored baize and embossed leather border on inner playing surface. Table with only minor imperfections. 50839-6 (5,000-10,000) – Lot 2386

2387
$711.00

FOUR ANTIQUE MINIATURE PAINTINGS OF WOMEN.

Lot includes: 1) Watercolor on paper, half portrait of a young woman with curly red hair. Signed “Horwath”, housed in a gesso decorated wood frame, with velvet mat. 2) Half portrait of a young woman in ruffled blue dress, with flowers in her curly brown hair. Housed in a brass oval frame. 3) Half portrait of a woman with red hair and coral necklace, looking back over her shoulder. Unsigned, but having an old inscription on reverse identifying the sitter as “Von Charlotte Bossi”, housed in a brass frame. 4) Half portrait of young woman with black hair in black dress, housed in a metal oval frame with bow. SIZE: 1) Overall size: 8″ x 6″. Site: 3-3/4″ x 2-1/2″. 2) Overall: 3-1/2″ x 2-3/4″. Actual: 2-1/2″ x 2″. 3) Overall: 4″ x 3″. Actual 3-1/2″ x 2-1/4″. 4) Overall: 3-1/4″ x 2-1/4″. Site: 2-1/4″ x 1-3/4″. Special Note: This item contains plant or animal properties that may be covered by the Endangered Species Act (ESA). We have taken care to ensure that this item meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA. It is the bidder’s responsibility to ensure that it is lawful to purchase or transport this item into their state, and to obtain the necessary import and export approvals. Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item and consummating the purchase. CONDITION: 2) Has warping to ivory, otherwise very good. 50558-7 IVORY (800-1,000) – Lot 2387

2388
$0.00

FINE WAX BUST PORTRAIT OF FANNIE REGAL EVANS.

Circa 1915, New York. Portrait of Fannie Riegel Evans was commissioned and executed in 1915 by Ethel Frances Mundy and has descended through the family to the present owner. Bust figure depicting a woman with realistic brown hair and with wide lace bodice wearing a necklace of blue cabochons. Labeled, signed and dated along border which reads: “FANNIE.RIEGEL.EVANS. MCMXV. ETHEL.MUNDY.FECIT”. Mounted in circular wooden frame with convex glass of the period. NOTE: Ethel F. Mundy (1876-1964) commenced her art around 1910 and continued actively for another forty years. She produced her wax miniature portraits for personages such as Andrew Mellon, John D. Rockefeller, Henry C. Frick, Elizabeth Arden, etc. These rare wax portraits require great skill and patience leading to their rarity. According to the biography written by Anna Wetherill Olmstead written in 1968, Mundy worked from life and only executed two miniatures from photographs, one of Queen Elizabeth, the Queen Mother, and one of Queen Elizabeth II, as Princess Elizabeth. Apparently these two wax miniatures were sold to raise funds for “British Bundles for Britain” fund during WWII and for the British Red Cross. SIZE: 4-1/2″ dia overall. Portrait 3-1/2″ dia sight. PROVENANCE: By descent through the family of the original sitter. CONDITION: Portrait remains in very good condition with slight soiling. Very good overall. 50701-1 (1,500-2,000) – Lot 2388

2389
$2,073.75

NEW ENGLAND FEDERAL TIGER MAPLE 3-PART TABLE.

First quarter 19th century. In three parts, comprised of two demilune ends raised on square tapered legs with ribbed cuffs. The center section a drop leaf table with rectangular top and hinged conforming leaves projecting above the apron with concave returns raised on square tapering legs with ribbed cuffs, two opposing legs with gates. SIZE: 28-3/4″ h x 45″ w. Length of table closed is 66″ (table spacers absent). Length of table open is 109″. CONDITION: Structurally very good, professionally cleaned and re-polished, now a golden color and blond patina. 50621-21 (3,000-4,000) – Lot 2389

2390
$711.00

ASSEMBLED GROUP OF TWENTY-THREE PIECES OF TEA AND COFFEE SET RELATED FLOW BLUE IN THE “TEMPLE” PATTERN.

Lot includes: 10″ high coffeepot (repaired finial), 9-1/4″ high teapot, 8″ covered sugar (roughness in rim), 8″ covered sugar, 6″ high creamer (stained with craquelure), 5-1/2″ creamer, 3-1/2″ high waste bowl, 3-1/2″ high waste bowl, eight 6″ diameter saucers (one with old hairline crack), seven 3″ high handle-less cups (one with reached rim chip). SIZE: A noted above. CONDITION: As noted above, also there maybe very small nicks or chips at rim edges. 50803-24 (1,000-2,000) – Lot 2390

2391
$355.50

TWENTY-NINE FLOW BLUE PLATES IN THE “TEMPLE’ PATTERN.

Four different sizes in deep cobalt blue. SIZE: Eight 9-3/4″, eight 8-3/4″, eight 7-3/4″, six 7″. CONDITION: Very good, a couple with very tiny rim chips. 50803-25 (1,000-2,000) – Lot 2391

2392
$0.00

SHERATON MAHOGANY SEWING TABLE.

First quarter 19th century, Massachusetts, North Shore. The rectangular top with molded edge and ovolo corners above the conforming frieze fitted with a single drawer with cock-beaded edges, the interior fitted with compartments above a pull out bag slide with molded front, the frame fitted with a green floral silk sewing bag with pine plank bottom. The whole raised on outset legs with bobbin-turned balusters above ring turned continuing to reeded cylindrical legs above ring-turned cuffs, terminating in tapered feet. SIZE: 28-3/4″ h x 21-3/4″ w x 16″ d. CONDITION: Stand retains original surfaces, top slightly sun faded and with minor blemishes, a small circular stain at mid-point of front top, otherwise very good. 50855-4 (1,200-1,800) – Lot 2392

2393
$0.00

UNUSUAL EGLOMISE COURTING MIRROR IN THE ORIENTAL TASTE.

Second half 18th century. The rectangular mirror plate within a molded surround, all within an eglomise paint decorated border of fruit, flowers, and floral and fruit filled urns. The crest paint-decorated with a central panel depicting an Asian figure in robe and cap serving fruit from a draped table. The whole within a carved molded stepped border. SIZE: 16-1/4″ h x 12-1/4″ w. CONDITION: Mirror plate appears original, as do all painted glass panels. Some areas with flaking and paint loss. Minor in nature. Frame intact with no repairs. Very good overall. 50641-32 (1,000-1,500) – Lot 2393

2394
$1,066.50

SHERATON MAHOGANY, BIRD’S-EYE MAPLE AND TIGER MAPLE LADY’S SEWING TABLE.

Circa 1810, northern New England. A beautifully made stand with octagonal top and outset ovolo corners continuing to tiger maple ring-turned cylindrical legs. The hinged top opening to reveal a velvet lined adjustable easel. The well additionally fitted with multiple compartments for sewing materials. The bird’s-eye maple front frieze with simulated full-width drawer above a full-width drawer, the whole with mahogany cross banding and bird’s eye maple panels. The ring-turned legs continuing to cylindrical tapered feet with brass capped ferrules. SIZE: 28″ h x 22″ w x 19″ d. CONDITION: Very good overall, appealing older French polish with deep rich color. Key present. 50839-12 (1,200-1,800) – Lot 2394

2395
$4,147.50

HEPPLEWHITE INLAID MAHOGANY AND TIGER MAPLE BOW FRONT CHEST OF DRAWERS.

Late 18th early 19th century, New England, possibly Portsmouth, NH. A beautiful chest with refined construction, the rectangular top with bowfront above the conforming case fitted with four graduated long drawers with cock-beaded edges, tiger maple panels within string inlaid borders and inlaid mahogany diamond escutcheons above the shaped apron raised on tall, slender, tapering French feet. The chest contains a matched set of beehive brasses. SIZE: 39″ h x 43″ w x 22″ d. CONDITION: Very fine overall with quality re-polishing, good color and patina. 50893-1 (5,000-6,000) – Lot 2395

2396
$770.25

FINE PAIR OF PHILADELPHIA OR BALTIMORE STYLE ANTIQUE BRASS ANDIRONS.

Late 18th/early 19th Century. The andirons having a ribbed urn having spurred legs, ball & claw feet and a plinth decorated with federal spread wing eagle and shield. Engraved sprigs on side. Lemon type log stops. SIZE: 21″ h x 23″ l. CONDITION: Both iron dogs are out of form, one missing its turning below log stop, unpolished. One having a small hole in backside of middle turning, otherwise good. 50276-5 (500-700) – Lot 2396

2397
$1,422.00

QUEEN ANNE PAINTED BIRDCAGE TILT-TOP TEA TABLE.

Mid 18th century, New England. This fine and unusual painted maple example with mahoganized painted surface. Circular top hinging on a revolving birdcage support mounted on a ring. Reel and urn turned column raised on a tripod cabriole leg base with step carved shoulders terminating in bold slipper feet. Underside of pedestal notched carved and with early iron strap bracing. SIZE: 28″ h x 36″ d. CONDITION: Table is all original including locking mechanism. Very good overall. 50576-55 (1,500-3,000) – Lot 2397

2398
$1,185.00

HEPPLEWHITE INLAID MAHOGANY CARD TABLE.

Circa 1790, Massachusetts. A hinged “D” form top with blocked ends, the edges with contrasting inlays above the conforming apron with highly figured inlaid oval patera flanked by figured inlaid panels raised on tapering legs with inlaid cuffs and contrasting stringing. SIZE: 29″ h x 35-3/4″ w x 17″ d. CONDITION: Table retains old well polished surface, with no restoration, very good overall. 50855-1 (1,500-2,000) – Lot 2398

2399
$592.50

LOT OF SIX GRADUATED FLOW BLUE PLATTERS IN THE “TEMPLE” PATTERN.

A nice set with deep cobalt blue coloring. SIZE: 16″ x 20-1/4″, 14″ x 18″, 12″ x 15-3/4″, 10-1/2″ x 13-1/2″, 9-1/2″ x 12-1/4″, 8-1/4″ x 11″. CONDITION: 18″ platter has crows-foot hairline crack to base. 20″ platter has very small insignificant nicks to edge, otherwise very good. 50803-23 (1,000-2,000) – Lot 2399

2400
$829.50

EIGHTEEN PIECES OF “TEMPLE” PATTERN FLOW BLUE CHINA.

The lot consists of: 8-1/2″ tall pitcher (wood base attached), 7-1/2″ tall pitcher (wood base attached), 5″ gravy, pair of 7-1/2″ high x 9″ diameter covered eight-sided serving dishes (one under-rim handle chip), 8-1/2″ x 5-1/2″ shell dish, 7-1/2″ x 5-3/4″ dish (old tight hairline), 9″ x 7″ open vegetable dish, 10″ x 7-1/2″ platter (restored), 12-1/2″ x 9-1/2″ platter, 14″ x 10-1/2″ platter (large crack), three 9-3/4″ soup bowls, three 5-1/2″ saucers (one with repair) and a rare 4″ diameter cup plate. SIZE: As noted above. CONDITION: Generally good and as noted above. 50803-1 (1,000-2,000) – Lot 2400

2401
$3,258.75

CHIPPENDALE FIGURED MAHOGANY SECRETARY BOOKCASE.

Last-quarter 18th century, Vermont. The secretary in two parts. The bookcase having a bold complex overhanging cornice, and highly figured flat panel doors fitted with three adjustable shelves. The desk having a hinged slant lid, revealing a fitted interior consisting of nine drawers, above four graduated cock-beaded full-width drawers, having a complex base molding and bold ogee carved feet. Cherrywood and northern white pine secondary woods. Case retains mostly original brass hardware. NOTE: The dovetails, joinery and highly refined feet suggest a Rhode Island influence from the Goddard Townsend School: possibly the work of a Townsend family member or trained cabinetmaker relocated to Vermont. SIZE: 86″ h x 41-1/2″ case w x 22″ d. CONDITION: Very good original condition with old maintained surface. Old repair to cleat lip of lid, proper right side. Some replacements to cock-beading. Age cracks to both sides of lower case, minor shrinkage crack to lid, minor cracks to feet. Two interior shelves old replacements. 50839-1 (3,000-5,000) – Lot 2401

2402
$0.00

LARGE WHIMSICAL WHIRLIGIG OF A POLICE OFFICER.

Second half 19th century, American. The figure carved from pine with a stylized conical element. Facial features with eyes, nose and pronounced lips and chin joined to the body carved from the solid. Arms pivoting on iron rod originally carved with extended forearms, now mostly absent. Figure originally carved with helmet, uniform tunic, trousers and boots mounted on a cross member support swiveling on an iron rod. The whole on a conical wood stand in red paint with a stenciled letter “S” in mustard paint. SIZE: 46″ h overall x 12″ w x 7″ d. CONDITION: Old if not original painted surfaces remain visible but heavily weathered and appear untouched with losses and cracks to helmet with losses to brim and weathered cracks. Face with loss of nose. Arms with losses to forearms as noted. Loss to front of right foot. 50552-6 (2,000-3,000) – Lot 2402

2403
$0.00

WILLIAM JENNYS (American, 1774-1859) PAIR OF ANCESTRAL PORTRAITS OF A MAN & WOMAN.

Unsigned oil on canvas half portraits painted in a light oil with black corners to accommodate a rectangular frame. The man with hand inside his vest looking over his shoulder toward viewers right and wearing a brown top coat and white vest. The woman facing the viewers left and looking slightly over her shoulder. She wears a gold dress with lace edges and wears a lace bonnet, gold earring and pearl necklace. Housed in matching antique style modern gilt wood frames, appropriate for these portraits. SIZE: 30-1/2″ x 25-1/2″. Overall: 35-1/2″ h x 31″ w. CONDITION: Both lined on new turn buckle stretchers, restored with inpainting. 50898-10 (5,000-7,000) – Lot 2403

2404
$592.50

FINE CARVED MAHOGANY CLASSICAL REVIVAL WORK TABLE.

New York, circa 1840. The rectangular crossbanded double hinged top opening laterally to form a work surface with maroon baize lining above the conforming case fitted with a bank of three drawers. The compartmented top drawer with curved front above two bowfront drawers flanked by acanthus carvings over freestanding Doric columns with acorn-pendant finials. The case joined to a bulbous swelled and ring-turned pedestal raised on scrolling outswept legs with ringed rondels at the head and terminating in brass-capped clawfoot. SIZE: 30-1/2″ h x 21″ w x 17″ d. Open: 42″ w x 17″ d. PROVENANCE: Private Maine/Texas Collector. CONDITION: Original surfaces with dark patina and multiple light water stains. Faceted glass knobs are later replacements. Small rectangular patch in crossbanding on top, at proper left front corner. Scrolls on upper section of each leg re-attached. Baize liner and casters are original. 50012-65 (1,000-1,500) – Lot 2404

2405
$0.00

ATTRIBUTED TO WILLIAM MATTHEW PRIOR (American, 1806-1893) FOLK ART PORTRAIT OF A WOMAN WITH ROSE.

Unsigned oil on canvas three-quarter portrait of a young woman holding a pink roses. Her elbow rests upon a book which may indicate she was a teacher. Over her right shoulder is a water & mountain scene under an expanse of colorful sky. Housed in a modern silver gilt frame having a lucite back. SIZE: 30″ x 25″. Overall: 33-3/4″ x 28-3/4″. CONDITION: Lined, craquelure, restored with inpainting, good. 50290-1 (2,000-4,000) – Lot 2405

2406
$13,035.00

FINE CHIPPENDALE MAHOGANY DROP-LEAF CLAW-AND-BALL FOOT TABLE.

Circa 1760, Newport, RI. The rectangular top with hinged deep single board leaves projecting above the conforming apron raised on well turned refined legs terminating in open talon claw-and-ball feet. The whole constructed of dense Santo Domingo mahogany. NOTE: The construction of the medial brace across the frame, as well as the straight turned legs and open talons, are typical of Goddard Townsend, Newport, tables. SIZE: 28″ h x 17-1/2″ w (closed), 56″ w (open) x 48″ l. CONDITION: Very good intact condition, top with in-use wear and minor stains. Old refinished surface. 50839-14 (4,000-8,000) – Lot 2406

2407
$16,590.00

“BLACK HAWK” MOLDED COPPER WEATHERVANE.

Last quarter 19th century, New England. This nice hollow body example with well modeled mane and tail, the gilt surface with verdigris now mounted on a museum stand. SIZE: 24″ h including stand x 34″ l. CONDITION: No repairs or restoration, old in use re-gilt surface with natural verdigris. Very good overall. 50567-58 (4,000-6,000) – Lot 2407

2408
$829.50

SHERATON MAHOGANY 2-DRAWER WORK TABLE.

Second quarter 19th century, probably Massachusetts. Rectangular top with ring-turned turret corners above the figural mahogany frieze fitted with a pair of drawers raised on ring turned, ropetwist legs with ringed cuffs and suppressed ball feet. SIZE: 30″ h. Overall 22″ w x 20″ d. CONDITION: Table has been cleaned and re-polished. Crescent shaped shrinkage crack in top filled. Otherwise good. 50564-4 (400-600) – Lot 2408

2409
$1,659.00

EARLY 19TH CENTURY VERMONT SECTIONAL CHIPPENDALE BOOKCASE.

Made in four sections, bottom section having applied bracket foot and two paneled doors. Two center sections have two glass doors each, top section has two glass doors and attached cornice molding. SIZE: 99″ h x 43″ w x 18″ d. CONDITION: One glass door cracked, some old repairs. Generally good condition. 16397-39 (750-1,250) – Lot 2409

2410
$118.50

QUEEN ANNE COURTING MIRROR.

Mid 18th century, American. Of typical form, an eglomise panel with stylized heart set within the shaped cresting all above a rectangular plate within a half-round molded surround. Mahogany veneers on pine. SIZE: 12″ x 8″ w. CONDITION: Frame, mirror plate and eglomise panel all original. Frame has been refinished and re-polished at some point. Decorated panel with paint loss within heart. Mirror plate with losses of silver backing visible in photographs. Otherwise structurally good. 50558-23 (400-600) – Lot 2410

2411
$0.00

ANTIQUE MOTHER-OF-PEARL DECORATED TEA CADDY.

The wood framed tea caddy veneered in mother-of-pearl, the hinged lid opens to reveal two covered storage compartments, all supported by four round bun feet. The interior of the lid edge and box edge are veneered with ivory panels. Together with a key. SIZE: 5-1/2″ h x 7-3/4″ w x 5″ deep. Special Note: This item contains plant or animal properties that may be covered by the Endangered Species Act (ESA). We have taken care to ensure that this item meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA. It is the bidder’s responsibility to ensure that it is lawful to purchase or transport this item into their state, and to obtain the necessary import and export approvals. Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item and consummating the purchase. CONDITION: Very good, only very minor defects. 50621-4 IVORY (2,000-3,000) – Lot 2411

2412
$2,784.75

FINE TIGER MAPLE 36-DRAWER APOTHECARY CHEST.

American. This nicely constructed example with 6-rows of drawers each fitted with a wood mushroom knob on a figural maple molded plinth. SIZE: 29-1/2″ h x 33-1/2″ w x 8-3/4″ d. CONDITION: With well maintained French polished surface and with vibrant graining. Very good overall. 50621-8 (2,500-3,500) – Lot 2412

2413
$1,185.00

GROUP OF FIVE SHAKER RELATED ITEMS INCLUDING COVERED BOX, SILK BOOKMARK, FOOTSTOOL, AND SHEET MUSIC.

First quarter, 20th century, American. 1) Miniature oval cherry box with cover with varnished surface. 2) silk bookmark advertising “E.J. NEALE & CO, Mount Lebanon, N.Y. SHAKER CLOAK. Bookmark woven with facsimile of one of main buildings in Mount Lebanon within a floral garland, housed in a gold frame. 3) Oak and hickory footstool with woven splint seat on oval legs with conforming box stretcher. 4) Two Shaker songbooks. First, titled “Songs of the Shakers” published by Shaker Village Work Group, located in Mount Lebanon Shaker Community. This book of original Shaker music is addressed to Margot Mayo and dated November 19, 1962 with a personal note presumably from one of the students and signed “Love, Madeleine”. The second title “Fifteen Shaker Songs” selected and arranged by Conrad Held published and copyrighted in 1944 by G.Shirmer, Inc., New York. SIZE: 1) 2″ h. 4-1/2″ l. 2-3/4″ w. 2) 7″ l x 3″ w sight. 3) 11-1/2″ h. 13-3/4″ l. 1-1/4″ w. PROVENANCE: This property acquired by Folklorist Margot Mayo during her many visits to Shaker communities beginning in 1938. She was eventually deemed a “friend of the Shakers” and by descent through family to current owner. CONDITION: Oval box and framed bookmark in very fine condition. Footstool very good with no structural issues. Two volumes of folk songs lightly soiled and with some minor creasing and edge wear to pages and cover. 50813-2 (800-1,200) – Lot 2413

2414
$3,258.75

ROOSTER ON ARROW FULL BODY COPPER WEATHERVANE.

Late 19th century, Boston, MA. Attributed to Harris & Co. Fine flattened full body form with sheet copper comb, wattle and embossed tail. Rooster perched on arrow with folded sheet fletch and molded cardinal. Now offered with museum stand. SIZE: Height including stand 22″ x 24″ l. CONDITION: Very small seam separation at top of foreleg foot, all other seams intact, worn gilded surface showing white sizing and with verdigris patina. Wattle and comb with later in use paint, otherwise very good. 50576-29 (2,500-3,500) – Lot 2414

2415
$2,962.50

WHIMSICAL AND RARE CARVED SWAN WEATHERVANE.

Early 20th century, American. Pine swan in “Hissing” pose cut from single board with dramatic tail and neck. Now mounted on museum stand. REF; The Art of the Weathervane, by Art Miller, pg 106-7 for a similar example. SIZE: Height with stand 16-1/2″ x 33-1/2″. CONDITION: Dry original white paint, use wear puncture to one side along rod hole, old chip to end of tail feather, otherwise very good. 50576-32 (3,000-5,000) – Lot 2415

2416
$1,481.25

DIMINUTIVE FEDERAL INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS.

First quarter 19th century, New England. The rectangular bowfront top with crossbanded ends and rosewood crossbanding on the edges above the conforming case fitted with four graduated drawers all with cockbeaded edges and string inlaid borders with ebony and satinwood fan inlaid spandrels probably a later addition on a molded base raised on tapering French feet with elongated shaped returns now mounted with a complete set of stamped oval brasses depicting banner tied war trophy reading “TRAFALGAR/COPENHAGE”. SIZE: 34-1/2″ h x 37-1/2″ case w x 20-1/2″ d. CONDITION: Professionally restored and re-polished. Proper front left corner of top with well done patch, otherwise with small areas of coloration evident, otherwise good. 50621-7 (2,000-3,000) – Lot 2416

2417
$0.00

ATTRIBUTED TO SAMUEL LOVETT WALDO (1783-1861) & WILLIAM JEWETT (1795-1873) PORTRAITS OF MOSES WANZER & MARY WHITTEMORE.

Unsigned pair of oil on canvas mounted to masonite half portraits. One depicting a gentleman seated in an armchair holding a folded letter with table beside having books and quill pen. He wears a formal black jacket with white shirt. The other depicting a woman with high hair, lace collar with black dress and having her hands held in her lap. She wears a long gold chain, gold earrings and a gold brooch around neck. On the right side is a tall bouquet of flowers in a vase. SIZE: 32″ x 26″. Overall: 36-1/2″ x 30-1/2″. PROVENANCE: Skinner, June 4, 2006 Lot 2322. At that time these were sold for the family and information indicated that Moses Wanzer was born around 1802 in St. Albans, VT. He married Mary Whittemore in 1828 in Natchez, MS. Other information is provided in a packet of material accompanying the portraits. CONDITION: Woman with restoration to face, otherwise very good. 50440-4 (4,000-6,000) – Lot 2417

2418
$3,258.75

QUEEN ANNE TRAY TOP CHERRY CANDLESTAND WITH CANDLE DRAWER.

Circa 1770, Connecticut River Valley. Cabriole legs are thicker in knees and feet. With aris pad feet having pleasing ridge line, pointed toes and intact under pads. Shaft with urn device and waisted design with wafer at base. Push/pull drawer operates from either side. Drawer is dovetailed with bass secondary wood. Cherry table shaft is threaded into the maple cleat which supports the drawer. SIZE: 26-1/4″ t x 15-3/4″ w x 15-1/4″ l. PROVENANCE: Estate of Siro R. Toffolon of Old Lyme, CT. CONDITION: Very good with pleasing color and surface. Age crack through middle of top and one molding. 50612-1 (1,200-1,800) – Lot 2418

2419
$0.00

PAINTING ON PANEL TITLED “JOAQUIN MURRIETA”.

Painted vignette on panel that is titled, “Joaquin Murrieta” (The original Zorro). The painting shows a southwestern scene with a dashing figure on horseback brandishing a dagger. He is wearing a cape and blue tight britches and is astride a brown stallion. The title below the panel is, “Joaquin Murrieta Famous Robin Hood, Eldorado, Co.” Joaquin Murrieta (1829-1853) was known as the “Mexican or Chilean, Robin Hood” also as “Robin Hood of Eldorado”. It is believed that he and his life were the basis for the story of Zorro. Depending on the story you hear, he was either an infamous bandit or a a Mexican patriot. Stories tell that Anglos drove him from a rich mining claim and shortly thereafter his wife was raped, his half-brother lynched and Murrieta himself was horsewhipped. Sometime after these events his escapades began. By 1853 Murrieta and his men had committed enough rimes that California Legislature considered Murrieta one of the five “Joaquins”. On a bill passed May 1853, the Legislature authorized hiring, for three months, a company of 20 California Rangers to hunt down a number of criminals including Murrieta. It is said that the rangers confronted and killed Murrieta; they severed his head as proof of their deed to received their $1,000 reward. Murrieta’s head was preserved in a jar of alcohol and shown to many priests who knew Murrieta to confirm his identity. The head was brandished about and used as a display at a special showing for a fee, but then was reportedly lost in the San Francisco earthquake. SIZE: Sight: 33-1/2″ x 65″. Overall: 36″ x 69″. PROVENANCE: From a private Massachusetts collection. CONDITION: The painting with small losses to fiber board at corners, foxing & stains across painting, three-inch diagonal tear beneath the word “Robin”. Some nail holes on edges. As found. 50800-129 (3,000-5,000) – Lot 2419

2420
$2,073.75

JEWELL FULL BODY MOLDED COPPER RUNNING HORSE WEATHERVANE.

Late 19th century, A.L. Jewell, Waltham, Massachusetts. This small example with zinc head, sheet copper ears and tail now offered on a museum stand. SIZE: 17-1/2″ h with stand x 31″ l. CONDITION: With good verdigris surface, multiple seam separations notably on chest, on bent fore and rear legs, and neck and back seams. Body with bullet dents and with repaired bullet holes. Vertical support rod worn and corroded through, Horizontal support rod with split seam, support rod for back leg needs re-attaching and reinforcement. Feathered tail with some crimping and with deterioration of copper. A good, honest example in need of professional restoration. 50781-1 (3,000-5,000) – Lot 2420

2421
$0.00

DIMINUTIVE BANNER WITH SPIRE SHEET COPPER WEATHERVANE.

Late 19th century, Boston, MA. Attributed to Harris & Co. Finely scrolled banner with hollow formed cardinal surmounted by ball and spire mounted finial. Offered on museum stand. SIZE: Height including stand 18-1/2″ x 25-1/2″ l. CONDITION: All seams intact, no repairs noted, worn gilded surfaces, white sizing and blackened copper patina appear original. Very good overall. 50576-26 (1,500-2,500) – Lot 2421

2422
$770.25

19TH/20TH CENTURY METAL BOOT TRADE SIGN.

The boot cut out of flat sheet metal, having a star-shaped spur and angle rod for hanging shows remnants of the original red paint are present. SIZE: 18-1/4″ h x 14-1/4″ 2. CONDITION: Shows outdoor use with paint rust, structurally good. 50753-8 (500-800) – Lot 2422

2423
$0.00

OUTSTANDING FOLK ART CARVED VIOLIN WITH CUSTOM CARVED CASE BY E. P. SAUNDERS.

The standard size violin having a carved neck ending in a girl’s head with hair braided down the back. Carved keys with horn and music relief carving. The violin back having relief carving of a wreath and two cherubs holding hands. The bottom carved with two cherubs embraced surrounded by a vine of acorns and leaves. Inside paper label “made by E. P. Saunders, high grade, hand made and carved violins, repairing a specialty, Ludlow, VT. No. 46 AD 1907.” The case most likely made for this particular violin has carved top panel with relief carved decoration, inlaid tiger maple edges. Comes with a non-signed bow. SIZE: 23-1/2″ l. Case: 32″ l x 10″ at widest. CONDITION: Very good. Case has some rubbing but generally very good. 50601-5 (2,500-3,500) – Lot 2423

2424
$9,480.00

SALESMAN SAMPLE WHITE BOAT COMPANY CANOE.

Mid 20th century, Maine. This nice example with turquoise blue hull, with the name “White Boat Co.” in white paint with black edging. The interior with natural varnish surface. Accompanying this lot is a “HARTLEY’S MARINA” pennant from the Marina where the model was on display since it was manufactured. SIZE: 48″ l x 8-3/4″ widest width. PROVENANCE: This canoe hung in the showroom at the Hartley’s Marina on Sebago Lake in Raymond, Maine. CONDITION: Structurally very good. The interior with original surface as noted. The exterior of canoe quite possibly repainted at some point in time. There is one spot beneath the W where paint has been disturbed beneath which appears to be a silver undercoat. 50713-1 (8,000-10,000) – Lot 2424

2425
$1,836.75

CARVED PINE EIDER DECOY.

First third 20th century, Monhegan Island, Maine. This nice example carved from the solid with segmented head retaining original black and white painted surface with green beak. SIZE: 7-1/2″ h x 15-1/2″ l. CONDITION: Paint surface appears original with normal and expected wear, no evidence of shot on decoy, light soiling overall, structurally very good. 50809-5 (2,000-4,000) – Lot 2425

2426
$4,147.50

TEN DOUBLE MINIATURE BIRD CARVINGS BY HARRY VREELAND AND SIX SINGLE BIRD MINIATURE CARVINGS BY JAMES J AHERN AND TWO UNIDENTIFIED LAMPS.

Harry Vreeland (American, 1908-1982, Greenlawn, NY, South Yarmouth, MA) carvings include: Mallard ducks, Black ducks, Red-headed duck, Pin-tail duck, Canada Goose, Woodcocks, Snipes, Doves. James J. Ahern (American, d. 1963) carvings include: Blue-wing duck, Ruddy duck, Mallard duck, Green-winged teal duck, unidentified duck, Partridge. Two lamps each having a carving of two birds; one with ducks, other with Woodcock. SIZE: Vhreeland ducks: Largest 3″ x 3″. Ahern ducks: Largest 3X h x 3-1/3″ l. Lamps: 14″ h. CONDITION: Very good. 50858-3 (2,000-3,000) – Lot 2426

2427
$5,925.00

SMALL MODEL OF A CANVAS AND WOOD CANOE.

Early 20th century. Possibly Kennebec Canoe Company (1910-1944), more likely Carleton Canoe Company (1888-1941), Old Town, Maine. An accurately detailed model of a canvas covered wood canoe, retaining original green painted and varnished surfaces. The closed gunnels and shape of the canoe ends suggest a date circa 1910. NOTE: These model canoes were given by the Old Town area makers to sporting goods retailers as salesman’s samples and trade stimulators with the purchase of a rail boxcar full of canoes. SIZE: 47-1/2″ l x 9-3/4″ w. CONDITION: Structurally very good. Interior with original age darkened surface. Exterior paint original with extensive craquelure. Bottom of canoe with abraded paint. 50839-7 (4,000-6,000) – Lot 2427

2428
$90,060.00
Revised: 8/1/2016

PLEASE NOTE: Title should be SIXTEEN SILHOUETTE CARVED WOOD AND PAINTED SHOREBIRD DECOYS by ELMER CROWELL. These were not cataloged until late (just before catalog production) by a non-decoy specialist. When Mr. Julia returned to the office he saw them and immediately recognized them as silhouettes produced by Elmer Crowell. The entire collection came from one house and were originally cataloged to be sold as an entire lot and this is the way they will be sold. This will certainly be an interesting lot. Please see detailed photographs on our website showing both front & back of each of the silhouettes. Please note that most of them have their original carrying holes and many with their old & probably original sticks.

SIXTEEN SILHOUETTE CARVED WOOD AND PAINTED SHOREBIRD DECOYS.

All decoys but one have brown and white paint with spotted bodies. Six are 12″ long and have long, thin beaks. Six are 9-1/2″ long with short beaks. One 16-1/2″ long elongated with slightly curving beak . One is 9-1/2″ long with short beak. One is 10″ long with long beak. One is 9-1/2″ long with a different colored body. All are carved with split tails and realistic paint and tack eyes. Eleven sticks are present. Unsigned. SIZE: As noted above. PROVENANCE: Through the Family of George Newton Procto III of Marblehead, Massachusetts. CONDITION: Each have a hole drilled through shoulder with some loss through chipping, minor paint flecks. Generally very good. 50574-7 (1,000-1,500) – Lot 2428

2429
$948.00

EIGHT CARVED AND PAINTED PHEASANT AND DUCK CARVINGS BY WILLIAM KING BOWMAN OF BANGOR, MAINE.

Lot includes: 1) 25″ Ring-necked pheasant on pine backboard plaque. 2) 15″ hen pheasant on pine backboard plaque. 3) 11″ Ring-necked pheasant. 4) 9″ Mallard duck. 5) 8-1/2″ Mallard duck. 6) 6″ Mallard duck. 7) 8″ duck. 7) 7-1/2″ duck. Unsigned. Mr. Bowman has an interesting history. He was born in Monroe, Maine in 1899 and died in West Minot , Maine in 1965. He had a sign painting business. In the 1950s, he lived at the West Minot Train Station where he continued to carve and paint his creations. Unfortunately, while living in Bangor he had an illicit love affair which ended with him shooting the woman and being convicted and sentence to life in prison. The sentence was reduce for good behavior and he was granted a pardon by the Governor and his council in 1953. Included with the lot are copies of period newspaper articles regarding this colorful individual. SIZE: As noted above. CONDITION: Very good. Vibrant colors and good, detailed carvings. 50341-3 (2,000-3,000) – Lot 2429

2430
$0.00

LARGE CARVED SWAN DECOY.

First quarter 20th century, American. This life size pine decoy depicting a swan in swimming motion with arched neck. The beak and facial features painted in black and pink. Unsigned and unmarked. SIZE: 26″ h x 34-1/2″ l. CONDITION: The decoy retains early painted surface, body with old shrinkage cracks at seams now stabilized. Beaded eyes appear original. Good overall. 50567-14 (3,000-5,000) – Lot 2430

2431
$3,258.75

SALESMAN SAMPLE OF A CANOE, POSSIBLY KENNEBEC.

First half 20th century, probably Old Town, Maine. The hull in green paint, the gunwhales and all interior struts, ribs, and planked hull all in natural finish. The bows with original brass strapping. SIZE: 48″ l x 9-3/4″ overall width x approx. 7″ h. CONDITION: Structurally very good. Hull shows evidence of additional and later green over original green paint. Varnished surface original with undisturbed patina. Woven bench seat frames, original and intact. Very good overall. 50295-1 (1,500-2,500) – Lot 2431

2432
$3,851.25

GROUP OF 30 HAND-CARVED AND POLISHED ANIMALS BY ARTHUR L. RITCHOTTE.

Circa 1940, New Haven, CT. Group consists of 17 dogs including Scottie, hound, pekingese, doberman pincer and collie; 5 horses including one with an unusual cropped mane; two seals with upturned heads; male lion; flying squirrel; rabbit; cougar and rat. Note: The carver carved and donated a sculpture of “Handsome Dan” the bulldog mascot of Yale University and presented it to Bob Kiptuh at Yale. The lot is accompanied by an image of the sculpture along with an image of two dog’s busts mounted and used as bookends. SIZE: Overall ranges from 5-1/2″ h to 8-1/2″ h. PROVENANCE: Collection of carvings was purchased directly from the estate of the carver and is now being offered for sale. CONDITION: Carvings are in very fine, original condition with undisturbed patina and rich color. 50601-3 (4,000-6,000) – Lot 2432

2433
$1,422.00

WONDERFUL FIGURAL CARVED FOLK ART FIDDLE.

Late 19th century, American. The fiddle comprised of pine and ebony with original stained and painted surfaces. The head stock with whimsical carved smiling female bust with red painted tongue. The neck and body with thin black wash, and with green pinstripe banding. Ebony tuning pegs and tail pin all with small abalone inlays. SIZE: 22″ l x 7″ w. CONDITION: fine untouched condition, no restoration or imperfections noted. Very good overall. 50576-54 (1,500-3,000) – Lot 2433

2434
$0.00

MODEL T COPPER WEATHERVANE.

Second quarter to mid 20th century, American. Finely detailed example with cast bronze running lights and old verdigris surface. Now offered on museum stand. SIZE: Height including stand 12″ x 17″ l. CONDITION: Verdigris surface intact with traces of original gilt. All seams intact, very good overall. 50576-31 (2,000-3,000) – Lot 2434

2435
$0.00

19TH CENTURY EUROPEAN HALF LIFE SIZE CARVING OF A MAN WITH SWORD DRAWN.

The 19th Century carving shows a standing man with arm over his head holding a sword which he has pulled out of a sheath at his side. Appears to be carved of oak and probably stood flat against a surface high in the air. Possibly an architectural element in an interior library or foyer. Presently mounted to a slab wood base with fleur de lis decoration. SIZE: 55″ h overall x 24″ at widest. CONDITION: Cracks & chips with seam separation, some old repairs & losses. Otherwise good. 50932-1 (1,500-2,500) – Lot 2435

2436
$1,896.00

GOOD EARLY PAIR OF SHEET AND WROUGHT IRON ICE SKATES.

First half 19th century. These rare examples with sheet iron platform drilled for tacking to bottom of boots, the single blade joined to the platform with three supports, with dramatic large curled front tips adorned with a flower at the terminus. SIZE: 5-1/4″ h x 15″ l. CONDITION: Structurally very good with untouched old surface. 50584-1 (1,800-2,200) – Lot 2436

2437
$2,370.00

TWO FINELY CARVED HORSE HANDLE MANGLE BOARDS.

Circa 1794 & 1816, Scandinavia. Each carved beech mangle board intricately carved in medium relief with ornate rondels of Gothic designs. Both with handles fashioned in the shape of a stylized horse. The first with the initials “E K St S 8 1794”. The second carved with three rondels, the centermost depicting a clock dial flanked by rondels with flower heads and inscribed beneath the handle “M L D 1816”. SIZE: 1) 5-1/2″ h x 25″ l. 2) 5-1/2″ h x 22″ l. CONDITION: Each board in generally good condition. The second board with some loss at rear of horse handle, otherwise good. Each with good mellow patina. Both with old inactive insect damage. 50584-6 (2,200-2,600) – Lot 2437

2438
$0.00

FINE CARVED, GILT, AND PAINT DECORATED FIGURE OF VENETIAN BLACKAMOOR.

Mid-19th century, Italy. This well decorated and carved figure dressed in period costume with gold gilt highlights, green floral neckerchief, and floral sash, wearing floral decorated and gilt tights, standing on the bow of a gondola. Mounted on a cylindrical molded pedestal with socle raised on claw feet with acanthus returns, gilt and floral decorated. SIZE: 34″ h. CONDITION: Torch in upraised right hand missing flame, old repair to right forearm at wrist, object held in left hand is absent, the bow sprit of gondola with small seam split and slight damage, end of open gondola section with bite mark damage, top molding of pedestal with old repair, leaf element of foot with old damage, painted and gilt surfaces remain clear and vibrant with age patina and light soiling. Minor abrasions throughout, most notably to head scarf. 50588-1 (1,000-1,500) – Lot 2438

2439
$2,370.00

OUTSTANDING BRONZE EGYPTIAN “NEW KINGDOM” MIRROR.

Probably between the 16th and 11th Century BC. The bronze nude figure of a woman with arms outstretched holding a yoke which supports an oval 5-1/2″ x 6-1/2″ bronze mirror. The figure mounted to a black marble block. SIZE: Bronze: 11-3/4″; Total 13″. CONDITION: Very good. 50414-3 (2,000-4,000) – Lot 2439

2440
$296.25

CARVED OAK TRANSITIONAL ROCOCO DOUBLE DOOR BOMBE CABINET.

18th century, Dutch. The large deeply carved foliate crest with foliate tassels and scrolled and molded volutes above a pair of recessed paneled doors flanked by scrolling oblique corners fitted to the lower case with three long drawers and cast gilt bronze handles of draped covered urns and floral swags. The oblique bombe pilasters raised on pronounced claw and ball feet centering a deep scrolling apron carved with palm fronds. SIZE: 91″ h x 67″ w x 22″ d. CONDITION: Cabinet retains original surface cleaned with period brasses and with multiple old seam splits in need of stabilization, small losses to moldings and nailed repairs to central drawer front at ends and with patching to rear edges of case. 50524-16 (500-1,000) – Lot 2440

2441
$2,370.00

SET OF EIGHT REGENCY BRASS INLAID BEECH DINING CHAIRS.

First half, 19th century, England. Comprised of six side chairs and a pair of armchairs. Each with carved scrolled crest joined to a tablet back with stylized foliate brass inlay, above a pierced horizontal slat similarly inlaid. The armchairs with with scrolling continuous arms, each terminating in a volute. All centering a trapezoidal caned seat, additionally fitted with slip seat frame covered in rose pink and ivory striped damask fabric. Raised on frontal and rear saber legs. SIZE: 32-1/2″ h of back; 18″ h of seat (incl cushion); 21″ w of armchair. PROVENANCE: From a private Massachusetts collection. CONDITION: Beech frames retain original graining. Evidence of old insect damage visible on arms and ends of legs. Other incidental repairs and restorations throughout. Generally minor in nature. 50800-44 (2,000-4,000) – Lot 2441

2442
$474.00

SET OF FOUR BIEDERMEIER SIDE CHAIRS.

First half 19th century, Germany. Each chair with stylized lyre back, the arched crest rail above the overupholstered shaped seat with in-curved front seat rail raised on S-scrolled frontal legs and backswept rear legs. Constructed of beech and maple now covered in striped silk fabric. SIZE: Back 37″ h. Seat 17-1/2″ h x 19″ w. CONDITION: Chairs retain most of the original surface. 1) Chair with restoration to lyre, repair to both front legs. 2) Chair with repair to proper left front leg and to left rear foot. 3) With minor re-gluing of joints and filling of shrinkage cracks. 4) Repair to shrinkage crack proper right rear leg. 50567-19 (800-1,200) – Lot 2442

2443
$0.00

FINE AND UNUSUAL FLORAL CARVING ON PEDESTAL.

Mid 19th century, continental. Carving depicts floral arrangement, polychrome painted, in deep relief. Arrangement is mounted on a baluster turned, urn form pedestal, paint decorated in tan and brown marbleized surface with green veining. SIZE: 24″ h. CONDITION: Carving in original dry crusty surface. Missing some minor elements, such as petals and leaf tips. Additionally, possible absence of attached element as seen by gap proper left rear side. Also, possible loss of element proper right rear section. Simulated marble urn pedestal with old restoration and filling to shrinkage cracks. Now well patinated. 50584-9 (2,000-2,500) – Lot 2443

2444
$829.50

CARVED COCONUT POWDER FLASK.

First half 19th century, Napoleonic. This fine example with 3 rondels carved with scenes of blacksmiths forging a sword, cupids forging arrows, and a scene of cupid and angels loading a quiver with arrows. The base with well carved flower head, the top with powder cap opening set within a carved lions head mounted on a circular silver plated stand. SIZE: 5 1/2″ l x 3″ d. CONDITION: Structurally very fine with undisturbed rich dark patina. Stand is associated. 50743-3 (1,000-2,000) – Lot 2444

2445
$711.00

QUEEN ANNE MAHOGANY WING CHAIR.

Mid 18th century, England. The rolled over upholstered pillow crest continuing to ogival wings centering the rectangular back and continuing to rolled outswept arms on in-curved supports centering the over upholstered trapezoidal seat fitted additionally with upholstered cushion, raised on short cabriole legs with shaped returns terminating in bold spoon feet. SIZE: 52″ h (overall), 17″ h (at seat) x 33″ w (overall). CONDITION: Structurally good and tight. Fabric partially removed from frame to illustrate construction. Legs have been resurfaced, now a dark opaque brown. Several returns are later replacements, legs are original. Bottoms of feet have been plugged covering original seating site for casters. 50641-20 (1,200-1,800) – Lot 2445

2446
$1,422.00

INLAID WALNUT WILLIAM AND MARY DOCUMENT BOX.

Hinged lid box with original hardware and open interior, inlaid scroll decoration with three petal flowers with diamond accents, decorated on 4 sides and top, dovetailed box having molded edge base with small turned feet which is a replacement. SIZE: 6″ h x 15-1/2″ w x 11″ d. PROVENANCE: Estate of Siro R. Toffolon, of Old Lyme, CT. CONDITION: Base a replacement, some cracks in lid, some old repair, good. 50335-1 (800-1,200) – Lot 2446

2447
$1,185.00

MINIATURE PORTRAIT OF COL WILLIAM DEUX-PONTS ATTRIBUTED TO JOSEPH DUNKERLY.

The miniature shows a young officer with white hair, wearing a blue gold-trimmed coat and white cross-type medal (Order of St. Louis). He commanded a French regiment in the American Revolutionary War in 1780. Housed in an untested gold locket frame with pin back. Sitter information and attribution supplied by a family historian which we are basing this catalog entry on. SIZE: Overall: 3-1/4″ x 1-1/2″. CONDITION: Very good. 50641-3 (800-1,000) – Lot 2447

2448
$0.00

LARGE CARVED & PAINTED ANTIQUE TRUMEAU MIRROR.

The top section of rectangular form having an inset carved panel surrounded by a carved frame molding. The scene shows a walled castle & vineyard in the distance with a farm scene on the outskirts. Three farmers are seen doing various chores. Areas of carving include wheelbarrow with potted flower, large picking ladder, well with bucket, cultivated field and other implements of farming. All in polychrome decoration. Below this panel is a rectangular mirror plate with outside frame. Mirror has pegs between the two section for easier transportation. SIZE: 69″ h x 61-1/2″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: Mirror is good, carving has some scrapes & loss to decoration however quite presentable. 50800-58 (2,500-4,500) – Lot 2448

2449
$17,775.00

FRENCH EMPIRE ORMOLU PATINATED BRONZE MANTEL CLOCK.

First quarter, 19th century, Paris, France. This unusual mantel clock in Neo-Classical taste with elements of Egyptian Revival styling. Features a seated female archer in feathered headdress and feathered skirt, wearing gold beaded necklace, armbands and wristbands. Quiver of arrows on back and bow in her left hand. Seated on clock dial, a stylized crocodile/sea serpent between her legs. Archer and serpent each with yellow glass eyes. Porcelain dial with Arabic and Roman numeral chapter rings centering time and strike apertures, cast minute and hour arms set within indigo ten-pointed star. Above maker/retailer name and script “Luzurier a Paris”. All above a concave, step molded rectangular plinth cast with floral garland, ribbon tied with serpents. Raised on cast and turned suppressed legs with pointed feet. Brass eight day spring driven movement striking on bell with unmarked back plate. Clock accompanied by two winding keys. Pendulum absent. SIZE: 18-1/4″ h. 15″ l overall. 6-1/4″ d. PROVENANCE: By descent through family of current consignor from Elizabeth Arden. From private Florida estate collection. CONDITION: Black patination to skin of archer with abrasions, most notably to lower proper left leg. Minor losses include tip to serpent’s tongue, loss to fronds of palm tree at rear of figure, losses to enamel on dial at apertures. Possible loss to object in archer’s right hand. Pendulum absent as noted. Otherwise good. 50833-1 (2,000-3,000) – Lot 2449

2450
$592.50

FINE DIMINUTIVE SHEET IRON “1898” BANNER WEATHERVANE.

Circa 1898, American. The bannerette with central dated iron sheet joined to C-scroll elements within a simple framework with turned iron finials swiveling on iron rod within ringed spacers terminating in a suppressed ball finial mounted on a tapering square roof finial with iron band in old white paint, early if not original to bannerette. Now mounted on a simulated wood peaked rooftop stand. SIZE: 42″ h including stand x 28-1/2″ l. CONDITION: Banner with old oxidized surface with no restoration or repairs. Very good overall. 50552-3 (800-1,200) – Lot 2450

2451
$3,555.00

FINE & RARE ROSE BRASS IRON.

Circa 1782. Central Europe. Brass iron of typical wedge form with sliding rear gate surmounted by a crown. Top of the iron with incised decoration of crown and cartouche, decorated overall with scrolling flower heads and carved with initials “C.E.G.” above “AO 1782”. The turned oak handle mounted on brass posts. SIZE: 5-1/2″ h x 6-1/2″ l. CONDITION: Very good overall. Brass polished surfaces with age appropriate wear and abrasion. Gate is operable, stone is absent. Oak handle with mellow patina and undisturbed surface with old losses at each end. Very good overall. 50584-5 (3,000-3,500) – Lot 2451

2452
$237.00

LOT OF 11 BLUE AND WHITE DELFT PIECES INCLUDING: TEN PLATES AND COVERED PITCHER.

18th century. 1) 8″ covered pitcher with blue flower decoration, small dome top cover. 2-7) Set of six 9″ plates, with same decoration, landscape with tree and top of building. 8-11) Four 9″ plates with different scenes. SIZE: As noted above. PROVENANCE: Estate of Siro R. Toffolon, of Old Lyme, CT. CONDITION: 1) Cover and pitcher have repairs and restorations which are visible. 2-7) Minor rim glaze chips, craquelure to glaze surface, 1 has rim repair, otherwise good. 8-11) 1 with chipping to rim, others only minor chipping. 50335-2 (800-1,200) – Lot 2452

2453
$948.00

ANTIQUE TWO-TIER DUTCH BRASS CHANDELIER.

19th Century or earlier. Having a central ball with turned shaft ending in hanging ring. Two tiers of six S-scroll arms holding candle cups with drip pans. The chandelier breaks down into small parts for easy transportation. SIZE: 25″ h x 24″ at widest. CONDITION: Some candle cup & drip pans off level, otherwise very good. Appears to never have been electrified. 50440-12 (1,000-2,000) – Lot 2453

2454
$296.25

PAIR OF PAINTED AND WELL MODELED PORCELAIN DOVES BY CHELSEA.

Pair with opposing positions have blue and white feathers with a magenta breast. They stand amongst tall green grass with feet outside the grass. Gold decorated “C” scrolls are on the border, marked on base with a “red anchor”. Probably 19th century. SIZE: 8-1/2″ h x 8″ l. CONDITION: 1) Missing tips of grass, one tip of a claw, otherwise good. 2) Tips of grass missing, otherwise good. 50567-66 (400-600) – Lot 2454

2455
$711.00

THREE ANTIQUE PAIR OF STAFFORDSHIRE FIGURES.

1) Opposing pair of hounds & hare. Brightly colored hounds having dead hares in their mouths, colorful tree trunk & ground support the dogs. 2) Pair of opposing Zebra spill vases. The black & white zebras with front right legs up on shrubbery. A tree trunk with branch is the vase. 3) Pair of whippet pen stands. Opposing figures show the cross legged recumbent hounds on blue bases having a hole for ink or pen. SIZE: 1) 11″ h x 11-1/2″ l. 2) 10″ h x 9″ l. 3) 5″ h x 6-1/2″ l. CONDITION: Very good with some old restorations. 50297-7 (800-1,200) – Lot 2455

2456
$0.00

FINE FOLK ART CARVED EAGLE BY JOSEPH BERNIER.

1930-1940, Biddeford, Maine. Joseph Romuald Bernier (1873-1952). This unsigned carving depicting a spread-winged eagle perched on a tree branch mounted on a round molded and chip carved socle. Surface paint decorated overall, head, wing and feather tips similarly painted in white. Note: For an in-depth discussion with examples of Joseph Bernier carvings, see “New Light” an article by Leslie Rounds and Jessica Skwire Routher pp. 70-72 in magazine Antiques 2012 reference website www.themagazineantiques.com. Note: Joseph Romuald Bernier, also known as ‘Bernier the Lumberman,’ immigrated to Biddeford in the 1890s, and turned to wood carving in the 1930s as a new profession after he lost the use of his legs in the 1920s in a lumbering accident. SIZE: 14-1/2″h. 33-3/4″ w. 22-1/4″ d. CONDITION: Carving with original untouched surface with now darkened and crackled varnish, beneath which remains original paint. Old stress cracks to wings at juncture to body, and legs at juncture to body and talons. Minor abrasions on perimeter of socle. Otherwise good to very good. 50567-11 (6,000-8,000) – Lot 2456

2457
$355.50

CARVING OF A PERCHED EAGLE WITH GLASS EYES.

Late 20th century. Signed on the base in script “Devyon Harrison”. Attributed to Devyon Harrison, Petaluma, California. Eagle is carved in deep relief perched on a plynth with deep set yellow-green glass eyes and a pronounced curved beak. SIZE: 20″ h x 7-1/4″ w x 8-1/2″ d. CONDITION: Carving retains undisturbed original surface with some very minor surface abrasions. Structurally very good. 50601-8 (1,200-1,800) – Lot 2457

2458
$474.00

SCULPTURE OF EAGLE & DOVE BY MARK HOLLAND.

Carving depicts a large bald eagle preying on a white dove with talons piercing the doves back. Both birds with glass eyes. Marked on underside “By Mark Holland Slough Road, Brewster, MA” and dated “74”. SIZE: 19-1/4″ h. CONDITION: Few small splits in the wood, otherwise very good. 50308-1 (800-1,200) – Lot 2458

2459
$0.00

“BALD EAGLE PERCHING #1” BY ERIK VANDE BOGART.

Circa 1988, Bucksport, Maine. A fine carving of a bald eagle perched on a log mounted to a square plinth. Branded beneath the plinth with the initials of the artist over the title “Bald Eagle Perching #1.” the name and address of the artist and date of carving in pencil script. Realistically rendered with glass eyes and finely delineated plumage. SIZE: 11″ h x 9-1/4″ w x 13-1/2″ d. CONDITION: Very fine with untouched surface. 50436-1 (2,000-3,000) – Lot 2459

2460
$0.00

BAVARIAN WALNUT CARVING OF STANDING HORSE BY WILLI HUGGLER.

Second quarter 20th century, Switzerland-Bavaria. Statue of a standing horse, classically posed with cropped tail standing on a doppled plinth. Signed by the artist “Willi Huggler” and additionally branded “HS. HUGGLER-SEILLER / BRIENZ”. SIZE: 16″ h x 18″ l x 5″ d. CONDITION: Original surface with dark color and patina, now somewhat dry. Tight crescent shrinkage crack along the back and intersecting at the rump with additional tight old shrinkage crack forming a “T”. Structure is otherwise very good. 50601-7 (1,200-1,800) – Lot 2460

2461
$0.00

ANILSON (American School, 19th/20th Century) THE SLEIGH RIDE.

Oil on wood panel scene shows a colorful one-horse sleigh traveling across a frozen pond being chased by two dogs and looked on by a boy holding a sled. A real primitive colorful scene. Housed in a carved gold wood frame. Signed lower right “Anilson”. SIZE: 14″ x 18″. Overall: 16-1/2″ x 20-1/2″. CONDITION: Small tight split on left side to panel, otherwise good 50641-16 (700-800) – Lot 2461

2462
$237.00

PAINT DECORATED AND GRAINED PINE DOMED TOP BOX.

Mid 19th century, New England. The hinged domed lid delicately painted with a red and yellow sprig in each corner of a yellow border with inset corners centering a shaped cartouche formed by a delicate floral garland within which in script is the monogram H.M.L., all on a simulated mahogany grained ground. The front similarly grained and bordered with the addition of a row of red, yellow and green drapery above an original iron lock and hasp, the case sides fitted with the remnants of bails. SIZE: 10″ h x 24″ l x 12″ d. CONDITION: Surface remain original, now worn and abraded with wear to edges of trunk. Lock mechanism and hinges remain intact, carrying bails partially present. Otherwise structurally good. 50802-11 (600-900) – Lot 2462

2463
$474.00

REDWARE SHALLOW LOAF DISH.

Mid 19th century, New England. Rectangular dish with sloping sides, with two lines of squiggle decoration. SIZE: 2″ h x 9″ w x 12″ l. CONDITION: Glaze with abrasion and wear, decoration intact. No damage noted. Good overall. 50558-21 (800-1,000) – Lot 2463

2464
$474.00

LARGE MANGANESE GLAZED REDWARE PITCHER.

Third quarter 19th century. Mid Atlantic region. This over-sized bulbous example with a pinched spout and everted rim applied with a C-scroll handle. SIZE: 16″ h. CONDITION: With high glaze overall. The rim with a fine chip resulting in a hairline crack. Otherwise good. 16397-131 (150-250) – Lot 2464

2465
$237.00

TWO HOOKED RUGS BY BARBARA E. MERRY.

1) Small mat depicting a house with rainbow showing a woman washing clothes in an outside wash tub with a white duck below the hanging clothes. Signed in the rug “BEM” lower right and having on verso an attached card “Barbara E. Merry, Newport, Maine”. 2) Rectangular hooked rug with an interesting addition with strips of wool comprising the colorful 4″ border, the rainbow over the house and the walkway. The rug depicts a typical New England connected farmhouse with the rainbow over in a colorful sky. On the right is written “BE Merry”. SIZE: 1) 22″ x 25″. 2) 27″ x 53″. CONDITION: 1) Generally very good. 2) There is white stitching that fastens the border strips which is evident from the front, otherwise a little mis-shapen, very good. 50258-1 (700-900) – Lot 2465

2466
$2,073.75

THREE PIECE AMERICAN COIN SILVER TEA SET BY JONES, LOWS & BALL, ALONG WITH TIFFANY STERLING TONGS, STERLING SUGAR AND CREAM, SILVER PLATED PITCHER AND PAIR OF CANDLESTICKS.

Lot including: 1) Three piece coin silver tea set marked on bottom “Pure Silver Coin Boston Jones, Lows & Ball” (Boston, c. 1839). Set consists of 9-1/2″ high footed teapot, 8-1/2″ high footed covered sugar, 6-1/2″ high footed creamer. Each piece having double monogram, flower and leaf decorated rim and melon-type ribbing to the tapered bodies. 2) 7-1/2″ long tongs (probably asparagus) by Tiffany & Co in the “Broom Corn” pattern. Tongs have Tiffany mark with “T” (1891-1902), monogrammed. 3) 4″ creamer with matching 2″ sugar bowl, marked “Made in England Sterling” also hallmarked “Birmingham”. 4) 10″ pair silverplated candlesticks marked “Plated by Gorham Mfg. Co. 20702”. 5) 8-1/2″ high silverplated English fancy pitcher. SIZE: Sizes as noted above. COIN SILVER WEIGHT: 66 tr. oz. STERLING SILVER WEIGHT: 12 tr. oz. TOTAL WEIGHT: 78 tr. oz. CONDITION: 1) Body dents, otherwise good. 2) Very good. 3) Very good. 4) Tarnished, very good. 5) Very good. 50276-6 (500-700) – Lot 2466

2467
$948.00

INTERESTING COIN SILVER SHALLOW BASIN.

Unmarked, shallow basin with wide rim having a slightly heightened edge. The back having a stylized family crest and what appears to be a backwards “N”. No touch mark can be found and appears to be 18th Century. WEIGHT: 27 tr. oz. SIZE: 1-3/4″ h x 13″ dia. CONDITION: There are a number of dings & little dents, otherwise good. 50463-4 (800-1,200) – Lot 2467

2468
$1,185.00

COIN SILVER COFFEE POT AND BOWL TOGETHER WITH TWO SERVING SPOONS.

1) Large footed 9-1/2″ h coffee pot with dome cover by Geradus Boyce of New York. Weight: 37.8 tr. oz. 2) Flared 7″ dia. bowl with beaded top rim standing on four claw feet, indistinguishably marked on underside. Weight: 13.3 tr. oz. 3) Large 13″ l Irish straining spoon by John Power dated 1797. Weight: 4.3 tr. oz. 4) 11-1/4″ l Irish serving spoon by John West dated 1805. Weight: 3.1 tr. oz. SIZE: See description. Total silver weight: 58 tr. oz. CONDITION: All monogrammed. 1) Very good. 2) Small dings to bowl interior. 3 & 4) Very good. 50463-3 (800-1,200) – Lot 2468

2469
$3,851.25

FOLK ART PATRIOTIC EAGLE HOOKED RUG.

State of Maine, early 20th century. This exceptional example wrought with a displayed eagle in the manner of the great seal of the United States. Set within a field of red and white stripes within a main border of five-pointed stars on a variegated blue ground. SIZE: 37″ x 76-1/2″. PROVENANCE: From a private Brooklyn Maine home. CONDITION: Very good, somewhat faded throughout but retaining good pile. 50641-7 (500-700) – Lot 2469

2470
$0.00

MAP: “CARTE DU CANADA OU DE LA NOUVELLE FRANCE”.

Guillaume De’Lisle (1675-1726), map of Canada, the Great Lakes & Upper Mississippi. Ink on laid paper with later period color copper plate engraving. Paris, Early 18th C. Carte du Canada ou de la Nouvelle France is once of the earliest, most accurate maps of New France, the first map to include Detroit and the most complete, accurate portrayal of the Great Lakes. Housed in a decorative black frame with gesso decorated gold liner behind glass. SIZE: Sight: 22-1/2″ x 32″. Overall: 28″ x 37-1/2″. CONDITION: Several repaired tears, mostly at folds. Generally very good. 50807-16 (800-1,200) – Lot 2470

2471
$9,480.00

EARLY FRAMED MAPS OF CHINA AND ICELAND.

1) ORTELIUS, Abraham (1527-98), “CHINAE” olim Sinarum regionis, nova descriptio. Auctore Ludovico Georgio. [Antwerp:] 1584. Engraved map of China, elaborate baroque title and scale cartouches, galleons and masted land-vehicles, Latin text on verso (browned at head of centerfold with slight loss, reinforced on verso, one spot, lightly browned. 2) Map titled “ISLANDIA” showing Iceland with all the sea creatures depicted in the ocean. Upper left “Priuilegio Imp. et Belgico decennali A. Ortel excud. 1585” Bottom right cartouche “Illvstriss… Dedicabat. Both housed in similar burl frames with black corner blocks, gilt liners, watercolor highlight mats, behind glass. Vivid coloring. SIZE: 1) Visible map: 15″ x 19″. Overall: 24″ x 28″. 2) Visible map: 13-3/4″ x 19-3/4″. Overall: 22-1/2″ x 28-1/2”. CONDITION: Center fold on each with some brown stains/foxing evident. 50800-46, 50800-47., (500-1,000) – Lot 2471

2472
$0.00

MAP: “CARTE DU CANADA OU DE LA NOUVELLE FRANCE”.

Covens & Mortier’s version of the De L’Isle map, published in Amsterdam, originally 1730. This 18th C map having watercolor highlighted boundary markers. Housed in a fine black frame with gesso decorated gold liner. SIZE: Sight: 21-1/2″ x 26″. Image: 19-1/4″ x 22-3/4″. Overall: 26-3/4″ x 31-1/2″. CONDITION: Appears to be laid down, two professional repaired tears on upper area, not examined out of frame. 50807-17 (1,000-1,500) – Lot 2472

2473
$533.25

FRAMED BOWLES’S NEW POCKET MAP OF NORTH AMERICA, 1784.

Printed by Carington Bowles, London, published April 12, 1784. The title upper left: “Bowles New Pocket Map of North America”, divided into its provinces, colonies, states, & c. by J. Palairet, Geographer; lately revised and improved with many editions, from D’Anville, Mitchel & Bellin. L. Delarochette. Some of the borders are highlighted in color, a nice clean map, well framed. Housed in a molded wood gold-edge frame with watercolor highlighted map. SIZE: Site: 19-1/4″ x 23″. Overall: 28-1/2″ x 32-1/2″. CONDITION: Center fold, some light foxing, very good. 50800-48 (200-400) – Lot 2473

2474
$1,718.25

SALESMAN SAMPLE OF AN OAK WORKBENCH.

Second half 29th century, American. This good benchmade example rendered with two adjustable vices. The rectangular dovetailed bench additionally fitted with trough and tool holders raised on a trestle base comprised of rectangular posts. SIZE: 7-1/4″ h x 23″ l closed x 13″ w. CONDITION: Very good with untouched surface and rich patina. No damages or restoration noted. 50567-15 (800-1,200) – Lot 2474

2475
$177.75

SALESMAN SAMPLE/MINIATURE CHARTER OAK NO. 503 STOVE.

