WALDO PEIRCE (American, 1884-1970) “THE OSGOOD NICKERSON FAMILY HOME, CASTINE, ME”. Oil on canvas Housed in its original painted molded wood frame Signed and inscribed “FOR OLD NICK OCT 44 FROM WALDO PEIRCE”, lower right, also inscribed on reverse of canvas “FOR OLD NICK – FROM WALDO PEIRCE ROUTE NO. 1 – MAINE & US SEARSPORT (NOT THE STRAIGHT AND NARROW) MERRY XMAS 47″ SIZE: 27″ X 40″. Overall: 33-1/2″ x 46-1/2”. PROVENANCE: Osgood Nickerson Family, Bangor, ME. Friends of Robert Weston, Ernest Hemingway and John Steinbeck. CONDITION: Very good. 9-90497 (4,000-8,000)

WALDO PEIRCE (American, 1884-1970) ROBERT WESTON HUNTING WITH HIS DOG. Oil on canvas Housed in an oak natural frame Signed and inscribed “FOR ROBERT & KIM FROM W.P 1936″, lower right Accompanying lot is a framed photograph of Robert Weston next to a recently shot tiger with guide and elephant SIZE: 22″ x 30″, Overall: 26-3/4″ x 34-3/4″; Photo: 6-1/2 x 9-1/4″, Overall: 11-3/4″ x 14”. PROVENANCE: Osgood Nickerson Family, Bangor, ME. Friends of Robert Weston, Ernest Hemingway and John Steinbeck. CONDITION: Very good. 9-90501 (4,000-6,000)

WALDO PEIRCE (American, 1884-1970) GUNSLINGER AND FLOOZY IN SALOON. Oil on canvas board Housed in a worm-eaten oak frame Signed “W.P 54”, lower right, inscribed “TO NICK FROM BILLY THE KID”, lower left, also signed and dated on verso SIZE: 24″ x 18″, Overall” 28″ x 22″. PROVENANCE: Osgood Nickerson Family, Bangor, ME. Friends of Robert Weston, Ernest Hemingway and John Steinbeck. CONDITION: Very good. 9-90512 (3,000-5,000)

WALDO PEIRCE (American, 1884-1970) “MUSSELS”. Oil on canvas Housed in a walnut frame with gilt liner Signed and inscribed “FOR NICK W.P 57″, lower left, also signed, titled and dated on verso SIZE: 12″ x 16, Overall: 17-3/4″ x 21-3/4”. PROVENANCE: Osgood Nickerson Family, Bangor, ME. Friends of Robert Weston, Ernest Hemingway and John Steinbeck. CONDITION: Very good. 9-90510 (800-1,200)

WALDO PEIRCE (American, 1884-1970) “WOODCOCKS – SHOT BY ROBERT WESTON”. Oil on canvas Housed in an oak molded wood frame Unsigned front, inscribed in back in Peirce’s hand “WOODCOCK’S SHOT BY ROBERT WESTON 1920”, signed on edge of canvas “W.P BIRDS” SIZE: 16″ x 20″, Overall: 18-3/4″ x 22-3/4″ PROVENANCE: Osgood Nickerson Family, Bangor, ME. Friends of Robert Weston, Ernest Hemingway and John Steinbeck. CONDITION: Very good. 9-90508 (800-1,200)

WALDO PEIRCE (American, 1884-1970) POTTED PLANT OF RED AND WHITE FLOWERS. Oil on canvas Housed in a painted molded wood frame Signed and inscribed “FOR CHRIS TIME 1 JUNE 32 W.P”, lower right SIZE: 21″ x 16″. Overall: 16-1/2″ x 21-1/4″ PROVENANCE: Osgood Nickerson Family, Bangor, ME. Friends of Robert Weston, Ernest Hemingway and John Steinbeck. CONDITION: Very good, some wrinkling to canvas. 9-90499 (1,200-1,800)

WALDO PEIRCE (American, 1884-1970) “BOATS AT DRY DOCK”. Watercolor on paper Housed in a modern molded wood frame with white matte and glass Signed and inscribed “WHILE NICK WAS SOAPBOXING – THE POTS SLEPT ON. ST. CROIX R. CALAIS 25- – W. PEIRCE 39″, lower right SIZE: Sight: 11-1/4″ x 17-1/4″. Overall: 16-1/2″ x 22-1/2”. PROVENANCE: Osgood Nickerson Family, Bangor, ME. Friends of Robert Weston, Ernest Hemingway and John Steinbeck. CONDITION: Very good. 9-90498 (800-1,200)

WALDO PEIRCE (American, 1884-1970) “PHILIP AND SALLY 37”. Watercolor on paper Housed in a simple wood frame with matte and glass Inscribed and dated “FOR MY FRIEND NICK, PHILIP AND SALLY 37″, lower right, and does not appear to be signed Not examined out of frame SIZE: 16-1/2″ x 22-3/4″, Overall: 24-1/4″ x 30”. PROVENANCE: Osgood Nickerson Family, Bangor, ME. Friends of Robert Weston, Ernest Hemingway and John Steinbeck. CONDITION: Very good. 9-90505 (1,000-2,000)

WALDO PEIRCE (American, 1884-1970) OSGOOD NICKERSON AT THE WHEEL. Watercolor on paper Housed in a weathered wood frame with matte and glass Signed and inscribed “LA SKIPPER NICK FROM STOWAWAY W.PEIRCE”, lower right SIZE: 9-1/4″ x 12″, Overall: 17-1/4″ x 19-1/2″. PROVENANCE: Osgood Nickerson Family, Bangor, ME. Friends of Robert Weston, Ernest Hemingway and John Steinbeck. CONDITION: Very good. 9-90502 (800-1,200)

WALDO PEIRCE (American, 1884-1970) CLAMDIGGING. Watercolor on paper Housed in a weathered wood frame with matte and glass Signed and inscribed “LA NICK THE CLAMDIGGER W.PEIRCE 39″, lower right SIZE: 8-1/2″ x 11″, Overall: 17-1/2″ x 19-1/2”. PROVENANCE: Osgood Nickerson Family, Bangor, ME. Friends of Robert Weston, Ernest Hemingway and John Steinbeck. CONDITION: Very good. 9-90503 (800-1,200)

WALDO PEIRCE (American, 1884-1970) DEAD QUAIL. Watercolor on paper Housed in a lemon-gold frame with losses having a matte and glass Signed and inscribed “FOR HILL & NICK 2 SEPT 33 WALDO”, lower right SIZE: 10-1/2″ x 15-1/2″, Overall: 19-3/4″ x 23-3/4″. PROVENANCE: Osgood Nickerson Family, Bangor, ME. Friends of Robert Weston, Ernest Hemingway and John Steinbeck. CONDITION: Very good, matte is discolored. 9-90509 (800-1,200)

WALDO PEIRCE (American, 1884-1970) “CIRCUS AT SEARSPORT”. Oil on canvas Housed in a painted molded wood frame Signed and inscribed lower left “For Gus & Ruth WP. Nov 64″, also signed and inscribed with title and date on verso, and having a Farnsworth Museum label from the Waldo Peirce Retrospective Exhibition July 1984 SIZE: 27″ x 36″. Overall: 31″ x 40”. CONDITION: Very good. 9-29772 (5,000-10,000)

PAUL BERNARD KING (American, 1867-1947) CAMDEN HARBOR. Oil on canvas Housed in a magnificent carved and gilt frame with wide carved and gilt liner, with gilt wood artist’s plaque Signed lower right “Paul King” SIZE: 25″ x 30″. Overall: 36-1/2″ x 41-1/2″. CONDITION: Lined, inpainting, very good. 9-29517 (8,000-12,000)

WILLIAM LESTER STEVENS (American, 1888-1969) OCEAN POINT, MAINE. Oil on canvas Housed in a fine ribbed gilt modern frame with gilt and carved liner Signed lower right “W. Lester Stevens N.A.” SIZE: 25″ x 30″. Overall: 33-1/2″ x 38-1/4″. CONDITION: Very good, minor touch-up. 9-29496 (5,000-8,000)

WILLIAM R. DAVIS (American, 1952-) “ENTRANCE TO SHIP HARBOR MT DESERT, ME”. Oil on Masonite Housed in a black painted frame with gold inside edge Signed lower left “W. Davis” and signed and titled on verso SIZE: 5″ x 7″. Overall: 12-3/4″ x 14-3/4″. CONDITION: Very good to excellent 9-28431 (1,000-2,000)

WILLIAM LEES JUDSON (American, 1842-1928) “CASCO BAY”. Oil on canvas Housed in its original gesso decorated frame with gilt liner with losses Signed lower right “W.L. Judson” & titled on verso. Also label from O.B. Graves Parlour Picture Store SIZE: 20″ x 30-1/2″. Overall: 26-1/2″ x 36-3/4″. CONDITION: Two small patches to reverse. Good. 9-90496 (1,500-2,500)

ALBERT INSLEY (American, 1842-1937) “A LANE AMONG ROLLING HILLS”. Oil on wood panel Housed in a fine period gesso decorated gilt frame with gilt liner Signed lower right “Albert Insley” and title on verso SIZE: 12″ x 18″. Overall: 20″ x 26″. CONDITION: Very good. 9-29389 (1,250-1,750)

ABBOTT FULLER GRAVES (American, 1859-1936) YANKEE PEDDLER. Oil on canvas Housed in a large gesso decorated gilt frame with two small edge losses Signed lower left “Abbott Graves Kennebunkport ME.” SIZE: 30″ x 40″. Overall: 40″ x 50″. CONDITION: Wax lining, minor inpainting, very good. 9-28862 (15,000-25,000)

SCOTT LEIGHTON (American, 1849-1898) PUPS AND CHICKS. Oil on canvas Housed in its original gesso decorated gilt frame with gilt liner Signed lower right “Scott Leighton” SIZE: 7″ x 9″. Overall: 16″ x 18-1/2″. CONDITION: Very good. 9-29558 (2,000-3,000)

SCOTT LEIGHTON (American, 1849-1898) “IN THE BARN”. Oil on canvas Housed in a fine gesso decorated antique gilt frame with gilt liner Signed and dated “Scott Leighton, 84″, lower right Title on canvas verso SIZE: 12-1/4″ x 10-1/4”. Overall: 20-1/2″ x 18-1/4″ CONDITION: Minor touch-up, very good 9-29429 (1,000-1,500)

WILLIAM ZORACH (American, 1887-1966) ROBINHOOD COVE, 1940. Large watercolor Housed in molded wood frame with white matte Signed lower right An exhibition card on reverse with title and date Robinhood Cove, Maine was where the Zorach Summer house was SIZE: Sight: 19″ x 26″. Overall: 28-1/2″ x 35″. CONDITION: Very good. 9-26472 (3,000-5,000)

WILLIAM ZORACH (American, 1887-1966) SUNRISE OVER THE BEACH. Watercolor on paper Housed in a carved wood partial gilt frame with white matte having gold edge behind glass Signed lower right and dated “Zorach 1966″ SIZE: Sight: 10″ x 14-1/2″. Overall: 19-1/2″ x 24”. CONDITION: Very good. 7-70359 (2,000-3,000)

WILLIAM ZORACH (American, 1887-1966) BRIDGE OVER RIVER. Watercolor on paper Housed in a modern ebonized frame with multiple cutout mattes Signed lower left “Zorach” SIZE: Sight: 11-1/2″ x 15-1/2″. Overall: 22-3/4″ x 26-1/4″. CONDITION: Very good. 7-70368 (1,500-2,500)

WILLIAM ZORACH (American, 1887-1966) “THE ARTIST’S DAUGHTER”. Terracotta Signed on back of figure “Zorach” with a number that is illegible, also a raised signature “Zorach” on square base. NOTE: Zorach did a number of sculptures of his young daughter in terracotta, marble & bronze castings. Terracotta has long been held in a position of esteem with Europeans, as it molded in the hands of the artist and is the closest to the artist’s spontaneous impression. In comparing the various sculptures of Zorach’s daughter, Dahlov, done in roughly a several year period, this particular work seems to resonate with more personal feeling & character than the others. SIZE: Overall: 15″ H x 6″ W x 4-1/2″ D. PROVENANCE: Acquired by Emile Arnold directly from the artist; Consigned to Swann’s in 2000 by Arnold’s descendants to our consignor. CONDITION: Very good. 9-29413 (6,000-10,000)

BERNARD LANGLAIS (American, 1923-1977) “TWO LIONS”. Oil and pencil on paper Housed in a modern silver gilt frame with double matte Signed lower left “Bernard Langlais” and having a Portland Museum of Art label on verso SIZE: Sight: 17-1/4″ x 23-1/4″. Overall: 25-3/4″ x 31-1/4″. CONDITION: Very good. 9-29927 (400-600)

NEIL WELLIVER (American, 1929-2005) “BIRCHES”. Silkscreen on paper Housed in a light stained wood frame with white matte Pencil signed bottom right “Welliver” and pencil numbered lower left “125/144″ Printer: Charles Cardinale, Fine Creations, Inc., New York, NY SIZE: Sight: 39-1/2″ x 31-1/2″. Overall: 51-1/2″ x 39-1/2”. CONDITION: Very good, not examined out of frame 9-29414 (1,500-2,500)

DON STONE (American, 1929-) LOBSTERING OFF MONHEGAN. Watercolor Housed in a black & gold molded wood frame with wide decorative mattes Signed lower left “Don Stone” SIZE: Sight: 21″ x 29″. CONDITION: Very good 9-22866 (1,500-2,000)

JOSEF M. ARENTZ (American 1903-1969) “WHITE HEAD MONHEGAN”. Oil on canvas Housed in a gilt wood frame with white edge Signed lower left and dated “1968” SIZE: 24″ x 36″ Overall: 29″ x 41″ CONDITION: Very good 9-26780 (800-1,200)

CARL SPRINCHORN (American, 1887-1971) FIVE MEN WORKING LOGS IN A RIVER. Oil on canvas Housed in a silver gilt wood frame with linen liner Unsigned SIZE: 24″ x 27-1/2″. Overall: 26″ x 30″ PROVENANCE: Purchased by consignor from the John Pierce Gallery, Bangor, ME (Waldo Pierce’s Son), acquired from artist CONDITION: Very good. Note: The artist was not satisfied with the painting and whitewashed the surface, which can be seen as a milky-white streaky layer over the entire painting 9-29984 (6,000-9,000)

JAMES FITZGERALD (American, 1899-1971) “STAIRS TO HOUSE”. Watercolor on paper Housed in an ivory modern matte Signed “James Fitzgerald”, lower right; also titled “Stairs to House” with “F-41″ on verso Note: We believe this depicts Robert Louis Stevenson’s House on Houston St. in Monterey, CA SIZE: Sight: 19-1/2″ x 24-1/4”. Overall: 27″ x 31″ CONDITION: Foxing lines at previous frame edge 9-29143 (2,000-4,000)

PAUL STRISIK (American, 1918-1998) “MONHEGAN ISLAND, MAY 1967”. Oil on canvas Housed in a partial gilt wood frame with linen liner retaining original artist’s label on verso Signed lower left “P. Strisik” and dated “May 1967″ SIZE: 20″ x 30”. Overall: 28-1/2″ x 38-1/2″ CONDITION: Very good. 9-28871 (3,000-5,000)

PAUL STRISIK (American, 1918-1998) ALONG THE MAINE COAST. Oil on canvas Housed in its original carved wood frame with painted liner Signed lower left “Paul Strisik” SIZE: 25″ x 30″. Overall: 33″ x 38″. CONDITION: Very good, light craquelure. 9-29071 (1,600-2,400)

PAUL STRISIK (American, 1918-1998) LATE FALL LANDSCAPE. Oil on canvas Housed in a silver gilt carved wood frame Signed lower left “P. Strisik” SIZE: 20″ x 30″. Overall: 26-1/2″ x 36-1/2″. CONDITION: Very good, untouched 9-28799 (1,500-2,500)

BILL JEWEL (American, 20th/21st Century) “PORTLAND FROM BAXTER BOULEVARD”. Watercolor on paper Housed in a wonderful natural wood frame with wood liner, linen matte, having wood edge Signed bottom right “Bill Jewel, June 81″ SIZE: Sight: 19-1/2″ x 59-1/2″. Overall: 33-1/4″ x 73”. CONDITION: Very good to excellent. 9-29924 (800-1,200)

THOMAS CROTTY (American, 1934- ) “TOWARDS BALD HEAD-SUNSET”. Oil on canvas Housed in its original thin silver gilt shadow box type wood frame, retaining a Frost Gully Gallery label on verso Signed lower left “Thomas Crotty” Note: This is considered to be one of the very finest examples of this contemporary Maine painter’s work. The consignor purchased this painting directly from the artist a few years ago for $50,000. The entire hammer price for this lot is being donated to the Portland Museum of Art — a very noble and generous gesture on behalf of the consignor; please consider this beautiful painting and the worthwhile cause your purchase will support. SIZE: 36″ x 48″. Overall: 37″ x 49″. CONDITION: Very good to excellent. 9-90388 (30,000-50,000)

TOM HUGHES (American 20th/21st century) OGNQUIT (2010). Oil on canvas Housed in a modern gilt wood frame Signed lower right “Tom Hughes” SIZE: Sight: 24″ x 30″. Overall: 30″ x 36″ CONDITION: Very good to excellent 9-90515 (4,000-6,000)

TOM HUGHES (American, 20th/21st century) FISH HOUSE, BEAL’S ISLAND. Oil on panel Housed in a modern gilt wood frame Signed lower right “Tom Hughes” SIZE: Sight: 8″ x 12″. Overall: 11-1/2″ x 15-1/2″. CONDITION: Very good to excellent 9-90514 (800-1,200)

JOHN SWAN (American, 1948- ) “PARMACHENE GROUSE”. Oil on Masonite Housed in modern gilt wood frame with linen liner Signed lower right “John Swan 87”. Note: This painting was on the cover of “Gray’s Sporting Journal” in the fall issue of 87 and the cover of “Shooting Sportsmen” a year or two later, and in the “Art of Shooting Flying”, also included in numerous other publications and issued as a limited edition print. According to the artist, it depicts his brother-in-law and his dog in one of his favorite grouse covers in Maine. SIZE: 24″ x 38″. Overall: 31-1/2″ x 45″. CONDITION: Very good to excellent. 9-29946 (10,000-20,000)

JOHN CLINTON SPENCER (American, 1861-1919) RECENT CATCH. Oil on canvas Housed in its fine original gesso decorated gilt frame with gilt liner Signed lower left “J.C. Spencer 1897″ SIZE: 16″ x 26″. Overall: 22-3/4″ x 32-1/2”. CONDITION: Some inpainting, very good. 9-29668 (2,500-3,500)

WAYNE DAVIS (American, 1904-1988) SALMON FISHING. Watercolor on paper Housed in a gilt wood frame with white matte Signed lower right “Wayne Davis 67″ SIZE: Sight: 20-1/2″ x 28-1/4″. Overall: 28″ x 35-1/2”. CONDITION: Very good. 9-29913 (500-800)

LOU BONAMARTE (American, 1933- ) “POCOMOONSHINE LAKE, MAINE”. Watercolor Housed in a fine modern gilt frame with white matte Signed lower left “Lou Bonamarte ’92” SIZE: Sight: 10″ x 14″. Overall: 17-1/2″ x 21-1/2″. CONDITION: Very good to excellent. 9-29544 (1,200-1,500)

STUART ROSS (American, Late 20th Century) “NEQUASSET MARSHES, WOOLWICH, MAINE”. Oil on canvas Housed in a good silver gilt wood frame with linen liner Signed lower right “Ross 2000″ SIZE: 23″ x 28″. Overall: 29-1/4″ x 34-1/2”. PROVENANCE: Exhibited at the O’Farrell Gallery, Brunswick, ME in June, 2001 CONDITION: Very good. 9-29417 (500-1,000)

DAVID L. BLOCH (American Mid 20th Century) MONHEGAN ISLAND. Watercolor Housed in a gray painted wood frame with double matte Illegible signature dated “7-31-56”. Label on reverse “From Merrill Galleries NY, NY” SIZE: 13-1/2″ x 20-1/2″ Overall: 23″ x 29-1/2″ CONDITION: Very good 9-26775 (400-600)

WILLIAM BALDWIN (American, 20th Century) “OFF ISLESBORO”. Oil on masonite Housed in a modern gilt frame with linen liner (liner with stains) Signed center bottom “Wm Baldwin 1995″ SIZE: 24″ x 36”. Overall: 33″ x 45″ CONDITION: Very good 9-28541 (1,000-2,000)

BEVERLY LINNEY HALLAM (American, 1923- ) “POOL”. Acrylic on canvas Housed in a simple white-fronted wood slat frame Signed and titled on verso SIZE: 48″ x 48″. Overall: 49-1/4″ x 49-1/4″. CONDITION: Very good. 9-29930 (800-1,200)

BEVERLY LINNEY HALLAM (American, 1923- ) “SUN POOL”. Acrylic on paper Housed in a modern decorative frame with linen liner and plexiglass, on verso is an artist’s label, also Portland Museum of Art label, and a label from Beth El Art Festival Signed lower right “Hallam” SIZE: Sight: 29-1/4″ x 39-1/4″. Overall: 33-1/2″ x 43-1/4″. CONDITION: Very good. 9-29926 (800-1,200)

DAVID CROWLEY (American, 1944- ) “SCOTOMA 265”. Oil on canvas Unframed Unsigned front, signed and titled on reverse, dated 84 SIZE: 60″ x 36″. CONDITION: Very good. 9-29931 (800-1,200)

LAURENCE PHILIP SISSON (American, 1928- ) “MAINE SANCTUARY”. Oil on Masonite Housed in a silver edged wood frame with linen liner (stained) Signed lower right “L. Sisson” SIZE: 44″ x 72″. Overall: 49″ x 77″. CONDITION: Very good. 9-29929 (3,000-5,000)

LAURENCE PHILIP SISSON (American, 1928- ) “MT. FUJI REVISITED”. Oil on Masonite Housed in a fine gilt wood frame with linen matte Signed lower right “L. Sisson” SIZE: 42″ x 60″. Overall: 51″ x 69″. CONDITION: Very good. 9-29928 (2,000-3,000)

LAURENCE P. SISSON (American, 1928- ) COASTAL MAINE BEACH. Oil on Masonite Housed in a modern gilt wood frame Signed lower right “L. Sisson” SIZE: 20″ x 30″. Overall: 21-3/4″ x 32″. CONDITION: Very good. 9-29917 (800-1,000)

LAURENCE PHILIP SISSON (American, 1928- ) “MR. LIVINGSTON I PRESUME”. Watercolor on paper Housed in a gilt wood frame with linen matte and glass with gilt rubs Signed lower left “L. Sisson” SIZE: Sight: 21-1/2″ x 29-1/2″. Overall: 28-1/4″ x 36-1/4″. CONDITION: Very good. 9-29919 (800-1,200)

LAURENCE PHILIP SISSON (American, 1928- ) “GOLDEN COVE”. Watercolor on paper Housed in a gilt wood frame with canvas matte Signed lower left “L. Sisson” SIZE: Sight: 21″ x 29″. Overall: 30-3/4″ x 38-3/4″. CONDITION: Very good. 9-29921 (800-1,200)

LAURENCE PHILIP SISSON (American, 1928- ) “EARLY SPRING”. Watercolor on paper Housed in a silver gilt wood frame with canvas matte Signed lower left “L. Sisson” SIZE: Sight: 21-1/4″ x 29-1/2″. Overall: 30-3/4″ x 38-1/2″. CONDITION: Very good. 9-29920 (800-1,200)

LAURENCE PHILIP SISSON (American, 1928- ) “LONE DIGGER”. Watercolor on paper Housed in a silver gilt wood frame with canvas matte Signed lower left “L. Sisson” SIZE: Sight: 20″ x 28-1/2″. Overall: 30-3/4″ x 38-3/4″. CONDITION: Very good. 9-29922 (800-1,200)

LAURENCE PHILIP SISSON (American, 1928- ) STORMY COAST. Watercolor on paper Housed in a gilt wood frame with canvas liner and glass Signed lower left “L. Sisson” SIZE: Sight: 21-1/4″ x 29-1/4″. Overall: 30-3/4″ x 38-3/4″. CONDITION: Very good. 9-29916 (500-800)

LAURENCE PHILIP SISSON (American 1928- ) “PARSONS MEADOW”. Oil on Masonite Housed in a decorated frame with linen liner Signed lower left “L. Sisson” and titled on verso SIZE: 16″ x 20″. Overall: 21-1/4″ x 25-1/2″. CONDITION: Very good. 9-29918 (500-800)

