WALDO PEIRCE (American, 1884-1970) “ANNA”

Oil on canvas
Unframed
Incised with inscription and date lower right “Happy Birthday to Alzira 1942 W”, inscribed on verso “For Bill Happy Birthday to Alzira 1942 W.” SIZE: 20″ x 16″ CONDITION: Surface grime, several pinholes and tear lower center, edges rough 52797-1 (500-1,000) – Lot 1000

WALDO PEIRCE (American, 1884-1970) TWO WATERCOLORS: ANN DANCING, AROUND A CHRISTMAS TREE 1932

1) Watercolor taped to board with mat, unframed, inscribed “Ann dancing for Mama 28 Oct 1939 WP”, 2) Watercolor mounted to board, shows six figures around a Christmas tree, unframed, inscribed on upper left “X-mas 1939 to mama”, signed on verso “W. Peirce” SIZE: 1) 9″ h x 12-1/2″ w, Overall 13″ h x 16″ w, 2) 8-1/2″ h x 11″ w. Overall 12-1/4″ h x 14″ w CONDITION: 1) Some roughness to edges, right side fold mark, some spot and toning, 2) Some adhesive shadows, foxing, fair to good 52797-8 (800-1,200) – Lot 1001

ALZIRA (BOEHM) PEIRCE (American, 1908-2010) TOASTING MARSHMALLOWS

Oil on canvas
Unframed
Signed and dated lower right “Alzira Peirce 1941″ SIZE: 27″ x 40” CONDITION: Good with minor surface grime 52797-2 (500-1,000) – Lot 1002

ALZIRA (BOEHM) PEIRCE (American, 1908-2010) “THE BLACK BARN, 1940” AND PRELIMINARY WATERCOLOR SKETCH

1) Oil on canvas, unframed, signed lower right “Alzira Peirce 1940”, Inscribed on verso of canvas with title, artist & March, 1940
2) Watercolor, unframed, unsigned SIZE: 1) 31″ x 43″. 2) 15″ x 22″ PROVENANCE: Descended through the family of the artist CONDITION: 1) Some light chipping & scuffs, edge abrasion, good. 2) Some water stains, good 52797-12 (600-900) – Lot 1003

Revised: 2/6/2018

Please Note: Due to a data input error, the painting “Arrival” is not included in this lot.

ALZIRA (BOEHM) PEIRCE (American, 1908-2010) TWO WORKS: NIGHTTIME SHOOTING AND “ARRIVAL”

Oils on canvas
Unframed
1) Signed lower right “Alzira Peirce Sept. 1940” 2) Signed lower right “Alzira Peirce Sept 1946″, Midtown galleries label affixed to verso SIZE: 1) 28″ x 36”. 2) 22″ x 30″ PROVENANCE: Descended through the family of the artist CONDITION: 1) Right side has chipping, some other light chips, otherwise good. 2) Craquelure, otherwise good 52797-13 (600-900) – Lot 1004

ANNA ELIZA HARDY (American, 1839-1934) ARRANGEMENT OF WHITE AND PINK ROSES IN A GLASS VASE

Oil on canvas
Housed in a period T. W. Norman & Co. giltwood frame
Signed lower right “A.E. Hardy”, frame label affixed to verso SIZE: 11″ x 16″. Overall: 18″ x 23″ CONDITION: Very good, minor surface grime 52829-69 (2,000-4,000) – Lot 1005

ERIC HOPKINS (American, 1951-) “CAMDEN HILLS I”

Watercolor on paper
Housed in a metal modern frame with white mat
Signed lower right in pencil “Eric Hopkins” and titled lower left SIZE: Sight 29-1/2″ x 21-1/2″. Overall 35″ x 27-1/2″ CONDITION: Very good 52885-85 (1,000-2,000) – Lot 1006

EARLE A. TITUS (American, 1895-1962) “ROAD TO LOBSTER COVE MONHEGAN ISLAND MAINE”

Oil on canvas board
Housed in a painted wood frame
Signed lower right “E A Titus” SIZE: 22″ x 30″. Overall: 29-1/2″ x 37-1/2″ CONDITION: Very good with spotty varnish in sky 52829-20 (2,000-3,000) – Lot 1007

MIKE GRAVES (American, 1952-) “LOOKING DOWN, ACADIA”