Elaborate cast iron 4-burner stove with unusual 2-door entry. Ornate cast door with oak leaf design on either side. Marked “Charter Oak 1880″ across front and back. SIZE: 25″ l x 15″ h x 12″ d. CONDITION: Top shows pitting, possibly repainted. Side shelf is constructed of brass. 16396-53 (500-800) – Lot 2475

2476
$414.75

APPRENTICE PIECE: EARLY AMERICAN MAHOGANY TALL CHEST.

First half 19th century. Nicely made scale model chest with rectangular molded top above the conforming case. Fitted with two aligned short drawers over three long drawers on a molded base, case sides continuing to supports with arched apron. The whole in original dark brown wash. Fitted with mushroom knobs. SIZE: 9-3/4″ h x 9-1/4″ w x 4-1/4″ d. CONDITION: Chest with original untouched surfaces, dark patina and with craquelure. Original pine backboard. Very good overall. 50641-4 (300-350) – Lot 2476

2477
$474.00

MINIATURE HEPPLEWHITE MAHOGANY BOWFRONT CHEST OF DRAWERS.

First half 19th century, England. A good apprentice piece of a late Georgian chest. The rectangular top with applied molded edge above the conforming case fitted with a pair of aligned short drawers over three graduated long drawers all with cock beaded edges and turned wooden knobs above the shaped apron raised on French feet. Apprentice pieces served as a test to show the level of accomplishment of an apprentice preparing to enter a trade. SIZE: 15-3/4″ h x 16″ l x 12″ w CONDITION: The chest in original condition with early splice repairs to top at proper right front and left rear corners. Otherwise surfaces original with good color and patina, two drawer knobs with loss to edges. Backboard is original, feel and glue blocks are original, good overall. 50641-8 (600-800) – Lot 2477

2478
$1,185.00

SHERATON INLAID CHERRY CHEST OF DRAWERS.

Second quarter, 19th century, probably New York. This whimsical example inlaid overall with maple arrow, pen, and diamond devices and with a stylized eagle in the center of the upper drawer. The chest is fitted with deep long drawer over two pair of aligned short drawers, above an additional long drawer, all with in-sized edges. The upper freeze chipped carved, the pilasters with molded panels. The case sized with recess panels, and the whole raised on ring-turned reeded cylindrical legs. Secondary wood is popular. SIZE: 47″ h x 45″ w x 20″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: Chest retains original surface with mellow patina and good contrasting intact inlays. Legs and backboards original. Very good overall. 50800-81 (2,000-4,000) – Lot 2478

2479
$2,370.00

FINE FEDERAL INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS.

First quarter 19th century, Massachusetts. The rectangular top with bowfront and contrasting string inlaid edge above the conforming case fitted with four graduated long drawers with cockbeaded edges, rosewood crossbanding and pronounced tiger maple veneer panels and with inlaid shield escutcheons above a shaped curved apron with oval tiger maple patera raised on flared French feet with scalloped returns. Chest now fitted with replaced oval brasses. SIZE: 38″ h x 42″ w x 24″ d. CONDITION: Chest has been professionally re-polished with rich contrasting color, very good overall. 50621-5 (2,500-3,500) – Lot 2479

2480
$0.00

SHERATON CARVED MAHOGANY CARD TABLE.

Second quarter 19th century, Massachusetts North Shore or Salem. The hinged elliptic top with ovolo corners above the conforming frieze with figural mahogany veneers with lunette banding raised on swelled ring and urn-formed turned reeded legs with ringed cuffs tapered feet. SIZE: 28″ h x 34-1/2″ w x 16″ d. CONDITION: Table has been professionally cleaned and re-polished with restorations to veneer along apron, reconstruction of gate on swinging rear leg, resetting of top. Proper left front leg has been reset with addition of added screws. 50564-7 (700-900) – Lot 2480

2481
$0.00

LOT OF FIVE FRAMED, ANTIQUE MINIATURE PORTRAITS.

Lot includes: 1) Half portrait of a gentlemen, unsigned, in a lemon-gold frame. 2) Half portrait of an older man with a sideways view, housed in gilt molded wood frame. 3) Oval half portrait of a gentleman in dark coat housed in a black frame with oval window. 4) Half portrait of a man in black coat with sideburns, housed in a brass oval frame. 5) Half portrait of a girl wearing a blue dress, gold medal and red sash, signed “C.Branz”, housed in a brass oval frame. SIZE: 1) Overall: 5″ x 4-1/4″, Site size: 3-1/4″ x 3″. 2)Overall: 5-1/2″ x 5″, Site size: 3-1/2″ x 3″. 3) Overall: 5″ x 3-1/4″, Site size” 3″ x 2-1/4″. 4) Overall: 3-1/2″ x 2-3/4″, Site size: 3″ x 2-1/2″. 5) Overall: 3-1/2″ by 3-2/3″, Site size 2-3/4″ x 2″. Special Note: This item contains plant or animal properties that may be covered by the Endangered Species Act (ESA). We have taken care to ensure that this item meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA. It is the bidder’s responsibility to ensure that it is lawful to purchase or transport this item into their state, and to obtain the necessary import and export approvals. Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item and consummating the purchase. CONDITION: 5) Has missing paint from left third, others are good, some age toning. 50558-14 IVORY (1,200-1,800) – Lot 2481

2482
$1,481.25

HOWARD NUMBER 4 BANJO TIMEPIECE.

Third quarter 19th century, MA. E. Howard & Co., Boston, MA. Cherry case of typical form with simulated rosewood graining. Enameled dial with roman numeral chapter ring and time only aperture inscribed “E. Howard & Co. / Boston”. Throat and box base eglomise panels, gilt decorated and with Holland maroon and black paint. Brass movement original and impressed “E. HOWARD & CO. BOSTON”. Original pendulum with damascene brass clad bob, original weight impressed with the numeral 4. NOTE: Interior of throat frame with pencil inscription that reads “Cleaned and repaired by Jas. H. Haskell apprentice E. Howard Clock Co. Roxbury, Mass, July 1898.” Inside the clock is a typed paper concerning the family history, in 1964 at the age of 93 Myra Cornforth willed the clock to the father of the current owner. The clock had belonged to her father Sherman Cornforth. SIZE: Overall 32″ l. CONDITION: Roman numeral chapter ring and painted name appear to be heightened, brass movement appears clean and operational, eglomise glasses appear original, we believe that the background black has been re-touched and re-painted. Otherwise very good overall. 50740-1 (1,200-1,800) – Lot 2482

2483
$0.00
Revised: 8/18/2016

Please Note: The two frames are curly maple, not mahogany.

PAIR OF AMERICAN PORTRAITS ATTRIBUTED TO ERASTUS SALISBURY FIELD (1805-1900).

Two oils on canvas depicting a man and a woman in three quarter length view. The young gentleman sports a cropped beard and is seated in a chair wearing a black suit with bowtie and ruffled shirt, the woman has pincurls framing her face and is seated wearing a maroon velvet dress with a lace collar and gold tone brooch. Each canvas is trome l’oeil painted with a giltwood frame motif and housed in a simple mahogany frame. SIZE: 40″ x 33-3/4″. Overall: 45-1/2″ x 40″. CONDITION: Both have restoration and significant craquelure. 50589-6 (3,000-5,000) – Lot 2483

2484
$592.50

SHERATON INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS IN THE MANNER OF JOHN & THOMAS SEYMOUR.

Second quarter 19th century, Massachusetts. The rectangular case with ovolo corners capped by reeded rondels and fitted with a mahogany splash guard with scrolled ears fitted with two short drawers over three long drawers all with cock-beaded edges each with rosewood cross banding centering birdseye maple panels flanked by engaged 3/4 reeded and ring turned styles. The case sides paneled. The chest retains a complete set of molded period brasses with floral decoration. SIZE: 39-1/2″ h overall x 35-1/2″ h top x 42″ w x 20-3/4″ d. CONDITION: Loss of one ear of splash guard and to multiple rosewood facia veneers on top edge and to dividers between drawers. Proper left rear leg in need of restoration and in need of returning. Chest retains original surface, in need of re-polishing. 50276-1 (800-1,200) – Lot 2484

2485
$5,925.00

ATTRIBUTED TO SHELDON PECK (American, 1797-1868) PORTRAITS OF MR & MRS BUSH.

Outstanding oil on canvas half portraits of Mr. & Mrs. Bush seated in the same Empire red upholstered mahogany sofa. Both wear black and she wears a lace bonnet and collar, holding a bible in her lap. He wears a black suit and has wavy black hair. Both having a greenish background. Wonderfully housed in wonderful flame mahogany ogee type frames which accent the sofa’s rich graining. SIZE: 36-1/2″ x 28-1/2″. Overall: 43-1/2″ x 35-1/2″. CONDITION: Strip line edge reinforcement, craquelure and some professional restoration. 49437-1 (6,000-9,000) – Lot 2485

2486
$651.75

SHERATON INLAID MAHOGANY CARD TABLE.

Early 19th century, New England. The rectangular hinged top with serpentine front and ovolo corners with contrasting string inlay on the edges above the conforming frieze with oval figured maple panel flanked by similar rectangular panels all within striped inlaid borders raised on tapering cylindrical ring turned reeded legs with turned cuffs and shaped feet. SIZE: 30-1/2″ h x 36″ w x 18″ d. CONDITION: Structurally very good, no warping to top with mellow patina. 50404-1 (700-900) – Lot 2486

2487
$296.25

UNUSUAL INLAID CHERRY OCTAGONAL QUEEN ANNE CANDLESTAND.

Second half 18th century, possibly Connecticut or New York. Top with stylized central flower head within draped and geometric line borders joined to the ring and vase turned pedestal, raised on tripod and carbiole base, each with diamond inlays, leg with narrow platform pad feet. SIZE: 27-1/2″ h. Top 19-1/4″ x 19-1/2″. CONDITION: Table has been stripped of original surface and now a light brown color. Small areas of top with some sanding to remove imperfections. Normal and expected wear to platforms of feet, no other restoration noted. Otherwise good. 50564-3 (500-700) – Lot 2487

2488
$711.00

PAIR OF HOLLOW CUT SILHOUETTES TOGETHER WITH LARGE SILHOUETTE OF JOHN COLLETTE AND DOG.

Second quarter 19th century, New England. Pair of hollow cut heads of couple in eglomise and gold gilt frame, attached to back of frame in script is family name “Rigge”. Large silhouette of John Collette with watercolor highlights depicting a gentleman before his dog, glove in hand. Finely done in good detail, framed with eglomise panel in gold frame. SIZE: 1) 4″ x 6-1/2″ sight. 2) 10-1/2″ x 12-1/2″ sight. CONDITION: Each show slight fading and toning, otherwise good. 50558-16 (400-600) – Lot 2488

2489
$237.00

AMERICAN SCHOOL FOLK ART PORTRAIT OF A YOUNG BOY WITH DOG.

A full length oil on canvas portrait of a young boy seated in a landscape wearing a white dress with red sash, slippers and a colorful beaded necklace. He points his finger at his dog, seated to his right. Housed in a giltwood frame. SIZE: 28-1/4″ x 21″. Overall: 32″ x 25″ CONDITION: Craqulure throughout, surface dirt and laid down on Masonite. 50564-16 (800-1,200) – Lot 2489

2490
$414.75

GEORGE III STYLE BENCH MADE MAHOGANY CHEST OF DRAWERS.

Early 19th century, England. The rectangular top with applied molding above the case fitted with a pair of aligned drawers over three graduated long drawers all with cock beaded edges on a molded plinth raised on shaped bracket feet. SIZE: 40-1/2″ h x 43″ w x 20″ d. CONDITION: Chest professionally re-polished. Bracket feet original with replaced glue blocks. Good overall. 50494-32 (500-800) – Lot 2490

2491
$474.00

MAHOGANY WHALESIDE SHELF.

Late 19th century, New England. Four fixed shelves of varying widths the bottom most dovetailed and all joined to shaped “Whaleside” side panels. SIZE: 32-1/2″ h x 26-1/2″ w. CONDITION: Structurally very good. Surface is cleaned, with later application of varnish, good color and patina. 50839-18 (400-800) – Lot 2491

2492
$237.00

QUEEN ANNE CHINOISERIE TEA TABLE.

Second half 18th century. The circular dish-top with molded edge decorated with a pastoral scene depicting a scholar with students at the entrance to a garden pavilion. Top hinged to a fluted standard with spiral twist urn-turned base raised on tripod cabriole leg acanthus-carved base terminating in foliate carved flattened pad feet. SIZE: 27-3/4″ h x 29-1/2″ dia by 29-1/4″. CONDITION: Top with significant warp. Old structural repair to block in area of latch. Iron butterfly brace beneath standard appears original. Legs and feet intact. One foot shows evidence of an applied pad 1/4″ in thickness. 50270-29 (200-300) – Lot 2492

2493
$474.00

EIGHTEEN DRAWER COUNTER TOP APOTHECARY CHEST IN BLUE/GREEN PAINT.

20th century. The rectangular top with molded edge projecting above the case fitted with three rows of six drawers each with turned knob on a molded plinth raised on shaped bracket feet painted overall in teal blue paint over blue/gray paint, the molded edges with cream paint. SIZE: 14″ h x 25″ w x 12-1/2″ d. CONDITION: Structurally very good with no restoration or repairs. The panel back with tight horizontal shrinkage crack. 50499-11 (1,500-2,500) – Lot 2493

2494
$1,422.00

FOLK ART PAINTING OF BOY WITH CANARY AND SQUIRREL.

Early 19th century, New England. Oil on pine painting of young boy depicted with canary perched on index finger, squirrel on stand beyond. Background with red drapery and yellow frame. Painting on square nailed plank with breadboard end, affixed with brass hanging ring. SIZE: 12″h. 11″ w. CONDITION: Several minor paint chip losses primarily at breadboard joints and along edges. Very good untouched condition. 50576-5 (1,500-3,000) – Lot 2494

2495
$592.50

NEW ENGLAND MAPLE AND BIRCH QUEEN ANNE LOWBOY.

Last quarter 18th century, probably New Hampshire. The rectangular molded top joined to the conforming case fitted with a single thumb molded long drawer above a similar short drawer flanked by deep drawers all with thumb molded edges above a shaped apron raised on cabriole legs terminating in round pad feet. SIZE: 32″ h x 37-1/2″ w x 20-3/4″ d. CONDITION: With clean and refinished surface, later replaced hardware out of period, returns absent. 50494-39 (1,000-1,500) – Lot 2495

2496
$1,481.25

UNUSUAL SHEET COPPER MERMAID WITH HORN WEATHERVANE.

First half 20th century, New England. The graphic figure with pronounced wind-swept hair and serpent like forked tail mounted on copper pole, reverse with reinforcing and stabilizing round rods. Surface in old if not original black paint. Now offered with custom walnut stand. SIZE: Height including stand 36-1/2″ x 32″ l. CONDITION: Paint with normal and expected abrasion and wear, lower fin on tail bent and with tip loss. Supporting rod with seam split and crease at base of weathervane. Horn has been re-mounted out of alignment at hand, possibly occurred in the making. 50558-28 (800-1,000) – Lot 2496

2497
$3,851.25

NATIVE AMERICAN WITH BOW SHEET COPPER WEATHERVANE.

Early 20th century, American. Heavy gauge sheet copper example depicted with headdress, drawing a bow astride an arrow with folded fletch and cast cardinal. With worn gilt and verdigris surface and yellow sizing. SIZE: Height including stand 20-1/2″ x 20-3/4″ l. CONDITION: Very good untouched condition. 50576-35 (1,500-2,500) – Lot 2497

2498
$1,659.00

FINE CARVED AND PAINTED PATRIOTIC EAGLE WALL PLAQUE.

Mid 19th century, American. This nice pine eagle carved from the solid; the eagle clutching crossed arrows in one talon and a red and blue shield with the other. SIZE: 9-1/2″ h x 25-1/2″ l. CONDITION: Plaque retains original paint and gilt surface, with fine dark patina. The plaque is in very good untouched original condition. 50576-50 (1,500-2,500) – Lot 2498

2499
$0.00

CAST-IRON DISPLAYED EAGLE MOUNTED ON A GRATE.

Late 19th, early 20th century, American. The spread wing eagle, perched on rockwork, further mounted on an iron grate, originally painted in blue over red. Note: This eagle was once mounted on the Dube Country Store, as told by the consignor. SIZE: 11-1/2″ x 31″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: Structurally very good. Paint history is visible. 50800-76 (1,000-2,000) – Lot 2499

2500
$948.00

SCHOOL GIRL WATERCOLOR MAP OF THE WORLD, 1829 BY DANIEL LATOURRILLE.

The split globe watercolor having the Western Hemisphere and Eastern Hemisphere joining at the middle and having major land masses and cities depicted. Each corner having a multi-colored sphere. Title at the middle top “A Map of the World With the Most Recent Discoveries, 1829” and at the bottom middle “Delineated by Daniel Latourrille, 1829.” Housed in a painted white wood frame with glass. SIZE: Site: 16-1/2″ x 30″. Overall: 20-1/4″ x 34″. CONDITION: There is a fair amount of loss on the margins where there is deep black ink use, some losses in the corners and in the Western Hemisphere map, more then in the Eastern Hemisphere. 50898-7 (800-1,200) – Lot 2500

2501
$0.00

GROUP OF THREE CARVED WALKING STICKS.

19th century. American. 1) Carved as hand holding ball on tapering cylindrical hickory shaft, handle carved in maple of cuffed hand holding an integral ball, ferrule applied with hard rubber tip now fused to original metal tip. 2) Independent Order of Odd Fellows fraternal walking stick, compressed ball and ring handle continuing to tapered shaft, relief carved with male and female figures, barrels, birds, triple ring, crouching dog and serpent. 3) Caged ball and snakes walking stick. Grip with compressed ball joined to cage within which is a sliding ball, joined to the knobby cylindrical stick with 3 open work entwined snakes with carved mouths and eyes. Entire shaft carved from the solid. SIZE: 1) 35″ l. 2) 39″ l. 3) 35″ l. CONDITION: 1) Very good with undisturbed patina. 2) With dark rich patina and with minor wear losses to tail of snake, tail of dog etc….all minor and within normal parameters, shaft with slight warp, otherwise very good. 3) Very fine untouched condition with dark patina. 50576-41 (1,500-2,500) – Lot 2501

2502
$118.50

WHIMSICAL MASONIC FRATERNAL CARVED WALKING STICK.

First half 20th century or earlier. American. Handle carved in image of duck’s head, shaft with smiling sun, cross, heart, flowering plant carved the length of stick opposing serpent, fish and alligator. Tip of cane mounted with Remington 12 gauge shell casing. SIZE: 35″ l. CONDITION: Very good with nice undisturbed patina. 50558-13 (400-500) – Lot 2502

2503
$592.50

INTERESTING CARVED STAINED WOOD MODEL OF A MOTORCYCLE.

Fitted to a black metal museum stand, the twin cylinder motorcycle, having twin tailpipes, moveable steering column and wheel; back wheel also turns. Unsigned. SIZE: On stand: 16-1/2″ x 27″. CONDITION: Very good, some minor defects. 50552-9 (1,000-1,500) – Lot 2503

2504
$414.75

GROUP OF FOLK ART AXES AND COACH HORN TRADE SIGN.

First half 20th century, American. Comprising 2 wide blade ceremonial axes and woodsman ax all believed to be of Odd Fellows origin. Trade sign in form of coach horn is paint decorated overall inscribed “Property of RED COACH STAGE LINE”. SIZE: Longest 42″. Shortest 33″. CONDITION: Structurally good, painted surfaces original with extensive abrasion due to use. 50564-13 (500-700) – Lot 2504

2505
$711.00

GABRIEL FULL BODY COPPER WEATHERVANE.

Second half 20th century. American. Figure with verdigris surface and copper brown patina depicting winged Gabriel blowing trumpet. Offered without stand. SIZE: 20″ h x 32″ l. CONDITION: Untouched condition, bend in trumpet at juncture of hand, otherwise very good. 50590-1 (400-600) – Lot 2505

2506
$0.00

AMERICAN 19TH CENTURY PRIOR-HAMBLIN SCHOOL PORTRAIT OF A WOMAN.

Oil on canvas portrait bust depicting a young woman with a sheer white bonnet adorned with two roses, wearing a black dress. Unsigned, housed in a 19th century wood frame with gilt liner. SIZE: 15-1/4″ x 12″. Overall: 19″ x 16″ CONDITION: Scattered retouch, stretcher marks, surface dirt and craquelure. Stretcher has damage and loss and verso canvas has several small repairs. 50641-9 (1,800-2,200) – Lot 2506

2507
$0.00

AMERICAN SCHOOL 19TH CENTURY PORTRAIT OF SAMUEL G. JUDSON.

Unsigned oil on canvas half length portrait of Samuel Judson of Bethel, Connecticut. The verso canvas is stenciled “From William Schans, Broadway, New York” artist supplies. Housed in a modern 19th century style giltwood frame with oval opening. SIZE: 30″ x 25-1/4″. Overall: 31-1/2″ x 26-1/2″ CONDITION: Several small holes with loss, craqueulure and poor restoration with remnants of duck tape affixed to verso corresponding to punctures 50558-4 (800-1,200) – Lot 2507

2508
$0.00

UNSIGNED (American, 18th/19th Century) PORTRAIT OF JANE MARIA BARKER.

Oil on canvas half portrait shows a middle age woman wearing a black dress with white collar held by a red stone & gold brooch. She wears a black lace edge bonnet. Housed in a frame liner. Verso having a typed label with sitter. SIZE: 23″ x 18″. Overall: 25″ x 20″. CONDITION: Craquelure, surface dirt, lined with scattered retouch. 50867-14 (800-1,200) – Lot 2508

2509
$474.00

CHILD’S CARVED AND PAINTED HOBBY HORSE ON WOOD STAND.

Last quarter, 19th century, American. The dappled gray horse with natural hair, mane and tail, and with glass eyes joined to an elliptical support on hinged brackets. Rocking on a rigid frame painted in red with black trim and ivory scroll work. SIZE: 35″ h x 47″ l x 18″ w overall. PROVENANCE: From a private Massachusetts collection. CONDITION: Horse and frame structurally intact. Painted surfaces with normal wear and expected abrasion. Bridle present but detached as are side trappings to saddle. Mane present but detached. Otherwise good. 50800-164 (300-500) – Lot 2509

2510
$1,777.50

CHILD’S HORSE AND RIDER CARVED AND PAINTED PULL TOY.

Late 19th/early 20th century, Pennsylvania. This whimsical toy depicting a black horse with white hocks and clipped tail, the rider in red jacket, white trousers, and knee length black boots with jointed legs and arms mounted on a plank platform in green paint with wood spoke wheels wrapped in what appears to be hard rubber. The platform with the painted initials “GEM”. Fitted with original pull cord also in green paint. CONDITION: Surfaces remain original with varnish craquelure, the rubber wheel section with age cracks and splits, otherwise structurally very good. 50584-8 (2,000-2,500) – Lot 2510

2511
$0.00

FOLK ART HAND PAINTED AND CARVED PUPPET DISPLAY.

Early 20th century. The folding stage in blue paint with gold borders mounted with a male and female hand puppet carved and painted head tilting on leather straps. The sides of the stage area hinged and folding. Executed in graphic colors, the heads well carved with pleasing expressions. SIZE: 20″ h x 19-1/2″ l. Puppet heads 5-1/2″ h. CONDITION: Painted surfaces with normal and expected wear and soiling from usage. Carved heads intact, painted surfaces with wear but generally good. 50898-13 (600-900) – Lot 2511

2512
$0.00

FEDERAL CARVED MAHOGANY DROP LEAF BREAKFAST TABLE.

First quarter 19th century, probably NY. Rectangular top with hinged D-form leaves above the conforming frieze fitted with single drawer with incised edges, the frieze with suppressed ball finials joined to a molded trestle base with outswept scrolled legs joined by cylindrical baluster turned stretchers raised on compressed ball feet. SIZE: 28-1/2″ h x 22″ w closed, 49″ w open, 36″ d. CONDITION: Table has been professionally restored and re-polished including cosmetic repairs in areas of table leaf hinges. 50567-17 (800-1,200) – Lot 2512

2513
$0.00

SHERATON SPINDLE BACK CHERRY ARMCHAIR AFTER WILLIAM MORRIS.

Mid 19th century. The spindle back of bobbin-turned design joined to incised cylindrical styles with turned finials joined to shaped flat arms centering a trapezoidal seat with floral needlework cover raised on ring and bobbin turned swelled legs joined by conforming double box stretchers. The armchair is in a William Morris design. SIZE: 37-1/2″ h of back. 18″ h of seat. 22″ w overall. CONDITION: Surfaces with mellow patina. No damage or restoration noted. Very good overall. 50558-19 (300-500) – Lot 2513

2514
$1,185.00

CARVED AND GILT DECORATED CONVEX MIRROR BY THE CARVERS’ GUILD.

Late 20th century, The Carvers’ Guild, Groton, Massachusetts. This fine carved and gilt example depicting two entwined dolphins centering a round convex mirror within a reeded ebony slip. Mirror retains original guild label on back. SIZE: 42″ h x 24″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good original condition. 50800-73 (800-1,200) – Lot 2514

2515
$207.38

CLASSICAL MAHOGANY THREE DRAWER STAND.

Second quarter 19th century, American. The thin rectangular single board top joined to the case fitted with a bank of three figural mahogany drawers with original stamped brass knobs joined to a bulbous ring and urn-turned pedestal raised on four scrolling outswept legs on turned ball feet. SIZE: 30-3/4″ h x 20-3/4″ w x 17″ d. CONDITION: Table has been cleaned and re-polished. Top with slight warped proper right front corner. Tight shrinkage cracks on case sides. Old repairs re-attaching two legs to pedestal on proper right side, otherwise good. 50494-36 (400-600) – Lot 2515

2516
$0.00

CLASSICAL REVIVAL FIGURED MAHOGANY SIDEBOARD.

Mid 19th century, New England. The rectangular top with molded edge above the conforming case, fitted with three aligned drawers above four paneled doors, all of crotch cut mahogany facing, and alternating with engaged three-quarter acanthus carved columns, the whole raised on turned turnip feet. The central and proper left top drawer felt-lined for silver storage. SIZE: 42″ h x 73″ l x 24″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: The drawers show evidence of professional stabilization. Top with tight old shrinkage cracks, now stabilized and polished. Otherwise good. 50800-172 (800-1,200) – Lot 2516

2517
$948.00

QUEEN ANNE TIGER MAPLE HIGHBOY.

Late 18th century, New England. In two parts, the upper case with swan’s neck pediment mounted with stamped brass rosettes centering a later turned brass finial above a cove molded cornice. Case with five thumb molded graduated long drawers fitted to the lower case having a central drawer flanked by single deep drawers above the arched and molded apron with turned pendant finials raised on bandy cabriole legs terminating in spoon feet. SIZE: 78″ h x 40″ w overall. Case 35-1/2″ w x 20″ d. CONDITION: Surface has been excessively cleaned with loss of patina. Crest is believed to be a later addition. Brasses are period replacements. Central drawer in base has molding loss. 50647-10 (1,200-1,500) – Lot 2517

2518
$1,422.00

FINE HUDSON RIVER VALLEY PANTRY CUPBOARD.

Circa 1800, New York State. The rectangular pine double door cupboard with single board top in reddish brown paint fitted with a pair of double panel doors opening into an interior fitted with two fixed shelves in primary red paint with traces of old blue. Cupboard retains early, if not original, shaped wooden lock mechanism. SIZE: 42-1/2″ h x 43″ w overall x 18-1/2″ d. CONDITION: Structurally good with traces of original red paint beneath early brown and with traces of blue paint. Cabinet in original untouched condition retaining original backboards and hardware. Wood latch as previously noted. 50576-37 (1,500-2,500) – Lot 2518

2519
$355.50

CHIPPENDALE PINE 2-DRAWER BLANKET CHEST.

Last quarter 18th century, New England. The rectangular dovetailed case with hinged molded lid opening to a storage compartment with simulated top drawer over two long drawers on a molded base raised on high bracket feet with deeply scalloped returns. Mounted with period brasses. The whole with a light reddish brown wash. SIZE: 48″ h x 38″ w x 19″ d. CONDITION: Chest retains original iron hinges, period brasses as noted. Repair to old seam crack proper right side. Proper left side with 1″ vertical splice. Backboards original. Bracket feet with repairs of original parts all with replaced glue blocks now mounted with casters. Loss of scrolls to proper left front and right front side bracket. Now with even dark patina. 50647-6 (600-800) – Lot 2519

2520
$237.00
Revised: 8/22/2016

Please Note: Image is wrong in the catalog and online. The correct image is available online.

FEDERAL INLAID WALNUT CHEST OF DRAWERS.

Pennsylvania or Mid-Atlantic region. First quarter 19th century. Rectangular top with wide crossbanded and string inlaid edge above the conforming case fitted with four graduated long drawers, all with incised edges and shield form inlaid escutcheons. Raised on tapering French feet with scalloped returns and shaped apron. With original period oval brasses impressed with acorn and oak leaf design. Secondary woods are yellow pine and poplar. SIZE: 38-3/4″ h x 37-3/4″ w x 21-3/4″ d. CONDITION: Surface professionally polished, retaining good clear color. Small veneer repairs to apron, one triangular area of veneer absent. Backboards and feet original. Very good overall. 50270-1 (700-900) – Lot 2520

2521
$237.00

GROUP OF THREE FEDERAL CHERRY TABLES AND STAND.

First quarter 19th century, New England. 1) Tilt top candlestand with shaped square top on a ring and urn turned pedestal raised on a cabriole platform pad foot base. 2) Cherry tilt top candlestand on a swelled ring turned pedestal raised on a spider leg tripod base. 3) Federal cherry one-drawer stand on square tapered legs. SIZE: 1) 26-1/2″. top 15″ x 17″. 2) 28-3/4″ h. Top 11″ x 17″ w. 3) 26″ h. Top 15″ x 15-3/4″. CONDITION: The 3 pieces all refinished and re-polished. The tilt tops each with repaired shrinkage cracks at seam. The one-drawer stand with minor surface scratches to top. Otherwise all good. 50494-11 (800-1,200) – Lot 2521

2522
$1,007.25

DIMINUTIVE PIE SAFE IN BLUE PAINT.

Mid 19th century, New England. The rectangular cabinet with single two paneled door raised on ring-turned cylindrical legs. The interior fitted with two shelves, the door and cabinet sides all fitted with screened panels. The whole in bright indigo paint. SIZE: 45″ h x 31″ w x 16-1/2″ d. CONDITION: Cabinet is structurally sound but in need of tightening to frame. Old blue surface with extensive in-use wear, otherwise good, screens intact. 50384-5 (700-900) – Lot 2522

2523
$0.00

RARE BILLIARDS & POOL ROOM TRADE SIGN.

Late 19th century, American. The dark blue sand painted on pine trade sign with white lettering marked “BILLIARDS & POOL PARLOR”, embellished with a pointing hand and two cue balls. Of single plank construction with applied molded frame painted in white. Marked “E.F. DAY” lower right in early repaint which probably indicates a second owner. SIZE: 19″ h x 77″ l. CONDITION: With typical age appropriate exterior use abrasions and with minor losses. Good untouched condition. 50576-42 (2,000-3,000) – Lot 2523

2524
$829.50

PAIR OF 19th CENTURY AMERICAN FOLK ART PORTRAITS OF A BROTHER AND SISTER.

Two unsigned oils on canvas, c. 1830. Depicting four-year old Augustus Francis (1824-1829) and his sister Helen Francis (1827-1846). The three-quarter length view of Augustus, depicts him holding his riding crop while wearing a green dress with lace collar. The portrait was created from his death mask. Helen’s ¾ length portrait depicts her with brown curls pulled away from her face, wearing an orange dress with lace collar while holding a sprig of roses in her hand. Both brown eyed beauties were the children of Ebenezer and Hanna Lincoln-Marsh Francis of Hingham, Massachusetts. Housed in matching giltwood frames. SIZE: 18″ x 15″ (each). Overall: 22″ x 19″ (each). CONDITION: Good condition, with spotty varnish, craquelure and stretcher marks. Boy has minor flake losses. UV examination shows no evidence of in-paint or significant restoration. 50391-1 (1,000-1,500) – Lot 2524

2525
$0.00

FINE LARGE APPLIQUED FLOWER RING QUILT.

The hand made quilt having a border of red flower and vine surrounding five rows of alternating three and four rings of red flowers with green leaves. Nice quilting to ground and one end having a dust ruffle. SIZE: Quilt only: 80″ deep x 103″ w. With dust ruffle: 101″ l. PROVENANCE: From a private New Jersey home. CONDITION: Some light stains, three patches to reverse. Generally good for its age and use. 50494-21 (500-800) – Lot 2525

2526
$414.75

FINE TULIP AND RING APPLIQUED QUILT BY A E SIMMONS, 1893.

The antique quilt having five rows of six squares, each square having a central red tulip, surrounded by a ring of green leaves. The middle nine squares are identical with green leaves and green ring. The outside border with differing color combinations, the common denominator being the red tulip. Signed on the corner, “A. E. Simmons, 1893″. SIZE: 73″ x 86”. PROVENANCE: From a private New Jersey home. CONDITION: Generally very good, some light stains. 50494-16 (500-800) – Lot 2526

2527
$118.50

ANTIQUE SCENIC HOOKED RUG.

This rectangular multi-colored rug depicts a house with landscape. SIZE: 39″ w x 23-1/2″ h. CONDITION: There are a couple of old repairs to the back. Has a nice old, worn, well-used patina. 49421-64 (200-300) – Lot 2527

2528
$1,481.25

JEWELL FULL BODY COPPER RUNNING HORSE WEATHERVANE.

Late 19th/early 20th century, A.L. Jewell & Co., Waltham, Massachusetts. The weathervane with zinc head and applied sheet copper ears and sheet copper tail mounted to original support rails. weathervane in later silver paint with verdigris evident along ridge of back. Offered without stand. SIZE: 16-1/2″ h x 28-1/2″ l. CONDITION: Later silver surface as noted, dent on rear haunch with small seam split, bullet hole through shoulder, tail intact, probably re-attached, ears crimped at tips, otherwise good. 50797-2 (2,000-3,000) – Lot 2528

2529
$1,185.00

SCARCE EDISON PHONOGRAPHS TRADE SIGN.

First quarter 20th century, American. This vertical sign painted in yellow lettering on black, on a single wide board reading “EDISON PHONOGRAPHS, RECORDS AND SUPPLIES”. SIZE: 48″ h x 23-1/2″ w. CONDITION: With overall normal and expected weathering, in very good all original condition. 50499-5 (2,000-3,000) – Lot 2529

2530
$4,147.50

FULL BODY BUTCHER’S PIG TRADE SIGN.

19th century, England. This nice full body example carved in pine of a whimsical standing pig with pronounced ears, nail-head eyes, ringed nose, and forged iron curled tail, retaining traces of paint. SIZE: 15 1/2″h x 33″l x 12″w. CONDITION: Several tin and copper patches, minor losses to ears, typical condition for age. 50562-1 (2,500-3,000) – Lot 2530

2531
$0.00

NICE FOLK ART BLADE GRINDER’S TRADE SIGN IN THE FORM OF A SAW.

Middle 3rd 20th century. Sign in the form of a carpenter’s saw, the wood handle in blue paint, the saw blade reads “SAWS FILED” in red on white, the serrated blade in yellow paint and the sign retains original mounting brackets for cylindrical stanchion. SIZE: 22″ h x 70″ l. CONDITION: Overall very good, painted surfaces mostly intact with normal and acceptable weathering to wood handle. 50567-10 (1,500-2,500) – Lot 2531

2532
$651.75

SHEET COPPER BANNERETTE WEATHERVANE WITH ARROW.

Late 19th early 20th century, New England. Banner weathervane with zinc arrowhead and old verdigris surface with remnants of older gilding, offered without museum stand. SIZE: 49-1/2″ l x 15″ h. CONDITION: Lower copper element needs reattaching to support rod, support rod needs replacing due to extreme wear. Tail section exhibits 2 bullet holes, otherwise good. 50558-27 (300-400) – Lot 2532

2533
$592.50

CARVED SPREAD WING EAGLE.

Late 19th/early 20th century. This carved pine example depicts an eagle poised for takeoff in flight and rendered with fierce facial details and well carved plumage (detachable pinned wings). Originally with painted surfaces. SIZE: 18-1/2″ h x 28″ l x 28″ wingspan. PROVENANCE: Private Maine/Texas Collector. CONDITION: Now with dried weathered surface retaining remnants of old paint on body. Chip loss to one talon, restored outer tailfeather, proper right side. Proper right wing probably a full replacement. 50012-102 (800-1,200) – Lot 2533

2534
$0.00

UNSIGNED (American School, 19th Century) PAIR OF ANCESTRAL PORTRAITS.

Oil on canvas shoulder length portraits show a woman with hand to side of face wearing a lace collar & lace bonnet. The man with a formal black coat & bowtie. Woman with “Copied at Memphis, May 28-07 M.H.H” lower left. Housed in identical oak wood beveled frames with gilt liners (having different sizes). One frame having a Frank D. Healy St. Louis framing label. SIZE: Man: 16″ x 13″. Overall: 24-1/2″ x 22″. Woman: 18″ x 14-1/4″. Overall: 26-1/2″ x 23″. CONDITION: Fair to good. 50864-8 (300-500) – Lot 2534

2535
$592.50

UNSIGNED (Chinese Export, 19th Century) PORTRAIT OF A WOMAN.

Oil on canvas 3/4 portrait shows a woman in a green dress with lace trim holding a rose in her lap. Her arm rests on a red cloth covered table next to a tall glass vase with small flowers. She wears a fancy brooch at her neck and a ring on her right hand. Housed in a black painted molded wood frame. SIZE: 17-1/2″ x 14-1/4″. Overall: 20-3/4″ x 17-3/4″. CONDITION: Light craquelure, very good. 50904-1 (500-800) – Lot 2535

2536
$711.00

PENNSYLVANIA CHIPPENDALE CHERRY TALL CHEST.

Pennsylvania last quarter 18th century. Rectangular dovetailed case with applied cove molded cornice fitted with three aligned short drawers above a pair of aligned drawers over four graduated long drawers all with cockbeaded edges. Raised on a molded bracket base with scalloped returns. The chest with original oval brasses impressed with scrolled foliate design. SIZE: 67″ h x 46-3/4″ w x 22-1/2″ d. CONDITION: The chest has been repolished and cosmetically restored with repairs to molding and small restorations to drawer fronts. The bracket feet with restoration and replaced glue blocks. Otherwise good and structurally sound. 50270-10 (600-800) – Lot 2536

2537
$0.00

FEDERAL INLAID MAHOGANY CHEST OF DRAWERS.

Probably New York or New Jersey first quarter 19th century. Rectangular top with contrasting string-inlaid and crossbanded borders above the conforming case fitted with three aligned short drawers, the centermost with oval patera depicting a stylized moth over three graduated long drawers all with string-inlaid borders. The case on a molded plinth raised on shaped bracket feet. The case retains original 3/4 dust covers. SIZE: 36-1/2″ h x 47″ w x 22-1/4″ d. CONDITION: Chest stripped and repolished, retaining period oval brasses, not original to chest. Bracket feet are later replacements. Top with old shrinkage crack on seam. 50270-3 (700-900) – Lot 2537

2538
$948.00

PAIR OF MAPLE SHERATON ROPE BEDS.

Mid 19th century, New England. The ring-and bell-turned posts with tulip finials, joined to the shaped panel headboard with rolled crest and terminating with tulip turnings. The foot with conforming posts and baluster-and ring-turned blanket rail. Raised on tapering cylindrical legs. Each bed contains original side rails, joined by bolts. SIZE: 49″ h of headboard; 44″ h of footboard; 39″ w of interior; 75-1/2″ l of interior. PROVENANCE: From a private Massachusetts collection. CONDITION: Beds professionally cleaned and repolished. Structurally very good. 50800-153 (100-200) – Lot 2538

2539
$266.63

NEW ENGLAND CHIPPENDALE BIRCH TALL CHEST OF DRAWERS.

Late 18th century, probably New Hampshire. The rectangular dovetailed case with applied top molding fitted with six graduated long drawers on a molded bracket base with scrolled returns centering a scalloped pendant. SIZE: 54-1/2″ h x 40″ w x 19″ d. CONDITION: Hardware replaced. Bracket feet all reduced in height. Chest now mounted with casters. Escutcheons absent, structurally good otherwise. 50647-8 (700-900) – Lot 2539

2540
$0.00

FOLK ART CARVED AND DECORATED HARDWARE STORE TRADE SIGN.

Third quarter 20th century. Carved wood sign advertising Henry Diston saws for Charlie’s Hardware North Plymouth, Massachusetts. Sign in shape of carpenters saw, paint decorated on blade, painting executed on very thin sheet of copper then applied to blade. SIZE: 11-1/2″ h x 56″ l. CONDITION: Very good. 50562-2 (2,400-2,800) – Lot 2540

2541
$355.50

TWO WOVEN FLORAL TEXTILES FROM THE SHENANDOAH VALLEY.

Circa 1886, Shenandoah Valley, probably West Virginia. Each example housed in a wood frame of the period. Smaller embroidered as floral sprig with three blooms above a pair of five-pointed stars within a simple chain stitch border on a black ground. Second is larger with more intricate flowering branch, four buds, and a single white flower at the tip of branch. Single pink floral bud at each corner within a double chain stitch border woven on a black ground. Each housed in a molded wood frame with walnut burl graining. Each with a gold ebonized and gilt slip. Larger inscribed on backboard “H Lord Peck Dec 4 1886”. Inscription scratched into backboard with sharp object such as a knife blade. SIZE: Largest 12-1/4″ x 10-1/4″ sight. Smaller 8-1/4″ x 6-1/4″ sight. CONDITION: Embroidery in very good original condition. Frames with considerable abrasion and paint loss. 50904-6 (300-500) – Lot 2541

2542
$118.50

CARVED CHIPPENDALE CENTENNIAL MAHOGANY MIRROR.

Late 19th century, American. Rectangular mirror plate within a gilt and molded surround. Intricately scalloped crest with large gilt spread wing eagle perched within an open rondel flanked by scrolled ears above the shaped and scalloped pendant apron. SIZE: 36-1/2″ h x 22-3/4″ w. PROVENANCE: From a private Massachusetts collection CONDITION: Original mirror plate with minor overall loss to silvering. Original backboard. Loss of stabilizing blocks at crest and apron. Otherwise good. 50800-121 (200-300) – Lot 2542

2543
$118.50

PAIR OF CLEAR SANDWICH WHALE OIL LAMPS AND ORMALU-MOUNTED TRUMPET VASE.

The lamps having a font with alternating hearts, six-sided base and burner collar present only. Cut glass clear vase with scalloped top attached to a metal base with three legs. SIZE: Lamps: 9-1/2″. Trumpet vase: 12-1/4″ h. CONDITION: Lamps: Generally very good, only minor roughness, burners missing. Trumpet vase: One arm of the base detached, otherwise very good. 50524-12 (100-200) – Lot 2543

2544
$237.00

PAIR OF BRASS WAXJACKS, PAIR OF MINIATURE TIN WALL SCONCES AND THREE EARLY MINIATURE FRAMES.

Lot includes: 1) Two brass waxjacks with scissor-type holding mechanism, each having a finger-ring attached to the base for holding. Each with old wax attached, probably 19th century. 2) Sconces with spring tin candleholders, crimped backplate and crimped reflectors. Each mounted with a hanging ring. 3) Three gilt wood antique miniature frames. SIZE: Brass waxjacks: 6″ x 5″. Sconces: 5-3/4″ h. Miniature frames, 1) Outside: 7″ x6″, Inside: 6″ x 5″; 2) Outside: 7-1/4″ x 5-3/4″ inside; 3) Outside: 6″ x 4-1/2″ 3) 6-3/4″ x 6″, Inside 4-1/4″ x 3-1/2″. CONDITION: 1) Good. 2) Old surface, normal and expected wear. Very good. 3) Very good. 50564-10, 50564-11, 50564-12, (300-400) – Lot 2544

2545
$296.25

CHIPPENDALE CHERRY 5-DRAWER TALL CHEST.

Late 18th century, Southern New England. The rectangular top with applied molding above the conforming case fitted with five graduated thumbmolded drawers with period batwing brass hardware, molded base raised on bracket feet with shaped and scalloped returns. SIZE: 50-1/4″ h x 38″ w overall x 20″ d. CONDITION: Chest has been stripped and refinished. Hardware of the period but not original. Original bracket feet have had cosmetic repair using original parts. Backboard is original. Structurally good. 50494-40 (600-900) – Lot 2545

2546
$0.00

UNUSUAL CAMPAIGN STYLE CAMPHOR CARVED CLOTHES PRESS.

First quarter 20th century, Asian. The rectangular dovetailed case with pair of paneled doors. The top and door panels carved with bamboo trees in deep relief. The case fitted with four long drawers, each with inset campaign style brasses, the whole raised on stylized heavily carved claw feet. The chest is offered with original key and locking mechanism. NOTE: The chest was obtained by the grandparents of the current owner in Panama, in the early 1930’s. SIZE: 40″ h x 48″ w x 22″ d. CONDITION: Very good overall, with un-disturbed surface and light soiling. 50910-1 (1,500-2,500) – Lot 2546

2547
$711.00

BOXED IVORY, EBONY AND BRASS QUADRANT TOGETHER WITH IVORY AND BRASS BOXED OCTANT.

Circa 1820 and 1830. England. Quadrant fitted with six colored lenses, all complete and original. This unmarked example in orig box in old green paint. Octant with three colored glass lenses and mirror plate, marked with maker’s name on ivory plaque “CRICHTON BROS LONDON”. Orig paper label attached to lid of box, fitted within its orig mahogany case. SIZE: Quadrant 16″ l x 12-1/2″ w. Octant 12″ l x 10″ w. PROVENANCE: From a private Massachusetts collection. Special Note: This item contains plant or animal properties that may be covered by the Endangered Species Act (ESA). We have taken care to ensure that this item meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA. It is the bidder’s responsibility to ensure that it is lawful to purchase or transport this item into their state, and to obtain the necessary import and export approvals. Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item and consummating the purchase. CONDITION: Quadrant appears operational and in overall very good condition. Box has been drilled and reinforced with twine to stabilize old shrinkage cracks. Octant appears fully functional and structurally in very good condition. Case with normal and expected abrasions and blemishes. Lock is present, key is absent. 50800-62 IVORY (300-500) – Lot 2547

2548
$2,370.00

GROUP OF BRASS NAVIGATIONAL AIDS.

First half 20th century. 1) Brass sliding parallel rule with impressed mark of manufacturer “HALL HARDING LTD./LONDON”. 2) English engraved brass barometer readings disc. This nice example engraved overall and impressed with maker’s name “NEGRETTI & ZAMBRA/LONDON, PATENT 6276/1915”. 3) French engraved brass nautical dial pendant, engraved with roman numeral 24 hour chapter ring. Opposing side with astrological signs, city names with global positioning. Dial engraved with maker “BUTTERFIELD A PARIS”. 4) Cast Brass Acme Course Corrector in orig box, with original manufacturer’s paper label tacked inside lid. Made and distributed by “SEA EMERGENCY DEVICES CO./525 WEST 45TH ST NEW YORK 19, N.Y.” SIZE: 1) 18″ l . 2) 4-3/4″ dia. 3) 5″ dia. 4) 10″ dia. PROVENANCE: From a private Massachusetts collection. CONDITION: All items in very good condition overall. 50800-11 (300-500) – Lot 2548

2549
$533.25

GROUP OF THREE TELESCOPES.

19th century. England and America. First, a four draw model, barrel engraved “G.Richardson. ST. CATHERINE’S LONDON. Mahogany tube. Second, mahogany and brass telescope. This telescope appears to need restoration in order to function, and cannot be catalogued in more detail. Tube in mahogany. Third, leather clad three draw telescope with lens cover. SIZE: Largest 20″ l. Smallest 8-1/2″ l. PROVENANCE: From a private Massachusetts collection. CONDITION: First appears functional and operational with no major blemishes. Second as described. Eyepiece section detaches from tube. Third, operational and functional. Leather is abraded and worn. Lenses appear intact. 50800-65 (500-1,000) – Lot 2549

2550
$355.50

GROUP OF TWO BRONZE SHIPS PORTHOLES.

Late 19th, early 20th century American. The first, a large round example with single hinge and thick plate glass with four dog downs together with a small rectangular example double hinged with two dog downs converted to a mirror, and accompanied by conforming screen. SIZE: Dia of first 20-1/2″. Second 8″ h x 15″ l PROVENANCE: From a private Massachusetts collection. CONDITION: Both in very good structural condition. The second polished and lacquered. 50800-71 (200-400) – Lot 2550

2551
$1,066.50

PAIR OF WORLD WAR II VINTAGE JAPANESE BINOCULARS.

18″long x 9″ wide long binoculars, having Japanese writing, the front marked “15 X 80 MM”. “NO183”. The heavy binoculars having a central, swinging post that inserted into either a fixed mount or tripod. CONDITION: Metal parts are well worn and dented, the lenses appear to be clear. 50341-4 (800-1,200) – Lot 2551

2552
$355.50

THREE SHIP’S LOG INSTRUMENTS.

Late 19th, early 20th century, England and New York. First is solid brass taffrail log complete with spinner and toggle. Meter marked on dial “TYPE TL TAFFRAIL LOG/Manufactured by/THE LYONEL CORPORATION/NEW YORK, N.Y.” within the Arabic numeral ring mounted on a rectangular display board. Second, an English torpedo form harpoon ship log. Brass four blade spinner torpedo log of cylindrical form. White enamel vertical dial with three dials mark in distance, also inscribed “T.WALKER’S PATENT HARPOON SHIP LOG/A.2./London”. Third “WALKER’S ‘Excelsior’ Yacht-Log (MARK III)”. Complete Yacht Log with original spinner, gauge, coiled manilla line, all fitted in orginal wooden case. Case with brass plaque of distributor “KELVIN & WILFRID O. WHITE CO./112 STATE ST. BOSTON. U.S.A.” SIZE: 13-1/2″ l. 19-1/2″ l. 11″ l. PROVENANCE: From a private Massachusetts collection. CONDITION: Tafrail log and harpoon log all with polished brass surfaces and appear intact with no repairs or restoration. Yacht log with salt corroded brass surfaces, otherwise intact. Good overall. 50800-10 (800-1,200) – Lot 2552

2553
$533.25

TWO SHIP’S COMPASSES.

A sestrel brass ship’s compass on gimbel, together with Viking Instruments dry compass on gimbel. 20th century. England and Massachusetts. First on brass gimbel, company logo on dial. Dry compass additionally fitted with sighting device and level, mounted in original case affixed with company’s label “VIKING INSTRUMENTS INC./MASTER’S MATE/SN. 0064/KINGSTON, MASS.” SIZE: Sestra 5″ dial dia. Viking 6″ dial dia. PROVENANCE: From a private Massachusetts collection. CONDITION: Sestrel compass dial has dislodged from its seat, otherwise good. Viking boxed compass appears very good overall. 50800-132 (300-500) – Lot 2553

2554
$948.00

FRAMED NAPOLEON BONAPARTE SIGNED MEMORANDUM.

Napoleon Bonaparte (1769-1821) Emperor of the French, Military leader; Known as the “Little Corporal”. Manuscript endorsement signed with his full signature “Napoleon” and back indicates that it is dated “July 23, 1804″. Framed with a portrait of Napoleon. SIZE: 11-1/4″ x 13”. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. 50012-143 (300-500) – Lot 2554

2555
$237.00

FINE ARGENTINIAN GAUCHO BELT DECORATED WITH SILVER MILAGROS.

The wide belt having two-straps & two buckles adorned with men on horses across thunderbird and round silver buttons. The belt has a small pouch with strap and buckle also. SIZE: 2-1/2″ w x 44-1/2″ l. CONDITION: Shows little wear, very good. 50656-2 (800-1,200) – Lot 2555

2556
$592.50

FINE COPY OF A RARE 17TH CENTURY PERSIAN DAGGER.

Among the rarest of early Persian knives are the silver Damascene “Ram’s Head” seen in museum collections. This is a faithful 20th century copy including gold inset seal on blade. CONDITION: Fine overall. 50270-13 (300-500) – Lot 2556

2557
$59.25

BOWBACK WINDSOR SIDE CHAIR AND SACK BACK WINDSOR ROCKER.

Late 18th/ early 19th century, New England. The 9 spindle bowback side chair with reeded bow, carved seat and bamboo “H” stretcher base. The second a sack back Windsor with carved knuckle arms and urn and ring supports, splayed urn and ring turned base with attached rockers. SIZE: Side chair: 36″ H; Rocker: 37″ H, CONDITION: Side chair in very good condition with multiple layers of paint. Rocker with repaired bow having 6″ replaced segment, old re-finish and rockers appear to be original. 50411-1 (200-300) – Lot 2557

2558
$0.00

UNSIGNED (19th century) VICTORIAN PORTRAIT OF A CHILD.

Pastel portrait of a young child with short brown hair wearing a white dress adorned with blue ribbons. The child is holding two cherries to feed a pet bird perched in a cage. Housed in a 19th century gilt oval wood frame. SIZE: 23-1/2″ x 18″. Overall: 28″ x 23″. CONDITION: Overall good condition, not examined out of frame. Frame has several chips and cracks. 50305-1 (600-900) – Lot 2558

2559
$296.25

SMALL CARVED EAGLE PLAQUE.

Late 19th, early 20th century, American. Carved eagle in manor of John Haley Bellamy small eagle plaques. This example rendered with eagle perched on segmented tree branch. With yellow glass eyes and with multiple layers of old paint. SIZE: 8-1/4″ h. Wingspan 19″ l. 3-3/4″ d. CONDITION: Proper left wing has been reattached. Paint history as noted. Now with dry, crusty surface. 50641-29 (500-700) – Lot 2559

2560
$355.50

UNSIGNED (American, 19th Century) HALF PORTRAIT OF A GENTLEMAN.

Oil on canvas half portrait of a gentleman seated in a red upholstered chair. He wears a green coat, white vest & shirt, black coat & tie. His arm rests on a table with book and letter. Housed in a period lemon gold molded wood frame. “R. Davy” canvas stamp to verso. There is a partial penned inscription on verso which is illegible. SIZE: 12″ x 10″. Overall: 16-1/2″ x 14-1/2″. CONDITION: Craquelure, some restoration, small chips & small puncture with two patches on reverse. 50904-2 (300-500) – Lot 2560

2561
$414.75

CHIPPENDALE MAPLE SLANT LID DESK.

Second half 18th century, New England. The dovetailed case with hinged sloping lid opening to an interior fitted with an arrangement of small drawers and valanced pigeon holes with central drawer with engaged colonnettes above a thumb molded top drawer flanked by lopers over three graduated conforming long drawers on a molded base raised on bracket feet with shaped returns. SIZE: 43″ h x case 37″ w x 18-1/2″ d. CONDITION: Desk has been cleaned and re-polished. Brasses are hand wrought but out of period. Horizontal shrinkage crack in lid. Chamfered backboards appear original. Bracket feet appear original, small repairs to feet using original parts. Other cosmetic restoration throughout. 50494-37 (600-900) – Lot 2561

2562
$237.00

CHIPPENDALE BIRCH 4-DRAWER CHEST WITH OGEE BRACKET FEET.

Last quarter 18th century, New York or New Jersey. The rectangular case with applied molded top fitted with four long thumbmolded graduated drawers on a molded base raised on pronounced ogee bracket feet with scalloped returns. SIZE: 44″ h x 41″ w x 20-1/2″ d. CONDITION: Chest has been totally cleaned and re-polished, now a light honey brown color. Brass hardware is a later replacement. Backboards replaced. Bracket feet mostly original retaining old glue blocks. Structurally good overall. 50494-38 (600-900) – Lot 2562

2563
$177.75

MOLDED COPPER ARCHITECTURAL DISPLAYED EAGLE.

Late 19th, early 20th century, American. Molded in the form of an eagle with spread wings. Partially open beak with fierce gaze. Perched on a large sphere for mounting on rooftop. Surface with gold paint simulating gilding. Well weathered. SIZE: 22″ h, wingspan 32″. PROVENANCE: From a private Massachusetts collection. CONDITION: Weathered surfaces as described. Three mounting brackets intact, one absent. 50800-110 (500-1,000) – Lot 2563

2564
$237.00

FOLK ART CARVED LIFE SIZE FIGURE OF AN AFRICAN AMERICAN.

The carving shows a man with black facial features holding one arm up wearing a yellow shirt with red & white bow tie and standing on a wood stump. Nice folky look, Mid 20th Century. SIZE: 77″ h x 36″ at widest. CONDITION: Remnants of original hair, mostly lost, cracks, scrapes, chips with some leathering. 50905-2 (800-1,200) – Lot 2564

2565
$0.00

TWO PORTRAITS OF GENTLEMEN.

Mid 19th century. The first a watercolor portrait of “Chas. Asprey Esq”. The gentleman seated in a chair holding a sealed letter in left hand. Inscribed on the back. Housed in an ebonized frame with brass surround of the period. The second, a pencil portrait of a seated gentleman in profile with watercolor highlights on facial features and shirt. Signed and dated lower right corner “April 1841″. Housed in an ebonized frame with gilt wood surround and liner. SIZE: 1) 9″ h x 7”. 2) 7-3/4″ h x 5-/58″ sight. CONDITION: First in very good and untouched condition, colors remain strong, no toning, foxing or inpainting. The pencil portrait appears incomplete, notably left forearm, both hands and right chair arm. 50558-15 (400-600) – Lot 2565

2566
$296.25

NICE WATERCOLOR PORTRAIT OF “MRS. MATTINGLY OF 9 GEORGE STREET.”.

Second quarter 19th century, possibly Maine. The woman gazing forward in an indigo blue gown with puffy sleeves holding a small bouquet of flowers in her gloved right hand. SIZE: 5-1/2″ x 4-3/8″ sight. CONDITION: Paper laid down on cardboard, overall light and even toning. Some light craquelure in folds of dress and sleeves, otherwise good. 50558-17 (400-600) – Lot 2566

2567
$88.88

HELMET SHAPED EXPORT PORCELAIN CREAMER.

This helmet shaped creamer ornamented with paneled vignettes on either side featuring figures. Also all over ornamentation of roses, butterflies, etc. SIZE: 4″ h. CONDITION: An old repair at handle. 49421-84 (150-250) – Lot 2567

2568
$355.50

18TH CENTURY ROSE FAMILLE TANKARD.

This 18th century mug depicts a large vignette on the front with maiden, children, and other figures in a panoramic landscape. The body of the tankard is overall decorated and ornamented in polychrome and highlighted in blue. SIZE: 5″ h x 4-1/4″ dia. CONDITION: The handle is restored. 49421-76 (300-500) – Lot 2568

2569
$148.13

SAMSON PORCELAIN ARMORIAL BOWL IN CHINESE EXPORT STYLE.

19th century, France. The bowl hand painted in a style of 18th century Chinese export with large armorial crest on front. Interior decorated with floral sprays accented by raised white enamel. SIZE: 9-3/4″ dia. CONDITION: Hairline extending from rim. 50647-22 (200-300) – Lot 2569

2570
$118.50

MASSIVE FAMILLE VERTE JAR AND COVER, PORCELAIN BALUSTER VASE, AND FAMILLE ROSE BALUSTER VASE.

1) China. Two large medallions containing a phoenix all on a black and green ground with scrolling vines and stylized chrysanthemums. 2) 20th century, China. The vase decorated with various shaped reserves painted in famille rose colors depicting birds and ducks amidst various blossoming plants all done on a coral colored ground accented with gilt in a cracked ice pattern. 3) 20th century, China. The body painted with a large continuous scene depicting various figures in colorful attire throughout a landscape many of which are accented in gilt. Openwork handles flanking the neck and a Xianfeng mark to the underside. SIZE: 1) With cover: 36″ h. 2) 18″ h x 8-1/2″ dia. 3) 24-3/4″ h x 10-1/2″ dia. CONDITION: 1) Surface scratched and soiled. Cover possibly not original. 2) The underside having a filled drill hole with associated overpainting otherwise good. 3) Very good. 50882-1, 50882-2, 50882-3, (300-500) – Lot 2570

2571
$177.75

CLOISONNE DECORATED POT AND PAIR OF DOUBLE CANDLESTICKS.

The wide shouldered and mouth pot with a medium to dark blue ground having colorful flowers & bird decoration. Pair of 8″ h brass double candlesticks having partial enamel decoration. SIZE: Pot: 6-1/4″ h x 9-1/2″ at widest. Sticks 8″ h. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. 50012-134 (200-300) – Lot 2571

2572
$1,007.25

1922 PANORAMIC PHOTOGRAPH BY AH FONG, SHANGHAI.

1922 Shanghai, China. A panoramic photograph described as “XMas hunt 1922. Photo Ah Fong”. Panoramic photo of approximately 100 English gentlemen on horseback, preparing for a typical English fox hunt near Shanghai, China. In the background and on left end are large groups of Chinese helpers and onlookers. The photo mounted on a background of silver gilt and block printed Chinese paper and framed in a simple white painted and silver gilt frame. Ah Fong was active in photography from the late 19th century and well known and acclaimed for his photo essays on the Sino-Japanese hostilities that was published in 1937. Also well known for documenting “The Rape of Nanking”. Showing that the Japanese denials were lies. Fong was a Chinese photographer trained by Western photographers around Canton. SIZE: 7-1/2″ X 52″. Overall 21″ X 65″. CONDITION: Good, laid down, minor edge tears prior to laying down are evident, no glass. 46509-7 (300-500) – Lot 2572

2573
$118.50

FRAMED FACSIMILE GEORGE WASHINGTON LETTER.

Early facsimile on laid-paper of famous letter written August 10th, 1782, concerning masonry. Washington quotes “If my endeavors to avert the evil, with which this country was threatened, by a deliberate Tyranny, should be crowned with the success that is wished – the praise is due to the GRAND ARCHITECT of the Universe; who see fit to suffer his superstructures and justice, to be subjected to the ambition of the Princes of this world…”. The original letter is in the possession of the Grand Lodge of New York (or was) in 1905 as cataloged in their inventory. SIZE: 19-3/4″ x 13-3/4″ framed. CONDITION: Not examined out of frame, cracked at folds, paper tape repair on one sheet as can be seen in photos. Foxed and soiled. Gilt frame and matting are fine. 50463-6 (200-300) – Lot 2573

2574
$296.25

CARVED AND PAINTED MODERN CIGAR STORE INDIAN.

The one piece carving shows an Indian chief standing on a round yellow and green base. He holds a bundle of cigars and wears a long headdress and colorful costume. SIZE: 71″ h. PROVENANCE: Private Maine/Texas Collector. CONDITION: Visible cracks in back and feet otherwise very good.. 50012-78 (500-800) – Lot 2574

2575
$0.00

FOLK ART BANJO WITH AFRICAN AMERICAN BOY CHORUS IN THE STYLE OF AUGUSTA SAVAGE (1892-1962).

This hand painted composite folk art banjo with a series of eight African American boys’ heads along the neck and fret board is unsigned. Each of the boys with different mouth configurations indicating singing at a different note or word. Unknown age and origin. In the style of folk artist and sculptor Augusta Savage. SIZE: 25″ long. CONDITION: Generally very good. 50898-2 (800-1,200) – Lot 2575

2576
$177.75

CARVED AND PAINTED WOOD RED-SHOULDERED HAWK BY RICHARD KOEDITZ.

The finely detailed carving shows a perched hawk on a driftwood branch atop a round wood base with title and artist. Nicely detailed carving with realistic paint. SIZE: 16-1/2″ h. Total height on stand is 31″. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. 50012-103 (600-900) – Lot 2576

2577
$148.13

CARVED AND PAINTED WHITE HERON BY RICHARD KOEDITZ.

Fine carved and painted wood heron having realistic feathering. Shown standing on a naturalistic wood base which is hand-signed Richard Koeditz. SIZE: 14″ h. With base 16″h. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. Very tip of 1 claw missing and scuffed at end of beak. 50012-106 (500-800) – Lot 2577

2578
$237.00

FINE CARVED AND PAINTED SCREECH OWL BY RICHARD KOEDITZ.