LAURENCE PHILIP SISSON (American, 1928- ) TWILIGHT PINBALL REFLECTION. Watercolor on paper Housed in a metal frame with white matte Signed lower left “L. Sisson” SIZE: Sight: 29-1/2″ x 21-1/2″. Overall: 33-3/4″ x 26″. CONDITION: Very good. 9-29914 (500-800)

LAURENCE P. SISSON (American, 1928- ) “ISLAND BOYS”. Watercolor and ink Housed in a wood frame with matte and glass Signed lower right “Laurence Sisson” SIZE: Sight: 19-1/2″ x 12-1/2″. Overall: 27-1-2″ x 19″. CONDITION: Very good. 9-29915 (200-300)

ARTHUR BRISCOE (British, 1873-1943) “AT THE TILLER”. Etching on paper Housed in a black wood frame with ivory matte Signed in pencil bottom right “Arthur Briscoe”, numbered lower left “7/75″. SIZE: Sight: 9-1/4″ x 14-1/4″. Overall: 15″ x 20”. PROVENANCE: From a fine Augusta, Maine estate. CONDITION: Dirt spot at lower margin. Otherwise very good, not examined out of frame. 9-29233 (800-1,200)

ALFRED HEBER HUTTY (American, 1877-1954) “CORNER OF HUGUENOT CHURCH, CHARLESTON”. Etching on paper Housed in a black wood frame with ivory matte Pencil signed “Alfred Hutty” lower right SIZE: Sight: 6-1/4″ x 6-3/4″. Overall: 13-1/2″ x 13-1/2″ PROVENANCE: From a fine Augusta, Maine estate. CONDITION: Very good, not examined out of frame. 9-29235 (800-1,200)

ALFRED HEBER HUTTY (American, 1877-1954) “BIRCHES”. Etching on paper Housed in a black wood frame with ivory matte Signed lower right “Alfred Hutty” SIZE: Sight: 8″ x 8-1/2″. Overall: 13-1/4″ x 14″. PROVENANCE: From a fine Augusta, Maine estate. CONDITION: Very good, not examined out of frame. 9-29234 (400-800)

WILLIAM HUSTON (American, 19th Century) “WINTER”. Oil on canvas Housed in what appears to be its original gilt fancy frame with gilt liner behind glass Signed bottom right “Wm Huston”, retaining its original Salmagundi Club auction sale exhibition attached to verso SIZE: 12″ x 16″. Overall: 18-1/4 x 22-1/4″. PROVENANCE: From a fine Augusta, Maine home. CONDITION: Very good. 9-29236 (1,000-1,500)

WARREN W. SHEPPARD (American, 1858-1937) VENICE CANAL. Oil on canvas Housed in a gilt wood frame which may be a liner for its larger frame Signed lower right “Warren Sheppard” SIZE: 16″ x 12″. Overall: 21″ x 17″. PROVENANCE: From a fine Augusta, Maine estate. CONDITION: Very good. 9-29209 (3,000-5,000)

FRANK KNOX MORTON REHN (American, 1848-1914) BEACH AT SUNRISE. Oil on canvas Housed in a gilt frame, possibly the original liner for its larger frame, having artist’s plaque Signed lower right “F.K.M. Rehn” SIZE: 16″ x 28″. Overall: 23″ x 35″. PROVENANCE: From a fine Augusta, Maine estate. CONDITION: Craquelure, otherwise very good. 9-29210 (1,500-2,500)

ROBERT E. OWEN (American, 1878-1957) NEW ENGLAND WINTER. Oil on canvas Housed in a gilt wood frame Signed lower right “R. Emmett Owen” SIZE: 40″ x 44″. Overall: 44″ x 48″. CONDITION: Craquelure, surface dirt, otherwise very good. 9-29222 (5,000-8,000)

ROBERT EMMETT OWEN (American, 1878-1957) “DOGWOOD, APRIL 1935”. Oil on canvas Housed in a gilt molded wood frame Signed lower right “R. Emmett Owen”, and titled on stretcher verso SIZE: 30″ X 40″. Overall: 34″ x 44″. PROVENANCE: From a fine Augusta, Maine estate. CONDITION: Very good. 9-29221 (4,000-6,000)

COLIN CAMPBELL COOPER (American, 1856-1937) “A FRENCH VILLAGE”. Oil on canvas Housed in a wonderful carved gilt period frame Signed lower right “Colin Campbell Cooper”, titled and signed on verso of canvas, and numbered 1546 Colin Campbell Cooper was born in Philadelphia and studied with Thomas Eakins at the Pennsylvania Academy of Fine Arts. His extensive travels took him throughout the United States as well as to Europe. Moving to Paris in 1889 he continued his art studies at the Academie Julien. Cooper, a pioneer of American Impressionism, was greatly influenced by the delicate lyricism he saw in the work of his colleague Childe Hassam, and exhibited his atmospheric land and cityscapes in juried exhibitions throughout America and abroad. A peripatetic traveler, in 1912 Cooper sailed on the RMS Carpathia and took part in the rescue of survivors from the Titanic; he created several paintings documenting this event. Cooper was a member of several prestigious art associations, and his artwork is included in the permanent collections of numerous museums, including the Pennsylvania Academy of Fine Arts. SIZE: 25″ x 30″. Overall: 33-1/2″ x 38-1/2″. CONDITION: Surface dirt, small touched-up spot in upper sky. 9-29223 (5,000-7,000)

LOUIS ASTON KNIGHT (American, 1873-1948) “CLEAR WATER”. Oil on canvas Housed in a carved gilt wood frame with minor losses Signed “Aston Knight, Paris” lower left; labels on verso include “CH. Pottier Paris”; a label with title and import stamp SIZE: 46″ x 33″. Overall: 53″ x 39-1/2″. CONDITION: Some consolidation of paint resulting in white craquelure, otherwise very good. 9-29217 (10,000-20,000)

LOUIS ASTON KNIGHT (American, 1873-1948) “DIANE’S COTTAGE”. Oil on canvas Housed in a French style gesso decorated frame with name plaque Signed lower left “Aston Knight, Paris” SIZE: 25-1/2″ x 32″. Overall: 32″ x 38-1/2″. PROVENANCE: From a fine Augusta, Maine estate. CONDITION: Very good. 9-29218 (10,000-15,000)

WILLIAM TROST RICHARDS (American, 1833-1905) THUNDERHEADS OVER BEACH WITH BREAKING WAVES. Oil on canvas Unframed Signed lower left “Wm T. Richards 05″ SIZE: 28″ x 48”. PROVENANCE: From a fine Augusta, Maine estate, this painting was unframed in the house as it was inset into the living room fireplace mantel. CONDITION: Surface dirt and varnish discoloration. An 8″ scratch, which appears white, in the right hand corner. Otherwise very good. 9-90490 (50,000-75,000)

IVAN FEDOROVICH CHOULTSE (Russian, 1877-1932) SHIMMERING TREES IN WINTER. Oil on canvas Housed in its original French style gilt fancy frame with minor loss, with name plaque Signed lower right “IW.F. Choultse” Choultse was born in Petrograd, Russia, and as testament to his talent became court painter to Czar Nicholas II. After the Russian Revolution the artist moved to Paris, where he continued to paint Russian landscapes, but added to this repertoire the snowcapped mountains and scenery of Switzerland. Best known for these beautifully delineated scenes, Choultse became a master at capturing the subtle nuances of light on snow. SIZE: 21-1/2″ x 25-3/4″. Overall: 29″ x 33″. PROVENANCE: From a fine Augusta, Maine estate. CONDITION: Light craquelure, very good. 9-29219 (50,000-70,000)

IVAN FEDOROVICH CHOULTSE (Russian, 1877-1932) SUNLIT MOUNTAIN SNOW. Oil on canvas Housed in a French style silver gilt frame with minor losses Signed lower right “IW.F. Choultse” Choultse was born in Petrograd, Russia, and as testament to his talent became court painter to Czar Nicholas II. After the Russian Revolution the artist moved to Paris, where he continued to paint Russian landscapes, but added to this repertoire the snowcapped mountains and scenery of Switzerland. Best known for these beautifully delineated scenes, Choultse became a master at capturing the subtle nuances of light on snow. SIZE: 21-1/2″ x 25-3/4″. Overall: 29″ x 33″. PROVENANCE: From a fine, Augusta, Maine estate. CONDITION: Craquelure, one small area of touch-up in center sky, very good. 9-29220 (40,000-60,000)

DOMENICO MASTAGLIO (German, 1851) THE MONKEY’S ACCIDENT. Oil on canvas Housed in its original magnificent wide gilt gesso decorated frame with gilt liner and artist’s plaque with minor losses to frame Signed lower right “D. Mastaglio Munchen 1884″ SIZE: 37-1/2″ x 25-1/2″. Overall: 52″ x 40”. PROVENANCE: A fine Augusta, Maine estate. CONDITION: Craquelure, otherwise very good. 9-29215 (5,000-8,000)

AUGUSTIN CASPAR GEIGER (German, 1847-1924) “THE LUTE PLAYER”. Oil on canvas Housed in a wide gilt original liner having a D.B. Butler & Co. New York label on verso Signed lower right “C. Aug. Geiger 1883 Munchen” SIZE: 53-1/2″ x 33-3/4″. Overall: 61″ x 41-1/2″. PROVENANCE: A fine Augusta, Maine estate. CONDITION: Wide craquelure, one small patch to reverse, small puncture in sky, some restoration with inpainting. 9-29216 (3,000-5,000)

UNSIGNED (Early 19th Century or Earlier) PORTRAIT OF A MAN WITH WORLD GLOBE. Unsigned oil on canvas. Half portrait of a gentleman, possibly a sea captain or explorer, seated in an armchair with one hand on a stand holding a table top globe; also a square and compass on table. Housed in a fine ebonized wood wide frame with gold liner. SIZE: 28″ x 25″. Overall: 40-1/4″ x 36-3/4″. PROVENANCE: From a fine Augusta, Maine estate. CONDITION: Chipping and lifting to paint mostly to 3″ of outer edge, lined with some restoration. 9-29214 (2,500-4,000)

REMBRANDT PEALE (American, 1778-1860) GEORGE WASHINGTON. Oil on canvas Housed in a 20th Century carved gilt frame Signed lower left “Rembrandt Peale” Inscribed on back of canvas liner in pencil “Painted by Rembrandt Peale 1857 from original portrait of Washington 1795” and “Copy from original canvas and relined by G. Anton, 1932″ (of London) SIZE: 36-1/4″ h x 29-1/4”. Overall: 44″ h x 37″ w PROVENANCE: From a fine Augusta, Maine Estate. Indicated on 1994 purchase invoice “Provenance as descending through the Romanov Family of Russia”. CONDITION: Lined, thin paint layer, small area in his left cheek with tiny chips, some inpainting 9-29205 (150,000-200,000)

FOLLOWER OF CANALETTO (Italian, Early 19th Century or Earlier) “DOGE’S PALACE”. Oil on canvas Housed in an antique gesso decorated frame Unsigned SIZE: 32″ x 41-1/2″. Overall: 36-3/4″ x 46″. PROVENANCE: From a fine Augusta, Maine estate. CONDITION: Lined, craquelure with some restoration. 9-29206 (8,000-12,000)

FOLLOWER OF CANALETTO (Italian, Early 19th Century or Earlier) PIAZZA SAN MARCO. Oil on canvas Housed in an early gilt antique frame with some losses Unsigned SIZE: 23-1/4″ x 36-1/2″. Overall: 27-1/2″ x 40-1/2″. PROVENANCE: From a fine Augusta, Maine estate. CONDITION: Craquelure, lined, some inpainting, very good. 9-29207 (5,000-7,000)

UNSIGNED (Italian, 19th Century or Earlier) NAPLES HARBOR WITH VESUVIUS IN THE BACKGROUND. Oil on canvas Housed in an antique gilt frame SIZE: 23-1/4″ x 33″. Overall: 26-3/4″ x 36-3/4″. PROVENANCE: From a fine Augusta, Maine estate. CONDITION: Lined, some inpainting, very good. 9-29208 (2,000-3,000)

UNSIGNED (Dutch Style, 18th Century) STILL LIFE WITH FLOWERS & STATUES. Oil on canvas Housed in a 20th Century gilt carved wood frame NOTE: The fine quality of work, especially to the flowers can be seen upon personal inspection of this work SIZE: 78″ h x 44-1/4″ w. Overall: 81″ h x 47″ w PROVENANCE: From a fine Augusta, Maine Estate CONDITION: Water blooms, 4″ x 2″ area with torn canvas & loss, surface dirt, in need of restoration 9-29225 (5,000-10,000)

JOSEPH VIVIEN (French, 1657-1734) “RENE SEGUIN-CHANCELIER DE FRANCE” UNDER LOUIS XIV. Oil on canvas Housed in a modern gilt decorated frame Signed & identified on verso SIZE: 51″ x 38-1/2″. Overall: 52″ x 39-3/4″ PROVENANCE: From a fine Augusta, Maine Estate CONDITION: In need of restoration, substantial chipping & water bloom with two vertical tears in background 9-29228 (3,000-5,000)

SCHOOL OF CARLO DOLCI (Italian, 1816-1886) VIRGIN MARY WITH BOOK & FLOWERS. Oil on canvas Housed in a good 19th Century gesso decorated gilt frame Vose Galleries of Boston label on verso “#19388″ SIZE: 39-1/2″ x 32-1/2”. Overall: 51″ x 43″ PROVENANCE: From a fine Augusta, Maine Estate CONDITION: Lined, restored, restretched on new stretcher with tension corners 9-29212 (4,000-6,000)

ATTRIBUTED TO JEAN-BAPTISTE MONNOYER (1634-1699) CLASSICAL LANDSCAPE WITH BUILDINGS, STATUE & FIGURES. Unsigned Oil on canvas Housed in a 20th Century carved wood frame with artist plaque SIZE: 39-1/2″ x 49-1/2″. Overall: 44″ x 54″ PROVENANCE: From a fine Augusta, Maine Estate CONDITION: As is, canvas is separated from stretcher with tears & losses 9-29227 (3,000-5,000)

AFTER NICOLAES P. BERCHEM (Dutch, 1620-1683) RIVER WITH BRIDGE & FIGURES. Oil on canvas 19th Century Continental Copy Signed lower center bottom with what appears to be “M” or “N” “Berchem” Housed in a gilt molded wood modern frame SIZE: 36-1/2″ x 57″. Overall: 40-1/2″ x 60-1/2″ PROVENANCE: From a fine Augusta, Maine Estate CONDITION: Lined, discolored varnish, restored, good 9-29211 (2,000-3,000)

UNSIGNED (Italian, 19th Century or earlier) PAIR OF ITALIAN CLASSICAL LANDSCAPES. Oil on canvas Housed in matching gilt wood decorated frames with raised inner gilt wood liners having some gilt losses “A. Oliva LTD New York” label on verso SIZE: 33-1/4″ x 50-1/2″. Overall: 48″ x 65″ PROVENANCE: From a fine Augusta, Maine Estate CONDITION: Both restored and in need of new restoration 9-29231, 9-29232 (5,000-10,000)

UNSIGNED (European, 19th Century) CLASSICAL LANDSCAPE WITH CASTLE, WATER & FIGURES. Oil on canvas Housed in a period gilt wood frame with losses SIZE: 38-1/4″ x 52-1/4″. Overall: 45″ x 60″ PROVENANCE: From a fine Augusta, Maine Estate CONDITION: Lined with chipping to surface, losses, in need of restoration 9-29230 (3,000-5,000)

UNSIGNED (European, 19th Century) STILL LIFE OF FRUIT & FLOWERS WITH POKAL. Oil on canvas Housed in a carved wood 20th Century frame SIZE: 46″ x 35″. Overall: 50-1/2″ x 39-1/2″ PROVENANCE: From a fine Augusta, Maine Estate CONDITION: Some chipping and craquelure, with evidence of water bloom 9-29229 (2,000-3,000)

CARLO CARVOLI (19th Century or earlier) ABUNDANT FRUIT AND FLOWER STILL LIFE. Watercolor on paper Housed in a 19th century wood frame with gilt trim having edge losses Signed “Carlo Carvoli”, lower right SIZE: Sight: 18-3/4″ x 25-1/2″. Overall: 30-1/4″ x 36″ PROVENANCE: A fine Augusta, ME estate CONDITION: Spot foxing, two small holes in upper right corner, age toning, otherwise good. Examined out of frame 9-29213 (1,000-2,000)

UNSIGNED (European, 19th/20th Century) STILL LIFE WITH FOLIATE SCROLLS. Oil on canvas Housed in a molded wood gilt frame SIZE: 22″ x 64″. Overall: 23-3/4″ x 65″ PROVENANCE: From a fine Augusta, Maine Estate CONDITION: Minor chipping, water bloom 9-29226 (800-1,200)

UNSIGNED (European, 19th/20th Century) STILL LIFE OF FLOWERS. Oil on canvas Housed in an early style decorated frame SIZE: 24-1/2″ x 17-1/2″. Overall: 31″ x 24-1/2″ PROVENANCE: From a fine Augusta, Maine Estate CONDITION: Very good 9-29237 (400-600)

ATTRIBUTED TO DAVID TENIERS THE YOUNGER (Flemish 1610-1690) SHEPHERD WITH HIS FLOCK. Oil on canvas Unframed Signed lower right “D. Teniers FET” SIZE: 19-1/2″ x 17-3/4″. CONDITION: Relined, restored with inpainting. 9-26603 (1,000-1,500)

IN THE MANNER OF CLAUDE-JOSEPH VERNET (Italian/French, 1714-1789) SHEPHERD WITH SHEEP AND FIGURES IN RUINS. 19th century or earlier Oil on canvas Housed in a molded wood frame with finish losses Unsigned SIZE: 59″ x 39″ oval. Overall: 64″ x 44″ oval. CONDITION: Raised craquelure with chipping, surface dirt. 9-90430 (4,000-6,000)

IN THE MANNER OF CLAUDE-JOSEPH VERNET (Italian/French, 1714-1789) FIGURES IN RUINS. 19th century or earlier Oil on canvas Housed in a oval molded wood frame with some finish loss Unsigned SIZE: 61″ x 39″ oval. Overall: 66-1/2″ x 44″ oval. CONDITION: Craquelure, areas of chipping and surface dirt. 9-90431 (4,000-6,000)

UNSIGNED (Dutch, 17th/18th Century) BRIDGE OVER FALLS WITH FIGURES. Oil on wood panel Housed in a very early ebonized carved wood frame SIZE: 16-1/2″ X 12″. Overall: 26-1/2″ x 21″. CONDITION: Some vertical chips along wood grain lines, some inpainting along frame edge. 9-29391 (1,500-2,500)

UNSIGNED (British School, Mid 19th Century) OLD MASTER STYLE LANDSCAPE. Oil on wood panel Unframed SIZE: 18-1/4″ x 23″. CONDITION: Horizontal crack across panel supported by two back cleats. Craquelure and surface dirt. Some restoration. 9-28198 (2,000-4,000)

SCHOOL OF CARLO CIGNANI (Italian, 1628-1719) JOSEPH AND POTIPHAR’S WIFE. Oil on canvas Unsigned, 17th/18th Century Unframed SIZE: 56-1/4″ x 40-1/2″ PROVENANCE: From a California Collector; Christie’s East 5/30/90 CONDITION: Wax lining, restored 7-70297 (3,000-5,000)

I.H. KEMPF? (English/European, 19th Century or Earlier) THE PHILOSOPHER. Oil on canvas Housed in a fine gesso decorated frame, on verso is a Frost & Reed Ltd London label dated 1936 Signed, we believe, in the rolled paper in the lower right corner “London, IH Kempf” The work is in the Manner of Isidor Kaufmann (Austrian/Hungarian, 1853-1921) SIZE: 36″ x 28″. Overall: 43-3/4″ x 35-3/4″. CONDITION: This varnish, craquelure, lined 9-90308 (2,000-3,000)

ATTRIBUTED TO GEORGE ROMNEY (British, 1734-1802) “LADY HAMILTON (AS A NUN)”. Oil on canvas Housed in a fine carved and gilt frame with gilt liner having gilt title and artist’s plaque, on verso of canvas is inscribed “Relined & cleaned July 1923; New strainer July 1923″ Unsigned SIZE: 24″ x 20″. Overall: 34″ x 30”. CONDITION: Lined, some lifting to paint around stretcher area and chipping. 7-73914 (2,000-3,000)

ATTRIBUTED TO SIDNEY RICHARD PERCY (British, 1821-1886) CASTLE RUINS IN LANDSCAPE. Oil on canvas Housed in a magnificent gesso decorated gilt frame with gilt liner Unsigned SIZE: 25″ x 33″. Overall: 36-1/2″ x 43″. CONDITION: Restretched on slightly smaller stretcher, inpainting, very good. 9-26638 (1,000-2,000)

OLD MASTER (European, 18th Century) MEN ON HORSEBACK NEAR FALLS. Oil on wood panel Unframed Unsigned SIZE: 19-1/2″ x 23-1/2″. CONDITION: Slight warp to panel, horizontal repaired splits, losses to corners. 9-29487 (500-600)

UNSIGNED (Italian, 18th/19th Century) STUDY FOR CEILING PANEL. Oil on canvas Housed in a cut down gilt wood frame SIZE: 38-1/4″ x 19″. Overall: 41-1/4″ x 22″. CONDITION: Craquelure, inpainting, good. 7-73915 (1,500-2,000)

UNSIGNED (Flemish, 17th Century) PORTRAIT OF A MAN’S HEAD. Red chalk on paper Housed in a hinged matte Unsigned SIZE: 6″ x 7″. Matte size: 10″ x 10-3/4″ PROVENANCE: A Montclair, NJ estate CONDITION: Surface dirt, at center forehead into eye is a back supporting patch – unknown as to whether there is retouching 9-28567 (400-800)

UNSIGNED (Italian, 17th Century) TWO CUPIDS. Red chalk on paper Housed in a gilt wood frame with matte and glass Unsigned “The Drawing Shop New York” label on verso Not examined out of frame SIZE: 6″ x 7″. Overall: 11″ x 12″ PROVENANCE: A Montclair, NJ estate CONDITION: Some small stain spots, good 9-29361 (500-1,000)

UNSIGNED (European, 18th Century or earlier) LANDSCAPE SKETCH. Ink on paper mounted to light stock Contained within a light matte Unsigned SIZE: 4-1/2″ x 8″. Overall: 11-1/4″ x 14-1/4″ PROVENANCE: From a Montclair, NJ estate CONDITION: Some light foxing and toning, good 9-28566 (400-800)

UNSIGNED (18th-19th Century) PAIR OF ANCESTRAL PORTRAITS. Pastel on paper Housed behind glass in gesso decorated gilt frames with losses Unsigned SIZE: Sight: 15-1/4″ x 11-1/4″. Overall: 19″ x 15″. CONDITION: Very good. 9-29674 (300-500)

ATTRIBUTED TO SIR THOMAS LAWRENCE (British, 1769-1830) THREE-QUARTER PORTRAIT OF A YOUNG WOMAN. Unsigned Pencil & charcoal on cardstock Housed in an antique gilt wood frame with matte SIZE: Sight: 9-1/2″ x 6-1/2″. Overall: 17-3/4″ x 14-3/4″ CONDITION: Some light foxing spots and toned frame area 9-29360-1 (400-600)

AFTER JOHN CONSTABLE (British, 1776-1837) PLOUGHING. Lead pencil on paper Housed in a gold frame with highlighted matte having some losses to gilt Unsigned SIZE: Sight: 4″ x 7-3/4″. Overall: 11-1/4″ x 14-1/2″. CONDITION: Very good. 7-73532 (200-300)

ALDRO THOMPSON HIBBARD (1886-1972) MOTIF #1. Oil on canvasboard Housed in a good gilt wood frame with gilt liner Signed lower right “A.T. Hibbard” SIZE: 9″ x 12″. Overall: 15-1/2″ x 18-1/2″. CONDITION: Very good. 9-29493 (15,000-25,000)

JOHN JOSEPH ENNEKING (American, 1841-1916) MOONLIGHT OVER THE FORT, GLOUCESTER. Oil on academy board Housed in a fine reproduction antique-style gilt frame Signed “Enneking”, lower left SIZE: 6-1/4″ x 8-1/4″. Overall: 12″ x 13-1/2″ CONDITION: Very good 9-29489 (4,000-8,000)

CHRISTOPHER BLOSSOM (American, 1956- ) ARTHUR JAMES DEPARTING FROM GLOUCESTER HARBOR. Oil on canvas Housed in a modern gilt wood frame with some losses Signed lower right “Christopher Blossom” SIZE: 22″ x 38″. Overall: 26-3/4″ x 42-3/4″. CONDITION: Very good. 9-29135 (5,000-10,000)