Oil on canvas
Housed in contemporary giltwood frame
Signed lower right “Mike Graves”, titled on stretcher SIZE: 20″ x 24″. Overall: 27″ x 31″ CONDITION: Very good to excellent 52899-5 (2,000-3,000) – Lot 1008

KEN KNOWLES (American, 1968-) “PROSPECT HARBOR LIGHT”

Oil on board
Housed in a modern giltwood frame
Signed lower left “Ken Knowles”, titled and dated on verso “Prospect Harbor Light Ken Knowles 08″ SIZE: 12″ x 16”. Overall: 17-1/2″ x 21-1/2″ CONDITION: Very good 52386-2 (1,000-1,500) – Lot 1009

(JOHN) RUTHERFORD BOYD (American, 1884-1951) SKETCHING ON THE COAST OF MAINE

Watercolor
Housed in a stepped wood frame with watercolor highlighted mat behind glass
Signed lower left “Rutherford Boyd / Maine 1941”
Note: This scene appears to be Schoodic Point in the Acadia region SIZE: Sight: 12-1/2″ x 19-1/4″. Overall: 20-1/2″ x 28″ CONDITION: Very good 53020-5 (1,500-2,000) – Lot 1010

CHARLES HENRY EBERT (American, 1873-1959) LOOKING OFF MONHEGAN ISLAND

Oil on canvas board
Housed in a fine modern carved and gilt frame
Signed lower right “Ebert” SIZE: 12″ h x 16″ w. Overall 17-3/4″ h x 21-1/2″ w CONDITION: Very good 52736-8 (1,500-2,500) – Lot 1011

CHARLES HERBERT WOODBURY (American, 1864-1940) “DOG HEAD ROCK OGUNQUIT”

Oil on canvas
Housed in floral carved wood frame with gilt liner
Unsigned SIZE: 22″ x 26″. Overall: 28″ x 32-1/2″ CONDITION: Good restored condition, lined and re-stretched on new stretchers, scattered restoration throughout 52781-5 (1,000-2,000) – Lot 1012

CHARLES HERBERT WOODBURY (American, 1864-1940) PERKINS COVE

Oil on canvas
Housed in an antique lemon gold molded wood frame
Unsigned SIZE: 21-1/2″ x 26″. Overall 26-1/2″ x 31″ PROVENANCE: Perkins family of Ogunquit, Maine. CONDITION: Lined, re-stretched on new stretcher, in-painting, very good 52987-4 (18,000-22,000) – Lot 1013

RONAL PARLIN (American, 20th Century) “SOMESWHERE OVER THE RAINBOW”, SOMES SOUND, ACADIA

Oil on panel
Housed in a contemporary giltwood frame with linen liner
Signed lower right “Ronal Parlin”, titled on label affixed to verso SIZE: 30″ x 40″. Overall: 39″ x 49″ CONDITION: Very good to excellent 52899-4 (3,000-4,000) – Lot 1014

MONOGRAMMED “S J S” (American, 19th/20th century) GRAND MANAN

Oil on canvas
Housed in its original deep gesso decorated gilt frame with oak leaves and acorns
Signed on the boulder lower right “S. J. S.” SIZE: 20″ x 36″. Overall 31″ x 46-3/4″ CONDITION: Unrestored with thinning paint in left sky, surface dirt, otherwise good 52987-9 (800-1,200) – Lot 1015

ROBERT SEWELL (American, 1860-1924) “THE SCAVENGERS, FISH BEACH, MONHEGAN”

Oil on canvas
Housed in modern giltwood frame
Signed and dated lower right “R.W. Sewell-03″, titled on label affixed to backing board SIZE: 25″ x 35”. Overall: 31″ x 41″ CONDITION: Very good, minor stretcher mark and canvas buckle upper right, minor touch-up 52967-5 (3,000-5,000) – Lot 1016