The owl finely carved and painted with realistic feathering displayed perched on a branch attached to an oval base having a metal artist and title plaque. SIZE: 7″ h. With base, 11-1/4″ h. CONDITION: Very good. 50012-105 (300-500) – Lot 2578

2579
$177.75

FINE CARVED AND PAINTED WOOD SWAINSON’S HAWK BY RICHARD KOEDITZ.

Finely detailed carving with realistic paint carved as perching on a driftwood branch having an oval base with title and artist plaque. SIZE: 16″ h. Total height with stand 24″ h. PROVENANCE: Private Maine/Texas Collector. CONDITION: One talon claw missing otherwise very good. 50012-104 (600-900) – Lot 2579

2580
$207.38

CONTEMPORARY CARVED WOOD EAGLE.

Natural wood carved eagle with wings 1/2 spread, perched on branch which is mounted to rectangular wood block. Eagle is set with 2 yellow and black eyes and is unsigned as to the carver. SIZE: 22″ h x 26″ wingspread. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. 50012-14 (300-500) – Lot 2580

2581
$177.75

HANDCOLORED STEEL ENGRAVING “BOSTON” AFTER A PAINTING BY J.W. HILL.

Restrike of the famous print published in 1857 by R.F. Smith engraved by C. Mottran. Scene shows several ships in a busy harbor with the capital city in the background. Presently matted in black with gold trim. SIZE: Sight: 29″ x 42″. Image: 24-1/2″ x 38-1/2″. CONDITION: Very good. 50562-6 (300-400) – Lot 2581

2582
$0.00

HAND WATERCOLORED STEEL ENGRAVING “BOSTON” AFTER A PAINTING BY J.W. HILL.

This fine restrike shows Boston harbor with many boats and the capital city in the background. The original printed in 1857 by B.F. Smith and engraved by C. Mottran. Unframed. SIZE: 35-1/2″ x 48″. Image: 24-1/2″ x 38-1/2″. CONDITION: Very good 50336-9 (500-600) – Lot 2582

2583
$0.00

PAIR OF COLORED ENGRAVINGS: US 44-GUN FRIGATE “CONSTITUTION”.

Published May 1, 1924, London by Robert Dunthorne & Son. Loosely mounted in hinged mats, ready for framing. SIZE: With Margin: 21-1/2″ x 27″. Image: 13″ x 20″. Outside mat: 24″ x 29-1/2″. CONDITION: Very good. 50562-4 (600-800) – Lot 2583

2584
$355.50

JOHN MECRAY (American, 1938-) THREE LIMITED EDITION SAILING PRINTS.

1) “Fetching the Mark” 586/850, pencil signed lower right. 2) “Reliance Leading Shamrock III” 622/750, pencil signed lower right. 3) “The Concorndia Yawls-Celebrating Their 50th Anniversary 1938-1988″ 332/750, pencil signed lower right. All nicely housed with multiple, colorful mats. SIZE: 1) Sight: 18-1/2″ x 19″. Overall: 27″ x 27″. 2) Sight: 19-1/2″ x 35″. Overall: 26-1/2″ x 41-1/2″. 3) Sight: 17″ x 26″. Overall: 26″ x 35”. CONDITION: All very good to excellent, not examined out of frames. 50384-3 (600-800) – Lot 2584

2585
$237.00

TWO SMALL NAUTICAL DRAWINGS.

1) Unsigned watercolor of a three-mast black hulled ship sailing right to left flying a red flag with blue cross. Dolphins are seen swimming off the bow. Housed in a simple wood frame with white mat. 2) “Sailboats on Casco Bay, 1881 a pencil drawing by Mary K. Longfellow”. Having an exhibition label on reverse from Barridoff Galleries, 1982. Unsigned. Housed in a modern gilt frame with white mat. SIZE: 1) 3-1/2″ x 6-1/2″. Overall: 8-3/4″ x 12″. 2) Sight: 3-3/4″ x 5″. Overall: 9-3/4″ x 11″. CONDITION: 1) Good. 2) Very good. 50558-12 (400-500) – Lot 2585

2586
$533.25

WALNUT FOUR-TIER HANGING WALL SHELF.

Mid 19th century, New England. Shelf of dovetailed construction. Four single board shelves each of increasing width joined to well shaped side panels. SIZE: 35-1/2″ h x 36″ w x 8″ d. CONDITION: Shelves with original surface, dark patina showing normal and expected light abrasions from normal use. 50552-7 (1,000-1,500) – Lot 2586

2587
$177.75

TWO-PIECE EUROPEAN PINE CORNER CUPBOARD.

The small size cupboard having a bottom section with one cupboard door having one shelf behind. The top section having a glass door with six panes behind which are two shaped shelves. Nice chip carved designs and molded top with small carved drops. SIZE: 79″ h x 38-1/2″ w x 18″ at deepest. 24″ out from the corner. CONDITION: Stripped of paint, some insect damage, small cracks and some tightening necessary. Good. 50802-10 (300-500) – Lot 2587

2588
$0.00

PRIMITIVE WALNUT BLANKET OR STORAGE CHEST.

Circa 1905, Spain. The rectangular pine lid with molded edge joined to the conforming case with snipe hinges opening to a storage well. The box with plank walnut sides and bottom. The front carved with the following inscription in script: “Costeado por Don Martin Lopez Marzo 19. de 1905”. Also mounted with a square escutcheon. SIZE: 16-1/2″ h x 47-1/2″ l x 15″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: Pine lid a later replacement, otherwise structurally good. Slight warpage to seam of boards on front of chest. Good overall. 50800-149 (300-500) – Lot 2588

2589
$533.25

KACHLI ORIENTAL RUG.

Late 19th/early 20th century, Afghanistan. The central rectangular medallion of cross and candlestick design divided in four parts within a main border of stepped geometric medallions of Turkoman guls all on a brick red field. The rug with an end panel in iron brown decorated with rows of dense rose red and indigo pinwheels. SIZE: 3’8″ w x 5’2″ l. CONDITION: With overall even wear, foundation visible in some areas, loss to selvedge and to fringe at either end, and with some early small repairs. 50647-13 (400-600) – Lot 2589

2590
$355.50

SEMI-ANTIQUE SENNEH ORIENTAL RUG.

West Persia, second quarter 20th century. Three aligned pole medallions with serrated edges in a midnight blue field within multiple borders of terracotta, ivory, rose, and mustard floral filled guard borders. SIZE: 5’1″ x 7’3″. CONDITION: Good with even wear overall but retaining good pile. With areas of professional re-woven repair throughout. 50494-20 (400-600) – Lot 2590

2591
$355.50

GROUP OF FOUR SMALL ORIENTAL RUGS.

Northwest Persia, second quarter 20th century. The group comprised of three Hamadan scatter rugs and a Heriz area rug. The first three with dense floral sprays and vinery on brick and cherry red grounds, each with floral borders. The Heriz with central spider medallion flanked by indigo square geometric medallions on a brick red ground with dense geometric stylized flower heads within multiple floral borders. SIZE: 1) 2’7-1/2″ x 5’1-1/2″. 2) 2’6″ x 5’2″. 3) 3’4″ x 4’11”. 4) 3’2″ x 4’3-1/2″. CONDITION: Two Hamadans retain good pile, one with loss to corner, the third with moderate wear showing some wear to foundation. The Heriz with loss to ends, moderate wear to foundation in central areas. 50494-48 (400-600) – Lot 2591

2592
$148.13

ANGELIS ORIENTAL RUG.

Second quarter 20th century, Persia. Delicate dark blue floral lattice work centering a small diamond medallion with turquoise tarantula leg border all on a burgundy ground within an indigo main border of floral trellis-work. SIZE: 3’5″ x 4’10”. CONDITION: Even full pile, losses to fringe at each end, strong even color throughout. 50270-68 (300-500) – Lot 2592

2593
$1,777.50

BEAUTIFUL GROUP OF FRAMED CIVIL WAR LITHOGRAPHS AND EPHEMERA.

This grouping consists of 2 Lucius Prang chromolithographs circa 1910 of Sheridan’s historic ride and battle at Winchester, Virginia. Framed beneath one of the prints is a pair of Civil War brass crossed saber Cavalry insignia that would have been worn by Sheridan’s men. There is a framed 19th century steel engraving of Major General Sheridan by Sartain. There are a large pair of matching 19th century steel engravings of Abraham Lincoln and Ulysses S. Grant (image size 15″ x 20″). There is a frame memorializing Stonewall Jackson with a large Sartain engraving “STONEWALL JACKSON” with a fine example of a $500 dollar Confederate note depicting Confederate battle flag and vignette of Jackson. This rare Confederate note has good pink color, bright signatures. There is a fine framed colorized image of General Robert E. Lee framed with a fine “1861” dated Confederate $50 dollar bill with vignette of President Jefferson Davis. Rounding out the set is an extremely fine US Fractional 15 cent note dated “1863” with vignettes of General Sherman and Grant along with fine facsimile photographs of each in the field. SIZE: Frames range in size from 24″ x 17″ to 29″ x 24″. CONDITION: Contents of frames are fine to excellent. Frames are all archivally matted with museum glass. Frames overall are fine with a few small chips to jesso as can be seen on corners. 50322-1 (2,000-3,000) – Lot 2593

2594
$0.00

WAR OF 1812 CHROMOLITHOGRAPH DEPICTING ADMIRAL PERRY AND THE BATTLE OF LAKE ERIE.

Chromolithograph depicting Admiral Perry standing in a large row boat with eight other men, the front of the boat having a mast with fluttering American flag having 13 stars. The left side shows the stern of a crippled ship and there is smoke billowing across the scene in front of other ships and sails. Signed lower left in the print “Strobridge & Co. Chromo, Cin. O.”. Housed in a Victorian walnut frame with gilt liner. SIZE: Sight: 16″ x 22-1/2″. Overall: 27-1/4″ x 20-1/2″. CONDITION: Generally good, some age toning, water stains. Not examined out of frame. 50904-5 (200-400) – Lot 2594

2595
$1,303.50

DECORATIVE COLLECTION OF EDGED WEAPONS AND SHIELDS.

The lot includes a 30″ x 25″ walnut wall plaque of a opposing eagles with crown with a shield center holding two 32″ reproduction made in India swords; a enameled decorative 43″ sword; a 38″ enameled decorated sword marked “Toledo”; a 37″ primitive cane-style sword; four daggers with sheaths; one decorated with shells; 23″ child’s size sword. Along with two shields. SIZE: As indicated above. PROVENANCE: From a fine New Jersey home. CONDITION: Generally good, the child’s sword as found. 50494-10 (600-900) – Lot 2595

2596
$0.00

FIVE LIGHTHOUSE RELATED ITEMS.

Lot includes: 1) Wooden lighthouse whirly-gig with windmill-type blade having a full-mast ship signed “Stanley”. 9″ high x 18″ long. 2) Wood and plaster model of a lighthouse with connected buildings with a rowboat and oars beside. There is also a fog bell mounted on the corner. 7″ high x 10-1/2″ l x 5″ deep. 3) 7-1/2″ high painted tin lighthouse bank, missing it’s trap. 4) 6-1/2″ high wood decorated lighthouse. 5) 5″ high porcelain lighthouse decorated with shield “Margate”. SIZE: As noted above. CONDITION: All are structurally sound, but have wear and use damage, including chips, loss of paint, etc. 50802-14 (600-900) – Lot 2596

2597
$592.50

TWO CAST IRON LIGHT HOUSE DOOR STOPS AND A LIGHT HOUSE STILL BANK.

1) 13-3/4″ high X 9″ wide light house doorstop in black and white paint with grey rocks, unmarked. 2) 3-1/2″ x 6″ low cast iron lighthouse doorstop titled “Portland Head”. The scene shows Portland Headlight with its connected multiple buildings and rocky shore edge. Unmarked. 3) 6″ high x 3-1/2″ wide cast iron still-bank painted with white, black, green and blue paint. SIZE: As noted above. CONDITION: 1) Appears to have original paint with considerable rust showing through. 2) Original paint, some light rust, generally good. 3) Some wear to paint, otherwise good. 50802-9 (600-900) – Lot 2597

2598
$0.00

TWO LIGHTHOUSE FORM LIGHTERS AND TWO LIGHTHOUSE FORMED THERMOMETERS.

Lot includes: 1) 11″ high metal lighthouse with a side thermometer, unmarked. 2) 6″ high lighthouse form butane lighter. 3) Metal two-part lighthouse lighter, missing lighter mechanism, signed “ENTURN PEWTER MADE IN ENGLAND”. 4) Interesting 7″ metal lighthouse formed match safe and thermometer. The lighthouse is fitted with a hinged lid for compartment of matches, the side fitted with a thermometer. Beside the lighthouse is a sailboat all attached to a 5″ X 3″ base that has an oval match striker affixed.IMPORTANT NOTE: This lot can only be picked up at our Fairfield office and cannot be shipped. SIZE: As noted above. CONDITION: 1) Top of the glass tube has been broken off. 2) Very good. 3) As noted above, some dents and scratches. 4) Some light dents, good. 50802-13 (800-1,200) – Lot 2598

2599
$0.00

BASKET OF FRUIT THEOREM ATTRIBUTED TO DAVID ELLINGER (1913-2003).

Striped gold and red basket holding plums, strawberries, pears, etc. Housed in an antique gilt frame behind glass. SIZE: Actual: 12″ x 15″. Overall: 16″ x 19-1/2″. CONDITION: Some uneven toning, otherwise good. 50904-7 (500-1,000) – Lot 2599

2600
$237.00

GROUP OF FOUR SHEET METAL SILHOUETTE WEATHERVANES.

Second half 20th century, New England. Group comprised of sheet iron rooster on arrow with directionals mounted to pine block base, sheet aluminum example of horse and buggy mounted to arrow, sheet iron silhouette of swan and 2 goslings, and sheet iron silhouette of whaling boat pursued by whale. SIZE: Tallest 35-1/2″ h x 28″ l. Shortest 11″ h x 19-1/2″ l. CONDITION: All weathervanes display varying degrees of corrosion commensurate with age and weathering, whale on Nantucket Sleigh Ride vane has been joined in construction at midsection and seam is visible. Otherwise good overall. 50558-26 (400-600) – Lot 2600

2601
$497.70

FEDERAL INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS.

First quarter 19th century, North Shore, MA. The rectangular bowfront case fitted with two conforming long drawers with bird’s-eye maple panels within crossbanded mahogany borders with stamped brass period hardware and ebony escutcheons above a scalloped and shaped apron now raised on associated tapering square legs. NOTE: This object originally a 4-drawer chest that has been converted to a 2-drawer chest with added legs where it functioned as a server. SIZE: 36″ h x 40-1/2″ w x 10″ d. CONDITION: As noted above, this chest is a conversion with replaced legs and shortened case. In addition there are multiple losses to veneers at front of top and on drawer dividers. 50647-4 (700-900) – Lot 2601

2602
$355.50

THREE 20TH CENTURY WATERCOLOR MINIATURES.

Lot consists of: 1) Patterned after the “Puffy Arm” artist shows a woman with silhouette head in black and water colored red and gold dress holding a book. Housed in a black molded wood frame behind glass. 2 & 3) A pair of watercolor silhouettes titled in pen “Comfort Converje Born April 15, 1800”. The other, “Benjamin Converje Born March 20, 1795″. Both housed in antique veneer frames behind glass. SIZE: 1) Site: 4″ x 3″. Overall: 7″ x 6″. 2 & 3) Site: 5″ x 4″. Overall: 8″ x 7”. CONDITION: 1) Very good. 2 & 3) Good. 50904-8, 50904-9., (300-500) – Lot 2602

2603
$0.00

GOOD VENETIAN PAINT DECORATED MIRROR TOGETHER WITH CHIPPENDALE STYLE MAPLE MIRROR.

18th and 20th century, Italy and American. 1) 18th century Venetian example with crest shaped mirror plate within conforming deep molded frame surmounted by C-scrolled foliate crest above pierced carved foliate floral and scrolled edges terminating in a pineapple pendant apron all decorated with polychrome floral sprays with gilt highlights. 2) 20th century Chippendale style, maple mirror. Rectangular mirror plate within a molded surround, scrolled crest with conforming ears above the shaped apron flanked by scrolled ears. SIZE: 1) 32″ h x 18-1/2″ w. 2) 36″ h x 19-1/2″ w. PROVENANCE: From a private Massachusetts collection CONDITION: 1) Leaf tip on crest re-attached. Cracks to molding at shoulder with loss to leafage proper left shoulder. Minor chips and paint losses along edges. Mirror plate replaced. Backboard original. 2) Original surface. Very good overall. 50800-49, 50800-138, (200-300) – Lot 2603

3000
$414.75

FINE VICTORIAN OAK AND WICKER FANCY STAND BY HEYWOOD BROS. & CO., GARDNER MASS.

The three-tier stand supported by curved legs which support a bottom oval shelf. The oval top having a C-shaped shelf above with 4 decorated supports. Wicker woven edges supporting a top wood bead edge. Original label affixed on underside. SIZE: 34-1/2″ h x 30″ w x 20″ d. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good with glue reinforcement to board separation on top. 50012-62 (300-500) – Lot 3000

3001
$948.00

3-TIER FANCY WICKER CORNER SHELF AND 3-TIER WICKER SHELF.

1) Graduated triangular woven shelves. Curly-cue decoration throughout. 2) Square 3-tier wood and wicker shelf having dark finish and curly cue and bead decoration. SIZE: 1) 59″ h x 15″ at deepest. 2) 36″ h x 17-1/2″ w x 13″ d. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. 50012-64, 50012-88, (300-500) – Lot 3001

3002
$1,777.50

OUTSTANDING VICTORIAN FANCY WICKER AND OAK ROUND STAND.

The round oak top having a fancy wicker bead decorated skirt supported by a center pedestal with 4 legs having scrolled fancy supports. Extensive bead and wicker decoration throughout. The legs ending in brass-capped caster feet. SIZE: 30″ h x 25″ dia. PROVENANCE: Private Maine/Texas Collector. CONDITION: Excellent dark honey-brown patina. One small bead face missing on skirt edge. 50012-63 (800-1,200) – Lot 3002

3003
$592.50

FANCY VICTORIAN WICKER ETAGERE.

The 5-tier shelf having an open back with scrolled curly-cues. Woven shelves at different levels supported by curved legs with curly-cue decoration and a fancy gallery top. SIZE: 63″ h x 28-1/2″ at widest x 15″ at deepest. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. 50012-89 (500-800) – Lot 3003

3004
$1,540.50

OAK AND WICKER VICTORIAN REVOLVING BOOKCASE.

The square 4-tiered bookcase having partial wicker and bead decorative sides revolving on a metal spindle with cross-leg base with casters. SIZE: 39″ h x 18-1/2″ square. PROVENANCE: Private Maine/Texas Collector. CONDITION: Refinished. Very good. 50012-91 (400-600) – Lot 3004

3005
$2,429.25

FINE VICTORIAN OAK AND WICKER 2-TIER ROUND STAND BY HEYWOOD BROS., SAN FRANSISCO.

Retains original label on bottom. Two round oak tops supported by a fancy wicker frame with curly-cue decoration. SIZE: 29″ h x 26-1/2″ dia. PROVENANCE: Private Maine/Texas Collector. CONDITION: Refinished. Very good. 50012-73 (250-400) – Lot 3005

3006
$2,370.00

FINE VICTORIAN WICKER ARMCHAIR AND WICKER ROCKER.

1) Very fancy high-quality wicker armchair having rolled arms and back, fancy beaded spindles, cross hatching and curly cues. An added element is woven balls with pine needle type decoration. A spring reinforced seat with woven top. 2) Rolled arm and back rocker with cross-hatched open design retaining an original label of Heywood Bros. in Chicago. Wood and woven seat. SIZE: 1) 40″ h x 28″ at widest x 28″ at deepest. 2) 34″ h x 27″ w x 34″ rocker depth. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. Very nice patina. 50012-90, 50012-94, (500-800) – Lot 3006

3007
$266.63

VICTORIAN WICKER HIGH CHAIR AND 2-PIECE BOWL ON STAND BY HEYWOOD BROS. & CO. GARDNER, MASS.

Both retain original labels to bottom. 1) Rolled arm and back high chair having a woven seat and crossed open design. High legs ending in copper cap feet. Foot support rail. Missing tray. 2) Woven open bowl having original label which sets into a cross-stick base with curly cue and woven accents. SIZE: 1) 41″ h x 18″ at widest x 24″ seat height x 19″ at deepest. 2) Bowl is 10″ dia. x 28-1/2″ h x 13″ widest. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. 50012-84, 50012-87, (200-400) – Lot 3007

3007A
$237.00

AMERICAN CLASSICAL REVIVAL CARVED TALL CASE CLOCK, PROBABLY NEW YORK STATE.

Last quarter 19th century. Case appears to be made of poplar. The molded cornice surmounted with brass eagle and spire ball finials, projecting above the rectangular bonnet, the astragal door opening to a painted wood arched dial with Roman numeral chapter ring centering a brass rondel stamped with floral vinery, the whole within thistle sprays surmounted by a painted seaside scene within the arch. The brass works time-and-strike with chain winder, above the throat fitted with a panel door profusely carved with dogwood floral sprays, mounted with cast-brass hinges, above the molded box base with molded plinth. SIZE: 97″ h. x 12-3/4″ throat w. x 9-1/2″ d. PROVENANCE: From the Ticonderoga, New York, home of the Bascom family. The door an example of Miss Doris Bascom’s artistry, for which carving she had won a prize at the Women’s Pavillion at the Chicago World’s Fair, 1893. It is purported to be a later addition to the clock case after 1893, but before 1897. The clock was passed on to Dr. & Mrs. Isaac Sharon, and in 1961 was purchased by Bartley L. Larson, Sr. Then to the current owner. CONDITION: Old dark and crackled finish is original, with a red wash overall. 16397-40 (300-600) – Lot 3007A

3008
$711.00

FINE KIRMAN PALACE CARPET.

South Persia, third quarter 20th Century. The large central Arabesque medallion on an ivory field within a large yet delicate floral scrolling border in pastel shades of blues, greens and pink. SIZE: 11′ 6″ x 21′ 3″. PROVENANCE: From Private Home. CONDITION: The rug retains generally full pile. Exceptions are spot areas of loss and wear in one quadrant at end, visible on close inspection but not affecting overall appearance. Note: close-up and detail photographs available on website. 49704-1 (1,200-1,800) – Lot 3008

3009
$5,036.25

FABULOUS SIX PIECE STERLING TEA, WATER, AND COFFEE SERVICE BY ELLMORE SILVER COMPANY, INC. IN THE CHAMPLAIN PATTERN.

The set consists of a 14″ h hot water kettle on stand with integral burner, a 12″ h coffee pot, an 11-1/2″ h teapot, a 8-1/2″ covered sugar, a 7-1/4″ creamer, a 5-1/2″ waste bowl, and a 30″ x 18-1/2″ double handled hand chased sterling tray number 7191. Each piece having a triple script monogram. The set with repousse cornucopias of fruit decoration. SIZE: As stated above. Total weight: 200 tr. oz. CONDITION: Very good. 50301-5 (4,000-6,000) – Lot 3009

3010
$1,185.00

TWO STERLING SILVER TEA SETS WITH ASSOCIATED TRAY.

1) A three piece set comprised of a tall 9-3/4″ h footed pot along with a 5″ h footed creamer and 5″ h sugar bowl. Etched design of vines and flowers circling the bodies as well as the flat formed foot. Monogrammed. All marked “Shreve, Crump & Low Co Sterling 610″ and an eagle hallmark. Weight: 28.6 tr. oz. 2) A Towle three piece set consisting of a handled 8-1/2″ h teapot, 3-1/4″ h creamer and 3” h sugar bowl. All monogrammed and marked on the underside “Sterling H. Kohn & Sons 5513″ along with the Towle hallmark. Weight: 19.5 tr. oz. Comes with associated 12” dia round tray from Shreve, Crump & Low marked “Sterling 1864”. Weight: 21.5 tr. oz. SIZE: See description. Total weight: 69 tr. oz. Special Note: This item contains plant or animal properties that may be covered by the Endangered Species Act (ESA). We have taken care to ensure that this item meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA. It is the bidder’s responsibility to ensure that it is lawful to purchase or transport this item into their state, and to obtain the necessary import and export approvals. Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item and consummating the purchase. CONDITION: 1) Loss of pin to hinge of cover. Adhesive residue visible on handle surrounding heat stops in pot. 2) Teapot and creamer with dents in body. Tray with surface scratching along with a few small dings in center. 50548-4 IVORY (500-800) – Lot 3010

3011
$1,185.00

SET OF FOUR STERLING SILVER TALL CANDLESTICKS BY REED & BARTON.

Marked on base “Sterling S575A”. Candlesticks with removable bobeches, also accompanying this set are four clear glass bobeches. The candlesticks have round bases, tapered shaft and tulip-form candle cup. They are decorated with repousse roses and “c” scrolls. Each monogrammed in triple script monogram. SIZE: 13″ h. CONDITION: Two bobeches remove easily, the other two are stuck. One candlestick with slightly mis-shapened top, very minor dimples if any, generally very good. 50567-12 (800-1,200) – Lot 3011

3012
$1,422.00

NINE PIECE SILVER BERRY SET, FANCY BOWL AND FRENCH PITCHER.

Lot includes: 1) 10″ diameter x 3-1/2″ high Large master bowl and eight 4-1/4″ diameter x 1-3/4″ small bowls high. Marked on side “KEPKYPA BNK 800”. The Greek set having a decoration of foliate scrolls in repousse pattern covering 50% of the bowl with a center multi-rayed star. 2) 2″ high x 9″ diameter repousse bowl marked “900”. The bowl with a flattened rim having flower heads and the bottom with the pushed up dome area, with similar design. 3) 7″ high cylinder type pitcher with “C” shaped handle and a bottom 2″ decoration of indented commas. The side hallmarked “800”. SIZE: Sizes as noted above. TOTAL WEIGHT: 67 tr. oz. CONDITION: Generally very good. 50463-5 (800-1,200) – Lot 3012

3013
$5,332.50

LARGE LOT OF TWO HUNDRED SEVENTY ONE PIECES OF STERLING SILVER FLATWARE INCLUDING A ONE HUNDRED SEVENTY-EIGHT PIECE ASSEMBLED SET IN THE KING-STYLE PATTERN.

Assembled set of King-style pattern includes: George Shiebler: thirteen 8-1/2″ tablespoons, twelve 6″ teaspoons, five 7-1/4″ forks, twelve 7″ spoons, ten 8″ solid dinner knives; two 8″ forks by Tiffany & Company, eight 7-1/2″ forks and one 7-1/2″ ladle by Whiting; twelve English 7″ forks London, 1911/12, makers mark “C&S Co”; thirteen 7″ forks with unidentified maker, three 8″ forks with unidentified maker, four 6-3/4″ forks by “Bigelow, Cennard & Co”; “Dominick & Haff”: ten 6″ salad forks, twelve 5-1/4″ hors d’oeuvre forks, twelve 5-1/4″ bullion spoons, eleven solid-blade butter knives, six 7-1/2″ solid luncheon knives; Gorham: six 4-3/4″ bullion spoons; twelve 10-1/2″ hollow-handle dinner knives with English hallmarks, nine 9-1/2″ dinner knives, unmarked, one 6″ English hallmarked sugar tongs, 9″ and 10″ carving set, unmarked, a pair of 8-1/2″ spoons. Ninety-three miscellaneous pieces include: ten 5-3/4″ teaspoons with French hallmark, Cherub pattern; ten 5-1/4″ teaspoons with a fancy handle and engraved bowl; ten 5″ spoons by Gorham in the “Lady Washington” pattern; eleven 4″ spoons, no maker, decorated with birds; three 5″ enamel decorated spoons “PENINSULAR & ORIENTAL STEAM NAVIGATION COMPANY” and other miscellaneous pieces, mostly small flatware and small service pieces. SIZE: Sizes as noted above. Total weight: 268 tr. oz. CONDITION: Assembled set of King-style pattern generally very good, shows some wear and many pieces monogrammed. Of ninety-three miscellaneous pieces, generally good, some pieces show wear. 50602-2 (1,500-2,000) – Lot 3013

3014
$1,185.00

LOT OF 57 PIECES OF STERLING AND 17 PIECES OF COIN SILVER.

Sterling includes: a service of forty-seven pieces of Towle Company in the “Bostonian” pattern, along with 10 miscellaneous pieces of sterling, mostly spoons. Coin silver includes: eight 9″ table spoons by various makers including Joseph Raynes, A Sanborn, E. Baker, and O. Corbett. Eleven 6″ teaspoons by various makers including A Sanborn (5) and N. Harding (6). Other pieces include three salt spoons, one sugar shell, one fork and one small spoon. Along with a hinged mahogany silver box with two side brass handles (some damage at back of top) and missing escutcheon plate. SIZE: STERLING WEIGHT: 54 tr. oz; COIN SILVER WEIGHT: 18 tr. oz. TOTAL SILVER WEIGHT: 72 tr. oz. CONDITION: Generally good, some silver shows wear. 50647-25 (800-1,200) – Lot 3014

3015
$1,303.50

FORTY-SEVEN PIECES OF AMERICAN STERLING SILVER INCLUDING SERVING PIECES.

Lot includes: 1) Six 8-1/2″ spoons, marked “Palmer Bachelder & Co” in a fancy feather type pattern. 2) Six 8-1/2″ spoons and six matching 6″ spoons, marked “E. Jaccard & Co”, 8-1/2″ monogrammed with a fancy handle, 6″ monogrammed on back. 3) Seven 6″ teaspoons, marked “E. E. Isbell & Co.”, decorated with bird and berry vine. 4) Twelve 4-3/4″ demitasse spoons having gold-wash bowls, marked “Bailey & Co”, single monogram on back. 5) Three 8-1/2″ spoons, marked “Duhme”, twist center handle, triple monogram. 6) Pair of 9″ berry spoons with gold-wash repousse bowls, twist handles and triple monogram; the back is marked “E.C. Garrett”. 7) Five miscellaneous serving pieces: 5-1/2″ sugar scoop, 7″ ladle, 9-1/4″ pie server, 9″ server, 7″ fork. SIZE: Sizes as noted above. TOTAL WEIGHT: 57 tr. oz. CONDITION: Generally very good. 50558-22 (800-1,000) – Lot 3015

3016
$1,303.50

TWO PIECE SILVER TROPHY ON STAND.

6-1/2″ Top removable double-handled bowl, marked with a hallmark of “crescent moon and crown 800”. Engraved on one side in a decorative cartouche is “14/September 1876-1901”. On the other side is an inscription as follows: “1876-1926/zurerinnerung an den tag der/goldenen hochzeit/von/theodor kremser geboren 15.sept.1844/und sofie geb. fries geboren 24. mai 1857/kempten./14. september 1926”. The interior with gold-wash, the bottom having an attachment that secures it to the base, which is missing. The 10″ base being of tree form, holding a shaped receiving bowl, all over decorated with berries and leaves. The shaft with open-work branches starting as a trunk with pierced roots on a circular base, which is marked with the same hallmarks and “800” as the top bowl. The interior also set to fasten the bowl which has been broken off. SIZE: Size overall 14″ h x 10″ w. TOTAL WEIGHT: 53 tr. oz. CONDITION: Generally Very good also noted above. 50464-3 (600-700) – Lot 3016

3017
$5,332.50

GILROY ROBERTS (American 1905-1992) “THE GREAT AMERICAN EAGLE”.

Cast sterling silver on wood plinth, mounted on a tapered side black wood plinth with artist and title plaque. On back of base “109/200 Sterling”, underneath wing is copyright “FM 75”. Monogrammed “75” limited edition of 200 cast in sterling silver by the Franklin Mint. WEIGHT: Approximately 240 tr. oz. SIZE: 14-3/4″ h overall. 11-1/4″ h (eagle only) x 19-1/2″ w across wings. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. 50012-113 (3,000-5,000) – Lot 3017

3018
$1,066.50

THREE PIECE STERLING COFFEE SERVICE BY WILLIAM DEMATTEO.

The set consisting of a 8-1/2″ h coffee pot, a 5-1/4″ covered sugar bowl and a 3-1/4″ handled creamer. All with carved ivory handles and done in the “Lily” pattern. Each marked on the underside with “Sterling Hand Made” along with DeMatteo’s wheel hallmark. Total weight: 39 tr. oz. including ivory handles. SIZE: See description. Special Note: This item contains plant or animal properties that may be covered by the Endangered Species Act (ESA). We have taken care to ensure that this item meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA. It is the bidder’s responsibility to ensure that it is lawful to purchase or transport this item into their state, and to obtain the necessary import and export approvals. Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item and consummating the purchase. CONDITION: Very good. 50406-2 IVORY (800-1,200) – Lot 3018

3019
$3,555.00

IMPRESSIVE TWELVE PANEL SILVERED HANGING DOME LAMP CAST WITH GROTESQUE MASKS AND SCROLLING FOLIAGE.

Early 20th century, attributed to Duffner & Kimberly, New York. The cast-brass frame with silvered finish suspended from a foliate carved conical hanger joined to linked chain. The collar and lower rim cast with foliate vinery. Glass panels of a lemon, and lime green with shades of russet. SIZE: 32″ dia. x 35″ h (overall, approximately). CONDITION: Very good, silvering intact, very few if any tight hairline cracks. 50567-54 (2,000-4,000) – Lot 3019

3020
$4,147.50

HANDEL METAL OVERLAY TABLE LAMP.

Handel metal overlay lamp features eight bent carmel slag glass as well as mauve striated slag glass panels. Exterior of shade is further decorated with green accent paint to give the decoration a warm feel. Signed in the interior on a small tag “Handel”. Shade is supported by a Handel tree trunk form base with brown patina with verdigris and is completed by a three socket cluster, heat cap and three acorn pulls. Base is rewired with appropriate cloth cord. Base is impressed on the underside “Handel”. SIZE: Shade is approx 19″ dia. Lamp is 23″ h. CONDITION: Shade has old repair to bottom metal rim, otherwise very good. Base is very good with some minor wear to verdigris. 50567-55 (1,000-2,000) – Lot 3020

3021
$3,555.00

HANDEL SUNSET PALM TABLE LAMP.

Handel metal overlay table lamp has eight paneled shade with metal overlay design of palm trees against beautiful sunset glass. Shade rests on a Handel base with four cartouches of stylized flower heads leading up the vertically ribbed stem and four socket cluster. Base is finished in variegated brown patina. Base and shade are unsigned. SIZE: Shade is 25″ dia. Lamp is 29″ h to top of finial. CONDITION: Undisturbed original surface with fine patination. Shade is very good with wear commensurate with age. Bottom rim between feet of base has an approx 1-1/2″ casting flaw. Otherwise very good. 50567-52 (3,000-5,000) – Lot 3021

3022
$355.50

OUTSTANDING AUSTRIAN AMPHORA TYPE JEWELED “HOLLY” PATTERN VASE.

Marked on base “Made in Austria 1” “Holly 1013”. The shaped vase having a shoulder band with two colorful cabochons and grape & leaf motif. The ground is blue with a spider web type latticework intermingled with shaped pottery jewels. Gold highlighting to rim & lattice work. SIZE: 16-1/4″ h x 8-1/2″ at widest. PROVENANCE: Private Maine/Texas collector. CONDITION: Very good having some gold rub. 50012-140 (600-900) – Lot 3022

3023
$296.25

TWO SILVER AND BRONZE VASES BY THE HEINTZ ART METAL SHOP.

1) 10″ high cylinder vase having three applied silver iris’ on copper patinated bronze vase. The bottom marked “3613 B” with the shop mark and “Sterling on Bronze. Pat. Aug. 27, 12”. 2) 9-3/4″ high vase having silver overlay design over a copper finish ending at the bottom with green patina. The bottom marked “3695” company monogram in Sterling on Bronze, Pat., Aug….” SIZE: As noted above. CONDITION: Very good. 50567-64 (200-400) – Lot 3023

3024
$711.00

FINE HIGH GLAZED DECORATED ROOKWOOD EWER BY KATARO SHIRAYAMADANI.

The ewer having a light green to dark brown glaze decorated with blooming light orange flowers and leafy branch. Signed on bottom with artist name and “439 B S” with a Rookwood flame mark. SIZE: 10″ h. PROVENANCE: Private Maine/Texas collector. CONDITION: Very good. 50012-141 (400-800) – Lot 3024

3025
$948.00

ROOKWOOD ART POTTERY FAIENCE WATER FOUNTAIN.

The sculptured pottery fountain marked on the inside of the base “Rookwood Faience 1281″. The number 1281 was a number utilized for architectural shapes. The fountain in the form of a standing nude boy standing on a sphere wrapped with a wave which cradles his legs. The fountain nozzle protrudes from him upturned mouth. Green matte finish which has weathered over time because of outdoor use. This could be a stand along fountain or could have been used as a side fountain on a large circular fountain as illustrated on page 102 in the Book of Rookwood Pottery by Peck. SIZE: 30-1/2″ h, Base 10″ x 10”. CONDITION: One tip of wave missing, the base having edge chipping, uneven finish due to outdoor use. 50567-16 (1,500-2,500) – Lot 3025

3026
$118.50

GOOD ARTS & CRAFTS MISSION STYLE HANGING REVERSE PAINTED LIGHT.

The hanging light with a wood chain holding a sloped 4-sided dome with straight bottom panels. The trapezoid side angled panels reverse painted with sailboat on water. The bottom straight sides having three frosted horizontal panels each. The oak frame with dark finish. Unsigned. SIZE: 44″ h with chain; Shade is 24″ square x 14″ h. CONDITION: One side panel replaced, some scratches and losses to frosted outside surface of panels, otherwise good. 50800-83 (400-800) – Lot 3026

3027
$2,844.00

PAIR OF OAK ARTS AND CRAFTS REVIVAL FLOOR LAMPS WITH MICA SHADES BY AURORA STUDIOS.

Late 20th century, Aurora Studios, Troy, New York. A design by Michael Adams. Each floor lamp with conical mica four panel shade, mounted within a hammered copper frame, joined to square oak standard, continuing to four downswept supports supported by X-Form base. Base of standard with hammered copper band with impressed mark of maker. SIZE: 56″ h. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good overall. Undisturbed surface with no restoration repairs. 50800-41 (400-600) – Lot 3027

3028
$4,443.75

MID-CENTURY MODERN CARVED MAHOGANY DINING TABLE WITH FOUR CHAIRS, ANDREW J. WILLNER.

Circa 1960, American. This set comprised of shaped center table together with four matching side chairs. The leaf form chair backs and tabletop each raised on a tree form pedestal continuing to shaped flattened legs and feet. Each chair with solid saddle seat. Set of carved mahogany and walnut. Chair seats with incised initials “A.J.W.” and the date “Nov./72”. SIZE: Table: 31-1/2″h x 39″ d. Chairs: 48″ h of back , 18-1/2″ h of seat. 17″ seat w. CONDITION: Structurally very good with original surface. Minor light abrasions along some edges. 30548-14 (3,000-5,000) – Lot 3028

3029
$0.00

JOSEF HOFFMANN DESIGN FOUR PIECE SALON SUITE.

Vienna, Austria early 20th century. The suite comprised of a settee, two armchairs bearing the paper label of Mundus, and a hammered brass and beechwood circular side table. The settee and armchairs similar to earlier example marketed by Jacob & Josef Kohn as suite no. 423. The settee and armchairs each with bent beech wood, brown stained and polished U-form outswept crest rail joined to vertical bentwood supports centering a curved padded back above a U-shaped seat,each seat frame with suspended spherules beneath the front corners. Frame fitted with cushioned pad. The whole within a U-shaped frame, the pilasters continuing as leg supports. Now covered in a burgundy leather fabric in the style of the Wiener Werkstätte. The circular side table with sheet hammered brass top within a bentwood beech frame raised on a column with incurved sides fitted to a circular plinth base covered with conforming hammered brass base cover raised on compressed ball feet. NOTE: The seating group from a design by Josef Hoffmann in 1906 and manufactured initially by J. & J. Kohn as model no. 423 C/F. The set shows the design principles of Jugendstil in Vienna. The form is based on a semicircular seat frame. Vertical flat rods on a U-stand are supported by spherical links. Seats and rests are padded and covered with a fabric in the style of the Wiener Werkstätte. Josef Hoffmann (1870-1956). Josef Hoffmann was the son of intellectual, supportive parents who ensured he received the best possible education at the State Industrial School in Brno and later at the Academy for Fine Arts in Vienna under Otto Wagner. It was here, he got to know Joseph Maria Olbrich with whom he founded the Vienna Secession in 1897 that he already left again in 1905. He worked as a teacher at the arts college from 1899. In 1903 he founded the Vienna Workshop with Fritz Warndorfer and Koloman Moser. He co-founded the German Werkbund and, in 1912, the Austrian Werkbund. He worked as a designer and architect and his designs are still extremely popular. Jacob & Josef Kohn. Jacob Kohn (1791–1866) founded his company together with his son Josef (1814–1884) in 1849. They produced wooden components and soon began producing bentwood. They opened production centers in Bohemia, Krakow and Russia and already in 1900 more than 6300 workers were busy producing more than 5500 pieces of furniture each day. Thanks to the cooperation with such renowned artists as Josef Hoffmann, Otto Wagner, Adolf Loos and Gustav Siegel, the company soon made a name for itself as the producer of fashionable and modern furniture. They received many awards, gold medals and even medals from Austria, Spain, Belgium and Russia. The company merged with the Mundus AG in 1914 that also produced for Thonet (Thonet-Kohn-Mundus). Mundus Furniture: In 1914 Mundus merged with J. & J. Kohn, and in 1922 with Gebrüder Thonet. SIZE: Armchairs: 30-1/2″ h x 17-1/2″ seat height x 22-1/2″ w x 22-1/2″ d. Settee: 31″ h x 18-1/2 seat height x 49″ w x 23-1/2″ d. Table: 29″ h x 22-1/2″ dia. CONDITION: Settee and armchairs with irregularly sun-bleached surfaces. Proper left hand grip of settee with crescent shaped patch. Proper right arm with rectangular patch on outer edge of hand grip. Otherwise structurally good. Sheet brass tabletop in need of reattaching to table frame. Two of the six compressed ball feet absent otherwise good. 50301-1 (3,000-5,000) – Lot 3029

3030
$177.75

RARE PAIR OF GILBERT ROHDE DESIGN CHROME PLATED “Z” STOOLS.

Mid 1930’s for Herman Miller Inc., New York. Each example of typical form with round cushion mounted on circular frame continuing to parallel tubular canted support rods joined by horizontal conforming foot rest, the whole on circular, tubular base; a continuation of the support tubes. Tubes are composed of chrome plated copper. SIZE: 24 to 25″ h x 15″ dia. 8-1/2″ h (footrest). CONDITION: Textured black leather seat cushions possibly original, chrome plating generally intact showing areas of wear and abrasion, notably under support tube. Otherwise very good. 50567-78 (300-500) – Lot 3030

3031
$948.00

WARREN MCARTHUR LABELED LOUNGE CHAIR WITH ARMS.

1933 and later, Rome, New York. Probably a variation of the 1933 “Biltmore” chair originally designed for use in the Biltmore Hotel, Phoenix, AZ. This design with rectangular upholstered back above an elongated conforming cushion seat, set on a signature aluminum tubular banded seat frame with hard rubber circular fitted arm rests and similar discs mounted on the lower front and rear seat frame, which serve as rolling casters. Each chair with the original blue paper Warren McArthur, Rome New York, label. SIZE: 32″ h (at back), 16″ h (at seat) x 23″ w (overall). CONDITION: Structurally very good, brown fabric upholstered without stain or blemishes, rear two roller casters worn and split, front casters functional. 50567-69 (1,000-2,000) – Lot 3031

3032
$1,066.50

WARREN MCARTHUR LABELED LOUNGE CHAIR WITH ARMS.

1933 and later, Rome, New York. Probably a variation of the 1933 “Biltmore” chair originally designed for use in the Biltmore Hotel, Phoenix, AZ. This design with rectangular upholstered back above an elongated conforming cushion seat, set on a signature aluminum tubular banded seat frame with hard rubber circular fitted arm rests and similar discs mounted on the lower front and rear seat frame, which serve as rolling casters. Each chair with the original blue paper Warren McArthur, Rome New York, label. SIZE: 32″ h (at back), 16″ h (at seat) x 23″ w (overall). CONDITION: Frame and upholstery very good, rear roller casters one is split one is worn flat. Front casters one with split and one worn flat. 50567-76 (1,000-2,000) – Lot 3032

3033
$948.00

WARREN MCARTHUR LABELED LOUNGE CHAIR WITH ARMS.

1933 and later, Rome, New York. Probably a variation of the 1933 “Biltmore” chair originally designed for use in the Biltmore Hotel, Phoenix, AZ. This design with rectangular upholstered back above an elongated conforming cushion seat, set on a signature aluminum tubular banded seat frame with hard rubber circular fitted arm rests and similar discs mounted on the lower front and rear seat frame, which serve as rolling casters. Each chair with the original blue paper Warren McArthur, Rome New York, label. SIZE: 32″ h (at back), 16″ h (at seat) x 23″ w (overall). CONDITION: Frame and upholstery are very good, both front and rear casters slightly flattened. 50567-75 (1,000-2,000) – Lot 3033

3034
$1,066.50

EERO SAARINEN 42″ ROSEWOOD TULIP TABLE FOR KNOLL ASSOCIATES, INC.

The 42″ diameter rosewood chamfered round top joined to an enamel white metal pedestal base. Affixed to the underside of the top is a label of Knoll Associates, Inc. SIZE: 29″ h x 42″ d. CONDITION: Top with overall light and minor abrasions and surface scratches which can be polished out, otherwise in very good condition. 50567-20 (1,500-2,500) – Lot 3034

3035
$711.00

BARCELONA CHAIR, DESIGN BY LUDWIG MIES VAN DER ROHE.

Late 20th century, American. Attributed to Knoll International. Chrome plated steel frame is fitted with brown leather seat and back supported by fixed vertical leather straps or struts. SIZE: 29″ h of back, 18″ h of seat x 31″ w. CONDITION: Frame structurally intact, leather strappings secure. Original brown leather covering with some surface scratches and wear to piping. Four leather buttons detached, two present. Otherwise good. 50511-1 (800-1,200) – Lot 3035

3036
$474.00

PAIR OF MICHAEL TAYLOR DESIGN MOLDED PLASTER SIDE TABLES.

late 20th, early 21st century. Michael Taylor Designs, San Francisco, California. Pair of plaster occasional tables, each with round top and base connected by twisted supports. Original painted finish. SIZE: 22-1/2″ h x 18″ dia. PROVENANCE: From a private Massachusetts collection. CONDITION: Structurally very good. Painted surface needs reapplication. Tables appear to have been designed for a plate/glass or other finished insert top. 50800-60 (700-900) – Lot 3036

3037
$1,185.00

RARE SET OF ARTS AND CRAFTS IRON FIREPLACE TOOLS WITH STAND ATTRIBUTED TO GREENE AND GREENE.

First quarter 20th century, American. Set comprised of shovel, tongs, poker, and brush. Each with square handles mounted on matching wrought iron stand with four legged base raised on inscrolled feet. Note: Greene and Greene was an architectural firm established by brothers Charles Sumner Greene (1868–1957) and Henry Mather Greene (1870–1954), influential early 20th Century American architects. Active primarily in California, their houses and larger-scale ultimate bungalows are prime exemples of the American Arts and Crafts Movement. SIZE: Overall height 32-1/2″. PROVENANCE: From a private New York Collection. CONDITION: Very good overall. Original and untouched surface. 50715-1 (2,000-4,000) – Lot 3037

3038
$0.00

EXTREMELY IMPORTANT & MONUMENTAL LE FUNI URN BY GIO PONTI, 1927.

The large tapered vase having two ribbed side handles and fold over mouth rim. Cream background with horizontal decoration of ropes and knots. The bottom rim edge signed “Gio Ponti 1927”. The bottom signed “Ginori, 985 Made in Italy” and remnants of a paper label “985/214”. Gio Ponti created this decoration specifically for this vase form in the summer of 1926 and in a letter dated Aug 13, 1926 he noted … “having approved on the 4th of this month the decoration of the large vase with ropes, please arrange its execution for I could see it accomplished at the end of this month. We need to have two of these vases ready for a symmetric display at the exhibition” (referring to the III Monza Triennal, 1927 in which a pair of these vases were exhibited). It is stated that there are two other examples of this design known, one original in the Lauro Collection which is now in a private collection in Verona, and the second is in a private collection in Genoa. LITERATURE: L. Manna, Gio Ponti, Le Maioliche Milan, 2000, pp. 206-207, Cat. No. 73 (example illustrated). SIZE: 19″ h x approximately 16″ dia. PROVENANCE: Paul Tudor Jones II Collection; Christie’s London 2010; Private collection Italy; Private collection Canada; thence by descent. CONDITION: Inside and top rim have multiple chips, the handles having glaze chips, some minor glaze chips to body, otherwise very good. 49941-45 (50,000-100,000) – Lot 3038

3039
$3,258.75

TIFFANY STUDIOS BRONZE TABLE LAMP WITH ACORN SHADE.

Shade with geometric tortoise shell amber to pale green panels above a row of scrolling emerald to gold acorn panels continuing to three rows of rectangular leaded glass tortoiseshell green panels. Shade is supported by a three arm Grecian form bronze oil lamp base with font raised on four decorated flattened cabriole legs joined to a molded stepped plinth with in-curved sides. The base with an inset “23, shade is signed Tiffany Studios. Inset canister impressed with “Tiffany Studios/9898”. SIZE: Shade 16″ d x 7″ h. Overall base 21″ h. CONDITION: Glass panels with quality fiery color. Shade shows evidence of having been dropped on top ring causing downward depression and subsequent cracking in several panels within first two rows. Additional slight cracks in acorn panels. Base unsigned. Font signed as noted. Electrical fittings are after market. Base shows remnants of powder from metal polish resulting in a later and incomplete patina. 50647-15 (3,000-4,000) – Lot 3039

3040
$1,303.50

FOUR TIFFANY & COMPANY ITEMS INCLUDING TALL CANDLESTICK.

Lot includes: 1) 17-1/2″ high bronze and glass candlestick, bottom marked “2784 Tiffany Studios, New York”. The round base supporting the tall rod-like shaft, terminating in a flower bulb form candle cup, having eight green glass inset cabochons. 2) 8″ diameter bronze plate, marked on base “Tiffany & Co./21807B-14551/Bronze”. 3) 3-1/2″ sterling ice cube tongs signed “Tiffany & Co Makers Sterling”. 4) 3″ diameter brass traveling alarm clock. Dial signed “Tiffany & Co 8 Day Swiss”. SIZE: As noted above. CONDITION: Generally good, the clock is in unknown working order. 50809-4 (800-1,200) – Lot 3040

3041
$711.00

TIFFANY STUDIOS HINGED DESK BOX IN “SPIDERWEB” PATTERN.

Bottom marked “Tiffany Studios New York 815”. Wood interior, green slag glass panels with old patina. SIZE: 3″ h x 6-3/4″ x 4″ d. PROVENANCE: Private Maine/Texas Collector. CONDITION: Inside wood chips, otherwise good. 50012-109 (200-400) – Lot 3041

3042
$1,896.00

FINE FOUR PIECE STERLING TEA SET BY TIFFANY & COMPANY.

The set including: 1) 19″ x 11-3/4″ two-handled sterling tray marked “Tiffany & Co / 18308A / Makers / 6380 / Sterling Silver / 925-1000 / M (Mark 23 1907-1947). On top center is a shield with monogram “CW”, on bottom an inscription “Presented to Clarence Ward by the participants in the pageant composed and directed by him, given at the celebration of the 150th Anniversary of the founding of Rutgers College October 13, 1916.” 2) 9-1/2″ tall teapot with wooden handle. 3) 4″ high footed creamer. 4) 4-3/4″ covered sugar bowl. Each piece having a different number to base and the same “CW” monogram. SIZE: Sizes as noted above. TOTAL WEIGHT: 81 tr. oz. CONDITION: Generally very good, some light scratches to tray. 50602-1 (1,000-1,200) – Lot 3042

3043
$1,066.50

TIFFANY & CO STERLING SILVER TRAY.

The 14″ dia round tray in simple form with raised rim monogrammed in the center. Marked on the underside “Tiffany & Co Makers Sterling Silver 23749”. Weight: 36 tr. oz. SIZE: See description. CONDITION: Very good. 50557-16 (1,200-1,600) – Lot 3043

3044
$414.75

RETICULATED HEXAGON CENTER BOWL BY TIFFANY & CO.

Marked on bottom Tiffany & Co / 18165a makers 4843 / sterling silver / 925-1000 / M (Tiffany mark for 1907-1947). No monogram. SIZE: 2-1/2″ h x 8-1/2″ dia. Total weight: 13 tr. oz. CONDITION: Slight creases in bottom, good. 50567-65 (200-400) – Lot 3044

3045
$237.00

SET OF TWELVE SILVER-PLATED SHELL DISHES BY TIFFANY & CO.

Marked on base Tiffany & Co/Makers Silver-Soldered-E.P./9331/10. Small shells supported by three snail feet and each having a script triple monogram. SIZE: 4-1/2″ x 3-3/4″. CONDITION: Very good. 50802-12 (200-400) – Lot 3045

3046
$2,666.25

IMPORTANT SOLID 18K GOLD NEW YORK ZOOLOGICAL SOCIETY MEDALLION BY TIFFANY & COMPANY.

The medallion marked on the edge “18kt. Gold M”. M indicating the time period when this was made by Tiffany (1907-1947). The inscription on the back “TO/ERNEST A. COSTAIN IN GRATEFUL RECOGNITION/OF THIRTY YEARS SERVICES/TO THE/ZOOLOGICAL STUDY/1929”. The bottom of the back marked “Tiffany & Co”. The front having a central relief of a ram’s head below which is “founded 1895” below which is a spread-wing American Eagle and the words New York Zoological Society surrounding the medallion. Housed in its original dark brown gold trim hinged box, marked “Tiffany & Co/New York/Paris-London”. That also contained in a cardboard box marked the same in as found condition. SIZE: 1-3/4″ d. TOTAL WEIGHT: 44 grams (1.4 tr. oz). CONDITION: Very good. 50463-7 (1,200-1,800) – Lot 3046

3047
$177.75

8-PIECE DAUM NANCY LIQUOR SET, 10 CUT GLASS GOBLETS & 2 CUT GLASS DISHES.

Cordial set consisting of six 3″ glasses with black bases (marked “Daum-Nancy”) & clear tops, 10-1/2″ dia. round tray & matching 10″ decanter (unmarked). 6-1/2″ h goblets with a half-diamond point style cutting, monogrammed. Pair of 10″ x 6-1/2″ oval cut serving bowls with similar cutting. PROVENANCE: Private Maine/Texas collector. CONDITION: One oval dish with thumbnail size flake, otherwise very good. 50012-130 (100-200) – Lot 3047

3048
$0.00
Revised: 8/18/2016

Please Note: After additional research we have determined this this is not by A.F. Hollming and not Faberge and therefore we do not guarantee the maker. It is Russian silver & enamel.

RUSSIAN FABERGE SILVER, ENAMEL AND DIAMOND DESK CLOCK BY A F HOLLMING.

The case having an easel back, rectangular front with blue enameling, having overlaid silver curtain swags and ribbons, accented with four small diamond chips. The outer silver frame topped by a ribbon crest. Bottom marked with the Faberge hallmark “88” (916.6 silver) with makers mark “A*H” (A. F. Hollming). The back movement housing also hallmarked the same. Unsigned movement having a white face, black hands, surrounded by a wreath frame, set with four diamond chips (two of which are missing). Accompanying the clock is a 2″ wreath decorated watch key. SIZE: 4″ h x 2-1/4″ w. CONDITION: Good, unknown working order. 36368-1 (4,000-6,000) – Lot 3048

3049
$1,185.00

RUSSIAN SILVER, AGATE, ENAMEL AND DIAMOND DESK CLOCK.

The clock having a stepped two-piece rose colored agate case, mounted to a silver frame base with decorated edge and four winged claw feet. The base marked with a head facing right a small “a” and “88” (916.6 silver St. Petersburg region). The clock housing in silver with a green enamel wreath surround, accented by four small diamond chips. The movement having a white face with gold hands, unmarked. The housing marked with the same silver mark also “AR” in a rectangle. Accompanying the clock is a 1-1/4″ long watch key set with a light red stone presumably a ruby. SIZE: 4-3/4″ h x 4″ w x 2″ deep. CONDITION: Unknown working order, otherwise very good. 36368-2 (2,000-4,000) – Lot 3049

3050
$4,147.50

FABULOUS RUSSIAN-STYLE ENAMEL KVOSH AND FRENCH LIMOGES FRAMED ROUND PLAQUE.

1) 6″ long x 2-1/2″ high kvosh having brilliant enamels in blue, green, white and red. Four large gold enamel petals on interior and unmarked silver back. A very unusual feature is that some of the enamel work on the edges and handle are visible from both sides and when lit from the bottom provide a stain glass effect. Certainly first half of the 20th century or earlier. 2) Round, enamel plaque of a young girl shoulder/bust wearing a blue headscarf and gold and red dress. It is signed on the front “FG”. Housed in a French brass colored frame with ribbon and basket of flower crest. SIZE: Enamel: 2-1/2″ diameter. Overall: 6-1/2″ x 4-1/2″. CONDITION: Kvosh: very good. Frame: enamel is very good. 50647-17 (600-700) – Lot 3050

3051
$1,185.00

INTERESTING ENAMEL AND JEWELED SILVERED BRONZE COMPOTE.

Eastern European, possibly Russian. This small size compote with intricate designs and embellishments as follows: 4″ diameter red glass dish with top rim mounting in silvered metal, having inset shell and turquoise beads. The two handles are topped by a half-winged woman, the wings in white enamel. She rests on a green and black enameled surround. The top of her head set with a light green stone. Below this, is a cast figure of a nude woman wrapping around a C-scroll. The shaft having a single figure of a nude woman (Eve) holding a branch. The support of the top is a snake. Eve stands amongst flower leaves and the flowers are of single pearl-like beads. Eve has a necklace of three red stones (possibly rubies). The cylinder shape of base supported by four legs which are made of a woman ending in claw-feet. The base having jade colored beads and red tones, the hub decorated with blue and green enamel. The four posts inset with what appears to be emerald and ruby stones. No mark found, probably last half of the 19th century. SIZE: 8″ h x 7″ w. CONDITION: There are bends to some of the elements. The stones have been untested and some are rough. 50389-26 (800-1,200) – Lot 3051

3052
$829.50

MICRO MOSAIC SCENIC DECORATED CROSS.

This Grand Tour item, having four round scenes with buildings, four panels of flowers with black ground and two other panels with turquoise ground. Smaller crosses are embedded within the nodules of the cross. Unsigned, 1st quarter of the 20th Century. SIZE: 11″ h x 7-3/4″ w. CONDITION: Only a few minor losses, generally very good. 50311-1 (1,000-2,000) – Lot 3052

3053
$1,066.50

BRONZE MECHANICAL SINGING BIRD MUSIC BOX.

Rectangular box having a small oval hinged lid which opens and reveals a bird which turns and chirps. Key wind on base, key present. Filigree type decoration, unmarked. SIZE: 2″ h x 4″ w x 2-1/2″ d. PROVENANCE: Private Maine/Texas Collector. CONDITION: Not in working condition. Does wind, lid opens, bird moves but no sound. 50012-110 (500-800) – Lot 3053

3054
$651.75

OUTSTANDING HANDPAINTED AND MOTHER-OF-PEARL FOLDING FAN RETAILED BY TIFFANY & COMPANY, NEW YORK.

Fan with eighteen parts, bottom of each part in pierce carved mother-of-pearl decorated in gold and black highlights. The two end pieces being full-length. When opened, there is a central panel of a classical scene with five figures in a landscape. Signed eligible. The fan housed in what appears to be its original box marked “Tiffany & Co, Fifth Avenue, New York”. SIZE: 9″ x 17-1/2″ open. CONDITION: Box has some light soiling, otherwise very good. 50389-25 (600-800) – Lot 3054

3055
$0.00

THREE-PIECE EMILIO FIASCHI SIGNED ALABASTER CENTERPIECE/PLANTER HELD UP BY THREE PUTTI.

The three-pieces comprised of a 2″ high curved cut cornered eight-sided base. The 10″ center section, having three putti supporting a down tapering shaft. The 9″ top section being a tapered vase with molded rim, having four incised panels, three with floral designs; the front side having a cherub wrestling with a lion. The coloration of the whole being white with brownish highlights. SIZE: Total size: 21″ h x 11″ at widest. CONDITION: Generally very good, the top vase having a natural fissure with parts filled and minor roughness to rim. 50932-2 (1,000-1,500) – Lot 3055

3056
$1,777.50

TWO RUSSIAN SILVER AND PAINTED WOOD ICONS.

Lot includes: 1) Depicting Mother of God with child. The removable silver overlay front marked with Russian hallmarks “84 (875 Silver) Moscow Assayer mark of “I. Avdeyev” (1852-1862), makers mark “AA”. Another hallmark is illegible. The painting on wood having a consolidated varnish layer with a great early patina. The metal work having an addition of a rayed halo, which also is marked the same. 2) Silver overlay icon of the Christ figure holding a book, signed in Cyrillic. Hallmarked “84” with face facing left (.875 silver), maker “cr” and is unknown. The oil on wood painting, having consolidate varnished layer, the silver frame polished. SIZE: 1) Overall: 9″ x 7″. 2 )Overall: 9″ x 7″. CONDITION: 1) One little break below neck of overlay, some rays at top with minor losses and bends, otherwise good. 2) Generally very good, otherwise as noted above. 50547-6 (1,000-1,500) – Lot 3056

3057
$592.50

SIX MINIATURE ICONS.

The lot consists of: 1) 2-3/4″ x 2-1/2″ metal overlay icon of Mother of God and Child, having Cyrillic title on bottom, probably Russian. 2) 2-3/4″ x 2-1/4″ Russian metal overlay icon of a saint with cutout for face and hands. Signed on edge “84” and blurred hallmarks. 3) 2-1/2″ x 2-3/4″ 20th century icon of Mother of God and Child. This is a metal overlay and print. 4) 2-1/2″ x 2″ oval silver framed icon of Mother of God, the frame having a detached halo, with a Russian inscription and hallmarked “84” and a “delta” for Moscow. Makers mark “A O”. Hallmark the same in two other locations. Nice quality and patina. 5) 2″ square cast brass icon with central figure and four corner figures. 6) 4″ x 3″ painted wood icon having title in Cyrillic, a figure above a large group of saints. Along with a modern pinch-back oval pendant and a piece of wood with Russian writing. SIZE: As noted above. CONDITION: Some of the metal overlay is damaged and consolidation to varnish to paintings, otherwise good. 50547-7 (1,000-1,500) – Lot 3057

3058
$1,066.50

TWO ICONS AND TWO PAINTINGS.

Lot consists of: 1) 10-1/2″ x 8″ gilt metal overlay painted wood icon of a figure surrounded by cherubs. With an applied halo and crown. Appears to be unmarked. 2) 7″ x 5-1/2″ Russian gilt silver overlay icon of Mother of God and Child marked on edge “84”, makers mark “NE”. 3) Small framed print of Jesus with two saints, with Cyrillic writing above each and penned inscription in Russian on reverse. 4) Watercolor, unsigned but has an inscription on reverse SIZE: 1 & 2) s noted above. 3) Site: 7″ x 6″. Overall: 10-1/4″ x 9-1/4″. 4) Site: 14-1/2″ x 9-1/2″, Overall: 16-3/4″ x 11-3/4″. CONDITION: 1& 2) Some bending to edges, good. 3) Surface dirt, some cracking damage to wood. 4) good. 50547-8 (1,000-1,500) – Lot 3058

3059
$9,480.00

OUTSTANDING PAIR OF RUSSIAN NEOCLASSICAL STYLE CUT GLASS MOUNTED GILT BRONZE & BRASS CHANDELIERS.

The matched pair having a central clear glass inverted shade surrounded by two rings supported by small brass arms which hold crystal prism drops. The top section having a large clear smoke bell supporting six curving arms which hold crystal prisms. A central rod holding a fixture with three lights. SIZE: 42″ h x 18″ at widest. CONDITION: Very good with good wiring. 50800-173 (4,000-8,000) – Lot 3059

3060
$2,370.00

ROCOCO REVIVAL CARVED GILT THREE PANEL DRESSING SCREEN WITH LANDSCAPE PAINTED PANELS.