CHRISTOPHER BLOSSOM (American, 1956- ) “HELEN G. WELLS LEAVING GLOUCESTER IN WINTER”. Oil on canvas Housed in a modern gilt molded wood frame having a Grand Central Art Galleries Exhibition label on verso Signed bottom right “Christopher Blossom” SIZE: 22″ x 40″. Overall: 27-3/4″ x 45-3/4″. CONDITION: Very good. 9-29136 (5,000-10,000)

ANTHONY THIEME (American, 1888-1954) MOTIF #1. Oil on canvas Housed in a fine reproduction carved and gilt wood frame Signed lower right “A. Thieme” SIZE: 25″ x 30″. Overall: 34″ x 39″. CONDITION: Lined with some minor inpainting; very good 9-28804 (15,000-20,000)

ANTHONY THIEME (American, 1888-1954) “NETS AND SAILS”. Oil on canvas Housed in a modern partial gilt frame with liner Unsigned, inscribed on back of stretcher “#448 Sardine Boats”, also inscribed on back of canvas “1924 A Nets and Sails $750″ SIZE: 30″ x 36″. Overall: 37-1/2″ x 43-1/2”. CONDITION: Restored with inpainting, good. 9-90429 (20,000-30,000)

EMILE ALBERT GRUPPE (American, 1896-1978) BOATS AT DOCK. Oil on canvas board Housed in a fine modern carved and gilt wood frame with gilt liner Signed lower left “Emile A Gruppe” SIZE: 20″ x 16″. Overall: 27-1/2″ x 23-1/4″/. CONDITION: Very good. 9-29491 (5,000-7,000)

EMILE ALBERT GRUPPE (American, 1896-1978) “SWORDFISHERMAN”. Oil on canvas Housed in a wide modern gilt wood frame Signed lower right “Emile A. Gruppe” SIZE: 24″ x 20″. Overall: 33-1/2″ x 29-1/2″. CONDITION: Very good. 9-29586 (6,000-9,000)

EMILE ALBERT GRUPPE (American 1896 – 1978) BREEZY DAY, GLOUCESTER. Oil on canvas Housed in a fine gold wood modern frame Signed lower right “Emile A. Gruppe” SIZE: 18″ x 20″. Overall: 24-1/4″ x 26-1/4″. CONDITION: Very good. 9-29488 (7,000-9,000)

EMILE ALBERT GRUPPE (American, 1896-1978) THE CLAM DIGGERS. Oil on canvas Housed in a fine modern gilt wood frame with painted wood liner Signed “Emile A. Gruppe”, lower right SIZE: 18″ x 20″. Overall: 25-1/2″ x 27-1/2″ CONDITION: Very good 9-28438 (7,000-10,000)

EMILE ALBERT GRUPPE (American, 1896-1978) “LOW TIDE – ROCKPORT”. Oil on canvas Housed in a modern silver gilt carved wood frame Signed “Emile A. Gruppe”, lower right Titled on verso of stretcher SIZE: 24″ x 20″. Overall: 30-1/2″ x 26-1/2″ CONDITION: Very good 9-28437 (8,000-12,000)

EMILE ALBERT GRUPPE (American, 1896-1978) “FOGGY DAY”. Oil on canvasboard Housed in what appears to be its original paint decorated frame North Shore Arts Association Silent Auction label to reverse Signed lower right “Emile A Gruppe” 1987 dated letter attached to reverse indicating purchase and auction history of the painting SIZE: 16″ x 20″. Overall: 22″ x 26″ PROVENANCE: From a Massachusetts Collection CONDITION: Very good 9-29088 (3,000-5,000)

DONALD ALLEN MOSHER (American, 1945- ) GLOUCESTER TRAWLERS. Oil on canvas Housed in a modern gilt frame with linen liner Signed “Donald Allen Mosher”, lower left SIZE: Sight: 16″ x 20″. Overall: 23-3/4″ x 27-1/2″ CONDITION: Very good 9-29542 (2,500-3,500)

T.M. NICHOLAS (American, 1963- ) THE MARBLEHEAD COAST. Oil on Masonite Housed in a fine carved and gilt modern frame Signed lower left “T.M. Nicholas” SIZE: Sight: 12″ x 16″. Overall: 18-1/4 x 22-1/4″. CONDITION: Very good. 9-29519 (2,500-3,500)

ROBERT G. BLUE (American, 1924-2008) “SUMMER DAY – GLOUCESTER”. Oil on canvas Housed in a gilt wood frame with linen liner Signed “Bob Blue”, lower right Note: Bob Blue lived in Rockport, MA and was a friend of Emile Gruppe and worked alongside him for many years SIZE: 20″ x 24″. Overall: 26-1/4″ x 30-1/4″ CONDITION: Very good 9-29779 (2,000-3,000)

ROBERT G. BLUE (American, 1924-2008) “FALL BIRCHES”. Oil on canvas Housed in a carved wood gilt frame Signed bottom right “Bob Blue” SIZE: 20″ x 24″. Overall: 27-1/2″ x 31-1/2″. CONDITION: Very good. 9-29780 (2,000-3,000)

MORRIS HALL PANCOAST (American, 1877-1963) “MARBLEHEAD MASS”. Oil on board Housed in a modern carved and gilt wood frame Signed lower left “Morris Hall Pancoast” SIZE: 14″ x 18″. Overall: 20-1/4″ x 24″. CONDITION: Very good. 9-29528 (1,500-2,500)

HOBART NICHOLS (American, 1869-1962) BOATYARD IN WINTER. Oil on canvas board Housed in a fancy partial gilt frame with white liner having losses Signed lower left “Hobart Nichols” SIZE: 12-3/4″ x 15-3/4″. Overall: 20″ x 23″. CONDITION: Very good. 9-29084 (1,000-1,500)

ROBERT CHARLES GRUPPE (American, 1944- ) LANDSCAPE WITH BIRCH TREE. Oil on canvas Housed in a modern gilt frame Signed bottom right “Robert C. Gruppe” SIZE: 36″ x 30″. Overall: 39-1/4″ x 33-1/4″. CONDITION: One patch and repaired tear on right side with corresponding inpainting, very good. 9-29421 (1,500-2,000)

JAMES KING BONNAR (American, 1883-1961) PIGEON COVE, ROCKPORT. Oil on canvas board Housed in a carved wood frame with linen liner Signed lower right “James K. Bonnar” SIZE: 20″ x 24″. Overall: 27″ x 31″. CONDITION: Very good. 9-29783 (1,000-1,500)

JOHN CUTHBERT HARE (American, 1908-1978) “REPAIR SHOP INTERIOR, GLOUCESTER”. Oil on canvas Housed in a paint decorated carved wood frame Signed lower right “John Hare” SIZE: 24″ x 30″. Overall: 31-1/2″ x 37-1/2″ CONDITION: Two spots of inpainting, very good 9-28658 (800-1,200)

VERNON B. SMITH (American, 1894-Died circa 1939) “BASS FISHERMAN”. Oil on Masonite Housed in a silver gilt modern frame Signed lower left “Vernon Smith 48″ SIZE: 16″ x 20″. Overall: 22″ x 26”. CONDITION: Very good. 9-29787 (2,000-4,000)

GIOVANNI MARTINO (American, 1908-1998 ) “GLOUCESTER DOCKS”. Oil on canvas Housed in a carved wood gilt frame Signed lower right and dated “29” SIZE: 20″ x 24″ Overall: 25-1/2″ x 29-1/2″ CONDITION: Inpainting, stretcher line evident, otherwise very good 9-23803 (600-900)

HENDRICKS A. HALLETT (American, 1847-1921) “PEBBLE BEACH, ROCKPORT”. Watercolor on board Housed in a modern gilt decorated frame with glass Signed lower left “Hendricks A. Hallett” SIZE: Sight: 19-1/2″ x 27-1/4″. Overall: 26-1/4″ x 34″. CONDITION: Very good. 9-29393 (500-1,000)

HENRY HAMMOND AHL (American, 1869-1953) THE OLD BRIDGE, IPSWICH, MASS.”. Oil on board Housed in a modern carved and gilt wood frame Signed lower right “Ahl” SIZE: 9″ x 12″. Overall: 17-1/2″ x 20-1/2″. CONDITION: Very good. 7-70366 (500-700)

HENRY HAMMOND AHL (American, 1869-1953) “OFF SHORE”. Oil on board Housed in a gilt wood modern frame with linen liner Signed twice lower right “Ahl” SIZE: 6″ x 8″. Overall: 10-3/4″ x 12-1/2″. CONDITION: Very good. 7-70362 (500-700)

WILLIAM LESTER STEVENS (American, 1888-1969) “BOATS AT ANCHOR”. Oil on canvas Housed in its original carved wood gold frame Signed “W. Lester Stevens”, lower right; also having a Syracuse Museum of Fine Arts Summer Exhibition 1928 label on verso SIZE: Sight: 20-1/4″ x 24″. Overall: 23-3/4″ x 27-1/2″ CONDITION: Lined, minor touch-up on lower edge, otherwise very good 7-70340 (4,000-6,000)

WILLIAM LESTER STEVENS (American, 1888-1969) “MISTY MORN”. Oil on canvas Housed in a reproduction carved gilt frame with linen liner Signed lower right “W.Lester Stevens” SIZE: 24″ x 30″. Overall: 32-1/4″ x 38-1/4″ PROVENANCE: From a Massachusetts Collection CONDITION: Lined, scattered inpainting, very good 9-29132 (3,000-5,000)

WILLIAM LESTER STEVENS (American, 1888-1969) SUMMER SPLENDOR. Oil on canvas Housed in a fine carved and gilt replacement frame with wide gilt liner Signed lower right “W. Lester Stevens N.A.” SIZE: 20″ x 24-1/2″. Overall: 28-1/2″ x 33″. CONDITION: Very good. 9-29495 (3,000-5,000)

WILLIAM LESTER STEVENS (American, 1888-1969) BIRCHES BY THE STREAM. Oil on canvas Housed in a gilt carved wood period frame Signed lower right “W. Lester Stevens” SIZE: 24″ x 26-1/4″. Overall: 31″ x 33-1/2″. CONDITION: One patch to reverse with minor inpainting. Very good. 9-90393 (2,000-3,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) WINTER VILLAGE SCENE. Oil on canvas board Housed in a shadowbox-type frame Unsigned SIZE: 8″ x 10″. Overall: 11-3/4″ x 13-3/4″ CONDITION: Very good, with some touch up 9-29697 (4,000-6,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) FROZEN RIVER WITH VILLAGE AND MOUNTAINS. Oil on board Housed in a shadow box type frame Signed lower right “A.T. Hibbard” SIZE: 8″ x 10″. Overall: 11-3/4″ x 13-3/4″ CONDITION: Very good, some minor inpainting on edges 9-29696 (4,000-6,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) WINTER LANDSCAPE WITH DISTANT HILLS. Oil on canvas board Housed in a modern gilt wood frame Signed “A.T. Hibbard”, lower right SIZE: Sight: 16″ x 20″. Overall: 19-1/2″ x 23-1/2″ CONDITION: Some surface dirt, very good 9-29120 (4,000-6,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) FEMALE NUDE. Oil on canvas Housed in a modern carved gilt frame with white wood liner Signed lower left “A.T. Hibbard”, label on verso of the Museum of Fine Art, Boston, Mass. Also on verso is a Lepore Fine Arts, Massachusetts label. Accompanying the painting is a folder of information regarding the painting and including the original invoice from Lepore Fine Arts indicating the provenance as “The Hibbard Trust”. SIZE: 48-1/4″ x 22″. Overall: 53-1/2″ x 27-1/2″. CONDITION: Lined, some minor inpainting. Very good. 9-90404 (15,000-25,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) COASTAL SHORELINE VIEW WITH BOATS AND BUILDINGS. Oil on board Housed in its original gilt wood frame Signed lower right “A.T. Hibbard 1918″ SIZE: 9″ x 11-1/4”. Overall: 13-1/2″ x 15-3/4″ CONDITION: Very good, some spot in painting. 9-90489 (7,000-10,000)

Revised: 9/3/2013

Please Note: “According to Emilly Alexander, Emile’s daughter, this is an early painting from either Jeffersonville or Waterville, Vermont; she also indicated that it was known as “Pumpkin Harbor Farm” because when the land flooded it became a harbor.”

EMILE ALBERT GRUPPE (American, 1896-1978) “VERMONT FARM”. Oil on canvas Housed in its original silver gilt carved wood frame Signed lower right “Emile A. Gruppe” SIZE: 25″ x 30″. Overall: 28-1/2″ x 33-1/2″. CONDITION: Pencil point sized chips across center of painting, otherwise very good. 5-66236 (6,000-9,000)

EMILE ALBERT GRUPPE (American, 1896-1978) MIDWINTER AFTERNOON. Oil on canvas Housed in a fine carved wood gilt frame Signed lower left “Emile A. Gruppe” SIZE: 25″ x 30″. Overall: 33-1/2″ x 38-1/2″. CONDITION: Very good. 9-29490 (8,000-12,000)

EMILE ALBERT GRUPPE (American, 1896-1978) LANDSCAPE WITH BIRCHES AND HILLS. Oil on canvas board Housed in a modern gilt carved frame Signed lower right “Emile A Gruppe” SIZE: 12″ x 9″. Overall 18-3/4″ x 15-3/4″. CONDITION: Very good. 9-29587 (2,500-4,000)

ANTHONY THIEME (American, 1888-1954) “GLOUCESTER BOATS”. Oil on board Housed in a good gold frame with gold liner Signed “A. Thieme”, lower right; also titled and signed on verso SIZE: Sight: 16″ x 12″. Overall: 23″ x 19″ CONDITION: Very good 7-70339 (6,000-8,000)

ANTHONY THIEME (American, 1888-1954) HARBOR VIEW WITH GREEN SCHOONER. Oil on board Housed in a good carved gilt modern frame Signed lower right “A. Thieme” SIZE: 8″ x 10″. Overall: 14-3/4″ x 16-3/4″. CONDITION: Surface dirt, a few small nicks. Otherwise very good. 9-90475 (3,000-5,000)

ANTHONY THIEME (American, 1888-1954) LANDSCAPE WITH CREEK. Oil on masonite Housed in a fine double gilt wood frame with artist plaque and glass Signed lower right “A Thieme”, having on verso an estate stamp from Lillian B. Thieme SIZE: 8″ x 10″. Overall: 18-1/2″ x 20-1/2″. CONDITION: Very good 9-29525 (2,000-3,000)

EMILE ALBERT GRUPPE (American, 1896-1978) NYMPH IN THE STREAM. Oil on canvas Housed in a fine gilt carved wood frame Signed lower right “Emile A. Gruppe” SIZE: 16″ x 20″. Overall: 19-1/2″ x 23-1/2″. PROVENANCE: Given to our consignor’s grandfather by the artist as an anniversary gift in Rochester, NY. CONDITION: Small touch-up on leg. Otherwise very good. 9-28414 (12,500-17,500)

EMILE ALBERT GRUPPE (American, 1896-1978) FLORIDA COASTAL VIEW. Oil on canvas board Housed in a painted oak frame Signed bottom right “Emile A Gruppe” SIZE: 12″ x 16″. Overall: 17-1/2″ x 21-1/2″. CONDITION: Very good. 9-29588 (6,000-9,000)

KEN KNOWLES (American, 1968- ) “HARBOR LOOP, GLOUCESTER”. Oil on masonite Housed in a fine carved in gilt wood frame Signed bottom left “Ken Knowles. Also titled, signed, and dated “12” on verso SIZE: 20″ x 24″. Overall 25-1/2″ x 29-1/2″. CONDITION: Very good to excellent. 9-29623 (3,000-5,000)

KEN KNOWLES (American, 1968- ) “ARCADIA BREAKERS”. Oil on masonite Housed in a modern gilt wood frame Signed lower right “Ken Knowles”. Also titled, signed and dated “11” on verso SIZE: 20″ x 24″. Overall 25-1/2″ x 29-1/2″. CONDITION: Very good to excellent. 9-29624 (3,000-5,000)

PAUL GOODNOW (American, 1958-2012) ROCKPORT HARBOR. Oil on masonite Housed in a modern carved gilt frame Signed “Goodnow”, lower left SIZE: 8″ x 10″. Overall: 11-1/4″ x 13-1/4″ CONDITION: Very good 9-29549 (800-1,000)

PAUL GOODNOW (American, 1958-2012) “HOUSE ON SUMMER STREET”. Oil on board Housed in a carved gilt modern wood frame Signed lower right “Goodnow” SIZE: Sight: 9″ x 12″. Overall: 12-1/4″ x 15-1/4″. CONDITION: Very good to excellent. 9-29550 (800-1,000)

PAUL GOODNOW (American, 1958-2012) ROCKPORT STREET SCENE. Oil on Masonite Housed in a carved gilt modern frame Signed lower left “Goodnow” SIZE: Sight: 8″ x 10″. Overall: 13″ x 15″. CONDITION: Very good to excellent. 9-29548 (800-1,000)

CARL WILLIAM PETERS (American, 1897-1980) “WOOD’S END”. Oil on canvas Housed in a fine carved gilt modern frame with gilt liner Signed lower right “Carl W. Peters”, also stenciled verso with artist’s name, title and “No 408″ SIZE: 30″ x 36-1/2″. Overall: 38-3/4″ x 45”. CONDITION: Very good 9-29492 (8,000-12,000)

ANTONIO CIRINO (American, 1889-1983) “SNOW’S SYMPHONY”. Oil on canvas Housed in its original silver gilt carved wood frame with glass retaining its original artist’s label Signed lower left “A. Cirino” SIZE: 20″ x 24″. Overall: 24-1/2″ x 28-1/2″. CONDITION: Very good. 9-29494 (4,000-6,000)

WALTER KOENIGER (American, 1881-1943) WINTER LANDSCAPE WITH BROOK. Oil on canvas Housed in a gilt carved wood replacement frame Signed “W. Koeniger”, lower right SIZE: 20″ x 25″. Overall: 27″ x 32″ CONDITION: Lined, minor inpainting, some light craquelure, very good 9-29660 (2,500-3,500)

WAYNE BEAM MORRELL (American, 1923- ) “WINTER SUNSET”. Oil on Masonite Housed in a gilt wood frame with linen liner Signed lower left “Wayne Morrell”, also titled with inscription on verso SIZE: 21″ x 26-1/4″. Overall: 26″ x 31-1/2″. CONDITION: Very good. 9-29530 (1,800-2,400)

ERNEST FIENE (American, 1894-1965) “VARIATIONS ON A THEME, “THE WRECK” NO IV.”. Oil on canvas Housed in a wide weathered wood frame with gilt and white painted liner Signed lower right “E. Fiene 48”, Museum of Art of Ogunquit label on reverse, titled, signed, and dated 1948 on verso. Reference: Illustrated on p. 123 of “Complete Guide to Oil Painting” by Ernest Fiene. Note: The artist, in chapter 8 of his book, explains that on a trip to Maine he sketched the wreck of a little fishing boat. “I painted a series of experimental casein sketches, transforming the wreck structure and debris into larger designs, under different conditions and from different angles. From many casein studies, I selected the most significant ones and developed them into a series of paintings.”. This sketch resulted in the finished painting “The Wreck at Turbot’s Creek” and upon completion of the painting realized that the painting could have several different variations using the same theme. This painting is variation #4 and the artist explains that “No longer the victim of a raging storm, the wreck now reveals a rhythmical, undulating movement, as opposed to the abrupt, linear effects of the last version. Notice how the remnants of the old ship are silhouetted against the white breakers of the ocean, an effect that reinforces the sweeping design”. Also noted is that Variation 2 was owned by the Metropolitan Museum of Fine Arts, NY and Variation 3 was owned by Nelson Rockefeller, in the Rockefeller Collection. A copy of the book accompanies the lot. Ernest Fiene was born in Germany and came to the United States in 1912. Well trained, he studied at the National Academy of Design, the Beaux-Arts Institute of Design, the Art Students League and the Academie de la Grand Chaumiere in Paris. The seriousness of his purpose is well illustrated in the iconic Modernist painting. SIZE: 28-1/2″ x 47-1/2″. Overall: 39-1/2″ x 58-1/2″. CONDITION: Very good. 9-29781 (10,000-20,000)

ERNEST FIENE (American, 1894-1965) “RIVERBOAT”. Pencil on paper Housed in a fine silver gilt frame with white matte behind plexiglass Signed lower right “Ernest Fiene”, four labels to verso including Portland Museum of Art, Midtown Galleries, Midtown Payson Galleries, and Minnesota Museum of Art SIZE: 13-1/2″ x 21-3/4″. Overall: 21-1/4″ x 29-1/4″. CONDITION: Very good. 9-29925 (800-1,200)

RANDALL VERNON DAVEY (American, 1887-1964) COASTAL VIEW. Oil on academy board Housed in a fine carved gilt wood modern frame Signed lower left “R Davey” SIZE: 18″ x 23-3/4″. Overall: 24-3/4″ x 30-1/2″. CONDITION: Inpainting, slight bow to board. Otherwise very good. 9-29513 (6,000-8,000)

KARL KNATHS (American, 1891-1971) “DOCK NO 1. PROVINCETOWN”. Oil on Canvas Housed in a painted wood frame Signed lower left “Karl Knaths”, also signed, dated (1960) and titled on verso of canvas SIZE: 28-1/2″ x 18″. Overall: 34″ x 23-1/2. CONDITION: Very good. 9-90335 (2,000-4,000)

HENRY WARD RANGER (American, 1858-1916) SUMMER LANDSCAPE. Oil on canvas laid on board Housed in a fine gilt gesso decorated frame with artist plaque Signed with artist’s cipher, lower left SIZE: 18″ x 25-3/4″. Overall: 25″ x 32-1/2″. CONDITION: Very good with some inpainting. 9-29394 (3,000-5,000)

ROBERT WILLIAM WOOD (American, 1889-1979) “INCOMING TIDE”. Oil on canvas Housed in a modern gesso decorated silver gilt frame with white and gold liner Signed “Robert Wood”, lower right; also stamped on verso and titled SIZE: Sight: 14″ x 18″. Overall: 23-3/4 x 27-3/4″ CONDITION: Minor touch up, very good 9-28659 (2,000-4,000)

ROBERT EMMETT OWEN (American, 1878-1957) “AN OLD STAGECOACH TAVERN WITH FOUR CHIMNEYS”. Oil on board Housed in a fine reproduction gilt frame with white liner Signed lower left “R Emmett Owen” SIZE: 12″ x 16″. Overall: 19-12/” x 23-1/2″. CONDITION: Very good. 9-29524 (2,000-3,000)

ROBERT EMMETT OWEN (American, 1878-1957) NORTH SALEM, NEW YORK. Oil on canvas board Housed in a gilt wood frame with linen liner Signed lower right “R Emmett Owen” SIZE: 11-3/4″ x 16″. Overall: 17″ x 21-1/2″. CONDITION: Very good 9-29353 (3,000-5,000)

WALTER FARNDON (American, 1876-1964) “OLD BRIDGE, VALLEY STREAM STATE PARK”. Oil on board Housed in a modern ribbed gilt frame with gilt liner Signed lower right “Walter Farndon N.A.” SIZE: 42″ x 35″. Overall: 51″ x 44″. CONDITION: Very good. 9-90394 (3,000-5,000)

WALTER FARNDON (American, 1867-1964) LANDSCAPE WITH HOUSE AND BOATS. Oil on masonite Housed in a wood molded frame with linen and wood liner Signed “Walter Farndon N.A”, lower left SIZE: Sight: 14″ x 18″. Overall: 20-3/4″ x 24-3/4″ CONDITION: Very good, small slice of masonite bottom right corner missing but mostly hidden under the frame 9-29425 (1,500-2,500)

WALTER FARNDON (American, 1876-1964) LOBSTER BOAT AT DOCK. Oil on canvas board Housed in a oak molded wood frame with black accent and linen and gold liner Signed “Walter Farndon N.A”, lower left SIZE: Sight: 14″ x 18″. Overall: 19-1/2″ x 23-1/2″ CONDITION: Very good 9-29426 (1,500-2,500)

SAMUEL LANCASTER GERRY (American, 1813-1891) LANDSCAPE WITH LAKE & COWS. Oil on canvas mounted on masonite Housed in a bronze color modern wood frame Signed lower left “S L Gerry” SIZE: 12″ x 20″. Overall: 15-3/4″ x 23-3/4″ CONDITION: Thin paint layers in areas with scattered retouch 9-28589 (3,000-5,000)

SAMUEL LANCASTER GERRY (American 1813-1891) CROSSING THE RIVER. Oil on masonite Housed in a fine gesso decorated gilt frame with gilt liner having artist’s plaque Signed with initials lower left and dated “1895” SIZE: 8-3/4″ x 13″. Overall: 15-1/4″ x 19-1/2″ PROVENANCE: Barridoff Galleries Lot 118 8/5/2005 CONDITION: Some inpainting, very good. 7-72629 (1,000-1,500)