DAVID B. ARMSTRONG (American, 1947-1998) LOT OF FIVE WORKS

All five housed in contemporary frames matted under glass. 1) Muscles, watercolor, signed and dated lower left “David Armstrong 1995”, 2) Oil Lamps and Window, watercolor, signed and dated lower left “David Armstrong 1990”, 3) Daffodils in Window, color print, signed lower right “David Armstrong, numbered lower left “434/950”, 4) “Young Birds”, pencil on paper, titled and signed lower left “Young Birds-David Armstrong”, 5) Frenchmen Bay Conservancy Benefit poster, signed in ink lower right “David Armstrong”, numbered lower left “16/300″1 SIZE: 1) 17-1/2″ x 23-1/2″, 2) 21″ x 14-1/2″, 3) 24-3/4″ X 18″, 4) 9″ X 12-1/2″, 5) 23″ x 33-1/2”. Overall range: 19-1/2″ x 23″ to 31″ x 40″ CONDITION: All in very good condition, not examined out of frames 52885-47 (400-600) – Lot 1017

ROBERT PALLISER (American, 20th century) A SKETCHING PARTY

Oil on board
Housed in an outstanding gesso decorated antique frame
Signed lower left “R. L. Palliser” SIZE: 9″ h x 12″ w. Overall 19-1/2″ h x 22-1/2″ w. CONDITION: Very good, some minor touch-up in sky 53002-12 (1,000-2,000) – Lot 1018

NORMAN WEST (American, 20th century), Lenny

Oil on canvas
Housed in a simple wood slat frame
Unsigned SIZE: 36-1/2″ h x 34-1/2″ w. Overall 37-1/4″ h x 35″ w CONDITION: Very good 52987-13 (5,000-8,000) – Lot 1019

S.P. LEAKOS (American, 1938-) “WOUNDED OR BROKEN CELLO IN DUMP”

Watercolor and pen
Housed in a red painted wood frame
Signed lower right “Leakos”, on verso is his trademark, title and signature card with fingerprint, licked postage for DNA testing, postal mark, signature, title, registration number, etc… SIZE: 11-1/4″ h x 8″ w. Overall 18″ h x 13-1/2″ w. CONDITION: Very good to excellent. 53003-1 (500-1,000) – Lot 1020

NEIL G. WELLIVER (American, 1929-2005) “TROUT AND REFLECTION”

Hand-colored etching
Housed in a contemporary wood frame matted under glass
Signed lower right “Welliver” and numbered lower left “35/60”
1980 SIZE: 22-1/8″ x 29-1/2″. Overall: 31-3/8″ x 39-1/4″ CONDITION: Very good with minor discoloration along edges in margin, not examined out of frame 52735-1 (2,000-4,000) – Lot 1021

STOW WENGENROTH (American, 1906-1978) SIX LITHOGRAPHS

Unframed. Each signed lower left “Stow Wengenroth”. 1) Harbor View, inscribed lower left “ed/60”. 2) “North Village”, edition 60, 1938. 3) “Masons Quarry”, edition 60. 4) “Peg’s Window”, numbered lower left “ed/75”, titled in margin, 1974. 5) “My House”, numbered lower left “ed/75″. 6) Boat at Dock, edition 50, 1931. SIZE: 1) 8-3/4″ x 15″. 2) 5-1/2″x 12-3/4″ in. 3) 9-7/8″ x 15-3/4″. 4) 13″ x 9″. 5) 9-1/8″ x 14-3/4″. 6) 9″ x 12”. Largest overall: 16″ x 20-1/4″ PROVENANCE: 1 & 3) Wenninger Graphics. 2) Child’s Gallery. 4) Artist’s Studio 5-356. CONDITION: All six in very good condition, affixed to mats with hinges. 3 shrink wrapped, two loose matted. 4) Minor discoloration left edge. 52968-3 (1,400-1,800) – Lot 1022

BERNARD LANGLAIS (American, 1923-1977) LION

Carved, stained and painted wood relief panel
Housed in a slat wood frame
Signed lower right “Bernard Langlais” SIZE: Overall: 36-1/2″ x 79″ PROVENANCE: From a coastal Maine collection CONDITION: 3″ surface scratch and possibly a few missing tiles 52553-6 (15,000-25,000) – Lot 1023

BERNARD LANGLAIS (American, 1923-1977) BIRD

Carved wood relief
Housed in a plexiglass shadow box
Signed on backing paper upper left “Bernard Langlais”, inscribed on verso “Bernard Langlais Cushing Maine 461″ SIZE: 26-1/2″ x 20-1/2”. Overall: 29″ x 23-1/2″ PROVENANCE: From a coastal Maine collection CONDITION: Carving in very good condition, mounted within frame to paper backing, backing has acid staining 52553-5 (3,000-5,000) – Lot 1024