Late 19th century, Central Europe. Each gilt and carved panel surmounted by pierced foliate scrolled crests centering a classical putto’s mask. The outer most hinged panels with free standing acanthus and water leaf carved spiral twist columns with pineapple finials. The bases with foliate carvings. Each panel with pierce carved apron carved with scrolling grape vines and floral filled urns. The whole raised on suppressed ribbed Flemish feet. Each of the three panels with an oil on canvas of classical ruins in a landscape, each allegorical painting of courting scenes. The verso with pleated silk panels. SIZE: 85-1/2″ h of center panel x 76″ l overall. CONDITION: The deep relief carvings in generally fine condition with losses to gilt surface, most severe on left panel facing. The gilding has been lost in areas to the layer of gesso. The painted panels with small spot losses to pigment, most notable in center of central panel where pigment is crackled and lifting somewhat from the canvas. Paint loss is minimal and restorable. Otherwise screen is in structurally good condition with normal and expected wear to the gilding at mid point of columns as a result of in use wear. 50743-2 (3,000-4,000) – Lot 3060

3061
$1,185.00

CLASSICAL REVIVAL MARBLE TOP CONSOLE.

Second half 20th century. In the Egyptian taste, rectangular console with variegated green-black marble top above the frieze fitted with two aligned drawers raised on tapering square frontal legs surmounted by cast brass Egyptian busts and cast anthemion leaves, raised on cast brass feet. Table of mahogany veneer over oak secondary wood. SIZE: 31″ h x 51″ w x 23-3/4″ d. CONDITION: Marble top with multiple shallow roughness on edges. Wood surface original. Rear legs with reinforcing angle iron braces, otherwise good. 50494-25 (800-1,200) – Lot 3061

3062
$474.00

FRENCH ROCCOCO GILT WOOD CENTER TABLE IN THE LOUIS XV STYLE.

First quarter 20th century, France. The shaped gray/black breschia marble top set within a conforming top with gadrooned edge above the conforming frieze carved with central shell cartouches and S-scrolled volute and with opposing pierce carved floral sprays raised on foliate carved molded cabriole legs terminating in pointed feet applied with leaf tips. SIZE: 29-1/2″ h x 38″ l x 25″ w. CONDITION: Marble top very good with polished surface. Abrasion losses to areas of gilding minor in nature. Some minor losses to leaf tips. Structurally good. 50494-31 (800-1,200) – Lot 3062

3063
$0.00

PAIR OF PORCELAIN AND GILT METAL CANDELABRUM.

3rd quarter, 19th century, France or Holland. In oriental taste, each porcelain urn of bulbous form decorated with scenic aquatic and floral landscapes in underglaze blue with bittersweet overglaze decoration. delicate in nature, and gold gilt highlights. Mounted on a Neo-Classical style gilt metal base. Carved and molded with stylized bamboo and floral vinery guilloches and cast with broad leaves. Each mounted with a canister fit within porcelain urn and emitting cast metal floral candle arms with foliate candle cups and leaf tip form bobeches. Interior of each urn marked with conjoined “HL” and possible “E” in underglaze blue. SIZE: 26-1/2″ h. Approximate overall dia 15-1/2″. CONDITION: Porcelain in good condition overall, as are bases. Gilt metal candle arms good. One candle cup absent. Surface basically undisturbed. 50782-1 (1,500-2,000) – Lot 3063

3064
$296.25

GILT BRONZE CENTERPIECE WITH FLINT GLASS INSERT.

Mid-19th century, France. The work of Louis-Emile Cana b. 1845. The bronze and dore bronze plateau raised on scrolled legs surmounted by crouching wolves. The plateau decorated with a border of grape vines, the interior with a mountainous forest landscape populated with quail, pheasant, rabbit, and other game. Signed “E. Cana”. The center of the plateau with gilt metal mount surmounted by displayed bronze hawks within which is fitted a flared flint glass vase. SIZE: 14″ h x 11″ dia. CONDITION: The plateau with original surface, now with areas of verdigris and light corrosion. Gilt surfaces with some wear due to cleaning, the trumpet vase with flea bites and minor roughness to edges of top lip, otherwise very good. 50647-16 (250-350) – Lot 3064

3065
$948.00

TLINGIT DECORATED BASKET AND A WOVEN BALEEN BASKET.

1) Finely woven polychrome inbrocaded Tlingit basket, red, orange and purple design on dark brown ceder bark field. 2) Finely woven 2-toned baleen and bone contemporary basket, signed “Johnny Kayoulik” on interior bottom. SIZE: 1) 5″ h x 9″ dia. 2) 3″ h x 3-3/4″ dia. CONDITION: 1) Minor rim damage, split on edge of lid, otherwise good. 2) Very good. 50867-4 (1,500-2,000) – Lot 3065

3066
$2,370.00

FINE PAINTED & CARVED NORTHWEST COAST RAVEN MASK.

1920’s. The mask adorned with feathers, a red felt back flap, and a pull which articulates the opening & closing of the jaw. The jaw having leather hinges and a rolled cloth neck cushion. Colors of red, green & black. SIZE: 13″ l x 5″ h. CONDITION: Carving & paint are very good. 50656-1 (2,000-2,500) – Lot 3066

3067
$2,370.00

TLINGIT CARVED OTTER BIRD TRANSFORMATION BOWL.

First quarter 20th century, carved alder wood with inset abalone eyes and shell inset into rim. SIZE: 11-1/2″ l x 5″ w CONDITION: Old dark stained surface, good. 50867-9 (1,500-2,000) – Lot 3067

3068
$1,896.00

TLINGIT RATTLE AND PAIR OF ESKIMO SNOW GOGGLES.

First quarter 20th century, Carved cedar fish rattle with dark staining, old label “Gilford Islands”, surmounted with cedar bark handle. Finely carved cedar Eskimo snow goggles with original leather bindings. SIZE: Rattle 14-1/2″ l x 5″ w. Goggles 5-1/4″ l x 2″ w. CONDITION: Rattle is good overall. Goggles showing good use and patina, good overall. 50641-30 (300-500) – Lot 3068

3069
$2,370.00

LOT OF THREE CARVED NORTHWEST COAST ITEMS.

1) Late 19th century, ceder speaker staff carved with human and animal effigies. 2) Mid 20th century, carved Tlingit ceder candlesticks, finely carved of otter swallowing fish, bases are carved with bird design. 3) Second half 20th century. Carved Haida style polychrome ceder mask. SIZE: 1) 33-1/2″ l. 2) 8″ h x 3-1/2″ dia. 3) 10-1/2″ h x 9″ w. CONDITION: 1) Showing very good aged patina, minor in-use wear. 2) Good. 3) Cracked from forehead to chin, poorly repaired. 50867-5 (2,000-2,600) – Lot 3069

3070
$414.75

FINE TLINGIT SPOON.

Beautifully carved bowl with vines of flowers, the handle tapering with incised lines. Wonderful dark patina. SIZE: 9-3/4″ l. CONDITION: Top 2″ has been repaired & missing elements, bowl is very good. 50743-4 (500-700) – Lot 3070

3071
$5,332.50

TLINGIT TOTEM POLE.

Early 20th century, attributed to Charles James, carved and polychrome painted totem pole, ceder, finely carved figures including bird, man and fish with stylized designs. SIZE: 17″ h x 9-1/2″ w. CONDITION: Shows good in-use wear, minor flaking to paint, old repair crack to one wing, old collection tag on bottom. 50867-8 (5,000-6,000) – Lot 3071

3072
$948.00

ESKIMO FIGURAL CARVED ANTLER CANE OR STAFF TOP.

19th century, Finely carved depicting two stylized Eskimos holding on to central shaft. SIZE: 3-1/2″ l x 3″ w. CONDITION: Showing good patina with very old shellac surface. 50641-34 (800-1,200) – Lot 3072

3073
$1,303.50

DECORATED BONE ESKIMO SNOW KNIFE.

An unusual article made out of bone with a curved blade and notched handle. The top edge decorated with small circles & lines. Wonderful patina and nice smooth surface. SIZE: 10-1/2″ l x 1-1/2″ at widest. CONDITION: Very good. 50641-2 (500-600) – Lot 3073

3074
$0.00

TWO HAIDA ARGILLITE FIGURES.

Late 19th century. 1) Smaller woman nicely carved, almost folk-art quality carving of possibly a white lady with full dress with bun hairstyle. 2) Finely carved depicting Haida woman with labret in mouth, carved necklace, crossed arms, pleated skirt and elaborately carved hair. Bottom is hollowed out with crudely carved feet. SIZE: 1) 6-7/8″ t x 3-1/4″ w. 2) 7-1/2″ t x 2-5/8″ w. CONDITION: 1) Minor chip to center of forehead, chip on base, otherwise good. 2) Minor scratches, otherwise good. 50867-1 (8,000-12,000) – Lot 3074

3075
$0.00

GREAT LAKES DOG EFFIGY LADLE.

Mid 19th century, finely carved maple ladle with handle terminating in stylized dog’s head. SIZE: 8-3/4″ l x 6″ w CONDITION: Shows good old patina, very good overall. 50641-26 (1,200-1,500) – Lot 3075

3076
$770.25

IROQUOIS LADLE WITH CARVED HANDLE.

Mid 19th century, finely carved walnut Iroquois spoon. SIZE: 7-1/4″ l x 4-5/8″ w CONDITION: Good honest old patina, showing good in-use wear. 50641-24 (700-900) – Lot 3076

3077
$948.00

19TH CENTURY NORTHEAST WOODLANDS MAPLE EFFIGY SCOOP.

Nicely carved bear effigy handle with chipped carved relief on top side. SIZE: 9-1/4″ l x 5-3/4″ w CONDITION: Showing good in-use wear and patina. 50384-7 (800-1,200) – Lot 3077

3078
$0.00

GREAT LAKES LADLE WITH MAPLE SWANS HEAD.

Mid 19th century, finely carved shaped handle terminating in stylized swans head. SIZE: 9-1/4″ l x 5-3/8″ w CONDITION: Excellent old patina, good in-use wear, about 1″ long tight crack in spoon with two drilled holes one is plugged, probably from an old repair. 50641-25 (700-900) – Lot 3078

3079
$0.00

TREEN BUTTER SKIMMER.

Late 19th century, Treen or also known as clam shell butter skimmer in carved ash. SIZE: 7-1/2″ l x 4-1/4″ w 1-1/4″ t. CONDITION: Showing good patina, with some staining, otherwise good. 50641-27 (300-400) – Lot 3079

3080
$355.50

FINE FIGURAL CARVED WOOD CANOE CUP AND TWO ZUNI BOLO TIES.

1) Fine carved canoe cup having a round bowl with kissing otters forming a heart. The back side having a carved brook trout. The edge of the bowl with chip carving and simulated wave. 2) Two Zuni bolo ties, one with thunderbird in silver & inlaid with colorful stone. The other depicting a dancing Kachina in silver with colorful accents to the costume. Th necklace of leather braid with one silver decoration present (other 3 missing) SIZE: 1) 5″ x 2-3/4″. 2) Thunderbird is 1-1/2″ h; Kachina 3″. CONDITION: 1) Very good. 2) Generally good. 50384-6 (800-1,200) – Lot 3080

3081
$2,251.50

HERIZ ORIENTAL CARPET. NORTHWEST PERSIA.

First third 20th century. The central arabesque poled medallion with blue-black ground in a terracotta red field with dense geometric floral and foliate design within pale indigo and celadon spandrels all within a scrolling main border of geometric flower heads. SIZE: 7’8″ x 11’6″. CONDITION: With overall wear, moderate in 1/3 of carpet. Rug retains vibrant palette. Losses to end fringe otherwise good. 50567-4 (2,000-4,000) – Lot 3081

3082
$651.75

ROCOCO REVIVAL CARVED OAK OVAL DINING TABLE.

Third quarter 19th century, possibly New York. The oval top with beveled edge fitted with four additional leaves joined to a faceted split pedestal base profusely carved with foliate fruit clusters, each leg applied with square variegated green/black marble appliques. SIZE: 27-1/2″ h x 58″ l x 52″ w. Three leaves 18-1/2″ w x 52″ l. One leaf 9-1/2″ w x 52″ l. CONDITION: Table retains original surface, somewhat soiled with undisturbed patina on base, top somewhat lighter due to frequent cleaning and use. Minor nicks and small losses to leaf tips on base, otherwise good. NOTE: Three leaves are constructed of pine with oak molded edges. 50647-1 (800-1,200) – Lot 3082

3083
$1,777.50

RARE AND FINE RENAISSANCE REVIVAL CARVED OAK SIDEBOARD.

Third quarter 19th century, probably New York. The arched molded foliate and fruit carved crest centering a clock marked “Paul Gagnier/Paris” on the enamel dial amongst scrolling carved elements all above a molded shaped shelf raised on carved supports. Back panel fitted with four recessed green/black marble panels. Sideboard base with molded top above two aligned drawers flanked by two pivoting drawers with curved fronts above open shelves centering a pair of cupboard doors, each inset with marble panels as above, all on a molded plinth. The whole constructed of quarter sawn oak. SIZE: 92″ h x 91″ w x 22″ d. CONDITION: One cracked marble panel second from left facing, otherwise with minor cracks, splits and small losses to carvings. 50647-2 (3,000-4,000) – Lot 3083

3084
$1,244.25

ROCOCO REVIVAL CARVED OAK BOOKCASE.

Third quarter 19th century, possibly New York. The molded and scrolled cornice crested with a carved fruit cluster and flanked by turned finials. The case with two glass panel doors surmounted by scrolling carved foliage opening to an interior fitted with two adjustable shelves stepped back on lower case fitted with two aligned molded drawers above the foliate carved molded apron. SIZE: 8’11” h x 66″ w x 22″ d. CONDITION: Bookcase retains original surface, now dry and crusty with mellow patina. Structurally good overall. 50647-3 (1,500-2,500) – Lot 3084

3085
$533.25

ITHACA DOUBLE DIAL HORTONS PATENT CALENDAR SHELF CLOCK.

Circa 1870, patented 1866 Ithaca Clock Company, Ithaca, NY. The walnut domed case applied with burl panels. The edge molded, the upper dial with Roman numeral chapter ring and time strike apparatuses, above the secondary dial with 31 day outer ring and apparatuses for the day of the week and month of the year. The original dial face with company logo above, “H.B. Hortons Patent/April 18, 1865 and August 28, 1866/ Ithaca Calendar Clock Company/Ithaca, N.Y.”. SIZE: 25″ h x 11-1/2″ w x 4-1/2″ d. CONDITION: With original old finish, overall generally good. Original dials. 49421-90 (500-700) – Lot 3085

3086
$1,777.50

GOTHIC REVIVAL WALNUT CALENDAR REGULATOR CLOCK.

First quarter 20th century, Northern Germany. This large and heavily carved regulator with peaked molded cornice beneath a scrolled crest with turned finials, a classical cast brass mask in the frieze above the bevel glass paneled door surmounted by Byzantine columns with scrolled brass capitals above cast brass female busts. Cast grotesque masks are mounted at either side of the base of door on corbels. The door with beveled glass plates. The interior fitted with a clock and calendar movement above a pendulum window, all with cast brass facings and with polychrome painted and foliate decorated back plates. The clock face with silvered Roman numeral chapter ring centering time and strike apertures with enameled inner dial. The calendar movement with three apertures, the upper aperture with days of the week, the central aperture is for the number of the date of the month, and the lower aperture with months of the year, all on silk and rotating on drums. The pendulum aperture with cast brass ring, reveals a burnished and etched brass pendulum with silvered outer ring. The pendulum decorated with entwined serpents around a central torch inscribed “VERITATEM APERIT DIES”. The molded base with carved corbels and pendant turned finials with scrolling apron with cast-brass elements of pineapple and scallop shells. SIZE: 57″ h x 20″ l 10″ w. CONDITION: The case and all cast elements in very good condition as are the dials and decorated back plates. The spring driven eight day brass movement striking on a bell is only partially assembled, missing the bell, winder and possibly missing additional cogs. The days of the week and months of the year appear intact, the 31 day silk strip is torn in half. 50743-1 (2,000-3,000) – Lot 3086

3087
$0.00

“DIAMOND” VICTORIAN CAST-IRON AND BRASS DENTAL CHAIR.

Last quarter 19th century, American. The fully adjustable chair now covered in tufted red velvet upholstery with adjustable head and back and able to recline and swivel, on original brass and chrome-plated base. Multiple footrest cast with scrolling designs and company logo. The iron footrest stenciled with the company name “Diamond”. SIZE: 42″ h x 21″ w (overall) x 52″ l (approximately). CONDITION: Structurally very good, all parts appear serviceable and capable of operating. Very good overall. 50898-3 (1,000-1,500) – Lot 3087

3088
$1,540.50

FINE AND RARE PAIR OF ALLEGORICAL COPPER RELIEF ‘SHIELDS’.

Last quarter 19th century, Massachusetts. These rare examples illustrate the use of a then newly invented process of electroplating. Invented and patented by the maker Robert Hill Barre, born in Glasgow, Scotland who emigrated to Everett, Massachusetts. He succeeded in receiving a US patent August 12, 1879 which was for “improvement in reproducing objects by electricity”, a fore runner of today’s electroplating process. These shields are the product of the plating process for which Robert Barre received his patent. The first is a beautifully executed and detailed depiction of the story of Adam and Eve illustrated in three separate panels, the second depicts the battle between the Archangel Michael and the fallen angel Lucifer. SIZE: 1) 34″ h x 26″ w. 2) 35″ h x 26-1/2″ w. PROVENANCE: Designed and executed by Robert Hill Barre 1838-1913, by descent through the family to the current owner. A copy of his patent document and emigration papers is included with this lot. CONDITION: Surface of each sh ield age darkened and tarnished but structurally intact and in overall very good condition. 50548-3 (750-1,250) – Lot 3088

3089
$0.00

FOUR FINE PIECES OF RARE QUIMPER POTTERY.

1 & 2) Pair of 13″ long bellows formed wall pockets. One showing a Bretonne carrying grapes; the other a Bretonne carrying a baby. First “HB” mark on rear (late 19th century). Rare to find a pair in this condition. 3) Fine two handled banett. Tray decorated with a Breton and Bretonne within a nicely drawn leaf and flower border with outer cobalt blue and rust squiggle. Marked on front “HR Quimper” (circa 1910). Reference: pg 123 of O’Neill’s book on Quimper pottery showing the demi- fantastik border. 4) 9″ diameter by 4-1/2″ high compote decorated with a Bretonne in profile, flanked by red, green and blue florals. “AP” mark on base (late 19th century). Reference: pg 23 of O’Neill’s book on Quimper pottery for an example of the Couronnes border SIZE: Sizes as noted above. PROVENANCE: From a private New Jersey collection; 1 & 2) Acquired from Sandra Bondhus; 4) Acquired from a Vermont collector. CONDITION: 1 & 2) Very good to excellent, with vivid coloring. One glazed chip off tip of bellows. 3) Very good to excellent 4) Craquelure, some bubble burst to glaze, minor chips to underneath base, otherwise good. 50592-1 (3,000-5,000) – Lot 3089

3090
$0.00

OUTSTANDING LOT OF EIGHT PIECES OF RARE QUIMPER POTTERY.

Lot including: 1 & 2) Pair of 11-3/4″ high x 8″ wide Porquier-Beau glazed Terra-cotta wall plaques, one with Breton; other with Bretonne. Marked on rear with “PB” mark (circa 1890’s). 3) 11-1/2″ x 8″ Porquier-Beau plaque decorated with a Breton wearing hat and carrying whip. Early “PB” mark (circa early 1890’s). 4) 11″ x 7-1/4″ wall plaque with Bretonne, unmarked probably Malicorne (late 19th century. 5) An interesting 13-1/2″ triple coronet wall pocket with fine detailed Breton and Bretonne, with coat-of-arms Fleur-dis-lis and floral sprays. Marked on bottom “HR Quimper”. Also marked to the right of the Bretonne. 6 & 7) Pair of 11-1/2″ x 3-1/2″ door push plates. Both have a shell and decor-riche motif, one with Breton, the other with Bretonne. Marked on front and back “HR” (circa 1920’s). 8) Interesting 8″ high standing bagpipe-shaped vase with Breton and Bretonne on one side and coat-of-arms “Bretagne” and floral sprays. marked on base “HR Quimper” (circa 1900-1920). Reference: pg 56 of O’Neill’s book on Quimper pottery. SIZE: Sizes as noted above. PROVENANCE: From a private New Jersey collection; 1 & 2) Acquired from Joan Datesman; 5) Acquired from Joan Datesman; 6 & 7) Acquired from Joan Datesman. CONDITION: 1 & 2) Very good to excellent. 3) Very good to excellent. 4) Very good, some inconsistencies in the blue edge which may have been touched up. 5) Very good, slight roughness to tip at bottom. 6 & 7) Bretonne piece has professional restoration, otherwise very good. 8) Very good. 50592-5 (3,000-5,000) – Lot 3090

3091
$0.00

SIX PIECES OF RARE QUIMPER.

Lot includes: 1 & 2) Pair of 9″ Porquier-Beau plates, both marked “PB” on rear, one marked “Hannevec”; The rims with deep blue foliate border and have a shield, the centers vividly decorated, one with two women and child; the other with two women, child and older man at grave site. 3) 8-1/2″ diameter shaped Porquier-Beau coupe with 1st period “PB” mark A green and gold border with shield and displaying a seated seamstress. 4 & 5) Pair of Malicorne 9-1/2″ plates. The plates having “PB X” mark removed (after settlement of patent suit). One plate having title on base “Bannalec”, with decoration showing a man with child; the other showing a woman with child. The plates having a brown and cobalt blue border. 6) 12-1/2″ diameter, ruffled edge charger. The ruffle edge with red highlights, and circular gold ring design with an inner band of scrolls surrounding a central dancing couple. Marked on front “HR Quimper”, also marked on the base with the same mark. This piece has a hanger for wall display. SIZE: Sizes as noted above. PROVENANCE: From a private New Jersey collection; 1 & 2) Acquired from Sandra Bondhus; 3) Acquired from Sandra Bondhus; 4 & 5) Acquired from Sandra Bondhus; 6. Acquired from Joan Datesman. CONDITION: 1 & 2) Very good to excellent. 3) Very good to excellent. 4 & 5)Very good to excellent. 6) Very good to excellent. 50592-3 (3,000-5,000) – Lot 3091

3092
$0.00

LOT OF FOUR FINE AND RARE QUIMPER POTTERY PIECES.

Lot including: 1) 16″ high magnificent vase with domestic scene depicting two Breton’s and Bretonne in an interior setting, surrounded by decor-riche motif with cobalt blue ground and gold and orange foliate scrolls. The backside having a large spray of flowers. The base marked “Henriot Quimper 154” and also signed at base of scene “Henriot Quimper”. 2) 15-1/2″ high bulbous vase decorated with Breton and Bretonne and coat-of-arms surrounded by a deep blue decor-riche motif. The backside having a floral spray of pink flowers, the base marked “Henriot Quimper 13” in deep blue. Also, signed beside Bretonne “Henri Quimper”. 3) Large 10-1/2″ high x 11-1/2″ wide two-handled bulbous vase. The front showing a Breton playing a flute to a Bretonne sitting with a basket. The backside with floral sprays and the rest with blue foliate scrolls on a yellow ground. Two-handles in top rim with light blue sponge decoration. Marked on base “HB Quimper 972″ (circa 1910’s-1920’s). 4) Outstanding 9-3/4” heart-shaped, 8-hole tulipiere decorated with a Bertonne on one side and floral spray on the other. Mark to base “Henriot Quimper France” (circa 1930). SIZE: Sizes as noted above. PROVENANCE: From a private New Jersey collection. CONDITION: 1) Very good to excellent. 2) A couple of minor glaze chips, generally very good. 3) Very good to excellent. 4) Minor roughness and small chip to base, otherwise very good to excellent. 50592-9 (3,000-5,000) – Lot 3092

3093
$0.00

FOUR OUTSTANDING PIECES OF QUIMPER POTTERY.

Lot including: 1) Magnificent, large and rare 9-1/2″ high x 15-1/2″ wide fan vase decorated on the front side with a Breton bagpiper and Bretonne spinner. They sit in a panoramic landscape. The backside, having a coat of arms with two rampant dogs and floral sprays with crown. The base having opposing gold dragons with stylized Fleur-dis-lis. A black “HB” mark on base (circa 1905). 2) 8″ high x 10-1/2″ wide fan vase having Breton and Bretonne on front and floral sprays on reverse. Dolphin fish base with fan design. Titled between figures: “Piriac”. Marked on base “Henriot Quimper” (circa 1920’s-1930’s). 3) 7-1/2″ high vase with swan-head handles, having a Bretonne with bowl on head on front and a shield coat-of-arms on reverse, signed “DL” (LUD) on base with “245 + 3”. 4) Large 14-1/2″ high Jack in the Pulpit vase with leaf base, having Bretonne on front with Decor Riche border. Signed on top of base “HR Quimper” (circa 1910-1920). SIZE: Sizes as noted above. PROVENANCE: From a private New Jersey collection; 1) Acquired from Joan Datesman. CONDITION: 1) Some minor glaze flecks, very good to excellent. 2) Very good to excellent. 3) Very good to excellent. 4) Small flake under top rim, very good. 50592-8 (3,000-5,000) – Lot 3093

3094
$3,258.75

LOT OF QUIMPER PLANTERS, FIVE IN THE FORM OF DUCKS.

Lot to include: 1) 11″ high duck planter with nice coloring, marked “HB” (late 19th century) on bottom. 2) 11-1/2″ high duck planter with Bretonne on chest, signed “HB Quimper” on the side and marked on base “HB Quimper France 336 4″ (circa 1930). 3) 9-3/4” high duck planter with coat-of-arms on chest and “Grande Maison” written on pedestal(late 19th century). 4 & 5) Pair of 7-1/4″ high duck planters with Bretonnes on chest, one signed below “HB Quimper”; both signed on base “HB Quimper France 336”. 6) 4″ high x 9″ long shoe planter with Breton and Bretonne decoration, marked “HB” on base (circa late 19th century). 7) 8-3/4″ high x 8-3/4 wide moon shaped planter with upside down heart opening, set on four blue feet and having decoration of Breton and Bretonne on front and flowers on rear. Mark on base is “Henriot Quimper France” (circa 1920s-1930s). SIZE: Sizes as noted above. PROVENANCE: From a private New Jersey collection; 1) Acquired from Joan Datesman; 3) Acquired from Joan Datesman. CONDITION: 1) Very good to excellent, one minuscule flake on underside of beak. 2)Very minuscule glazed chip to beak, otherwise very good. 3) Very good to excellent. 4 & 5) Very good. 6) Very good to excellent, only minor roughness at base edges. 7) Appears that the tip at the top edge has been retouched, otherwise very good to excellent. 50592-7 (3,000-5,000) – Lot 3094

3095
$0.00

SEVEN RARE PIECES OF QUIMPER POTTERY INCLUDING TWO STAND-UP MENUS.

Lot includes 1 & 2): 7″ x 4-1/2″ Porquier-Beau stand-up menus, each decorated with a yellow Fleur-dis-lis and “Menu”. One has a bag piper, the other a woman with basket. The unique feature is that one has a partially written menu. Blue “PB” marked to back (late 19th century) also retaining oval labels from Le Breus. 3) Legends 10″ plate with Breton and Bretonne with dragon. Titled: “Le Diable Trompe (Legende Bretonne) Porquier-Beau mark (late 19th century). Reference: pg 38 for this series by Alfred Beau. 4) 13″ x 17-1/2” oval platter showing a wedding party marked “Noce Bretonne”. The back marked “HB” (late 19th century). 5) 11-1/2″ x 15″ platter decorated with Breton and Bretonne titled “Pont-de-Buis”. Black “HB” mark to reverse (late 19th century). 6) 7-1/4″ x 3-1/2″ leaf dish having “PB” mark (late 19th century) with coat of arms from “Brest”. The leaf dish decorated with flowers (from the Botanical series). 7) 5″ x 6″ shaped plate with a Porquier-Beau mark (late 19th century). The piece decorated with a coat-of-arms “Brest”. SIZE: Sizes as noted above. PROVENANCE: From a private New Jersey collection; 5) Acquired from Sandra Bondhus; 6) Acquired from Joan Datesman. CONDITION: 1 & 2) Some foot roughness, generally very good. 3) Professionally restored, very good. 4) Very good to excellent with some evident unglazed areas in the making. 5) A couple of unglazed areas on rim, very good to excellent. 6) Very good to excellent. 7) Very good. As noted above, otherwise very good. 50592-4 (3,000-5,000) – Lot 3095

3096
$0.00

FINE LOT OF SIX PIECES OF RARE QUIMPER POTTERY.

Lot of six including: 1) 9-1/2″ diameter deep plate/shallow bowl decorated with an 8-pointed blue and white star with center being a moon face “Moon Face”, marked with an early blue “HB” (mid to late 19th century). 2) 8-1/4″ diameter plate decorated with a windmill, titled” ” Villa du Molin Rouge”, “HB” mark (late 19th century). A very rare decoration. 3) Unusual 9-1/2″ diameter ruffle edge plate with butterfly handles. The scalloped border in deep blue with two applied colorful butterflies. The interior with dancing Breton and Bretonne, surrounded by sprays of flowers. Signed lower left “HR Quimper”. Note: accompanying this piece is the August 1991 magazine “Collector Editions” with this piece on the cover. On bottom, marked “HR Quimper”. 4) 9-1/2″ plate decorated with a Bretonne in profile. Bottom marked “HR” (circa 1900). 5 & 6) Fine pair of “Le Croisic” form Quimper bowls, one having a Breton and Bretonne holding hands marked “HB” on base in deep blue; the other with flutist and bagpiper marked “HB” on base. Both wired for wall hanging (late 19th century). Note: probably made from 18th century molds. SIZE: Sizes as noted above. SIZE: Sizes as noted above. PROVENANCE: From a private New Jersey collection; 1) Acquired from Joan Datesman; 2) Acquired from Joan Datesman; 3) Acquired from Sandra Bondhus (illustrated in her book on pg 57); 5 & 6) Acquired from Sandra Bondhus. CONDITION: 1) Some minor edge roughness, otherwise very good. 2) Professional restoration, craquelure very good. 3) Very good to excellent. 4) A very small, fine hairline on edge, hardly worth noting. Otherwise very good. 5 & 6) Very minor edge roughness, very good. 50592-2 (4,000-6,000) – Lot 3096

3097
$0.00

LOT OF THREE QUIMPER POTTERY PIECES AND SIX DECORATED WOOD PIECES BY PAUL FOUILLEN.

1) 13-1/4″ x 17-1/2″ shaped platter with a “VB” Normandie with a “+..” mark to base (circa 1930). The platter is decorated with Bretonne and two suitors each with a poem written below. 2 & 3) A pair of 7″ diameter plates marked “HB Quimper XX.X” to base (circa 1925). The plates have a blue scalloped edge, strawberry border; one having a Breton, the other having a Bretonne. 4) 13-1/2″ x 18″ handpainted wood tray. The tray decorated with a colorful market scene with six figures in a village, having two handles and glass top (circa 1930’s) and having a carved “Quimper Deposee FP” mark to bottom. 5 & 6) A pair of 13-1/4″ diameter round wall plaques, one showing a Breton eating and looking out the window, the other a Bretonne churning butter (circa 1930). Both signed on front “P. Fouillen”. Also, having the factory mark on bottom “Quimper Depossee PF”. 7) 5-1/2″ x 4″ jewelry box decorated with Breton and Bretonne lighting pipes (circa 1930), factory mark to bottom “Quimper Deposee PF”. 8) 5″ diameter round, covered jewelry box with Bretonne in profile, signed on top “P. Fouillen” and having factory mark on bottom “Quimper Depossee PF”. 9) 8″ square wooden hinged box. Top decorated with a Breton serving bread (circa 1930), signed on top “P. Fouillen”, factory mark to bottom “Quimper Depossee PF”. SIZE: Sizes as noted above. PROVENANCE: From a private New Jersey collection; 2) Acquired from Joan Datesman; 3) Acquired from Joan Datesman. CONDITION: 1) Fine craquelure, bottom rim chip, otherwise very good to excellent. 2 & 3) Professional restoration to edges of rim, otherwise very good. 4) Some grain lines visible, generally very good. 5 & 6) Very good, small hairline. 7) Very good. 8) Very good. 9) Very good. 50592-6 (2,500-4,000) – Lot 3097

3098
$0.00

NINETEEN PIECES OF RARE QUIMPER POTTERY.

Lot including: 1) 4-1/2″ high x 9″ wide early compote with Bretonne holding basket having demi-fantastik border. “HR” mark to base (late 19th/early 20th century). 2) 7″ fluted, covered teapot with Bretonne and Breton decoration. A green sponge decorated handle and floral decorated lid. Below the Breton is marked “HR Quimper”. The piece having demi-fantastik on cover and body of teapot. 3-10) 4″ long x 2-1/4″ high knife rests (4 male, 4 female, all in recumbent pose) marked “HB Quimper” on inside of each bottom (circa 1904-1968). 11) 2-1/2″ high x 4″ deep matching tea bag holder for the above knife rests. The woman is seated with arms outstretched, marked underneath “HB Quimper” (circa 1904-1968). 12 & 13) Pair 14-1/2″ diameter Melonniers, decorated with a decor-riche border encircling a charming couple in vivid colors and the other with two Breton musicians, each with a crest of Brittany at the top, the handles with scallop shells having a sponged green edge. Reference: page 66 of O’Neill’s book of Quimper pottery. Both marked “Henriot Quimper” (circa 1925-1935). 14 & 15) Pair of 10″ diameter scalloped edge plates with bold designs and unusual light blue floral border, one having two Bretonnes; one standing and one kneeling. The other, a Breton smoking a pipe standing beside a Bretonne in costumes. Both marked on top and base “HR Quimper” (circa early 20th century). 16) 9-1/2″ wedding plate with Breton and Bretonne encircled by a border pattern of alternating panels with sprays of flowers and crests of Brittany. The front and base marked “HR Quimper” (circa 1910). Reference: pg 92 of O’Neill’s book on Quimper potter for similar bordered plate. 17) 9-1/2″ costume plate, having a border of alternating floral and coat-of-arms. Marked on base “Henriot Quimper 144” (circa 1925-1935). Having a “Philippe Jamault” sticker to bottom. 18 & 19) Pair of 10-1/2″ scalloped edge plates with decor-riche borders, having a coat-of-arms. One is a wedding plate with Breton and Bretonne; the other a Bretonne with walking stick. Marked on base “Henriot Quimper” (circa 1920’s-1940’s). Reference: pg 66 of O’Neill’s book on Quimper pottery. SIZE: Sizes as noted above. PROVENANCE: From private New Jersey collection; 3-10) Purchased from a Vermont collector; 11) Purchased from a Vermont collector; 16) Acquired from Joan Datesman; 17) Acquired from Joan Datesman. 18 & 19) Acquired from Joan Datesman. CONDITION: 1) A few small glaze roughness areas to underside of top rim, otherwise very good. 2) Cover having flake off edge; teapot with rim roughness, otherwise very good. 3-10) One female with chip to base. 11) Very good. 12 & 13) Very good. 14 & 15) Very good. 16) Very good. 17) Very good. 18 & 19) Some light craquelure on one plate, otherwise very good. 50592-10 (3,000-5,000) – Lot 3098

3099
$948.00

SWISS TWELVE TUNE 9 BELL CYLINDER MUSIC BOX.

3rd quarter, 19th century, Geneva, Switzerland. This nice example with 17″ cylinder playing 12 tunes with accompaniment of nine engraved and embossed bells. Menu of musical selections attached to hinged lid. Serial number 24956 1089 is written at bottom of menu. No additional markings are visible. Beneath hinged lid is additional lid with clear glass panel serving as dust cover. Comb is completely visible. Music box housed within burled walnut case. SIZE: 10-1/2″ h. 28-1/2″ l. 13″ d. CONDITION: Musical mechanism is functional. Two tines on comb are broken. Otherwise intact. Musical selection offers ten selections on card, two have been left vacant. 50685-1 (1,200-1,800) – Lot 3099

3100
$3,495.75

SUPERIOR AND RARE FULL ORGAN SWISS MUSIC BOX BY PIALLARD VAUCHER FILS.

Circa 1877, Sainte Croix, Switzerland. Serial number 547. Fine example completely and professionally restored by Reg Smith of Dahlonega, Georgia, and is accompanied by written document and CD of restoration. 10-3/4″ cylinder plays twelve operatic airs by Verdi, Handel, Donazetti, Rossini, Faust, and others. At rear of case is mounted a silvered arched tune selector with dial. Additionally marked “P.V.F.” 10-3/4″ cylinder played by forty three brass keys and a like number of reeds. Music box housed in a period rosewood veneered case with inlaid front and lid. Marquetry within rosewood and tulipwood cross-banded border. Cabinet fitted with cast brass Gothic Revival carrying handles. Note: On case frame beneath cylinder plate is written in pencil script Paillard Vaucher Fils Ste. Croix, Suisse”. SIZE: Case size 11-1/2″ h. Overall length 24-1/2″. 14″ d. PROVENANCE: From a southern Maine private collection. CONDITION: Movement has been professionally cleaned, restored, and calibrated, and is in very fine operating condition. Case has been professionally cleaned and polished. Very fine condition overall. 50467-1 (4,000-6,000) – Lot 3100

3100A
$0.00

GEORGE BAKER & CO. 19-1/2″ CYLINDER MUSIC BOX.

8-tune music box with beautiful burled veneers with border inlay. Case has been restored, a new lid with original veneers, patched as necessary, and nicely refinished. Repaired splits to veneer on top lid. Ornate cast brass handles, possibly silver-plated, no tune card. Includes appropriately sized, but not matching table. SIZE: Case: 37″ l x 10-1/2″ h x 15″ d.; table: 54″ w x 29″ h x 22″ d. CONDITION: Beautiful rich tone. Nice not-too-old restoration, needs some damper regulation, retains original decal under glass cover. Powerful 2-spring drive mechanism. 16396-38 (2,500-3,500) – Lot 3100A

3100B
$1,777.50

STELLA 17-1/4″ DISC BOX WITH 34 DISCS.

Nice large table top music box in mahogany case with heavily molded base & lid with large framed carving (24″ x 5-1/2″) on front, and drawer in bottom for disc storage. Inside of lid has large stencil of name “Stella”. This box has been beautifully restored & has a very pleasant tone. SIZE: 29″ w x 22″ d x 13-1/2″ h. CONDITION: Original finish and in very nice condition, except for a little normal wear. Right side may have been exposed to sun, finish is a little rough & light. All nickel is nicely polished & shows very well. Crack in lid. 16396-86 (2,000-4,000) – Lot 3100B

3101
$2,666.25

TWO GIBSON BANJOS AND 12 STRING GUITAR.

Third quarter 20th century, Nashville, Tennessee. 1) Mastertone 5-string banjo, SN 203263 back of head. Neck and body of mahogany with rosewood sides, fret boards inlaid with abalone, accompanied by carrying case. 2) Gibson long neck 5-string banjo, SN 115901 impressed back of head, body mahogany and ebonized mahogany with rosewood fret boards. Offered with original carrying case including extra string and winders. 3) Gibson 12-string “Natural Model 45″ guitar. Model number B-45-12-N, SN 282231 on back of head. Mahogany body with rosewood fret board, abalone inlays and figured maple face. With original carrying case and guitar strap. SIZE: 1) 38″ l. 2) 42-1/2″ l. 3) 43” l. CONDITION: 1) Appears very good, with strings and body intact with no restoration, very good over all. 2) Very good used condition with no imperfections, damage or restorations. 3) Face with varnished crazing and with very tight seam split beginning at bottom of body to string bridge. Otherwise good with no restoration or damage except as noted. 50341-2 (1,500-2,500) – Lot 3101

3102
$1,481.25

GROUP OF FOUR BANJOS WITH CASES.

1) John Alvey Turner 5-string banjo, metal label attached to back inscribed “John Alvey Turner / MAKER / 33, Bishops Gate St / LONDON”. Constructed with walnut neck, ebony fret board with abalone inlays and silver metal body. Ivory or bone tuning keys and bridge. 2) Joseph Riley & Sons 5-string Zither-Banjo, circa 1897, England. Metal body incised throughout with floral sprays and vinery, original nameplate affixed to center of back reading “Joseph Riley & Sons Patentees & Sole Manufacturers 24 Constitution Hill, Birmingham”. With soft case. 3) Fairbanks-Vega Little Wonder tenor 4-string banjo, Boston, MA, The Vega Company. Maple body with ebony fret board and abalone inlays, with ebony and mahogany banding, impressed on coordinator rod “The Vega Company, Boston, Mass. “LITTLE WONDER” and 2 impressed 5-pointed stars Vega. SN 50701. Additionally inscribed with initials “H. C. W.” Case with several picks and winder. 4) Bacon Banjo Company Silver Bell number 1, 4-string silver banjo with original chrome plated label, impressed “STYLE No 1 / B&D SILVER BELL / THE BACON BANJO CO INC. GROTON CONN”. The ornate chrome plated body with birds-eye maple back and maple neck, fret board is ebony with inlaid abalone, head stock inlaid with mother of pearl “B&D Silver Bell”. SIZE: 1) 35-3/4″ l. 2) 36-1/2″ l. 3) 29-1/2″ l. 4) 33-1/4″ l. Special Note: This item contains plant or animal properties that may be covered by the Endangered Species Act (ESA). We have taken care to ensure that this item meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA. It is the bidder’s responsibility to ensure that it is lawful to purchase or transport this item into their state, and to obtain the necessary import and export approvals. Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item and consummating the purchase. CONDITION: 1) Banjo is missing 6 tightening pins, otherwise good with surface soiling, skin intact, good overall. 2) Banjo is missing 5 tightening screws, otherwise intact, no restoration noted, 1 abalone inlay absent, otherwise good. 3) Tailpiece tightening nut missing, otherwise complete, small tight 2″ tension crack in proper left side of neck at head, otherwise good. 4) Surface with light crazing and slight soiling, chrome with speckled surface, finger wear to banjo head, no restoration or damage noted. 50341-1 IVORY (1,200-1,800) – Lot 3102

3103
$0.00

WALTER DORWIN TEAGUE ART DECO KODAK CAMERA WITH MATCHING CEDAR BOX.

Circa 1930, New York. Designed by Walter Dorwin Teague.Eastman Kodak, film 116, camera covered with brown genuine leather, nickel fittings, with enameled design and brown bellows. Accompanied by original matching ceder box with cover. SIZE: Box 2-1/2″ h x 8-3/4″ l x 4-1/2″ w. CONDITION: Box is very good with light minor abrasion to black enamel paint. Camera with small areas of abrasion to leather case, lens absent, aperture with corrosion. Camera is therefore supposed to be in non-working order. 50567-13 (3,000-5,000) – Lot 3103

3104
$711.00

PAIR OF BASEBALL THEMED HIGH STOOLS.

Second half 20th century, American. These unique items assembled from a leather covered base pad for the seat mounted to a stationary wood platform. The legs comprised of four little league Rawling’s baseball bats signed by Mike Schmidt Philadelphia Phillies active 1972 – 1989, Harold Baines Chicago White Socks 1980 – 2001, Greg Luzinski Philadelphia Phillies/Chicago White Sox 1970 – 1984, Lom Hen career stats unknown. The legs are all connected by chrome plated tubing fashioned as a square stretcher to stabilize the legs. SIZE: 31″ h x 18-1/2″ sq. CONDITION: Very good original, in-use condition with no defects beyond those caused by construction. 50567-70 (1,000-1,500) – Lot 3104

3105
$1,185.00

CONTEMPORARY WOVEN LEATHER CHAISE LOUNGE ON A CHROME FRAME.

Late 20th/early 21st century. The S-form seat frame covered entirely in handwoven or braided brown leather, accompanied by a matching pillow head-rest and mounted on a chrome plated frame, consisting of rectangular side supports, joined to horizontal stretchers, each fitted with square woven arm-rests. The foot raised on a similar chrome support. SIZE: 68″ l x 26″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: Structurally very good. Leather of cordovan color. 50800-161 (300-500) – Lot 3105

3106
$0.00

HAMADAN ORIENTAL RUG.

Central Persia, second quarter 20th century. The large arabesque poled medallion within a wine red field of floral vinery within bright indigo floral filled spandrels all within a midnight blue main border of burgundy and polychrome trelliswork. SIZE: 7’11” x 13’2″. CONDITION: Areas of wear throughout, an extensive area of insect damage in main border loss of fringe to ends. Note insect damage will require re-weaving and restoration. 50494-23 (600-900) – Lot 3106

3107
$711.00

FINE CUT CRYSTAL CHANDELIER.

Last half of the 20th Century. Chandelier having eight arms with four supporting branches, each light affixed with a clear bobech. Chandelier decorated with many large & medium prisms. SIZE: 42″ h x 28″ dia. CONDITION: Generally very good. 50262-5 (600-800) – Lot 3107

3108
$592.50

CLASSICAL REVIVAL CROSS BANDED MAHOGANY TWIN PEDESTAL DINING TABLE.

Second half 20th century. Rectangular top with D-formed ends with yew cross banding, raised on cylindrical ring-turned bulbous pedestals, raised on molded, shaped out swept legs with brass capped castors cast with acanthus leaves. Table with 2 additional 24″ leaves. SIZE: 29″ h x 76″ l (closed) x 47-1/2″ w. Open 10′ 4″ l x 47-1/2″ w. CONDITION: Table retains original surface with medium honey brown color and patina. 50494-33 (800-1,200) – Lot 3108

3109
$1,303.50

SET OF EIGHT BENCHMADE CARVED MAHOGANY CHIPPENDALE STYLE DINING CHAIRS.

Circa 1934, East Orange, N.J. The set comprised of 6 side chairs and 2 armchairs covered with contemporary damask fabric. Each serpentine foliate carved crest rail continued to reeded styles centering a pierced scrolling splat carved with leaf tips and quatrefoil devices joined to a trapezoidal over upholstered seat raised on square reeded frontal legs and backswept rear legs. Note: The family recalls that the name of the cabinet maker was Ferrarra and that they were commissioned for the consignor’s mother-in-law in Monclair, N.J. SIZE: 37-1/2″ h of back. 18″ h of seat. 24-1/2″ Overall w armchair. CONDITION: Structurally very good. Retaining original surface. Slight scuffing, abrasion and soiling from use. 50494-34 (1,600-2,400) – Lot 3109

3110
$355.50

BENCH MADE HEPPLEWHITE STYLE BOW FRONT SIDEBOARD.

Second half 19th century, England. Rectangular top with bow front, with ebony stringing along edge above the conforming case fitted with bank of 2 central drawers flanked by hinged curved door with simulated drawer fronts, opposing side with bank of 2 drawers all with cock-beaded edges and with contrasting string inlaid borders. Raised on 6 tapering ring turned and reeded cylindrical legs with ringed cuffs and tapering feet. SIZE: 36″ h x 64-1/2″ l x 27-3/4″ d. CONDITION: Sideboard professionally restored and re-polished, top with two 8″ rectangular patches at rear corners, proper left drawers with toned and colored filled shrinkage cracks and with additional cosmetic repairs to edges and veneers. 50494-35 (800-1,200) – Lot 3110

3111
$2,073.75

SEVENTY-NINE PIECE BLUE AND WHITE WEDGWOOD DINNER SERVICE IN THE “FERRARA” PATTERN.

Lot consists of twenty-two 9-1/4″ plates; twelve 8-1/4″ shallow bowls; ten 8″ octagon plates; four 6″ plates; six 5″ saucers; three 5-3/4″ saucers (two with chips); one 7″ shallow bowl; one 6″ shallow bowl; six 2-1/4″ high demitasse cups; three 2-1/2″ high coffee cups; 4-1/2″ high covered sugar; 5″ covered creamer; 2-1/2″ waste bowl; 5″ h x 10 l x 8″ w covered cheese dish; two 10″ x 8-1/4″ oval serving bowls (one with under-rim chip); 18-1/2″ x 15-1/2″ oval platter; 11″ x 9″ oval platter; 9-1/4″ x 7-1/2″ oval platter; two 6-1/2″ x 8″ oval platter. SIZE: Sizes as noted above. CONDITION: Very good with other minor imperfections and chips other than noted above. 50647-24 (400-600) – Lot 3111

3112
$0.00

FINE DOULTON STERLING RIMMED TANKARD & DOULTON DRAGON HANDLED EWER.

1) The cream colored porcelain tankard having a satyr shaped figural handle, a mid-band of frolicking nude boys with grapes & vine flanked by two foliate scrolled bands. The top pouring rim hallmarked with English hallmarks “London 1894” with makers mark “HTB” (Brockwell & Son (Henry Titterton Brockwell)). Base having a Doulton Burslem impressed mark “1031” also written “3241”. 2) Fine paint decorated ewer having a dragon handle with head winding around neck with shaped top. The decoration against the cream colored ewer has branches of colorful flowers. The bottom having a crown mark “Doulton Burslem England”. Also marked “SW 1060”. SIZE: 1) 8-1/4″ h. 2) 9″ h. CONDITION: 1) Small professionally repaired chip on bottom edge, otherwise very good. 2) Very good. 50798-2 (1,000-1,500) – Lot 3112

3113
$0.00

FINE PAIR OF DOULTON LAMBETH ARTIST VASES.

The bulbous vases having long flaring necks, the bodies decorated with simulated shagreen in a light blue to cream gradation. Over the surface has been placed gilt leaves and white enameled flower heads. The necks enameled to simulate cloisonne. The bases marked with a Doulton Lambeth impressed mark. Also impressed “Doulton Slaters Pate(nt)”. Artist initials “F.E.C. 11”, also artist “E.G.” and “EN”. The other vase marked with similar impressed marks and “N.B. 11” and “EN”. SIZE: 10″ h. CONDITION: Very good. 50798-1 (1,000-2,000) – Lot 3113

3114
$711.00

VERNIS MARTIN DECORATED CURIO CABINET.

Late 19th- early 20th century, France. The gilt wood cabinet decorated overall with painted polychrome floral sprays and with gilt metal mounts. Bowed door opening to an interior fitted with two plate glass shelves and mirror back, raised on shaped frontal legs with gilt metal mounts, rear legs square and tapered. SIZE: 54-1/2″ h x 26-1/2″ w x 13″ d. CONDITION: Curio retains original painted surfaces, now dry with some minor flaking, otherwise structurally good. 50494-27 (600-900) – Lot 3114

3115
$0.00

VERNIS MARTIN GILT AND DECORATED CURIO CABINET.

Late 19th century. Dome topped curio with serpentine glass door and side panels fitted with mirrored back and bottom with two plate glass shelves. Lower case with bombe sides and front decorated with a romantic scene of a family within a romantic landscape. Side panels with landscapes. The whole raised on angular outswept legs with cast gilt bronze mounts and sabots. SIZE: 71″ h x 38″ w x 17″ d. CONDITION: Old surfaces intact and with crazing. Some losses to gilt metal trim along borders of cabinet and additionally on trim to glass panel proper right side. Serpentine glass panel right side of panel absent. Door and left side panels intact. 50494-26 (1,000-2,000) – Lot 3115

3116
$1,185.00

VERNIS MARTIN STYLE CURIO CABINET.

Early 20th century. Curio with bowed door and glass side panels surmounted by a gilt-metal pierced gallery. Decorated overall with floral sprays and garlands. Central door opening to an interior fitted with single plate glass shelf and mirror back, raised on tapering cabriolet frontal legs with cast-metal sabots, legs centering a conforming open shelf decorated with a painted floral spray. SIZE: 55″ h x 28″ w x 15″ d. CONDITION: Original surfaces with slight crazing, otherwise good. 50494-28 (600-900) – Lot 3116

3117
$0.00

AESTHETIC MOVEMENT HAND-PAINTED THREE PART DRESSING SCREEN.

Last quarter 19th century, American. Each panel beautifully painted with a central polychrome floral rondel flanked by floral sprays continuing to floral rondels each centering a colorful butterfly on a black round within delicate scrolling line borders. The panel set within a border decorated with scrolling flowing vinery. Each panel similarly painted on the reverse. SIZE: 67″ h x 72″ l. CONDITION: Palette remains vibrant with minor abrasion and surface soiling at outer edges of panels from use and handling. We believe this should clean easily with mild detergent or lanolin hand cleaner. Very good overall. 50601-4 (3,000-5,000) – Lot 3117

3118
$1,777.50

FINE LONGWY STYLE AESTHETIC MOVEMENT BRASS PLANT STAND WITH PORCELAIN INSERTS ATTRIBUTED TO BRADLEY & HUBBARD.

Circa 1880, Meriden, Ct. The square brass top with wide border impressed with dense floral foliage within a border cast with quilloches centering the scenic porcelain tile depicting a winter mountainous landscape; a windmill in the foreground and castle in the background, all in state of ruin. Joined to a central pedestal comprised of four slender brass rods surmounted by flower heads joined to and centering two discs impressed with floral panels. The discs joined to a central shaft with pierced tapering platform supporting the top of the stand. Joined to the lower disc is a porcelain cylinder with brass capped urn finial similarly decorated as the top tile with winter landscape depicting snow covered cottage. The whole raised on thin cylindrical brass legs formed in 90 degree angles with angular brass supports each surmounted by a punched carved and incised “Fin”. The legs terminating in floral decorated cone feet. Impressed mark beneath the top “PAT APL’D FOR”. NOTE: For a similar example see In Pursuit of Beauty, published by the Metropolitan Museum of Art, pg. 281. Also, several similar examples have sold at auction in recent years including Lot #15, sold June 11, 2011, at Rago Arts and Auction Center and also bearing the impressed mark “PAT APLLIED FOR”. Another example attributed to Longwy sold at Fontaine’s Auction Gallery on January 11, 2014, as lot #50. SIZE: 33″ h x 13-1/2″ sq. CONDITION: Brass surfaces retain original lacquer, in generally fine condition with only minor and minimal pitting. The tile plaque with two crescent breaks on opposing corners, otherwise good. 50567-57 (1,500-2,000) – Lot 3118

3119
$711.00

NEOCLASSICAL MARBLE AND BRONZE PEDESTAL.

Mid-20th century. The square molded black marble top fitted to a cast-bronze stylized Corinthian column, cast overall with acanthus leaves joined to a square black marble classic stepped base with cast-bronze sunbursts at each side. SIZE: 42″ h x 10-01/4″ w x 10-1/4″ d. CONDITION: One corner of top with repair, otherwise good. 50271-1 (1,200-1,800) – Lot 3119

3120
$0.00

FINE EBONIZED MARQUETRY ESCRITOIRE IN THE MANNER OF HERTER BROTHERS.

Probably New York, last quarter 19th century. The ebonized oak escritoire with abalone chip inlays all within borders of inset brass strips. The lid decorated with intricate marquetry of overall meandering tendrils and vinery centering a large floral bouquet composed of abalone and hardstone inlays. Each drawer front decorated with similar brass inlaid and painted vinery with abalone flower heads. The rectangular top with molded edge above the conforming case fitted with frieze drawer over a hinged vertical lid with molded inset panel as described above. The interior with recessed mirror over two aligned stationary drawers, the writing surface fitted with olive green velvet. The whole above four long drawers flanked by freestanding Corinthian columns with cast gilt metal capitols, the bases applied with ribbon-tied garlands and cast Anthemion leaves, on molded base raised on suppressed ball feet. SIZE: 52″ h x 33-1/2″ w x 20″ d. CONDITION: Ebonized lacquer surfaces with minor cracking in top, case with normal wear throughout. Small losses to wood frame of right hinge on lid that does not affect mechanics. Structurally sound, good overall. 50271-2 (5,000-8,000) – Lot 3120

3121
$0.00

FINE EBONIZED MARQUETRY TALL CHEST IN THE MANNER OF HERTER BROTHERS.

Probably New York, last quarter 19th century. The ebonized oak six drawer chest with abalone chip inlays all within borders of inset brass strips. Each drawer with intricate marquetry depicting brass tendrils and vinery with abalone flower heads. The rectangular top with molded edge above the conforming case fitted with six long drawers flanked by freestanding Corinthian columns with cast gilt metal capitols, the bases applied with ribbon-tied garlands and cast Anthemion leaves. The whole on molded base raised on suppressed ball feet. SIZE: 52″ h x 33″ w x 19-1/2″ d. CONDITION: Cracks in top, small areas of staining to ebonized surface, similar to alcohol spills. One brass Strip absent on fourth drawer from top. Two brass trips off of proper left side but present. On brass strip near base proper right side in need of re-attachment, otherwise structurally sound. 50271-3 (5,000-8,000) – Lot 3121

3122
$1,718.25

WILKINSON METAL OVERLAY TABLE LAMP.

First quarter 20th century. Slender patinated base is cast with rows anthemion leaves. Base is completed with a three socket cluster and Wilkinson locking shade ring. Base supports an octagonal metal overlay pond scene shade backed with striated chartruese panels with bright jade green side skirt panels. Interior of shade has brass bandings anchoring the panels in place. Both shade and base are unsigned. Base is finished with a period contemporary cloth cord. SIZE: Shade is 20-1/2″ dia. Lamp is 23-1/2″ h. CONDITION: Well patinated base is original and untouched. Verdigris on shade frame is a later addition. Sockets are period replacements. Otherwise very good. 50567-46 (1,000-2,000) – Lot 3122

3123
$1,777.50

INTERESTING ART NOUVEAU STYLE BRONZE TABLE LAMP WITH ART GLASS SHADE.

The lamp having a marble base with dish cutout and bronze arm holing one socket. The Loetz style shade having green oil spot decoration against a clear and gold striped pattern. Unsigned. SIZE: 31″ h x 9″ dia. PROVENANCE: Private Maine/Texas Collector. CONDITION: Chips to fitter rim, otherwise very good. 50012-124 (400-800) – Lot 3123

3124
$474.00

REVERSE PAINTED SCENIC TABLE LAMP.

The shade having a marine scene showing two sailing vessels on water with beach beside. Unsigned shade, the base having two numbers, 1859 and 828. Tapered shaft with two replaced light sockets. SIZE: Total h 23″, shade dia 16″. PROVENANCE: Private Maine/Texas Collector. CONDITION: Shade with minor scratches and paint spots, Generally very good. 50012-108 (300-500) – Lot 3124

3125
$711.00

ART DECO COLD PAINTED BRONZE FIGURAL BOUDOIR LAMP.

1920s, American. Adam-style foliate cast candlestick base leads to a pale green hardstone sphere continuing to a cast scrolled mount in which is perched a cold painted polychrome parrot with a bird cage suspended from his beak with a hammered bell cap and a floral garlanded cage with a single socket. SIZE: 15″ h. CONDITION: With original surfaces showing some wear. Hardstone element with tight vertical crack on opposing sides. Cage form shade is now missing its base. Rewired with contemporary plastic cord. 50743-5 (1,200-1,800) – Lot 3125

3126
$4,443.75

TWO LARGE SLAG GLASS LAMPS.

1) Unmarked octagonal shade with chartreuse marbleized panels above striated green panels centering a cherry red panel overlaid with leafy branches with clusters of cherries. Apron of shade is comprised of striated green glass overlaid with pierced oval paterae. Shade is supported by a four socket columnar faceted base continuing to a four legged base with in-curved sides, each side cast with a rondel centering a cartouche. All metal surfaces with verdigris patination. Base is signed on the underside “B&H” for Bradley & Hubbard. 2) Unmarked octagonal shade with four rows of striated caramel, jade green, red and chartreuse glass panels. The shade frame of foliate overlay design mounted to the signed Bradley & Hubbard three socket base in the form of a colonnette continuing to a flattened and molded circular base marked “B&H” on the underside and on the base plate. The whole with verdigris patinated surface. SIZE: 1) Shade is 20″ dia. Lamp is 26-1/2″ h. 2) Shade is 20″ dia. Lamp is 21″ h. CONDITION: Very good overall. 50567-38, 50567-49, (1,500-2,500) – Lot 3126

3127
$4,147.50

TWO UNSIGNED METAL OVERLAY SLAG GLASS TABLE LAMPS.

1) Octagonal shade with eight bent chartreuse slag glass panels over eight blood orange rectangular panels; all metal overlaid with oak trees in classical landscape with the lower border overlaid with Art Nouveau influenced floral sprays. Shade is supported by a four socket columnar base cast with chestnut leaves and horse chestnuts around the edge of the base. The whole has brass patinated base metal surfaces. 2) Pagoda-style octagonal shaped shade has caramel slag panels above a row of wine red rectangular panels over eight striated green panels above a border of blue and red striated rectangular glass panels. Shade is supported by a four socket flared square columnar base cast with anthemion leaves and fern fronds on a square base. The lamp is completed with overall patination with slight verdigris. SIZE: 1) Shade is 23-3/4″ dia. Lamp is 28″ h. 2) Shade is 24″ dia. Lamp is 29″ h. CONDITION: 1) There is one panel in the apron with diagonal crack. Otherwise very good. Base is rewired with appropriate cloth cord. 2) Shade is very good. Base is rewired with contemporary plastic cord. 50567-51, 50567-53, (1,000-2,000) – Lot 3127

3128
$414.75

PAIR OF WHITE MARBLE PEDESTALS.

Each carved as a Corinthian column with square platform tops above capitols carved with scrolled corners centering layered fern leaves. The fluted columns continuing to ringed concave molded circular bases. SIZE: 36-1/2″ h x 10″ w x 10″ d. PROVENANCE: Private Maine/Texas Collector. CONDITION: Columns with minimal soiling, 3 large chips to one base and small roughness on both bottom edge of bases, otherwise good. 50012-85 (800-1,200) – Lot 3128

3129
$1,185.00

QUEEN ANNE STYLE LEATHER WING CHAIR.

Mid-20th century. This is a nice example with brown tufted and tacked leather. Arched crestrail continuing to ogival wings centering the over upholstered back. Outward scrolled arms centering a tufted seat cushion above the shaped frontal seat rail raised on pronounced cabriole legs terminating in round pad feet. SIZE: 42-1/2″ h of back. Seat: 17″ h x 32″ w. CONDITION: Very good overall. Leather with good worn patina, intact without blemishes. 50494-30 (400-600) – Lot 3129

3130
$296.25

FINE PAIR OF REPRODUCTION CHIPPENDALE STYLE OPEN ARMCHAIRS.

Beautifully upholstered in a green and yellow leaf design on a light yellow background, shaped and carved arms, and ball and claw foot with carved knees and knuckles. SIZE: 41″ h x 32-1/2″ at widest x 28″ at deepest. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. 50012-93 (300-500) – Lot 3130

3131
$592.50

TWO UPHOLSTERED REPRODUCTION WING CHAIRS.

1) Chippendale style with newer striped upholstery with good rolled arms. H stretcher and modeled square front legs. 2) Queen Anne style wing chair with separate cushion in a pastel striped and light cream upholstery. Cabriole legs and H turned stretcher. SIZE: 1) 45-1/2″ h x 34″ at widest x 32″ at deepest. 2) 48-1/2″ h x 34″ at widest x 30″ at deepest. PROVENANCE: Private Maine/Texas Collector. CONDITION: 1) Old repair to leg. Upholstery in very good condition. 2) Very good. 50012-95, 50012-96, (500-800) – Lot 3131

3132
$1,185.00

ROBERTA SCHILLING DECORATED DINING SET.

1995 – 2006, Brazil. Hand painted set designed by Roberta Schilling comprised of; open side board paint decorated with basket of fruit within a cartouche with foliate borders and stylized spray of fruit amongst leaf tips and tendrils within cartouche. Rectangular shelf with 3/4 splash guard projecting above scrolled apron fitted with 4 aligned short drawers above open shelf, the whole raised on square legs. Fruit decorations on cream ground with wide terra cotta borders and green trim throughout. 2 part hutch with open top decorated with clusters of grapes on vines, upper case of 3 open shelves beneath molded cornice on shaped supports all with scrolling edges, fitted on a rectangular base of 3 aligned drawers above 3 cupboard doors on shaped bracket feet. Set of 10 side chairs each with rectangular crestrail above 3 vertical shaped splats of architectural form joined to the trapezoidal solid seat with beveled edge raised on square legs joined by “H” form stretcher of which 8 chairs are painted in terra cotta with cream and green borders conforming with rest of set. The 2 hostess chairs painted to compliment set it a cream mustered or marigold finish. Large round dining table also decorated with garland of grape clusters and vines on terra cotta ground within wide cream border decorated with foliate scrolls supported by a massive neo-classical pedestal with in curved sides joined to socle raised on “X” form trestle feet. Paint decoration throughout set is by design in Spanish taste and distressed. NOTE: Roberta Schilling, a native of Brazil, comes from a family of designers. She later attended college in Florida where she discovered new ways to apply her knowledge of art, at which time she developed her concept of creating high quality hand painted Brazilian style furniture for an American audience at trade shows. In 1995 she transformed her concept into reality by producing furniture such as the set offered here today. She further expanded her line in 2006 to include contemporary furniture. SIZE: Side board: 36″ h (overall) 32″ h (work surface) x 70″ l x 22″ d. Hutch 84″ h x 57″ l, 60″ l (overall) x 19″ d. Chairs: 44-1/2″ h (back) 19″ h (seat) x 19″ w (seat). Table: 80″ dia x 31″ h. CONDITION: Structurally very good, all painted surfaces as designed with minor age appropriate wear. 50330-1 (4,000-6,000) – Lot 3132

3133
$4,147.50

LOT OF TWO PARFLECH CONTAINERS.