SAMUEL LANCASTER GERRY (American, 1813-1891) LOOKING OUTSIDE FROM A BARN INTERIOR. Oil on canvas mounted on Masonite Housed in an antique gesso decorated gilt frame Signed lower left “S.L. Gerry” SIZE: 14″ x 20″. Overall: 21″ x 27″. CONDITION: Very good with some inpainting 9-28452 (3,000-5,000)

JASPER FRANCIS CROPSEY (American, 1823-1900) “NORTH CONWAY, N.H.”. Oil on wood panel Housed in a period gesso decorated cut down gilt frame with gilt liner, having artist and title plaque Signed very lightly “J.F. Cropsey” and dated illegibly, bottom right Inscription on verso in pencil “North Conway N.H. Cropsey 1877″ SIZE: 10″ x 14”. Overall: 18-1/2″ x 22-1/2″ CONDITION: Scattered inpainting, very good 7-70329 (20,000-40,000)

BENJAMIN CHAMPNEY (American, 1817-1907) PANORAMIC VIEW OF THE WHITE MOUNTAINS, NH. Oil on canvas Housed in its original gilt decorated frame with gilt liner Signed below left rock “Benj. Champney 70”, also signed on verso “Benjamin Champney 70″ SIZE: Actual: 26″ x 36″. Overall: 32-1/2″ x 42-3/4”. CONDITION: Wax lining, restored with inpainting. Pictures of before and after restoration are attached on verso. 9-29358 (15,000-20,000)

ALFRED T. ORDWAY (1819-1897) SUNRISE OVER NORTH MOAT MOUNTAIN, WHITE MOUNTAINS, NH. Oil on canvas Housed in a gilt wood frame with edge losses Signed “A. Ordway”, lower left SIZE: 12″ x 15″. Overall: 15″ x 18″ CONDITION: Light craquelure, very good 9-29945 (1,000-2,000)

ATTRIBUTED TO NIKOLAY TYSLAND LEGANGER (American, 1832 – 1905) MOUNTAIN LANDSCAPE. Oil on canvas Unsigned Housed in its original gesso decorated gilt frame with one corner loss SIZE: 8″ x 13″. Overall: 14-1/4″ x 19-1/4″. CONDITION: Very good. 9-29380 (800-1,200)

UNSIGNED (American, 19th Century) NEW ENGLAND LANDSCAPE WITH LAKE BORDERED WITH OAK LEAVES. Oil on canvas Housed in a 19th Century gesso decorated frame with corner losses SIZE: 25″ x 30″. Overall: 32″ x 37″ PROVENANCE: Found in the attic of a Central Maine fishing camp CONDITION: One old patch to reverse, some inpainting, surface dirt, in need of cleaning. 9-28846 (500-1,000)

SCHOOL OF REGIS FRANCOIS GIGNOUX (American/French, 1816-1882) WATERFALL IN AUTUMN LANDSCAPE. Oil on canvas Housed in a period gilt & ebony trimmed frame with glass and matte having an oval window SIZE: Sight: 4″ x 5-1/4″. Overall: 11″ x 13″ PROVENANCE: Found in the attic of a Central Maine fishing camp CONDITION: Very good 9-28848 (300-500)

EASTMAN JOHNSON (American, 1824-1906) “GATHERING WILD FLOWERS”. Oil on board Housed in a period gold frame with gilt artist plaque Signed lower left “E Johnson” SIZE: 14″ x 11″. Overall: 21-3/4″ x 18-3/4″. CONDITION: Very good, some touch-up. 9-29521 (6,000-9,000)

WILLIAM HOWARD HART (American, 1863-1937) LANDSCAPE WITH GRAZING COWS. Oil on canvas laid on Masonite Housed in a gilt molded wood frame with losses Signed lower left “Wm Hart” SIZE: 14″ x 19-1/2″. Overall: 18″ x 22-1/2″. CONDITION: Some inpainting, very good 9-28586 (2,500-4,000)

WILLIAM HENRY HOWE (American, 1846-1929) GRAZING COWS. Oil on wood panel Housed in a fine antique style gesso decorated frame with artist plaque Signed with initial lower right SIZE: 12″ x 19″. Overall: 19-3/4″ x 26-1/2″. CONDITION: Very good, some inpainting. 9-29514 (2,500-3,500)

A. EMIL PRINZ (American, 1856-) SUMMER LANDSCAPE WITH COWS. Oil on canvas Housed in what appears to be its original carved gilt wood frame Signed lower right “A.E. Prinz” SIZE: 29″ x 36″. Overall: 33-1/2″ x 40-1/2″. CONDITION: Very good, lined 9-28587 (1,000-2,000)

BENJAMIN CHAMPNEY (American, 1817-1907) SAILING OFF A NEW ENGLAND LIGHTHOUSE. Gouache Housed in a fine gesso decorated frame with gilt liner having corner repairs Signed lower left “Champney” SIZE: Sight: 11-3/4″ x 23-3/4″. Overall: 18″ x 30″. CONDITION: Very good. 9-90334 (2,000-4,000)

AIDEN LASSELL RIPLEY(American, 1896-1969) PORTSMOUTH HARBOR BOATHOUSE. Watercolor on paper Housed in a modern black and gold frame with line highlighted matte Unsigned SIZE: Sight: 9-3/4″ x 15″. Overall: 17-1/2″ x 22-3/4″. CONDITION: Very good, not examined out of frame 7-70363 (3,000-5,000)

AARON DRAPER SHATTUCK (American, 1832-1928) SHEEP IN A COASTAL LANDSCAPE. Oil on canvas Housed in a fine gilt gesso decorated frame with gilt liner Signed lower left “A.D. Shattuck N.A.” SIZE: 8-1/2″ x 12-1/2″. Overall: 17-1/2″ x 21-1/2″. CONDITION: Very good. 9-29562 (3,000-5,000)

GEORGE W. WATERS (American, 1832-1912) BOAT ON BEACH WITH SUNRISE. Oil on canvas Housed in its original gesso decorated gilt frame with corner losses Signed lower left “Waters 69″ SIZE: 12″ x 20″. Overall: 20-1/4″ x 27-1/2”. CONDITION: Light craquelure, very good with some minor spot touch-up. 9-29379 (2,000-3,000)

CHARLES HENRY GIFFORD (American, 1839-1904) TWO MEN WITH BOAT ON BEACH. Oil on canvas Housed in its original gesso decorated gilt frame Signed “C.H. Gifford 1871″, lower right SIZE: 12″ x 18”. Overall: 18-1/2″ x 24-1/2″ CONDITION: Minor touch-up, very good 9-28421 (2,000-4,000)

CHARLES HENRY GIFFORD (American, 1839-1904) TRANQUIL LAKE WITH SNOW-TOPPED MOUNTAIN PEAKS. Oil on canvas Housed in an antique gesso decorated gilt frame Signed “C.H. Gifford”, lower left SIZE: 8″ x 11″. Overall: 13-1/2″ x 16-3/4″ CONDITION: Patch on reverse, minor inpainting, very good 9-28422 (1,000-1,500)

ATTRIBUTED TO EDWARD MITCHELL BANNISTER (American, 1828-1901) FIGURE READING IN A CLEARING. Oil on canvas Housed in a fine reproduction antique-style gilt frame with gilt liner Signed “E.M. Bannister”, lower right SIZE: 8-1/4″ x 12-1/4″. Overall: 14-1/2″ x 18-1/2″ CONDITION: Very good 9-29523 (3,000-5,000)

BARSE MILLER (American, 1904-1973) “TAKE 40 THROUGH NEWCASTLE”. Watercolor Housed in a silver painted period frame with matte behind glass Signed lower right “Barse Miller 1947 G”, also titled lower left SIZE: Sight: 14-1/2″ x 21-3/4″. Overall: 21-1/2″ x 28-1/2″. CONDITION: Very good 9-28417 (3,000-5,000)

PETER POSKAS (American, 1939) “FIRST TURNING”. Oil on canvas mounted on wood panel Housed in a modern gilt frame with linen matte and gold liner Signed bottom left “Poskas” SIZE: 13″ x 18-1/2″. Overall: 21″ x 26-1/4″ CONDITION: Very good. 9-90300 (4,000-6,000)

GEORGE MATTHEW BRUESTLE (American, 1871-1939) “CONNECTICUT LANDSCAPE”. Oil on board Housed in a modern silver gilt decorated frame with title and artist plaque Signed “Bruestle”, lower left SIZE: 8″ x 10″. Overall: 8-3/4″ x 12-3/4″ CONDITION: White line craquelure, very good 9-28852 (1,200-1,800)

HERMANN OTTOMAR HERZOG (American, 1832-1932) “SNOQUALMIE FALLS”. Oil on canvas Housed in what appears to be its original gesso decorated frame with artist plaque having title Signed lower left “H. Herzog” with date, possibly 71″ SIZE: 23-3/4″ x 19″. Overall: 34-1/2″ x 28-1/2″ CONDITION: Lined, minor inpaint, very good 9-28451 (20,000-30,000)

SPECIAL ST. JUDE CHILDREN’S HOSPITAL LOT. This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please also note: The entire proceeds of this lot (to include the buyer’s premium), shall be donated to the St. Jude Children’s Hospital. St. Jude’s is one of the finest hospitals in North America today for the research and care of children afflicted with cancer. We hope that you will consider competing on this lot, we consider it to be an extremely worthwhile cause and we have dedicated ourselves to include similar lots in every single one of our auctions, the proceeds of which will be donated to St. Jude’s. Thank you for your participation. CONDITION: Very good. 8-87112 (300-400)

WESLEY WEBBER (American, 1839-1914) BUSY SHIPPING WITH AN EVENING SKY. Oil on canvas Housed in a magnificent reproduction antique style gilt frame with gilt liner Signed lower left “W. Webber” SIZE: 26-1/2″ x 50-1/4″. Overall: 39″ x 63″. CONDITION: Two small patches to reverse, very good. 9-29069 (6,000-8,000)

WARREN W. SHEPPARD (American, 1858-1937) ROUNDING ISLE OF SHOAL LIGHTHOUSE. Oil on canvas Housed in a 19th century gesso decorated frame in gold paint Signed “Warren Sheppard 1866″, lower right SIZE: Sight: 12″ x 20”. Overall: 23-1/2″ x 31-1/2″ CONDITION: Lined, some inpainting, very good 9-29584 (6,000-9,000)

WILLIAM BRADFORD (American, 1823-1892) SKETCH OF ICEBERGS. Oil on canvas Housed in a modern gilt frame Unsigned SIZE: Sight: 9″ x 13-1/2″. Overall: 10-3/4″ x 15-3/4″ CONDITION: Two small abrasions, otherwise very good 9-29790 (4,000-6,000)

DONALD H. CURLEY (Canada/American, 1940-2009) “RUNNING THE GRAND BANKS”. Oil on masonite Housed in a fine carved & gilt wood frame with gilt wood artist & title plaque Signed lower left Also titled, signed, & dated “Sept/73”. Also inscribed “Painted Hubbard’s N.S.” SIZE: 24″ x 36″. CONDITION: Very good 9-25283 (3,000-5,000)

JAMES HARRINGTON (American, 1929- ) LOADING THE SHIP. Oil on canvas Housed in a gilt wood modern frame Signed lower left “Jas. Harrington” SIZE: 20″ x 24″. Overall: 30″ x 33-3/4″. CONDITION: Very good. 9-29498 (5,000-7,000)

JOHN WHORF (American, 1903-1959) CITY TUGS. Oil on canvas Housed in a partial gilt carved wood frame Signed bottom right “John Whorf” SIZE: 32″ x 40″. Overall: 36-1/2″ x 44-/12″. CONDITION: Very good. 9-29782 (8,000-10,000)

CHARLES WOODBURY (American, 1864-1940) “MONADNOCK”. Oil on canvas Housed in a fine carved and gilt modern frame Signed lower left “Woodbury 07″ SIZE: 23″ x 27”. Overall: 29-1/4″ x 33-1/4″ PROVENANCE: This first impression of Monadnock, painted in 1907, was retained by the artist until his death in 1940. The painting then found its home with his good friend, patron and collaborator Elizabeth Ward Perkins’ family. Subsequently, it was given to Dr. William Bosworth Castle of Harvard medical school. The painting was then purchased from the estate of Dr. Castle by its present owner. “Monadnock” was exhibited at the Museum of Fine Arts Boston in 1945 (labels and copies of forms for the exhibition available to buyer). A larger version of this painting executed in 1912 is part of the permanent collection of the Corcoran Gallery of Art, Washington, D.C. CONDITION: Very good; lined with some inpainting 9-29497 (12,500-17,500)

CHARLES HERBERT WOODBURY (American, 1864-1940) COLORFUL DINGHIES ON TRANQUIL WATER. Oil on canvas Housed in a gilt decorated wood frame Signed lower right “Charles H. Woodbury” SIZE: 15″ x 21-3/4″. Overall: 23-1/4″ x 30″. CONDITION: Very good 9-28448 (3,000-5,000)

CHARLES HERBERT WOODBURY (American, 1864-1940) “AMSTERDAM”. Watercolor on paper Housed in a modern gilt wood frame with watercolor highlighted matte behind glass (small hole on left edge of matte) Signed lower right “Chas. H. Woodbury ’94” SIZE: Sight: 13-1/4″ x 20-1/4″. Overall: 21-1/2″ x 28-1/2. CONDITION: Very good. 7-70358 (1,500-2,500)

FRANK MYERS BOGGS (American, 1855-1926) LE PONT BOIELDIEU A ROUEN, EFFET DU MOUILLE. Oil on canvas Housed in a fine modern gilt frame with gilt liner Signed lower left “Boggs” SIZE: 19-1/4″ x 24″. Overall: 26″ x 31″. CONDITION: Lined on replaced stretcher, inpainting, very good. 9-29433 (8,000-12,000)

EDWIN LORD WEEKS (American, 1849-1903) FRENCH FARM. Oil on canvas Housed in its original gesso decorated gilt frame with gilt liner having a Boston Framing label to verso Signed lower left “E.L. Weeks 1874″ SIZE: 12″ x 18″. Overall: 21-1/2″ x 27-1/2”. CONDITION: Very good, craquelure. 9-90303 (1,000-2,000)

HOWARD BEHRENS (American, 1933-) NORMANDY VILLAGE. Oil on canvas Housed in a modern gilt wood frame with wide linen liner Signed lower left “Behrens” SIZE: 38″ x 46″. Overall: 49″ x 57-1/4″ PROVENANCE: From a Massachusetts Collection CONDITION: Very good 9-28597 (2,000-4,000)

THERESA FERBER BERNSTEIN (American, 1890-2002) PARISIAN STREET SCENE. Oil on canvas Housed in a modern gilt carved wood frame with linen liner Signed lower right “T Bernstein 28″ SIZE: 30″ x 37-1/4”. Overall: 38″ x 45-1/4″ PROVENANCE: From a Massachusetts Collection; Sotheby’s 9/23/88 CONDITION: Inpainting, lined on new stretcher 9-29116 (8,000-12,000)

WILLIAM FERDINAND MACY (American, 1852-1901) LANDSCAPE WITH MARSH AND TREES. Oil on canvas Housed in a gilt decorated original frame Signed “W. Ferdinand Macy”, lower left, and dated indistinctly SIZE: 13″ x 36″. Overall: 18-1/2″ x 41-1/2″ CONDITION: Light craquelure, very good 7-73782 (2,000-3,000)

WILLIAM B. GLEASON (American, 1824-1886) “VIEW OF CHELSEA FROM EAST BOSTON”. Oil on paper Housed in a antique gilt molded wood frame with minor losses having a modern grey matte, watercolor mounted to card stock which has title and signature Signed “Painted by W.B. Gleason”, lower left, titled lower right SIZE: 7-1/4″ x 11-3/4″. Overall: 12-1/2″ x 17-1/2″ CONDITION: Very good 9-28576 (2,000-3,000)

SERGIO ROFFO (American, 1953-) SWAN BOAT – BOSTON GARDENS. Watercolor Housed in a modern gilt wood frame with white matte behind glass Signed lower right “Sergio Roffo” SIZE: 28″ x 39″. Overall: 39-3/4″ x 51-3/4″. PROVENANCE: From a Massachusetts collection CONDITION: Very good to excellent 9-28596 (2,000-4,000)

WILLIAM PRESTON PHELPS (American, 1848-1923) COASTAL LANDSCAPE (POSSIBLY MASSACHUSETTS). Oil on canvas Housed in a fine reproduction antique style gilt frame Signed lower left “W.P. Phelps” SIZE: 20″ x 40″. Overall: 26″ x 46″. CONDITION: Lined, inpainting, very good. 9-29518 (4,500-6,500)

HARRY AIKEN VINCENT (American, 1864 – 1931) CITY STREET SCENE. Oil on board Housed in a period carved and gilt frame Signed lower right “H.A. Vincent” SIZE: 10″ x 7-3/4″. Overall: 15-3/4″ x 13-3/4″. CONDITION: Very good 9-29659 (2,000-3,000)

CHARLES PETER DEMETROPOULOS (American, 1912-1976) TRAIN YARD BOSTON. Watercolor on paper Housed in a fine mahogany frame with white matte and glass Signed lower right “Charles Demetropoulos” SIZE: Sight: 20-1/2″ x 28-1/2″. Overall: 29-1/2″ x 37″. CONDITION: Very good. 9-29784 (2,000-3,000)

CHARLES PETER DEMETROPOULOS (American, 1912-1976) FROG POND, BOSTON COMMON. Watercolor on paper Housed in a mahogany frame with white matte and glass Signed lower left “Charles Demetropoulos” SIZE: 20-1/2″ x 27″. Overall: 29-1/2″ x 35-1/2″. CONDITION: Very good. 9-29785 (2,000-3,000)

CHARLES PETER DEMETROPOULOS (American, 1912-1976) VICTORIAN HOME. Watercolor on paper Housed in a gilt modern frame with white matte Unsigned, dated lower right June 16, 1953 and numbered 72 SIZE: Sight: 20″ x 28-1/2″. Overall: 29-3/4″ x 37-1/2″. CONDITION: Very good, not examined out of frame. 9-29786 (2,000-3,000)

LOUIS KRONBERG (AMERICAN, 1872-1965) BALLERINA IN BLUE. Pastel Housed in a gilt carved wood modern frame with liner and glass Signed lower right “L. Kronberg”. Also upper right with artist’s cipher and date of 1953 Paris. SIZE: Sight 25″ x 19″. Overall: 31-1/2″ x 26″. CONDITION: Very good. 9-29121 (1,800-2,200)

ROBERT PHILIPP (American, 1895-1981) YOUNG GIRL WITH RED HAIR. Oil on canvas Housed in a modern gilt fancy frame with gilt liner, artist and title plaque Initialed, upper right SIZE: 10″ x 8″. Overall: 16-3/4″ x 14-3/4″ CONDITION: Lined, inpainting, very good 9-29428 (800-1,200)

WARREN DAVIS (American, 1965-1928) “LEDA AND THE SWAN”. Oil on board Housed in a period gilt carved wood frame Signed “Warren Davis”, lower left Back retaining a “J. Assenheim & Son, New York” Label with title and date (1925) SIZE: Sight 7-1/2″ x 9-1/2″. Overall: 13-1/2″ x 15-1/2″ CONDITION: Very good 9-28851 (2,500-4,000)

WILLIAM H. HARNDEN (American, 1920 – 1983) INTERIOR WITH NUDE AND PIANIST. Oil on Masonite Housed in a gilt decorated modern wood frame Signed lower right “Harnden” SIZE: 24″ x 20″. Overall: 25-1/2″ x 21-1/2″. CONDITION: Very good. 9-29500 (700-900)

LOUIS SCHANKER (American 1903-1981) NUDE IN AN INTERIOR. Ink and watercolor on paper Housed in a hinged mounted matte Signed lower right “Schanker” SIZE: 17-1/2″ x 24-3/4″. Overall: 21-1/4″ x 25″. CONDITION: Some repairs to bottom edge under matte, repaired two 3″ tears to top section. Otherwise very good. 7-73535 (400-600)

LOUIS HENRY CHARLES MOELLER (American, 1855-1930) DISCUSSION IN THE LIBRARY. Oil on canvas Housed in a fine 20th century gesso decorated gilt frame Signed lower left “Louis Moeller, N.A.” SIZE: 24-3/4″ x 32″. Overall: 35″ x 42″. PROVENANCE: From a fine New Jersey home; Sotheby’s New York 9/24/92. CONDITION: Very good; scattered minor inpainting 9-29484 (10,000-12,000)

ELIHU VEDDER (American/Italian, 1836 – 1923) RUINS WITH MOUNT VESUVIUS. Oil on wood panel Housed in a gilt oak frame with gilt liner Unsigned front, signed on verso of panel SIZE: 9-1/4″ x 15″. Overall: 17-1/4″ x 23-1/4″. CONDITION: Very good. 9-29522 (3,000-5,000)

SIGNED (First half 20th Century) SURREALISTIC LANDSCAPE. Oil on Masonite Housed in a silver gilt stepped frame with linen matte having silver wood edge Signed lower right illegibly SIZE: 24″ x 16″. Overall: 33-1/2″ x 25-1/2″. CONDITION: Very good. 9-28555 (3,000-5,000)

JIMMY C. LUEDERS (American, 1927-1995) “ODE TO LAVENDER”. Oil on canvas Housed in a simple gold edge frame with black inside border Signed lower left “Lueders” SIZE: 60″ x 55-1/2″. Overall: 61″ x 57″ PROVENANCE: From a fine coastal Maine home CONDITION: Surface dirt, slight craquelure to upper left 9-28561 (2,000-3,000)

ALEXIS PAUL ARAPOFF (American/Russian 1904-1948) “VIRGIN AND SERPENT”. Oil on canvas Housed in a modern silver gilt frame Unsigned Note: Having a Museum of Fine Arts Boston Special Loan Exhibition label on reverse with artist and title SIZE: Sight: 16″ x 13-1/4″. Overall: 18-1/2″ x 15-1/2″ CONDITION: Very good 7-70298 (800-1,200)

LADO (VLADIMIR DAVIDOVICH) GUDIASHVILI (Georgian, 1896-1980) FANTASY SCENE WITH CASTLE AND FIGURE ON HORSE. Watercolor and gouache on paper Unframed Signed in Georgian alphabet, “Mkhedruli” style (established in the 11th Century), lower left SIZE: 11″ x 18-1/2″ PROVENANCE: Acquired directly from the artist from our consignors grandfather who was close friends & a colleague of Lado. CONDITION: Very good having age toning with untoned spots at top margin 9-29374 (8,000-12,000)

EVGENY IVANOVICH NAPS (Russian, 19th/20th Century) THE FALCONER. Bronze Signed cyrillic inscription, also “Tiffany & Co.” SIZE: 12-1/2″ h x 7-3/4″ w x 3-1/4″ d. CONDITION: Wings with bend which may be original. Nice dark brown patina. 9-29725 (2,500-4,000)

UNSIGNED (Russian, 19th/20th Century) BEAR ON ICE FLOW. Bronze and Quartz Crystal SIZE: Total: 5-1/2″ h. Bronze: 6″ l x 4-1/2″ w. CONDITION: Brown patina, good. 9-29834 (300-500)

UNSIGNED (Russian, 19th/20th Century) RUSSIAN WITH RIFLE ON ICE FLOW. Bronze and quartz crystal SIZE: Overall: 4″ h x 6″ l x 4″ d. CONDITION: Very good. 9-29712 (800-1,200)

GEORGE WASHINGTON NICHOLSON (American, 1832-1912) PIRATES RESTING ON A BEACH. Oil on wood panel Housed in a modern gilt decorated frame Signed lower left “G W Nicholson” SIZE: 22″ x 29″. Overall: 27-1/2″ x 34-3/4″ CONDITION: Minor spot inpainting, very good 9-28550 (4,000-6,000)

GEORGE WASHINGTON NICHOLSON (American, 1832-1912) GIRL WITH GEESE IN LANDSCAPE. Oil on canvas Housed in a modern gilt frame with linen gold-edged liner Signed “G W Nicholson”, lower left SIZE: 10″ x 16″. Overall: 17-1/2″ x 23-1/2″ CONDITION: Lined, some inpainting, very good 9-29993 (800-1,200)

CHARLES M. SCHULZ (American, 1922-2000) PEANUTS CARTOON WITH SNOOPY AND WOODSTOCK. Ink on paper Housed in a modern black metal frame with white matte behind glass Signed in strip “Schulz”, also inscribed “Best wishes-Charles Schulz” SIZE: Sight: 6-3/4″ x 20-1/4″. Overall: 11″ x 24-1/2″. CONDITION: Very good. 9-29370 (7,000-9,000)

JOHN H. STRIEBEL (American, 1892-1962) FOUR DIXIE DUGAN ORIGINAL CARTOONS. Pen and ink on hard stock Housed: One in red metal frame with white matte; another in white matte; two are unframed All are signed “J. H. Striebel” SIZE: 1) 14″ x 16″. Overall: 18″ x 20″. 2) 10-3/4″ x 9-3/4″. Overall: 16-1/2″ x 15-1/4″. 3 & 4) 6-1/2″ x 19″. PROVENANCE: From a Maine home acquired from a family member of the artist CONDITION: Framed example has yellow toning, otherwise very good. 9-29771 (500-1,000)

JOSEPH MICHAEL GLEESON (American/European, 1861-1917) HOW THE ALPHABET WAS MADE – ILLUSTRATION FOR “JUST SO STORIES” BY RUDYARD KIPLING. Watercolor illustration on paper Housed in a black wood frame with gray matte (both as is) Signed bottom center “Gleeson” Illustration found opposite of page 145 in the edition by Doubleday, Doran & Co., Inc., 1930 (book accompanies watercolor) NOTE: Back of watercolor has book title and number. Back of frame with “Doubleday Page” SIZE: Sight: 25-3/4″ x 18-1/4″. Overall: 31″ x 23″ CONDITION: Overall very good with some fading 9-28806 (2,000-4,000)

ARTHUR BURDETT FROST (American, 1851-1928) “SIGNS OF SPRING”. Gouache on board Housed in a thin black painted wood frame with matte, having the following inscription at bottom-center: “Signs of Spring by A.B. Frost, drawn for Life’s Easter Annual April 6th, 1922” Signed “A.B. Frost”, lower right Life publication stamp on verso SIZE: Sight: 12″ x 8-3/4″. Overall: 20″ x 15-1/2″ CONDITION: Very good, examined out of frame 9-29948 (1,000-1,500)

JOSEPH CHRISTIAN LEYENDECKER (American, 1874-1951) THREE WORKS, MODEL SKETCHES. Two are pencil drawings, other is oil on canvas Two are housed in a single modern frame with matte, the other is mounted to brown backboard in a modern wood frame with glass Unsigned Note: When living in Greenwich Village, Leyendecker lived with a model; and when he died, his model took many of his sketches and sold them in a backyard sale, which is where these sketches originated SIZE: 8″ x 9″; 7-1/2″ x 7″; 6-1/2″ x 13-1/2″. Overall: 13″ x 22-1/2″; 10-3/4″ x 16-3/4″ CONDITION: Very good 9-28850 (1,000-2,000)

UNSIGNED (19th Century) THE DOG ARTIST. Oil on canvas Housed in a magnificent gilt gesso decorated deep frame with gilt liner SIZE: 16-1/2″ x 22″. Overall: 27-1/4″ x 32-3/4″. CONDITION: Some inpainting, very good. 9-29561 (5,000-8,000)

ALFRED ARTHUR BRUNEL DE NEUVILLE (French, 1851-1941) THREE KITTENS WITH CUP OF MILK. Oil on canvas Housed in an antique gilt gesso decorated frame with gilt liner Signed lower left “Brunel Neuville” SIZE: 21-1/2″ x 26″. Overall: 30-3/4″ x 35″. PROVENANCE: From a fine New Jersey home CONDITION: Very good, lined, craquelure with some inpainting 9-29478 (2,000-3,000)

BERNARD NEUVILLE (19th/20th century) CATS WITH MILK DISH. Oil on canvas Housed in a fine large gesso decorated gilt frame with gilt liner with losses Signed lower left “Bernard Neuville” SIZE: 21-1/2″ x 25-3/4″. Overall: 32-3/4″ x 37″. PROVENANCE: Collection and shop contents of Linda and the late Vito Peri (owners of the Blue Dolphin Antique Shop, Northport, Maine). CONDITION: Scattered touch-up, very good. 9-90091 (3,000-5,000)

CARL KAHLER (American/Austrian, 1855-1906) WOMAN WITH HER DOG FEEDING APPLES TO HER HORSE. Oil on canvas Housed in a bronze gilt carved wood frame. Signed lower left “Carl Kahler” SIZE: 30″ x 25″. Overall: 35-1/2″ x 30-1/2″. CONDITION: Some inpainting, very good. 9-90426 (1,500-2,500)

CARL KAHLER (American/Austrian, 1855-1906) MY BEST FRIEND. Oil on canvas Housed in a gesso decorated gold frame Signed lower right “Kahler” SIZE: 26″ x 38-1/2″. Overall: 30-3/4″ x 43-1/4″. CONDITION: Very good. 9-90358 (1,000-1,500)

GEOFFREY DASHWOOD (British, 1947- ) HERON. Bronze Signed “Dashwood 9/12″ SIZE: 28″ h x 18” w. CONDITION: Very nice mottled green patina. 9-29455 (4,500-7,500)

GEOFFREY DASHWOOD (British, 1947- ) CORMORANT. Bronze Signed “Dashwood A/C” (artist’s copy) SIZE: 27″ h x 20 w. CONDITION: Wonderful bluish green patina. 9-29456 (4,500-7,500)

GEOFFREY DASHWOOD (British, 1947- ) PUFFINS. Bronze Signed “Dashwood 4/12″ SIZE: 10-1/2″ h x 8″ w x 9” d. CONDITION: Wonderful bluish green patina. 9-29451 (3,750-4,750)

GEOFFREY DASHWOOD (British, 1947- ) BARN OWL. Bronze Signed “Dashwood A/C” (artist’s copy) SIZE: 10-1/2″ h x 12″ l. CONDITION: Wonderful brown patina. 9-29460 (3,000-4,000)

GEOFFREY DASHWOOD (British, 1947- ) PINTAIL DUCK. Bronze Signed “Dashwood 1/12″ SIZE: 6″ h x 16” l. CONDITION: Nice color patina in browns and speckled green. 9-29461 (2,000-4,000)

GEOFFREY DASHWOOD (British, 1947- ) LAPWING. Bronze Signed “Dashwood 11/12″ SIZE: 9-3/4″ h x 10-3/4” l. CONDITION: Wonderful green and black patina. 9-29457 (1,500-2,500)

GEOFFREY DASHWOOD (British, 1947- ) STANDING WOODCOCK. Bronze Signed on round base “Dashwood” and numbered “12/12”. SIZE: 6-1/2″ h x 9″ l. CONDITION: Nice brown speckled patina, very good. 9-29454 (2,000-3,000)

GEOFFREY DASHWOOD (British, 1947- ) WOODCOCK. Bronze Signed “Dashwood A/C” (artist’s copy) SIZE: 5-3/4″ h x 12″ l. CONDITION: Wonderful brown mottled patina. 9-29458 (2,000-3,000)

GEOFFREY DASHWOOD (British, 1947- ) PARTRIDGE. Bronze Signed “Dashwood 9/12″ SIZE: 4-3/4″ h x 9” l. CONDITION: Light to dark brown patina with speckling to breast. Very good. 9-29459 (2,000-3,000)

GEOFFREY DASHWOOD (British, 1947- ) RED GROUSE. Bronze Signed “Dashwood A/C” (artist’s copy) SIZE: 6″ h x 14″ l. CONDITION: Nice brown mottled patina, very good. 9-29450 (1,000-2,000)

GEOFFREY DASHWOOD (British, 1947- ) BOBWHITE QUAIL?. Bronze Signed “Dashwood 2/12″ SIZE: 4-3/4″ h x 7-1/2” l. CONDITION: Nice mottled brown patina. 9-29453 (1,500-2,500)

GEOFFREY DASHWOOD (British, 1947- ) SNIPE. Bronze Signed on bottom “Dashwood” and numbered “1/12″ SIZE: 6″ h x 6” l. CONDITION: Wonderful mottled brown patina. 9-29452 (1,000-2,000)

VICTOR CHARRETON (French, 1864-1937) FRENCH LANDSCAPE. Oil on canvas Housed in a fine gilt decorated frame with linen and gold liner Signed lower right “Victor Charreton” SIZE: 20″ x 24″. Overall: 30-1/2″ x 34-1/2″. CONDITION: Very good. 9-90336 (2,000-4,000)

EDOUARD LEON CORTES (French, 1882-1969) FLOWER VENDOR ON A PARIS STREET. Oil on canvas Housed in a fine partial gilt decorated frame with linen and gilt liner Signed “Edouard Cortes”, lower right SIZE: 18″ x 21-3/4″. Overall: 26″ x 29-1/2″ CONDITION: Very good 9-28564 (15,000-25,000)

EUGENE GALIEN-LALOUE (French, 1854-1941) PARIS STREET IN FRONT OF THE MADELEINE. Watercolor/Gauche on paper Housed in a 19th century gesso decorated leaf and flower motif gilt frame with matte and glass Signed “E Galein-Laloue”, bottom left Note: Accompanying the painting is a certificate of authenticity from Noe Willer, noted expert and specialist on this artist SIZE: Sight: 6-3/4″ x 12″. Overall: 19-1/4″ x 24-1/2″ CONDITION: Very good. 9-29678 (15,000-25,000)

EDOUARD LEON CORTES (French, 1882-1969) EVENING PARIS STREET. Oil on canvas Housed in a gilt antique gesso decorated frame Signed lower right “E. Cortes” SIZE: 13″ X 16″. Overall: 19-1/4″ x 22-1/2″. CONDITION: Stabilized craquelure, very good. 9-29371 (20,000-30,000)

HERMANUS WILLEM KOEKKOEK (Netherlands, 1867-1929) FRENCH CUIRASSIERS. Oil on canvas Housed in a fine period gesso decorated gilt frame with scallop shell decoration & artist plaque Signed lower left “H W Koekkoek” SIZE: 17-1/2″ x 24″. Overall: 27-3/4″ x 33-1/2″ CONDITION: Lined, some spot inpainting, very good 9-28563 (10,000-15,000)

BAREND CORNELIS KOEKOEK (DUTCH, 1803-1862) SUMMER PANORAMIC LANDSCAPE. Oil on wood panel Housed in a replacement gilt carved frame with linen and gold liner Signed lower left “B.C. Koekkoek 1826″ and having an old label with artist and description on reverse held on with wax seal SIZE: 11-3/4″ x 15-1/4″. Overall: 17-1/4″ x 20-1/2”. CONDITION: Very good. 9-29402 (10,000-20,000)

ADRIANUS EVERSEN (Netherlandic, 1818-1897) “ON THE VOLDERSGRACHT”. Oil on canvas Housed in an antique gilt frame with gilt liner having losses Signed lower right Literature: P. Overduin, Adrianus Eversen: 1818-1897, Amsterdam, 2010, p. 258, no. 44 Born in Amsterdam, Eversen is widely considered to be one of Holland’s most important painters of 19th century town views. Popular during his lifetime, his works were internationally collected and are featured in numerous public and private collections. A member of the elite Arti et Amicitiae artist’s association, Eversen was known for his minutely detailed, almost topographical scenes. To this style was added a narrative element, which engages the viewer in the busy and multi-faceted daily life of the 19th century European village. SIZE: Sight: 17-1/4″ x 14-1/4″. Overall: 27-1/4″ x 24-1/4″ PROVENANCE: Christie’s New York 10/12/2011 Lot 39; Christie’s Amsterdam 4/26/2006 Lot 78 CONDITION: Spot inpainting, very good 9-28854 (10,000-15,000)

CHARLES KAREL BOOM (Belgian, 1858-1939) PORTRAIT OF TWO WOMEN IN A PARK. Oil on canvas Housed in a fine reproduction wide gilt frame Signed lower right “Ch. Boom 1901″ Reference: Illustrated on the front cover of 2009-2010 edition of Davenport’s Art Reference & Price Guide SIZE: 47-1/2″ x 36-1/2”. Overall: 58-1/4″ x 47″ CONDITION: Scattered retouch, very good 9-28805 (8,000-12,000)

ANDREAS SCHELFHOUT (DUTCH, 1787-1870) SUMMER LANDSCAPE WITH FARM. Oil on wood panel Housed in a replacement gesso decorated wood frame Signed bottom right “Schelfhout” SIZE: 13″ x 16-1/2″. Overall: 18-1/2″ x 21-3/4″. CONDITION: Very good. 9-29356 (6,000-9,000)

JOSEPH LAURENT MALAINE (French, 1745-1809) STILL LIFE-PEACHES. Oil on copper Housed in an antique gilt carved wood frame James Graham & Sons, NY label on verso with artist & title Signed lower left “L Malaine 1788″ SIZE: 13-1/4″ x 16-1/4”. Overall: 18-1/4″ x 21-1/4″ PROVENANCE: From a California home CONDITION: Some chipping to top 2″ and bottom edge, frame abrasion line along right edge, good 7-70296 (8,000-12,000)

ROMUALDO BATTISTA FEDERICO LOCATELLI (Italy/Indonesia, 1905-1943) MORE THAN A HANDFUL. Large oil on canvas mounted to masonite Housed in modern gesso decorated gilt frame Signed lower left SIZE: 49″ x 24″. Overall: 53″ x 28″. CONDITION: Very good, inpainting. 9-25975 (8,000-12,000)

FRANCESCO PAOLO MICHETTI (Italian, 1851-1929) “PORTARE L’ ACQUA”. Oil on canvas Housed in a gilt gesso decorated frame with gilt liner having title and artist plaque Signed lower right “FP Michetti 17″ SIZE: 14″ x 10″. Overall: 22″ x 18”. CONDITION: Very good. 9-29355 (6,000-9,000)

ATTILIO PRATELLA (Italian, 1856-1949) MEN WITH FISHING BOAT ON BEACH. Oil on board Housed in a gilt molded wood frame Signed “A. Pratella”, lower right SIZE: 10″ x 15-1/2″. Overall: 12-1/2″ x 18-1/4″ PROVENANCE: A fine downeast Maine home CONDITION: Surface dirt, very good 9-28810 (5,000-10,000)

F. MARCHIS (Italian, 19th/20th Century) TOASTING IN THE TAVERN. Watercolor Housed in a gilt gesso decorated frame Signed center bottom SIZE: Sight: 20″ x 28-1/2″. Overall: 26″ x 34-1/2″. CONDITION: Very good. 9-29479 (400-600)

LUIGI OLIVETTI (Italian, 1856-1941) SERENADING A GIRL AT THE “VILLA ADRIANA”. Watercolor Housed in a fine gesso decorated gilt frame with glass Signed lower left “Luigi Olivetti, Roma-Villa Adriana” SIZE: Sight: 19-1/4″ x 27-1/4″. Overall: 27″ x 35″. CONDITION: Very good. 9-90463 (1,500-2,500)

HENRY WOODS (British, 1946-1921) “SUNDAY MORNING – COMING OUT OF CHURCH”. Oil on wood panel Housed in a gilt decorated pierced frame Signed “Henry Woods”, lower right Several labels on verso including: The Fine Art Galleries; Arthur Tooth & Sons, London; Uno Langmann Limited, Vancouver; and Giuseppe Biasutti, Venice SIZE: 18″ x 13″. Overall: 23″ x 18-1/2″ CONDITION: Very good 9-28436 (6,000-9,000)

ATTRIBUTED TO DANTE GABRIEL ROSSETTI (British, 1828-1882) “JENNE DE FRANCE”. Oil on canvas Housed in a decorative partial gilt and painted carved frame with gilt liner Signed upper left “D.G. Rossetti, having a partial label on reverse with title and artist SIZE: Sight: 16″ x 12″. Overall: 24″ x 20”. CONDITION: Wax lining, craquelure in painting. 9-29474 (1,000-2,000)

WILLIAM SHAYER SR (British, 1787-1879) LANDSCAPE WITH COWS AND FIGURES WITH TREE. Oil on canvas Housed in a period, possibly original, gesso decorated gilt frame with gilt liner, having losses to corner of frame Signed “Wm. Shayer Sen’r”, lower right SIZE: 14″ x 12″. Overall: 23″ x 21″ CONDITION: Canvas patch to verso, inpainting, craquelure, good 9-29354 (3,000-5,000)

GEORGE WRIGHT (British, 1860-1942) “FULL CRY”. Oil on canvas Housed in a fine carved wood frame with carved & gilt liner Quester Gallery & J.N. Bartfield Galleries labels on verso Signed lower right “G Wright” SIZE: 16″ x 24″. Overall: 24-1/2″ x 32-1/2″ CONDITION: Very good with some minor inpainting in sky 9-28798 (2,500-4,000)

CHARLES BRANWHITE (United Kingdom, 1817-1880) “WINTER LANDSCAPE WITH A MILL”. Oil on canvas Housed in a gesso decorated gilt antique frame Signed lower right “C. Branwhite” SIZE: 28″ x 40″. Overall: 36″ x 48-1/2″. PROVENANCE: From a New York estate CONDITION: Lined with small area of inpaint; very good 9-29466 (2,000-3,000)

ROBERT CLEMINSON (United Kingdom) STAG AND DEER BY HIGHLAND LAKE. Oil on canvas Housed in a modern gilt wood frame Signed lower left “Robt Cleminson” SIZE: 30″ x 50-1/4″. Overall: 35-1/2″ x 55-3/4″. PROVENANCE: From a fine New Jersey home CONDITION: Very good; lined with some minor inpainting 9-29469 (2,000-3,000)

EDWARD WILLIAM COOKE (British, 1811-1880) LOW TIDE. Oil on copper Housed in an antique gilt frame with gilt liner Signed lower right “E.W. Cooke 1856″ SIZE: 7″ x 10″. Overall: 13″ x 16”. CONDITION: Some inpainting, very good. 9-90424 (2,000-4,000)

WILLIAM STEWARD MACGEORGE (Scottish, 1861-1931) WOMAN BESIDE RIVER AT TWILIGHT. Oil on canvas Housed in a gilt wood antique frame Signed lower left “W.S. MacGeorge” SIZE: 28″ x 36″. Overall: 32-1/2″ x 40-1/2″. CONDITION: Lined, new stretcher, craquelure, inpainting. 9-29386 (2,000-4,000)

SYED HAIDER RAZA (Indian, 1922- ) “NAGA”. Acrylic on canvas Housed in a black painted shadowbox type frame Signed lower right and dated “05”, also signed, titled, and dated on reverse. Accompanying lot is a certified photograph from the artist SIZE: 15″ x 18″. Overall: 19-1/2″ x 22-3/4″. CONDITION: Very good. 7-70372 (15,000-20,000)

GONZALO ARIZA (American/Colombian, 1912-) “GUAYABAS MAYALES (LA MESA)”. Large oil on canvas tropical woodland scene shows tall trees with red blossoms having palm ferns and yellow flowers in foreground. Signed lower left. Also titled and signed on reverse of canvas. Housed in a good gilt molded wood frame with linen and gilt liner. Frame retaining a Newman Galleries Philadelphia label. SIZE: 32″ x 23″. Overall: 40-1/2″ x 31-1/4″. CONDITION: Very good. 9-25785 (8,000-12,000)

GONZALO ARIZA (American/Colombian, 1912- ) “ARBOLES EN LA LOMA”. Large watercolor scene shows trees on a sharp mountain edge looking out over a valley with trees, houses with large mountains beyond. Signed lower right. Housed in a gilt wood frame with wide matte. Frame having a brass title plaque. SIZE: Sight: 32-3/4″ x 23-1/4″. Overall: 42-3/4″ x 32-1/2″. CONDITION: Very good. 9-25786 (6,000-9,000)

FRANZ MARIA INGENMEY (German, 1830-1878) INTERIOR WITH YOUNG WOMAN IN CHAIR WITH NEEDLEWORK. Oil on wood panel Housed in a wonderful gesso decorated gilt period frame with gilt liner Signed upper left “F.M. Ingenmey 1867″ SIZE: Sight: 11-1/4″ x 8-3/4″. Overall: 21″ x 18-1/4”. CONDITION: Very good, some inpainting. 9-29476 (2,500-3,500)

FRITZ EBEL (German, 1890-1946) SUMMER LANDSCAPE WITH COWS AND FIGURES IN SUNLIT FIELD. Oil on canvas Housed in its original magnificent gesso decorated gilt frame with gilt liner Signed lower right “F. Ebel 1894″ SIZE: 26-1/2″ x 39-1/2″. Overall: 40-1/4″ x 53-1/2”. CONDITION: Lined, with inpainting, craquelure. Otherwise very good. 9-29392 (2,000-4,000)

ADOLF KAUFMANN (Austrian, 1848-1916) FIGURES GATHERING STICKS IN THE WOODS. Oil on canvas Housed in its original gilt frame liner Signed “A. Kaufmann”, lower right SIZE: 18″ x 23″. Overall: 23″ x 28″ CONDITION: Thick varnish, minor inpainting, very good 9-29699 (1,500-2,500)

HENRYK KOSSOWSKI, JR. (Polish, 1855-1921) REGAL LADY. Bronze and ivory Signed on base “Kossowski” Mounted on round white marble base SIZE: Bronze: 11-1/2″ h. With base: 12-1/2″ h. CONDITION: Right hand is wood replacement, ivory head and hands with age lines, some rubs to dore finish. 9-29468 (1,000-2,000)

PROSPER LECOURTIER (French, 1855-1924) LA FANTASIA. Bronze Signed on ground “Lecourtier” SIZE: Bronze: 30″ h x 30-1/2″ l x 11″ d. With base: 32-3/4″ h. CONDITION: Dark patina with green highlights. 9-29720 (4,000-6,000)

SIGNED (European, 19th/20th Century) SWORDSMAN ON HORSEBACK. Patinated metal Signed on base with what appears to be “Glauzni Vorli” SIZE: 7″ h x 6″ w x 2-3/4″ d. CONDITION: Nice detailed casting, very good. 9-29727 (1,000-2,000)

UNSIGNED (19th/20th Century) MONGOLIAN WARRIOR. Bronze SIZE: With Spear: 18″. Without Spear: 16-3/4″. 9″ at widest. CONDITION: Very good with nice brown patina. 9-29722 (1,000-1,500)

FRENCH SOLDIER (Italian, 1848-1919) LUCA MADRASSI. Bronze mounted on marble base Signed on base “L. Madrassi” SIZE: Bronze: 34″ h. With marble base: 35-3/4″ h. PROVENANCE: Collection and shop contents of Linda and the late Vito Peri (owners of the Blue Dolphin Antique Shop, Northport, Maine). CONDITION: Blade of sword with irregularities in shape. Otherwise very good with dark brown patina. 9-90077 (1,000-1,500)

BERNHARD GUTTMAN (American, 1869-1936) VENICE. Oil on canvas Housed in a modern gilt frame Signed lower right “Bernhard Guttman” having a Salander-O’Reilly Galleries label on verso SIZE: 33″ x 37″. Overall: 36-3/4″ x 40-3/4″. CONDITION: Very good. 9-29665 (5,000-7,000)

CHARLES CARYL COLEMAN (American, 1840-1928) “CAPRILL AS SEEN FROM MT. SALARO – ISOLA DI CAPRI…”. Pastel on gray paper Housed in a fine antique style gilt wood frame with gilt liner and glass Signed lower right with artist cypher and “1896” SIZE: Sight: 6-1/2″ x 17-1/2″. Overall: 14-1/2″ x 25-1/2″. CONDITION: Very good. 9-29529 (2,500-3,500)

NICHOLAS BRIGANTI (American/Italian, 1861-1944) “PESCATORI FUORI VENEZIA” (THE FISHERMEN OF VENICE). Oil on canvas Housed in a fine original gesso decorated gilt frame with gilt liner and glass Signed “N. Briganti”, lower right SIZE: 14″ x 20″. Overall: 20″ x 26″ CONDITION: Craquelure, very good 9-29979 (1,500-2,500)

GEORGE HENRY BOGERT (American, 1864-1944) APPROACH OF EVENING, VENICE. Oil on canvas Housed in a modern wide leaf decorated gilt frame with liner Signed lower left “George H. Bogert” SIZE: 28-1/2″ x 40″. Overall: 39″ x 51″. CONDITION: One area in cloud chipped. Otherwise very good. 9-90422 (1,500-2,500)

WALTER FRANKLIN LANSIL (American, 1846-1925) “CHURCH OF SANTA MARIE DEL SALINA; VENICE”. Oil on canvas Housed in a period carved wood gilt frame with a partial Foster Brothers, Boston label Signed lower right “Walter F. Lansil” and titled and signed with date of 1864 on verso of canvas SIZE: 8″ x 12″. Overall: 13-3/4″ x 17-3/4″. PROVENANCE: From a fine Cape Cod, Massachusetts estate CONDITION: Surface dirt; very good 9-28423 (800-1,200)

JAMES HAY DAVIES (British, 1844-1930) MEETING OUTSIDE THE GATE. Oil on canvas Housed in a fine re-gilt gesso decorated period frame with gilt liner Signed lower left SIZE: 25-1/2″ x 28-1/4″. Overall: 34-3/4″ x 37-1/2″. CONDITION: Relined, scattered inpainting, very good. 9-26641 (600-900)