First half 20th century, both are polychrome painted in geometric designs, colors include vermilion, cobalt blue, green and yellow. SIZE: 27″ l x 13″ w and 25″ l x 13″ w CONDITION: Shows in-use wear, minor loss to paint, otherwise good. 50326-2 (2,000-3,000) – Lot 3133

3134
$2,073.75

DAKOTA SIOUX BEADED DRESS.

Mid 20th century, solidly beaded front and back yoke, thread sewn, in beautifully patterned geometric design, bead colors include; cobalt, pink, bright yellow, clear pink, clear blue on buckskin in yellow and red paint with tin cone dangler decoration, with two lines of geometric bead design at edges and fringe work. SIZE: 54″ l (with fringe) x 51″ w. CONDITION: Very good. 50620-78 (2,500-3,500) – Lot 3134

3135
$1,185.00
Revised: 8/22/2016

Please Note: Only one photo is available in the catalog. The other dress is shown in our online catalog.

CROW TRIBE WOMEN’S DRESS WITH COWRIE SHELLS AND CHEYENNE BEADED DRESS.

First half 20th century. 1) Crow dress decorated in seed beads, cowrie shells and bugle beads, bead colors are light blue, white, green, greasy green, orange, and red. Beaded on blue wool trade cloth with copper colored material edging. 2) Cheyenne beaded dress has seed beads sewn to soft deerskin hide, bead colors are white, orange red, cobalt, light blue, yellow with seed beaded strip designs on yoke, line beaded through center and beaded border on bottom. Profusely fringed on sleeves, sides and bottom. SIZE: 1) 34″ w x 40″ l. 2) 52″ l (with fringe) x 36″ w (across shoulders). CONDITION: 1) Very minor bead loss, some light stains on material. 2) Stiffness to hide and tears at neckline, tear in hide at mid section, in-use wear and spotting. 50620-42 (2,000-3,000) – Lot 3135

3136
$2,962.50

SIOUX BEADED TIPI BAG.

Late 19th century, Sioux Large beaded tipi bag, sinew sewn with cobalt blue, light blue, white, black, greasy green and yellow with white hear reds on blue background, crosses, stepped pyramid and square outline designs on hide. Horsehair and tin cone decoration. SIZE: 23″ w x 13-1/2″ h. CONDITION: Some minor bead loss, otherwise very good. 50647-19 (500-700) – Lot 3136

3137
$592.50

LARGE GEOMETRIC AND FLORAL GREAT LAKES BEADED CEREMONIAL APRON.

Last quarter 19th century, loom beaded and spot stitched on various types of trade cloth with tassels having early trade beads and red yarn pom-poms. SIZE: 48″ l x 14-1/2″ w. CONDITION: Spotty moth grazing on material backing, very minor bead loss, otherwise good. 50620-62 (1,800-2,200) – Lot 3137

3138
$4,740.00

CROW BEADED RIFLE SCABBARD.

First half 20th century, sinew sewn geometric design with red trade cloth on hide with, white, green, clear red, bright yellow and light blue beads. Surmounted with long hide fringe. SIZE: 43″ l (overall) x 6″ w (scabbard), 25″ w (with fringe). CONDITION: Very good. 50620-73 (1,200-1,800) – Lot 3138

3139
$2,962.50

TWO PLAINS STYLE KNIFE SHEATHS WITH TRADE KNIVES.

1) Partially beaded knife sheath, sinew sewn on brain tanned hide and commercial harness leather with tin cone danglers, beads are cranberry, greasy yellow, blue, bright red, white and black. Together with older trade knife. 2) Geometric design beaded on commercial harness leather, sinew sewn with greasy yellow, black, white, white heart red beads, solidly beaded with antique trade knife. SIZE: 1) 3″ w x 10″ l. 2) 3-1/2″ w x 10-1/4″ l (no fringe). CONDITION: 1) Good. 2) Good, minor bead loss. 50620-8 (800-1,200) – Lot 3139

3140
$0.00

SIOUX COMMERCIALLY TANNED SHIRT AND NORTHERN PLAINS BEADED HIDE SHIRT.

First half 20th century. 1) Plains shirt with geometric seed beading on shoulders, applied rectangular beaded trade cloth bibs and wrapped horsehair ornamentation, fringe on sleeves, sides and bottom, poncho cut, bead colors are white, bright yellow, greasy green, cobalt and pink. 2) Northern Plains brain tanned scout cut shirt, fringed sleeves, crinkle cut fringe on bottom, brass buttons with one missing, nine applied beaded roundels, bead colors are bright red, black, white, orange, yellow, and cranberry. SIZE: 1) 31″ l x 67″ w (across shoulders). 2) 36″ l (with fringe) x 59″ w (across shoulders). CONDITION: 1) Minor in-use spotting, beads are good. 2) Minor in-use staining, otherwise good. 50620-40 (1,500-2,500) – Lot 3140

3141
$2,370.00

SIOUX BEADED HIDE TANNED SHIRT.

First quarter 20th century, Sioux Plains shirt decorated with beaded strips applied to brain tanned yellow, paint-decorated poncho cut shirt with beaded triangular and square bibs with green paint, bead colors are greasy green, orange red, cobalt, white, light green. SIZE: 62″ w (across shoulders) x 38″ l (with fringe). CONDITION: In-use stains on hide, minor bead loss, otherwise good. 50641-17 (2,000-3,000) – Lot 3141

3142
$474.00

SIOUX MEN’S BEADED LEGGINGS AND PAIR OF NORTHERN PLAINS LEGGINGS.

First half 20th century, Sioux leggings beaded thread sewn on brain tanned hide with pictorial designs, crossed pipe, equestrian clubs and several other designs with fringed edges, bead colors are bright orange red, light blue, dark blue, white, cranberry and yellow. Northern Plains leggings geometric beaded spot stitched on linen strips applied to brain tanned hide, geometric pattern of diamonds in dark blue, clear amber, white, pony trader blue, orange white hearts, greasy yellow. SIZE: Sioux (each) 30″ l x 16″ w (with fringe). Northern (each) 31″ l x 15″ w. CONDITION: Sioux leggings are good. Northern Plains very good. 50620-11 (800-1,200) – Lot 3142

3143
$474.00

CROW LEGGINGS ALONG WITH A PAIR OF SIOUX BEADED SHIRT STRIPS.

1) Late 19th century, Crow leggings are finely beaded in greasy yellow, pink, blue, white and clear green beads on blue and red trade cloth. Typical Crow geometric design. 2) Pair of Sioux shirt strips now joined together to form a blanket strip. Sinew sewn beads in white, blue, greasy yellow, white heart red, greasy green on hide strip. Triangular geometric design on white ground. SIZE: 1) 31″ l x 14″ w (folded). 2) 2-1/2″ w x 61″ l. CONDITION: 1) Thread sewn, fading in trade cloth, showing good honest wear, minor soiling. 2) Minor bead loss. 50620-39 (1,200-1,500) – Lot 3143

3144
$0.00

NORTHERN PLAINS OTTER BAG.

First quarter 20th century, full otter pelt lined with old trade cloth repairs, brass buttons, brain tanned hide, hide wrapped turkey feathers, together with old forged trade knife with wooden handle. SIZE: Bag 41″ l (overall). Knife 15″ (overall). CONDITION: Skin has dried areas that have fragmented, some stitched together at later date, numerous tears. 50620-79 (6,000-8,000) – Lot 3144

3145
$651.75

PLAINS STYLE VICTORIAN PIPE BAG TOGETHER WITH TWO VERY EARLY PONY BEADED MATCHED PAIR OF SHIRT BIBS AND TRADE KNIFE.

1) Pictorial pipe bag with geometric and pictorial elements in the Sioux style, depicting a Chief with full headdress on horseback, reverse with two half elk with morning stars. Beaded on hide and painted with red paint, sinew sewn. 2) Mid 19th century, shirt bibs with blue and white pony beads, thread sewn with horse track painted designs, profusely fringed, now tied together as a knife sheath, possibly upper Missouri. Together with trade knife. SIZE: 1) 30-1/2″ l (with fringe) x 7″ w. 2) 10″ l (overall) x 5″ w (with fringe). Knife is 9-1/2″ l. CONDITION: 1) Very good. 2) Very good with minor soiling and scattered bead loss. 50620-7 (1,200-1,500) – Lot 3145

3146
$829.50

PLAINS STYLE WOMAN’S PIPE BAG WITH PLAINS STYLE BEADED BELT POUCH ALONG WITH CHEYENNE BEADED PIPE BAG.

1) Woman’s pipe bag beaded on light blue background with hide cut-out design, quill wrapped fringe. 2) Cheyenne style pipe bag with typical geometric design beaded on hide and red trade cloth top, long hide fringe. Sinew sewn. 3) Plains style belt pouch, thread sewn on very soft deerskin hide, white background geometric design with long flap. SIZE: 1) 4-1/2″ w x 25″ l (with fringe). 2) 6-5/8″ w x 39″ l (with fringe). 3) 4-1/4″ w x 13″ l. CONDITION: 1) Good. 2) Good. 3) Very good. 50620-21 (800-1,200) – Lot 3146

3147
$474.00

PLATEAU BEADED HOLSTER, SIOUX PICTORIAL BEADED HOLSTER, ALONG WITH PAIUTE GAME RANGER BADGE, AND INDIAN POLICE BADGE.

1) First half 20th century, Large holster, spot stitched, blue background of typical Plateau design. Together with Indian police badge, marked sterling, six pointed star design with tooled edge and relief design. 2) 20th century, Sioux pictorial sinew and thread sewn with cross flags and geometric motifs on blue background, strap has bone hair pipes and trade beads. SIZE: 1) Holster 16″ l (with fringe) x 6″ w. 2) 8″ w (with fringe) x 11-1/2″ l (with fringe). CONDITION: 1) Overall good condition. 2) Overall good, badge shows good in-use wear. 50620-69 (1,200-1,500) – Lot 3147

3148
$711.00

NORTHERN PLAINS BEAR SKIN GEOMETRIC DESIGN ROBE.

Late 19th century, robe was found in a suitcase, part of Paul Dyck Collection which went to the Cody Museum on his death. He was the largest and most comprehensive collection in private hands of Plains material. The robe is very unusual being bear and appears to be Northern Plains with etched and painted geometric design in polychrome paint colors are white, red and yellow. SIZE: 7′ l (overall) x 68″ w (overall) CONDITION: Several holes and tear in areas where hide stiffened, most of the hide is supple, otherwise good. 50641-18 (2,000-3,000) – Lot 3148

3149
$355.50

LATE 19TH CENTURY PLAINS SCOUT SHIRT.

Very soft brain tanned buckskin, thread sewn, fringe is across shoulders and pockets, pearl buttons with two missing. SIZE: 26-1/2″ l x 63″ w (across shoulders). PROVENANCE: William Eugene “Pussyfoot” Johnson (25 March 1862 – 2 February 1945), Coventry, NY, Famous prohibitionist. According to Wikipedia, Johnson’s temperance activities earned him governmental notice and he was appointed special agent of the Department of the Interior to enforce laws in Indian Territory and Oklahoma in 1906, probably where the shirt was acquired. CONDITION: Very good. 50641-1 (600-800) – Lot 3149

3150
$1,659.00

PLAINS PIPE TOMAHAWK WITH BURNT FILE DECORATION LAST QUARTER 19TH CENTURY.

Cast-brass pipe finely tooled on original file burnt ash handle with hide and tack decoration. SIZE: 8″ w x 21-1/2″ l. PROVENANCE: From a Maine Collection. CONDITION: Showing very good old patina. 50641-22 (1,500-2,000) – Lot 3150

3151
$829.50

EARLY 20TH CENTURY QUILLED KNIFE SHEATH TOGETHER WITH PLAINS STYLE BEADED SHEATH, NORTHWEST COAST DECORATIVE KNIFE AND BLACKFOOT STYLE BOWIE KNIFE.

1) Quilled on brain tanned hide with pony trader blue beads sinew sewn on edge, lined with buffalo thick hide liner with antique trade knife. 2) Ute pattern geometrically beaded knife sheath on dark dyed hide, twisted fringe, tin cone danglers with horsehair, clear lime green, white heart red, and black beading. 3) Tlingit style composed of carved mahogany figural pommel inlaid with abalone, cloth wrapped handle, large steel trade blade. 4) Large bowie style knife with bone handle, brass rivets, large cast-steel blade with serpent cartouche. SIZE: 1) 10″ l x 3-1/4″ w (no fringe). 2) 13″ l (no fringe) x 3-1/2″ w. 3) 21″ l, 2-3/4″ w (pommel). 4) 14-1/4″ l x 3-1/2″ w. CONDITION: 1) Very good. 2) Good. 3) Good. 4) Good. 50620-1 (1,200-1,500) – Lot 3151

3152
$1,777.50

FINE CLASSICAL WHITE MARBLE STATUE OF A MAIDEN AND CHERUB.

19th century, Europe. The sculpture depicting a semi-nude maiden seated on a rocky outcrop. A robe partially draped over her right thigh against which is kneeling, a cherub in a position of supplication. A bouquet of roses lies on the ground between them. The women holding an object in her right hand resting against her hip. SIZE: 40″ h x 31″ l approx x 23″ w approx. PROVENANCE: From a private Massachusetts collection. CONDITION: Losses to two fingers on left hand of maiden and four fingers of right hand. Damage and losses to all toes on right foot. Cherub with losses to two fingers on right hand and with substantial loss to wing-tips of both wings. Minor damage to petals on roses. Surface abrasion to back of maiden. Otherwise with normal and expected soiling and weathering. Lower leg and right foot of maiden, now with base coat of gray due to restoration. 50800-35 (5,000-8,000) – Lot 3152

3153
$2,962.50

TWO CLASSICAL REVIVAL WHITE MARBLE JARDINIERES.

Second half, 19th century. The first rectangular marble planter carved with gadrooned edge. The front carved with a group of frolicking cherubs playing musical instruments and dancing. The ends carved with armorial shields flanked by ribbon-tied garlands. The rear carved with floral ribbon-tied garlands, centering rondels carved with fanciful masks. The second planter of rectangular form, carved with flower-heads amidst woven ribbon above the side carved with an armorial crest, flanked by winged dragons, the tails in the form of vinery entwining a flower head. The ends carved with ribbon-tied garlands of fruit. SIZE: 9″ h x 25″ l x 9-1/2″ w. 10″ h x 41″ l x 16-1/2″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: The first, with some soiling overall and with shallow chips on edges and normal and expected weathering. Otherwise structurally good. The second larger example, with brown staining at midpoint along side and with old stress crack on top edge. Soiling and weathering overall. 50800-141 (600-900) – Lot 3153

3154
$592.50

FOUR ALLEGORICAL GARDEN STATUES.

First half, 20th century. The four statues of Putti representing “the four seasons”. Each figure holding representative symbols such as floral bouquet, holly leaves, and grape cluster. Each on a molded socle. All in white paint. SIZE: 26″ h approx. PROVENANCE: From a private Massachusetts collection. CONDITION: One statue with damage and re-attachment of left arm and with some damage to base of socle. Others with chips and minor damage. Painted surfaces worn and peeling. Normal and expected weathering to top of statues. 50800-94 (1,000-2,000) – Lot 3154

3155
$1,777.50

GROUP OF FIVE CARVED MARBLE STATUES OF PUTTI WITH MUSICAL INSTRUMENTS.

First half 20th century, Italian. Each statue carved of white marble designed for use within a garden or along the top of a wall. Each posed on rock work joined to a square plinth. SIZE: 25″ to 26″ h. CONDITION: Each with undisturbed natural weathered surfaces, and with appropriate texture, and soiling. Normal and expected abrasions, and small nicks to marble insignificant in nature. Neck of mandolin with chip and old repair. 50567-2 (3,000-5,000) – Lot 3155

3156
$7,702.50

CAST LEAD FOUNTAIN OF FIGURAL GROUP WITH SWAN AND YOUTH.

3rd quarter 19th century, American, possibly New York. Fountain in two parts, depicting young boy standing to left of swan figure, left arm extended toward upraised beak, right arm around lower neck of swan with outstretched neck, beak pointing skyward and open tubular end of fountain embedded within swan’s mouth. Figure’s wings are outstretched and posed balancing on its tail and webbed feet. Fountain now with natural grey patina with some verdigris. SIZE: App size: 46″h overall. 47″ w overall. 40″ d overall. PROVENANCE: From a private Massachusetts collection. CONDITION: Surface as noted. Youth with some open seam issues beneath right arm. Figural group will need some minor restoration and adjustments for reassembly. Otherwise good. 50800-4 (2,000-4,000) – Lot 3156

3157
$4,443.75

CAST IRON AND ZINC GARDEN FOUNTAIN AND 53 PIECES CAST IRON GARDEN EDGING.

1) Probably manufactured by either Fisk or Mott, New York City, circa 1880. The 6′ ground dish has frog and lily pad motif on rim. The mid-section with round bridgework base with three egrets forming the pedestal supporting a catch basin with foliate design. The fountain is surmounted by a cast zinc figure of young boy holding a large fish, designed with a fountain head in the fish’s mouth (not present). 2) Rustic pattern with heavy castings. 52 pieces. SIZE: 1) 96″ t x 6′ w (across base). 2) 15″ t x 22″ l. CONDITION: 1) Ground dish with cracks, basin with repairs, the whole with fairly recent paint. 2) Generally good. 49913-1 (2,500-3,500) – Lot 3157

3158
$2,370.00

PAIR OF ROCOCO CAST-IRON GARDEN BENCHES.

Second half 19th century, American. Each bench with scrolling floral crest above a pierced back panel, cast with C-scrolled trelliswork. Each arm with scrolling rails continuing to hand grips, each cast with floral spray above foliate C-scrolls centering a trapezoidal seat cast with scrolling foliate vinery above a foliate frieze, raised on cabriole outswept molded legs, cast with floral pendants and sabots. NOTE: This pattern is often referred to as “Rose Garden”, as they are identical to a pair of garden benches located in the Rose Garden at the White House. SIZE: 36″ h (to back), 17″ h (at seat) x 46″ w (overall). CONDITION: Good condition, painted surface shows normal wear and discoloration due to weathering. NOTE: Crest rails show reinforcing in the pattern before casting, at points where these benches commonly developed cracks, showing an improvement to the original pattern. 50839-5 (2,000-4,000) – Lot 3158

3159
$533.25

PAIR OF CAST IRON GARDEN URNS.

The standard form urns with wide rim, tapered body with square bases. Remnants of an old bluish/black paint. SIZE: 19″ h x 15″ w. PROVENANCE: Private Maine/Texas Collector. CONDITION: Rust, shows outdoor use, otherwise very good. 50012-67 (200-400) – Lot 3159

3160
$1,066.50

PAIR OF VICTORIAN 4-SEAT CAST IRON BENCHES.

Each bench having 4 oval medallions depicting a man in different stages of growing crops. One shows seeding, another raking, another harvesting and another gathering.The seats are made with 3 wood planks. SIZE: 32″ h x 30″ deepest x 70″ l. PROVENANCE: Private Maine/Texas Collector. CONDITION: Green over white paint is “as found”. Rust. Seats as is. One back brace at center broken. Otherwise good in need of reconditioning. 50012-81 (800-1,200) – Lot 3160

3161
$355.50

ASSEMBLED SET OF SIX CAST IRON OUTDOOR ARMCHAIRS.

The fancy chairs in black paint have open backs with roses, sea scrolls, and flower decoration. Pierced seats having 4 legs with crossed stretchers. The set comprises a set of 4 and a pair. SIZE: Set of 4: 32″ h x 20-1/2″ w. Set of 2: 34″ h x 22″ w. PROVENANCE: Private Maine/Texas Collector. CONDITION: One of each set has broken legs and need repair. 50012-68 (400-600) – Lot 3161

3162
$1,185.00

LOUIS PHILLIPE GILT TOLE CHANDELIER.

Third quarter 19th century, France. The hexagonal galleried annular ring issuing three chains supporting a tapered galleried hexagonal bowl. The gallery is parchment lined, a scrolled wrought-iron candle arm with crimped bobeche joined at each corner, each of the six candle arms with simulated beeswax candle. The hexagonal bowl embellished with gilt metal leafage above a reeded sphere all gilt-decorated. SIZE: 48″ h x 29″ dia. PROVENANCE: From a private Massachusetts collection. CONDITION: Structurally good, gilt and tole painted surfaces original with normal and accepted in-use wear. 50800-43 (400-600) – Lot 3162

3163
$0.00

LARGE WROUGHT-IRON TEN LIGHT CHANDELIER.

Second quarter 20th century. In two tiers, this custom rococo revival example with scrolling tubular arms in the upper section simulating leaf tips. The lower tier comprised of ten S-scrolled tubular arms applied with leaf tips terminating in candlecups with leafy bobeches. SIZE: 41-1/2″ h (approximately) x 48″ dia. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good original condition and surface. 50800-69 (400-600) – Lot 3163

3164
$414.75
Revised: 8/5/2016

Please Note: Title should read DERBEND STYLE ORIENTAL RUG, PAKISTAN.

DERBEND ORIENTAL RUG EASTERN CAUCASUS.

Mid-20th century. Three aligned geometric medallions, the center most pale turquoise flanked by terracotta medallions, all with polychrome angular geometric devices alternating with rows of stylized peacocks, all on a burnt gold field with a dense arrangement of flower heads, tarantulas, botehs and other geometric devices within an ivory main border of polychrome zig-zag lightning bolt elements within multiple turquoise, gold, brick and cream floral guard borders. A tightly woven example with unusual palette and design. SIZE: 8’1″ x 10’1″ CONDITION: Light soiling, rug retains good even pile throughout, some wear and losses to fringe, selvedge good. Good to very good overall. 50270-34 (700-900) – Lot 3164

3165
$207.38

TWO DU PONT NATIONAL PERPETUAL ADVERTISING DISPLAY CALENDARS.

Patented 1909, American. Original calendars with rotating disc for days of the week above stack of numerals 1-31 for days of the month behind a series of annual calendars from 1917-1926, all over rotating disc displaying the days of the week above a rectangular aperture. On reverse of calendar, mounted to back of tin board are illustrated instructions for calendar. Tin backing headed by the name of “DU PONT” above two columns displaying products produced and advertised by the various Du Pont companies, listed at the bottom of the plaque centering a hinged door with lithographic panel decorated with a scene from a painting by Stanley Massey Arthurs (1877-1950), and signed S.M. Arthurs, 1916. Painting of E.I. Du Pont de Nemours discussing the location of his first American powder mill with Thomas Jefferson at base of hinged lithograph. SIZE: 28-3/4″ l x 19″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: Both examples in original condition with slight surface soiling. Date cards somewhat yellowed and with wear from usage, otherwise good. One example missing the numeral 1, otherwise good. Second calendar intact in similar condition to first, noticeable abrasion in area of “Blasting Supplies of all kinds”. Calendar missing numerals 1-15, otherwise good. 50800-106 (300-500) – Lot 3165

3166
$2,962.50

DR. DANIELS’ VETERINARY MEDICINES DISPLAY CABINET.

“Dr. Daniels’ Warranted Veterinary Medicines” with oak case, original finish. Lithograph on tin, illustrating various boxes and tins of home treatment and medications available, interior with three fixed shelves. This lot is accompanied by a large quantity of vintage packages of medications, herbs, tablets and a selection of more than 30 glass bottles, vials and containers, mostly labeled, some sealed. By many manufacturers and distributes not related to Dr. Daniels but names such has; “Humphreys”, “G.S. Cheney Co.”, “S.W. Gould & Bros.”, and many others. SIZE: 29″ h x 21-1/2″ w x 8″ d (overall). CONDITION: Cabinet is very good, some craquelure to varnish of cabinet, advertising tin with vibrant color. Collection of boxes, bottles and containers in varying states of condition, most paper containers are good to very good. Bottles, vials and glass containers of varying color. Most labels legible and intact. The collection of material is varied and of interest. 50406-4 (1,800-2,200) – Lot 3166

3167
$0.00
Revised: 8/3/2016

Please Note: “Probably by Hoyt” should be removed from the description. This automation was made by Hoyt. We guarantee this to be Hoyt.

HOYT “BLACK FARMER” AUTOMATON.

Late 19th/early 20th century, Germany. Probably by Hoyt, original paper label now absent. Mechanical key-wind, die cut lithograph depicting black farmer in cap, checked shirt and overalls. Brass spring-driven clock movement controls the head to tilt left and right while mouth opens and closes and eyes also move left to right. The whole mounted in shadowbox oak frame with silver slip under glass. SIZE: 21-1/2″ x 16-1/2″ sight. 27″ h x 22 ” w overall. CONDITION: Backboard on frame a replacement. Movement original and functioning. Slight yellowing to cream background and to lower area of bust figure. Otherwise good and untouched. 50461-1 (2,000-3,000) – Lot 3167

3168
$0.00

ONCE-IN-A–LIFETIME COLLECTION OF THE COMPLETE LINE OF 18K & 14K GOLD, GOLD ON SILVER, STERLING, GOLD-FILLED, SILVER FILLED AND SILVER-NICKEL CROCHET HOLDERS WITH CHANGEABLE HOOKS PATENTED IN 1924 BY BROOKLYN JEWELER SAMUEL H. BURNS. THIS IS A SALESMAN’S KIT WHICH INCLUDES DISPLAY SAMPLES OF EACH OF THE 13 DIFFERENT PRODUCTION MODELS PLUS ADDITIONAL STOCK.

Also includes: 2 models of velour lined gift boxes (ten total), extra cardboard boxes with instructions, the display case, a copy of the original brochure & agent’s price list, plus extra caps in various metals, extra needles etc. A copy of the Patent and other information about Samuel Burns are also included. Each holder houses a removable metal storage container that holds 4 additional sizes of hooks. The collection includes the following holders: #65 (18K Gold Hand-engraved: 1 display), #64 (18K Gold Brocade: 1 display + 2 boxes complete), #59 (14K Gold Hand-engraved: 1 display + 5 boxes complete), #58 (14K Gold Brocade: 1 display + 4 boxes complete), #54 (18K Gold on Sterling Hand-engraved: 1 display + 3 boxes complete), #53 (18K Gold on Sterling Brocade: 1 display + 1 box complete), #49 (14K Gold on Sterling Hand-engraved: 1 display + 1 box complete), #48 (14K Gold on Sterling Brocade: 1 display + 1 box complete), #44 (14K Gold-filled Chased: 1 display + 10 boxes complete), #43 (14K Gold-filled Plain: 1 display + 6 boxes complete), #39 (Sterling Hand-engraved: 1 display + 1 box complete), #37 (Sterling Chased: 1 display), #34 (Silver Filled Chased: 1 display + 9 boxes complete + 17 no hooks, no boxes), #31 (Silver Nickel Plain: 1 Box complete + 2 no boxes-no hooks. No Display).NOTE: Samuel Henry Burns was born in 1859 in Somersworth, NH and died 1933, Brooklyn, NY. He was a jeweler and owner of the S. H. Burns & Co. and the Holten Printing Company of Brooklyn. He received a US Patent in 1924 for a novel “crochet hook and holder” which he manufactured and sold. It is this patented product that this collection is based on. SIZE: Most boxes are 4-1/2″ l. CONDITION: Generally very good, boxes show some very light use but generally are unused store stock. 50801-1 (3,500-5,500) – Lot 3168

3169
$9,480.00

EXCEPTIONAL AND COMPREHENSIVE LIFETIME ACCUMULATION OF STAMPS FROM MANY COUNTRIES.

Although innumerable countries are represented, the vast majority of stamps are from Great Britain and her worldwide empire with scores of duplicate examples of very scarce stamps. Britain’s Caribbean possessions are heavily represented as well as Hong Kong and many other nations. Many initial issues are included with some early issues having hundreds of examples. There are also a number of covers in this collection. Catalog value of this vast accumulation likely exceeds $300,000. A wonderful chance for the dealer or advance collector to acquire a comprehensive and important collection CONDITION: Generally good to very good. 50714-1 (16,000-20,000) – Lot 3169

3170
$1,066.50

LOT OF BOXED AND UNBOXED LEAD SOLDIERS.

Lot contains: Box 1) “Britain’s Soldiers Regiments of All Nations.” Twelve musicians on horses. Box 2) “Armies of the World W Britian Full Band of the Cold Stream Guards No. 37″. Twenty-one men with musical instruments. 3) Six Ducal Models of band members on horseback. There are six boxes for six individual figures. 4) Britain boxed kettle drummer no. 2151. 5) Boxed British 11th Hussar bugler archive collection. 6) Somerset Ltd. Bikanir State Force Camel Corp Double Mount. 7) Set of 33 Cold Stream Guards? with man, woman, and horse, Britains, and a 10 piece circus set (as found). Approximately 89 total pieces. SIZE: Ranging 1″ to 4”. CONDITION: 1) Box with corner and end breaks, soldiers very good. 2) Box with some damage and loss, men are very good. 3) One figure damaged. 4-7) Britains are generally very good to excellent, circus is as-is. 50586-6 (700-900) – Lot 3170

3171
$0.00
Revised: 8/23/2016

Please Note: There is a tab missing from the base of the bank.

CAST-IRON LIGHTHOUSE MECHANICAL BANK.

Circa 1891, American. This fine original example of a lighthouse and keeper’s house. Bank designed on rockwork with a hexagonal base with two slots for coins. The slot in roof functions as a still bank, while the second at the top of the tower acts as a mechanical bank. Round button at the top of the tower accepts the coin into the tower upon being pushed. The stack of nickels can be seen through the window apertures at the top of the tower, and the bank can be opened from below when it is full, having taken 100 nickels. SIZE: 10-1/4″ h. 6-1/4 ” dia. CONDITION: Original surface, paint on the tower with abrasions and spot losses throughout. Mechanics appear in good working order. Very good overall. 50316-1 (2,500-3,500) – Lot 3171

3172
$1,540.50

CAPE HATTERAS LIGHTHOUSE DOORSTOP.

1920-1930, American. This hollow half round casting from an unknown foundry. On attached molded plinth. Note: Cape Hatteras light represents that tallest brick lighthouse in the United Sates and this is among the tallest doorstops produced. SIZE: 21-1/4″ h x 8-3/4″ w. CONDITION: Doorstop with original paint and with minor paint wear spatter. Very good untouched condition. 50576-7 (1,500-2,000) – Lot 3172

3173
$1,422.00

LARGE FOOTMEN DOORSTOP DESIGNED BY ANNE FISH.

Circa 1920, Pennsylvania. Cast by the Hubley Foundry of Lancaster, Pennsylvania. Marked ‘248’ and ‘FISH’ on front of base with copyright symbol. The hollow half round casting on integral plinth depicting two conjoined footmen in vibrantly painted uniform. This is the larger of the two footmen doorstops designed by Anne Fish, and English illustrator who created designs for seven Hubley doorstops. Reference: The Doorstop Book, Smith, pg 213. SIZE: 12″ h. CONDITION: Retains original vibrant paint, with minor abrasion and chips, in very fine untouched condition. 50576-40 (1,500-2,000) – Lot 3173

3174
$0.00

“MODERNISTIC CAT” CAST IRON DOORSTOP.

Circa 1920, Hubley Foundry, Lancaster, Pennsylvania, catalog #308. The full bodied hollow two-piece casting with original paint stamped “Hubley” inside the front of doorstop near base. Reference: The Doorstop Book, Smith, pg 118. SIZE: 9-3/4″ h. CONDITION: Doorstop retains original paint with very minor wear. Very fine untouched condition. 50576-9 (1,500-2,500) – Lot 3174

3175
$1,540.50

RARE DOORSTOP OF AN AFRICAN AMERICAN MAN SEATED ON COTTON BALE.

Circa 1920, American. This cast iron and white metal doorstop of unknown foundry manufactured in a two-piece hollow full bodied casting. Reference: The Doorstop Book, Smith, Page 218. SIZE: 9″ h x 7″ l x 5″ w. CONDITION: Very minor paint abrasions notably on figures knees and arms. With spot paint loss in these areas. Very good untouched condition. 50576-8 (2,000-4,000) – Lot 3175

3176
$0.00

RARE COCA-COLA BELLHOP/DISPLAY STAND.

Late 19th century, American. This cast iron example with two-piece hollow full body casting with attached arms on a solid base. SIZE: 8-1/2″ h. CONDITION: Original paint surface, in very fine original untouched condition. 50576-13 (1,500-2,000) – Lot 3176

3177
$1,422.00

CAST IRON DOORSTOP OF A STANDING BUTLER.

Circa 1920, Bradley & Hubbard Foundry, Meriden, Connecticut. This fine example in a half round casting depicting a butler in formal attire standing on a parquet floor. Stamped “B&H” on bottom of base. Fittings for bumpers on rear of base. Reference: The Doorstop Book, Smith, pg 209. SIZE: 11-1/2″ h. CONDITION: Original paint with minor wear, very good untouched condition. 50576-10 (1,500-2,500) – Lot 3177

3178
$948.00

FINE QUM ORIENTAL RUG.

Central Persia, Mid-20th century. This finely woven example with silk threads in earth tones of ivory and beige with central arabesque medallion within a midnight blue field of dense floral and foliate vinery. The ivory main and guard borders woven with cloud bands and floral scrollwork. SIZE: 3′ 8″ x 5′ 7″. CONDITION: Very good overall, no imperfections noted. Minimal light even soiling overall. Loss to fringe at one end, otherwise very good. 50494-19 (400-600) – Lot 3178

3179
$2,073.75

FINE ISFAHAN ORIENTAL RUG.

Central Persia, mid-20th century. This nice example probably with a silk blend. The central Shah Abbas midnight blue medallion within a dusty blue field with dense polychrome floral vinery bordered by ivory spandrels, all within a conforming floral main border flanked by ivory guard borders of scrolling floral vinery. SIZE: 5′ x 7’3″ CONDITION: Very good overall, retaining good pile, no restorations or stains. Pallet remains vibrant. 50494-13 (400-800) – Lot 3179

3180
$592.50

FINE SILK NAIN ORIENTAL RUG.

Central Persia, mid-20th century. Woven in a garden design of six rows of ten panels, each panel with varying designs of floral subjects all on a chartreuse ground within a soft lavender main border of foliate vinery within six floral guard borders alternating in chartreuse and lavender. SIZE: 4′ x 6′ 6″. CONDITION: Very good overall with good even pile, even soiling overall without stains. 50494-18 (400-600) – Lot 3180

3181
$0.00

CARVED GILT SOFA ATTRIBUTED TO S. KARPEN BROS.

Late 19th, early 20th century, Chicago. Fine gilt decorated and carved example combining Victorian and Art Nouveau carved elements. Crestrail carved with elaborate floral spray with trailing tendrils continuing to ogival wings joined to outswept floral carved arms centering three overupholstered panels above the overupholstered seat. Armrests deeply carved with scrolling leaftips continuing to similarly carved frontal cabriole legs centering the seat rail carved with floral cartouche flanked by scrolling vinery in Art Nouveau taste. SIZE: 43-1/2″ h of back x 56-1/2″ w overall x approx 31″ d. CONDITION: Structurally very good. Gilt surfaces intact and also very good. Frame now covered in muslin. Central flower in crest with some loss and abrasion to top flower petal. 50898-11 (1,500-2,500) – Lot 3181

3182
$0.00

EMPIRE STYLE THREE PIECE SALON SUITE WITH ORMOLU TRIM.

Late 19th/early 20th century, possibly France. The 3-piece suite comprising a settee and pair of armchairs, each with rolled crest-rail with classical foliate ormolu mounts above a rectangular upholstered panel. Continuing to downswept arms with rolled grips mounted with foliate rondels on in-curved supports centering a trapezoidal over upholstered seat with curved front seat rail raised on square tapered legs with ormolu mounts and cast claw feet. The whole covered in original rose pink silk fabric in the classical taste. SIZE: 42-1/2″ h of back; 18″ h of seat; 27-1/2″ w of chair; 56″ w of settee. PROVENANCE: From a private Massachusetts collection. CONDITION: Frames retain original surface with good color. Ormolu casting in tact, structurally sound. Upholstery un-serviceable. Otherwise good. 50800-52 (1,500-3,000) – Lot 3182

3183
$770.25

CLASSICAL REVIVAL CARVED AND INLAID MAHOGANY CHEVAL MIRRROR, LABELED “R.J. HORNER & CO.”.

Late 19th century, New York. The beveled oval mirrorplate within a conforming molded surround surmounted by a marquetry ribbon tied garland with abalone flowerheads, hinged and tilting on mahogany stand with reeded cylindrical columns surmounted by carved pineapples on trestle molded supports terminating in compressed ball feet. Supports joined by a support with intricate floral marquetry. SIZE: 73″ h x 33-1/2″ w x 22″ d. CONDITION: Mirror retains original surface with slight crazing. Very good overall. 50524-17 (400-800) – Lot 3183

3184
$0.00

PAIR OF LUNEVILLE FAIENCE RECUMBENT LIONS.

Rare pair of Luneville Faience lions show each lion lying on a green sponged rectangular platform with tail curved over their backs. Lions have bright polychrome glaze. Unsigned. SIZE: 17-1/2″ l x 14″ t. CONDITION: Very good to excellent with some very minor crazing and a small chip to the glaze on eyebrow of one lion. 38024-3 (800-1,200) – Lot 3184

3185
$948.00

ELABORATE MEISSEN CENTERPIECE.

Late 19th early 20th century. Germany. Crossed swords mark in underglaze blue. Centerpiece comprised of three women in polychrome floral robes, each with their back to a floral post surmounted by a floral filled urn, standing on a grassy floral tripartite base attached to a conforming bulbous base decorated overall with ribbon tied floral swags. SIZE: 36″ h CONDITION: Flower heads with losses to edges of petals. Figures in good condition. Wear to areas of gilt decoration. 30548-15 (1,000-2,000) – Lot 3185

3186
$0.00

EXTRAORDINARY EARLY BLOWN CRYSTAL COVERED POKAL, MID-19TH CENTURY.

With exquisite hand engraved whale killing scene featuring 3 masted sailing vessel, multiple long boats with numerous figures and spouted whale all engraved around the sides of the vessel. The lid with a simple ball and star engraved design. Likely a special creation for a whaling captain? SIZE: 15″ h. CONDITION: Very good to excellent 49421-68 (1,500-2,500) – Lot 3186

3187
$0.00

THREE PANEL DRESSING SCREEN BY GEORGE PARKER.

1920s, American. The three panel screen, and oil on board, painted landscape of flowering rhododendrons with hills and mountains in the background signed further most lower right “GEORGE PARKER”. Each panel with shaped top and base. SIZE: 62″ h x 80″ l overall. CONDITION: Screen in structurally good condition. Painted surface somewhat dry with spot flaking. Generally good. 50567-21 (1,500-2,500) – Lot 3187

3188
$829.50

FINE DANISH CLASSICAL REVIVAL BENCHMADE MAHOGANY SECRETAIRE ABATTANT.

Circa 1922, Marstal, Denmark. Of classical form, the rectangular case with demilune display platform joined to the rectangular top above the molded crest joined to the conforming case fitted with a long drawer with cyma curved front above a vertical hinged lid with bookend figural mahogany veneered panels flanked by freestanding carved mahogany Corinthian columns. The desk interior comprised of an elevated cabinet fitted with an arrangement of nine drawers centering a prospect door with concave front flanked by engaged colonnettes. Case additionally fitted with three long drawers faced with bookend mahogany veneer beneath the writing surface all raised on a simple rectangular plinth with bracket feet. NOTE: A pencil inscription on the interior of the top drawer in Danish written by Christian Vogensen: “Made in Marstal and received in Odense the 22nd April 1922”. SIZE: 64″ h overall x 41″ w x 20″ d overall. PROVENANCE: The writing desk was commissioned by Christian Vogensen, a prominent pharmacist in the towns of Marstal, Odense, Svendborg and in Skjern, Denmark. The desk was commissioned by Mr. Vogensen while in Marstal in 1922 and was built by the cabinet making family of his wife Ellen Vogensen. The desk was kept by Mr. Vogensen until his death in 1947 when it was passed down within the family and now to the current family member and consignor. NOTE: A second desk with same ownership and provenance is offered in this auction as the following lot. CONDITION: Very good overall, retaining original polished surfaces with very slight and minimal crazing within the varnish. One mother-of-pearl oval escutcheon in need of re-gluing and reassembly. A second escutcheon damaged and missing an element. 50629-1 (1,000-1,500) – Lot 3188

3189
$0.00

FINE BENCH MADE OAK PEDESTAL WRITING DESK.

Circa 1922, Marstal, Denmark. Rectangular top with foliate molded edge, the writing surface comprised of bookend veneers above the conforming frieze fitted with three aligned drawers raised on elaborately carved S-scrolled foliate supports terminating at top and bottom with foliate rondels centering a rectangular pedestal support at each end with matching bookend veneers conforming to the writing surface. The ends joined by a rectangular molded stretcher serving as a footrest. Trestle base raised on flattened round disc feet. SIZE: 30-1/2″ h x 31-1/2″ w x 59″ l. PROVENANCE: The writing desk was commissioned by Christian Vogensen, a prominent pharmacist in the towns of Marstal, Odense, Svendborg and in Skjern, Denmark. The desk was kept by Mr. Vogensen until his death in 1947 when it was passed down within the family and now to the current family member and consignor. NOTE: A second item with same ownership and provenance is offered in this auction as the proceeding lot. CONDITION: Very good original condition with no structural problems, damages or restoration. Minor and light ring glass stains on top of writing desk which may easily be cosmetically removed. 50629-2 (800-1,200) – Lot 3189

3190
$0.00

LARGE BIEDERMEIER STYLE INLAID MAPLE CENTER TABLE.

First third 20th century, Germany or France. The circular top with molded edge with rosewood string inlays, joined to a swelled shaped square pedestal with canted corners on a platform with curved sides, raised on conforming feet. The base with string inlay borders. SIZE: 32-1/2″ h x 64″ dia. PROVENANCE: From a private Massachusetts collection. CONDITION: All surfaces original. The veneered top with multiple parallel shrinkage cracks resulting in small veneer tears. In need of cosmetic fill and re-polishing. Otherwise good. 50800-127 (3,000-5,000) – Lot 3190

3191
$237.00

UPHOLSTERED AND CANED CHAISE LOUNGE IN THE DIRECTORIE STYLE.

First/third 20th century, Belgium or France. The chaise lounge in cream paint. The arched crest rail continuing to back-swept supports centering a pressed cane panel, joined to horizontal molded arms on molded supports, above the rectangular over upholstered seat with molded rail raised on tapering square legs terminating in Marlborough feet. Upholstered in a cream damask. Decorated overall with names and titles of politicians and locations. SIZE: Overall height is 34″ x 65″ l x 26″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: Chaise is in structurally good condition. Painted surfaces now soiled and with multiple areas of loss and abrasion. 50800-152 (300-500) – Lot 3191

3192
$592.50

PAIR OF NEOCLASSICAL FLOOR PRICKET CANDLE HOLDERS.

19th/20th century in Florentine taste. Each baluster and urn turned pedestal on a square chamfered plinth fitted with an iron spike in cream and gold paint designed as large floor pricket candle holder. SIZE: 16″ h. CONDITION: Each with multiple coats of paint and with old vertical shrinkage cracks. Painted surfaces showing contrived wear and weathering. Good overall. 50524-18 (200-300) – Lot 3192

3193
$1,777.50

PAIR OF GEORGIAN STYLE MAHOGANY BREAKFRONT BOOKCASES.

Mid 19th century, England. Each in two parts, the upper case with molded corners above a pair of astragal-glazed panel doors flanked by conforming single doors, on a molded plinth. The interior with fixed shelf and Moire silk, fitted to the lower case with four cupboard doors with molded panels and floral rosettes at the corners, all on a molded plinth. The bookcases with carrying handles on case sides top and bottom. SIZE: 54″ h x 45″ w x 12″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: With original surfaces and rich patina. Small losses to side moldings, one section proper left side, lower case mid-molding, one section base molding, left side central upper case. Otherwise good. 50800-177 (1,500-2,500) – Lot 3193

3194
$2,073.75

BOOKS: WORKS OF HENRY FIELDING, VOLUMES I THROUGH XII, CHISWICK PRESS, LONDON, LIMITED TO TEN COPIES.

This is set number four. The volumes include two volumes Joseph Andrews, four volumes Tom Jones, three volumes Amelia, one volume Jonathan Wild, and two volumes Miscellanies. The volumes in fabulous tooled leather bindings, decorated with a green cover with red flowers and gilt leaves. The books pages have gilt edges. A fabulous set with extremely decorative bindings. SIZE: 9″ h x 6″ w, taking up 17-1/2″ shelf space. CONDITION: Generally very good, only minor imperfections if any. 50567-35 (1,500-2,000) – Lot 3194

3195
$355.50

THREE FINE LEATHER BOUND BOOKS.

Lot includes; 1)Le Morte Darthur by Malory. By the Medici Society, Boston and London. In a nice, gold tooled leather binding. 2) La Femme et la Jeune Fille du XVII Siecle by J. B. Greuze. Edmond Pilon L’edition D’art. Having a gold tooled blue binding, no box. 3) The Canterbury Tales of Geoffrey Chaucer, the Medici Society, Boston and London. Gold tooled blue binding. CONDITION: Bindings show some wear to high points, otherwise very good. 50567-34 (300-500) – Lot 3195

3196
$2,073.75

LOT OF SIXTY-ONE DECORATIVE BOOKS.

The lot includes 1) Fifteen volumes The Writings of Oscar Wilde, Uniform Edition by A. R. Keller & Co., 1907. Nice gold decorated deep blue leather bindings. 2) Twelve volumes Waverley Novels by Adam and Charles Black, 1863. 3) Sixteen volumes New Century Library in blue bindings. 4) Boxed three-volume set by William Faulkner, 1964. 5) Volumes III through XI My Book House, 1920. 6) Cased book set by Lewis Carroll of Alice’s Adventures in Wonderland and Through the Looking Glass, Random House 1946. 7) Nine other volumes including The Seasons by James Thompson, London, 1746 as is. SIZE: Smallest: 6-1/4″ x 4-1/4″. Largest: 9-1/2″ x 7″. 6-1/2′ shelf space. CONDITION: Most are good, oldest books are as is with damage to bindings. 50567-31 (100-300) – Lot 3196

3197
$474.00

BOOK: LETTERS ON DEMONOLOGY AND WITCHCRAFT BY SIR WALTER SCOTT, BART, LONDON, 1830.

This small book in a tooled leather binding containing caricatures of witchcraft. The interior, having color plates along with black and white plates. SIZE: 6-1/4″ x 4″. CONDITION: Generally good, some foxing and toning. Appears to be intact. 50567-33 (350-500) – Lot 3197

3198
$1,303.50

COUNTRY FRENCH OAK FARMHOUSE TABLE.

Second half, 20th century, France. This good benchmade example constructed from old timber in the style of an 18th century country farmhouse table. The rectangular three-board top projecting above the conforming frieze, a cutlery drawer fitted at one end raised on square legs joined by cross stretchers at each end. The whole of pegged construction. SIZE: 30″ h x 8’11” l x 37″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: Structurally very good. Top with old shrinkage cracks and abrasions and wear, due to age of planks. 50800-148 (500-1,000) – Lot 3198

3199
$592.50

LOUIS XV STYLE OAK BREAKFRONT BOOKCASE.

Third quarter, 20th century, France. In two parts, the upper case with molded cornice over three aligned 6-panel astragal-glazed doors. Stepped back on the lower case fitted with a bank of four long drawers with thumb molded edges flanked by cupboard doors each with shaped fielded panel, within a molded surround, above the shaped and carved apron, raised on short molded cabriole legs terminating in molded sabots. SIZE: 73-1/2″ h. x 71″ w. x 19″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good overall with original surface. No damage or restoration noted. 50800-156 (300-500) – Lot 3199

3200
$0.00

FRENCH PROVENCAL STYLE OAK WRITING TABLE WITH PARQUET TOP.

Mid 20th century, France. The rectangular top with molded edge, framing a parquet writing surface above the conforming apron. Fitted with a single long drawer above a knee-hole flanked by deep drawers all with thumb molded edge. The sides and back of apron all with rectangular fielded panels with molded picture frame edges. The whole raised on cabriole legs. SIZE: 29″ h x 60″ l x 29-1/2″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: Good with original surface. Parquet panels with some minor lifting. Otherwise very good. 50800-170 (500-800) – Lot 3200

3201
$711.00

ROCOCO REVIVAL ROSEWOOD ARMOIRE.

Mid 19th century. The deeply molded arched domed crest carved with a scrolling floral spray in the frieze above the single large door with mirror plate applied with carved floral vinery continuing from the frieze. The interior fitted with three adjustable shelves. Case with paneled sides, base fitted with single molded long drawer, the whole raised on suppressed ball feet. SIZE: 92″ h x 50″w x 22″ d. CONDITION: Armoire retains original surface. Top finials absent. Two turned elements mounted on canted corners are present while two are absent. Some drawer moldings absent. Leaf carvings on mirror plate are incomplete. Some additional parts are present and available. 50647-7 (700-900) – Lot 3201

3202
$1,777.50

FOUR METAL OVERLAY LAMPS.

1) Boudoir lamp has six panel shade with emerald marbleized slag glass. Shade is supported by an owl figural base depicting three conjoined owls; each having yellow button eyes on a waterlily petal base. Unsigned. 2) Bradley & Hubbard boudoir lamp has eight caramel slag glass panels overlaid with floral stems and border and topped with a pineapple finial. Shade is supported by marked Bradley & Hubbard square column base with stepped plinth. Base is completed with a four arm spider. Lamp is complete with verdigris patination. 3) Octagonal green slag glass panels are bordered at the bottom with eight wine red rectangular panels. Shade is further decorated with foliate filigree metal overlay. Shade is supported by a two socket base with swelled colonnette cast with floral bouquets. Base is marked on the underside “B&H”. 4) Boudoir lamp has eight sided curved shade backed with white glass overlaid with overall lattice work and with pagoda roofs having ribbon tied tassels. Shade is signed on bracket below each panel “Bradley & Hubbard Mfg. Co.”. Shade is supported by a single socket base affixed with ring mount to support shade with flaring squared pedestal joined to the octagonal base with scrolled acanthus leaves and stylized Greek Key border. Unsigned. SIZE: 1) Shade is 7-1/2″ dia. Lamp is 11″ h. 2) Shade is 9″ dia. Lamp is 15-1/2″ h. 3) Shade is 13-1/2″ dia. Lamp is 18-1/4″ h. 4) Shade is 9-1/2″ dia. Lamp is 15-1/2″ h. CONDITION: 1) Very good with verdigris patination. Base is rewired with appropriate cloth cord. 2) Very good with wear to patination on edges of base. Base is rewired with appropriate cloth cord. 3) Shade is very good with no missing overlay. There is some wear to patination on the foot of base. Base is rewired with appropriate cloth cord. 4) The shade is very good. The associated base has wear to finish and is rewired with contemporary plastic cord. 50567-36, 50567-41, 50567-43, 50567-45, (800-1,200) – Lot 3202

3203
$2,962.50

THREE ALADDIN-STYLE LAMPS.

First third 20th century, American. Each lamp of patinated metal in the form of an Aladdin’s lamp. Each lamp is mounted with a hexagonal metal overlay shaped shade with openwork brick design terminating in a floral band. Each shade is backed with a green and white striated glass while the skirt of the shade is backed with chartreuse and white striated glass. Unmarked. Third lamp is a boudoir style lamp with floral embossed base leading to a single socket. Base is mounted with a hexagonal metal overlay shaped shade with openwork brick design terminating in a stylized berries and leaves motif ending in two additional rows of brickwork. Shade is backed by chartreuse leading to striated green and ending in plum glass. Unsigned. SIZE: 11″ h x 7-1/4″ dia, 14-1/2″ h x 7-1/4″ dia and 16″ h x 8-1/4″ dia respectively. CONDITION: Patinated surfaces are undisturbed. The larger lamp with roughness to tops of green slag panels. The boudoir lamp is good with wear to exterior finish with slag panels being very good. 50567-39, 50567-40, 50567-42, (800-1,200) – Lot 3203

3204
$2,014.50

TWO LAMPS AND ONE COPPER LANTERN.

1) Handel piano lamp with scalloped shell molded bronze base leading to an adjustable gooseneck arm ending in a loaf shaped obverse painted shade with yellow background and scrolling cornucopia in shades of gray, blue and brown. Signed on the interior lip of shade “Handel” and numbered. Base is signed with an applied Handel tag on underside. 2) Cast metal boudoir single socket lamp is topped with a “Coolie Hat” style shade backed with four white textured carmel glass panels finished with geometric metal overlay. Unsigned. Art Nouveau influenced canister base molded with stylized tulips. Unsigned. 3) Fanciful sheet copper porch lantern is backed with blue-gray slag glass panels. Lantern frame is in the form of a gabled building with three gable windows within the roof. Each sheet copper panel is cut illustrating nymphs and with other dancing figures beneath trees. Lantern is connected to a hanging chain mounted to a ceiling bracket. SIZE: 1) Shade is 8″ l x 3-1/2″ d. Lamp is overall 11-1/4″ h. 2) Shade is 8-1/2″ dia. Lamp is 13-1/2″ h. 3) 15″ h. CONDITION: 1) Very good with no imperfections or restoration noted. 2) Structurally good. Shade is very good with no restoration or imperfections to glass panels. Lamp base with abrasions to the surface. The weighted foot rim with loss of paint. Rewired with contemporary plastic cord. 3) Original undisturbed surface. Very good overall. Electrical cord is contemporary plastic and is not grounded. Lantern support ring has separated. 50567-37, 50567-44, 50567-50, (1,000-2,000) – Lot 3204

3205
$2,666.25

TWO UNSIGNED SLAG GLASS TABLE LAMPS.

1) Eight panel shade with a ruby red upper row, middle row is chartreuse with bent panels, bottom border row has marbleized glass in red, blue, green, yellow and white with metal overlay design of spiderwebs on exterior of shade. Shade is supported by a four socket swelled columnar base with square foot. Lamp has verdigris patination. 2) Shade with shallow dome white bent panels overlaid with stylized foliate branches above floral garlands. Shade is supported by an octagonal flaring base cast with leaf tips amongst lattice work. Lamp has verdigris patination. SIZE: 1) Shade is 16″ dia. Lamp is 22″ h. 2) Shade is 20″ dia. Lamp is 24″ h. CONDITION: 1) Very good overall with some minor rubbing to exterior edges of shade. 2) Very good with no rubs, wear or cracked panels. 50567-48, 50567-56, (1,000-1,500) – Lot 3205

3206
$0.00

BRASS ADJUSTABLE DOUBLE STUDENT LAMP.

Second half 19th century, probably Connecticut. Wick adjuster dials marked “APOLLO DUPLEX E.M.& CO.”. Probably Edward Miller & Co. of Meriden, Connecticut. Of typical form. Each burner joined to a single horizontal arm centering kerosene oil font. All on adjustable central post. Raised on a weighted circular base. Lamp offered with two clear glass chimneys with beaded edge of period in “as found” condition. SIZE: 26″ h. 20″ overall w. PROVENANCE: Private central Maine estate. CONDITION: Surface with in use wear. Burners appear intact. Chimneys as noted. Good overall. 50647-20 (400-600) – Lot 3206

3207
$829.50

TWO-PART WELLER JARDINIERE & FLOOR VASE.

1) Jardiniere in the “Blossom” pattern having light to medium orange ground with branching white flowers & green leaves. Bottom marked “Weller Pottery Since 1872”. 2) Roseville “Pine Cone” pattern floor vase in orange to dark brown ground with pine cone & needle branch. Marked “Roseville U.S.A. 777-20″”. SIZE: 1) 31-1/2″ h overall; 13″ dia. 2) 20-1/4″ h. PROVENANCE: Private Maine/Texas collector. CONDITION: 1) Some imperfections in glaze, small hairline in rim of jardiniere. Otherwise very good. 2) Very good. 50012-98, 50012-99, (400-600) – Lot 3207

3208
$1,777.50

TEN ROSEVILLE ART POTTERY VASES IN THE “PINECONE” PATTERN.

Four blue pieces include: 8-1/4 ” h x 9″ dia. jardinaire unmarked; 4-1/4″ h x 7″ dia. vase marked 278-4; 8-1/2″ h vase marked illegibly; 8″ h bud vase marked 112-7. Four gold to brown pieces include: 10-1/2″ h vase marked 848-10″; 8-1/2″ h vase marked 842-8″; 8″ dia. vase marked 845-8″; 8-1/2″ h handled basket marked 409-8″. Two green vases include: 4-1/2″ h vase marked 458-7″; 6-1/2″ h basket marked 408-6″. SIZE: As noted above. PROVENANCE: Private Maine/Texas Collector. CONDITION: Blue: bud vase has chip on end of twig, otherwise very good. Gold: 10″ vase with repaired handle. Basket with small flake chip to base otherwise very good. Green: very good. 50012-126 (500-800) – Lot 3208

3209
$1,066.50

NINE MISCELLANEOUS PIECES OF ROSEVILLE ART POTTERY INCLUDING SEVEN VASES AND TWO COVERED COOKIE JARS.

1) 10″ h “Water Lily” covered cookie jar. Light blue marked 1-8″. 2) 10-1/2″ h “Zephyr lily” covered cookie jar in blue marked 5-8″. 3) 8-1/4″ h “Magnolia” vase in blue marked 92-8″. 4) 8-1/2″ h “Clematis” vase in orange to green marked 108-8″. 5) 8″ “Dahlrose” light brown unmarked by having a Roseville sticker on bottom. 6) 4-1/2″ h x 10-1/2″ dia. light brown unmarked bottom. 7) 6-1/4″ h x 8-1/2″ dia. light brown vase unmarked. 8) 6-1/4″ h “Dogwood I” pattern in green with a RV ink stamp to base. 9) 7-1/4″ h x 9″ dia. “Blackberry” jardiniere brown to green with unmarked bottom. SIZE: As noted above. PROVENANCE: Private Maine/Texas Collector. CONDITION: Magnolia vase has stained interior. Clematis vase has tiny base rim chip. Dogwood vase has body rubbing to glaze. All others are very good. 50012-127 (700-1,000) – Lot 3209

3210
$533.25

FOURTEEN MISCELLANEOUS PIECES OF ROSEVILLE ART POTTERY.

1-3) Three-piece tea set in the “Snowberry” pattern in green. 4) 4″ h x 10-1/2″ dia. “Clematis” low bowl marked 459-10″. 5) 11″ h “Freesia” pattern blue basket marked 392-10″. 6) 9″ h apple blossom in green marked 309-8″. 7)8″ bushberry basket in orange and green marked 370-8″. 8) 5″ h “Bushberry” double vase in orange/green marked 158-4-1/2″. 9) 6-1/2″ h “Dahlrose” triple bud vase in green to rose unmarked but have a Roseville sticker to base. 10) 5″ “Donatello” planter in ivory, light green/light brown unmarked. 11) 4-1/4″ h flower pot in “Apple Blossom” pattern in green marked 300-4″. 12) 4-1/4 ” h “Blackberry” squat vase in green and light brown unmarked but having Roseville sticker. 13) 3″ h “Columbine” in blue vase marked 655-3″. 14) 6″ dia. ashtray in the “Magnolia” pattern in pink marked “28”. PROVENANCE: Private Maine/Texas Collector. CONDITION: 1-3) Teapot with crack in handle otherwise very good. 4) Small chip to inside of handle. 5) Very good. 6) Very good. 7) Very good. 8 )Very good. 9) Very good. 10) Very good. 11) Very good. 12) Very good. 13) Very good. 14) Very good. 50012-128 (400-800) – Lot 3210

3211
$592.50

SIX PIECES OF ROSEVILLE ART POTTERY IN THE “FREESIA” PATTERN.

1)8-1/4″ h X 12″ dia. jardinaire. Marked 669-8″. Colors of orange to dark brown. 2)8-1/4″ h x 12″ dia. jardinaire. Dark to light green. Marked 669-8″. 3) Two-handled 4″ h x 10″ dia. console bowl in medium blue. Marked 7-10″. 4)2-3/4″ h x 9″ dia. two-handled low bowl. Marked 465-8″. Colors orange to dark brown. 5) 10-1/2″ h pitcher marked 20-10″. Colored from orange to dark brown. 6) 9-1/2″ two-handled vase with flaring top urn style vase. Marked 124-9″. SIZE: As noted above. PROVENANCE: Private Maine/Texas Collector. CONDITION: 1) One small chip in rim otherwise very good. 2) One small chip to flower and base rim. Chip on inside of base otherwise very good. 3) Very good. 4) Chip to inside 1 handle (possible in the making) otherwise very good. 5) Crack across handle otherwise very good. 6) Very good. 50012-129 (500-700) – Lot 3211

3212
$592.50

NATIVE AMERICAN FOLK ART BIRCH BARK PAINTING OF AN AMERICAN INDIAN CHIEF.

This unusual unsigned oil on bark portrait roundel is housed in a large, round, elaborately woven birch bark frame. The portrait depicts a proud chief in profile wearing a headdress of white feathers and a hide shirt adorned with several strings of beads. SIZE: Panel diameter: 16″. Overall: 32″ CONDITION: The bark painting is nailed to a round mahogany panel, which is slightly warped. The bark is lifting and puckering in places with a minor 1″ split. There is a 3″ area of restoration in the white feather of his headdress. There are losses to the intricate birch bark weaving of the frame. 50311-2 (1,000-2,000) – Lot 3212

3213
$0.00

BRIAN STOCKMAN CARVING OF A BEAR IN ROBE WITH CATLINITE PIPE.

2011, New Hampshire. The standing black bear wearing a buffalo robe and white feather behind his ear holding a catlinite pipe carved in the form of a bison. The hard wood stem decorated with coiled porcupine quills dyed in colors to represent the Four Directions. The robe decorated with a red, white and black crossed symbol designating the Four directions. The figure carved from the solid is realistically rendered with fine details throughout. SIZE: 51-1/2″ h. CONDITION: The carving with vertical shrinkage cracks within normal perimeters, very good overall. 50793-1 (5,000-7,000) – Lot 3213

3214
$0.00

POLYCHROME MISSION BASKET.

Late 19th century, finely woven large Mission basket with geometric design in light tan with darker tan and black stitches on a grass foundation. SIZE: 17″ dia x 5″ h. CONDITION: Some stitch loss on rim and exterior, otherwise good. 50747-1 (2,000-3,000) – Lot 3214

3215
$414.75

LOT OF THREE NATIVE AMERICAN BASKETS.

Lot includes: Early 20th century, Papago olla woven with geometric design, Early 20th century, Apache burden basket surmounted with painted hide decorations, Late 19th century, Klamath polychrome with step geometric design. SIZE: Papago 10-1/2″ t x 10″ w. Apache 8-1/4″ h x 10″ w. Klamath 4-3/4″ h x 7″ w. CONDITION: All three in very good condition. 50620-34 (700-900) – Lot 3215

3216
$177.75

PLAINS STYLE TRADE BEAD NECKLACE, PLAINS STYLE ROACH HEADDRESS AND TWO PRISON MADE POLYCHROME HORSEHAIR QUIRTS.

1) Trade bead necklace with blue, white heart red, and white glass beads with tooth beads. 2) Plains style roach composed of suede leather, two feathers and dyed plant fiber style hair with two ermine skin tassels. 3) Early 20th century, Two horsehair quirts finely woven with polychrome geometric design. SIZE: 1) 30″ l. 2) 12″ l x 11″ h (with feathers). 3) 15-1/2″ to 18″ l (without leather attachments). CONDITION: 1) Good. 2) Good. 3) Good. 50620-33 (300-500) – Lot 3216

3217
$592.50

19TH CENTURY PLAINS CHEYENNE TIPI BAG.

Blocked geometric design with white, boney trader blue, cranberry red, greasy green, sinew sewn beads with red yarn fringe. Remnants of tin cone danglers. SIZE: 17-1/2″ w x 11-1/2″ h. CONDITION: Some staining, some areas of stiffness, tear in the flap. 50620-60 (1,800-2,000) – Lot 3217

3218
$20,145.00

KWAKIUTL STYLIZED SHAMAN FIGURE.