GEORGE TURLAND (GOOSEY) (American, 1877-1947) TUNIS GATE. Oil on wood panel Housed in a modern gilt frame with gilt liner Signed “Geo Turland”, lower right SIZE: Sight: 16″ x 12″. Overall: 21-1/2″ x 17-1/2″ CONDITION: Very good 9-29535 (700-1,000)

GEORGE TURLAND (GOOSEY) (American, 1877-1947) TUNISIAN PORT. Oil on board Housed in a modern gilt frame with gilt liner Signed “Geo Turland”, lower right SIZE: Sight: 8″ x 10″. Overall: 15-1/4 x 17-1/4″ CONDITION: Signature appears to have been added by the artist at a later date since the painting is from the George Turland Estate. Very good 9-29536 (500-800)

GEORGE TURLAND (GOOSEY) (American, 1877-1947) TUNIS STREET. Oil on wood panel Housed in a modern gilt wood frame with gilt liner Signed “G. Turland”, lower right SIZE: Sight: 16″ x 12″. Overall: 21-1/2″ x 17-1/2″ CONDITION: Very good 9-29537 (600-900)

AUGUSTINO (20th Century) ARAB MARKET. Oil on canvas Housed in a gesso decorated reproduction frame with gilt liner Signed lower right “Augustino” SIZE: 37″ x 48″. Overall: 49″ x 61″. CONDITION: Very good. 9-29730 (2,000-4,000)

SIGNED (19-20th century) MIDDLE EASTERN MAN WITH KNIFE. Oil on canvas Housed in a modern gilt frame Signed bottom left indistinctly SIZE: 20″ x 15-1/4″; Overall: 26″ x 20-3/4″ PROVENANCE: Southern New Hampshire Estate. CONDITION: Small patch on verso, very good. 9-29732 (400-600)

ADDISON THOMAS MILLAR (American, 1860-1913) ARAB WITH GUN. Oil on canvas Housed in a antique gilt liner Signed lower right “A.T. Millar” SIZE: 14″ x 10″. Overall: 17-1/2″ x 13-1/2″. CONDITION: 7 small patches to verso with corresponding inpainting. 9-29731 (400-600)

UNSIGNED (19th Century) MIDDLE EASTERN SOLDIER. Watercolor Housed in gilt wood frame with white matte with losses SIZE: Site size – 12-1/2″ x 8-1/2″ Overall: 20″ x 18″ CONDITION: Very good, some toning 9-26462 (100-200)

ANTON CHOTKA (Austrian, 1881-1955) LARGE LAMP WITH TWO ARABS IN TENT. Cold-painted polychromed bronze Signed “Chotka” on back base SIZE: 14-1/2″ h x 13″ w x 7-1/2″ d. CONDITION: Very good. 9-29706 (5,000-10,000)

SIGNED TOTRE(?) (Austrian, 19th/20th Century) AT THE BAZAAR BRONZE LAMP. Cold-painted polychromed bronze Signed “Made in Austria”, also Totre(?) SIZE: 15-1/2″ h x 8-1/2″ w. CONDITION: Very good. 9-29714 (2,500-4,000)

NAM GREB (Austrian, 19th/20th Century) PAIR OF BRONZE LAMP/MUSIC BOXES. Depicting a cobbler in his shop Polychrome bronze Signed “Nam Greb” on back SIZE: 10-1/4″ h. CONDITION: Left side scroll work missing on one, some minor loss to paint and minor imperfections. One music box not functioning. Music box keys present. Otherwise very good. 9-29843 (3,000-5,000)

FRANZ BERGMAN (Austrian, 19th/20th Century) ARAB MAN WITH RIFLE UNDER TENT LAMP. Cold-painted polychromed bronze Impressed foundry stamp and numbered, also marked on base “Made in Austria” SIZE: 18″ h x 7″ w x 7″ d. CONDITION: Very good, nice patina. 9-29719 (3,000-5,000)

BERGMAN FOUNDRY (Austrian, 19th/20th Century) TWO ARABS IN TENT LAMP. Cold-painted polychromed bronze Signed “Made in Austria” with the Bergman Foundry stamp SIZE: 9″ h. CONDITION: Some minor pitting to color. Otherwise very good. 9-29728 (2,500-3,500)

BERGMAN FOUNDRY(Austrian, 1838-1894) THE ARMS MERCHANT. Cold-painted polychromed bronze Signed with foundry mark and numbered 3573 SIZE: 8″ h x 7″ w x 7-1/2″ d. CONDITION: Some wear but generally very good. 9-29704 (2,000-3,000)

FRANZ BERGMAN FOUNDRY (Austrian, 1838-1894) HUNTER ON TREE STAND SHOOTING TIGER. Cold-painted bronze with polychrome patina Stamped with the “Bergman Foundry” mark to the underside, also numbered 3927 and 4574. Also numbered on each figure. SIZE: 16″ h x 7″ w x 7″ d. CONDITION: One palm frond absent, some worn spots to patina. Otherwise very good. 9-29711 (3,000-4,000)

BERGMAN FOUNDRY (Austrian, 19th/20th Century) ARAB ON RUG WITH ACCESSORIES LAMP. Cold-painted polychromed bronze Signed withe the Bergman Foundry stamp on base SIZE: 7-1/2″ h x 7″ l x 4″ w. CONDITION: Very good, some wear to paint surface, two hanging ornaments of shade missing. 9-29846 (1,000-2,000)

FRANZ XAVIER BERGMAN FOUNDRY (Austrian, 1838-1894) ARAB WITH RIFLE AND SABLE ANTELOPE. Cold-painted polychrome bronze Foundry mark on bottom of coat, also numbered on bottom Mounted on a marble base SIZE: Total: 12-1/4″ h. Bronze: 10-1/2″ h. CONDITION: Very good, nice colored patina. 9-29708 (4,000-6,000)

SIGNED (Austrian, 19th/20th Century) ARAB RUNNING WITH RIFLE. Cold-painted polychromed bronze Signed on bottom of pants “Geschutzt Vienna 5801″ with possibly a Bergman stamp SIZE: 10″ h x 6″ w x 7-1/2” d. CONDITION: Some wear to paint surfaces, otherwise good. 9-29710 (1,000-1,500)

FRANZ XAVIER BERGMAN (Austrian, 19th/20th Century) ARAB WITH RIFLE ON HORSEBACK. Cold-painted bronze Signed with foundry mark and numbered 6782 SIZE: 10″ h x 9″ l. CONDITION: Some minor wear to painting, very good. 9-29713 (2,000-3,000)

UNSIGNED (Austrian, 19th/20th Century) ELEPHANT WITH HOWDAH AND PARSEE. Bronze Signed on bottom of foot “Made in Austria” SIZE: 10-1/2″ h x 10-1/2″ l. CONDITION: Very good. 9-29751 (3,500-4,500)

BERGMAN FOUNDRY (Austrian 1838-1894) ARAB MAN AND CAMEL BEING ATTACKED BY A LION. Bronze Signed underneath “Geschutzt 4874″ with a Bergman foundry mark SIZE: 8-1/2″ h x 8” l. CONDITION: Very good with nice patina. 9-29752 (3,500-5,000)

UNSIGNED (Vienna, 19th/20th Century) ARAB WITH SHIELD AND SWORD UNDER PALM TREE. Cold-painted bronze Signed “Geschutzt” SIZE: 8″ h x 3″ w. CONDITION: Minor wear, generally good. 9-29705 (800-1,200)

UNSIGNED (Austrian, Early 20th Century) ARAB MERCHANT UNDER TENT LAMP. Polychrome decorated spelter SIZE: 11″ h x 8″ w x 5-3/4″ d. CONDITION: Long gun needs reattaching to post, one corner of rug repaired, minor wear. Otherwise good. 9-29718 (800-1,200)

UNSIGNED (Austrian, 19th/20th Century) TWO ARABS ON RUG WITH JEWELRY. Polychromed bronze Signed “Austria” on base SIZE: 6″ h x 8-1/2″ l x 7″ d. CONDITION: Very good. 9-29844 (800-1,200)

UNSIGNED (Austrian, Early 20th Century) CAMEL WITH HOWDAH AND ATTENDANT AT WATERING HOLE LAMP. Polychrome decorated spelter Unsigned SIZE: 14″ h x 12-1/2″ l x 5″ d. CONDITION: Very good with minimum wear. 9-29715 (600-900)

UNSIGNED (Austrian, 19th/20th Century) TENT, BEAR, AND HUNTER. Cold-painted polychromed bronze SIZE: 3-1/4″ h x 3″ d x 4″ w. CONDITION: Some chips and wear to paint, otherwise very good. 9-29805 (400-600)

FRANZ XAVIER BERGMAN FOUNDRY (Austrian, 1838-1894) ARAB HOLDING SABLE ANTELOPE HEAD ON LION RUG. Cold-painted polychromed bronze Foundry mark stamped, also Geschutzt and numbered 474 SIZE: 5″ h x 5-1/2″ l x 4″ w. CONDITION: Very good, nice coloration. 9-29716 (500-800)

FRANZ BERGMAN FOUNDRY (Austrian, 1838-1894) STANDING ARAB MAN WITH RIFLE. Cold-painted polychromed bronze Foundry impressed mark to base SIZE: 5-3/4″ h. CONDITION: Very good. 9-29717 (500-800)

BERGMAN FOUNDRY (Austrian, Second Half of 20th Century) ARAB STANDING WITH GUN NEXT TO HORSE. Cold-painted polychromed bronze Signed underneath with Bergman foundry mark “4219” SIZE: 5″ h x 6″ l. CONDITION: Very good. 9-29700 (400-600)

UNSIGNED (Austrian 19th/20th Century) BOY ON STANDING CAMEL. Cold-painted polychromed bronze Signed on bottom “Geschutzt 2807″ SIZE: 8-1/2″ h x 7” l. CONDITION: Very good, minor wear. 9-29701 (400-600)

UNSIGNED (Austrian, 20th Century) EAGLE. Cold-painted polychromed bronze Signed “Vienna” with a number that is illegible SIZE: 4-1/2″ h x 8-1/2″ w. CONDITION: Very good. 9-29804 (200-300)

UNSIGNED (Austrian, 19th/20th Century) STANDING LION. Cold-painted polychromed bronze SIZE: 5-1/4″ h x 6-1/2″ l. CONDITION: Very good, minor wear. 9-29802 (400-600)

UNSIGNED (Austrian, 19th/20th Century) LION WITH SABLE ANTELOPE IN MOUTH. Cold-painted polychromed bronze SIZE: 4-1/2″ h x 8″ w. CONDITION: Very good with minor wear. 9-29803 (400-600)

UNSIGNED (Austrian, 19th/20th Century) MENACING TIGER. Patinated spelter SIZE: 5-1/2″ h x 13″ l. CONDITION: Some wear to polychrome decoration. Generally very good. 9-29801 (300-500)

UNSIGNED (Austrian, 19th/20th Century) STANDING DOG. Bronze SIZE: 6-3/4″ h x 7″ l. CONDITION: Very good, nice brown patina. 9-29848 (250-350)

UNSIGNED (Austrian, Early and Late 20th Century) FIVE SMALL AUSTRIAN BRONZES. Cold-painted polychromed bronze One is signed “Vienna”; others unmarked SIZE: Range from 1-1/2″ h to 3-1/2″ h. CONDITION: Generally very good with minor paint wear. 9-29845 (300-400)

UNSIGNED (Austrian, 19th/20th Century) TWO BRONZE GROUPS ON ONYX STANDS. Bronze and onyx Unsigned SIZE: 1) 6-1/2″ h x 11-3/4″ l x 4-1/2″ d. 2) 4″ h x 6-1/2″ l x 3″ d. CONDITION: Very good. 9-29702, 9-29707 (400-600)

NAM GREB (Austrian, First Quarter 20th Century) EROTIC DANCER. Articulated bronze on onyx base Signed “Nam Greb” SIZE: Total: 6-3/4″ h x “. Bronze alone: 5-3/4” h. CONDITION: Some rubs to patina. Otherwise very good. 9-29850 (500-800)

JOAQUIN ANGLES (French, 19th/20th Century) THE ARAB SENTINEL. Patinated bronze Signed “Angles” SIZE: 34″ h. CONDITION: Very good with nice coloration. 9-29721 (2,500-4,000)

Revised: 8/15/2013

Please Note: Top of rifle barrel needs to be reattached.

ALFRED DUBUCAND (French, 1828-1894) CAVALIER ET FEMME ARABE A LA FONTAINE. Bronze with brown to light brown patina Signed “Dubucand” SIZE: 26″ h x 20-1/2″ l x 11″ w. CONDITION: Very good, reigns need reattaching. 9-29723 (10,000-15,000)

CHARLES VALTON (French, 1851-1918) ELEPHANT ENCOUNTER. Bronze Signed “C. Valton” SIZE: 12″ h x 9-1/2″ l x 4-1/2″ w. CONDITION: Very good with wonderful brown patina. 9-29709 (3,000-5,000)

UNSIGNED (European, 19th/20th Century) ELEPHANT FIGURAL HOOKAH LIGHTER. Bronze SIZE: 10-1/2″ h x 8″ l x 4″ d. CONDITION: One trunk loose, otherwise very good with brass-colored patina. 9-29729 (1,000-2,000)

UNSIGNED (Early 20th Century) STRUTTING CAMEL WITH DRIVER AND ARCHER. Silver plate SIZE: 20″ h x 21″ l. CONDITION: Very good, one hanging tassel missing from saddle blanket (a stone thin slab is used for camel to stand). 9-29750 (500-1,000)

IRENEE ROCHARD (French, 1906-1984) ELEPHANT WITH YOUNG. Patinated cast metal set on a two-color onyx sloped base. Signed “I. Rochard” on top of base. SIZE: 21″ h x 27″ l x 8″ w. CONDITION: Some light pitting to patina, otherwise very good. 9-29462 (1,000-2,000)

JAMES A. MCNEILL WHISTLER (American, 1834-1903) “THE SUNNY SMITHY”. Lithograph on paper, W.85 Housed in a modern black frame with wide ivory matte and glass, attached to verso is a M. Knoedler & Co., Inc. label with title and artist SIZE: Sight: 8-1/4″ x 9″. Overall: 17-1/4″ x 23-1/4″. CONDITION: Very good, not examined out of frame. 7-73781 (1,500-2,000)

MABEL VIOLA HARRIS CONKLING (American, 1871-1966) SEATED WOMAN WITH FLOWERS. Bronze Signed “Mabel Conkling 1901″ SIZE: 12” h. CONDITION: Brown patina, very good. 9-29423 (800-1,200)

GEORGE MANUAL AARONS (American, 1896-1980) “THE SEATED DANCER: MARTHA GRAHAM” (1941). Bronze Signed “Geo. Aarons 1941” on base; numbered “6/12″ on base SIZE: Height: 14” PROVENANCE: Fine Newton, MA home CONDITION: Very good 7-70314 (2,000-3,000)

BOB PARKS (American, 1948- ) “SPIRIT OF AMERICA”. Patinated bronze Signed “Bob Parks” and numbered out of an edition of 35 SIZE: Bronze only: 32″ h. Total: 35″. Wingspan: 41-1/2″ w x 35″ d. PROVENANCE: Collection and shop contents of Linda and the late Vito Peri (owners of the Blue Dolphin Antique Shop, Northport, Maine). CONDITION: Very good with wonderful multi-colored patina. 9-90067 (3,500-6,500)

UNSIGNED (Possibly Japanese, 19th Century) EAGLE ON BRANCH. Bronze SIZE: 52-1/2″ h x approx 42″ d. Wingspan: 62″. PROVENANCE: Collection and shop contents of Linda and the late Vito Peri (owners of the Blue Dolphin Antique Shop, Northport, Maine). CONDITION: Repairs to wings, holes in tree trunk, repaired tail, nice verdigris patina. 9-90095 (1,500-2,500)

JOHN JAMES AUDUBON (American, 1785-1851) GREAT AUK, PLATE CCCXLI. Hand colored lithographed plate from the double elephant folio edition of The Birds of America Watermarked “J. Whatman 1836″, R. Havell London Hinge mounted & matted with frame Examined out of frame SIZE: 26″ x 39-1/4” PROVENANCE: Private downeast Maine home CONDITION: No tears, age toning, foxing 9-28542 (3,000-5,000)

JOHN JAMES AUDUBON (American, 1785-1851) FOUR ALCIDS: BLACK-THROATED GUILLEMOT, NOBBED-BILLED AUK, CURLED-CRESTED AUK, AND HORN-BILLED GUILLEMOT, PLATE CCCCII. Hand colored lithographed plate from the double elephant folio edition of The Birds of America Watermarked “J. Whatman 1837, R. Havell London Hinge mounted & matted with frame Examined out of frame SIZE: 25″ x 38” PROVENANCE: Private downeast Maine home CONDITION: Spot foxing, age toning, colors still strong and bold 9-28543 (2,000-3,000)

JOHN JAMES AUDUBON (American, 1785-1851) SCOLOPACEUS COURLAN, PLATE CCCLXXVII. Hand colored lithographed plate from the double elephant folio edition of The Birds of America Watermarked “J.Whatman 1836″, R. Havell London Hinge mounted & matted with frame Examined out of frame SIZE: 26″ x 39-1/4” PROVENANCE: Private downeast Maine home CONDITION: No tears, age toning, foxing 9-28544 (1,500-2,500)

ANSEL EASTON ADAMS (American, 1902-1984) HALF DOME, MERCED RIVER, WINTER, YOSEMITE NATIONAL PARK, CALIFORNIA. Photographic print, mounted on white backing Housed in a modern metal frame with black edge and white matte behind glass Initialed by Ansel Adams, lower right; on verso is stamped “Special Edition, Photographs of Yosemite by Ansel Adams, Half Dome, Merced River, Winter, Yosemite National Park, California” and “Printed by Alan Ross from Ansel Adams’ original negative under his supervision and initialled by him.” SIZE: Sight: 7-1/2″ x 9-1/2″. Overall: 13-3/4″ x 16-3/4″ PROVENANCE: From a Maine collection CONDITION: Very good to excellent 9-28575 (1,500-2,500)

PAUL BERNARD KING (American, 1867-1947) COLORADO LANDSCAPE. Oil on canvas Housed in a fine carved gilt wood modern frame Signed lower right “Paul King” SIZE: 25″ x 30″. Overall: 32-3/4″ x 37-3/4″. CONDITION: Lined, very good. 9-29516 (6,000-8,000)

Revised: 8/16/2013

Please Note: We do not guarantee the signature or the authorship of this painting.

CHARLES PARTRIDGE ADAMS (American, 1858-1942) WESTERN LANDSCAPE WITH MOUNTAIN. Oil on canvas mounted to board Housed in a reproduction antique style gesso decorated gilt frame Signed lower right “Charles Partridge Adams” SIZE: Sight: 12″ x 19-1/2″. Overall: 19-3/4″ x 27-1/4″. CONDITION: Some touch-up, very good. 9-29515 (3,500-5,500)

ROBERT WILLIAM WOOD (American, 1889-1979) ROCKY MOUNTAINS. Oil on canvas Housed in a modern gilt frame Signed lower right “Robt. Wood” SIZE: 30″ x 36″. Overall: 37″ x 43″. CONDITION: Lined, some inpainting, very good. 9-29753 (5,000-8,000)

WILLIAM RICKARBY MILLER (American, 1818 – 1893) WESTERN FALLS. Oil on board Housed in a fine period 19th century gesso decorated frame with gilt liners Signed center bottom “W. R. Miller 1879″ SIZE: 16″ x 12-1/2″. Overall: 26″ x 22-1/4”. CONDITION: Very good. 9-29585 (3,000-5,000)

HENRY F. FARNY (American, 1847-1916) FIGURE WITH RIFLE IN LANDSCAPE AT SUNSET. Oil on canvas Housed in a modern gilt fancy frame with liner and glass Signed lower right “Farny” with circle and dot SIZE: Sight: 9-1/4″ x 16-1/4″. Overall: 16-1/2″ x 23-1/2″. CONDITION: Lined, some inpainting. Very good. 9-29520 (6,000-8,000)

IN THE MANNER OF GEORGE CATLIN (19th Century) OSCEOLA, LEADER OF THE SEMINOLES WITH RIFLE. Oil on canvas Housed in its original gesso decorated 19th century frame with losses Unsigned SIZE: 27″ x 22″. Overall: 31-1/2″ x 26-1/2″ CONDITION: As found: Horizontal tear at top of gun, two small holes, discolored varnish, old canvas repairs, in need of restoration 9-27833 (5,000-7,000)

AFTER CHARLES BIRD KING (19th Century) PORTRAIT OF KEOKUK. Oil on canvas Housed in a period lemon-gold frame with rubs and losses Unsigned SIZE: 18″ x 14″. Overall: 25″ x 21″ CONDITION: Several old patch repairs to reverse, inpainting, good 9-27696 (3,000-5,000)

AFTER CHARLES BIRD KING (19th Century) PORTRAIT OF HOOWANNEKA (LITTLE ELK). Oil on academy board Housed in a 19th century gilt gesso decorated frame with losses Unsigned SIZE: 17-1/2″ x 13-3/4″. Overall: 24-3/4″ x 21″ CONDITION: Repairs to board at upper corners, otherwise good 9-27697 (3,000-5,000)

EDWIN WILLARD DEMING (American, 1860-1942) BUFFALO. Oil on board Housed in a modern gilt wood frame Signed lower right “E.W. Deming” with artist cypher SIZE: Sight: 8-1/4″ x 11″. Overall: 12″ x 15″. CONDITION: Very good 9-29434 (800-1,200)

HOMER DODGE MARTIN (American, 1936-1897) A VIEW OF THE HILLS. Oil on canvas Housed in its original flower and leaf decorated gilt frame with gilt liner, having artist plaque Signed “H.D. Martin”, lower right SIZE: 6″ x 10″. Overall: 13-1/2″ x 17-1/2″ CONDITION: Very good 9-29424 (1,000-1,500)

MARION KAVANAUGH WACHTEL (American, 1870-1954) CALIFORNIA THROUGH THE TREES. Oil on canvas board Housed in a contemporary gold frame Signed “Marion Kavanagh Wachtel”, lower right SIZE: 13-1/2″ x 17-1/2″. Overall: 20-1/4″ x 24″. CONDITION: Very good to excellent 9-28388 (5,000-8,000)

ATTRIBUTED TO JOHN MARSHALL GAMBLE (American, 1863-1957) SANTA BARBARA WILD FLOWERS. Oil on canvas Housed in a gilt wood frame Signed lower left SIZE: 18″ x 20″. Overall: 26″ x 28-1/2″. CONDITION: Very good. 9-21577 (1,000-1,500)

CARL SAMMONS (American, 1883-1968) “CARMEL COAST”. Pastel Housed in a period gilt carved wood frame with triple matte behind glass Signed “Carl Sammons”, lower right Attached to verso: Certificate of authenticity from Earnest Raboff, dated 1975 SIZE: Sight: 9-3/4″ x 13-3/4″. Overall: 19-1/2″ x 23-1/2″ CONDITION: Very good 9-29991 (800-1,200)

JOHN L. O’HAGAN (American, 1889-1932) TWO WORKS: SOUTHWESTERN DESERT. 1) Large oil on canvas Housed in a white painted flat oak frame having a “H. Wunderlich & Co., New York” label Signed lower right 2) Oil on canvas Housed in what appears to be its original frame which has a label with title “Santa Monica” Signed lower right. SIZE: 1) 30″ x 39-1/2″. Overall: 39-1/2″ x 49″. 2) 28″ x 36″. Overall: 34″ x 42″. CONDITION: 1) Craquelure, surface dirt, otherwise good. 2) Some chip paint loss due to craquelure, some overpaint in sky, in need of restoration. 9-23933 (500-800)

CARL HOERMAN (American, 1885-1955) WESTERN DESERT LANDSCAPE. Oil on canvas Housed in its original carved & gilt wood frame Partial exhibition label on reverse Signed “C Hoerman ’29” SIZE: 24″ x 26″. Overall: 27-1/2″ x 29-3/4″ CONDITION: Very good 9-28456 (1,000-2,000)

ROBERT FARRINGTON ELWELL (American, 1874-1962) FIGURES ON HORSEBACK ASCENDING A MOUNTAIN TRAIL. Oil on canvas Housed in a period oak molded wood frame with some corner roughness Signed lower right “R Farrington Elwell” SIZE: 26″ x 18″. Overall: 29-3/4″ x 21-3/4″. CONDITION: Scraped area to bottom left, good 9-28457 (1,000-2,000)