Late 19th century, carved cedar with red and black painted highlights, unusually carved arms. SIZE: 16″ h (overall) x 5-1/2″ sq. CONDITION: Very good old patina, applied hide hair with hide and wood thorn headdress some fragmented now in jar. Otherwise good. 50867-2 (4,000-6,000) – Lot 3218

3219
$1,481.25

TWO NORTHWEST DRUM FACES AND A SMALL TOTEM POLE.

Last quarter 19th century, two hand drums, one depicting a stylized killer whale the other depicting a ferocious face, both in black and red polychrome paint. Hide with wood frame. First quarter 20th century, carved ceder polychrome totem pole, constructed in three pieces, depicting various effigy forms, including shaman at very top. SIZE: Whale 11″ dia x 2″ h, face 10-1/2″ dia x 1-1/2″ h. Totem 18″ l. CONDITION: Face drum, face on front completely worn with tear in hide, whale one is good with good in-use wear. Totem is good. 50867-3 (1,500-2,200) – Lot 3219

3220
$1,777.50

COLLECTION OF QUILLED BIRCH BARK BOXES, TRAYS AND A CANOE.

First half 20th century, Lot consists of; Five covered boxes, three napkin rings, rectangular open top box, sixteen birch bark and sweetgrass placemats, 19th century miniature Penobscot creel, and a birch bark canoe finely made with wood staves, gunwals, with woven quill decoration, four small paddles, in red and green paint. SIZE: Boxes – smallest 3″ w x 4-1/4″ h, larges 9″ x 4″ h. Placemats – largest 11-1/2″ w x 8″ h, smallest 6-1/2″ dia. Napkin 2-3/4″ w x 3″ h. Penobscot 6-1/2″ l x 3-1/4″ w x 2-1/2″ h. Canoe 20″ l x 5-1/2″ w x 4″ h. CONDITION: Lot of boxes in various conditions, some with major quill loss. Lot of placemats, some with stitch loss and quill loss. Napkin rings are birch bark and sweetgrass with major quill loss. Penobscot creel in red paint, breaks in rim. Canoe has minor wood loss, couple very minor small breaks in birch bark. 50647-18 (800-1,200) – Lot 3220

3221
$592.50

FIFTEEN PIECES OF NATIVE AMERICAN JEWELRY.

Second half of the 20th Century. Includes: Modern silver decorated cuff/bracelet; Decorated watch band with a watch brand “Navajo”; Metal & turquoise wide cuff/bracelet; Two modern silver necklaces with drop pendants marked “Sterling”; Marked “Sterling” silver chain with pendant having turquoise & coral along with matching earrings; Jade bead necklace; Two coral necklaces made of small cylinder beads; Large turquoise necklace with twelve large turquoise rocks; Turquoise & carved stone necklace with shell rings; Black bead decorative necklace; Silver pin in form of a sun-faced figure marked “KF 925” and a decorative sterling Gecko pendant. CONDITION: Generally good, the black necklace missing end of clasp. 50384-1 (800-1,200) – Lot 3221

3222
$0.00

PLAINS PICTORIAL HAND DRUM TOGETHER WITH PLAINS PICTORIAL RATTLE.

1) Early 20th century, Pictorial hand drum polychrome painted figural hide stretched on bent-wood foundation together with hide wrapped beater. 2) Late 19th century, Figural pictorial polychrome rattle, thick power flush foundation, sinew sewn, depicting finely painted Indian dancing with reverse dark blue with light blue spots, power flush handle. SIZE: 1) 12-1/2″ l x 11″ w. 2) 17″ l x 4-1/2″ w. CONDITION: 1) Good, shows good in-use wear. 2) Minor stitch loss, otherwise good. 50620-74 (1,500-2,000) – Lot 3222

3223
$1,481.25

GROUP OF SEVEN SANTA CLARA POTTERY VESSELS.

Lot consists of two Tafoya vases, one by Phyllis with nicely carved olla with Avanu design in deep relief, the other by Cookie with stepped Pueblos in relief with pinched rim, three Mary Cain one in dark red with Avanu in deep relief bowl shape, a black bowl shape with Avanu design in deep relief and the third is a small wedding vase with Avanu in deep relief. The last by Robert Cleto Nichols has stylized fish and geometric design in deep relief on seed jar shape. SIZE: Largest 5-3/4″ h x 7-5/8″ w. Smallest 3-5/8″ h x 4-3/4″ w. CONDITION: Phillis vase and cookie are very good to excellent. Mary Cain good overall, wedding vase has three small surface abrasions. Robert Nichols very good. 50512-4 (700-900) – Lot 3223

3224
$711.00

GROUP OF SIX ALICE CLING NATIVE AMERICAN PITCH PINE POTTERY VASES.

Second half 20th century, lot of six pottery vases in elongated and olla shape. NOTE: According to www.cla.purdue.edu/waaw/peterson/cling.html. Navajo artist Alice Cling was born around 1946 in a hogan at Cow Springs, in the Tonalea section of Arizona. Her pots, embellished with the traditional thin coat of pitch, are deceptively simple. Their lasting beauty comes from her unusual use of clay and from the striking colors caused by outdoor firing. SIZE: Largest 8-1/2″ t x 5″ dia. Smallest 4-3/4″ t x 4-1/2″ dia. CONDITION: Very good to excellent with exception of one elongated vase has 5/8″ chip on rim, poorly repaired. 50512-6 (600-800) – Lot 3224

3225
$592.50

GROUP OF FIVE NATIVE AMERICAN POTTERY PIECES.

Late 20th early 21st century. Lot consists of; one Octavio Andrew pot with seed jar type shape with flared rectangular lip, finely painted curvilinear and geometric design, signed on bottom. One Salvador Baca, finely shaped elongated olla, curvilinear and geometric design, signed on bottom with “Virginia”. C Tosa, Jamez, New Mexico, signed on bottom, painted design on green glaze. Santa Clara small round jar, signed on bottom Santana Adam. Doug Chahotte small red Santa Clara jar. SIZE: Largest 5-1/2″ h x 6″ dia. Smallest 2-1/2″ h x 3″ w. CONDITION: Octavio is good. Salvador is good. C Tosa, some minor paint flaking. Santana has 3/8″ by 1/8″ flake, otherwise good. Doug with minor surface abrasions. 50512-3 (600-800) – Lot 3225

3226
$0.00

GROUP OF FOUR NAVAJO AND SANTA CLARA POTTERY OBJECTS.

Late 20th century. Lot includes; Small Narranjo olla shape with finely incised carved elk, big horned sheep, mountains and Avanu, flowers and grasses, signed on bottom. Seed jar shaped with elliptical pinched lip, very finely incised carving of various Hopi rituals with Kokopelli and Kachinas dancing. Lawrence M. Crank, Navajo, dated 1993, small seed jar with tooled rim finely painted polychrome geometric design, some incise decoration. Alice Cling vase, Navajo, stylized seed jar. SIZE: Largest 5″ h x 6″ dia. Smallest 1-5/8″ h x 4″ dia. CONDITION: Narranjo is very good. Seed jar bottom has scratches and small flake in glaze. Lawrence seed jar is very good. Alice Cling jar has some minor abrasions to surface. 50512-2 (600-700) – Lot 3226

3227
$237.00

THREE NATIVE AMERICAN DECORATED POTTERY PIECES.

Lot includes; Melda Nampeyo, Hopi polychrome seed jar finely painted with geometric swirling motif, an Adele Nampeyo, polychrome seed jar polychrome with typical Hopi pattern, and an older Hopi small olla, signed with flower motif, typical Hopi motif. SIZE: Largest 4-3/4″ h x 5″ w. Smallest 3-3w/4″ h x 4-1/4″ w. CONDITION: Melda has minor surface abrasion. Adele has old restoration to paint and 2″ hairline crack in body. Hopi is good. 50512-7 (500-700) – Lot 3227

3228
$177.75

GROUP OF THREE NATIVE AMERICAN POTTERY VASES.

1) Andrew Peynetsa, Zuni olla pottery vase, dated 2001. Beautiful shape finely fired depicting stylized deer with heart lines, in repeating pattern. 2) Late 20th century, Hector Gallegos small olla, finely thrown with polychrome ants. 3) Late 20th century, inscribed on bottom “Jicarilla Apache” and “La Madira”, signed Felipe. Red clay pottery olla with mica flakes. SIZE: 1) 9-1/2″ h x 9-1/2″ dia. 2) 4-1/4″ h x 5″ dia. 3) 5-3/8″ t x 7-1/4″ dia. CONDITION: 1) Very good to excellent. 2) Very good. 3) One large and two small chips in rim. 50512-5 (500-700) – Lot 3228

3229
$414.75

SIX PIECES OF ACOMA NATIVE AMERICAN POTTERY.

Late 20th century. B.D. Garcia, Acoma, New Mexico, olla pottery vase is decorated in fine geometric motif. Five Acoma pottery vases by Emma Lewis, Acoma, New Mexico dating from late 20th to early 21st century. Decorated with traditional geometric patterns, one with old style Mimbres patterns, one with polychrome deer and stylized floral motifs, small saucer shaped finely painted with lizards and knife design, polychrome. SIZE: Largest 7-1/4″ h x 9″ dia. Smallest 3-3/4″ dia x 1-3/4″ h. CONDITION: BD Garcia is Very good. Emma Lewis, all in very good condition. 50512-1 (600-800) – Lot 3229

3230
$0.00

LOT OF THREE NATIVE AMERICAN RELATED ITEMS.

1) 19th century, wooden tribal clapper. 2) Soapstone style effigy pipe. 3) Collection of Indian art catalogs, books and magazines. SIZE: Clapper 10″ l x 2″ w. Pipe 6″ (overall). CONDITION: Clapper is good showing nice patina and age. Pipe crudely carved with large chip at mouth piece. Books in used condition. 50656-3 (800-1,200) – Lot 3230

3231
$474.00

TWO SERAPES, ONE SOUTH AMERICAN, ONE MEXICAN.

1) South American, 1930’s serape with central serrated medallion with geometric in the line field, woven in two pieces with center scene. 2) Mexican 1930’s serape with central serrated design on striped and geometric field, very finely woven. SIZE: 1) 81″ l x 55″ x. 2) 79″ l x 38″ w. PROVENANCE: Owned by William Mayo, who found East Texas Normal College in Cooper, TX in 1889 (now Texas A&M University). These were passed to his daughter, folklorist, Margo Mayo and then to her niece. CONDITION: 1) Minor soiling and bleed, some fringe loss. 2) Very good. 50813-5, 50813-7, (800-1,200) – Lot 3231

3232
$355.50

SEVEN-DRAWER WALNUT VICTORIAN SPOOL CABINET.

Canted front having 4 wide drawers above a straight front having 3 thin drawers. Sides have raised burl panels, molded top and molded base. SIZE: 28″ h x 18″ d x 28″ w. PROVENANCE: Private Maine/Texas Collector. CONDITION: Some uneven finish, generally very good. 50012-77 (200-400) – Lot 3232

3233
$474.00

16-DRAWER PINE AND OAK APOTHECARY CABINET.

The pine case fitted with 4 over 4 oak front drawers fitted with cast handles each fitted with a name label. Applied molded base missing its whole back board. SIZE: 34″ h. case 48-3/4″ w x 14″ d. Top 51″ w x 15-1/2″ d. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. Missing 4 name tags 50012-75 (800-1,200) – Lot 3233

3234
$1,422.00

FINE CAST IRON DOORSTOP OF RABBIT WITH TOP HAT.

Circa 1920, New York. Albany Foundry, Albany, New York. Stamped “94” at rear of base. The hollow half round casting on integral solid base depicting a rabbit standing in tails and top hat on a grassy knoll. Reference: The Doorstop Book, Smith, pg 156. SIZE: 10″ h. CONDITION: The piece retains original painted surface with vibrant palette. Minor paint wear, in very fine original condition. 50576-12 (1,500-2,000) – Lot 3234

3235
$2,370.00

RARE AND FINE LARGE RABBIT DOORSTOP.

Circa 1920, Bradley & Hubbard Foundry, Meriden, Connecticut. This cast iron example embossed “B.&.H.” above the numeral “7800”. The doorstop with original painted surface depicting a well formed seated rabbit on a log. Remnants of original rubber bumpers on back of doorstop. Reference: The Doorstop Book, Smith, Page 154. SIZE: 15-1/4″ h x 8-1/4″ w. CONDITION: Very fine untouched condition with original paint surfaces. 50576-6 (2,000-3,000) – Lot 3235

3236
$0.00

“DAPPER DAN” CAST IRON DOORSTOP.

Circa 1920, H.L. Judd Co., New Britain, Connecticut. This example with embossed flat casting and wedge shape back depicting a gentleman in tails and hat with cane in hand. Reference: The Doorstop Book, Smith, pg 208. SIZE: 7-1/4″ h x 4″ w. CONDITION: Original paint and very good untouched original condition. Painted surface abraded from cleaning but colors remain strong and vibrant. 50576-11 (1,500-2,000) – Lot 3236

3237
$1,422.00

RARE CAST IRON CLOWN DOORSTOP.

Circa 1920, Pennsylvania. Cast at the Hubley Foundry, Lancaster, Pennsylvania. The double sided flattened full bodied casting on integral plinth base. Reference: The Doorstop Book, Smith, pg 227. Doorstops, Identification & Values, Bertoya, see front cover illustration and additionally pg 48. SIZE: 10-1/4″ h. CONDITION: Retains original vibrant paint in nearly as new condition, possibly used a shelf piece, with very minor abrasions. 50576-53 (2,000-3,000) – Lot 3237

3238
$592.50

COLLECTION OF 5 AMERICAN CAST IRON FIGURAL DOORSTOPS.

Doorstops depict a pheasant with an incised mark “CN 36”; a dog doorstop by the “A.M. Greenblatt Studio Foundaries Copyright 1927 Model #17”; a seated painted decorated cat; fisherman doorstop in “Sou-Wester” and a large doorstop in the figure of a pig. SIZE: Smallest is 5-3/4″ h. Tallest is 9-1/2″ h. CONDITION: Structurally very good. All with in-use wear. 50809-6 (800-1,200) – Lot 3238

3239
$568.80

QUEEN ANNE STYLE MAHOGANY LOWBOY MADE BY NATHAN MARGOLIS.

Circa 1910, Hartford, Connecticut. The rectangular top with molded edge projecting above the conforming case fitted with a single long drawer over three aligned drawers, the center most fan carved, all with thumb molded edges, above the shaped apron raised on cabriole legs with shaped returns terminating in round pad feet. An early handwritten label fixed within the center drawer reads in script: “This lowboy was made for Mrs. J.A. Kilborn by Nathan Margolis, Hartford Conn. Feb 16, 1918.” SIZE: 34″ h x 41-1/2″ w x 22″ d. CONDITION: Case retains original surface, tight vertical shrinkage cracks on case sides, otherwise good. 50567-3 (800-1,200) – Lot 3239

3240
$948.00

CHIPPENDALE STYLE BENCHMADE CARVED MAHOGANY ARMCHAIR.

Late 19th early 20th century, American. This nice example inspired by examples at Independence Hall. The arched shell carved crest rail with c-scrolled floral crest continuing to molded outswept ears, continuing to molded styles centering a Gothic pierced splat carved with leaf tips, drapery tassels and Gothic trefoils flanked by out scrolled molded arms terminating in Flemish-influenced rolled handgrips with scrolled volutes on in-curved molded supports centering the trapezoidal over-upholstered seat raised on square molded and carved frontal legs, rear legs backswept, joined by an H-form stretcher. SIZE: 53-1/2″ h (at back), 18″ h (at seat) x 28″ w (overall). CONDITION: Very good overall, with all original surface, dark brown color and dark un-disturbed patina. 50898-12 (800-1,200) – Lot 3240

3241
$0.00

CHIPPENDALE STYLE CENTENNIAL BENCH MADE SLANT LID DESK.

Late 19th early 20th century, Massachusetts. Rectangular dovetailed case with hinged sloping lid resting on lopers, opening to an interior fitted with an arrangement of small drawers beneath valanced pigeonholes centering a shell-carved prospect door with blocked drawer flanked by engaged half columns. The central section slides out revealing a series of three open storage boxes concealed beneath the interior. The case fitted with four serpentine long drawers with original batwing brasses on a molded conforming base raised on well carved ball and claw feet. SIZE: 42-1/2″ h x 36″ case w x 20″ d. CONDITION: Desk retains original surface. All original. An old repair to proper right top corner of lid, otherwise good. 50310-1 (700-900) – Lot 3241

3242
$474.00

UNUSUAL WALNUT AND CAST IRON FOUR TIER SHELF.

Second half 19th century, American. Four graduated walnut shelves with serpentine front joined to pierced cast-iron architectural supports with cast-iron cresting of latticework centering a lyre. SIZE: 41″ h x 31″ w, overall 10″ d. CONDITION: Very good overall. All original and untouched. 50601-10 (1,200-1,800) – Lot 3242

3243
$1,185.00

LOUIS XVI STYLE WALNUT TALL CHEST WITH GILT METAL MOUNTS.

Mid 20th century, France. The rectangular top with matching bookend veneers above the conforming case, fitted with a pair of lined short drawers over five long drawers. All with brass moldings, cast with anthemion leaves. Raised on square tapered legs, with cast-brass trim. The pilasters with cast brass pendant trophy mounts. SIZE: 55″ h x 38″ w x 23″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: All hardware and cast brass decorations original. Chest retains original surface, draw fronts now dry and in need of re-polishing. Structurally very good. 50800-82 (500-1,000) – Lot 3243

3244
$355.50

LATE VICTORIAN MAHOGANY SHAVING STAND.

Late 19th century, America. Stand with oval mirror tilting within a yoke frame joined to a bowfront cabinet fitted with a bank of two short drawers and cabinet door raised on cabriole legs with shaped returns joined to a medial shelf. SIZE: 70-1/2″ h x 20″ w x 15-1/2″ d. CONDITION: Cabinet retains original surface. Top with old minor water rings and spot alcohol stains. Hardware orginal. No damages or restoration noted, minor and expected abrasions and roughness to edges. Good overall. 50567-18 (600-800) – Lot 3244

3245
$948.00

RARE ORIGINAL KAR-MI FULL COLORED POSTER PUBLISHED BY THE NATIONAL PTG & ENG CO.

Beautiful, huge Poster “KAR-MI – Was Buried Alive for 32 Days” 80″ x 41″ in 2 parts, 1914. By the National Printing & Engraving Co., NY, Chicago & St. Louis. A spectacular piece, in vivid color, with a crowd of Indian admirers surrounding the medicine man and observing Kar-Mi, smiling in his opened grave, happy to have been found! Two gents in white suits and pith helmets ride by in a sedan chair on an elephant, in all a striking and unusual scene. In beautiful condition, and impressive. SIZE: 80″ h x 41″ w. CONDITION: Colors remain vibrant throughout with no staining, toning or foxing. Folding creases are minimal. Poster remains in two parts as originally published and is free floating within frame. 50586-1 (500-600) – Lot 3245

3246
$148.13

ROBERT RODRIGUEZ (American, b. 1947) THE FLYING VAZQUEZ, RINGLING BROS AND BARNUM & BAILEY CIRCUS POSTER.

Color offset lithographic poster depicting a tumbling trapeze artist with a picture of the group in the upper right corner. Housed in a modern red frame. Signed in pencil lower right “Robert E. Rodriguez” and numbered lower left “35/100″. SIZE: 27″ x 39-1/2”. CONDITION: Very good to excellent. 50586-2 (200-300) – Lot 3246

3247
$7,702.50

FRAMED PAINTING ADVERTISING SIGN FOR JOHN JAMESON & SON DUBLIN WHISKEY.

The oil on panel advertisement titled “Experience the Best of Ireland” (“Ireland” in gold leaf). The scene shows a golfer swinging a club in front of two other golfers with an open top green speedster. The spacious clubhouse is seen behind and the background shows the distillery having background hills with cultivated fields. The bottom “Touring by Car Golf at Portmarnock” and on the right side a large bottle of the whiskey surrounded by a banner “See Dublin Home of Jameson Finest Whiskey”. Housed in a modern molded wood frame behind glass. The back panel having an “S.H. Benson Advertising Agency” label. SIZE: Sight: 27-1/2″ x 48-1/2″. Overall: 32-3/4″ x 48″. CONDITION: Some discolored varnish, otherwise very good. 50562-3 (5,000-6,000) – Lot 3247

3248
$770.25

PAINTED AND CARVED TRADE SIGN FOR POLLARD & SON ARMOURERS.

20th century, England. The polychrome painted pine sign, in the form of a tombstone, applied with crossed cannons above cannon balls. Advertising the dock yard establishment of Pollard & Son Harwich. SIZE: 42″ h x 36″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: Vertical shrinkage cracks at the plank seams. Painted surfaces with some losses and abrasion, with wear overall. Otherwise good. 50800-107 (200-400) – Lot 3248

3249
$0.00

VICTORIAN STYLE LATE 20TH CENTURY DUMMY BOARD.

Depicting a white dog with parasol in mouth climbing atop a blue fringe stand. Mounted to a blue board with black frame. SIZE: Total: 30-1/2″ x 27-3/4″. Board: 25″ x 21″ CONDITION: Very good. 50898-8 (700-900) – Lot 3249

3250
$474.00

LOUIS XV STYLE CARVED WALNUT DRAW-LEAF DINING TABLE.

Carved overall in the Rococo style, the rectangular top with shape molded edges above the secondary conforming top, fitted within the freeze, all above the scalloped and shaped apron, carved with scrolling floral vinery, raised on molded cabriole legs, each surmounted by a foliate cartouche over pendant vinery and carved acanthus leaves. SIZE: 29-1/2″ h x 61″ l (closed), 9′ x 41″ (open). PROVENANCE: From a private Massachusetts collection. CONDITION: Very good with original surface. 50800-157 (150-300) – Lot 3250

3251
$0.00

CARVED OAK THREE DRAWER BUFFET.

Late 19th, early-20th century, probably France. Rectangular top above the conforming case, fitted with three aligned short drawers above a bobbin turned molding, above three aligned recessed paneled doors on a molded plinth. SIZE: 44″ x 67″ l x 20″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: The case shows extensive wear on top with seam cracks. Proper left rear side of case with loss to side. Proper right side of plinth missing. Fair overall. 50800-160 (200-300) – Lot 3251

3252
$355.50

LOUIS PHILLIPE PINE STEPBACK BOOKCASE.

Third quarter, 19th century, France. In two parts, the upper case with molded corners and canted corners, above a pair of glass panel doors opening to an interior to three fixed shelves, fitted to the mid-molded lower case with a pair of aligned short drawers above a pair of cupboard doors all with recessed molded panels, raised on a molded plinth. SIZE: 90″ t x 48″ w x 20″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: Structurally very good with tight vertical shrinkage cracks on case sides. The bookcase now with a simulated walnut finish. 50800-171 (300-500) – Lot 3252

3253
$0.00

QUEEN ANNE STYLE BENCH MADE MAHOGANY WRITING DESK.

Second quarter 20th century, English. The rectangular molded crossbanded top above the conforming case fitted with three aligned short drawers with cock beaded edges over a pair of drawers centering an arched apron raised on cabriole legs with shaped returns terminating in pad feet. SIZE: 29-1/2″ h x 48″ w x 22″ d. CONDITION: Structurally very good with re-polished surfaces and nice patina. Outer drawers each missing one short cock beaded strip. 50494-43 (500-800) – Lot 3253

3254
$474.00

THREE ORMOLU MOUNTED & DECORATED CAPO DI MONTE COVERED BOXES WITH COLLECTIBLE BOOK.

1) 7″ h x 9-1/2″ x 7-1/2″ hinged box with relief scenes including warrior, battle scene, figures against a white background. Blue mark to base. 2) 4″ h x 9-1/2″ x 5-1/2″ hinged box with gold background and relief scenes of cherubs, nude man & woman and colorful curtain swags. 3) 4″ h x 9-1/2″ x 5-1/2″ hinged box with white background and relief scenes of cherubs, nude man & woman and colorful curtain swags. Book: Capodimonte Collectibles by Bloom. PROVENANCE: Private Maine/Texas collector. CONDITION: Generally very good with some gold rubbing. 50012-133 (600-900) – Lot 3254

3255
$770.25

GROUP OF GERMAN PORCELAIN NIGHT LIGHTS, TOGETHER WITH FIGURAL TEAPOT AND MATCHING STILL BANK.

First half 20th century, Germany. Lot comprises twelve night lights including a Dutch girl and boy with luminous eyes, three seated Oriental figural lamps, four in the form of Middle Eastern characters, etc. Two large figures, each depicting a woman in pink blouse with brown hair in bun, holding a teapot and with umbrella and satchel on left arm, wearing brown dress with apron. Neck scarf continuing to form handle. One figure designed as a teapot. The second similar figure designed as a still bank. The coin slot located at the back of her waist. Additional figures include an Art Deco seated nude female figure by Metzler & Ortloff. SIZE: Ranges from 4″ h to 11″ h. PROVENANCE: From a private collection. CONDITION: Structurally very good. Electrical wiring is antiquated and should be replaced. Single Majolica frog type pitcher with considerable damage on frame and spout. 30548-16 (1,000-1,500) – Lot 3255

3256
$474.00

FOUR DECORATED GERMAN CABINET VASES AND FIVE CONTINENTAL FIGURINES.

Both Dresden having blue beehive mark. 1 & 2) 7-1/2″ high urn form with reticulated necks and two gold handles. Both vases have central bands with classical scenes. The remainder of the vase has gold decorated burgundy field. One signed on bottom “JUPITER” and “APOLLO”, the other signed “VENUS” and “CERES”. 3) 4-1/2″ high vase signed “WAGNER” decorated with woman and Cupid. The bottom with a blue beehive mark and inscribe “AMOR ALS FISCHER”. 4) 4-1/2″ high vase having two gold handles and four gold feet decorated with two women in landscape titled “WINTER”. 5 & 6) Two Capodimonte figurines, one with flower decorated dress, the other classical style with gold dress. 7, 8, 9) Three other figurines with blue mark illegible, one of woman dancing with flower dress, another Diana with bow and arrows, and the last a gentleman in fine outfit. SIZE: 1-4) As stated above. 5-9) Range from 7″ to 10-1/2″. CONDITION: 1-4) Very good. 5-9) Generally very good, one finger of gentleman tip missing, one chip off lady’s foot, flower tip missing, otherwise very good. 41673-8, 41673-9, (800-1,200) – Lot 3256

3257
$148.13

NINE DECORATED SERVICE PLACES AND THREE-PIECE SILVER OVERLAY PORCELAIN TEA SET.

10″ plates having a turquoise border, surrounded by two gold borders with blue enamel dots. The center having a family crest in gold and blue. There is an impressed mark which is eligible and a number “9281” written on the back. The tea set in cobalt blue color having silver mounts including large monogram, chained shields and bottom and top rims. Silver marked sterling. The set comprising of 6″ teapot, having porcelain tea strainer (stained and with one small chip), 4-1/2″ a covered sugar and a 3-1/2″ creamer. SIZE: As noted above. CONDITION: Very good, silver tarnished. 50647-23 (250-350) – Lot 3257

3258
$355.50

FOUR LIMOGES OYSTER PLATES.

First quarter 20th century, marked “L.S. & S Limoges, France” on reverse. Porcelain with floral and gilt decoration. SIZE: 8-3/4″ dia. CONDITION: Three very good, one with minor chip. 50411-2 (300-500) – Lot 3258

3259
$474.00

SIXTY-SIX PIECE ASSEMBLED SET OF ROYAL WORCESTER DINNER SERVICE IN A VARIETY OF DECORATIVE FLORAL PATTERNS ALONG WITH SIX SERVICE PLATES.

The service is comprised of similar pieces having different colorations as follows: twelve 8-3/4″ plates and a 14-1/4″ diameter serving plate marked with a green Royal Worcester mark retailed by David Collamore & Co.; 17″ x 13-1/2″ single oval platter with slightly different design; 21-piece set with blue flower centers and colorful floral and star borders including twelve 9-1/4″ plates, 8″ long gravy with underliner, 8-1/2″ diameter shallow serving bowl, 9-1/2″ square serving dish, 10″ x 7-1/2″ shaped serving dish, two 10 x 8″ oval serving dishes, 17″ x 13-1/2″ platter, 15″ x 12″ platter; 9-1/2″ similar design low compote; thirty-one piece set with brown and white floral border and light blue flower interior consisting of: 22-1/2″ x 10″ fish platter, 10″ x 8″ oval serving bowl, 12″ x 7″ covered tureen, 9-1/2″ covered footed serving dish, two 9-1/2″ plates (one chipped), two 7-1/4″ shallow bowls, six 6-1/2″ diameter saucers, eleven 5-1/2″ saucers, three 2-1/2″ coffee cups, three 2″ tea cups (two with hairlines); set of six 10-1/4″ highly decorated and enameled service plates marked on the back “Brown-Westhead-Moore & Co Staffordshire England and Davis Collamore & Co New York”. Each plate decorated the same with quails in a central rondel surrounded by blue birds and rabbits. The outer border with six scenes of birds and rabbits all with cobalt blue and gilt colors. CONDITION: Plates: one with hairline crack, otherwise very good. 50647-21 (500-700) – Lot 3259

3260
$148.13

37-PIECE LENOX DINNER SERVICE IN THE “WEATHERLY” PATTERN.

Ivory ground with silver edge, gold mark to base and marked “D517”. Set consists of: Eight 10-1/2″ dinner plates; Eight 8″ luncheon plates; Seven 6-1/2″ bread plates; Five 6-1/4″ saucers; Seven 4″ dia. handled cups and two 3-3/4″ candlesticks. PROVENANCE: Private Maine/Texas collector. CONDITION: Very good. 50012-135 (100-150) – Lot 3260

3261
$237.00

PAIR OF CARVED AND INLAID TABORETS TOGETHER WITH A SMALLER EXAMPLE.

Second quarter, 20th century, Middle East. The pair with circular tops relief carved with bands of grapevines and floral vinery, centering a rondel, inlaid with floral sprigs. Fitted to the base comprised of eight hinged pierce carved foliate panels. The third taboret with octagonal top carved overall with grape and floral vinery, mounted on a base comprised of eight pierce-carved hinged panels. SIZE: 25″ h x 23-1/2″ dia. (pair). 19″ h x 20″ dia. (single). PROVENANCE: From a private Massachusetts collection. CONDITION: All in good overall condition with dark brown coloration. 50800-39, 50800-40, (300-500) – Lot 3261

3262
$355.50

CARVED & SIGNED MIDDLE EASTERN WOOD TRAY.

The fine relief carving showing a palace with figures surrounded by a band of Arabic writing which is surrounded by a 3″ border of birds & grapes having an outside border of flowers, birds & vines. Signed in two different cartouches on outside border. SIZE: 22″ x 16″. CONDITION: Generally very good. 50524-10 (200-400) – Lot 3262

3263
$414.75

ART NOUVEAU STYLE FIGURE OF “STELLA”, BY ANT NELSON.

Affixed with a plaque near base of statue “Stella” mounted on a green onyx socle. Figure with outstretched hands waving a banner inlaid with three 5 pointed white glass stars. Figure is signed on the base in script “Ant Nelson”. SIZE: 25-3/4″ h. CONDITION: Surfaces have been cleaned. Back of statue has been drilled for probable application for lamp. Otherwise good. 50567-47 (400-600) – Lot 3263

3264
$296.25

SMALL PAINT DECORATED DOME TOP STORAGE BOX.

Mid 20th century, American. The domed hinged lid decorated with a floral spray within a gilt and red lined border, further within a floral border. Box sides decorated with floral sprays. SIZE: 5″ h x 9-3/4″ l x 5-1/4″ w. CONDITION: Structurally very good. Area of abrasion on lid, center left facing. 50558-11 (400-600) – Lot 3264

3265
$0.00

WELCH COMPANY WALL REGULATOR SIMPLE CALENDAR CLOCK, LAST QUARTER OF THE 19TH CENTURY.

The walnut case with incise scroll decoration centering a calendar dial; time only. 8 day movement pendulum. SIZE: 34-1/2″ l x 14-3/4″ w x 5-3/4″ d. CONDITION: Some restoration to the case. Case has been finished and oiled. 49421-89 (350-550) – Lot 3265

3266
$0.00

LOT OF FIVE BOXED BACCARAT CRYSTAL PAPERWEIGHTS.

1) Limited Edition portraying James Monroe in a limited run of 400, the rarer edition with green & clear star background. 2) Limited Edition portraying Will Rogers limited to 300, cased in a green swirl design with clear star cut background. 3) Limited Edition portraying Theodore Roosevelt, limited to 300, cased with green background. 4) Baccarat paperweight portraying John Kennedy with a blocked green & clear background. 5) Limited Edition portraying Pope John XXIII in a limited run of 2000 having red background. All contained in original boxes which are as is. SIZE: 2-1/2″ to 3″ dia. CONDITION: Paperweights are very good. 50389-14 (700-900) – Lot 3266

3267
$0.00

DECORATED BEECH AND MAHOGANY DEMILUNE SIDE CABINET.

Late 20th century. The cabinet fitted with central bowed door decorated with a floral filled urn simulating marquetry. Interior fitted with two fixed shelves, the cabinet raised on square tapered legs. SIZE: 32″ h x 29-1/2″ w x 13-3/4″ d. CONDITION: Structurally very good. Retains original surface. 50494-29 (400-600) – Lot 3267

3268
$355.50

GUERIDON MARBLE TOP TABLE.

Mid 20th century, France. The circular marble top comprised of alternating “rays” of white and variegated green marble set within a cast brass border above the conforming freeze of rectangular molded panels and a single drawer raised on tapering square legs with molded edges, surmounted by cast-brass reeded panels. SIZE: 32″ h overall, 27-1/2″ dia. PROVENANCE: From a private Massachusetts collection. CONDITION: Table retains original surfaces with minor losses to molded edges of drawer. Brass gallery slightly misshapen, otherwise good. 50800-42 (200-300) – Lot 3268

3269
$355.50

GILLOWS SMALL OAK GATE LEG TABLE.

Late 19th early 20th century. England. Gillows brand on top of drawer front, underside impressed with number “35834”. Diminutive quarter sawn rectangular top with conforming hinged leaves above frieze fitted with single drawer, raised on barleytwist legs with shaped box stretcher. 2 side legs with gates hinged for leaf support. SIZE: 27-1/4″ h x 12″ l. PROVENANCE: Private Maine/Texas Collector. CONDITION: Table has been completely stripped and refinished in honey brown. No structural defects or restoration noted, very good over all. 50012-1 (200-400) – Lot 3269

3270
$296.25

PAIR OF GOTHIC REVIVAL CARVED WALNUT FOOTSTOOLS.

American 3rd quarter 19th century. This unusually large pair with square frames applied with C-scrolls centering a pierced quatrefoil above a molded spade drop pendant raised on molded cabriole legs terminating in sabots. Each fitted with a conforming padded cushion covered in a pall gold patterned damask. SIZE: 17″ h overall x 11-1/2″ h frame x 21-1/4″ square. CONDITION: Some loss to corner molding upper seat frame. Repairs and reattachment of finials. Loss of sections to two C-scrolled elements. Frames structurally sound with original cushion frames. 50270-37 (300-400) – Lot 3270

3271
$474.00

TWO ARTICLES OF CHILDREN’S FURNITURE.

20th century, France and Massachusetts. A child’s beech fauteuil with shaped back centering a rectangular over upholstered panel. Joined to molded arms with outswept hand grips and padded armrests centering the trapezoidal seat raised on frontal molded cabriole legs and back swept in-curved rear legs. The chair covered in a cotton damask pink checked and floral fabric. The second item, a child’s rocking dory, with manufacturer’s label of the original Gloucester Rockers, this example marks #348. Fabricated from various hardwoods, the dory in blue and red paint, mounted on wave-form rockers. SIZE: 30″ h of back; 11″ h of seat; 17-1/2″ w; 36″ l of rocking boat; 18″ w. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good overall. 50800-15, 50800-162, (200-400) – Lot 3271

3272
$118.50

PAIR OF REGENCY STYLE ARMCHAIRS, TWO CONSOLE TABLES AND A WINE CABINET.

The chair with panel crest rail, joined to rectangular stiles with rolled ears, continuing to downswept arms on baluster supports, centering the trapezoidal caned seat raised on tapering cylindrical, ring-turned frontal legs and backswept rear legs. Each armchair with ebony stringing and fitted with a seat cushion. A Chinese Chippendale style mahogany console with carved frieze legs and pierced carved returns and inset plate glass top. A walnut sofa table with molded tray edge, the freeze fitted with two drawers above the shaped shell carved apron, raised on six tapering cylindrical cabriole legs, terminating in spoon pad feet. The oak wine cabinet with molded corners above a pair of astragal-glazed doors,opening to an interior fitted with two bottle racks, to accommodate seven bottles. Finished on front only. Designed to be inserted into either cabinetry or shelving. SIZE: Chairs: 32″ h of back; 16″ h of seat; overall width 21″. Console table: 31″ h x 60″ l x 17-12″ w. Sofa table: 27″ h x 54″ l x 16″ d. Cabinet: 20″ h overall x 27″ w overall x 17″ d. PROVENANCE: From a private Massachusetts collection. CONDITION: Chairs very good overall with original surface. One-inch loss to ebony string inlay, proper left ear on one armchair. Sofa table with original surface. Small veneer loss to one return. Otherwise good. Sofa table, small surface blemishes to tray-top molding. Otherwise very good. Wine cabinet with original surface. Very good with small shallow nick, top molding, proper left door. 50800-53, 50800-139, 50800-140, 50800-169, (500-800) – Lot 3272

3273
$1,007.25

41-PIECE FISH SET BY PORTMEIRION POTTERY.

Marked on bottom “Made in England” and each plate having an identified fish. Set consists of: Fourteen 10-1/2″ deep plates; Fourteen 8-1/2″ bowls; Twelve 7-1/4″ plates; 19-1/2″ x 10″ platter. PROVENANCE: Private Maine/Texas collector. CONDITION: Very good. 50012-137 (100-150) – Lot 3273

3274
$118.50

TWO DECORATED FOOTED PUNCH BOWLS.

1) Hand painted in grape cluster & leaf decoration. Signed on bottom “C.E. Lummus June 1898”. 2) Large ironstone footed punch bowl by Maddocks in the “Ambenton” pattern. Blue mark to bottom. The decoration in a blue with a center spray of flowers. SIZE: 1) 6″ h x 13-1/2″ dia. 2) 9-1/2″ h x 17-1/2″ dia. PROVENANCE: Private Maine/Texas collector. CONDITION: 1) Very good. 2) Some brown age toning at rim and base, having two thumbnail size chips to base, gold rim loss. 50012-86, 50012-139, (200-400) – Lot 3274

3275
$207.38

GROUP OF SEVEN WEDGWOOD BLUE TRANSFER WARE, HARVARD UNIVERSITY PLATES.

Circa 1927, England. This rare grouping being the only blue transfer ware commemorative plates, designed by Wedgwood. Scenes include Holden Chapel, the Law School, the Library of the School of Business Administration, and Memorial Hall. Each plate with central vignette within a dense border of fruit and flowers. SIZE: 10″ dia CONDITION: Condition is very good with no visible surface damage. 50494-51 (200-400) – Lot 3275

3276
$177.75

THREE ARCHITECTURAL STYLE FLOOR LAMPS.

Late 19th early 20th century. 1) A carved walnut example in the Victorian taste modeled as a street lamp. The octagonal lamp with 8-frosted glass panels, a cylindrical post joined to an X-form base carved with scrolled volutes. 2) A large wrought iron adjustable bridge lamp. The adjustable wrought iron arm with single light sliding on an iron shepherds crook post joined to a tripod scrolled wrought iron base. 3) A classical carved mahogany floor lamp in the form of a reeded column with urn-turned acanthus leaf carved base on a circular molded plinth fitted with a round 6-panel mica shade. SIZE: 1) 77-1/2″ h. 2) 65″ h. 3) 67-1/2″ h. CONDITION: Each floor lamp in very good condition, in need of minor polishing and cleaning. The mica shade with substantial damage to roof panel. Side panels intact and remain luminescent. All in need of rewiring. 50524-19 (300-500) – Lot 3276

3277
$207.38

SLATE AND MALACHITE SHELF CLOCK. RETAILED BY SHREVE STANWOOD & CO. BOSTON.

1860-1869, Boston, Massachusetts. Neo-classical architectural form with inlaid green and malachite panels with delicate incised vinery tracery centering a thick beveled glass door opening to an enameled dial with Roman numeral chaptering and time and strike aperture. The eight day, brass spring driven movement incised with the numeral 27764. SIZE: 13-1/4″ h. 15-1/2″ w. 6-1/2″ d. CONDITION: Chips in beveled glass. Chips on apertures on enameled dial. Bell, pendulum and winding key absent. Case otherwise intact. 50524-8 (250-400) – Lot 3277

3278
$59.25

1) HUGH JONES WINE CADDY 2) JEFF FETTY LILY SCULPTURE 3) SOUVENIR COMMEMORATIVE TABLE BELL 4) BRONZE DOLPHIN BASE.

1) Mahogany four bottle caddy with Hugh Jones label. 20th century, Boston, Massachusetts. 2) Sculpture of single stem lily, signed Fetty (Jeff Fetty) on base. 3) Reproduction silver plated bell with turned handle engraved “Captain’s Table R.M.S. TITANIC 1911″ 4) Cast bronze of two opposing stylized dolphins joined to a central open rectangle. Object probably a base. SIZE: 1) 16-1/2″ h. 2) 22-1/2″ h. 3) 6-1/2″ h. 4) 19-1/2” l. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good overall. 50800-8 (200-400) – Lot 3278

3279
$88.88

HANK WALKER (American, 20th century) “SUNSET GEESE”.

Framed limited edition print showing a hunter and his dog walking along a Maine beach, Pencil signed “Hank Walker” numbered 5/20 with a pencil sketch remark. Also inscribed in pencil “Limited edition on 20 prints for the state of Maine’s Ducks Unlimited.” Housed in a fine molded wood frame with double mat. A descriptive artist’s page pertaining to this print on verso. SIZE: Sight 17-3/4″ x 20″. Overall 24-1/2″ x 27″. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good to excellent. 50012-148 (75-100) – Lot 3279

3280
$0.00

FRAMED PRINT “RECEPTION OF THE PRINCE OF WALES IN THE CITY-THE ROYAL QUADRILLE IN THE GRAND BALL ROOM”.

The colored print from the Supplement to “The Graphic” May 27, 1876. Housed in a decorative modern frame with double mats behind glass. SIZE: Sight: 14-1/2″ x 21-1/2″. Overall: 22″ x 29″. CONDITION: Good, some fold marks & several spots, not examined out of frame. 50586-4 (200-300) – Lot 3280

3281
$355.50

TWO HISTORIC AMERICAN PRINTS.

1) Framed colored lithograph of Independence Hall, Philadelphia published by Thomas Hunter, and lithographer Theodore Poleni, copyright 1875. Housed in a stained wood gold edge frame with mat. 2) Framed print of “Western View of Williams College & Other Buildings” from Barber’s book of Massachusetts History & Antiquities of Every Town in Massachusetts” 1844. Housed in a lemon gold molded wood frame. SIZE: 1) Sight: 14-1/2″ x 20-3/4″. Overall: 21-1/2″ x 28″. 2) Sight: 6″ x 7-1/2″. Overall: 8-1/2″ x 10″. CONDITION: 1) Unknown margin size, not examined out of frame, central vertical fold evident. 2) The glass is missing 1/3 which has been missing a long time and the exposed print has age toned, otherwise very good. 50558-18 (700-800) – Lot 3281

3282
$0.00

LOT OF THREE LIMITED EDITION 1989 MAINE DUCK STAMP PRINTS, THREE $2.50 STAMPS, AND TWO GOLD METAL STAMP MEDALLIONS.

Set 1 includes signed limited edition and numbered 250/350 medallion edition. The print signed by the artist Jeannine Staples housed in its original folder with separate medallion and wildlife stamp. Set 2 includes signed limited edition and numbered 249/350 medallion edition. The print signed by the artist Jeannine Staples housed in its original folder with separate medallion and wildlife stamp. Set 3 is limited edition signed and numbered print 834/2450 with stamp. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. 50012-152 (200-400) – Lot 3282

3283
$59.25

FIVE MISCELLANEOUS PIECES OF FURNITURE AND PARIS MANUFACTURING CHILD’S WHEELBARROW.

1) Wheelbarrow signed on bottom “MADE BY PARIS MFG. CO. SOUTH PARIS, ME., U.S.A. NO. 3”. Red painted wood wheel, removable sides with red decorations. One side printed “PETER”. 2) 3-tier wood and bamboo shelf. The standing shelf having bamboo supports with 3 wood shelves. 3) 2-tier rattan and wicker stand. Turned wood legs support a woven shelf and top. Retaining original Heywood Brothers and Wakefield Co. label. 4) Modern wicker 2-tier round stand. 5) Walnut French style 2-tier stand. Heart cutouts, gallery type top and shaped legs. 6) Metal based marble top stand. SIZE: 1) 13-1/2″ h x 41″ w x 14″ d. 2) 50″ h x 19-1/2″ w x 9-1/2″ d. 3)30″ h x 16-1/2″ square. 4)24″ h x 20″ dia. 5) 28-1/2″ h x 16″ w x 10-1/2″ d. 6)20-1/2″ h x 21″ w x 13-1/2″ d. PROVENANCE: Private Maine/Texas Collector. CONDITION: 1) Very good. 2) Very good. 3) Good some light stains. 4) Very good. 5) Fair to good showing minor breaks and stains. 6) Good. 50012-66, 50012-70, 50012-71, 50012-72, 50012-76, 50012-82, (150-250) – Lot 3283

3284
$651.75

FRENCH CRYSTAL REGULATOR MANTEL CLOCK.

Last quarter, 19th century, France. The rectangular brass case with molded corners, fitted with four clear beveled glass panels and with hinged doors at front and rear. Raised on a concave molded plinth with bracket feet. The French brass eight-day movement with open escapement and Roman numeral chapter ring on the porcelain dial, centering time and strike apertures, striking on a gong. The movement driven by a two-barrel mercury pendulum. The brass back-plate impressed with the serial number 658. “THIS ITEM CANNOT BE SHIPPED AND MUST BE PICKED UP AT OUR FAIRFIELD, MAINE FACILITY DUE TO THE MERCURY PENDULUM PROVENANCE: From a private Massachusetts collection. CONDITION: Structurally very good. No imperfections noted. Porcelain face without blemish. Movement appears clean and functional. 50800-163 (200-300) – Lot 3284

3285
$88.88

TWO ANTIQUE TABLE LAMPS.

1) A reverse painted boudoir lamp with a reverse painted shade. The shade having a sunset scene with house, trees and snow. Unsigned, the metal lamp marked “1856” and having a central single socket. 2) An electrified kerosene lamp by Miller. The lamp having a milk glass shade. SIZE: 1) 13-1/2″ h x 7-1/2″ dia. 2) 18″ h x 10″ dia. PROVENANCE: Private Maine/Texas Collector. CONDITION: 1) Cord is frayed, needs re-wiring, small chips in fitter rim, otherwise very good. 2) Generally very good. 50012-107, 50012-111, (150-250) – Lot 3285

3285A
$296.25

TWO HANGING PARLOR LAMPS, ONE WITH CRANBERRY HOBNAIL SHADE.

1) Having a Juno lamp brass font with electrical fixture, decorative brass shade ring with drop crystal prisms. The base with applied wreath decoration and having an ornamental brass drop and S-scroll arms. 2) Fitted with a pattern glass clear font with electrical fixture being wired, ornamental shade ring with drop crystal prisms, twisted brass arms, and decorative metal drop. SIZE: 1) 33″ X 14-1/4″. 2) 25″ x 14-1/4″. CONDITION: 1)Needs rewiring (no shade). 2) Shade is very good, small section of chain needed, has been modified. 16397-141 (500-800) – Lot 3285A

3286
$88.88

ANSONIA SHORT DROP REGULATOR WALL CLOCK.

First quarter, 19th century. New York. Regulator clock of typical form, with circular molded round hinged door, opening to the round dial, paper on tin, with Roman numeral chapter ring and time only aperture. Clock with spring movement above the molded throat with hinged glass panel door fitted with brushed brass pendulum. SIZE: Dial 11″ dia, 30-1/2″ l, 10-3/4″ w of throat. PROVENANCE: From a private Massachusetts collection. CONDITION: Movement appears clean and intact. Birch case with original darkened varnished surface. Good overall. 50800-124 (100-150) – Lot 3286

3287
$148.13

WOOD TRAY, WOOD SHELF, GILT LEAVES, & BRASS BOTTLE.

1) 2-handled 23″ w x 15″ d octagon inlaid tray. 2) 12-1/2″ h decorative shelf with carved scroll design having painted highlights. 3) 27-1/2″ w x 9″ h gilt architectural fragment of connected leaves. 4) 13″ h covered brass bottle decorated with Middle Eastern motifs. CONDITION: Generally good. 3) Various chips to tips of leaves & finish loss. 4) Brass bottle does not sit level. 50524-13 (100-200) – Lot 3287

3288
$533.25

1) BRASS LOCK PLATE AND LOCK 2) CAST WALL HANGER 3)BULLET MOLD 4) POWDER FLASK 5)POCKET SUNDIAL/COMPASS 6)REPRODUCTION CALVARY SWORD.

1) Brass door plate with ring handle, keyhole, and lock. Designed after early European models, and is a period example, 18th century. 2) Cast brass pierced wall hanger, swiveling on a bracket. Arm decorated with a six-pointed star. Bracket with a pierced diamond, with a secondary hook functioning as locking mechanism, and with cast brass hanger which slides over the arm. 3) Brass handles joined to a swiveling iron cover with incised mark 54. 4) Small copper and brass powder flask of raindrop shape. Spring loaded nozzle does not fully function. 5) Continental engraved brass and silvered steel pocket sundial with compass. Square top is engraved with flower heads, centering a silvered steel disk, flanked by adjustable numerical arms supporting a pierced, cartouche shaped measure. 6) 20th Century copy of a regulation Ames Staff Officer’s sword, stamped “India” on back of blade. SIZE: 1) 11″ h x 17″ l. 2) 11″ l. 3) 7-3/4″ l. 4) 5″ l. 5) 3 ” l x 3″ w. 6) 38″ l. PROVENANCE: From a private Massachusetts collection. CONDITION: 1) Brass plate burnished and lacquered. Latch mechanism functional. Key absent. 2) Brass mold in good operable condition. Iron cover with pitting and corrosion, otherwise good. 3) Dimples in body. Spring lever as previously described. 4) Structurally very good with functional compass. Very good. 5) Burnished and lacquered. Good overall. 6) Fine overall. Light rust and staining to scabbard, body and blade. Leather grip solid with craquelure. 50800-19 (300-500) – Lot 3288

3289
$0.00

TWO VINTAGE LEATHER SUITCASES.

Second quarter, 20th century, England. Each in heavy brown leather with brass locks and intact leather handles. All hand stitched. The smaller with the initials “J.R.” The second stamped “P.M. Claridge” on the front panel. SIZE: 8″ h x 26″ l x 16″ deep; 9-1/2″ h x 28″ l x 17″ deep. PROVENANCE: From a private Massachusetts collection. CONDITION: Surfaces well worn, slightly soiled, abrasion along most edges. One case locked. 50800-33, 50800-34, (100-200) – Lot 3289

3290
$118.50

LOT OF SIX VARIOUS SIZE CROCKS.

1) 20 gallon stoneware crock having blue “20” in a circle below which is written “Macomb Pottery Co. Manufacturers Macomb, ILL.” 2) 10 gallon stoneware crock having wood and metal bale handles decorated with a “10” in blue, a red wing and an oval “Red Wing Union Stoneware Co. Red Wing Minn” also “Patented 1915”. 3) 5 gallon stoneware crock with wire & wood bale handles having decorated same as #2. 4) 5 gallon stoneware crock decorated with a black “5”, below which is a large maple leaf with “Monmouth Pottery, Monmouth ILL” written within leaf. 5) Unmarked open crock. 6) Unmarked brown glaze stoneware crock. SIZE: 1) 19-1/2″ h x 19″ dia. 2) 16-1/2″ h x 15″ dia. 3) 13-1/2″ h x 13″ w. 4) 13″ h x 13″ w. 5) 8″ h x 8″ w. 6) 6-1/2″ x 5-1/2″. CONDITION: Very good, 3) Having some chips to rim. 4) As found with cracks & damage. 5) Cracks. 50800-115, 50800-116, 50800-117, 50800-118, 50800-119, 50800-120, (100-300) – Lot 3290

3291
$148.13

LARGE LOT OF COLORED & CLEAR DEPRESSION GLASS.

Lot includes: 26 pieces of pink in various patterns & forms; Yellow two-part butter dish; 6 green stems; 9 pieces of clear. SIZE: 2″ dia. to 12″ dia. PROVENANCE: Private Maine/Texas collector. CONDITION: Generally good. 50012-131 (50-100) – Lot 3291

3292
$177.75

PAIR OF BRASS ADJUSTABLE CANDLE HOLDERS, TOGETHER WITH A PAIR OF REGENCY STYLE TWO LIGHT CAST BRASS WALL SCONCES.

Late 20th or 21st century. Pair of adjustable brass candle holders, each fitted with cylindrical clear glass shade, sliding on twin poles. Two light “bras de lumiere”. Shaped back plate with foliate crest and conforming pendant crest mounted with a pair of cast brass s-scroll candle arms with reeded bobeches and mounted with a child blowing a trumpet. SIZE: Height of candleholders 20″. Wall sconces 11-1/2″ h x 9-1/2″ w x 8-1/2″ d. PROVENANCE: From a private Massachusetts collection CONDITION: All items generally good. 50800-13 (300-500) – Lot 3292

3293
$148.13

2-PIECE UPHOLSTERED MAHOGANY PARLOR SET.

The set consists of a two-seat settee with matching armchair. The crest with a pierced carved element. The sides having 8 spindles in an open area. Shell carved knuckles with tapered legs ending in wood casters. SIZE: Settee is 32-1/2″ h x 40-1/2″ w x 21″ d. Chair is 32-1/2″ h x 24-1/2″ w x 21″ d PROVENANCE: Private Maine/Texas Collector. CONDITION: Reupholstered. Chair having a tight crack repair at crest. Generally very good. 50012-92 (250-400) – Lot 3293

3294
$148.13

RENAISSANCE REVIVAL WALNUT MARQUETRY CARVED SIDE TABLE.

Mid 20th century. In the Victorian style, the circular top with molded edge and intricate marquetry patera in the center with lyre musical instruments and floral spray. Raised on 3 legs carved as full bodied Griffins joined to a conforming medial shelf. SIZE: 27-1/2″ h x 18″ d. CONDITION: Very good overall. 50524-15 (100-200) – Lot 3294

3295
$207.38

MISCELLANEOUS PATIO & GARDEN ACCESSORIES.

Lot includes: Pair of metal baskets holding large demijohn bottles (28″ h x 22″ w); Wicker basket holding a large green demijohn bottle having wicker cover (25″ h (not incl. cover x 22″ w); 20″ h wire covered bottle having two carrying handles; Small demijohn bottle in wicker basket (17″ h); pair of 31″ h low folding macrame type weave chairs; 28″ h x 21-1/2″ metal stand (missing top); 28″ x 22-1/2″ cast iron table base (no top); 50″ h x 30″ w copper sculpture of a maple tree branch; Peavey decorated lamp; Bronze table base in parts (damaged). CONDITION: As noted above. 50524-14 (100-200) – Lot 3295

3296
$503.63

GROUP OF FOUR SMALL ORIENTAL RUGS.

Second half 20th century, central Persia. The group includes three small indo-Tabriz rugs and a Northwest Persian. The first wrought with a chandelier above a floral filled vessel within a mihrab on a ivory field within an indigo main border of collonettes alternating with floral filled urns. The second overall with dense delicate floral vinery of muted shades of red, green, and blue-gray on an ivory field. The main border of muted jade green with dense polychrome floral vinery. The third with three rows of five arabesque medallions on a midnight blue field within a beige border of scrolling blue-black indigo meandering vines on an ivory ground. The fourth with poled stylized floral central medallion within a latch hook border all within a midnight blue main border of latch hook lattice work alternating with geometric crab devices. The whole in earth tones with wine red and midnight blue fields. SIZE: 1) 2’7″ x 4’1″. 2) 2’11” x 4’3″. 3) 2’7-1/2″ x 3’8″. 4) 3’7″ x 5’11”. CONDITION: Tabriz scatter rugs in very good condition overall with no restoration. The second with losses to fringe. The fourth with some loss to ends but retaining strong pallette and with slight, even wear. 50494-49 (400-600) – Lot 3296

3297
$414.75

SHIRVAN AND CAUCASIAN RUG.

The first with rows of polychrome geometric rosettes on a camel ground within a brick red trellis work border within multiple floral guard borders. The second with three aligned geometric crab medallions on a blue black field within multiple floral borders and with guard borders of spiral twist roping. SIZE: 1) 3′ 6″ w x 7′ 1″ l. 2) 3′ 7″ w x 4′ 6″ l. CONDITION: Both rugs with significant wear to foundation in some areas and with losses to selvedge and to ends. 50647-14 (700-900) – Lot 3297

3298
$237.00

EDWARDIAN INLAID MAHOGANY DISPLAY CABINET.

Early 20th century, England. Rectangular cabinet with shaped splash guard inlaid and paint-decorated with scrolling cartouche of floral garlands above the conforming case fitted with single astragal-glazed door. Sides with glass panels. Silk lined interior fitted with two plate glass shelves raised on square legs all with string inlay. SIZE: Cabinet 55″ h. Overall 58-1/2″ h x 23-1/2″ w 11-1/2″ d. CONDITION: Cabinet retains original surface. Inlays and decoration intact, structurally good. 50494-45 (200-400) – Lot 3298

3299
$0.00

BOOK: EUROPEAN ETCHINGS A SERIES OF 22 ORIGINAL ETCHINGS BY FAMOUS FOREIGN ARTISTS.

Boston, Estes and Lauriat edition limited to 360 copies. This example numbered 60. Copyright 1888, University Press. Artists include Bosch, Willroider, Kroener, Zimmerman, Dahl amongst others. SIZE: 17-1/2″ x 12″. PROVENANCE: Private Maine/Texas Collector. CONDITION: Binding is with damage. Plates and pages are foxed and stained. 50012-153 (200-400) – Lot 3299

3300
$948.00

TWO ART RELATED BOOKS.

1) Two bound volumes in a cardboard sleeve Hieronymus Bosch by Charles De Tolnay, 1965. 2) Boxed two-book set The Art of Indian Asia by Joseph Campbell, 1955. CONDITION: Both show use on covers, interior generally very good. 50772-2 (100-200) – Lot 3300

3301
$0.00

LARGE LOT OF AUCTION CATALOGS & REFERENCE BOOKS.

Lot includes price guides, auction catalogs including Swann’s, Sotheby’s & more. CONDITION: Generally good. 50948-1 (200-400) – Lot 3301

3302
$148.13

LARGE LOT OF BOOKS ON ANTIQUES, AND THE ARTS.

Approximately 100 volumes including good books on American furniture, art deco, modern and art of all facets. SIZE: Varies from small volumes to large volumes. CONDITION: Very good. 50772-1 (400-600) – Lot 3302

3303
$219.23

27-PIECES OF MISCELLANEOUS POTTERY & PORCELAIN.

Lot includes: 21″ x 14-1/2″ Meissen “onion” pattern blue & white platter; 14-1/2″ h Scotsman on horse Staffordshire figure (age toning & paint loss); 9-1/2″ brown grape pattern pitcher; 5-1/2″ pitcher (rim chips); 6-1/2″ Hull style vase; 9″ dia flower decorated bowl; Eight 4-1/2″ fish shaped dishes; German bulldog figural ashtray (hairline crack); Salt & pepper; Two rice scoops; Three 6-1/2″ willoware plates; Four 5-1/2″ Phoenix plates; 10″ x 4-1/2″ Bavarian handled dish. SIZE: As noted PROVENANCE: Private Maine/Texas collector. CONDITION: As noted 50012-136 (50-100) – Lot 3303

3304
$88.88

MISCELLANEOUS ESTATE LOT.

Lot includes: 22 books including 3 children’s books, Handel Lamp book, Guide to the Study of Insects, 1883; Three wood boxes, two with inlaid building panels on top; 13″ dia. modern birdseye maple bowl; 11″ square tile trivet/music box with carved wood frame (working); Early mayonnaise maker with crank handle & ironstone bowl; Eastlake vintage shaving mirror with wall bracket having adjustable arm & a beveled edge round mirror; 5-1/2″ h silver plated watch hutch marked “Edles Zinn GSW”; Carved & painted wood napkin holder, cork stopper & salt & pepper. PROVENANCE: Private Maine/Texas collector. CONDITION: Very good. 50012-125, 50012-132; 50012-142, (100-200) – Lot 3304

3500
$3,258.75

ORANGE FITZHUGH TUREEN WITH UNDERPLATE.

19th century, China. The large tureen hand painted in the Fitzhugh pattern with twist strap handles and large finial accented with gilt. Comes with original underplate. SIZE: Tureen 14″ w x 10-1/2″ h. Underplate is 14-1/2″ w. CONDITION: Very good. Light wear to gilding. 50788-1 (2,000-3,000) – Lot 3500

3501
$474.00

PAIR OF ORANGE FITZHUGH COVERED VEGETABLE DISHES.

19th century, China. Each dish in rectangular form with cut corners and hand painted in an orange Fitzhugh pattern. Both come with original dome cover mounted with gilt painted pine cone finial. SIZE: 9-1/2″ on both. CONDITION: Very good. Wear to gilding. 50788-2 (1,000-2,000) – Lot 3501

3502
$1,185.00

CHINESE EXPORT FOOTED PUNCH BOWL.

The punch bowl having 2 scenic panels with castle, European men and women, and livestock surrounded by deep blue floral border and having 2 roundels with landscape scenes. The inside with a border of shells interspersed with foliate vine. The center with colorful flowers. Late 18th century, Chinese. SIZE: 5″ h x 11-1/2″ dia. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good. Some paint loss to inner flowers. 50012-100 (600-900) – Lot 3502

3503
$5,925.00

PAIR OF CARVED JADE FOOTED BOWLS.

20th century, China. Each bowl with rounded walls ending at a slightly flared top rim and standing on squared off feet. The stone of light celadon color and come with fitted wood stands. SIZE: 4-1/2″ dia x 2″ h without stands. CONDITION: Very good. Few natural imperfections. 50609-2 (3,000-5,000) – Lot 3503

3504
$1,066.50

CARVED JADE VASE.

20th century, China. Carved from a celadon colored stone, the walls of the vase made up of layered leaves with various birds and lingzhi encircling the foot. SIZE: 5-1/2″ h. CONDITION: Loss to the tips of a few leaves, natural fissure running through the stone. 50389-7 (1,000-1,500) – Lot 3504

3505
$0.00

BLACK AND WHITE JADE BRUSH POT.

20th century, China. The jade of a dark gray color with off white and russet highlights. Carved in the form of a jagged cliff with monkeys climbing up the side grasping for a peach. SIZE: 5″ w x 3-1/4″ h. CONDITION: Very good. Natural fissures in the stone. 50453-7 (2,500-3,500) – Lot 3505

3506
$711.00

FAMILLE ROSE PORCELAIN CHARGER.

Late 18th century, China. The charger made in octagonal form with a central scene of blossoming plants surrounded by a gilt and iron red spear head border. Rim finished in floral sprays and stands on a smooth foot. SIZE: 14-1/2″ w. CONDITION: Minor fritting on rim. 50893-8 (700-800) – Lot 3506

3507
$829.50

PAIR OF FLAMBE GLAZED PORCELAIN JARS.

Qing Dynasty, China. Each jar with broad shoulders and finished with rich flambe glaze. Both come with later openwork stands and lacquered wood covers. SIZE: Porcelain: 11-1/4″ h. CONDITION: Chipping and loss to the interior lip of one. Chipping around both foot rims. Loss to the lacquered finish on covers. 50864-5 (400-600) – Lot 3507

3508
$592.50

GLAZED POTTERY CENSER WITH WOOD COVER AND JADE FINIAL.