ROBERT FARRINGTON ELWELL (American, 1874-1962) INDIAN PADDLING A CANOE. Bronze on wood base Signed “R. Farrington Elwell” SIZE: Without base: 11-1/2″ h x 36″ l. With base: 12-1/2″ h x 38″ l. CONDITION: Fine brown patina. 9-29464 (7,000-10,000)

GLENNA GOODACRE (American, 1939) JOHN WAYNE. Bronze Signed “Goodacre 37/50″ SIZE: 3-3/4″ h x 4” w. CONDITION: Very good, nice brown patina. 7-73589 (200-300)

CARL KAUBA (American/Austrian, 1865-1922) “FOR DEATH OR FOR GLORY”. Bronze Signed “Kauba” on side of rock plinth Unknown casting date Mounted on marble base SIZE: Bronze only: 24″ h. With base: 26″ h. PROVENANCE: Collection and shop contents of Linda and the late Vito Peri (owners of the Blue Dolphin Antique Shop, Northport, Maine). CONDITION: Very good. 9-90094 (1,000-2,000)

FREDERIC SACKRIDER REMINGTON (American, 1861-1909) “SIX REMINGTON PAINTING IN COLOR” (PORTFOLIO OF SIX ARTIST’S PROOFS). Chromolithograph Housed in its original portfolio cover Each chromolithograph having its original price and title label Published by P.F. Collier & Son SIZE: 17-1/2″ x 23-1/2″. Portfolio: 18-1/4″ x 24″ CONDITION: In remarkably fine condition, with little sign of wear, very good to excellent 9-29008 (1,500-2,500)

AFTER JOHN FREDERICK HERRING SR. (British, 19th century) FOUR HORSE AND JOCKEY PORTRAITS. Oil on canvas Identically housed in 20th century gilt wood frames Signed lower right “J.F. Herring” SIZE: 12″ x 16-1/2″. Overall: 14-1/2″ x 19″. CONDITION: Very good with some inpainting 9-28801 (3,000-5,000)

IN THE MANNER OF HERRING (19th Century) INSIDE THE BLACKSMITH’S SHOP. Oil on canvas Housed in a fine 19th century gesso decorated frame with some gilt loss, having a Sherk Brothers Brooklyn label on verso Unsigned SIZE: 30″ x 25″. Overall: 41″ x 35-1/2″ CONDITION: Very good, minor chips to left edge and and upper left 9-29626 (1,500-2,500)

WILLIAM VAN ZANDT (American, 1857-1942) “MY STAR 2.3 3/4”. Oil on canvas Housed in a fine gilt carved wood frame from Guido Frame Studios, Boston Signed lower left “Wm G. Van Zandt 06″ SIZE: Sight: 11-1/4″ x 14-1/2″. Overall: 16-3/4″ x 20”. CONDITION: Lined, some inpainting in sky, otherwise very good. 9-29087 (1,000-1,500)

WILLIAM C. GRAUER (American, 1896 – 1985) LANDSCAPE WITH HORSES. Oil on canvas Housed in a modern gilt wood frame Signed lower right “Wm. C. Grauer” While born in Philadelphia, William Grauer moved to Cleveland in 1927 and is most often associated with the “Cleveland School” of painting. Grauer was in fact one of the founders of the Cleveland College of Art at Western Reserve University. In 1932 he traveled to White Sulpher Springs, West Virginia, where he created murals for the President’s Cottage, a summer white house visited by more than twenty-five presidents. While there he also ran the Old White Art Colony School and gallery. As seen in the painting on offer, his style has both Regionalist and Modernist elements, which results in a composition of both historical and art historical interest. SIZE: 25″ x 30″. Overall: 28″ x 32-3/4″. CONDITION: Very good. 9-29097 (1,000-1,500)

ATTRIBUTED TO SUSAN WATERS (American, 1823-1900) SHEEP, DOG AND RABBIT IN LANDSCAPE. Oil on canvas Housed in a modern black frame with gold liner Unsigned front but name on back of stretcher SIZE: 25″ x 45″. Overall: 29-1/2″ x 50″. CONDITION: Lined, inpainting, otherwise very good 9-28578 (3,000-5,000)

FRANCOIS VANDEVERDONCK (Belgian, 1848-after 1890) SHEEP AND DUCKS IN LANDSCAPE. Oil on wood panel Housed in a carved and wood gilt frame Signed center bottom “F. Vandeverdonck 1875″, also inscribed and signed on verso SIZE: 7″ x 10-1/4″. Overall: 9″ x 12-1/4”. CONDITION: Surface with some chips, surface grime, otherwise very good. 9-29107 (700-900)

ANTONIO CORDERO CORTEZ (Spanish, 1826-1908) LANDSCAPE WITH LIVESTOCK, DOG, AND WOMAN. Oil on canvas Housed in an antique gesso decorated frame with gilt liners and glass Signed bottom right “A. Cortes” SIZE: 26″ x 21-1/2″. Overall: 37″ x 32-3/4″. CONDITION: Scattered retouch, very good. 9-90437 (800-1,200)

HENRY PEMBER SMITH (American, 1854-1907) HOUSE NESTLED AMONGST HILLS. Oil on canvas Housed in a 19th century gilt gesso decorated frame with gold liners having some losses Signed lower right “Henry P. Smith” SIZE: 20″ x 28″. Overall: 33″ x 41″. CONDITION: Surface dirt, some small chips. Otherwise very good. 9-90436 (1,500-3,000)

JOHN FREDERICK KENSETT (1816-1872) “CONTENTMENT ISLAND”. Watercolor on paper Housed in a period gilt frame with double matte & glass On reverse of watercolor is title, artist initials & date “63” Signed lower right “JFK 63″ SIZE: Sight: 6″ x 9-1/4”. Overall: 14-3/4″ x 16-3/4″ PROVENANCE: From a Maryland collector CONDITION: Very good 9-28849 (1,500-3,000)

ROBERT CRANNELL MINOR (American, 1840-1904) BARBAZON STYLE LANDSCAPE. Oil on wood panel Housed in its original gold gilt fancy frame with gilt liner behind glass Signed lower right “Minor” SIZE: 6″ x 8″. Overall: 13-1/2″ x 15-1/2″. CONDITION: Very good. 9-29387 (1,500-2,500)

ERNEST PARTON (American/English, 1845-1933) SUMMER LANDSCAPE WITH HOUSE & FIGURE. Oil on artist board Housed in a 19th Century gesso decorated frame with gilt liner Signed lower right “Ernest Parton” SIZE: 10″ x 14″. Overall: 18-1/2″ x 22-1/2″ CONDITION: Very good. 9-28449 (1,500-2,000)

BURR NICHOLLS (American, 1848-1915) ON THE CANAL EDGE. Oil on canvas laid to board Housed in an antique gesso decorated frame with gilt liner Signed lower left “Burr Nicholls” SIZE: 15″ x 20″. Overall: 22-1/4″ x 27-1/4″. CONDITION: Some touch-up, very good. 9-29388 (1,500-2,500)

O. GARULLI (Early 20th Century) FIGURES ON A DIRT ROAD. Oil on canvas Housed in a modern gilt frame with wood liner Signed lower right “O. Garulli” SIZE: Sight: 11-1/2″ x 23″. Overall: 16-1/4 x 27-1/2″. CONDITION: Inpainting, very good. 9-29481 (1,000-1,500)

LINE STEVENS HOPKINS TUTWILER (American, 20th Century) “THE LAY OF THE LAND”. Oil on canvas Housed in a fine reproduction carved and gilt frame Signed lower right “Line” SIZE: 24″ x 36″. Overall: 31-1/2″ x 43-3/4″. CONDITION: Very good, one small scrape at bottom, some craquelure resulting in white lines. 9-29539 (1,500-2,000)

OGDEN MINTON PLEISSNER (American, 1905-1983) THE COUNTRY STORE. Watercolor on paper Housed in a gilt molded wood frame with glass Signed lower left “Pleissner” SIZE: Sight: 11-1/2″ x 15-1/2″. Overall: 16-1/4″ x 20-1/4″. CONDITION: Very good. 7-70360 (1,500-2,500)

GEORGE DREW (American, 1875-1968) “SUMMER”. Oil on canvas Housed in a partial gilt carved wood frame Signed lower left “George W. Drew” SIZE: 20″ x 30″. Overall: 25″ x 34-3/4″. CONDITION: Light craquelure, very good. 9-29540 (1,200-1,500)

DONALD ROY PURDY (American 1924-) AMONGST THE HOLLYHOCKS. Oil on Masonite Housed in a gilt wood frame with linen and gold liner Signed lower right “Purdy 88″ SIZE: 12″ x 16″. Overall: 22″ x 25-1/2”. CONDITION: Very good 9-28802 (1,000-2,000)

EDWARD B. GAY (American, 1837-1928) BIRCHES ON A HILLSIDE. Oil on canvas Housed in an antique gilt deep molded wood frame Signed lower right “Edward Gay” and dated indistinctly SIZE: 30″ x 25″. Overall: 37-1/2″ x 32-1/2″. CONDITION: Lined, some inpainting. Very good. 9-90427 (1,000-2,000)

GUTZON BORGLUM (American, 1867-1941) IN THE WOODS. Oil on canvas Housed in a partial gilt wood frame Signed lower right “Gutzon Borglum” Note: Borglum is best known as a sculptor of Mt. Rushmore, SD. He was one of the founders of the AAPS which organized the 1913 Armory show in NYC. His sculpture can be seen across the country including the colossal head of Lincoln in Washington, DC. SIZE: 16″ x 12″. Overall: 18-3/4″ x 14-3/4″. PROVENANCE: Our consignor purchased this painting from Rose Diament, who was Gutzon’s companion for many years. She resided at East 96th Street in New York City from which it was purchased out of. CONDITION: Lined, craquelure. Otherwise very good. 9-90406 (1,000-2,000)

BERNARD COREY (American 1914-2000) “OLD APPLE TREE”. Oil on masonite Signed lower right. Titled and signed on reverse SIZE: 10″ x 16″ Overall: 15-1/4″ x 21-1/4″ CONDITION: Very good 9-26782 (1,000-1,500)

BERNARD COREY (American, 1916-2000) LANDSCAPE WITH STONE WALL. Oil on Masonite Housed in a modern gilt wood frame Unsigned front but having an estate stamp and label SIZE: Sight: 10″ x 16″. Overall: 15″ x 21-1/4″. CONDITION: Very good. 9-29553 (1,000-1,500)

BERNARD COREY (American, 1916-2000) TWIN MAPLES IN LANDSCAPE. Oil on Masonite Housed in gilt molded wood frame Unsigned front but having an estate stamp and label on verso SIZE: Sight: 10″ x 16″. Overall: 15″ x 21″. CONDITION: Very good. 9-29554 (1,000-1,500)

BERNARD COREY (American, 1914-2000) LANDSCAPE WITH POND. Oil on board Housed in a modern gilt wood frame with white matte having gold edge Signed lower right “Bernard Corey”. Also having an estate stamp and label on reverse SIZE: Sight: 8-3/4″ x 11-3/4″. Overall: 18″ x 20-3/4″. CONDITION: Very good. 9-29556 (1,000-1,500)

WILLIAM TROST RICHARDS (American, 1833-1905) COASTAL LANDSCAPE. Oil on board Housed in a period gilt molded wood frame with roughness Signed lower left “Wm. T. Richards” SIZE: 9-3/4″ x 15-3/4″. Overall: 18″ x 24″. CONDITION: Some minor inpainting, very good. 9-28400 (10,000-20,000)

WILLIAM TROST RICHARDS (American, 1833-1905) OFF A CALM BEACH. Oil on canvas laid to board Housed in a fine reproduction gilt frame with linen and gilt liner Signed lower right “W.T.R. 84″ SIZE: 6-1/2″ x 12-1/2″. Overall: 11-1/2″ x 17-1/2”. CONDITION: Very good. 9-29093 (1,800-2,200)

PAUL A. WILLIAMS (American, 1934- ) “LE BORD DE LA NER” (“AFTERNOON SAIL”). Oil on canvas Housed in a fine gilt fancy frame with linen liner Signed lower right “P. Williams”, also signed and titled verso on stretcher SIZE: 24″ x 36″. Overall: 33″ x 45-1/4″. CONDITION: Very good. 9-29101 (1,000-1,500)

CLIFFORD JACKSON (Canadian, 20th Century) “CANADIAN ROCKIES”. Oil on canvasboard Housed in a carved partial gilt wood frame with linen liner (discolored) Fall 1965 Salmagundi Club Auction Sale & Exhibition label to verso Signed lower right SIZE: 20″ x 16″. Overall: 29″ x 25-1/2″ CONDITION: Very good 9-29091 (1,500-2,500)

FRANK HENNESSEY (Canadian, 1893-1941) “EARLY SPRING ACROSS THE VALLEY”. Pastel Housed in its original carved gilt frame having artist plaque and with wood liner & glass Vose Galleries, Boston & Watson Art Galleries, Montreal labels on verso Signed lower right “Hennessey” A well known Canadian painter, draftsman and illustrator, Frank Hennessey spent his life in Ottawa, Ontario. Hennessey was a member of the Ontario Society of Artists, the Royal Canadian Academy of Arts and a fellow of the English Royal Society of Arts. His artwork was internationally exhibited and is included in museum collections including the National Gallery of Canada. While his fine art scenes of Canada have been enthusiastically collected, his illustrations introduced him to the general public. Travelling with Captain Bernier on an Arctic exploration as an assistant naturalist and artist while still a teenager, Hennessey went on to illustrate such popular nature guides as Birds of Canada and Canadian Land Birds among others. SIZE: 16″ x 20″. Overall: 23″ x 27″ CONDITION: Very good 9-29096 (1,500-2,500)

GARNET WILLIAM HAZARD (Canadian, 1903-1987) WOODS IN WINTER. Oil on canvas Housed in a bronze gilt carved wood frame with linen liner Signed lower left “Garnet Hazard” SIZE: 23″ x 32″. Overall: 30-1/4″ x 39-1/4″. CONDITION: Craquelure, very good. 9-29090 (1,200-1,800)

ELLEN BURPEE FARR (American, 1840-1907) CALIFORNIA POPPIES IN AN INDIAN BASKET. Oil on canvas Housed in a stained mahogany period frame with gold liner and glass Signed lower right “Ellen B. Farr” SIZE: 12″ x 20″. Overall: 19-1/2″ x 27-3/4″. CONDITION: Very good. 9-90401 (2,500-3,500)

GERARD L. STEENKS (American, 1847-1926) TABLETOP STILL LIFE OF FRUIT & VESSELS. Oil on canvas Housed in a 19th Century gesso decorated gilt frame with gilt liner Signed lower right “Gerard L. Steenks” SIZE: 11-3/4″ x 15-3/4″. Overall: 23″ x 26-1/4″ CONDITION: Craquelure, some inpainting, very good 9-28580 (2,000-3,000)

CARLSEN (First quarter of the 20th Century) CHRYSANTHEMUMS. Oil on canvas Housed in a modern black painted wood frame Signed lower right SIZE: 15-1/2″ x 12″. Overall: 18-3/4″ x 15-1/2″ CONDITION: Lined with retouch, good 9-28585 (2,000-3,000)

MARIA (COUNTESS) ZICHY (Hungarian, 1893-1962) TABLETOP STILL LIFE. Oil on canvas Housed in a period gesso decorated bronze gilt frame with minor losses Signed “Countess Zichy”, lower right SIZE: 16″ x 12″. Overall: 22-1/2″ x 18-1/2″ CONDITION: Some inpainting, very good 9-28584 (1,500-2,000)

A. LOEFFLER (Early 20th Century) FRUIT AND WINE STILL LIFE. Oil on canvas Housed in an antique gold frame Signed lower right “A. Loeffler 1917″ SIZE: Sight: 16″ x 20″. Overall: 22-1/2″ x 26-1/2”. CONDITION: Very good. 9-29480 (500-700)

PAUL PLANTE (American, 1943- ) SEVEN PLUM STUDIES. Pastel on paper Housed in a single modern wood frame with matte Signed bottom right “Paul Plante” in two of the studies NOTE: Paul Plante was creating pastels of plums and other fruit but the plum examples he found were most intriguing to people, as O’Keeffe’s flowers were, for suggestions of sexual connotations. The Mother Superior of his cathedral in Winslow, Maine informed Paul that he would not be doing any more plums so he turned to other subjects, particularly bird’s eyes. Paul would go to his easel every afternoon at 3:00 and produce a work as he called it a form of meditation SIZE: Each are 5″ sq. Sight size of frame 11-1/2″ x 43-3/4″. Overall: 13″ x 45-1/4″. CONDITION: Very good to excellent. 9-29415 (1,200-1,500)

THOMAS A. RICHARDS (American, 1820-1900) PEACHES IN A BOWL. Oil on canvas Housed in its original gesso decorated gilt frame Signed “T.A. Richards”, lower left SIZE: 10″ x 8″. Overall: 16-1/4″ x 14-1/4″ CONDITION: Inpainting, very good 9-28450 (1,000-1,500)

SALVITORE FORTUNATO GRASSO (American, 1945 – 2006) TABLE TOP STILL LIFE. Oil on board Housed in a modern gilt wood frame with double mattes Signed lower left “Salvitore Fortunato Grasso” SIZE: Sight: 18″ x 15-1/4″. Overall: 23-3/4″ x 21″. CONDITION: Very good. 9-29541 (1,000-1,500)

NAN GREACEN (American, 1909-1999) “VICTORIAN BOWL”. Oil on canvas Housed in its original partial gilt and decorated frame with some losses Signed upper left “Nan Greacan N.A.” Also a Grand Central Art Galleries, Inc. New York exhibition label attached to verso SIZE: 16″ x 20″. Overall 22″ x 26″. CONDITION: Good. 9-29667 (1,000-1,500)

PAUL LEWIS CLEMENS (American, 1911-1992) “STRIP TEASE”. Pastel on paper Housed in a decorated modern wood frame with watercolor highlighted ivory matte Signed lower right in pencil “Clemens” SIZE: Sight: 11-1/2″ x 14″. Overall: 20-1/2″ x 23″. CONDITION: Very good. 7-70364 (1,000-2,000)

CHAIM GROSS (American, 1904-1991) BUSY BEACH. Watercolor and ink on paper Housed in a decorative painted wood frame with green linen double matte with gold edge Signed “Chaim Gross 1940″ lower right SIZE: Sight: 14-1/2″ x 10-3/4″. Overall: 27-3/4″ x 23-3/4”. CONDITION: Good, not examined out of frame. 7-70365 (1,500-2,500)

MANUEL VALENCIA (American, 1856-1935) SUNRISE BREAKERS. Oil on canvas Housed in a fancy pierced frame with painted liner with corner losses Signed lower left “M. Valencia” SIZE: 16″ x 24″. Overall: 23-3/4″ x 31-3/4″. CONDITION: Surface dirt, lined, some inpainting. Otherwise very good. 9-29671 (1,500-2,500)

GORDON HOPE GRANT (American, 1875-1962) SURF FISHING. Watercolor Housed in a modern gilt frame with linen liner (foxed) Signed lower left “Gordon Grant” SIZE: Sight: 14″ x 20-1/2″. Overall: 21″ x 27-1/2″. CONDITION: Foxing and some toning. 9-29130 (800-1,200)

GORDON HOPE GRANT (American, 1875 – 1962) REPAIRING A BOAT ON A SIDE STREET. Watercolor Housed in a modern gilt frame with double matte Signed lower right “Gordon Grant” SIZE: Sight: 14-1/2″ x 21″. Overall: 23″ x 29-1/2″. CONDITION: Very good. 9-29131 (800-1,200)

REYNOLDS BEAL (American, 1866-1951) EVENING SEASCAPE. Watercolor & gouache Housed in a fine reproduction gilt frame with linen & gilt liner using acid free archival materials Signed lower right & dated “1934” SIZE: Sight: 15″ x 21″. CONDITION: Very good 9-25277 (1,000-1,500)

MIKE GRAVES (American, 1952- ) HARBORSIDE BOATYARD. Oil on canvas Housed in a modern carved gilt wood frame Signed “Mike Graves”, lower left SIZE: 9″ x 12″. Overall: 12-1/2″ x 15-1/2″ CONDITION: Very good to excellent 9-29546 (800-1,000)

WILLIAM PARTRIDGE BURPEE (American, 1846-1940) BOATS AND FIGURES ON A BEACH. Oil on canvas Unframed Signed “W.P. Burpee” SIZE: 11″ x 14″. CONDITION: Needs to be restretched; some surface scrapes and touched up areas needs conservation 9-28442 (1,000-1,500)

WILLIAM COLUMBUS EHRIG (American, 1892-1969) CRASHING BREAKER. Oil on canvas Housed in a carved wood partial gilt frame with linen and gilt liner Signed “Wm. C. Ehrig” bottom right SIZE: 20″ x 34″. Overall: 27-1/2″ x 41-1/2″. CONDITION: Very good. 9-90360 (800-1,200)

WILLIAM COLUMBUS EHRIG (American, 1892-1969) COASTAL LIGHT. Oil on canvas Housed in a carved gilt frame with linen and gilt liner having minor losses Signed lower right “Wm. C. Ehrig” SIZE: 22″ x 28″. Overall: 28″ x 34″. CONDITION: Very good. 9-90362 (800-1,200)

WILLIAM COLUMBUS EHRIG (American, 1892-1969) FRESH SNOW LANDSCAPE. Oil on canvas Housed in a partial gilt carved wood frame with painted liner Signed lower right “Wm. C. Ehrig” SIZE: 28″ x 22″. Overall: 35″ x 29″. CONDITION: Very good. 9-90361 (300-500)

CHRIS DIXON (American, 20th/21st Century) ICED IN, MYSTIC RIVER, CT BY THE SEAPORT. Oil on canvas board Housed in a modern silver gilt molded wood frame Signed lower left “Dixon” SIZE: Sight: 10″ x 12″. Overall: 13″ x 15″. CONDITION: Very good to excellent. 9-29545 (1,000-1,500)

WILLIAM R. DAVIS (American, 1952-) “SUNSET CLIMB, WHITE MOUNTAINS, NH”. Oil on canvas Housed in a museum quality antique style gilt frame Signed lower right “W. Davis”. Also inscribed & signed on verso SIZE: 10″ x 20″. Overall: 17-1/4″ x 27-1/4″ CONDITION: Excellent 9-28432 (3,000-5,000)

WILLIAM R. DAVIS (American, 1952-) “LAKE REFLECTIONS”. Oil on Masonite Housed in a black painted frame with gold inside edge Signed lower right “W. Davis” and signed and titled on verso SIZE: 8″ x 6″. Overall: 16″ x 14″. CONDITION: Very good to excellent 9-28433 (2,000-3,000)

MIKE GRAVES (American, 1952- ) FARMSTEAD IN WINTER. Oil on canvas Housed in a carved gilt modern frame Signed lower right “Mike Graves” SIZE: Sight: 16″ x 20″. Overall: 21-1/2″ x 25-1/2″. CONDITION: Very good. 9-29547 (1,500-2,000)

GEORGE TURLAND (American, 1877-1947) “GLORY OF THE MORN”. Oil on canvas Housed in a modern gilt wood frame with gilt liner Signed lower right “Geo. Turland” SIZE: 24″ x 30″. Overall: 29-1/2″ x 35-1/2″. CONDITION: Very minor touch-up, very good. 9-29538 (800-1,200)

HAROLD LEE PHELAN (American, 1881-) SUNSET LANDSCAPE WITH POND AND BOAT. Oil on canvas Housed in a modern gilt frame Signed lower left “H.L. PHELAN” SIZE: 28″ x 36″. Overall: 34″ x 42″. CONDITION: Lined, craquelure, good 9-28588 (1,000-2,000)

ADELBERT JENNE (Late 19th century) A HUNTER WITH HIS DOGS. Oil on canvas Housed in a period gesso decorated gilt frame Signed lower right “Adelbert Jenne 93″ SIZE: 22″ x 28″. Overall: 29-1/2″ x 35-1/2”. PROVENANCE: From a New York home CONDITION: Very good, some touch up 9-29467 (1,500-2,500)

RICHARD LABARRE GOODWIN (American, 1840-1910) TWO HANGING GROUSE. Oil on canvas Housed in its original frame Signed lower right “R. LaBarre Goodwin” over a lighter “R. LaBarre Goodwin” SIZE: 27″ x 21″. Overall: 33-1/2″ x 27-3/4″. CONDITION: Lined with some inpainting, very good. 9-90337 (2,000-4,000)

FRANCIS STILLWELL DIXON (American, 1879-1967) WINTER’S EARLY EVENING. Oil on canvas Housed in a reproduction carved and gilt frame Signed “Francis Dixon”, lower right SIZE: Sight: 12″ x 16″. Overall: 19″ x 22-3/4″ CONDITION: Minor inpainting, very good 9-29543 (2,000-2,500)