Ming Dynasty, China. The unusual censer made in squat form with shallow incised design around the body under a lightly applied blue glaze. Stands on three splayed feet and handles applied at the shoulders. Comes with fitted wood stand and cover having an applied carved jade finial a Bixie dating to the Qing Dynasty. SIZE: 9″ dia. Jade is 1-3/4″ l. PROVENANCE: Purportedly from the Estate of President James Buchanan. CONDITION: Very good. 50775-1 (1,500-2,000) – Lot 3508

3509
$474.00

FLAMBE GLAZED PORCELAIN VASE.

19th century, China. The vase made in ovoid form with a short neck and slightly flared top rim. Flambe glaze covering the entire exterior fading to clear at the top of the neck. SIZE: 14-3/4″ h. CONDITION: Restoration at rim. 50283-4 (800-1,200) – Lot 3509

3510
$3,851.25

PAIR OF PORCELAIN PLATES.

20th century, China. Each plate hand painted with a scene of two birds in flight over blossoming branches below. Signed Liu Yucen along bottom edge and marked in iron red on reverse. With boxes. SIZE: 10″ dia. CONDITION: Both very good. 50453-3 (4,000-6,000) – Lot 3510

3511
$711.00

LANGYAO GLAZED PORCELAIN BOWL.

20th century, China. Bowl of shallow form tapering to a narrow inverted foot. Finished around outside with a rich Langyao glaze fading to clear around the top rim. Underside with six character Yongzheng mark in under glazeblue. SIZE: 3-1/2″ dia. CONDITION: Very good. 50342-11 (600-900) – Lot 3511

3512
$829.50
Revised: 8/3/2016

Please Note: The size should be 30 1/2″ not 3 1/2″.

IMARI PORCELAIN FLOOR VASE.

19th century, Japan. Made in baluster form, the vase is hand painted with detailed reserves of various shapes, executed in underglaze blue, iron red, and accented with gilt. SIZE: 3-1/2″ h. CONDITION: Very good. 50782-3 (1,500-2,000) – Lot 3512

3513
$0.00

BRONZE FOOTED PLANTER BY MURATA SEIMAN.

19th century, Japan. The planter made in a shallow diamond shape form accented with relief shells around the exterior on a ground of stylized waves. Stands on four shell form feet and signed on underside. SIZE: 10″ l. CONDITION: Very good. 50892-4 (1,500-2,000) – Lot 3513

3514
$711.00

LOT OF MIXED METAL SWORD FITTINGS.

19th century, Japan. Lot comprised of two kashira depicting battle scenes along with a pair of menuki with resting samurai. SIZE: Kashira: 1-1/4″ l. Menuki: 1-1/2″ l. CONDITION: Very good. 50812-3 (800-1,200) – Lot 3514

3515
$948.00

UNUSUAL MIXED METAL SWORD HANDLE.

19th century or earlier, Japan. The handle with intricate relief design executed in mixed metalwork possibly depicting the battle Ichi-No-Tani. SIZE: 8-1/2″ l. CONDITION: Very good. 50812-2 (2,000-4,000) – Lot 3515

3516
$1,896.00

LOT OF FOUR WEAPONS.

Meiji Period, Japan. The lot comprising of two Naginatas along with two Katanas all with original sayas. SIZE: Overall lengths 83″, 73″, 36″ and 39″ l. CONDITION: Losses, splits into the sayas, one tsuka detached with missing elements. 50647-30 (800-1,200) – Lot 3516

3517
$177.75
Revised: 08/15/2016

Please Note: Title should read TWO JAPANESE STYLE SWORDS. 20th Century, Chinese or India.

TWO JAPANESE SWORDS.

20th century, Japan. Each sword having a signed steel blade with rope handles and metal mounts. Both come with lacquered sayas. SIZE: 39-1/4″ l and 27″ l, not including sayas. CONDITION: Overall good. 50782-4 (600-800) – Lot 3517

3518
$3,258.75

RED CORAL CARVING OF STANDING FIGURE.

20th century, China. Depicts a woman wearing a flowing robe and holding basket of flowers against her side. A small dog rests at her feet. Glued to wood stand. SIZE: 6-3/4″ on stand. CONDITION: Minor loss to petals of flowers and chip on robe at shoulder. 50773-2 (1,000-1,500) – Lot 3518

3519
$592.50

PINK CORAL CARVING.

20th century, China. Carving of whitish color with pink highlights and depicts three young women holding lotus pods with leaves growing at their feet. Comes with fitted wood stand. SIZE: 5″ h. CONDITION: A few fissures, possibly natural to the coral. 50773-1 (1,500-2,000) – Lot 3519

3520
$1,303.50

GILT BRONZE SCROLL WEIGHT.

Qing Dynasty, China. The weight cast in the form of a recumbent dog with head raised and crossed front paws. SIZE: 2-3/4″ l. CONDITION: Light wear to gilt finish. 50342-27 (1,000-1,500) – Lot 3520

3521
$1,066.50

PAIR OF BLUE AND WHITE PORCELAIN CUPS.

20th century, China. Each cup decorated around the body with a band of vines and lotus blossoms beneath various precious objects. Each underside with Daoguang mark in under glazeblue. SIZE: 2-3/4″ dia. CONDITION: Very good. 50342-8 (800-1,200) – Lot 3521

3522
$592.50

TEADUST GLAZED HU VASE.

20th century, China. The vase made in Hu form with ribbed bands around the body and ram head handles accenting the shoulder. Stands on a splayed foot with incised Qianlong mark to underside. SIZE: 13-1/2″ h. CONDITION: Very good. 50723-1 (1,000-1,500) – Lot 3522

3523
$1,066.50

BLUE AND WHITE COVERED PORCELAIN VESSEL.

Kangxi Period, China. The exterior painted with continuous design of leafy vines and flowers. Comes with original dome cover and later wood stand. SIZE: 5-1/2″ h without stand. CONDITION: Very good. 50283-2 (600-800) – Lot 3523

3524
$177.75

NANKING PORCELAIN PLATTER.

19th century, China. Made in oval form and hand painted in underglaze blue with a large landscape in the center having figures in foreground and buildings along waters edge. SIZE: 18″ w. CONDITION: Very good. 50524-9 (150-200) – Lot 3524

3525
$948.00

BLUE AND WHITE PORCELAIN GARDEN SEAT.

19th century, China. The seat made in hexagonal form painted with lotus blossoms on a ground of meandering vines. The walls and top accented with openwork. Stands on an unglazed foot. SIZE: 19-1/4″ h. CONDITION: Wear to glaze at top of seat. A couple small spots of glaze loss around body. 50270-27 (300-400) – Lot 3525

3526
$2,073.75

SET OF FOUR ALBUM LEAVES BY HUANG JUNBI (1898-1991).

China, ink and colors on paper, depicting mountainous landscapes of four season, inscribed, signed “Huang Junbi” with three seals, each painting accompanied by a calligraphy panel to the top by Huang Junbi, with seals, dated dingmao year. SIZE: Calligraphy: 9-3/4″ x 13-3/4″. Paintings: 15″ x 13-1/4″. CONDITION: Good. 50689-1 (3,000-5,000) – Lot 3526

3527
$0.00

LARGE FRAMED THANGKA.

19th century or earlier, Tibet. Central panel hand painted in watercolor and gouache depicting various deities and animals surrounded by precious objects. The ground painted in a deep iron red with gilt phoenix’s in flight. SIZE: Overall 65-1/2″ h x 28-1/2″ w. CONDITION: Numerous creases, scattered areas of loss, large areas of staining. 50753-6 (1,000-1,500) – Lot 3527

3528
$1,777.50

FRAMED THANGKA OF PADMASAMBHAVA.

The framed Thangka depicts Padmasambhava seated in the center with lotus throne pad and lotus flower decorated mandorla, on top of mountain cliff with river and hill background, seven smaller Bodhisattva surrounding him. SIZE: 31″ h x 22-1/2″ w. CONDITION: Light scattered wear. 50654-9 (1,200-1,600) – Lot 3528

3529
$948.00

LOT OF THREE THANGKAS.

Early 20th century, Tibet. Each thangka hand painted with various deities and mythical creatures. Done in vibrant colors and accented with gilt. Each comes with matching silk borders. SIZE: 48″ h x 32-1/2″ w overall. CONDITION: Overall wear and scattered staining. 50438-8 (800-1,200) – Lot 3529

3530
$0.00

TWO FRAMED THANGKAS.

Each individually framed, depicts in the center with a large Bodhisattva seated on lotus throne pad against mandorla, with smaller Bodhisattva surrounding it, with landscape scenery as backdrop. CONDITION: Very good. 50654-11 (1,000-1,500) – Lot 3530

3531
$0.00

THREE INDIAN MINIATURE PAINTINGS.

1 & 2) 19th century, India. An unfinished work of two lovers and a votive image of Shiva Natraj. Framed and glazed. 3) 19th century. Ink, colors and gilt on paper. Three women on a palace veranda. Framed and glazed. SIZE: 1 & 2) 5-1/2″ x 4-3/4″ and 5″ x 5″. 3) 8-1/2″ x 5-1/2″. CONDITION: 1 & 2) With overall wear and losses to surfaces, and with fading. 3) Very good. 50776-3, 73738, (800-1,200) – Lot 3531

3532
$1,481.25

CARVED HARDWOOD MOON GAZING CHAIR.

19th century, China. The square paneled seat joined to the out scrolled arms and tilted backrest with rotating headrest. With original sliding footrest. SIZE: 34″ h x 28″ w x 60″ l. CONDITION: Overall very good. Scattered age splits in the wood. 50782-7 (2,500-3,000) – Lot 3532

3533
$2,666.25

LACQUERED SQUARE FORM HARDWOOD TABLE.

Republican Period, China. The top framing three planks of wood, all raised on four hoof feet SIZE: 34″ h x 37″ w x 37″ d. CONDITION: Some shrinkage to wood panel and joints. overall wear to surface, some elements later additions. 50348-1 (2,000-3,000) – Lot 3533

3534
$4,443.75

CARVED HARDWOOD ALTAR TABLE.

Qing Dynasty, China. Made in rectangular form with rounded corners perched upon four slender and slightly tapered legs accented along the top with shallow relief archaic style dragons. SIZE: 31-1/4″ h x 27″ w x 14″ d. CONDITION: Minor losses along seams. Some separation at joints 50270-41 (2,500-3,500) – Lot 3534

3535
$711.00

GROUP OF FOUR CHINESE CARVED TEAK AND ROSEWOOD FERN STANDS.

Late 19th century, China. Two near pairs. First pair with octagonal tops centering rose marble inserts raised on elongated cabriole legs alternating with floral pierced carved friezes joined by a floral carved cross stretcher. The second pair with circular tops with beaded edge, centering circular rose marble inserts each on tall carved cabriole legs alternating with pierced floral carved friezes with floral carved X-form stretcher. SIZE: Octagonal pair 36″ h x 17″ d overall. Round pair 35-1/2″ h x 16″ d approx. CONDITION: One round drilled marble top resulting in multiple cracks in marble. One octagonal stand has been stripped and in need of re-polishing. Frieze panels all intact, generally good overall. 50494-14 (800-1,200) – Lot 3535

3536
$592.50

THREE PERSIAN PAINTINGS BY SAYYED MUHAMMED-ALI ABOLGHASEMI.

20th century. Each image depicting typical Persian motif’s executed with mixed media on panel. Signed with the artist’s mark and housed in frames under glass. SIZE: The first 20″ h x 15-1/2″ w overall, sight 13-1/4″ h x 9-1/2″ w. The second and third 15-3/5″ h x 13-1/4″ overall, sight 8-3/4″ h x 6-3/4″ w. CONDITION: Very good, not examined out of frames. 50637-1 (1,000-2,000) – Lot 3536

3537
$355.50

MINIATURE PAINTING.

19th century, India. Krishna relaxing with Radha and attendants. Framed and glazed. SIZE: 13″ x 9″. CONDITION: Colors remain vibrant. Very good. 50776-2 (400-600) – Lot 3537

3538
$0.00

LOT OF FIVE PERSIAN PAINTINGS.

20th century and earlier, Asia. Each painting executed in gouache and watercolor depicting figures in various settings. All framed under glass. SIZE: Sight, smallest: 5″ x 3″, largest: 11″ x 7-1/2″. CONDITION: Overall very good. Some scattered stains and toning. 50786-1 (800-1,000) – Lot 3538

3539
$948.00

LARGE REPOUSSE SILVER BOWL.

Early 20th century, Thailand. The large bowl in a wide and flattened form is decorated around body with a continuous deep relief scene of figures engaged in various activities. Stands on three applied feet and is marked on the underside. SIZE: 14-1/2″ w across body. Approximately 47 troy oz. CONDITION: Very good. 50270-24 (150-250) – Lot 3539

3540
$1,481.25

HANDLED 950 SILVER TRAY BY KICHIGORO UYEDA.

20th century, Japan. The tray in rectangular form with cut corners and applied handles on each end. Monogrammed in the center with an “E”. Marked on the underside “K. Uyeda Sterling 950”. With fitted box. SIZE: 25-1/2″ l x 15″ w. Weight: 78 troy oz. CONDITION: Scratching from use to top of tray. 50464-1 (700-900) – Lot 3540

3541
$592.50

LOT OF THREE CARVED WOOD NETSUKE.

19th century, Japan. 1) Carving depicts a fisherman seated on top of a closed clam and pulling a net. Signed on the underside “_ Haru Sada _”. 2) Depicts a monkey in seated position with head turned back holding a peach in his hands. Signed on the underside “_Mitsuhide_”. 3) Depicts a cockerel with young and head turned back with inlaid glass eyes. SIZE: 1) 2″ h. 2) 1-1/4″ h. 3) 1-1/4″ l. CONDITION: Fisherman netsuke with stress crack to front of clam. Otherwise good. 50812-1 (2,000-4,000) – Lot 3541

3542
$118.50

TWO CLOISONNE VASES IN OVOID FORM.

Meiji Period, Japan. Each vase decorated with a central design of flowers done on a solid ground. SIZE: 6″ t. CONDITION: Light blue example with stress lines in body. 50773-4 (400-600) – Lot 3542

3543
$592.50

PAIR OF CLOISONNE VASES.

Meiji Period, Japan. Each vase in ovoid form intricately decorated with bands of birds and flowers. Done in the style of Namikawa Yasuyuki. SIZE: 6″ h. CONDITION: 1 vase with bump to body with corresponding missing enamel. 50561-5 (800-1,200) – Lot 3543

3544
$4,443.75

CLOISONNE VASE ALONG WITH A FOOTED KORO.

Meiji Period, Japan. 1) Large vase in ovoid form depicting a winter scene with sparrows and flowers. 2) Covered Koro in globular form, decorated with three panels of various birds and standing on three silver feet. SIZE: 1) 12″ h. 2) 5-1/2″ h. CONDITION: 1) Drill hole to underside, stress lines to body on back. 2) Minor stress lines to enamel. 50561-10 (1,200-1,600) – Lot 3544

3545
$3,495.75

WIRELESS CLOISONNE VASE.

Early 20th century, Japan. Vase decorated with wireless design of colorful Iris on greenish/yellow ground. Underside with incised mark and finished in gilt. SIZE: 4-1/4″ h. CONDITION: Very good, minor dents to underside. 50561-6 (800-1,200) – Lot 3545

3546
$711.00

THREE PIECE LOT OF CLOISONNE.

Meiji Period, Japan. 1) Footed Koro with faceted body, decorated with reserves of dragons and phoenix. 2) Small vase decorated with birds and flowers on black enamel ground. 5″ t. 3) Silver bodied cigarette case, decorated with fans of various design. SIZE: 1) 6″ h. 2) 3-1/2″ h. CONDITION: 1) Stress lines around foot. 2) Small abrasions to body. 3) Scattered pitting to enamel. 50561-8 (1,500-2,000) – Lot 3546

3547
$533.25

BRONZE SCULPTURE OF EAGLE WITH DRAGON.

Meiji Period, Japan. The statue depicting a raptor with fierce expression perched upon a rockery and peering down at a dragon below. SIZE: 22-3/4″ h. CONDITION: Repair to one leg. Old repair to underside of bird’s neck. Scattered tarnishing to the surface. 50262-8 (600-800) – Lot 3547

3548
$0.00

CARVED 19TH CENTURY CONTINENTAL IVORY RENAISSANCE REVIVAL DIRK.

Purely Renaissance in design this mid-19th Century Dieppe-style ivory carving emulates the masterpieces created 400 years earlier. This knife is in beautiful condition, missing only its once velvet covered grip where bare wood remains now. Pommel is a florally arabesque decorated orb, crossguard terminates in the heads of sheep. Scabbard has elaborate detail panels in high relief of semi-nude cherub standing on dolphin above another large panel of coat of arms and panoply of arms. Dieppe carvings were exceptionally popular among the English elite and quite possibly this is a known British coat of arms that could be researched though there is a dramatic two-headed eagle below the crest.NOTE: Certifiable antique Ivory. SIZE: Overall: 16″. Blade 10-1/4″. Knife with handle: 14-3/4″. Special Note: This item contains plant or animal properties that may be covered by the Endangered Species Act (ESA). We have taken care to ensure that this item meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA. It is the bidder’s responsibility to ensure that it is lawful to purchase or transport this item into their state, and to obtain the necessary import and export approvals. Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item and consummating the purchase. CONDITION: Very good to fine overall. Blade has iron patina, gray/brown overall. Scabbard is complete retaining velvet cover on reverse which would have been much like velvet grip cover, which is missing. There is a chip in throat above cherub’s outreached hand and several hairlines as seen in photo. 50711-1 IVORY (3,000-5,000) – Lot 3548

3549
$3,258.75

WONDERFUL MID-19TH CENTURY CONTINENTAL RENAISSANCE REVIVAL CARVED IVORY DAGGER.

They don’t get much better than this for form, quality or condition. The 14″ dagger pointed blade has etched decoration and engraved iron capstan. The remainder of knife is all ivory made in multiple pieces and most unusual is that this carving exhibits walrus not often encountered in Dieppe carvings. Blade has iron patina sculpted solid four-sided grip as a branched fluted pommel and a fluted languette with decorative trim. Scabbard tip has a cherub’s head on either side between spiral decorated rosettes. Though they are mentioned in the literature, the scabbard in typical Renaissance form is a panel of relief carved of 11 figures. Starting with a baby, and ending with a full-figured king and all his regalia with two skeletal figures apparently escorting him. There are similar examples of Renaissance Revival carvings of knives made at Dieppe described in the September 27, 1857 Saturday Review of Politics, Literature, Science and Art. NOTE: Certifiable antique Ivory. SIZE: Overall: 16-1/2″ l. Blade 7-3/4″ l. Knife with handle: 14″. Special Note: This item contains plant or animal properties that may be covered by the Endangered Species Act (ESA). We have taken care to ensure that this item meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA. It is the bidder’s responsibility to ensure that it is lawful to purchase or transport this item into their state, and to obtain the necessary import and export approvals. Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item and consummating the purchase. CONDITION: Very good to fine, mellow ivory patina, back with one pin plug missing. 50711-2 IVORY (3,000-5,000) – Lot 3549

3550
$0.00

FABULOUS 19th CENTURY SOLID IVORY MOUNTED KATANA.

Ivory carving at its finest is presented in this pre-Meiji katana saya carved intricately in 15 seperately pieces. Rarely do such fine ivory mounted swords of this era come to market, much less the quality and condition offered here. Certifiable antique elephant ivory. SIZE: Overall: 39-1/2″. Blade: 25-1/2″. Blade & handle: 36-1/2″. Special Note: This item contains plant or animal properties that may be covered by the Endangered Species Act (ESA). We have taken care to ensure that this item meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA. It is the bidder’s responsibility to ensure that it is lawful to purchase or transport this item into their state, and to obtain the necessary import and export approvals. Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item and consummating the purchase. CONDITION: Fine overall, there are a few glued hairlines unaffecting aesthetics, mellow ivory patina. Blade retains much of its original polish, bright/gray overall patina. 50711-3 IVORY (7,000-8,000) – Lot 3550

3551
$711.00

LOT OF FIVE SNUFF BOTTLES ALONG WITH SIX SILVER CORDIALS.

Qing Dynasty, China. Each snuff bottle hand painted in underglaze blue together with a Malachite example having relief carved vines with attached gourd. Also including is a set of six silver cordials decorated with dragons in relief, signed by Wang Hing. SIZE: Bottles between 2″ and 3″ without stoppers. Each cordial 1-1/2″ t, approximately 5.75 troy oz. CONDITION: Bottle with characters having cracks to the lip. Minor denting to the cordials. 50786-2 (600-800) – Lot 3551

3552
$1,481.25

LOT OF FIVE CLOISONNE SNUFF BOTTLES.

Early 20th century, China. The bottles of flask and cylindrical form each decorated in colorful enamels accented with gilt. All with original domed stopper still retaining the spoon. SIZE: Between 2-1/5″ and 3″ h. CONDITION: Overall very good. 50438-6 (1,500-2,500) – Lot 3552

3553
$1,066.50

LOT OF TEN SNUFF BOTTLES.

20th century, China. Lot comprising of 10 snuff bottles in various form. Materials include, jade, porcelain, agate and crystal. With fitted box. SIZE: Tallest 2-1/2″ h without stopper, smallest 2″ h. CONDITION: Overall very good, some scattered small nicks along rims. 50342-13 (800-1,200) – Lot 3553

3554
$355.50

CARVED JADEITE SNUFF BOTTLE.

20th century, China. The bottle carved from an off white stone with lavender and green highlights, and stands on flatted foot. Comes with Malachite stopper. SIZE: 2-1/2″ h without stopper. CONDITION: Very good. 50389-9 (600-800) – Lot 3554

3555
$829.50

PAIR OF SPINACH GREEN JADEITE COVERED VASES.

20th century, China. Each vase carved with bands around the body decorated in an archaic style, flanked by leaves hanging down from rim and climbing from a slightly splayed foot. Mask and ring form handles accenting shoulder and bird form finials atop the dome shaped covers. SIZE: 11-1/2″ h. CONDITION: Small nip to rim of one vase. One bird form final with small loss to edge of wing. 50389-11 (1,500-2,000) – Lot 3555

3556
$474.00

CARVED AMETHYST COVERED VASE.

20th century, China. The vase carved in flattened form with archaic masks accenting body and lion head and ring handles at shoulders. Comes with original fitted cover mounted by foo lion finial and fitted wood stand. SIZE: 11″ t on stand. CONDITION: Some rough spots at edges. 50739-1 (600-800) – Lot 3556

3557
$414.75

CARVED JADE STATUE OF STANDING FIGURE.

20th century, China. The statue in the form of a woman wearing a flowing robe and holding a bottle to her side. Stone of a celadon color with russet highlights. Glued down on wood stand. SIZE: 9-3/4″ h in stand. CONDITION: Very good. 50389-5 (400-600) – Lot 3557

3558
$0.00

YIXING LINED PEWTER TEAPOT.

Early 20th century, China. Pewter pot in leaf form decorated with incised landscape on one side and a poem on the reverse. Jade applied to handle and spout. Yixing pottery lining the interior with signature. Poem is discussing the smell of the leaves playfully floating. SIZE: 6-1/2″ l. CONDITION: Denting to exterior, bend to handle, cracks to Yixing liner. 50438-10 (800-1,000) – Lot 3558

3559
$0.00

CARVED JADE COVERED VASE.

20th century, China. Vase made in four sided form decorated with shallow relief carved archaic masks, tapering to a narrow neck holding original cover with foo lion finial. Carved open work handles accenting the shoulders and stands on a splayed foot. Comes with fitted stand. SIZE: 8″ t without stand. CONDITION: Small nick at edge of cover. 50265-1 (6,000-8,000) – Lot 3559

3560
$6,517.50

CARVED JADE BOULDER WITH RIDER.

20th century, China. The boulder of a celedon color with russet highlights is carved with a scene of rider on horseback along the edge of a cliff. Artist seal on reverse. Comes with fitted wood stand. SIZE: Height of Jade 5-1/2″. CONDITION: Very good. 50453-4 (6,000-8,000) – Lot 3560

3561
$0.00

LARGE INLAID WALL PANEL.

Early 20th century, China. The panel inlaid with various hard stone including five jade examples depicting figures in a large landscape. Housed in a red lacquered frame. SIZE: 47-1/2″ x 39″. CONDITION: Scattered losses to the hard stone. Small section of loss to red lacquer along bottom edge. 50302-1 (6,000-7,000) – Lot 3561

3561A
$0.00
Revised: 8/5/2016

Please Note: Date should read Late 19th/20th Century.

FINELY CARVED ALOESWOOD SCEPTER.

Early 20th century, China. The shaft encircled by small branches holding peach with an elder standing amongst stylized clouds. The head of the scepter carved with openwork displaying a large peach in the center held by leafy branches. Accompanied by fitted brocade box. SIZE: 14″ l. CONDITION: Overall very good with some natural blemishes to the surface. 50342-25 (10,000-15,000) – Lot 3561A

3561B
$4,740.00

CARVED JADE RUYI SCEPTER.

Qing Dynasty, China. The scepter in serpentine form is carved from a pale celadon stone with shallow relief design. The head of the scepter carved with a elephant surrounded with clouds, and the handle displaying a vase with flowers along with bats in flight. Accompanied by an appraisal executed in 1991 indicating the gold band is 14k and the owner has estimated it’s weight at 1oz. SIZE: 17-1/2″ l. CONDITION: Very good. 50438-2 (4,000-6,000) – Lot 3561B

3562
$1,066.50
Revised: 8/9/2016

Please Note: Pendant has crack and possible repair.

LOT OF PORCELAIN AND ACCESSORIES.

Late 19th century, China and Tibet. The planter in a flared four sided form standing on bracketed feet with inverted top rim. The exterior painted with scenes of figures and deer separated by groups of writing. Comes with a Tibetan silver pouch and tassel in the form of a basket and flowers. Also included is a carved shou form pendant, now fitted to a bracelet. SIZE: Planter 7-1/2″ w x 6-1/4″ h. Pouch 7-1/2″ l. CONDITION: Planter with pitting to the glaze. Deterioration to leather on pouch. 50270-16 (250-350) – Lot 3562

3563
$533.25

OCTAGONAL BLUE AND WHITE PORCELAIN JAR.

19th century, China. Each section hand painted in underglaze blue with matching lines of characters beneath bands of waves and clouds accenting the rim. Stands on a wide hand cut foot. SIZE: 19-1/4″ h. CONDITION: Areas of glaze loss around rim, scattered scratching to glaze. Underside with restoration and associated over-painting. 50270-32 (300-400) – Lot 3563

3563A
$1,303.50

BLUE AND WHITE PORCELAIN DOUBLE WALL TEAPOT.

17th/18th century, China. The unusual pot with double wall design displaying an intricate honeycomb openwork around the exterior. Stands on hand cut foot and has silver spout. SIZE: 5-1/4″ h to top of handle. CONDITION: Handle and spout later replacements. Glaze loss around finial and top rim. Chip to top rim. 50915-1 (1,000-1,500) – Lot 3563A

3564
$1,896.00

SET OF FOUR BLUE AND WHITE PLATES.

Ming Dynasty, China. Each decorated in the center with framed panel containing numerous wan symbols surrounded by a band of flowery vines. The undersides with 6-character Chenghua marks in underglaze blue. SIZE: 8-1/2″ w. CONDITION: Glaze loss and shallow chips around rims. 50879-1 (800-1,200) – Lot 3564

3565
$0.00

LARGE CELADON GLAZED VASE.

China, 20th century. The vase with squat form body and tall cylindrical neck. The base of the neck with carved design of vines and greek key just below the rim. Elephant form handles applied to the neck all finished under a light celadon glaze. An apocryphal Qianlong seal neatly written on the underside. SIZE: 21-3/4″ h. CONDITION: Very good. 50296-1 (1,000-1,500) – Lot 3565

3566
$1,185.00

FAMILLE VERTE FOUR SIDED VASE MOUNTED AS LAMP.

19th century, China. The vase hand painted with four large panels depicting figures engaged in various activities including the harvesting of rice and another with an elder and a child along the water’s edge. SIZE: 30″ h overall. Porcelain 17″ h. CONDITION: Appears very good, drilled. 50567-62 (800-1,000) – Lot 3566

3567
$1,185.00

FAMILLE ROSE PORCELAIN UMBRELLA STAND.

19th century, China. Molded in a tall cylindrical form, the body decorated with two large bands containing various precious objects and animals. Stands on a raised foot with the underside being unglazed. SIZE: 29″ h. CONDITION: Chipping around top rim. 50892-1 (2,000-2,500) – Lot 3567

3568
$0.00

PAIR OF BLUE AND WHITE PORCELAIN PEDESTAL SEATS.

19th century, China. Each seat made in pedestal form hand painted in underglaze blue with waterfront scenes containing birds and blossoming lotus. The top rims accented with ruyi and a band of lappets encircling the foot. SIZE: 21″ h. CONDITION: Areas of glaze loss around the rims. 50265-2 (4,000-6,000) – Lot 3568

3569
$0.00

IMPORTANT PAIR OF FINE POLYCHROME DECORATED PHOENIXES.

Qing Dynasty, China. Each pottery bird posed on rockwork in opposing directions with rich and vibrant coloration. SIZE: 19-1/2″ h. CONDITION: Very good. Small flake underside of one. 38024-1 (6,000-9,000) – Lot 3569

3570
$38,512.50

BRONZE SCULPTURE BY LI CHEN (B. 1963).

20th century, China. Sculpture depicting a standing figure in ceremonial pose with palms touched together and eyes closed. Impressed artist seal on reverse of base and dated 1998. Also signed in script at base of robe “Li Chen 7/8”. SIZE: 23-1/2″ h. CONDITION: Very good, one very small flake to the finish at top of right foot. 50270-33 (2,000-3,000) – Lot 3570

3571
$8,887.50

CARVED BAMBOO BRUSH POT.

China. The pot intricately carved with continuous landscape depicting figures and animals walking along a path with mountainous terrain in the background. Signed on reverse. SIZE: 6-1/3″ h. CONDITION: Minor age splits to bamboo. 50453-1 (8,000-10,000) – Lot 3571

3572
$3,851.25

GILT SPLASHED BRONZE FOOTED CENSER.

Qing Dynasty, China. The censer with rounded body stands on three tapered legs accented with ruyi and applied accents at the shoulder. The body with dark patina highlighted with splashes of gilt. Marked on underside with a six character Xuande mark. Comes with carved wood cover. SIZE: 6-1/2″ w across body. CONDITION: Tarnishing to surface, crack in wood cover, loss to finial. 50438-7 (2,000-2,500) – Lot 3572

3573
$0.00

IMPRESSIVE CLOISONNE FOOTED CENSER.

Early 20th century, China. The body of the censer decorated with archaic Taoists masks on a teal enameled ground. Stands on three tapered legs and loop handles applied at the rim. SIZE: 20-1/4″ h x 17-1/2″ w. CONDITION: Restoration to the top of one leg, scattered areas of pitting to enamel, slight dents at the top rim. 50438-9 (3,000-4,000) – Lot 3573

3574
$6,517.50

PAIR OF CLOISONNE COVERED BOWLS.

18th century, China. Bowls made in lotus form having flattened rim and dome cover. Decorated with stylized dragons on turquoise enamel ground. Interior finished in gilt wash and underside with meandering vines and blossoms. SIZE: 6″ dia. CONDITION: Good with minor losses to enamel at edges and typical pitting consistent with age. 50438-4 (6,000-8,000) – Lot 3574

3575
$26,662.50

CLOISONNE BASIN.

Ming Dynasty, China. The flattened interior decorated with a scene of a nobleman and two attendants in a landscape surrounded by a band of lotus scroll and dragons ending at flat everted rim. Entire underside with vines and lotus blossom done on a turquoise enameled ground. Note: Figure depiction in cloisonne such as this is very hard to find. SIZE: 15-1/2″ dia x 2-3/4″ h. CONDITION: Overall very good, wear consistent with age, few small spots on underside of filled enamel. 50438-5 (6,000-8,000) – Lot 3575

3576
$0.00

AFTER ZHAO MENGFU, IMPERIAL HORSE SCROLL.

Ink and color on paper. SIZE: 41″ x 19-1/2″. CONDITION: Hard horizontal creases. Areas of restoration and overpainting. 50309-1 (1,500-2,000) – Lot 3576

3577
$711.00

SIGNED ZHANG DAQIAN (Chinese, 1899-1983) SCHOLAR WITH INKSTONE.

20th century, China. Executed with watercolor on paper, the painting depicts an elderly scholar holding an ink stone in his hand while wearing a loose fitting robe. Group of script in the upper right. SIZE: Scroll 85″ h x 22″ w. Image 43″ h x 16″ w. CONDITION: Minor staining. 50342-17 (600-800) – Lot 3577

3578
$711.00

SIGNED ZHANG DAQIAN (Chinese, 1899-1983) SCHOLAR WITH INKSTONE.

20th century, China. Depicts an elderly scholar with hand raised holding a bowl in front. Group of script above. SIZE: Scroll 80″ h x 22″ w. Image 42-1/2″ h x 16″ w. CONDITION: Small spots of staining. 50342-18 (600-800) – Lot 3578

3579
$1,007.25

INK & COLOR ON PAPER DEPICTING A GARDENER.

Qing Dynasty Period. Ink and color on paper, vertical scroll. The painting depicts a smiling elderly gardener, wearing work clothes and straw hat, leaning on top of shoulder pole and flower baskets filled with chrysanthemum flower blossom. Colophon, artist signature “Mang Jingyou” and mark on the top left. SIZE: 39″ l x 14-1/2″ w. CONDITION: Old creases and areas of restoration. Some dirtying of image. 50654-8 (800-1,200) – Lot 3579

3580
$0.00

CHINESE HANDSCROLL PAINTING.

20th century, China. The scroll containing a watercolor on paper depicting a vast landscape of mountainous terrain with large seals along right margin, single line of script along left edge. SIZE: 190″ l x 10-1/2″ w. CONDITION: Some toning and light staining to the image. 50342-15 (1,200-1,800) – Lot 3580

3581
$237.00

FOUR PIECE LOT OF PORCELAIN.

Qing Dynasty, China. Lot made up of two blue and white kidney form dishes in the Canton pattern; four sided blue and white porcelain teapot; and famille rose wall pocket decorated with a scene of figures in a landscape and a small group of writing. SIZE: Dishes: 10-1/2″ w. Teapot: 5-1/4″ w. Wall pocket: 10-3/4″ h. CONDITION: Glaze loss and chips to both dishes. Teapot with areas of glaze loss and minor chips around edges. Wall pocket very good. 50879-2 (300-500) – Lot 3581

3582
$0.00

BRONZE FORM YIXING TRIPOD CENSER.

20th century, China. Archaistic form with a band of confronting fdragons on the shoulder. The base with four character Qianlong mark. SIZE: 6-1/2″ dia. CONDITION: Good. 50307-1 (600-800) – Lot 3582

3583
$0.00

LOT OF PORCELAINS.

Qing Dynasty, China. Lot comprised of three plates, four bowls, two water pots and a pair of footed wood stands. SIZE: Largest plate 9″ dia, smallest 7-1/2″ dia. Largest bowl 7″ dia, Smallest 5″ dia. Water pots 2-1/4″ h and 1-1/4″ h. CONDITION: Scattered chips, largest bowl with cracks to body. 50283-6 (800-1,200) – Lot 3583

3584
$0.00

HU FORM PORCELAIN VASE.

20th century, China. Vase made in Hu form and finished with a Ge-type glaze stopping cleanly just above the foot rim and continuing throughout the interior. SIZE: 4-3/4″ h. CONDITION: Very good. 50342-9 (800-1,200) – Lot 3584

3585
$414.75

CELADON GLAZED HU VASE.

Early 20th century, China. The vase in hu form stands on a tall splayed foot and accented at the shoulders with mask and ring handles. The entire exterior finished in a light celadon glaze which continues down the interior of the neck. Stands on a rounded foot with the underside bearing a Yongzheng seal in underglaze blue. Accompanied by wood stand. SIZE: 10-3/4″ h. CONDITION: Very good. 50739-3 (400-600) – Lot 3585

3586
$948.00

ROSE MEDALLION PUNCH BOWL.

19th century, China. The bowl hand painted in famille rose enamels with alternating reserves of figures in a courtyard flanked by scenes of birds upon blossoming branches. SIZE: 16″ w. CONDITION: Very good. 50797-3 (800-1,000) – Lot 3586

3587
$948.00

LARGE CHINESE EXPORT PORCELAIN PLATTER.

19th century, China. Decorated with a large hand painted scene of figures engaged in various activities surrounded by a gilt ground border accented with Famille Rose. The top of the border with a monogram done in gilt. SIZE: 16-3/4″ w. CONDITION: Very good. 50773-6 (400-600) – Lot 3587

3588
$2,370.00

IMPORTANT LOT OF THREE CHINESE EXPORT ARMORIAL TUREENS WITH UNDERPLATES.

Late 18th century, Chinese. Each piece having a family crest with split red field in shield shape having 3 lions on each side surmounted by a clinched fist holding a wreath below which has a banner “‘NOBILIS.EST.IRA.LEONIS” (The Lion’s Anger is Noble). This crest is believed to belong to the Clan Stuart of Bute. The other decoration of each piece includes sprays of flowers in a chain-like border. The handles are red boar’s heads and each having decorative finials. The lot consists of a large covered tureen with underplate and two smaller covered sauce tureens with underplates. SIZE: Large tureen is 13-1/2″ dia. (with handles) 8-1/2″ w x 8-1/2″ h with cover. Small tureens are 7-1/2″ l x 4-1/2″ w x 4-1/4″ h. Large underliner is 16-1/2 w x 13″ l. Smaller underliners are 7-3/4″w x 5-1/2″ l. PROVENANCE: Private Maine/Texas Collector. CONDITION: Restored with some visible hairline cracks. 50012-138 (2,000-4,000) – Lot 3588

3589
$592.50

LARGE LOT OF CHINESE EXPORT PORCELAIN.

18th/19th century, China. Lot comprising of nine plates, two large handled pitchers, five cream jugs, sauce boat and two tea caddies. SIZE: Largest plate 11″ dia, smallest 8-1/4″ dia. Tallest handled pitcher 7-3/4″ h. Tallest cream jug 5-3/4″ h, shortest 4-3/4″ h. Tallest tea caddie 4-3/4″ h. Sauce boat 8″ l. CONDITION: Chips, cracks, repairs. 50283-5 (800-1,200) – Lot 3589

3590
$948.00

PAIR OF BLUE AND WHITE PORCELAIN JARS.

Late Qing Dynasty, China. Each jar hand painted in under glaze blue with matching scenes of two women and children in a courtyard on an oatmeal glazed ground. SIZE: 10-1/2″ h. With wood stands. CONDITION: One jar with re-stuck section of rim, second jar with two cracks extending from top rim, one cover with repair at rim. 50701-3 (1,200-1,800) – Lot 3590

3591
$0.00

WHITE GLASS BRUSH POT.

China, Qing Dynasty. The pot molded in cylindrical form from an off white colored glass giving the appearance of carved nephrite. Stands on a slightly raised flattened foot and is well polished. SIZE: 5-1/2″ h. CONDITION: Small nips around the top rim. Scuffing to foot. 50897-1 (1,000-1,500) – Lot 3591

3592
$0.00

PEKING GLASS BOWL.

China. The bowl molded from a honey amber glass in lobed quatrefoil form. Stands on a raised foot and has flared top rim. SIZE: 9-1/4″ l. CONDITION: A couple shallow nips on the rim. 50897-4 (2,000-2,500) – Lot 3592

3593
$0.00

PEKING GLASS CUT OVERLAY BOWL.

20th century, China. The bowl molded in lobed form having a flared top rim and recessed foot. The exterior with carved ruby glass design of various blossoming flowers on a white ground. SIZE: 8-1/2″ w. CONDITION: Very good. 50897-3 (2,500-3,000) – Lot 3593

3594
$0.00

CUT OVERLAY GLASS DOUBLE GOURD BOTTLE.

China. The milk colored base molded in double gourd form decorated with turquoise cut overlay design of birds flying amongst blossoming lotus. SIZE: 9″ h. CONDITION: Some scattered rough spots to the applied turquoise glass. 50897-2 (1,500-2,000) – Lot 3594

3595
$592.50

LARGE PAIR OF FRAMED EMBROIDERIES.

Meiji Period, Japan. Each embroidery depicting a family of monkeys in a landscape with wisteria hanging overhead. Framed under glass. SIZE: 73-1/2″ h x 31″ w. CONDITION: Minor fraying in silk base. 50782-8 (1,500-2,000) – Lot 3595

3596
$2,962.50

PAIR OF SATSUMA HANDLED BOWLS WITH STERLING MOUNTS.

Meiji Period, Japan. Made in the form of footed stems, the bowls hand painted with iris flowers around the outside and colorful various flowers along inside rim with butterflies accenting the interior. The bases made of sterling silver with relief iris encircling the foot. SIZE: 4-3/4″ h. CONDITION: Very good. 50854-1 (1,200-1,500) – Lot 3596

3597
$1,066.50

BRONZE SCULPTURE OF ROARING TIGER.

Early 20th century, Japan. The well cast sculpture depicting a muscular tiger in a walking pose with head turned to the left and mouth open showing teeth. Signed on the underside. Comes with associated stand (does not sit properly). SIZE: Tiger: 21-3/4″ l. CONDITION: Very good. 50262-9 (600-800) – Lot 3597

3598
$2,844.00

BRONZE SCULPTURE OF AN EAGLE.

Meiji Period, Japan. The sculpture depicting an eagle with fierce expression and talons grasping to a rockery with crashing waves below. SIZE: 27-1/2″ h. CONDITION: Overall very good. Wings and tail removable. Remains of solder and adhesive at base of tail. 50810-8 (4,000-6,000) – Lot 3598

3599
$0.00

ASHINAGA-JIN CARVED FIGURE.

Late 19th/ early 20th century Japan. Meaning: “long legged country.” A fisherman in Japanese folklore. The carved hardwood figure with articulated tongue depicted standing on rockwork. SIZE: 10-3/4″ h. CONDITION: Very good with original surfaces, bone staff re-attached. 50272-1 (500-700) – Lot 3599

3600
$1,185.00

BRONZE STATUE OF STANDING BUDDHA.

19th century, Burma. The deity depicted in a standing pose with open robe and hand raised in the mudra. Her bare feet resting upon a wood plinth. SIZE: 25-1/4″ t. CONDITION: Overall good. Fissure in bronze at top of one leg. Overall wear to the surface. 50609-3 (2,000-3,000) – Lot 3600

3601
$0.00

LOT OF SIX BRONZE STATUES OF VARIOUS FORM.

20th century and earlier, Asia. Lot comprising of various deities in both standing and seated pose. SIZE: Tallest 19″ h on stand, smallest 4-1/4″ h. CONDITION: Overall very good, with scattered wear and tarnish to finish. 50435-1 (3,000-3,500) – Lot 3601

3602
$2,370.00

GILT BRONZE STATUE OF JAMBHALA.

19th/20th century, Tibet. Deity shown in seated pose with legs crossed and serpent around his neck. Rests on double lotus base, all finished in gilt. SIZE: 6-1/2″ h. CONDITION: Very good with minor loss to finish. 50739-2 (1,500-2,500) – Lot 3602

3603
$15,997.50

BRONZE STATUE OF A SEATED FIGURE.

20th century, China. The elder figure depicted in a seated position with legs crossed with hands resting upon the knees. The face with serene expression finished in gilt and red pigment applied to the lips. SIZE: 16″ h. CONDITION: Overall good. Tarnishing to the finish. Wear to the applied gilt and pigment. Baseplate is a wood replacement. 50342-28 (12,000-15,000) – Lot 3603

3604
$0.00

LARGE PAIR OF CARVED WOOD GUARDIAN STATUES.

Early 20th century, Asia. Each statue depicted in an aggressive pose wearing loose fitting clothing and standing on carved bases. SIZE: 43″ h. CONDITION: Scattered splits in the wood, one with repair to clothing, areas of surface sanded and re-stained. 50782-2 (1,500-2,000) – Lot 3604

3605
$296.25

LOT OF FOUR CARVED CRYSTAL THUMB RINGS.

20th century, China. The rings carved with both rounded and flattened walls each containing various inclusions and colors. SIZE: Between 1-1/4″ and 1-1/2″ w. CONDITION: Very good. 50342-33 (200-400) – Lot 3605

3606
$118.50

LOT OF FIVE CARVED STONE SEALS.

20th century, China. The seals carved in various form including four with animals perched atop. Most carved with both landscapes and writing around the body. SIZE: Tallest: 3-3/4″ h. Smallest: 2-1/4″ h. CONDITION: Some small rough spots at the corners. 50803-7 (400-600) – Lot 3606

3607
$1,303.50

LOT OF APPLE GREEN JEWELRY.

20th century, China. The lot comprised of two glass bangles, a pair of jadeite flower form earrings accented with diamonds, carved jadeite pendant mounted on a silver necklace, and a glass bead necklace with carved coral pendant. SIZE: Bangles 3″ and 3-1/4″ dia. Earrings 1-1/2″ dia. Glass bead necklace 28″ l. Silver necklace pendant 2″ dia. CONDITION: Overall very good. 50270-45 (300-500) – Lot 3607

3608
$355.50

22 AND 18 KT GOLD RING WITH OPAL.

20th century, China. The ring with a lustrous opal cabochon set in 18kt and 22kt gold with band. SIZE: Top of ring: 1″ across. Ring size: 7-1/2 Total weight: 9.6 dwt. CONDITION: Very good. 50842-8 (800-1,200) – Lot 3608

3609
$2,962.50

LOT OF JADEITE AND OTHER JEWELRY.

20th century, China. The lot consisting of a icy jadeite bangle, pair of 14k gold & jadeite earrings having 10 small diamond in each (unmarked), 18k yellow gold and jadeite ring, along with two necklaces including an amber example and three 16″ strands of coral beads. SIZE: Bangle 3″ dia. Garnet 16″. Amber 20″. Ring: 6.25 CONDITION: Very good. 50814-2 (1,500-2,000) – Lot 3609

3610
$2,133.00

EMERALD GREEN JADE PENDANT.

20th century, China. The pendant carved in the form of a peapod polished to a lustrous finish mounted with a 14k white gold and diamond bail. Accompanied by Stone Group Laboratories Gemstone Identification & Origin report indicating the stone as natural in color with no treatment SIZE: 1″ l. CONDITION: Very good. 50814-1 (2,000-3,000) – Lot 3610

3611
$31,995.00

CARVED JADE SHALLOW BOWL.

Qing Dynasty, China. The shallow bowl with rounded walls and lobed design. A shallow relief scene of blossoming flowers in the center along with precious objects on display around the exterior. The stone of a pale celadon color. With box. SIZE: 6-1/4″ dia. CONDITION: Natural fissure running through center of dish. 50453-5 (4,000-6,000) – Lot 3611

3612
$3,851.25

PAIR OF CARVED JADEITE STATUES.

Early 20th century, China. The pair with mirrored images of women holding a peach with lingzhi growing from rockery at her side. With fitted wood stands. SIZE: 7-1/2″ h with stand. CONDITION: One statue with rough spot to tip of one branch. 50389-1 (1,000-1,500) – Lot 3612

3613
$1,007.25

PAIR OF CLOISONNE VASES WITH COCKERELS.

19th century, Japan. Each vase decorated with scenes of cockerel standing in a flowery landscape with stylized clouds and birds overhead. All the wires finished in gilt beneath the squared off top rims. SIZE: Each stand 10″ t. CONDITION: Very good. Minor pitting to the enamel. 50561-4 (800-1,200) – Lot 3613

3614
$592.50

CLOISONNE VASE BY KAWADE SHIBATARO.

Meiji Period, Japan. The vase in ovoid form with very unusual enameled glaze along with colorful butterflies in flight. Marked on the underside. SIZE: 6″ h. CONDITION: Large bruise on back with corresponding enamel loss, second dent with enamel loss to front of vase. 50561-2 (1,800-2,200) – Lot 3614

3615
$0.00

SILVERED COPPER VASE WITH APPLIED ENAMEL.

Early 20th century, Japan. The unusual vase with globular body tapering at the shoulder to an inverted neck with large flaring rim. Crescent moon and ring handles applied at the shoulder with the body displaying a colorful band of flowers done in raised enamel. Signed on the underside. SIZE: 14-1/2″ h. CONDITION: Very good, one small spot of enamel loss to interior neck. 50561-7 (1,800-2,400) – Lot 3615

3616
$829.50

TWO CLOISONNE VASES ALONG WITH AN OVAL TRAY.

Meiji Period, Japan. 1) Large vase decorated with blossoming flowers on a sky blue enamel ground. Signed Teitaro on underside. 2) Vase with lobed body decorated with dragons, birds, and decorative roundels. 3) Oval platter with a scene of a butterfly flying amongst blossoming flowers. Surrounded by intricate bands of various design accenting the rim. SIZE: 1) 18-1/2″ h. 2) 10-1/2″ h. 3) 12-1/2″ w. CONDITION: 1) Bruise to back with corresponding cracks in enamel, stress lines, chipping to enamel around foot. 2) Restoration to body. Metal bands applied over top and bottom rim. 3) Very good. 50561-9 (1,500-2,000) – Lot 3616

3617
$948.00

CLOISONNE MOON FLASK VASE.

Early 20th century, Japan. The large vase made in moon flask form decorated with a landscape showing a building at the edge of cliff with rainbow overhead and a scene of a Samurai riding on horseback on reverse. SIZE: 11-3/4″ h. CONDITION: Restoration to top half of one side. 50561-1 (1,000-1,500) – Lot 3617

3618
$1,066.50

FIVE CLOISONNE VASES.

Lot includes: Four Cloisonne work vases with decorations of birds and flowers. Late 19th century, Japan. One Meiji Period (1868-1912), Japanese vase with decoration of cherry blossoms on alternate striped black and yellow ground. Da Ming mark on base. NOTE: Hand written letter accompanying this vase pertaining to provenance. SPECIAL NOTE: This lot is being sold to benefit the St. Jude’s Children’s Hospital. SIZE: Tallest: 9-3/4″ t. CONDITION: Very good, with one vase having a hairline crack and other vases with chips. 50267-1 (300-500) – Lot 3618

3619
$2,192.25

BASSE TAILLE CLOISONNE VASE.

Meiji Period, Japan. The silver body with chased design of a dragon in flight with open mouth surrounded by flames. All done on a green and peach stippled ground. Signed on the underside. SIZE: 9-1/2″ h. CONDITION: Very good. 50561-3 (800-1,200) – Lot 3619

3620
$592.50

PAIR OF CLOISONNE VASES ALONG WITH CASED PRODUCTION SET.

Meiji Period, Japan. 1) Pair of vases made in slender form with delicate scenes of grasses, flowers, and a single bird done on navy blue ground. Each with silver rims and marked on “silver” underside. 2) Unusual set of cloisonne vases showing various stages of production. With display case. SIZE: 1) 7-1/4″ h. 2) Vases 2-1/4″ h. CONDITION: 1) 1 vase with restoration to body. 2) Scattered losses to applied silver and enamel. 50561-11 (1,500-2,500) – Lot 3620

3621
$2,488.50

POLYCHROMED LIMESTONE SEATED FIGURE OF GUANYIN.

Qing Dynasty, China. Seated in royal ease with flowing robes, her left arm resting on a book. Large wood stand. SIZE: 39″ h x 22″ w. CONDITION: Remnants of polychrome throughout. Head reattached. Overall wear along the edges. 50270-59 (3,000-5,000) – Lot 3621

3622
$1,481.25

CARVED STONE STATUE OF SEATED FIGURE.

Possibly Ming Dynasty, China. The statue depicts a seated figure with serene expression wearing a loose fitting robe. One hand rested upon a knee with the other holding a small animal. Group of script on reverse. SIZE: 30-3/4″ t. CONDITION: Overall very good, wear to surface, chip to one corner. 50262-3 (1,200-1,800) – Lot 3622

3623
$0.00

GILT BRONZE COVERED CENSER.

20th century, China. Censer made in the form of standing duck with open mouth and one foot raised. Shown standing on lotus base having incised four character mark. SIZE: 7″ t. CONDITION: Very good. 50342-5 (2,500-3,000) – Lot 3623

3624
$592.50

LOT OF FOUR GLAZED STORAGE JARS.

1) Two large Henan black glazed jars. Song to Ming Dynasty, China. Both with a rich black glaze and russet brown splashes. The smaller with a round cover. 2) Large ceramic glazed amphora. Tang Dynasty, China. Black glazed with large creamy phosphatic splashes on the shoulder. 3) Large Cizhou storage jar. Ming Dynasty, China. The exterior of the body painted with stylized florals and birds. SIZE: 1) Taller: 18-1/2″ h. 2) 28″ h. 3) 22-1/2″ h. CONDITION: 1) Good. 2) Good. 3) Surface worn. Drill hole to body filled and painted in. Old chip to rim. 50270-48, 50270-49, 50270-50, (1,500-2,000) – Lot 3624

3625
$948.00

LARGE LOT OF POTTERY STATUES WITH CARVED WOOD DOG.

20th century and earlier, China. The lot comprised of two riders on horseback, a standing dog, a camel, a recumbent horse, a pottery statue of a standing figure, and two glazed examples. Lot comes along with a carved wood statue of a seated dog with broad shoulders and smiling face. SIZE: Tallest figure 22″ h, recumbent horse 15-1/2″ l, wood dog 16-1/2″ t. CONDITION: Scattered losses to the pottery and wear to the applied pigments. Glazed figure with green robe has breaks and repairs. Seated dog with splits to the wood and loss to surface. 50494-44 (1,500-2,000) – Lot 3625

3626
$1,481.25

SET OF TWELVE GLAZED POTTERY ZODIAC FIGURES.

Ming Dynasty, China. The set representing each animal from the Chinese calendar. All glazed in green and egg yolk yellow, over painted with iron red and black pigment. SIZE: Between 8″ and 8-1/2″ t. CONDITION: Overall very good, expected wear to paint, few small losses. 50270-40 (2,000-3,000) – Lot 3626

3627
$3,851.25
Revised: 8/22/2016

Please Note: There are no images showing this tapestry in a Victorian home that will accompany this lot. The date should be 19th/20th Century.

LARGE SILK KESI EMBROIDERY OF HERONS AND DEITIES.

China, late 19th century or earlier. The large silk kesi embroidered with the heron and deities in ocean setting motif, woven partially with golden thread, scrolled onto a decorated bronze horizontal bar. Lot is accompanied by images of the tapestry hanging in a magnificent ancestral Victorian home taken in 1897. SIZE: 88″ l x 59-1/4″ w CONDITION: Age related wear, loss of lining, and discoloration, a small amount of pulling has occurred at the top of the embroidery resulting in circles of metallic thread uncoiling. 50660-1 (1,200-1,800) – Lot 3627

3628
$414.75

SILK EMBROIDERED ROBE.

Republic Period, China. The robe decorated with birds and butterflies above stylized waves done in various colors all on cream colored ground. SIZE: 43″ h. CONDITION: Staining, losses, and frayed threading. 50751-3 (600-800) – Lot 3628

3629
$1,540.50

PAIR OF PEKING ENAMEL KU FORM VASES.

19th century, China. Each vase of slender form, with hand painted vines, flowers, and bats, on mazarin blue ground. SIZE: 12-1/4″ h. Now fitted as lamps. CONDITION: Overall very good, scattered stress lines in enamel along with loss to enamel at edge of one foot. 50270-6 (300-400) – Lot 3629

3630
$1,185.00

TIBETAN THANGKA.

The Thangka depicts a Deity seated in dhyanasana in the center, in front of a palace, surrounded by smaller deities. SIZE: 49″ h x 37″ l. CONDITION: Very light creasing, good colors. Slight dirtying to image. 50654-10 (800-1,000) – Lot 3630

3630A
$29.63

CELADON PEKING GLASS VASE.

19th century, China. Peking glass vase of celadon green color with bulbous form. Vase is highly polished. SIZE: 12″ t. CONDITION: Base has been ground, otherwise very good. 44568-11 (50-100) – Lot 3630A

3631
$1,896.00

LARGE LOT OF BLUE AND WHITE PORCELAIN.

19th and 20th century, China. Lot comprised of blue and white porcelain done in the Canton and Nanking pattern. Included are plates, platters, cups, saucers, creamers, and serving pieces. Also included is blue and white porcelain bowl hand painted in under glaze blue with lotus and scrolling around exterior as well as a Rose Medallion leaf form dish. SIZE: Lotus bowl 10-1/2″ dia. CONDITION: Scattered chips, hairlines, and losses. Lotus bowl very good. 50466-1 (800-1,000) – Lot 3631

3632
$296.25

PAIR OF ROSE MEDALLION COVERED VEGETABLE DISHES.

19th century, China. Each dish hand painted with alternating reserves of figures in courtyard flanked by scenes of birds and butterflies amongst flowers. Both come with dome covers having pine cone finials finished in gilt. SIZE: Both 9-1/4″ w. CONDITION: 1 cover with small chip to edge. 50558-32 (300-500) – Lot 3632

3633
$296.25

FAMILLE ROSE KU VASE.

19th century, China. Vase made in Ku form, hand painted with panels of landscapes and birds amongst flowers. With wood stand. SIZE: 12-1/2″ t. CONDITION: Very good. 50773-5 (400-600) – Lot 3633

3634
$1,066.50

RUBY GLAZED PORCELAIN VASE.

Early 20th century, China. The vase made in ovoid form decorated with two panels depicting colorful landscapes on a ruby colored sgrafitto ground. The underside with a Qianlong seal in iron red on a teal colored glaze. SIZE: 8″ h. CONDITION: Very good. 50438-3 (600-800) – Lot 3634

3635
$3,851.25

FIVE PIECE ROSE MEDALLION GARNITURE SET.

19th century, China. The set comprised of three covered vases alternated by two vases in beaker form. Each hand painted with reserves of figures and the others with birds, butterflies, and flowers. SIZE: Beaker vase 12″ h. Covered vase 13″ h to top of finial. CONDITION: Beaker vases with small chips and glaze loss around rim. Covered vases, each rim and cover with shallow chips and glaze loss, one vase with hairline extending from rim. 50261-2 (1,200-1,800) – Lot 3635

3636
$0.00

ROSE MANDARIN CIDER JUG AND RETICULATED BASKET.

19th century, China. The jug beautifully painted with vibrant enamels depicting a group of figures standing in the courtyard. Comes with original dome cover having a recumbent foo lion finial finished in gilt. The basket having reticulated walls and flared top rim, painted with a group of women and two attendants. Comes with reticulated underplate. SIZE: Jug 9-3/4″ h. Basket and underplate 9-1/4″ l. CONDITION: Cider jug very good, couple small glaze pops on spout. Basket, very good. 50261-5 (1,200-1,800) – Lot 3636

3637
$17,775.00

EXTENSIVE CHINESE EXPORT ROSE MANDARIN DINNER SERVICE.

19th century, China. The impressive service all with bird-in-the-lantern border comprised of the following: three 11″ hot water plates; one 23″ fish platter; one 14″ covered hot water meat platter; one 14-1/2″ lozenge form footed platter; one 13-1/2″ covered tureen with underplate; one 12″ serving dish; one 11″ covered vegetable dish; one 9″ four sided covered serving dish; set of five nesting platters 15-1/2″ to 12-3/4″; one 7-3/4″ bowl; one 5″ handled cream jug; one 5″ covered sugar bowl; one 6-3/4″ snout nosed creamer; one 8″ covered sauce tureen with underplate; two 9″ shallow serving plates; one 6″ covered butter dish with underplate; one 10-1/2″ lozenge form dish; one 10-1/2″ kidney form dish; one 5-1/4″ strap handled mug; one 7″ covered oyster/chowder bowl; fourteen 10″ shallow bowls; sixteen 10″ plates; ten 8-1/2″ plates; ten 8″ plates; thirty-three 6″ saucers; twenty-four teacups; six 3-3/4″ covered pot de cremes; twelve 3-1/2″ butter pats; one 4″ mustard with lid. SIZE: As listed above. CONDITION: Overall very good. Some scattered small chips and hairlines. 50261-1 (17,500-22,500) – Lot 3637

3638
$3,555.00

CHINA TRADE PAINTING.

Early 19th century, China. Oil on canvas depicting three ladies in an outdoor garden along with small child and potted plants aligned on the wall in the background. Old label on reverse “Formerly the property of Miss Sophia Bull, sister of Kate, second wife of Alfred Richard Johnson b 1812 d 1884.” SIZE: Overall: 29-1/2″ x 24″. Sight: 23″ x 17-1/2″. CONDITION: Craquelure throughout. Small repairs and relined with scattered inpainting. 50904-4 (3,000-5,000) – Lot 3638

3639
$355.50

GROUP OF ART.

1) Japanese or Korean school, Tiger and Bamboo. 19th century or earlier. Ink on paper, unsigned. 2) Chinese school, Medicine Buddha. 19th century, China. Ink and color on paper. Provincial painting of the Buddha flanked by two Daoist immortals. 3) Chinese school, Portrait of an Official. Late Qing Dynasty, China. Ink and color on silk. Framed. 4) Style of Wang Yun (Chinese, 19th century) Mountain Landscape Scroll. Cyclically dated 1838 or 1898, China. Ink and color on silk. Depicting small houses among misty mountains. SIZE: 1) Sight: 29-1/2″ x 11-1/2″. 2) 63-1/2″ x 30″. 3) Sight: 52-1/2″ x 22-1/2″. 4) 39″ h x 14-1/2″ w. CONDITION: 1) Restored. Unexamined out of frame. 2) Large creases and areas of overpainting. 3) Good. 4) Some discoloration to silk. Small horizontal creases. 50270-46, 50270-51, 50270-61, 50270-73, (1,000-1,500) – Lot 3639

3640
$0.00

SCROLL PAINTING OF A LANDSCAPE.

20th century, China. Ink on silk depicting a vast landscape with various figures along the water’s edge. Numerous artist’s seals and framed by two groups of script. SIZE: 250″ l x 9-3/4″ w.. CONDITION: Very good. 50342-2 (1,500-2,000) – Lot 3640

3641
$1,125.75

SCROLL PAINTING.

20th century, China. The long hand scroll containing numerous images and groups of script done on both silk and paper. All signed by the artist. SIZE: 258″ l x 9-3/4″ w. CONDITION: Very good with light creasing. 50342-14 (1,000-1,500) – Lot 3641

3642
$1,777.50

LARGE LOOSE PAINTING IN HORIZONTAL FORMAT ATTRIBUTED TO HUANG JUNBI (1898-1991).

China, ink and colors on paper, finely depicting a lone recluse boating in a river and mountain scene, inscribed, dated summer of renxu year, signed “Baiyun Tang bashiwu sou Huang Junbi,” with two seals. SIZE: 28″ x 54″ CONDITION: Good condition. 50689-2 (3,000-5,000) – Lot 3642

3643
$2,014.50

AFTER QIAN SONGYUE (Chinese) NEW CITY IN THE MOUNTAINS, 1972.

20th century, China. The image depicting a vast landscape with buildings along the water’s edge and a dam in the foreground. Dated to June 1972 with artist seal in red. SIZE: Scroll 72″ l x 21-3/4″ w. Image 27″ l x 17-1/4″ w. CONDITION: Very good. 50342-23 (400-800) – Lot 3643

3644
$1,185.00

THREE SECTION FLOOR SCREEN.

Early 20th century, China. Each section with tall watercolors on silk depicting figures in a landscape. The reverse finished in black accented with various blossoming plants. SIZE: Each section 70″ t x 20-1/4″ w. CONDITION: Losses, stains, wear, to all three paintings. 50753-9 (2,000-3,000) – Lot 3644

3645
$0.00

FOUR OFFICIALS HAT CHAIRS.

Late 19th century, China. Elmwood yoke back chairs. SIZE: 46″ h, 20-1/2″ seat height. CONDITION: Repairs to back feet. Re-polished. 50614-1 (1,000-2,000) – Lot 3645

3645A
$711.00

CARVED EBONIZED WOOD WRITING DESK & CHAIR.

Japan Early 20th century. The two-part, two-drawer desk intricately carved with a crest depicting dragons encircling Mt. Fuji. Stands on four carved cabrio legs and has inlaid multi-petaled flowers adorning the doors. Comes with matching ebonized chair with the back rest also carved with a dragon encircled mountain above stylized clouds below. SIZE: Desk: 57-3/4″ at highest x 47″ at widest x 28-3/4″ d. Chair: 36-3/4″ h x 18″ w x 17″ seat h. CONDITION: Generally very good, shows use with minor scuff marks. One applied flower having small break. 50864-1 (1,000-1,500) – Lot 3645A

3646
$1,066.50

CARVED HORSESHOE BACK FOLDING ARM CHAIR.