JOHN F. ENSER (American, 1898-1968) THREE WORKS: “SNOWBOUND VILLAGE”, “IN NEW HAMPSHIRE”, AND “UPLAND PASTURE”. Oil on canvas board and oil on wood panel Unframed Signed “John F. Enser”, lower right All titled on reverse, painting 3 has “Gloucester Society of Art’s Exhibiton” tag on verso SIZE: 1 & 2) 12″ x 16″. 3) 8″ x 10″ CONDITION: Surface dirt and discolored varnish, otherwise very good 9-29583 (1,200-1,600)

ATTRIBUTED TO FRANK HENRY SHAPLEIGH (American, 1842-1906) FROM THE BOAT HOUSE. Oil on canvas scene shows the interior of a boat house with open door looking out to a calm ocean with solitary sailboat and island. Lobster traps, a yellow slicker, buckets and barrels fill the room. Unsigned. Housed in a carved wood frame with gold highlight. SIZE: Sight: 10-1/2″ x 14-1/2″. Overall: 16-1/2″ x 20-1/2″. CONDITION: Light craquelure. Minor edge touch-up. Very good. 9-25667 (600-900)

JACOB I. GREENLEAF (American, 1887-1968) “COVERED BRIDGE, VT.”. Oil on canvas Housed in its original paint decorated frame with white liner, having original artist’s label on reverse and Portland Society of Art, Portland, Maine Exhibition label Signed lower right “J. Greenleaf” SIZE: 20″ x 24″. Overall: 26″ x 30″. CONDITION: Very good. 9-29670 (600-800)

SAMUEL P. DYKE (American, 1835-1870) A DAY ON THE SUSQUEHANNA RIVER. Oil on canvas Housed in a modern gilt decorated frame Signed lower left “S P Dyke” and dated illegibly SIZE: 24″ x 42″. Overall: 30″ x 48″ CONDITION: Craquelure, scattered inpainting. 9-28440 (2,000-3,000)

WALTER EMERSON BAUM (American, 1884-1956) THE DUCK POND. Oil on board Housed in a fine double gilt frame with glass and artist plaque Signed lower right “W E Baum” SIZE: 10″ x 12″. Overall: 20-14/” x 22-1/4″. CONDITION: Very good. 9-29527 (2,500-3,500)

WALTER EMERSON BAUM (American, 1884-1956) EARLY WINTER SNOW LANDSCAPE. Oil on wood panel Housed in a modern gilt carved wood frame with gilt liner, having gilt wood artist plaque Signed “W.E. Baum”, lower left Note: Inscription on reverse indicates “from the Bert Baum Collection” SIZE: Sight: 8″ x 10″. Overall: 15-1/4″ x 17-1/4″ CONDITION: Very good 9-29526 (1,500-2,500)

ANTON KAMP (American, 1895-1985) “DUTCHESS COUNTY FARM”. Oil on canvas Housed in a carved and partial gilt wood frame Signed lower left “Anton Kamp”, also title and signed with estate stamp on verso of stretcher SIZE: 25″ x 30″. Overall: 31″ x 36″. CONDITION: Very good. 9-29089 (1,000-1,500)

ANTON KAMP (American, 1895-1985) “STUDY OF A BARN”. Oil on canvas Housed in its original partial gilt wood frame Signed lower left “Anton Kamp”, also signed on reverse, titled, and having estate stamp SIZE: 24″ x 32″. Overall: 29-1/2″ x 37-3/4″. CONDITION: Very good. 9-29094 (800-1,200)

ANTON KAMP (American, 1898-1985) “GLORIOUS OCTOBER”. Oil on canvas Housed in a gold carved wood frame, on verso is title, artist, and estate stamp Signed lower right “Anton Kamp” SIZE: 27″ x 36″. Overall: 32-1/2″ x 41-1/4″. CONDITION: Small touch-up in sky, very good. 9-29110 (800-1,200)

Revised: 8/20/2013

Please Note: There was a typographical error in the catalog description. The author is printed in the catalog Mary Sarton, it should be May Sarton.

ISRAEL LITWAK (American, 1867-1960) “LAKE HOPATCONG, NJ”. Colored pencil and graphite on paper Housed in a modern molded wood frame with gold liner behind glass Signed lower right “Israel Litwak 1934″, titled lower left SIZE: 16-3/4″ x 24-1/2″. Overall: 19-1/2″ x 27-1/2”. PROVENANCE: Purchased from the Sarton Estate Auction in 1996 in which this is purportedly the first original artwork purchased by author Mary Sarton. CONDITION: Very good with 3″ scratch below second tree 9-28443 (1,500-2,000)

OTIS PIERCE COOK, JR. (American, 1900-1980) “FRESH RIVER PASKAMANSETT”. Oil on academy board Housed in an original gilt frame Signed bottom left “Otis P. Cook Jr” SIZE: 18″ x 22″. Overall: 21-1/2″ x 25-1/2″. PROVENANCE: From a Maine home. CONDITION: Very good. 9-29770 (800-1,200)

BERNARD COREY (American, 1914-2000) WINTER LANDSCAPE. Oil on canvas mounted to masonite Housed in a modern gilt wood frame Signed “Bernard Corey”, lower left; also having a Royka’s Estate label and stamp on verso SIZE: Sight: 10-1/4″ x 14″. Overall: 16-1/4″ x 20-1/4″ CONDITION: Very good 9-29555 (1,200-1,800)

BERNARD COREY (American, 1914-2000) “VIEW OF THE MOUNTAINS”. Oil on canvas board Housed in a modern gilt frame Signed “Bernard Corey”, lower right; two estate stamps and two labels SIZE: Sight: 10″ x 16″ Overall: 15″ x 21″ CONDITION: Very good 9-29552 (1,500-2,000)

BERNARD COREY (American, 1914-2000) “PASTURES”. Oil on canvas mounted to panel Housed in a modern gilt wood frame with gilt liner Signed “Bernard Corey”, lower left; also having two estate labels and stamped on verso SIZE: Sight: 12″ x 18″. Overall: 18″ x 24″ CONDITION: Very good 9-29551 (1,500-2,000)

BERNARD COREY (American 1916-2000) DUDLEY MASSACHUSETTS FARM. Oil on masonite Housed in gilt wood frame Signed lower right SIZE: 9-1/2″ x 16″ Overall: 14-1/2″ x 21″ CONDITION: Very good 9-26771 (1,000-2,000)

CHARLES JOHN DE LACY (British, 1856-1936) SHIPS ON CALM WATER AT SUNSET. Oil on canvas Housed in a reproduction antique style gilt wood frame Signed lower right “Charles J De Lacy” SIZE: 14″ x 24″. Overall: 19-3/4″ x 29-3/4″. PROVENANCE: A Cape Cod Massachusetts estate CONDITION: Craquelure, otherwise very good 9-28425 (1,000-2,000)

JAMES GALE TYLER (Connecticut, 1855-1931) MOONLIGHT SAIL. Oil on canvas Housed in a modern gilt molded wood frame with gilt liner Signed “James G. Tyler”, lower left SIZE: 20-1/4″ x 16-1/4″. Overall: 26″ x 22″ CONDITION: Lined, inpainted, craquelure, otherwise good 9-29431 (1,000-1,500)

JAMES GALE TYLER (American, 1855-1931) SHIP OFF ROCKY COAST. Oil on canvas Housed in a gilt wood frame Signed lower left and dated 1911 SIZE: 14″ x 20″. Overall: 16-3/4″ x 22-3/4″. CONDITION: Wax lining, restored tear. Tear and stretcher line still evident, otherwise good. 9-29092 (800-1,200)

NORBERT LENZ (American, 1900-1992) TUG AND SAILBOATS. Oil on wood panel Housed in an open frame with painted background Signed upper left “Norbert Lenz” SIZE: Sight: 14-1/4″ x 19-1/4″. Overall: 20-1/2″ x 25″. CONDITION: Very good. 9-29112 (800-1,200)

JEROME HOWES (American, 1955- ) TUGBOAT “IDEAL”. Oil on masonite Housed in an antique stained wood frame with gold liner, having some scrapes Signed “Jerome Howes”, lower right SIZE: Sight: 15″ x 24″. Overall: 21-1/4″ x 30-1/4″ CONDITION: Very good 9-29503 (1,200-1,600)

JEROME HOWES (American, 1955- ) SAILING ON THE CAPE. Oil on masonite Housed in a modern gesso decorated gilt frame with minor edge losses Signed “Jerome Howes”, lower left SIZE: Sight: 16″ x 17″. Overall: 19-1/2″ x 20-1/2″ CONDITION: Very good to excellent 9-29499 (800-1,200)

FRANK VINING SMITH (American, 1879-1967) “VERY CALM”. Oil on wood panel Housed in a signed Thulin gilt molded frame dated “1947” with some rub loss Signed lower right “Frank Vining Smith” SIZE: 6″ x 8″. Overall: 10″ x 12″ PROVENANCE: From a Cape Cod MA Estate CONDITION: Surface dirt, vertical water drip mark, otherwise very good 9-28424 (600-900)

LUDLOW THORSTON (American 20th/21st Century) ROUNDING THE BUOY. Fine watercolor Housed in a wood frame with double white matte Signed lower right SIZE: Sight: 13-3/4″ x 20″ Overall: 23-1/2″ x 29-1/2″ CONDITION: Very good 9-26778 (500-1,000)

CHARLES SIM MOTTRAM (British, 1852-1919) SHIPS ON OPEN OCEAN. Watercolor Housed in a carved gilt frame with double matte having losses to corners Signed lower left “Chas S. Mottram 1890″ SIZE: Sight: 10-1/2″ X 23-1/2. Overall: 19-1/4″ X 32-1/2”. CONDITION: Very good. 9-29111 (500-600)

UNSIGNED (19th Century) SHIPS ON THE OPEN OCEAN. Watercolor on paper Unframed Unsigned SIZE: 8-3/4″ x 11-1/4″ PROVENANCE: Montclair, NJ estate CONDITION: Very good 9-28568 (300-500)

CHARLES THOMAS BALE (act. 1866-1875) STILL LIFE WITH FRUIT AND GAME. Oil on canvas Housed in a reproduction gilt fancy frame Signed “T. Bale”, lower left SIZE: Sight: 18″ X 14-1/4″. Overall: 24-3/4″ X 21″ CONDITION: Lined, some inpainting, craquelure, very good 9-29430 (800-1,200)

J. COLLINS (American, 20th Century) STILL LIFE OF FRUIT. Oil on panel Housed in a 1920’s decorated frame Signed “J. Collins”, lower left SIZE: 16″ x 12″. Overall: 19-1/2″ x 15-1/2″ CONDITION: Very good 9-29693 (300-400)

OSCAR DURAND (American 1936-) STILL LIFE WITH APPLES, ORANGES AND BASKET. Oil on masonite Housed in gilt frame with painted white and gold lining Signed lower right “Durand”. On reverse is a letter concerning the artist and a biography. SIZE: 12-1/2″ x 14-1/2″ Overall: 17-3/4″ x 19″ CONDITION: Very good 9-26463 (200-400)

PAUL ROHLAND (American, 1884-1953) “AMARYLLIS”. Oil on canvas Housed in its original decorated frame with liner Signed lower left “Paul Rohland” SIZE: 36″ x 27″. Overall: 42-1/2″ x 33-1/2″. CONDITION: Very good. 9-29142 (800-1,200)

HARRIETTE BOWDOIN (American, 1880-1947) STILL LIFE OF FLOWERS WITH VASE. Oil on canvas Housed in a gilt wood modern frame Signed lower left “Bowdoin” SIZE: 20″ x 24″. Overall: 26-3/4″ x 30-3/4″. CONDITION: Very good, some inpainting. 9-29666 (800-1,200)

HENRIETTA AUGUSTA GRANBERY (American, 1829 – 1927) VASE OF FLOWERS. Oil on canvas Housed in an antique gilt frame with gilt liner Signed lower left “H.A. Granbery 1865″ SIZE: Sight: 12″ x 10-3/4″. Overall: 18″ x 16”. CONDITION: Lined, some touch-up, very good. 9-29086 (500-700)

UNSIGNED (19th/20th Century) WATER LILLIES. Oil on canvas Housed in a fine period gesso decorated gilt frame with gilt liner Unsigned SIZE: 16″ x 40″. Overall: 24-3/4″ x 48-3/4″ CONDITION: Light craquelure, very good 9-29873 (400-600)

UNSIGNED (20th Century) STILL LIFE IN VASE WITH CURTAIN. Oil on mahogany panel Housed in a modern carved wood and gilt decorated frame SIZE: 30″ x 24″. Overall: 39″ x 33″. CONDITION: Very good. 9-90434 (800-1,200)

UNSIGNED (20th Century) STILL LIFE WITH VASE AND CURTAIN. Oil on mahogany panel Housed in a modern carved wood and gilt decorated frame SIZE: 30″ x 24″. Overall: 39″ x 33″. CONDITION: Very good. 9-90433 (800-1,200)

WILLIAM HORACE LITTLEFIELD (American, 1902-1969) “THE BURNING BUSH”. Oil on canvas Housed in a simple wood outline frame Signed lower left “Wm.H Littlefield 9 24 57″, also signed, dated, and titled on verso SIZE: 36″ x 41″. Overall: 36-3/4″ x 41-3/4”. CONDITION: Very good. 7-73913 (800-1,200)

RALPH WORMSLEY CURTIS (American, 1854-1922) PORTRAIT OF A ZOUAVE SOLDIER. Watercolor Housed in a thin molded wood frame Signed “R.W. Curtis 70”, lower right Inscribed on verso “R.W. Curtis August 15, 1870, Versailles”. An important time in the defense of Paris during the Franco-Prussian War SIZE: Sight: 12″ x 8-1/2″. Overall: 13-1/4″ x 9-1/2″ CONDITION: Some foxing and toning 9-29638 (800-1,200)

GEORGE GIBBS (American, 1870-1942) CAVALIER WITH SWORD AND FALLEN VICTIM. Pastel Housed in a modern gilt frame with linen and gilt liner behind glass Signed upper right “George Gibbs” SIZE: Sight: 21-3/4″ x 19-1/2″. Overall: 28″ x 26″. CONDITION: Very good. 9-90338 (800-1,200)

SIGNED (19th/20th Century) ROMEO AND JULIET. Oil on canvas Housed in a gold frame with gold liners Signed lower right “Rose F__” SIZE: Sight: 18″ x 12″. Overall: 25″ x 19″. CONDITION: Wax lined, spot inpainting. Very good. 9-29475 (300-500)

R. PAEZ (Argentinian, 19th Century) HERDING BULLS ON THE PAMPAS. Watercolor on paper laid to backing paper Unframed Signed “P. Paez”, lower right SIZE: Sight: 8-1/2″ x 14″. Overall: 9-1/4″ x 14-3/4″ CONDITION: Light scratches in sky, otherwise very good 9-29080 (300-500)

MIZZY (American, Mid-20th Century) OUTSIDE THE CIRCUS TENT. Oil on canvas Housed in a modern gilt frame Unsigned front but having Mizzy on verso SIZE: 14″ x 16″. Overall: 18″ x 20″. CONDITION: Very good. 7-73524 (500-700)

GRANT WOOD (American, 1903-1972) 2 WORKS: ARCHITECTURAL SKETCHES OF 2 HOUSES, CEDAR RAPIDS, IOWA, AND A VIEW OF A COTTAGE. Pencil, watercolor and crayon Housed in thin natural wood frames with ivory matte and behind glass First signed lower right “Grant Wood”, second unsigned SIZE: Sight: 5″ x 13″ and 7″ x 12″. Overall: 14-3/4″ x 20-3/4″ and 15-3/4″ x 20″. PROVENANCE: Acquired from the artist; to the Hansons, Sotheby’s arcade NY 6/23/87 lot 326, private Massachusetts collection. Note: Grant Wood, his mother and his sister Nan lived in the right hand house depicted in the first drawing and Mr. & Mrs. Paul Hanson, close friends of the Wood family, lived in the left hand house. CONDITION: Very good 9-29127 (200-400)

HAROLD C. WOLCOTT (American, 1898-1977) “LOW TIDE”. Oil on Masonite Housed in a weathered wood frame with white liner Signed lower left “H.C. Wolcott”, title on verso SIZE: 20″ x 24″. Overall: 26-1/2″ x 30-1/2″. CONDITION: Very good. 9-29669 (300-500)

ARIANE BEIGNEUAX (American, 1918- } FIGURE IN WINTER LANDSCAPE. Oil on masonite Housed in a partial gilt carved wood frame with linen liner Signed lower left “Ariane Beigneaux 46″ SIZE: 14″ x 18″. Overall: 19-3/4″ x 23-3/4”. CONDITION: Light surface dirt, very good 9-29664 (500-700)

PAUL F. RIBA (American, 1912-1977) STICK BIRDS. Oil on wood panel Housed in a modern partial gilt frame with decorative liner Signed lower left “Paul Riba” SIZE: 10″ x 14″. Overall: 19″ x 15-1/4″. CONDITION: Very good. 9-29126 (300-500)

UNSIGNED (Possibly Russian, 19th Century) GATHERING STICKS IN WINTER. Oil on canvas Housed in its original gesso decorated gilt frame with minor losses SIZE: 9-3/4″ x 13″. Overall: 16″ x 19″. CONDITION: Very good with inpainting. 9-29381 (400-800)

EMMA RUTH BURGESS (American, 1882- ) AUTUMN LANDSCAPE. Oil on board Housed in a gilt wood frame with minor loss to gilt liner Signed lower right “Emma Burgess” SIZE: 12″ x 15″. Overall: 15-3/4″ x 18-3/4″. CONDITION: Very good. 9-29663 (800-1,200)

CHARLOTTE BUELL COMAN (American, 1833-1924) “A HOUSE IN THE OUTSKIRTS OF NEW YORK CITY”. Oil on canvas Housed in its original decorative frame with some losses Signed “C.B. Coman”, lower left SIZE: Sight: 8″ x 10″. Overall: 11″ x 13″ CONDITION: Small puncture in hills, otherwise very good 9-29658 (800-1,200)

FRANCIS CHAPIN (American, 1899-1965) “WINTER DUSK – CHICAGO”. Oil on canvas Housed in a gilt wood frame with painted liner, Fairweather Hardin Gallery, Chicago, labeled to verso Signed “Francis Chapin”, lower right SIZE: 10″ x 14″. Overall: 13-3/4″ x 17-1/2″ CONDITION: Very good 7-70353 (800-1,200)

EDWARD LAMSON HENRY (American, 1841-1919) LOOKING TOWARDS NORTH CHURCH. Oil on canvas Housed in a good lemon-gold period frame Partial “Boston Framing” label to reverse Signed lower left “E.L. Henry” SIZE: 6-3/4″ x 9-3/4″. Overall: 12-1/4″ x 15-1/4″. CONDITION: Very good. 9-27130 (1,000-1,500)

ARTHUR CLIFTON GOODWIN (American, 1866-1929) LANDSCAPE WITH POND AND BUILDING. Pastel Housed in a gold molded wood frame Signed lower left “A.C. Goodwin” SIZE: Sight: 19″ x 24″. Overall: 22-1/2″ x 27-1/2″. CONDITION: Very good. 9-29108 (800-1,200)

JOHN CHARLES TERELAK (American, 1942- ) BUSY CITY GARDEN. Oil on canvas glued to panel Housed in a gilt carved wood frame with linen liner Signed “J.C. Terelak”, lower left SIZE: Sight: 9″ x 12″. Overall: 16″ x 19″ CONDITION: Very good 9-29557 (900-1,200)

HAROLD W. CHENEY (American, 1889-1946) “FROG POND”, BOSTON COMMONS. Oil on board Housed in a partial gilt and painted wood frame Signed lower left “H.W. Cheney” SIZE: 18″ x 24″. Overall: 23-1/2″ x 29-1/2″ CONDITION: Very good. 9-29114 (600-800)

SERGIO ROFFO (American, 1953-) SPRING BLOSSOMS, BOSTON ARBORETUM. Oil on canvas Housed in a modern gilt wood frame Signed lower right “Sergio Roffo” SIZE: 12″ x 16″. Overall: 16-1/4″ x 20-1/4″. PROVENANCE: From a Massachusetts collection CONDITION: Very good to excellent 9-28600 (500-700)

WILLIAM MEYEROWITZ (American, 1887-1981) NUDE- VIEW OF THERESA BERNSTEIN. Oil on canvas Housed in a decorative modern painted wood frame Signed lower right “Wm Meyerowitz” SIZE: 30″ x 18″. Overall: 35″ x 23″. CONDITION: Craquelure, puncture on top of foot, good 9-28455 (300-500)

THERESA BERNSTEIN (American, 1890-2002) SIX WORKS. 1) “Pizza Joint” dated “6/88”; Oil on canvas board; signed “Bernstein”, lower right; framed. 2) “The Waiting Room”/”The Potato Eaters” (2-sided); Ink on paper; signed “Bernstein”, lower right; unframed. 3) Untitled – Still life of flowers; Watercolor on paper; signed “Bernstein 1994”, lower left; unframed. 4) Untitled – Still life of flowers; Ink and gouache on paper; signed “Bernstein 1993”, lower left; unframed. 5) Untitled – Still life with pitcher; Ink, charcoal, and gouache on paper; signed “Bernstein 1996”, lower right; unframed. 6) Untitled – Still life of flowers; Gouache and ink on paper; signed “Bernstein 1997″, lower right; unframed. Note: accompanying lot is a exhibition poster signed by the artist. SIZE: 1) Sight: 20″ x 24″ Overall: 23″ x 27″. 2) 14″ x 17″. 3) 20″ x 15″. 4) 16-1/2″ x 14″. 5) 20″ x 15”. 6) 17″ x 14″ CONDITION: As found: with stains and paper folds 9-28454 (700-900)

JAMES CARLIN (American/Irish, 1906-2005) THE VILLAGE. Watercolor on paper Housed in a carved wood frame with linen liner and glass Signed lower left “James Carlin” SIZE: 22″ x 28″. Overall: 30-1/4″ x 36-1/4″. CONDITION: Very good. 7-70367 (600-800)

HUDSON MINDELL KITCHELL (American 1862-1944) WOODED LANDSCAPE. Oil on canvas Housed in a carved gilt wood frame Signed lower right SIZE: 8″ x 11″ Overall: 14″ x 17″ CONDITION: Relined with spot inpainting, very good 9-26392 (400-800)

CARPENTER (American, 1st Half 20th Century) HOUSES IN A LANDSCAPE. Oil on board Housed in a period gilt wood frame with losses Signed lower left “Carpenter 29″ SIZE: 10″ x 13″. Overall: 12-3/4″ x 15-3/4”. CONDITION: Very good., some edge losses under frame. 9-90432 (300-500)

JOHN EDMUND CALIFANO (American, 1862-1946) A GOOD FORTUNE. Oil on canvas mounted to masonite Housed in a reproduction gilt frame Signed “J. Califano”, upper right Attached to verso: Certificate of appraisal from Anthony Capodilupo, dated 2000 SIZE: 21-3/4″ x 18-1/4″. Overall: 25-3/4″ x 22-1/4″ CONDITION: Some inpainting, very good 9-29992 (400-800)

DENNY SINKE WINTERS (American, 1905-1985) “TIDAL POOL WITH SEAWEED”. Oil on canvas Housed in a modern wood frame Signed lower right and dated “79” SIZE: 26″ x 44″. Overall: 27-3/4″ x 45-3/4″. CONDITION: Very good. 9-23768 (300-500)

PAUL SHEA (American, 1925-2009) WALKING ALONG THE CITY STREET. Watercolor Housed in a modern black metal frame with double matte Signed lower right “Paul D. Shea 1985″ SIZE: Sight: 34″ x 24”. Overall: 43″ x 33″ CONDITION: Very good 9-28599 (300-500)

JAMES NORTHCOTE (American, 1822-1904) LANDSCAPE WITH SHEEP. Watercolor on paper Housed in a gilt decorated frame with losses, gold matte behind glass Signed “James Northcote”, lower left SIZE: Sight: 17-1/2″ x 25″. Overall: 27-1/2″ x 35″ CONDITION: Very good 9-29661 (300-500)

MIKE GRAVES (American, 1952- ) THE RED BARN. Oil on board late fall scene shows a red barn with two tall trees, grass and stone wall. Signed lower right. Housed in a modern gilt frame with wide linen and gilt liner. SIZE: 9-1/4″ x 5-3/4″. Overall: 15″ x 11-3/4″. CONDITION: Very good. 9-22175 (200-400)

UNSIGNED (American, 20th Century) GATHERING AT THE TOWN HALL. Oil on wood panel Housed in a gilt molded wood frame SIZE: 10″ x 12″. Overall: 15″ x 17″. CONDITION: Some inpainting, very good. 9-26591 (150-250)