20th century, China. The chair with slender horseshoe back propped on an open work backrest carved with stylized dragon and mythical creatures ending at a woven seat. The front rail with stylized dragons and footrest with metal mounts. SIZE: 42″ t x 28″ w. CONDITION: Tarnishing to metal mounts, scattered small splits in the wood. 50262-1 (800-1,200) – Lot 3646

3646A
$33,180.00

RARE CHINESE ZITAN CARVED CANOPY BED.

19th century, China. The soft matted sleeping platform within a rectangular, mitered frame, molded with a waisted apron and raised on corner legs of square section ending in hoof feet, the front, back and side railings in low relief dragon carvings, joined by six baluster form upright carved dragons posts, joined to five similarly carved dragon panels along the sides and surmounted by a carved dragon canopy. SIZE: 93″ h x 88-1/2″ l x 59″ w. PROVENANCE: Estate Collection from a renowned Taiwanese Diplomatic Family – Cai Wanjun (? – 2011), Xu Shaochang (1913–1999), and Ye Gongchao (1904 – 1981). CONDITION: Generally good with wear and some imperfections. 50654-4 (30,000-40,000) – Lot 3646A

3646B
$10,665.00

ZITAN RECESSED TRESTLE- LEG ALTAR TABLE, QIAOTOUAN.

Republic period, China. The table top set within the rectangular frame with everted ends above the narrow apron finely carved with stylized chi- long, all supported on columnar legs terminating in slightly outward-curved hoof feet and framing well-carved reticulated panels of chi-long surrounding Chinese “Shou” character amidst clouds. The Zitan wood of natural dark brown color and grain. SIZE: 33-7/8″ h x 61″ l x 18-7/8″ w. PROVENANCE: Estate Collection from a renowned Taiwanese Diplomatic Family – Cai Wanjun (? – 2011), Xu Shaochang (1913–1999), and Ye Gongchao (1904 – 1981). CONDITION: Good with slight age cracks. 50654-5 (10,000-15,000) – Lot 3646B

3646C
$16,590.00

SET OF NINE ROSEWOOD MOTHER-OF-PEARL INSET CHAIRS AND TABLES.

China. The furniture set includes four long seats, two chairs, two stands, and one table. The single piece wood table surface inset with mother-of-pearls, depicting butterflies and swallows flying near a large tree next to blossoming flowers, within a rectangular pattern, the apron pierce carved in ruyi cloud, bats, and coin shapes, another supporting board below, attached to four feet, with additional carved aprons at the corners, all stands on tapered in beast legs. The stand exhibits similar design and motif as the table, but without the supporting wooden board. The long seats and chairs have slightly differing design, the front with stylistically carved and embellished back rest depicting either cranes flying past lotus flowers and bamboo trees, between five pierce carved bats and floral patterns, the apron carved with bats and ruyi clouds, attached to beast legs. SIZE: Various PROVENANCE: Estate Collection from a renowned Taiwanese Diplomatic Family – Cai Wanjun (? – 2011), Xu Shaochang (1913–1999), and Ye Gongchao (1904 – 1981). CONDITION: Very good with minor age cracks and some losses to inlays. 50654-6 (10,000-15,000) – Lot 3646C

3646D
$0.00

CLOISONNE ENAMEL CENSER AND COVER.

China. The censer is composed of three parts, including a base, mid section, and cover. The base supported by three elephant mask legs with gilt ears and ivory, the cylindrical body enameled with roundels of flowers amidst vines, leaves, and tendrils, below a floriform extruding rim with similar motif. The mid section of cylindrical form, with gilt band of stylized dragons amidst clouds in the center, between bands of flowers and vines. The cover is of domed form, the center gilt with dragons flying amidst clouds and ocean waves, with a gilt beaded finial depicting ruyi clouds on top. Bottom bears four apocryphal character “”XUANDE”” mark. SIZE: 17-3/4″ h x 16-1/8″ w. PROVENANCE: Estate Collection from a renowned Taiwanese Diplomatic Family – Cai Wanjun (? – 2011), Xu Shaochang (1913–1999), and Ye Gongchao (1904 – 1981). CONDITION: Overall wear to gilding, cover slightly compressed. 50654-2 (4,000-6,000) – Lot 3646D

3646E
$0.00

PAIR OF CLOISONNE VASES.

China, 19th century. The vases decorated with a colorful display of various blossoms and butterflies on a turquoise enamel ground finished with a diapered pattern executed in gilt wire. The top rims with a ring of ruyi and the undersides having a gilt wash. SIZE: 12″ h. CONDITION: Both vases with minor dents and spots of enamel loss in the body. 49764-1 (2,000-3,500) – Lot 3646E

3647
$118.50

CLOISONNE ENAMEL DRAGON BOTTLE VASE.

Early 20th century, China. Body with two red dragons chasing flaming pearl. SIZE: 12″ h. CONDITION: Minor bruising and loss of enamels. Interior metal lining with firing flaw. 50300-2 (200-300) – Lot 3647

3648
$829.50

PAIR OF CLOISONNE LOTUS VASES.

20th century, China. Each vase made in bottle form decorated with various elements of lotus around body ending at a garlic top. Undersides with incised four character Qianlong marks. SIZE: 14-3/4″ h. CONDITION: Very good. 50107-5 (1,200-1,500) – Lot 3648

3649
$1,422.00

PAIR OF MEIPING FORM CLOISONNE VASES.

20th century, China. Each vase decorated around the body with colorful dragons above crashing waves and outcroppings of rocks below. Undersides with six character Qianlong marks. SIZE: 13″ h. CONDITION: Very good. 50107-2 (1,200-1,800) – Lot 3649

3650
$1,481.25

PAIR OF CLOISONNE COVERED CENSERS.

China, 20th century. The censers in globular form standing on three tapering feet. Handles applied at the shoulder and apocryphal four character Qianlong marks to the underside. Both come with gilt accented openwork covers with large bud finials. SIZE: 9-3/4″ h. CONDITION: Pitting to the enamel and scattered wear to the gilt. 50020-1 (2,000-4,000) – Lot 3650

3651
$1,422.00

CLAIR DE LUNE GLAZED PORCELAIN POT.

19th century, China. The pot made in globular form, decorated around body with wide band of shallow relief vines, flowers, and Shou characters. Bird form handles applied at shoulder and stands on slightly splayed foot. With later wood stand. SIZE: 9-1/2″ t. CONDITION: Chips, and cracks to inside of foot. 50283-3 (800-1,200) – Lot 3651

3652
$5,925.00

YELLOW GLAZED PORCELAIN BOWL.

20th century, China. The bowl with rounded walls standing on a slightly inverted foot and finished with an egg yolk colored glaze. Underside with a four character mark in under glaze blue. SIZE: 4-3/4″ dia. CONDITION: Very good. 50453-6 (3,000-5,000) – Lot 3652

3653
$266.63

TEADUST GLAZED WATER POT.

20th century, China. Made in squat form the exterior is finished in a Teadust glaze continuing to interior. Qianlong seal on underside. With box. SIZE: 2-1/2″ dia x 1-1/4″ h. CONDITION: Very good. 50342-4 (200-400) – Lot 3653

3654
$533.25

PAIR OF PORCELAIN POTS ALONG WITH SWEETMEAT SET.

Late 19th and early 20th century, China. Lot comprised of two similar porcelain cylindrical pots with carved design under a celadon glaze. Each accompanied by wood stand and are unglazed on the underside. Also included is a nine piece porcelain sweetmeat set hand painted with figures with original fitted glass top box. SIZE: Pots: 7″ and 6-3/4″ h without stands. Sweetmeat: 11-1/4″ across. CONDITION: One pot with star crack to base. Sweetmeat set one dish with filled chip and hairline at the rim. 50906-1, 50906-2, (700-900) – Lot 3654

3655
$237.00

CAST IRON STANDING FIGURE OF A GUARDIAN.

Ming Dynasty, China. The bearded figure fully armored and standing on a base. SIZE: 13″ h. PROVENANCE: From a private collection in Texas. Acquired in Hong Kong in the early 1980s. CONDITION: Missing ornament in right hand. Some areas of metal oxidation typical of age. 50307-2 (600-800) – Lot 3655

3656
$0.00

LARGE LACQUERED STATUE OF SEATED BUDDHA.

20th century, China. Figure shown in a seated position with hand resting on a raised knee and the other in a mudra. Traces of applied lacquer on exterior along with accents of gilt. SIZE: 22″ h. CONDITION: Wear and losses to finish, breaks to fingers of left hand. 50107-6 (1,500-2,500) – Lot 3656

3657
$829.50

BRONZE SEATED BUDDHA.

19th century, Thailand. Figure depicted in seated position with legs crossed and hands in Earth touching mudra. Exterior finished in gilt and red pigment with remains of lacquer throughout. SIZE: 15″ h. CONDITION: Loss to lacquer finish. Some re-painting. 50609-1 (2,000-3,000) – Lot 3657

3658
$0.00

BLUE AND WHITE PORCELAIN VASE.

20th century, China. The vase hand painted in a Qianlong style with stylized dragons and lotus scrolls around the body. Quickly tapers at the shoulder to a slightly inverted neck, flanked by lug handles. With stand. SIZE: 14-3/4″ h. CONDITION: Very good, small pits in the glaze. 50283-8 (6,000-8,000) – Lot 3658

3659
$0.00

FAMILLE ROSE PORCELAIN PLAQUE, SIGNED WANG QI.

20th century, China. The plaque depicting and elder and attendant each wearing loose fitting robes with the elder carrying a staff in his hand. Group of script and 2 artist seals in upper left. SIZE: 15-1/4″ h x 10″ w. CONDITION: Very good. 50570-1 (12,000-15,000) – Lot 3659

3660
$118,500.00

IMPORTANT PAIR OF PORCELAIN PLAQUES BY WANG DAFAN.

Republic Period, China. Each large plaque depicting a pair of figures in a landscape with leafy branches hanging overhead. A group of writing in upper right along with artist seal. Each housed in wood frame. SIZE: Overall 42-1/2″ h x 14-3/4″ w. Sight 32″ h x 8″ w. CONDITION: Very good. Some wear to wood frames. 50438-1 (30,000-40,000) – Lot 3660

3660A
$0.00

HARDWOOD LACQUER FLOOR SCREEN WITH MIRROR AND CALLIGRAPHY PANEL INSET.

Qing Dynasty period, China. A lacquer floor screen with a mirror and carved calligraphy panel inset within a square frame, which sits on top of a base carved with downward pointing lotus petals. SIZE: 30″ (77 cm) h x 25-1/2″ (66 cm) l. PROVENANCE: Christie’s, New York, Sept. 2011, lot 1345. CONDITION: Minor ripples, cracks & split in calligraphy panel, otherwise good. 50654-12 (4,500-5,500) – Lot 3660A

3660B
$2,962.50

UNUSUAL BRONZE TRIPOD CENSER.

Qing Dynasty period, China. The bulbous body supported by three kneeling monkeys with hands held high, with splash gilt scattered on the sides, two bat and beaded handles attached, and the cover in the theme of cloud and bat. SIZE: 14″ (35.6cm) h x 10-1/2″ (26.8 cm) w. PROVENANCE: Estate Collection from a renowned Taiwanese Diplomatic Family – Cai Wanjun (? – 2011), Xu Shaochang (1913–1999), and Ye Gongchao (1904 – 1981). CONDITION: Good. 50654-3 (2,000-3,000) – Lot 3660B

3660C
$0.00

RARE RUBY-RED GROUND FAMILLE ROSE BUDDHIST STUPA.

First half of the 20th Century, China. The shrine is superbly modeled and enameled against a brilliant ruby- red ground with stylized lotus blooms borne on multi-hued vines issuing smaller flowers below monster masks linked by pendant beaded chains. The stupa is supported on a square waisted base decorated with bands of lappets and floral scrolls on a teal ground. Includes rectangular hard-wood box. SIZE: 16-1/2″ h x 7-1/2″ w. PROVENANCE: Estate Collection from a renowned Taiwanese Diplomatic Family – Cai Wanjun (? – 2011), Xu Shaochang (1913–1999), and Ye Gongchao (1904 – 1981). CONDITION: Good, neck separated from base but intact. 50654-1 (4,000-6,000) – Lot 3660C

3661
$0.00
Revised: 8/5/2016

Please Note: Date should read Late 19th/20th Century.

CARVED ALOESWOOD LIBATION CUP.

20th century or earlier, China. The cup in flared form with relief design of branches and insects around the exterior done with openwork. With stand and fitted box. SIZE: 6-1/4″ l x 4″ h. CONDITION: A few lines extending from the top rim. A couple of small losses along the edge. 50342-26 (8,000-12,000) – Lot 3661

3661A
$0.00

GILT BRONZE TEMPLE BELL.

20th century, China. The exterior of the bell with deep carved design of dragons and flames surrounding a central tablet with two characters. Finished in a rich gilt. With box. SIZE: 10″ h. CONDITION: Very good. With light wear to the finish. 50342-1 (12,000-16,000) – Lot 3661A

3662
$4,740.00

CELADON JADE FOOTED CENSER.

Qing Dynasty, China. The rounded body with ribbed design standing on a splayed foot with incised Archaic design. Lion head handles extending from the inverted neck beneath the flared top rim. Accompanied by a wood stand. SIZE: Jade: 7″ w. CONDITION: Very good. Natural fissures in the stem. 50864-2 (2,000-4,000) – Lot 3662

3663
$1,303.50

TWO CARVED JADEITE STATUES.

Early 20th century, China. 1) The first in the form of an elegant woman seated with flowery branch in one hand and the other resting next to a handled basket. 2) In the form of a small vessel on crashing waves being pushed along by figure standing on the bow. SIZE: 1) 3″ h without stand. 2) 3-1/2″ h without stand. Both fitted with stands. CONDITION: Both very good. 50389-4 (1,500-2,000) – Lot 3663

3664
$948.00

CARVED JADEITE WOMAN AND COVERED VASE.

Early 20th century, China. 1) Statue depicting a woman seated on a rockery holding a branch in her raised arm and wearing a flowing robe. 2) Slender flask form vase with open work handles standing on a splayed foot, comes with original cover mounted by foo lion form finial. SIZE: 1) 4″ h without stand. 2) 4-1/2″ h without stand. Both with fitted wooden stands. CONDITION: 1) Losses to branch. 2) Very good. 50389-2 (1,000-1,500) – Lot 3664

3665
$1,540.50

TWO CARVED JADEITE STATUES OF STANDING MAIDENS.

Late Qing, China. 1) Statue depicting a woman holding a peach, and a small dog laying at feet. 5″ h without stand. 2) Depicting a woman holding a basket overflowing with fruit along with a bird perched upon rockery at her side. 4-1/4″ h without stand. Both stones of light green color with dark green and russet inclusions. Both with fitted stands. SIZE: As listed above CONDITION: Very good on both. 50389-3 (800-1,200) – Lot 3665

3666
$0.00

JADE COVERED VASE.

20th century, China. Carved from an off white and russet stone, the well hollowed vase made in four sided form is carved with shallow relief archaic masks and stands on a splayed foot. The shoulders flanked by lion head and ring handles and comes with original cover. SIZE: 9-1/4″ h. CONDITION: Minor chipping around rims, scattered natural fissures to the stone. 50453-2 (6,000-8,000) – Lot 3666

3667
$237.00

SPINACH GREEN JADEITE BELT HOOK.

20th century, China. The large hook carved in the form of a dragon with head turned to peer at chilong on its back. SIZE: 5-1/4″ l. CONDITION: Few small rough spots at edges. 50389-6 (600-800) – Lot 3667

3668
$0.00

CARVED JADEITE BANGLE.

20th century, China. The bangle carved from a light green stone having apple green highlights. Outside with rounded face and flattened interior. SIZE: 2-3/4″ across. CONDITION: Natural fissures in the stone. 50453-8 (800-1,000) – Lot 3668

3669
$1,777.50

14KT GOLD LAVENDER JADEITE SUITE.

Comprised of a bangle, pendant, earrings and ring. All accompanied by an AGI appraisal certificate and lab report stating there is no evidence of dye treatment. Bangle is of hinge design with carved gold caps and is 8.2mm wide. Pendant is set with a 60.0mm carved jade disc in a gold frame with texture detail. Earrings are set with 20.30mm circle cabochon jade discs in gold frames with post backs. Ring is centered by a foliate carved jade within an openwork gold mount and is 17.0mm x 17.5mm. All are stamped “14K”. SIZE: Ring is 5-1/2. CONDITION: Very good to excellent. 50368-1 (1,750-2,250) – Lot 3669

3670
$355.50

TWO CARVED SNUFF BOTTLES.

20th century, China. 1) Carved Jade snuff bottle in rectangular form with relief mask and ring handles on the side and standing on a raised foot rim. 2) Bottle carved from Tiger’s Eye in flattened ovoid form with domed stopper. SIZE: 1) 2-1/4″ h. 2) 2-1/2″ h with stopper. CONDITION: 1) Spoon broken from stopper, otherwise very good. 2) Very good with only natural imperfections in stone. 50389-10 (800-1,200) – Lot 3670

3671
$1,422.00
Revised: 8/5/2016

Please Note: Date should read possibly Late Qing instead of 20th Century.

LOT OF THREE JADEITE SNUFF BOTTLES.

20th century, China. Each bottle in flattened form carved from off-white colored stones having apple green inclusions. Two with pink quartz stoppers. SIZE: 1-3/4″ h. CONDITION: Small rough spots around rims. 50342-32 (1,000-1,500) – Lot 3671

3672
$948.00

LOT OF 16 GLASS SNUFF BOTTLES.

20th century and earlier, China. Lot comprised of 15 bottles with carved design including some double cut overlay examples along with a large inside painted bottle depicting a scholar in a landscape on one side and harvesting on the reverse. SIZE: Tallest: 2-3/4″ h without stand and stopper. Smallest: 1-3/4″ h. CONDITION: Overall very good. Large yellow bottle with chip to top rim. Some scattered nips to raised design and rims. 50803-29 (1,000-1,500) – Lot 3672

3673
$948.00

LOT OF FOURTEEN SNUFF BOTTLES.

20th century, China. Bottles in various form and material, most of which are carved with relief design of dragons, flowers, and animals. Also included is a bottle of flattened form with silver overlay along with one in the shape of a peach. SIZE: Tallest: 3″ h without stopper. Smallest: 1-1/2″ h. CONDITION: Wood example with split at top. Some scattered small losses to raised design. 50803-2 (1,000-1,500) – Lot 3673

3674
$948.00

LOT OF EIGHTEEN HARD STONE AND AGATE SNUFF BOTTLES.

20th century, China. Lot comprised of five relief decorated agate snuff bottles, two jade bottles including one in the form of a cicada, two bottles with silver overlay, together with seven various carved stone examples. SIZE: Tallest: 2-1/2″ h without stopper. Smallest: 1-3/4″ h. CONDITION: Overall good. Fish form amethyst bottle with chipping around mouth. 50803-27 (1,000-1,500) – Lot 3674

3675
$474.00

LOT OF SEVEN SNUFF BOTTLES.

20th century, China. Lot comprised of four porcelain examples including three with relief work, a yixing pottery bottle with applied enamel, a painted glass bottle, and a large cloisonne example. SIZE: Tallest: 3″ h with stopper. Smallest: 2-1/2″ h. CONDITION: Very good. 50803-28 (1,000-1,500) – Lot 3675

3676
$3,258.75

FAN PAINTING.

20th century, China. The fan with bamboo sticks opens to reveal a hand painted scene of a magpie perched upon a blossoming branch with a group of script and two seals above. The reverse with lines of calligraphy along with two artist seals. SIZE: 19-1/2″ across. Each stick 12″ l. CONDITION: Wear to the surface and minor staining. 50342-7 (600-800) – Lot 3676

3677
$2,370.00

SCROLL PAINTING SIGNED PU RU.

20th century, China. The tall landscape shows a figure seated in meditation gazing upon the waterfall above along with an attendant at his size. Three lines of script in upper left along with four artist seals. SIZE: 84″ l x 16″ w. CONDITION: Staining and spots of foxing. Minor creasing. 50342-29 (2,000-4,000) – Lot 3677

3678
$1,066.50

SCROLL PAINTING.

20th century, China. The scene depicting a scholar in thought resting along the water’s edge with trees overhead and a mountainous terrain in the background. Script in upper right along with two seals. SIZE: Scroll 84″ h x 15-1/2″ w. Image 35″ h x 10″ w. CONDITION: Very good. 50342-20 (400-800) – Lot 3678

3679
$474.00

AFTER XU BEIHONG (Chinese, 1895-1953) BIRDS, CYCLICALLY DATED 1941.

20th century, China. Watercolor on paper depicting a group of magpies perched upon the branches of a willow tree. Single line of writing alone the left side with three seals. SIZE: Scroll 73″ h x 21-1/2″ w. Image 37-1/2″ h x 19″ w. CONDITION: Scattered spots of staining. 50342-21 (400-800) – Lot 3679

3680
$15,405.00

TWO FRAMED WATERCOLOR LANDSCAPES.

20th century, China. The first depicting a mountainous terrain with buildings along the cliff’s edge and figures in a cavern below. Signed along right margin with artist’s seal on left. The second of a serene landscape with a waterfall in the foreground surrounded by a mountainous terrain. Label on reverse identifying the artist as Huang Hoi and titled “Stream and the Spring Mountain”. SIZE: 1) Image: 55-1/2″ x 29″. 2) Image: 55″ x 28-1/2″. CONDITION: Very good. 50270-21 (800-1,200) – Lot 3680

3681
$414.75

BRONZE FOOTED CENSER.

Early 20th century, Japan. The globular body perched upon three figural legs in slender form. With openwork cover displaying a seated foo lion with head turned back. SIZE: 12-1/4″ h. CONDITION: Very good. 50851-1 (300-500) – Lot 3681

3682
$118.50

BRONZE CENSER & BRONZE BUDDHA.

Censer: 19th century, Japan. Bronze censer having a band of champleve enamel, tripod base, and handles. Marked on base. Buddha: 20th century, Thailand. Bronze seated figure of a Buddha. SPECIAL NOTE: This lot is being sold to benefit the St. Jude’s Children’s Hospital. SIZE: Censer: 6-3/4″ t x 5-1/2″ dia. Buddha: 13″ h. CONDITION: Censer: Very good, with a later added wooden cover, and old lead repair to leg. Buddha: Very good. 50267-2 (300-500) – Lot 3682

3683
$237.00

PAIR OF CARVED WOOD ARTICULATED LAMPS.

20th century, Japan. Each lamp in the form of a tall lotus stem with a large pod at the top and a twisting mechanism to open the pod and reveal the light inside. SIZE: 15-1/2″ h. CONDITION: Very good. Wires frayed. 50524-11 (400-600) – Lot 3683

3684
$0.00

PAIR OF BRONZE USUBATAS.

Early 20th century, Japan. The body of each in globular form with flattened top rim and standing on three inturned feet. Both with inlaid wire design and rest on a domed base. SIZE: 9″ h. CONDITION: One base with fissure to the edge. The other with solder reinforcements to the bottom of each foot. 50892-2 (800-1,200) – Lot 3684

3685
$0.00

PAIR OF PORCELAIN WINE CUPS.

20th century, China. Each cup hand painted around the body with butterflies in flight under a band of iron red key fret accenting the top rim. Both cups marked on the underside with Qianlong seals in underglaze blue. SIZE: 2″ h. CONDITION: Very good. 50342-10 (800-1,200) – Lot 3685

3686
$148.13

CHINESE EXPORT LIGHTHOUSE FORM COFFEE POT.

Early 19th century, China. The pot in lighthouse form with applied strap handle and original domed cover. Hand painted on each side with a small cartouche containing a pair of birds painted in sepia and gilt. SIZE: 9-1/2″ h. CONDITION: Minor rubbing to the gilt. 50558-33 (400-600) – Lot 3686

3687
$1,185.00

LARGE CHINESE BLUE AND WHITE STORAGE JAR.

China, possibly Ming. Of baluster form, decorated overall with scrolling floral vinery in underglaze blue. SIZE: 12″ h x 11″ dia. CONDITION: Good with extensive professional restoration to upper half, presents well. 38024-2 (1,500-2,500) – Lot 3687

3688
$2,370.00

TEADUST GLAZED PORCELAIN VASE.

20th century, China. Vase made in ovoid form tapering to a short cylindrical neck and finished with a neatly applied Teadust glaze which continues throughout the interior. A brown dressing applied to the foot which surrounds an incised Qianlong seal in center. Comes with fitted wood stand with open work. With box. SIZE: Vase 5-1/2″ h. CONDITION: Very good. 50342-6 (2,000-2,500) – Lot 3688

3689
$1,185.00

TEADUST GLAZED PORCELAIN CENSER.

20th century, China. Censer made in squat form tapering towards the mouth which is finished with brown dressing. Stands on three rounded feet surrounding an incised Qianlong seal. Comes with fitted stand and open work cover. SIZE: 3″ dia. CONDITION: Very good. 50342-12 (1,000-1,500) – Lot 3689

3690
$237.00

SPECIAL ST. JUDE CHILDREN’S HOSPITAL LOT.

This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please also note: The entire proceeds of this lot (to include the buyer’s premium), shall be donated to the St. Jude Children’s Hospital. St. Jude’s is one of the finest hospitals in North America today for the research and care of children afflicted with cancer. We hope that you will consider competing on this lot, we consider it to be an extremely worthwhile cause and we have dedicated ourselves to include similar lots in every single one of our auctions, the proceeds of which will be donated to St. Jude’s. Thank you for your participation. CONDITION: Very good to excellent. 45505-14 (300-500) – Lot 3690

3691
$59.25

CARVED HARD WOOD LOW TABLE.

20th century, China. The table in square form with rounded corners and resting on four short legs. SIZE: 23″ w x 11-1/2″ h. CONDITION: Wear to surface, minor age splits in wood. 50270-31 (150-250) – Lot 3691

3692
$948.00

COLLECTION OF FURNITURE.

1) Low elmwood square form table. Early 20th century, China. Raised on four recessed legs. 2) Elmwood lacquered low bench. China. In the form of an altar table with raised scroll ends and ruyi head aprons. 3) Black wood imperial style side table. Republican Period, China. Emulating 18th century zitan designs. The top, one solid piece of wood. The frame European form with lattice floral designs throughout. SIZE: 1) 12-1/2″ h x 27″ x 27″. 2) 22″ h x 84″ l. 3) 24-1/2″ h x 26-1/2″ w x 15-1/2″ d. CONDITION: 1) Worn to the edges, large age crack to the middle panel. 2) Lacquered surface worn. With typical age cracks and overall wear. 3) Minor wear and age cracks. 50270-53, 50270-65, 50270-70, (800-1,200) – Lot 3692

3693
$592.50

SET OF FOUR CARVED HARDWOOD NESTING TABLES.

20th century, China. Each table in rectangular form standing on four slender legs. The aprons carved with a key fret design framing a shou character in the center. SIZE: Table heights from 27-1/4″ to 15-1/2″. CONDITION: Scattered splits in wood, some separations at joints. 50270-38 (300-400) – Lot 3693

3694
$1,481.25

GROUP OF STONE AND METALWORK SCULPTURES.

1) Stoneware statue of a seated figure. Tibet, 19th century. The statue depicting a figure in a seated position with legs crossed and hands raised in a mudra. The exterior finished with a lightly applied lacquer with painted accents on the face and hair. 2) Carved stone bust. China. The carving depicting the head of a figure with serene expression and furrowed brow. 3) Cast iron model of a pig and ox. Ming Dynasty or earlier, China. Possibly from a Zodiac set. Each animal standing four square on an oval base. 4) Carved sandstone bust of an official. Ming Dynasty or later, China. Realistic features and wearing a tall hat with longevity fungus design. Mounted on metal stand. 5) Bronze standing figure of Amitabha Buddha. 19th century or earlier, China. Tang style depiction of the “Buddha of Immeasurable Light” surrounded by a flaming mandorla. The reverse with incised calligraphy. SIZE: 1) 7-3/4″ h. 2) 7-3/4″ h. 3) Longest: 10-1/2″ l. 4) 9-1/2″ h. 5) 13-1/2″ h. CONDITION: 1) Scattered chipping and loss to the lacquer, cracks in the stoneware throughout base. 2) General overall wear, small section missing to back of head. 3) Each piece highly oxidated due to age. 4) Typical wear including large chips to hat and ears, nose probably worn down. 5) Some oxidation to the bronze, Mandorla with old firing cracks. Figure missing hands. 50270-54, 50270-55, 50270-58, 50270-60, 50270-71, (1,000-1,500) – Lot 3694

3695
$888.75

IMPRESSIVE CARVED STONE SCULPTURE OF DEITY WITH DOG.

19th century or earlier, Thailand. The large sculpture depicting Bhairava holding various object in his four hands riding on the back of a dog. SIZE: 51″ h x 23″ w. CONDITION: Very good overall with minor encrustation. 50641-15 (3,000-4,000) – Lot 3695

3695A
$0.00

CAST IRON FIGURE OF A GENERAL.

Ming Dynasty, China. With long beard and fierce expression, the warrior seated in full armor. SIZE: 29″ h. CONDITION: One loss to leg of throne. Small losses to hat. Overall wear. 50270-57 (2,000-3,000) – Lot 3695A

3695B
$1,185.00

LARGE SANCAI GLAZED ROOF TILE.

Ming Dynasty, China. Heavily potted with a guardian riding a mythical dragon on a sea of ocean waves. SIZE: 31″ across. CONDITION: Minor wear throughout. 50270-74 (2,000-4,000) – Lot 3695B

3696
$1,185.00

BRONZE STATUE OF AN ELDER ON WATER BUFFALO.

Qing Dynasty, China. The statue depicting an elder wearing a loose fitting robe seated upon a standing water buffalo. SIZE: 13-1/2″ l x 13-1/4″ t. CONDITION: Very good. 50270-5 (800-1,200) – Lot 3696

3697
$0.00

BLUE AND WHITE HU VASE.

China, 20th century. The large vase decorated with numerous dragons in flight on a network of vines and lotus blossom. Applied handles at the shoulder and stands on a cylindrical foot accented with a single vine. SIZE: 18-1/4″ h. CONDITION: Firing gap at base of handle done in the making, otherwise very good. 50296-2 (1,000-1,500) – Lot 3697

3698
$296.25

PAIR OF FAMILLE ROSE PORCELAIN WALL POCKETS.

Qing Dynasty, China. Each pocket made in the form of a vase with flattened back and having applied handles at the necks. Each hand painted with scenes of figures in a courtyard above an openwork foot accented with ruyi. SIZE: 7-3/4″ h. CONDITION: Shallow chips on rims. One with line to openwork foot and repair to handle. Wear to the enamels. 50558-6 (500-600) – Lot 3698

3699
$0.00

TWO GUAN STYLE PORCELAIN POTS.

20th century, China. The first in globular form standing on a tall foot with raised mask handles at the shoulder. The second in flattened form with ring handles accenting the shoulder and a brown dressing applied to the foot. The underside with a Qianlong seal in underglaze blue. SIZE: 1) 3-1/2″ h. 2) 3-1/4″ w. CONDITION: Very good. 50342-34 (200-400) – Lot 3699

3700
$829.50

FAMILLE ROSE PORCELAIN PLAQUE MOUNTAIN SCENERY.

The famille rose porcelain plaque inset in wooden frames, depicting a mountain scene, with a man and his servant walking towards the mountain. SIZE: 31″ h x 17″ w. CONDITION: Very good. 50654-7 (600-800) – Lot 3700

3701
$355.50

TWO BLUE AND WHITE PORCELAIN PLANTERS.

Early 20th century, China. 1) Hand painted in underglaze blue with foo lions in various poses on a ground of stylized clouds, all done over a light crackle glaze. 10″ h x 12″ w. 2) Decorated in vibrant under glazeblue with continuous scene of women and children standing in courtyard. Four character mark on underside. SIZE: 8-3/4″ h x 10-1/2″ w. CONDITION: 1) Numerous cracks in body. 2) Star crack to underside. 50283-7 (400-600) – Lot 3701

3702
$0.00

LOT OF SIX COVERED PORCELAIN JARS.

20th century, China. Five of the jars decorated in underglaze blue with blossoming prunus each having a dome cover. Together with a monochrome blue glazed covered jar. SIZE: Prunus from 8-3/4″ down to 3″ h. Monochrome 13-1/4″ h. CONDITION: Prunus jars all very good, one cover with chip to underside. Monochrome example with break and restoration to body. 50261-4 (600-800) – Lot 3702

3703
$0.00

JADE AND SILVER PENDANT WITH PORCELAIN DISC.

China. The cylindrical bead carved with openwork hanging above a silver foo lion along with a shard of Ming porcelain housed in a silver frame. SIZE: 6-1/2″ l overall. Jade: 2″. CONDITION: Very good. 50842-9 (800-1,200) – Lot 3703

3704
$355.50

SPINACH GREEN JADE CARVING OF A PANTHER.

20th century, China. The carving in the form of a panther in crouched position stalking prey. Accompanied by wood stand. SIZE: Jade: 6″ l. CONDITION: Loss to the edge of one foot. Natural fissures in the stone. 50864-3 (300-500) – Lot 3704

3705
$414.75

ROSE QUARTZ VASE.

Late 19th, early 20th century, China. Vase carved with tao tieh masks and phoenix. Foo dog finial on the top. Repousse brass stand inlaid with carved jade cabochons. SIZE: 16″ h overall. CONDITION: Natural inclusions and fissures and areas of slight roughness. 50300-5 (200-300) – Lot 3705

3706
$1,185.00

GROUP OF VARIOUS JADE CARVINGS.

20th century, China. Included in the lot is a belt hook in typical form with a dragon turned back at a chilong on its back, three carvings of standing figures, and a small bead carved from a celadon stone with russet exterior. SIZE: 4-1/2″ l longest. 2″ l shortest. CONDITION: Very good. 50342-30 (200-400) – Lot 3706

3707
$533.25

CARVED JADE SEAL CHEST WITH SEALS.

20th century, China. The exterior with design of Chilongs done in relief over archaic open work. Interior revealing 4 cylindrical seals resting in fitted compartment. Stands on four bracketed feet and raised plinth form finial holding coiled Chilong on cover. With wood stand. SIZE: 5-1/2″ t x 4-1/2″ w. Each seal 2-3/4″ t. CONDITION: Very good. 50283-1 (1,500-2,500) – Lot 3707

3708
$207.38

TWO POTTERY STATUES WITH A CARVED STONE EXAMPLE.

20th century and earlier, China. The first in the form of a camel with open mouth and traces of red pigment. The second in the form of a mystical bull with head lowered and tail raised. The third a carved sandstone example depicting a standing figure on a lotus base. SIZE: Camel 7″ l. Bull 11-1/2″ l. Standing figure 11-3/4″ t. CONDITION: Bull with loss to side of tail. Standing figure with large loss to one side. 50270-4, 50270-15, (200-300) – Lot 3708

3709
$355.50

GROUP OF POTTERY.

1) Carved celadon bowl. China. The Sung style pottery bowl with carved blossoms around the interior and ribbed design around outside wall. All finished under a lightly applied celadon glaze. 2) pottery ram form container. Possibly Han Dynasty, China. Modeled as a recumbent ram with a funnel on its back. 3) Pottery Tang style flask. China. The flattened sides with monster head faces, the shoulder with rabbit handles. 4) Han style pottery statue. China. The large statue wearing a tied robe with right hand raised and stern expression to the face. Traces of pigment still visible throughout, and writing to the bottom of each foot. SIZE: 1) 7-1/2″ h. 2) 17″ w. 3) 6-1/2″ h. 4) 18-1/2″ h. CONDITION: 1) Very good. 2) Wear to glaze revealing the gray ceramic underneath. Some possible restorations. 3) Age wear, but good. 4) Dirt encrustation to much of the exterior, scattered losses to the pigment and a chip to the tip of the nose. 50270-56, 50270-62, 50270-63, 50270-64, (800-1,200) – Lot 3709

3710
$59.25

THREE POTTERY STORAGE JARS.

The lot comprising of a large round example tapering to a short cylindrical foot. Finished in a cream glaze of shallow relief design. Along with and unglazed example with a carved crosshatch pattern. And a round glazed example with signature to underside. SIZE: The first is 17-1/2″ t. The second is 12″ t and the third is 14-3/4″ t. CONDITION: On the first chips and crack extending from rim, other two appear to be very good. 50270-8, 50270-25, 50270-39, (100-200) – Lot 3710

3711
$414.75

TWO POTTERY STATUES.

Possibly Han Dynasty, China. The first depicting a bull with broad shoulders and small head. His back accented with fittings and standing on a rectangular base. The second of a standing warthog in the feeding position with carved mane and curved tail. SIZE: Bull 13-1/2″ h x 14-1/2″ l, warthog 13″ l. CONDITION: The bull with losses to ears and horns. The hog overall very good with wear to the surface. 50270-7 (400-600) – Lot 3711

3712
$0.00

LOT OF WOOD AND POTTERY ITEMS.

20th century and earlier, China. Lot consisting of: 1) Large frieze depicting various birds on blossoming branches, all finished in gilt; 2) Wood carving of birds perched upon blossoming prunus with openwork; 3) Pottery roof tile depicting a figure gazing up to the sky (a collectible roof tile); 4) painted marionette puppet of a demon. SIZE: 1) 35″ h x 9″ w. 2) 12-1/4″ h. 3) 12″ h. 4) 21″ l without stand. CONDITION: 1) With minor losses and some loose elements. 2) Small loss along top edge. 3) Small chip to clothing above right knee. 4) Overall wear, paint loss, and clothing tattered. 50906-3, 50906-4, 50906-5, 50906-6, (800-1,200) – Lot 3712

3713
$0.00

HARDSTONE INLAID SCHOLAR’S BOX.

20th century, China. The carved hardwood box in rectangular form inlaid on the cover with a scene of fruit filled branches along with a recumbent lion and a bat in flight. SIZE: 5-3/4″ w x 4″ l x 2-1/4″ h. CONDITION: Very good. 50302-2 (500-700) – Lot 3713

3714
$0.00

LACQUERED WOOD BRUSH POT.

20th century, China. The pot made in cylindrical form with ribbed body and finished in lacquer having a burl like appearance. Underside with four character Kangxi mark. SIZE: 6-1/2″ t. CONDITION: Spots of loss to lacquer which have been re-painted. 50107-3 (800-1,200) – Lot 3714

3715
$7,110.00

HARDSTONE INLAID WALL PANEL.

20th century, China. The panel inlaid with a cloisonne vase with blossoming branches and leaves climbing from the mouth executed with inlaid hardstone. Two small pots with fruit and flowers alongside and a ruyi scepter below. Housed in a Mother of Pearl inlaid frame. SIZE: 38″ h x 28-1/2″ w. CONDITION: Light wear to the surface. 50107-4 (800-1,200) – Lot 3715

3716
$0.00

LARGE STONE CARVING OF SEATED FIGURE.

20th century, China. Carving depicts an elder in seated position holding a cup in one hand and the other resting on a knee. SIZE: 17-1/2″ t. CONDITION: Some losses around edge of base, overall wear to surface. 50270-23 (500-700) – Lot 3716

3717
$0.00

GILT BRONZE STANDING BUDDHA.

20th century, Thailand. The deity shown in formal attire with hand raised and standing upon a raised plinth accented by lotus petals. The exterior with applied gilt finish. SIZE: 13″ h. CONDITION: Areas of wear to gilt. 50842-7 (500-800) – Lot 3717

3719
$0.00

EMBROIDERED KALAGA.

20th century, Burma. Depicting a horse drawn carriage with mythical creatures flying overhead done with metallic thread and accented with cabochons. Housed in a gilt painted wood frame. SIZE: Overall: 64″ x 53-1/2″. CONDITION: Very good. 50557-17 (700-900) – Lot 3719

3720
$414.75

SCHOLAR’S ROCK.

20th century, China. The natural formation giving the appearance of a cliff filled mountainous terrain. Comes with fitted wood stand. SIZE: 10-1/2″ w. CONDITION: Very good. 50270-14 (200-300) – Lot 3720

3721
$0.00

BLUE AND WHITE CRACKLE GLAZED BOWL.

19th/20th century, China. The interior painted with a reserve in the center of two seated figures surrounded by a border of prunus blossoms. The exterior with a continuous scene bordered by incised designs under a brown dressing. SIZE: 4-1/4″ h x 10-3/4″ dia. CONDITION: Very good with one small glaze blemish to interior. 50300-1 (200-300) – Lot 3721

3722
$355.50

BLUE AND WHITE PORCELAIN COVERED JAR.

Qing Dynasty, China. Jar in baluster form decorated with four characters on a ground of flowery vines. Accompanied by original dome cover and later carved wood stand. SIZE: 17-1/2″ h. CONDITION: Restoration to rim of cover. 50718-1 (500-1,000) – Lot 3722

3723
$0.00

BLUE AND WHITE MING STYLE PLATE.

20th century, China. Lobated form. “Heaped and piled” decoration of floral scrolling with wave border. Unglazed base with “Palm Eyes”. SIZE: 13-3/4″ dia. CONDITION: Very good. 50300-3 (800-1,200) – Lot 3723

3724
$474.00

BLUE AND WHITE SETO PORCELAIN UMBRELLA STAND.

Meiji Period, Japan. The stand in cylindrical form, hand painted with a large continuous landscape depicting swallows perched upon and flying amongst various blossoming plants. The top and bottom rim accented with a band of meandering vines containing flowers. SIZE: 24-1/2″ h. CONDITION: Overall very good. 50567-59 (300-500) – Lot 3724

3725
$118.50

THREE PORCELAIN VASES.

Early 20th century, Japan. The lot comprised of two large Imari Porcelain vases painted with figures and now mounted as lamps. Comes with a Kutani example painted with a continuous scene of cranes along the water’s edge. SIZE: 20″, 14″ and 12″ h of porcelain. CONDITION: Largest vase has been cut down. 50270-28, 50270-36, 50270-44, (200-300) – Lot 3725

3726
$0.00

PAIR OF SATSUMA VASES.

Meiji Period, Japan. Each vase in a flattened four sided form decorated with scenes of birds and butterflies flying above blossoming plants. Stands on four raised feet in the form of bamboo shoots which climb the body at each corner. SIZE: 11-1/4″ h. CONDITION: Both vases with chips and losses. Each vase with a repaired foot. 50440-16 (500-1,000) – Lot 3726

3727
$118.50

RELIEF DECORATED BRONZE JAR.

Meiji Period, Japan. The footed jar decorated around the outside with a relief scene amongst blossoming plants held up by five figural feet. Now fitted as a lamp. SIZE: 14-1/4″ h bronze, 24-1/2″ h overall. CONDITION: Very good. 50647-31 (300-400) – Lot 3727

3728
$296.25

CARVED MARBLE GARDEN SEAT WITH DRAGON.

20th century, China. Made in barrel form with deeply carved design of a dragon chasing a flaming pearl on a ground of stylized clouds. SIZE: 18-1/2″ h. CONDITION: Some chipping to the raised decoration. 50270-20 (300-500) – Lot 3728

3729
$118.50

LARGE STONEWARE JAR.

Possibly Han Dynasty, China. The bulbous jar with broad shoulders tapering to a cylindrical neck with rolled rim and stands on a narrow foot. An intricate network of carved design accents the body above ribbed bands just above the foot. SIZE: 21-1/2″ h. CONDITION: Chips to the top rim, cracks in body above foot. 50270-30 (200-300) – Lot 3729

3730
$0.00

STYLE OF HU YEFU (Chinese, 20th Century) LADY IN WINDOW.

20th century, China. Depicting a young beauty leaning on a bamboo rail overlooking the stream below holding a small flower in her teeth. Signed along left margin. Watercolor on paper. SIZE: Scroll 56″ h x 12-1/2″ w. Image 18-3/4″ h x 8-3/4″ w. CONDITION: Very good. 50342-16 (1,500-2,000) – Lot 3730

3731
$474.00

SIGNED SONG WENZHI AND CHANGJIAN YUN.

20th century, China. Watercolor on paper depicting industrial buildings in foreground with small town on waters edge in the distance. Writing upper right along with two artist seals in red. SIZE: Scroll 74″ h x 24″ w. Image 38″ h x 18-3/4″ w. CONDITION: Creasing, scattered small stains. 50342-22 (400-800) – Lot 3731

3732
$355.50

STYLE OF CHEN YUN (Chinese) MAIDEN WITH QIN.

20th century, China. The beauty shown wearing a flowing robe with flowers in her hair and holding a wrapped object in her hand. Two lines of script in upper left with artist seal. SIZE: Scroll 80″ h x 16-3/4″ w. Image 26″ h x 11-1/4″ w. CONDITION: Creases. 50342-19 (300-500) – Lot 3732

3733
$0.00

STYLE OF TANG YUN (Chinese, 1910-1993) TWO BIRDS ON PINE.

20th century, China. The watercolor on paper depicting a pair of birds looking upon each other while perched on the branches of a pine tree. Line of script on upper right. SIZE: Scroll 76-1/2″ h x 32-1/2″ w. Image 34″ h x 26″ w. CONDITION: A couple small stains along the edge. 50342-24 (300-500) – Lot 3733

3734
$474.00

WATERCOLOR OF CHILDREN AT PLAY.

20th century, China. The painting depicts a long landscape filled with joyful children at play engaged in various activities and games. Watercolor on silk housed in a wood frame under glass. SIZE: 86-1/2″ w x 13″ overall. CONDITION: Very good with some minor stains along the edge. 50864-7 (800-1,200) – Lot 3734

3735
$0.00

FOUR PANEL DOUBLE-SIDED PAINTED SCREEN.

19th/20th century, India. With multiple scenes depicting lovers and reticulated floral panels. SIZE: 72″ h. CONDITION: Minor wear along edges, one foot loose. 50282-1 (1,500-2,000) – Lot 3735

3736
$0.00

INLAID WOOD MIRROR.

Early 20th century, India. The front doors hand painted in vibrant colors open to reveal a mirror housed in a heavily inlaid frame. SIZE: Overall 14-3/4″ h x 11″ w. CONDITION: Losses to inlay, splits in wood, entire piece with a thick coating of varnish which has discolored. 50494-12 (400-800) – Lot 3736

3737
$5,628.75

LOT OF METAL WEAPONS AND ACCESSORIES.

20th century and earlier, Asia. The lot comprising of a archaic dagger mounted on a stand, an elaborate gilt inlaid elephant goad, a silvered metal mask and two bronze plaques. SIZE: Dagger 21-1/2″ t in stand. Goad 22″ l. Mask 9-1/2″ t. Largest plaque 4″. CONDITION: Mask has splits, small losses, loss to silver finish. 50270-12, 50270-19, 50270-22, (500-700) – Lot 3737

3738
$0.00

PAIR OF CARVED WOOD STATUES.

20th century, Thailand. The first depicting the archer Rama with hands raised standing atop a red plinth. The second with one knee and arm raised to the air and holding an element in his hand. Both finished in gilt paint with jeweled accents. SIZE: 36″ t on both. CONDITION: Repairs to the arm of archer. Losses to both weapons, separation at joints. Losses to the lacquered finish. 50609-4 (800-1,200) – Lot 3738

3739
$0.00

BRONZE STANDING BUDDHA.

20th century, Thailand. The large sculpture depicting the standing deity wearing flowing attire with serene expression and hand raised in a mudra standing upon on a square wood plinth. SIZE: 51″ h with stand. CONDITION: Repair to index finger of left hand. Loss to tip of thumb on left hand. Overall wear to the surface. 50751-5 (1,200-1,800) – Lot 3739

3740
$414.75

LANG YAO GLAZED PORCELAIN BOWL.

20th century, China. The bowl made in slender form with gently flared top rim and slightly inverted foot is finished with a rich lang yao glaze to exterior. The underside with Qianlong seal in underglaze blue. SIZE: 4-1/4″ dia. CONDITION: Very good. 50342-31 (300-500) – Lot 3740

3741
$0.00

GUAN PORCELAIN POT.

20th century, China. Made in squat form with wide cylindrical neck and slightly flared top rim. Glaze ending cleanly just above the foot surrounding a character done in relief on underside. SIZE: 4″ w x 2″ t. CONDITION: Very good. 50342-3 (600-900) – Lot 3741

3742
$0.00

LOT OF BLUE AND WHITE PORCELAIN TOGETHER WITH A PARROT.

20th century, Asia. The lot consisting of Japanese blue and white teawares each decorated with children chasing a butterfly. Together with a Chinese porcelain statue of a parrot finished in Famille Verte enamels. SIZE: Teapot 7-1/2″ dia. Plates 6-1/2″ and 5-1/2″ dia. Parrot 8″ t. CONDITION: Teawares very good. Parrot with crack through body. 50261-3 (400-600) – Lot 3742

3743
$0.00

PAIR OF PORCELAIN BOTTLE VASES.

20th century, China. Each vase made in bottle form, decorated with colorful small roundels and gilt painted dragon coiled around the neck. Undersides with four characters Qianlong marks. SIZE: 9″ h and 8-3/4″ h. CONDITION: Losses to head of one dragon. 50751-2 (400-600) – Lot 3743

3744
$1,066.50

PAIR OF CROUCHING BRONZE TIGERS.

20th century, China. Each tiger shown in a crouched position ready to pounce with open mouth. The bodies heavily inlaid with silver wire and signed on underside. SIZE: 14-1/2″ l. CONDITION: Very good. 50751-1 (800-1,200) – Lot 3744

3745
$296.25

SET OF FOUR BRONZE STATUES.

19th/20th century, Asia. The set depicting a musician and archer along with two attendants. Each shown on a raised plinth and having a patinated surface. SIZE: 5-1/2″ to 6-1/2″ h. CONDITION: Overall very good. Musician’s instrument not present. 50892-3 (500-700) – Lot 3745

3746
$148.13

LOT OF REFERENCE BOOKS RELATED TO ASIAN ART.

Includes: Archaic Chinese Jades by A.W. Bahr, 1927 signed on first inside page by the author and dated April 10, 1928; Chinese Jade of Five Centuries by Joan M. Hartman, 1969; The Story of Jade by Herbert P. Whitlock & Martin L. Ehrmann, 1949; Chinese Jade Throughout the Ages by Stanley Charles Nott, 1962; Chinese Bronzes by Christian Deydier, 1980; The Great Bronze Age of China, 1980; Asiatic Art by HFE Visser, 1948. CONDITION: Light wear from use. 50842-10 (500-800) – Lot 3746

3747
$177.75

FOOTED BOX IN LOBED FORM.

20th century, China. The box in shallow form decorated on the cover with a detailed design of blossoming flowers growing from a rockery. SIZE: 10″ w. CONDITION: Some shallow chips to the interior rim of base. 50718-2 (500-1,000) – Lot 3747

3748
$1,066.50

PAIR OF PEWTER CANDLESTICKS.

20th century, China. Each stick in the form of a stylized character holding the original candles with relief dragon design. SIZE: Total: 19″ h. CONDITION: Slight bend to one stick. 50864-9 (300-500) – Lot 3748

3749
$88.88

LACQUER DRUM FORM “FOO LION” CONTAINER AND HUALI PORTABLE JEWELRY BOX.

1) 19th century, China. With two ruyi form handles, the top with gilt and red lacquer foo lion and cub. 2) Republican Period, China. The sliding panel reveals seven drawers. SIZE: 1) 20″ h. 2) 8-1/2″ x 8-1/4″ x 7-1/2″. CONDITION: 1) Age cracks, some wear and loose joints. 2) Shrinkage to some panels and minor losses to edges. Overall good. 50270-47, 50270-72, (500-700) – Lot 3749

3750
$0.00

LACQUERED COVERED BOX ALONG WITH OPIUM PIPE.

19th/20th century, China. The box with hinged cover which opens to reveal a hand painted liner containing an embroidered silk textile. Has hand written presentation note from Nantucket dated “June 1917”. Comes with brass opium pipe having hinged cover revealing incised writing. SIZE: Box: 18-1/2″ w. Pipe: 11-1/2″ h. CONDITION: Box: Split to cover, losses to the lacquer, insect damage to liner. Pipe with losses to edge of skin covering. 50779-8, 50779-21, (700-900) – Lot 3750

3750A
$0.00

CHINESE REVERSE PAINTING ON GLASS.

This reverse painting on glass depicts 3 children playing with bamboo shoots in the background. Framed in a mahogany frame. SIZE: 22″ h x 16″ w. CONDITION: Generally good. 49421-73 (200-300) – Lot 3750A

3751
$0.00

FRAMED PAINTING OF TWO SAMURAI.

Early 20th century, Japan. The scene depicting two Samurai with one crouched on a knee ready to draw a sword. Harris Kosmas Ltd label on reverse. SIZE: 64″ x 41″. CONDITION: Laid down on board. Toning to image. 50270-26 (400-600) – Lot 3751

3752
$355.50

MIXED MEDIA PAINTING.

20th century, Japan. The image depicting a single man with serene expression wearing loose fitting robe accented with flowers. Mixed media on paper with artist seal on lower right. Housed in a gilt painted frame under plexiglass with “Alexandre Iacovleff” gallery label on reverse. SIZE: 20-3/4″ h x 15-1/2″ w. Image 13″ h x 8″ w. CONDITION: Frame with small losses to gilt finish. Image appears very good, not examined out of frame. 50270-17 (600-800) – Lot 3752

3753
$0.00

WOODBLOCK PRINT OF KABUKI ACTOR.

20th century, Japan. The impression depicting Kabuki actor entitled “Otani Oniji II”. Signature in lower right corresponding to Toshusai Sharaku. SIZE: 22″ h x 16-1/2″ w. Image 15″ h x 10″ w. CONDITION: Backboard to frame missing. 50369-1 (1,000-2,000) – Lot 3753

3754
$0.00

OIL PAINTING OF KAACHAN AND AN ANIMAL BY TARO ICHIHASHI.

20th century, Japan. The image depicting an abstract figure looking down upon a small animal. Done in bold colors on a yellow ground. Oil on wood panel, housed in a silvered wood frame. Identified on reverse. SIZE: 13″ t x 13-1/2″ w overall. Image 11-1/4″ t x 10-3/4″ w. CONDITION: Some chips to the panel with associated in-painting. 50270-43 (200-300) – Lot 3754

3755
$0.00

PAIR OF PORCELAIN HU VASES.

20th century, China. The large pair brightly decorated with continuous aquatic scene containing various birds and blossoming lotus. Applied deer form handles at shoulders beneath a ring of ruyi. Each marked on the underside with a six-character Kangxi mark in underglaze blue. SIZE: 16-1/4″ h. CONDITION: Loss to the ear of one handle. 50751-4 (800-1,200) – Lot 3755

3756
$88.88

PORCELAIN COVERED BOWL.

First half of the 20th century, China. Floral scrolling decoration on a cobalt blue ground. With 6-character Ch’ien Lung mark on top and base. SIZE: 8″ dia. CONDITION: Very good. 50776-4 (100-300) – Lot 3756

3757
$0.00

SMOKEY QUARTZ LIBATION CUP ALONG WITH PORCELAIN TEA BOWL.

Early 20th century, China. The cup carved with two relief lions climbing over the side with one acting as the handle. All finished with a crosshatch pattern and bands of key fret accenting the rims. The bowl decorated with enameled cranes over stylized waves and rockeries framed by pink and yellow key fret borders. Underside with six character Guangxu mark. SIZE: Cup 3″ t. Bowl is 4-1/4″ dia. CONDITION: Cup with apparent cracks in the body which we believe are natural fissures. Bowl is very good. 50814-3 (400-600) – Lot 3757

3758
$0.00

ANCESTRAL PORTRAIT PAINTING.

Late Qing Dynasty, China. The portrait depicting an elder seated on a hardwood chair wearing a robe with rank badge, a long beaded necklace draped around his neck, and a colorful carpet shown below. Watercolor on paper, framed under glass. SIZE: Overall 48″ h x 27-1/2″ w. Image 41-1/2″ h x 21-1/2″ w. CONDITION: Creases, a split on the top edge, minor stains. Not examined out of frame. 50753-5 (800-1,200) – Lot 3758

3759
$11.85

THREE FRAMED ASIAN STYLE WORKS.

Group consists of 1) Two photo reproductions and 2) Painting on woven birch bark of two herons in a tree. SPECIAL NOTE: This lot is being sold to benefit the St. Jude’s Children’s Hospital. SIZE: 1) Each is Sight: 13-1/2″ x 6-1/2″. Overall: 21″ x 14″. 2) Sight: 19-3/4″ x 11″. Overall: 23-1/4″ x 14-1/4″. CONDITION: 1) Considerable foxing and toning throughout. 2) Very good overall. 50267-3 (50-100) – Lot 3759

3760
$0.00

SCROLL PAINTING.

20th century, China. The image depicting a scene of two figures in a boat with canopy passing by the wooded shoreline with a mountainous terrain in the distance. Single script of writing in upper right along with two seals. SIZE: Scroll 82″ h x 31-1/2″ w. Image 50-1/4″ h x 24-3/4″ w. CONDITION: Creasing and wear to the image. Top board of scroll held by tape, splits in backing some stabilized with tape. 50270-11 (300-400) – Lot 3760

3761
$0.00

FRAMED GOUACHE OF TWO WOMEN.

Early 20th century, China. A central cartouche housing the image of two women in a courtyard with one seated on a rock reading a scroll. All done on a ground of beaded design containing small reserves of lotus blossom. Framed under glass. SIZE: 19″ x 19″ overall. CONDITION: Some small losses and wear to the image. 50867-6 (300-400) – Lot 3761

3762
$0.00

FRAMED SCROLL PAINTING.

Late 19th century, China. Executed on paper the painting depicts a group of scholars and immortals holding various objects with stylized clouds above. SIZE: Sight: 49-1/2″ x 23-1/2″. CONDITION: Creasing, small losses, scattered staining. 50270-9 (300-500) – Lot 3762

3763
$711.00

LARGE TWO DOOR CUPBOARD.

20th century, China. The two doors open to reveal the interior containing two shelves and deep well below. The exterior finished in red paint and standing on four raised legs. SIZE: 72″ h x 66″ w. CONDITION: Scattered losses to the paint. 50270-35 (1,200-1,800) – Lot 3763

3764
$0.00

FIVE DRAWER LACQUERED CHEST.

20th century, China. The chest with five drawers each having a locking mechanism in the center and a red lacquer-like finish. SIZE: 40″ t x 35-1/2″ w. CONDITION: Losses to the red finish, one drawer with a split in the front. 50270-2 (300-500) – Lot 3764

3765
$59.25

FOUR SIDED HARDWOOD STAND.

20th century, China. The stand made in square form standing on four braced legs with traces of red paint. SIZE: 12-3/4″ across. CONDITION: Blemishes in wood, scattered nail repairs. 50270-18 (100-150) – Lot 3765

3766
$0.00

CAST METAL DOME TOP STIRRUP.

20th century or earlier, Tibet. The round foot rest with recessed well and arms on each side extending to a domed top. Traces of silvered decoration throughout. SIZE: 6″ h. CONDITION: Wear and rusting to the surface. 50262-10 (200-300) – Lot 3766

3767
$0.00

GLAZED POTTERY BOWL.

20th century, China. The flared bowl with slightly ribbed body ending at an inverted top rim. Finished in a dark glaze with five drip streaks of brown falling to the center. With box. SIZE: 7″ dia. CONDITION: Very good. 50262-4 (400-600) – Lot 3767

3768
$355.50

COVERED PORCELAIN JAR.

Late Qing Dynasty, China. The jar made in round form decorated around the exterior with roundels containing stylized Shou characters framed by pink bats. SIZE: 9″ dia x 8″ h. CONDITION: Minor fritting to interior lip, small chips to edge of cover. 50701-2 (700-900) – Lot 3768

3769
$0.00

LARGE PORCELAIN HU VASE.

China, 20th century. The body painted with a continuous landscape containing various buildings along the water’s edge and mountains in the background. Applied stylized dragon handles at the shoulder and a small group of writing on the back. SIZE: 19″ h. CONDITION: Good. 50296-3 (1,000-1,500) – Lot 3769

3770
$296.25

ENAMELED PORCELAIN COVERED JAR.

20th century, China. Each side decorated with a scene of figures done on a mazarin blue ground accented with various precious objects and flowers. Comes with original dome cover and wooden display stand with openwork. SIZE: 19-1/4″ h. CONDITION: Wear to the enamels. 50864-4 (300-500) – Lot 3770

3771
$237.00

EMBROIDERED RANK BADGE.

Early 20th century, China. The badge executed in metallic thread with a bird in the center standing on one leg and various precious objects in the background. SIZE: Sight: 8-3/4″ x 8″. CONDITION: Very good. Not examined out of frame. 50813-8 (400-600) – Lot 3771

3772
$118.50

RECTANGULAR CARVED WOOD CHEST WITH HANDLES.

20th century, China. The wood chest fitted with iron mounts and locking mechanism in the front. Applied handles to the side, interior with silk lining. Comes with original key. SIZE: 15″ x 8-1/4″ x 6-3/4″. CONDITION: Very good. Some rusting to the iron mounts. 50262-11 (200-300) – Lot 3772

3773
$266.63

TWO FRAMED 20TH CENTURY BALINESE INDIGENOUS GOUACHES.

Including: 1) Ida Bagus Ketut Panda (b. 1941) Male and Female Dieties In a Garden, signed and inscribed lower right “-Ida-Bos-Panda. -Batuan-. 2) Cermony in the Jungle, signed and inscribed lower right “K. Kenak/Pelioton.Ubud BALI”. SIZE: 1) Sight: 13″ x 8-3/4″. 2) 12″ x 9″. Overall of both: 18-1/2″ x 14-1/2″. CONDITION: Very good to excellent. 50753-7 (500-700) – Lot 3773

3774
$0.00

LOT OF TWO WOOD CARVED ELEMENTS.

19th/20th century. 1) Carved open work fragment with meandering vines and flowers finished in green and red pigment. 2) Carved wood stand with relief decoration in red and green paint. SIZE: 1) 28″ l x 16″ h. 2) 9-1/2″ w 6-1/2″ t. CONDITION: 1) Minor losses around edge of open work, split through center and reinforced on back. 2) Wear to applied color. 50396-1 (500-700) – Lot 3774

3775
$266.63

PERSIAN PLAQUE.

19th century or earlier. Round example with polychrome glazed surface depicting a seated figure being served coffee by an attendant in a landscape. Mounted within a modern octagonal frame. SIZE: Plaque: 15-1/2″ dia. CONDITION: With craquelure and some chips of glaze along edge. 50776-1 (300-500) – Lot 3775

3776
$88.88

FRAMED WATERCOLOR PAINTING, OLD MUSIC FOR YOUNG EARS.

20th century, Chinese. The image depicting an elder seated with instrument in hand playing for two young children with joyous expressions. Signed lower right. SIZE: Overall: 33″ x 25″. Sight: 23″ x 15-1/4″. CONDITION: Very good. 50718-7 (300-500) – Lot 3776

3777
$177.75

LOT OF WOODBLOCK PRINTS.

19th/20th century, Japan. Later impressions of various artists, depicting Kabuki actors, Samurai, and maidens. All framed under glass. SIZE: Two are 29″ h x 7-1/4″ w overall. One is 17-1/2″ h x 12-1/2″ w overall. Three approximately 16″ h x 9″ w overall. CONDITION: Wear, and toning throughout. 50647-28 (300-400) – Lot 3777

3778
$0.00

PORCELAIN CHARGER.

19th, early 20th century, Japan. Foliate edge with floral designs in famille rose enamels. Blue Cheng Hua mark on the base. SIZE: 18″ dia. CONDITION: Some decoration loss, knife marks, generally good. 50300-4 (200-400) – Lot 3778

3779
$0.00

LOT OF THREE ASIAN VASES NOW FITTED AS LAMPS.

20th century, Asia. 1) A Korean celadon vase in Meiping form decorated with small roundels of birds under the glaze. 2) Chinese Flambe glazed vase in elongated ovoid form. 2) A Japanese studio porcelain vase with colorful scene of leaves and flowers on a brown glaze. SIZE: 1) Vase 13-3/4″ h. 2) Vase 13-1/2″ h. 3) 17-1/2″ h. CONDITION: 1) Very good. 2) Very good. 3) Very good. 50262-2 (600-700) – Lot 3779

3780
$0.00

CARVED AND PAINTED WOOD BUDDHA.

20th century, China. The Buddha depicted in a seated position with legs crossed and hands in a mudra. He is finished in red and blue paint accented with gilt. SIZE: 19-1/2″ h. CONDITION: Scattered losses to paint, splits in the wood. 50438-12 (500-1,000) – Lot 3780